Boss VE-500 Users Manual

Page 1
Owner’s Manual
Main features
5 Provides numerous vocal eects for the guitarist
5 HARMONY automatically adds harmony to your vocal, based on your guitar playing
5 VOCODER uses your voice to add expressive power to your guitar performance
5 ENHANCE improves the clarity of your sound
5 PITCH CORRECT corrects inaccuracies in pitch
5 Four independent general-purpose FX units provide 20 distinctive eect types such as DISTORTION
and RADIO, and there are also two independent REVERB/DELAY units, giving you a high degree of exibility for making eect settings
5 Panel layout that provides high functionality and emphasizes live performance, with an easily
readable screen display and an independent [HARMONY] switch
5 Memory function lets you store and recall 99 setups in internal memory
5 By connecting a USB cable or MIDI cable, you can synchronize the unit with an external MIDI device
or a DAW on your computer, or switch sounds and control parameters
Owner’s Manual (this document)
Read this rst. It explains the basic things you need to know in order to use the VE-500. For detailed information on how to operate the VE-500, please download and refer to “Parameter Guide” (PDF le).
PDF Manual (download from the Web)
5 Parameter Guide
This explains all of the parameters of the VE-500.
Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaet “USING THE UNIT SAFELY” and the Owner’s Manual (p. 20)). After reading, keep the document(s) where it will be available for immediate reference.
© 2018 Roland Corporation
1. Enter the following URL on your
computer.
http://www.boss.info/manuals/
?
2. Choose “VE-500” as the product name.
Page 2

Contents

Getting Ready . . . . . . . . . . . . . . . . . . . . . . . 3
Connecting the Equipment . . . . . . . . . . 3
Connecting the Equipment . . . . . . . . . . 4
Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Screen Structure . . . . . . . . . . . . . . . . . . . 6
Operation of the [1]–[3] Knobs . . . . . . . 7
Switching Pages . . . . . . . . . . . . . . . . . . . . 7
Turning On/O the Power . . . . . . . . . . . 8
Tuning (Tuner) . . . . . . . . . . . . . . . . . . . . . 8
Playing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Mic Settings . . . . . . . . . . . . . . . . . . . . . . . 9
Adjusting the Mic Sensitivity . . . 9
Phantom Power Settings . . . . . . . 9
Patch Structure . . . . . . . . . . . . . . . . . . . . . 9
Switching Between Memory and
Manual Modes . . . . . . . . . . . . . . . . . . . . . 9
Switching Patches . . . . . . . . . . . . . . . . . . 10
Adding a Harmony Eect . . . . . . . . . . . . 10
About the Play Screen . . . . . . . . . . . . . . . 10
Editing a Patch . . . . . . . . . . . . . . . . . . . . . . . 11
Basic Operation . . . . . . . . . . . . . . . . . . . . 11
Changing the Eect Connections 12
Changing the CTL & ASSIGN
Settings . . . . . . . . . . . . . . . . . . . . . . 13
Matching the Harmony to the
Key of the Song . . . . . . . . . . . . . . . 14
Saving a Patch (Write) . . . . . . . . . . . . . . . 15
Exchanging Patches . . . . . . . . . . . 15
Initializing a Patch . . . . . . . . . . . . . 15
System Settings (MENU) . . . . . . . . . . . . . 16
Basic Operation . . . . . . . . . . . . . . . . . . . . 16
Adjusting the Display Contrast . . . . . . . 17
Enabling/Disabling the Auto-O
Function . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Returning to the Factory Settings
(Factory Reset) . . . . . . . . . . . . . . . . . . . . . 17
Synchronizing with a DAW or External MIDI Device
Installing the USB Driver . . . . . . . . . . . . . 18
Installing the Dedicated Software . . . . 18
. . . . . . . . . . . . . . . . 18
Appendix . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Error Messages . . . . . . . . . . . . . . . . . . . . . 19
Attaching the Rubber Feet . . . . . . . . . . . 19
Main Specications . . . . . . . . . . . . . . . . . 19
USING THE UNIT SAFELY . . . . . . . . . . . . . 20
IMPORTANT NOTES . . . . . . . . . . . . . . . . . . 20
* To prevent malfunction and equipment failure, always turn down the volume, and turn o all the units before
making any connections.
* The power to this unit will be turned o automatically after a predetermined amount of time has passed since it
was last used for playing music, or its buttons or controls were operated (Auto O function).If you do not want the power to be turned o automatically, disengage the Auto O function (“Enabling/Disabling the Auto-O Function” (p. 17)).
5 Any settings that you are in the process of editing will be lost when the power is turned o. If you have any
settings that you want to keep, you should save them beforehand.
5 To restore power, turn the power on again (p. 8).
2
Page 3

