BOSE ACOUSTIMASS 6V User Manual [nl]

L1® Compact
Portable Line Array System
Owner’s Guide
Quick setup guide
Guía rápida de instalación
Notice de montage
Quick setup guide
Guía rápida de instalación
Notice de montage
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Quick setup guide
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SAFETY INFORMATION
Please read this owner’s guide
Please take the time to follow the instructions in this owner’s guide carefully. It will help you set up and operate your system properly and enjoy its advanced features. Please save this owner’s guide for future reference.
WARNING: To reduce the risk of fire or electrical shock, do not expose the system to rain or moisture. WARNING: To reduce the risk of electric shock, do not disassemble this system unless you are
qualified. Refer servicing to qualified service personnel.
The lightning flash with arrowhead symbol within an equilateral triangle alerts the user to the presence of uninsulated, dangerous voltage within the system enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.
The exclamation point within an equilateral triangle, as marked on the system, is intended to alert the user to the presence of important operating and maintenance instructions in this owner’s guide.
English
CAUTION: This product shall be connected to a mains socket outlet with a protective earthing connection.
CAUTION: Make no modifications to the system or accessories. Unauthorized alterations may compromise safety, regulatory compliance, and system performance.
CAUTION: Do not place any naked flame sources, such as lighted candles, on or near the apparatus. CAUTION: Where the mains plug is used as the disconnect device, such disconnect device shall
remain readily operable. Note: The product must be used indoors. It is neither designed nor tested for use outdoors, in
recreation vehicles, or on boats.
This product conforms to all EU Directive requirements as applicable by law. The complete Declaration of Conformity can be found at www.Bose.com/static/compliance.
WARNING: Do not expose this apparatus to dripping or splashing and do not place objects filled with liquids, such as vases, on or near the apparatus As with any electronic products, use care not to spill liquids into any part of the system. Liquids can cause a failure and/or a fire hazard.
Japan only:
Note: Provide an earth connection before the main plug is connected to the mains.
©2009 Bose Corporation. No part of this work may be reproduced, modified, distributed, or otherwise used without prior written permission.
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Information about products that generate electrical noise
This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference, in which case the user will be required to correct the interference at his own expense.
This product complies with the Canadian ICES-003 Class A specifications.
IMPORTANT SAFETY INSTRUCTIONS
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufac­turer’s instructions.
8. Do not install near any heat sources, such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third ground­ing prong. The wider blade or third prong is provided for your safety. If the pro­vided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table speci­fied by the manufacturer or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14.
Refer all servicing to qualified service personnel. the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
Servicing is required when
15. To prevent risk of fire or electric shock, avoid overloading wall outlets, exten­sion cords, or integral convenience receptacles.
16. Do not let objects or liquids enter the product – as they may touch dangerous
voltage points or short-circuit parts that could result in a fire or electric shock.
17. See product enclosure for safety-related markings.
18. Use proper power sources – Plug the prod-
uct into a proper power source, as described in the operating instructions or as marked on the product.
19. Apparatus shall not be exposed to drip­ping or splashing, and no objects filled with liquids, such as vases, shall be placed on the apparatus.
20. No naked flame source, such as lighted candles, should be placed on or near the apparatus.
21. Power LED – Indicates power status.
Blue: Power on.
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CONTENTS
INTRODUCTION 1
Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Features and benefits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
Product overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
SYSTEM SETUP 3
System configurations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Setting up the system . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Setting up in the collapsed position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Setting up in the extended position . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Extending the Loudspeaker Array . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Connecting power to the system . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
OPERATING INFORMATION 6
Connections and controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Rear panel outputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Plugging in your sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Setting the Channel 1 (microphone) controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Setting the Channel 2 controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Applying the acoustic guitar ToneMatch
Connection scenarios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Classroom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Presentations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Solo musical performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
DJ events . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Advanced setup using the T1 ToneMatch
Single musician . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Multiple musicians . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Mixed setup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
®
preset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
®
audio engine . . . . . . . . . . . . . . . . . . . . . . . 12
CARE AND MAINTENANCE 14
Caring for your product . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Cleaning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
®
Bose
Community Message Board . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Getting service . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Limited Warranty and Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
What you must do to obtain Limited Warranty Service: . . . . . . . . . . . . . . . . . . . . . . . . 16
Technical Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Mechanical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Electrical . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Audio Input/Output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Welcome
Thank you for purchasing the Bose® L1® Compact Portable Line Array System. Whether you are a musician amplifying your instruments, a mobile DJ entertaining an audience, or the host of your own special event, this system will provide quality sound for audiences of approximately 100 people.
