Bose T1 User Manual
TM
T1 ToneMatch
AUDIO ENGINE
Owner’s Guide
QUICK PATH TO MAKING MUSIC
To get sound right away
1. Remove your new T1 ToneMatchTM
audio engine from the carrying bag and
remove its protective cover (page 6).
2. Refer to the Quick Setup Guide and
connect your T1 to your L1
3. Make sure the T1 Master volume
control is set to 0 (page 16).
4. Turn on the T1 and then turn on your L1 model II system.
ON
5. Plug your instrument or microphone into the Channel 1
input on the back of the T1 (page 4).
6. Play your instrument or sing into the microphone. Turn the
CH 1 Trim control clockwise until the input signal indicator glows green (page 16).
7. Slowly turn the T1 Master volume control up until it is
approximately in the 12 o’clock position (page 16).
8. Slowly turn the CH 1 Vo l control up until you hear your
instrument or microphone (page 16).
TM
system.
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Trim
(CH 1)
Vol (CH 1)
Master
IMPORTANT!
Please make sure you read “Optimizing input gain and
output volume” on page 16. This explains how to properly adjust the input trim, channel volume, and master
volume controls for the best possible sound.
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To shape your sound
Rotate the T1 rotary selector to
choose a function.
Use the display information
and control buttons under the
display to change the settings
(see “Reading the T1 display”
on page 18).
1. To n eM atc hTM engine: Select a preset designed for your
specific instrument or microphone (see “Selecting a ToneMatch™ preset” on page 20).
2. zEQ: Adjust the low/mid/high-frequency bands specific to
the selected ToneMatch preset (see “Adjusting zEQ” on
page 21).
3. Para EQ: Fine-tune the equalization (see “Adjusting Para
EQ” on page 21).
4. Comp/Gate: Add some dynamics controls like compression, limiter, or a gate (see “Using compressor/gate functions” on page 22).
5. Mod: Add a modulation effect like chorus or a flanger (see
“Using modulation effects” on page 24).
6. Delay: Add a delay (see “Adding delays” on page 25).
7. Reverb: Add some reverb (see “Adding reverb” on
page 26).
8. Reverb Type: Select a reverb type to affect all channels
(see “Selecting a type of reverb” on page 27).
9. Prefs: View the status display, which shows you the activated effects on each channel (see “Using the Prefs utilities” on page 28).
10. If you like the sound that you have created, turn the T1
rotary selector to Scenes and save your settings as a new
scene. If you don’t like it, try loading one of the five Bose
scenes to use as a new starting point (see “Loading and
saving scenes” on page 32 and “Bose scenes” on
page 37).
The inside of this owner’s guide provides more information on using these features and others not mentioned
here. To get the most out of your T1 ToneMatch audio
engine, please read this owner’s guide.
For additional help, visit www.Bose.com/musicians.
®
iii
SAFETY INFORMATION
Please read this owner’s guide
Please take the time to follow the instructions in this owner’s guide carefully. It will help you set up and operate your system
properly and enjoy its advanced features. Please save this owner’s guide for future reference.
WARNING:
•To reduce the risk of fire or electrical shock, do not expose the product to rain or moisture.
The
T1 power supply and the T1 ToneMatchTM audio engine shall not be exposed to dripping or splashing, and objects
•
filled with liquids, such as vases, shall not be placed on the apparatus. As with any electronic products, use care not to
spill liquids into any part of the system. Liquids can cause a failure and/or a fire hazard
• No naked flame sources, such as lighted candles, should be placed on the apparatus.
Notes:
• The product must be used indoors. It is neither designed nor tested for use outdoors, in recreation vehicles, or on boats.
• The product label is located on the bottom of the product.
TM
• The T1 ToneMatch audio engine must be powered only by an L1
model II power stand or a T1 ToneMatch audio engine
power supply.
• The mains plug is used as the disconnect device and should remain readily operable. To completely disconnect the apparatus from the mains, disconnect the mains plug from the mains outlet.
This product conforms to the EMC Directive 89/336/EEC and to the Low Voltage Directive 73/23/EEC. The complete
Declaration of Conformity can be found on www.Bose.com/static/compliance/index.html.
.
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©2007 Bose Corporation. No part of this work may be reproduced, modified, distributed or otherwise used without prior
written permission.