Getting Ready

1: GND 2: HOT
3: COLD
3: COLD

Connecting the Equipment

INST INPUT jack MIC IN connector
Connect your electric guitar or other instrument here. HARMONY or VOCODER eects are applied to your vocal according to your guitar playing.
Connect your mic here. If you connect a condenser mic, turn phantom power on as described in "Phantom Power Settings" (p. 9). The VE-500 is equipped with a balanced (XLR) connector.
MIC IN connector pin conguration
OUTPUT L, R connectorsINST THRU jack
3: COLD
MIDI IN connector
Connect an external MIDI device here. The VE-500 can receive program change messages, and synchronize its tempo with a MIDI device.
1: GND2: HOT
O (MICRO USB) port
Use a micro USB cable to connect your computer here. This allows MIDI and audio signals to be exchanged.
* Do not use a micro USB cable that
is designed only for charging a device. Charge-only cables cannot transmit data.
DC IN jack
Connect your guitar amp or eect unit here.
* The signal that enters the INST
INPUT jack is output from here.
Connect these connectors to your PA mixer, etc. These connectors output the signal processed by the eects. The VE-500 is equipped with balanced (XLR) connectors.
* The sound of the guitar is not output.
Connect the AC adaptor here.
* Use only the included AC
adaptor (PSA-S series), and make sure that the AC outlet is the correct voltage for the adaptor.
[GND LIFT] switch
In some cases, you might hear “ground loop hum” (a buzz or hum) when the VE-500 is connected to an external device. If this occurs, changing the setting of the [GND LIFT] switch might lessen the problem. Normally you'll leave this switch in the NOR (NORMAL) position.
Switch Explanation NOR Pin 1 of the OUTPUT jacks is connected to the VE-500’s GND.
LIFT Pin 1 of the OUTPUT jacks is disconnected from the VE-500’s GND.
OUTPUT connector pin conguration
1: GND 2: HOT
3
Page 4
Getting Ready
1: GND2: HOT
1: GND 2: HOT

Connecting the Equipment

CTL 1, 2 / EXP jack pin conguration
TIP: HOT RING: COLD SLEEVE: GND
CTL 1, 2/EXP jacks
You can control various parameters by connecting a footswitch (FS-5U, FS-5L, FS-6, FS-7: sold separately) or an expression pedal (such as the FV-500H, FV-500L, EV-30, Roland EV-5: sold separately) to the CTL 1, 2/EXP jack (p. 13
When Connecting an FS-5U (or FS-5L)
)
When Connecting Two FS-5Us (or FS-5Ls)
1/4” phone type
,
1/4” phone type
Stereo 1/4” phone type
,
Stereo 1/4” phone type
CTL 2 CTL 1
4
Stereo 1/4” phone type
,
1/4” phone type x 2
When connecting an FS-5L, set MODE of CTL IN1 / CTL IN2 to “MOMENT” (p. 13).
POLARITY switch
CTL 1 CTL 2 CTL 1
When Connecting an FS-7When Connecting an FS-6
Stereo 1/4” phone type
,
Stereo 1/4” phone
type
When connecting expression pedal
* Use only the specied
expression pedal (FV-500H, F-500L, EV-30, Roland EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
EXP
MODE/POLARITY switch
MODE/POLARITY switch
Page 5