This owner’s guide provides detailed setup and operating instructions for your L1
®
Compact system and explains how to connect to a variety of
audio sources. For additional information on using this system, including tips, techniques, and frequently asked questions, please visit www.Bose.com/musicians on the Internet.
Features and benefits
Carry it in one trip – The entire system is light enough to be carried in a single
trip.
Set it up in one minute – The interlocking components of the L1® Compact
system allow system setup in less than a minute. There are no external speaker wires required. An integrated bass enclosure with an intuitive user interface eliminates the need for separate components.
Fill the room with one system – Whether you’re performing live or playing
back prerecorded music, whether you’re performing in a coffeehouse or a 100-seat room, Bose nearly 180º of tonally balanced sound coverage so there are no dead spots.
PA and monitor combined – Audience members enjoy a more consistent and
intimate listening experience because the system sets up behind the performer and serves as both the monitor for the stage and amplification system for the audience. The performer alone controls the sound.
Versatility – In addition to musical performances, the L1
quality sound for a wide variety of general-purpose uses including presentations, celebrations, speeches, and music playback for about 100 people.
Integrated ToneMatch
customization on your microphone or instrument to provide a listening experience that most musicians only achieve using a recording studio.
Two setup options – The L1
collapsed position for smaller audiences or extended positions for larger audiences.
TAB English TAB TAB 4, 11 TAB 5, 12 TAB 2, 9, 16 TAB 1, 8, 15
INTRODUCTION
®
Spatial Dispersion™ loudspeaker technology provides
®
Compact provides
®
signal processing – Provides a high level of tone
®
Compact system can be used in either the
1
INTRODUCTION
Loudspeaker Array
Product overview
The L1® Compact Portable Line Array System is shipped in two cartons. Carefully unpack the cartons and check that you have all the items listed on this page.
WARNING: To avoid danger of suffocation, keep the plastic bags out of the reach of children.
®
The L1
•L1
•L1
•L1 The L1® Compact system comes with a slipcover for the Power Stand and a
padded carry bag for the L1
Compact system consists of:
®
Compact Power Stand
®
Compact Loudspeaker Array
®
Compact Extensions
Power stand carton Extensions carton
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®
Compact Extensions.
English
L1® Compact Power Stand with Loudspeaker Array
AC power cord
Power Stand slipcover
L1® Compact Extensions
Extensions carry bag
For a complete list of optional equipment and accessories, please visit: www.Bose.com/musicians.
2
System configurations
Smaller audiences
• Intimate acoustic performances
• Music playback
• Presentations
•Speeches
Larger audiences
•Musical performances
auditorium/coffeehouse
• DJ events
• Announcements
larger spaces
Collapsed position
Loudspeaker
Power
Extended position
Power Stand
Array
Extension
Extension
Stand
Ta bl e to p
Array
Loudspeaker
You can set up the versatile L1® Compact system in two unique positions. The examples below will help you quickly identify the position that can work best for you.
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SYSTEM SETUP
The L1 Portable Line Array System in the collapsed position. They are included for situations where you need to elevate the Loudspeaker Array to project sound to larger audiences.
®
Compact Extensions are not required when using the L1® Compact
3
SYSTEM SETUP
Setting up the system
Before making any connections, you should set the L1® Compact Portable Line Array System up either in the collapsed position (the system is shipped in the collapsed position) or the extended position.
Setting up in the collapsed position
To get the most sound quality and ensure that seated audience members enjoy the full frequency range of the system, position it on a table (shown above) at ear-level or at the front edge of a stage (not shown). This will allow sound to project clearly and evenly throughout the audience.
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English
Setting up in the extended position
In larger rooms, or with larger audiences where the sound could be blocked by obstacles, it is best to set up the L1 extended position.
4
®
Compact Portable Line Array System in the
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2
3
4
2
3
SYSTEM SETUP
Extending the Loudspeaker Array
Once you have set the system in place:
1. Slide the Loudspeaker Array up and out of the Power Stand and temporarily lay it aside.
®
Note: The two L1 be used on the top or bottom, but if one extension is used, both must be used.
2. Align the plug on the bottom of the Extension with the socket on the Power Stand, then slide the extension into the power stand.
Be sure to fully insert the extension into the Power Stand socket to assure stability and a good connection.
1
3. Align the remaining Extension and push it firmly in place.
4. Align the Loudspeaker Array and push it firmly in place.
Compact Extensions are identical to each other. Either one can
Connecting power to the system
1. Make sure the power switch is off (down position).
2. Plug one end of the power cord into the connector on the power stand.
3. Plug the other end into a live electrical receptacle.
1
4. Before turning the system on, connect your sound sources. See “Operating Information” on page 6, and “Plugging in your sources” on page 7.