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Important Safety Instructions
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8. Do not install near any heat sources, such as radiators, heat registers, stoves or other apparatus
(including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two
blades with one wider than the other. A groundingtype plug has two blades and a third grounding
prong. The wider blade or third prong is provided
for your safety. If the provided plug does not fit into
your outlet, consult an electrician for replacement
of the obsolete outlet.
10. Protect the power cord from being walked on or
pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod,
bracket or table specified by the manufacturer or sold with the apparatus.
When a cart is used, use caution when
moving the cart/apparatus combination
to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or
when unused for long periods of time.
14. Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
15. To prevent risk of fire or electric shock, avoid overloading wall outlets, extension cords, or integral
convenience receptacles.
16. Do not let objects or liquids enter the product.
17. See product enclosure bottom for safety related
markings.
18. Use proper power sources.
Information about products that
generate electrical noise
This equipment has been tested and found to comply with the
limits for a Class A digital device, pursuant to Part 15 of the FCC
rules. These limits are designed to provide reasonable protection against harmful interference in a commercial environment.
This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with
the instructions, may cause harmful interference to radio communications. Operation of this equipment in a residential area is
likely to cause harmful interference, in which case the user will
be required to correct the interference at his own expense.
This product complies with the Canadian ICES-003 Class A
specifications.
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INTRODUCTION 1
Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Product overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Controls and indicators . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Connection panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
SYSTEM SETUP 5
Unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Removing/attaching the cover . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Mounting options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Connecting the T1 to an L1
Connecting the T1 to an L1 model I power stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Connecting the T1 ToneMatch
TM
model II power stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
TM
audio engine power supply (optional) . . . . . . . . . . . . . . . . . . . . . 14
Connecting the T1 to your computer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
OPERATING INSTRUCTIONS 16
Optimizing input gain and output volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Using the Master volume control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Muting a channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Muting channel effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Reading the T1 display . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Using the T1 rotary selector . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Editing the sound of a channel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Selecting a ToneMatch
Adjusting zEQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Adjusting Para EQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Using compressor/gate functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Using the KickGate . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Using modulation effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Adding delays . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Adding reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Routing input signals to the Aux output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Using the tuner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
TM
preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
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Using global functions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Selecting a type of reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Using the Prefs utilities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Loading and saving scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Sharing a scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Bose scenes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Factory Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37
Singer/Songwriter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
DJ/Playback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Drums and Bass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
The Works scene . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
FACTORY SETTINGS 46
CARE & MAINTENANCE 48
Cleaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Limited Warranty and Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Technical information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
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Welcome
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INTRODUCTION
Thank you for purchasing the Bose® T1 ToneMatch™ audio engine. The T1 ToneMatch™ audio engine provides the
ultimate control for performing musicians. When used with the Bose L1™ model II or model I system, the T1 allows
you to control the sound of your instrument as well as the output of the entire system. Using proprietary ToneMatch
presets and associated zEQ tonal adjustments, the T1 enables you to preserve the natural sound of instruments or
vocal microphones when amplified. Designed by musicians, for musicians, the Bose T1 ToneMatch™ audio engine
is contained in a small, portable enclosure that you can keep beside you during a performance.
Features and benefits
• Quick and easy-to-use interface
• One-cable connection to L1™ model II loudspeaker ToneMatch™ port
• Mountable on a Cylindrical Radiator
• High-quality, low-noise preamps in each channel, allowing the use of almost any instrument or microphone
• LED display and illuminated controls for playing on dimly-lit stages
• ToneMatch presets, a proprietary technology that optimizes system equalization to preserve the natural sound of
specific instruments or microphones
• zEQ, working in conjunction with the ToneMatch technology, automatically adjusts the low, mid, and high
frequency bands for the selected preset, allowing further tonal shaping
• Built-in chromatic tuner
• Performance scenes that can be saved and recalled
• Two flexible analog outputs
• System updates and ToneMatch presets available at www.Bose.com/musicians
• USB audio interface to your computer
• Compatible with L1
TM
model I and model II systems
®
loudspeaker or a microphone stand
For more information
This owner’s guide provides only basic setup and operating instructions. For more in-depth information on using
this system, including tips, techniques, and frequently asked questions, please visit www.Bose.com/musicians.