Top Panel

Getting Ready
2
1
3
4 5
Display
1
This shows various information for the VE-500.
[1]–[3] knob
Select and edit the parameter values shown in the display.
* Refer to “Operation of the [1]–[3] Knobs” (p. 7)
2
* If the lock function is on, the [1]–[3] knobs are
disabled in the play screen (p. 10) to prevent unintended operation. For more about the lock function, refer to “Parameter Guide” (PDF).
[EFFECT EDIT] ( [ON/OFF] ) button
Makes patch settings. When editing, this button turns on/o the selected eect.
3
[KEY]([< PAGE]) button
Species the key of the harmony.
5 In screens that show page tabs, use this as the
[< PAGE] button to switch pages.
[MENU] button
Lets you make system settings.
[EXIT] button
Cancels an operation or returns to the previous screen.
[ENTER] ( [PAGE >] ) button
3
Press this to conrm an operation.
5 In screens that show page tabs, use this as the
[PAGE >] button to switch pages.
5 In the play screen, use this to switch the display.
[?] [=] switch
In memory mode, use these switches to select
4
patches. In manual mode, use these switches to operate the assigned function (with the factory settings, these turn FX1 and FX2 on/o).
[HARMONY] switch
Turns harmony on/o.
5 Press the [=] and [HARMONY] switches
5
simultaneously to bypass the eect.
5 Long-press the [=] and [HARMONY] switches
simultaneously to access the tuner screen.
The function of each switch can be freely assigned in “CTL & ASSIGN SETTING” (p. 13). The color of the indicator changes depending on the specied function.
5
Page 6
Getting Ready

Screen Structure

MENU screen (p. 16)
Play screen (p. 10)
Use the [< PAGE] [PAGE >] buttons to change pages
Use the [1]–[3] knobs to move the cursor
Use [ENTER] button to switch pages
WRITE UTILITY screen (p. 14)System settings (p. 16)
Use the [1]–[3] knobs to move the cursor
Memory mode
Press [?] + [=] simultaneously
Manual mode
Tuner screen (p. 8)
[=] + [HARMONY] Hold for two seconds
Patch edit (p. 11)
Eect select screen (p. 11)
6
Use the [1]–[3] knobs to move the cursor
Use the [1]–[3] knobs to move the cursor
Use the [< PAGE] [PAGE >] buttons to change pages
Use the [1]–[3] knobs to move the cursor
CTL & ASSIGN screen (p. 13)HARMONY / VOCODER Screen (p. 11)
Use the [< PAGE] [PAGE >] buttons to change pages
Page 7

Operation of the [1]–[3] Knobs

5 In the play screen (p. 10), the [1]–[3] knobs
correspond to the functions that are assigned by “System settings” -> “KNOB” (p. 16).
5 In the eect select screen (p. 11), the [1]–[3]
knobs have the following functions.
[1] knob [2] knob [3] knob Move cursor Turn eect on/o Select eect type
Getting Ready
5 In the CTL & ASSIGN screen (p. 13), WRITE
UTILITY screen (p. 15), and MENU screen (p. 16), you can move the cursor and select an icon by operating any knob.
5 In screens where knob or switch icons are
shown, the [1]–[3] knobs correspond to those icons.
OFF#ON

Switching Pages

5 When page tabs are displayed on the screen, you can switch pages by pressing the [< PAGE] [PAGE >]
buttons.
7
Page 8
Getting Ready
Turning On/O the Power
The DC IN jack also functions as the power switch. The power turns on when you insert the AC adaptor’s plug into the DC IN jack, and turns o when you disconnect it.
* Before turning the unit on/o, always be sure to turn the volume down. Even with the volume turned down, you might hear
some sound when switching the unit on/o. However, this is normal and does not indicate a malfunction.
* Before you make connections, make sure that the input gain or volume of your mixer, recorder or amplier is turned down.
To turn the power on
Power-on in the following order: this unit (plug in the AC adaptor) 0 connected devices 0 amp.
To turn the power o
Power-o in the following order: amp 0 connected devices 0 this unit (unplug the AC adaptor).

Tuning (Tuner)

1. Simultaneously long-press (two
seconds or longer) the [=] switch and [HARMONY] switch.
Specifying the reference pitch
Turn knob [1] to change the tuner's reference pitch.
* Changing the tuner’s reference pitch also changes
the reference pitch for the harmony.
PITCH
435–445 Hz (default: 440 Hz)
Tuner Source
Turn knob [2] to select the input signal that is
The tuner screen appears.
detected by the tuner.
SOURCE Explanation MIC Tune the mic
INST Tune the guitar
INST&M Tune both guitar and mic
2. Play your guitar or input your voice, and
tune your instrument. Tune so that only the indicator in the center of the screen is lit.
3. When you nish tuning, once again
long-press the [=] switch and [HARMONY] switch simultaneously.
8
Output settings
Turn knob [3] to specify how the vocal sound is output while you’re using the tuner.
VOCAL OUT Explanation BYPASS Output with the eects o
DRY Output with ENHANCE applied
LEAD
MUTE Output is muted
Output with ENHANCE and PITCH CORRECT applied
Page 9

Playing

Mic Settings

Adjusting the Mic Sensitivity

1. Press the [MENU] button.
2. Use the [1] knob to select “INPUT,” and
then press the [ENTER] button.
3. Use knob [1] to adjust the sensitivity of
the mic.
Triangular mark
Adjust the mic sensitivity appropriately while watching the level meter in the screen.
* The appropriate sensitivity is when the loudest
input sound reaches the approximate position of the triangular mark.
MIC SENS
0–200 (default: 100)

Phantom Power Settings

4. If you’re using a condenser mic, use
knob [3] to turn “PHANTOM” on.

Patch Structure

A combination of VE-500 eects and settings for those eects is called a “patch.”
You can edit the settings of a patch and store it as a “user patch.”
Preset patch User patch
Patch P50
Patch P03
Patch P02
Patch P01
HARMONY (VOCODER) ENHANCE PITCH CORRECT FX1 / FX2 / FX3 / FX4 REVERB1/ REVERB2 CTL / MASTER / LOOP
Patch U99
Patch U03
Patch U02
Patch U01
HARMONY (VOCODER) ENHANCE PITCH CORRECT FX1 / FX2 / FX3 / FX4 REVERB1/ REVERB2 CTL / MASTER / LOOP

Switching Between Memory and Manual Modes

Memory mode
In this mode you can recall and use patches that are saved in the VE-500’s memory. Use the [?] and [=] switches to select a patch.
Manual mode
In this mode you can operate the functions that are assigned to the [?] and [=] switches.
1. Press the [?] switch and [=] switch
simultaneously.
PHANTOM Explanation OFF Phantom power o
ON Phantom power on
5. Press the [EXIT] button a number of
times to return to the play screen.
Memory mode Manual mode
Each time you press these, you alternate between memory mode and manual mode.
9
Page 10
Playing

Switching Patches

1. Switch to memory mode.
2. Use the [?] [=] switches to select a
patch.
Pressing [?] selects the previous patch number, and
pressing [=] selects the next patch number.
Patch down Patch up
You can turn knob [1] to select patches consecutively.
* You can’t switch patches unless you’re in the Play
screen (next item). Press the [EXIT] button to return to the Play screen, and then switch patches.

About the Play Screen

The screen that appears after you turn on the power is called the “Play screen.”
Press the [ENTER] button to switch the display.
Patch Number
[1] [2] [3]
Parameters edited by the three knobs
Patch Number
Patch Name
Parameters assigned to the switches
[?] [=]
Master BPM
Patch Name Key Setting
Master BPM
Key Setting
[HARMONY]
PHANTOM power on
Knob Lock on
PHANTOM power on
Knob Lock on
Adding a Harmony Eect
1. Press the [HARMONY] switch to make
the indicator light.
A harmony eect is applied.
Try singing while you play your guitar, and notice the harmony eect.
* A function other than turning the harmony eect
on/o can also be assigned to the [HARMONY] switch (p. 13).
10
Patch Number
Master BPM
Eect type
Key Setting
Page 11