1
INTRODUCTION
Product overview
The T1 ToneMatchTM audio engine can be used with a Bose® L1TM model II or model I system. For convenient
access, you can mount the T1 on a Cylindrical Radiator® loudspeaker or on a microphone stand using the optional
microphone stand bracket. When used with the L1
the power stand. The optional T1 ToneMatchTM audio engine power supply is used to power the T1 when it is connected to an L1TM model I system or a USB port on your computer.
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TM
model II system, the T1 operates on DC power received from
Figure 1
T1
ToneMatch
TM
audio engine
and
accessories
T1 ToneMatchTM audio engine
and the L1 model II system
T1 ToneMatchTM
audio engine
L1TM model II
system
To order accessories, call (800) 905-0886 or visit www.Bose.com/musicians.
Optional accessories
T1 ToneMatchTM audio engine
power supply
To ne M at chTM audio engine
microphone stand bracket
2
Controls and indicators
The control panel provides all the necessary controls and indicators for operation.
Figure 2
Top panel
1
2
11
10
9
8
7
6
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INTRODUCTION
1. Input signal/clip LEDs (1-4/5) – Displays the input signal status in
color: Green indicates the presence of an input signal, yellow indicates
a signal near clipping, and red indicates clipping.
2. Trim controls (1-4/5) – Adjusts the input sensitivity for the respective
channel.
3. Phantom power switch – Applies +48V power to input channels 1-3.
A red LED indicates that phantom power is on.
3
4
4. T1 rotary selector – Allows access to both global and channelrelated parameters, which are adjusted using the editing controls.
5. MASTER volume control – Adjusts the overall output level.
6. Mute buttons (1-4/5) – Silences the audio output for the respective
channel.
7. Volume controls (1-4/5) – Adjusts the volume level for the respective
channel.
8. FX mute buttons (1-4/5) – Bypasses the Mod, Delay, and Reverb
effects on the selected channel.
9. CH Edit buttons (1-4/5) – Selects the channel you want to modify
using the T1 rotary selector and display-related editing controls.
10. Editing controls – These three rotary/push-button controls allow you
to select or adjust items/values appearing on the display.
11. Display – Provides function menus and system status information.
5
3
INTRODUCTION
Connection panel
The rear panel provides all input/output connections.
Figure 3
T1 connector
panel
7
6
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8
1
5
4
3
2
1. IN – Analog input channels 1-3. Accepts XLR balanced cables for microphones, or ¼" TRS balanced or TS
unbalanced cables for high-impedance inputs such as guitars.
2. Preamp OUT – Preamp outputs for channels 1-3. Accepts ¼" TRS balanced or TS unbalanced cables.
3. Line IN – Analog input channels 4/5. Accepts ¼" TRS balanced or TS unbalanced cables for line-level inputs.
Can be used for stereo input signals.
4. Aux Output – User-definable analog output. Can be configured for a pre-fader, post-EQ, and effects, or postfader output. Accepts ¼" TRS balanced or TS unbalanced cables.
5. Master Output – User-definable analog output. Can be configured for a pre- or post-Master volume analog
output. Accepts ¼" TRS balanced or TS unbalanced cables.
6. USB port – A USB interface that allows you to connect the T1 to your computer. This feature enables you to
stream audio to/from your computer, update the T1, and back up performance scenes.
7. Power switch – Turns the T1 audio engine on or off.
8. – Tone M at ch
audio engine from the L1 model II power stand. Accepts the included ToneMatch
CAUTION: Although the ToneMatch port accepts a standard RJ-45 connector, DO NOT connect the T1 to a computer
TM
port – A digital output used by the L1TM model II system. Also delivers power to the T1
TM
cable.
or phone network.
4
Unpacking
Figure 4
Parts list
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SYSTEM SETUP
The items packed in the carton are shown in Figure 4. Carefully unpack the carton and check that you have all the
items shown here. Keep all packing materials for possible future use.
WARNING: To avoid danger of suffocation, keep the plastic bags out of the reach of children.
T1 ToneMatchTM audio engine
ToneMatch
TM
cable Carriage Mounting bar
Cover
Carrying case
Serial numbers and product registration
Now is a good time to record the serial number of your T1 ToneMatchTM audio engine here and on your product
registration card.
to do so will not affect your warranty rights.