Editing a Patch

Basic Operation

1. Recall the patch that you want to edit
(p. 10).
2. Press the [EFFECT EDIT] button.
The eect select screen appears.
3. Use knob [1] to select the eect that
you want to edit.
You can use the [EFFECT EDIT] ([ON/OFF]) button or knob [2] to turn on/o the eect where the cursor is located (highlighted).
Eect Explanation
Improves the clarity of the sound.
Corrects inaccuracies in pitch. This is available only when HRM (harmony) is selected.
HRM: Adds harmony to your vocal. VOC: A vocoder eect.
These let you select a variety of eect types. You can also choose the
same eect for FX1–FX4.
These let you select reverb or delay.
Overdub-record additional sound, and play it back as a loop.
Adjust the tonal character of patches, and make other settings.
Refer to “Changing the CTL/ASSIGN Settings” (p. 13).
MEMO
For FX1–4, and HRM (VOC), you can use knob [3] to choose the eect type.
An eect that is on is shown by an icon. An eect that
is o is shown as "OFF."
For details on the parameter, refer to the “Parameter Guide” (PDF le).
4. Press the [ENTER] button to access the
edit screen.
MEMO
In the edit screen, press the [ON/OFF] button to turn the eect on/o. This lets you hear what the eect does.
11
Page 12
Editing a Patch
In screens where page tabs are displayed, use the [< PAGE] [PAGE >] buttons to move between editing screen pages.
5. Use knobs [1]–[3] to specify the value of
each parameter shown in the screen.
6. Press the [EXIT] button a number of
times to return to the play screen.
Changing the Eect Connections
1. In the eect select screen, choose “MST.”
2. Use “FX STRUCTURE” to change the
order in which FX1–FX4 are connected.
3. Use “REVERB STRUCTURE” to change
the order in which REV1 and REV2 are connected.
The eect connection changes.
FX STRUCTURE
STRUCTURE1: SERIES
LEAD
HARMONY1
HARMONY2
HARMONY3
STRUCTURE2: PARA+SER
LEAD
HARMONY1
HARMONY2
HARMONY3
STRUCTURE3: 2PARALLEL
LEAD
HARMONY1
HARMONY2
HARMONY3
STRUCTURE4: 4PARALLEL
LEAD
HARMONY1
FX1
FX2
FX1 FX2
FX3 FX4
FX1
FX2
Multi-FX
Multi-FX
FX3 FX4
Multi-FX
Multi-FX
FX OUT1FX1 FX2 FX3 FX4
FX OUT1
FX OUT1
FX OUT2
FX OUT1
FX OUT2
12
HARMONY2
HARMONY3
Output Explanation
LEAD
HARMONY1 Output the harmony sound
HARMONY2 Output the harmony sound
HARMONY3 Output the harmony sound
FX3
FX4
Output the sound with ENHANCE and PITCH CORRECT applied
FX OUT3
FX OUT4
Page 13
Editing a Patch
REVERB STRUCTURE
STRUCTURE1: SERIES
FX OUT1
FX OUT2
FX OUT3
FX OUT4
STRUCTURE2: PARALLEL
FX OUT1
FX OUT2
FX OUT3
FX OUT4
STRUCTURE3: SEPARATE
FX OUT1
FX OUT2
FX OUT3
FX OUT4
REV/DLY1
REV/DLY2
REV/DLY1
REV/DLY2
REV/DLY1
REV/DLY2
Reverb
Reverb
Reverb
FX OUT
FX OUT
FX OUT

Changing the CTL & ASSIGN Settings

You can operate a variety of parameters by making CTL and ASSIGN settings for each patch.
1. In the eect select screen, use knobs
[1]–[3] to select “CTL,” and then press the [ENTER] button.
The CTL & ASSIGN screen appears.
2. Use knobs [1]–[3] to select the
controller that you want to edit.
An icon indicates controllers that are turned on. Controllers that are o are indicated by “OFF.”
Controller
Explanation
Species the parameter that is controlled by the [?] and [=]
switches when in Memory mode.
* This works only in Memory mode.
Species the parameter that is controlled by the [?] ([FX1]) and [=] ([FX2]) switches when in Manual
mode.
* This works only in Manual mode.
Species the parameter that is controlled by the [HARMONY] switch.
Species the parameter that is controlled by an expression pedal (EXP) connected to the CTL 1, 2/ EXP jack.
Species the parameter that is
controlled by a footswitch (CTL 1–2) connected to the CTL 1, 2/EXP jack.
Species the parameter that is controlled by pressing the [?] and [=] switches simultaneously.
Species the parameter that is controlled by pressing the [=] and [HARMONY] switches simultaneously.
13
Page 14
Editing a Patch
Controller
Explanation
ASSIGN allows you to make more detailed settings.For example, you can use ASSIGN if you want to simultaneously control another
parameter in addition to operating the parameter of the [?] switch.
You can specify eight dierent settings for each patch.
Make common settings for “ASSIGN.”
3. Press the [ENTER] button to move to the
edit screen.
In screens that show page tabs, use the [< PAGE] [PAGE >] buttons to switch between edit screen pages.
4. Use knobs [1]–[3] to edit the parameter
values in the screen.
5. Press the [EXIT] button a number of
times to return to the play screen.

Matching the Harmony to the Key of the Song

1. Press the [KEY] button.
2. Use knob [1] to specify the “AUTO”
setting.
If Auto is set to “FULL” or “HYBRID,” the key is specied automatically according to the chords and the chord progression that you play on the connected guitar.
AUTO Explanation
FULL
HYBRID
OFF
* Try the FULL setting, and if you don’t get the
harmony that you expect, use the HYBRID setting. If you’re not using a guitar, turn this OFF and specify the key.
3. Use knob [2] to specify the “KEY.”
* As shown in the illustration below, specify the key of
the song that you’re singing. (Example) If you’re singing a song in A minor, set the key to the relative key of “C.”
Harmony is added according to the chords and the chord progression that you play on your guitar.
Harmony is added according to the “KEY” setting and the chords that you play on your guitar.
Harmony is added according to the “KEY” setting.
14
4. Press the [EXIT] button a number of
times to return to the play screen.
You can also add harmony according to note data that’s input via the MIDI IN connector.
Page 15
Editing a Patch

Saving a Patch (Write)

If you want to save the patch that you created, execute the Write operation.
* You can use dedicated software to save,
exchange, initialize, or back up patches (p. 18).
NOTE
5 If you do not save the patch, the edited
settings will be lost when you turn o the power or switch to another patch.
5 When you save, the patch that had been in the
save-destination is overwritten.
1. Press the [EXIT] button and [ENTER]
button simultaneously.
The WRITE UTILITY screen appears.
2. Select “WRITE” and then press the
[ENTER] button.
3. Choose the patch write destination
(U01–U99) with the [1] knob, and press the [ENTER] button.
Here you can edit the name.
Controller Operation [1] knob Changes the character
[2] knob Moves the cursor
[3] knob Selects the type of characters
[EFFECT EDIT] button
[MENU] button
4. To save the patch, press the [ENTER]
button.
Delete the character at the cursor location
Insert a space at the cursor location
* If you decide to cancel, press the [EXIT] button.
Once the patch has been saved, you arereturned to the Play screen.

Exchanging Patches

Here’s how to exchange the currently selected patch with a patch that you specify.
1. In the WRITE UTILITY screen, select
“EXCHANGE” and press the [ENTER] button.
2. Choose the exchange-destination patch
with the [1] knob.
3. To exchange the patches, press the
[ENTER] button.
* If you decide to cancel, press the [EXIT] button.
Once the patches has been exchanged, you are returned to the Play screen.

Initializing a Patch

Here’s how to return the selected patch to the default values.
1. In the WRITE UTILITY screen, select
“INITIALIZE” and press the [ENTER] button.
2. Choose the initialize-destination patch
with the [1] knob.
3. To initialize the patch, press the [ENTER]
button.
* If you decide to cancel, press the [EXIT] button.
Once the patch has been initialized, you are returned to the Play screen.
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Page 16

System Settings (MENU)

Settings that are shared by the entire VE-500 are called “system settings.”
For details on the parameter, refer to the “Parameter Guide” (PDF le).