Serial Number: __________________________________________________________
You can register your product online at www.Bose.com/register or call (800) 905-1044. Failure
5
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C
SYSTEM SETUP
Removing/attaching the cover
The T1 ToneMatchTM audio engine comes out of the carton with a cover installed on the top panel. The cover is
designed to protect the control panel while transporting or storing the audio engine.
To remove the cover:
1. Press and hold the cover latch release button (Figure 5).
2. Slide the cover off the control panel just enough to disengage the alignment tabs.
3. Lift up on the front edge of the cover to remove it.
To attach the cover:
1. Place the cover on the T1.
2. Align the tabs inside the cover with the holes on the front edge of the T1.
3. Slide the cover over the control panel until you hear the click of the latch.
Figure 5
Removing and
attaching the
cover
over latch
release button
Alignment tabs
(front edge)
6
Mounting options
The T1 includes hardware for mounting it on a Cylindrical Radiator® loudspeaker.
The optional microphone stand mounting bracket allows you to mount the T1 on the shaft of most microphone
stands. See “Mounting the T1 on a microphone stand (optional)” on page 9.
Mounting the T1 on a Cylindrical Radiator® loudspeaker
Use the carriage and mounting bar included in the carton to mount the T1 on the Cylindrical Radiator® loudspeaker.
The mounting bar is stored inside the T1 cover (Figure 6). Open the latch and lift the mounting bar from the case.
Figure 6
Removing
mounting bar
from cover
Mounting bar
Latch
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SYSTEM SETUP
Mounting bar
7
SYSTEM SETUP
Figure 7
T1 mounted on
a Cylindrical
®
Radiator
loudspeaker
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The Cylindrical Radiator® top section needs to be removed for this installation.
1. Slide the carriage into the channel on the rear of the Cylindrical Radiator® bottom section and turn the locking
knob clockwise to lock it in place (Figure 7).
2. Insert the mounting bar into the slot in the carriage and push it downward.
3. Place the T1 on the mounting bar.
T1 ToneMatch
TM
audio engine
Mounting
3
bar
2
The T1 can be mounted to the left or right.
Carriage
Locking knob
1
Cylindrical
Radiator
bottom section
8
®
Figure 8
Bracket and
insert
placements
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SYSTEM SETUP
Mounting the T1 on a microphone stand (optional)
The T1 ToneMatchTM audio engine microphone stand bracket allows you to mount the T1 on the shaft of most
microphone stands. For installation help, refer to the Quick Setup Guide that came with the bracket.
The bracket uses rotatable inserts which, when properly placed, provide a tight fit on the microphone stand shaft.
Figure 8 shows insert placements for some common shaft diameters. You may need to arrange these inserts differently for your particular music stand.
Removable insert
A
For 22 mm diameter For 20.5 mm diameter For 16 mm diameter For 14.5 mm diameter
AB
Removable insert
B
AB
AB
AB
9
SYSTEM SETUP
Figure 9
Mounting the
T1 on a
microphone
stand
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To install the microphone stand bracket:
1. Determine the diameter of the shaft on your microphone stand. The cutouts on the edge of the Microphone
Stand Bracket Quick Setup Guide can help you determine the diameter.
2. Remove the inserts (Figure 8 on page 9) from the bracket and re-insert them for the diameter you need.
3. Attach the microphone stand bracket to the microphone stand (Figure 9).
4. Attach the mounting bar to the microphone stand bracket.
5. Place the T1 on the mounting bar.
T1 ToneMatchTM
audio engine
Microphone
stand
10
Mounting bar
The T1 can be mounted to the left or right.
Microphone stand bracket
Connecting the T1 to an L1TM model II power stand
Power / Fault
1. Make sure the power stand Power switch is OFF, the T1 power switch is OFF, and the T1 Master volume
control is set to 0.
TM
cable into the ToneMatchTM port ( ) on the T1. Plug the other end of the
Figure 10
L1TM model II
connections to
a T1
2. Plug one end of the ToneMatch
To ne M at ch
TM
cable into the Tone M a tc hTM port on the power stand.
3. Turn on the T1 audio engine and then turn on the L1 model II power stand.
4. Connect your instruments and adjust levels. Refer to “Optimizing input gain and output volume” on page 16.
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SYSTEM SETUP
ToneMatch
cable
Hook-and-loop strap
hanging excess cable
on the carriage
11
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