Basic Operation

1. Press the [MENU] button.
The MENU screen appears.
2. Choose the item that you want to edit.
Item Explanation
Adjust the contrast of the display.
Make input-related settings.
Make output-related settings.
Make settings for the option functions during performance.
Item Explanation
Refer to “Restoring the Factory Default Settings (Factory Reset)” (p. 17).
3. Press the [ENTER] button to enter the
edit screen.
When page tabs are displayed on the screen, you can switch pages by pressing the [<PAGE] [PAGE>] buttons.
4. Use the [1]–[3] knobs to edit the value
of the parameters shown in the screen.
5. Press the [EXIT] button a number of
times to return to the play screen.
* There is no Write function for the system settings.
When you specify a parameter setting, the change is saved and applied automatically.
16
Specify the functions of knobs [1]–[3] operated in the play screen.
External pedals, and other settings will have independent settings for each patch or will share the same settings for all patches.
This is the tuner screen.
Make MIDI-related settings.
Make USB-related settings.
Refer to “Enabling/Disabling the Auto­O Function” (p. 17).
Page 17
System Settings (MENU)

Adjusting the Display Contrast

You can adjust the brightness of the display.
1. In the MENU screen, select “DISPLAY”
and press the [ENTER] button.
2. Adjust the contrast with the [1] knob.
Enabling/Disabling the Auto-O Function
If you set the auto-o function to “On,” the power will turn o automatically when 10 hours have passed since you last played or operated the unit. The display will show a message approximately 15 minutes before the power turns o.
* With the factory settings, this is turned “on.” If you
don’t need the power to turn o automatically, turn this “o.”
* If the power was turned o by the Auto O
function, disconnect and then reconnect the AC adaptor to turn the power on again.
1. In the MENU screen, select “AUTO OFF”
and press the [ENTER] button.
2. Set the On (AUTO OFF) or OFF with the
[1] knob.

Returning to the Factory Settings (Factory Reset)

Restoring the VE-500’s settings to their original factory default settings is referred to as “Factory Reset.” Not only can you return all of the settings to the values in eect when the VE-500 was shipped from the factory, you can also specify the items to be reset.
* When you execute “Factory Reset,” the settings you
made will be lost. Save the data you need to your computer using the dedicated software.
1. In the MENU screen, choose “F. RST” and
press the [ENTER] button.
2. Choose the type of settings to be
restored to the factory default settings with knobs [1] and [3].
Parameter Value Explanation
[1] knob
FROM
[3] knob
TO
SYSTEM
U01–U99
SYSTEM
U01–U99
System parameter settings
Settings for Patch Numbers U01–U50
System parameter settings
Settings for Patch Numbers U01–U50
3. Press the [ENTER] button.
4. To execute the factory reset, use the
knob to select “OK,” and press the [ENTER] button.
* If you decide not to execute the factory reset, select
“CANCEL” and press the [ENTER] button.
Once the Factory Reset is complete, you are returned to the Play screen.
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Synchronizing with a DAW or External MIDI Device

By transmitting and receiving MIDI messages, the VE-500 can synchronize with a computer or an external MIDI device. For example, you can switch VE-500 patches from an external MIDI device or DAW, or match the tempo.
If the VE-500 is connected via USB to a computer, you can also use dedicated software to do the following.
5 Edit patch settings.
5 Rename patches.
5 Change the order of patches, or replace them.
5 Back up patches and internal settings, or restore the
backed-up settings.
5 View the “Parameter Guide” and “MIDI Implementation
Chart” (PDF).
Connection example
DAW
External MIDI device
MIDI messages that can be transmitted and received
Patch change
Bank select (CC#0, #32) and program change
Synchronization data
Tempo clock (F8)
Patch data
System Exclusive messages
* Control change transmission and reception are
specied by the ASSIGN settings. In addition to receiving control changes, the VE-500 can also transmit them when you operate a switch or the EXP pedal.
For details on the parameter, refer to the “Parameter Guide” (PDF le).

Installing the USB Driver

You must install the USB driver before connecting to a computer.
Please download the USB driver from the BOSS website.
Install this special driver before making a USB connection.
Download the USB driver from the BOSS website. For details, refer to Readme.htm which is included in the download.
&https://www.boss.info/support/
The program you need to use, and the steps you need to take to install the USB driver will dier depending on your computer setup, so please carefully read and refer to the Readme.htm le that comes with the download.

Installing the Dedicated Software

You can easily download dedicated software from the BOSS website.
& https://www.boss.info/support/
For details on how to use the software, refer to the Readme.htm le that comes with the download.
Other messages
Note (receiving only) Control changes
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Page 19

Appendix

Error Messages

Display Problem Action
SENDING BULK DATA
RECEIVING BULK DATA
MIDI OFFLINE
MIDI BUFFER FULL
USB CONNECTED
USB DISCONNECTED
KNOB IS LOCKED
MEMORY DAMAGED!

Attaching the Rubber Feet

Currently transmitting a MIDI bulk dump. -
Currently receiving a MIDI bulk dump. -
Communication from the connected device has been interrupted. This message is also displayed if the connected device is powered­o. This is not a malfunction.
An excessive amount of MIDI data was received in a short time from an external MIDI device connected to the MIDI IN connector, and the VE-500 was unable to process it.
The USB cable is connected. -
Communication from the connected device has been interrupted. This message is also displayed if the connected device is powered­o. This is not a malfunction.
The buttons and knobs are locked. Turn o the lock function.
User memory is damaged.
You can attach the rubber feet (included) if necessary.
* When turning the unit over, be careful so as to protect the buttons and knobs from damage.
Also, handle the unit carefully; do not drop it.
* Attach the rubber feet correctly. If they are not attached correctly, they could deform or
malfunction.
Check whether the connection cable might be disconnected or broken.
Reduce the amount of MIDI data that is being sent to the VE-500.
Check whether the connection cable might be disconnected or broken.
Execute the factory reset operation (p. 17). If this does not solve the problem, a malfunction might have occurred. Consult the nearest Roland service center.
Main Specications
BOSS VE-500: Vocal Performer
Power Supply AC Adaptor
Current Draw 310 mA (with phantom power) 210 mA (without phantom power)
Dimensions
Weight 860 g 1 lb 15 oz
Display Graphic LCD (132 x 32 dots, backlit LCD)
Accessories AC adaptor: PSA series, Owner’s manual, Leaet “USING THE UNIT SAFELY,” Rubber Feet x 4
Options (sold separately)
* 0 dBu = 0.775 Vrms
* This document explains the specications of the product at the time that the document was issued. For the latest
information, refer to the Roland website.
170 (W) x 138 (D) x 62 (H) mm 6-3/4 (W) x 5-7/16 (D) x 2-1/2 (H) inches
Footswitch: FS-5U, FS-5L Dual Footswitch: FS-6, FS-7 Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5
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Page 20

USING THE UNIT SAFELY

WARNING
Concerning the Auto O function
The power to this unit will be turned o automatically after a predetermined amount of time has passed since it was last used for playing music, or its buttons or controls were operated (Auto O function). If you do not want the power to be turned o automatically, disengage the Auto O function (p. 17).
Use only the supplied AC adaptor and the correct voltage
Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specied on the AC adaptor’s body. Other AC adaptors may use a dierent polarity, or be designed for a dierent voltage, so their use could result in damage, malfunction, or electric shock.

IMPORTANT NOTES

Placement
• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.
Repairs and Data
• Before sending the unit away for repairs, be sure to make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.
Additional Precautions
• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.
• Roland assumes no liability concerning the restoration of any stored content that has been lost.
• Never strike or apply strong pressure to the display.
CAUTION
Keep small items out of the reach of children
To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.
• Accessories Rubber Feet (p. 19)
• Use only the specied expression pedal. By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
• Do not use connection cables that contain a built-in resistor.
CAUTION
Precautions concerning use of phantom power supply
Always turn the phantom power o when connecting any device other than condenser microphones that require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic microphones, audio playback devices, or other devices that don’t require such power. Be sure to check the specications of any microphone you intend to use by referring to the manual that came with it.
(This instrument’s phantom power: 48 V DC, 10 mA Max)
Licenses/Trademarks
• ASIO is a trademark and software of Steinberg Media Technologies GmbH.
• This product contains eParts integrated software platform of eSOL Co.,Ltd. eParts is a trademark of eSOL Co., Ltd. in Japan.
• Roland and BOSS are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.
• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.
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