5
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1
2
3
4
5
6
7
8
9
10
11
12
English
OPERATING INFORMATION
Connections and controls
The power stand control panel provides all the necessary connectors, controls, and indicators for operation.
Channel 1 (Microphone input) Channel 2 (Utility channel – multiple input)
The channel 1 input is for use only with a microphone. Integrated ToneMatch
processing provides a high level of tone customization to provide a listening experience that most musicians can only achieve using a
®
signal
recording studio.
1. Signal/Clip indicator – Displays the input signal status in color.
• Green: Input signal present
• Red: Input signal clipping
2. Volume control – Adjusts the volume of your microphone.
3. Treble control – Adjusts the amount of treble on your microphone.
4. Bass control – Adjusts the amount bass on your microphone.
5. Microphone input – Analog input for connecting a balanced XLR microphone cable. A ToneMatch
6
®
microphone preset is built in.
6. Signal/Clip indicator – Displays the input signal status in color.
• Green: Input signal present
• Red: Input signal clipping
7. Volume control – Adjusts the overall volume of all input sources connected to Channel 2.
-inch (3.5 mm) stereo input – Analog input
8.
for connecting audio sources such as portable mp3 players, satellite radio, laptop computers, video projectors, and smart boards.
9. RCA stereo inputAnalog input for connect- ing audio sources such as DVD players, VCR players, video game consoles, DJ mixers, Keyboards and other instruments. For best results, connect both the left and right signals.
10. ¼-inch input Balanced analog input for connecting guitars and other instruments. Accepts either ¼-inch TRS balanced or TS unbalanced cables.
11. To ne M at ch
acoustic guitar to the ¼-inch input, move the switch to the position to enable a To ne M at ch other than an acoustic guitar to the ¼-inch input, move the switch down to the Line Level position.
®
switch – When connecting an
®
preset. When connecting anything
12. Power LED – Indicates power status. Blue: Power on
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¼-inch output RCA output
TRS TS
Left Right
OPERATING INFORMATION
Rear panel outputs
¼-inch output Mono analog output that accepts either ¼ inch TRS balanced or TS unbalanced cables. Can be used to link multiple L1 by connecting the ¼-inch output from one L1 (Channel 2) on a second L1
®
Compact system. This will provide additional coverage
®
Compact system to the ¼-inch input
in larger spaces. You can also use the ¼-inch output to connect to a house PA system and use the L1® Compact system as your personal monitor.
Note: Using a TS unbalanced cable will result in a drop in the audio level of -6dBu.
®
Compact systems together
RCA output
Mono line level analog output for connecting audio devices such as
CD recorders and flash recorders. For best results, connect both the left and right signals.
Plugging in your sources
Before plugging in a sound source, adjust the channel’s Volume control fully counterclockwise.
7
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OPERATING INFORMATION
Setting the Channel 1 (microphone) controls
Channel 1 is only intended for use with a dynamic handheld microphone. Do not connect any other sources to this input.
1. Before using the microphone, adjust the Channel 1 Volume control fully counter­clockwise.
2. While speaking into the microphone, adjust the Volume control to the desired level.
For best results, keep the microphone close to your lips when speaking. Holding the microphone more than 3 inches (7.6 cm) away from your lips when speaking will lead to less overall volume and may impact overall clarity.
The Channel 1 Microphone Input is equipped with an integrated ToneMatch® preset to automatically optimize the sound of your microphone.
3. Adjust the Trebl e and Bass controls to make further refinements based on your personal preference.
English
Setting the Channel 2 controls
When connecting an audio source to any of the Channel 2 inputs, follow these steps to adjust the volume.
1. On the power stand, adjust the Channel 2 Volume control fully counterclockwise.
2. Connect the audio source to the appropriate Channel 2 input.
3. Turn the Channel 2 Volume control clockwise until the volume indicator glows green or yellow.
If the volume indicator steadily glows red, decrease the volume.
Note: You can connect multiple audio sources, one to each of the Channel 2 Inputs, at the same time. However, you must then adjust the volume on each source device to achieve the mix you desire.
8
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OPERATING INFORMATION
Applying the acoustic guitar ToneMatch® preset
You can access the ToneMatch Channel 2 and moving the ToneMatch preset is designed specifically for use with an acoustic guitar.
Note: The ToneMatch connected to the -inch stereo input and the RCA stereo input are not affected.
Connection scenarios
There are many ways to connect and use the L1® Compact system. The following pages show a few examples of typical scenarios.
Classroom
A typical setup scenario for a classroom could include a DVD player connected to
®
the L1
Compact system.
®
preset by plugging into the ¼-inch input on
®
switch to the position. The ToneMatch
®
preset switch only affects the ¼-inch input. Sound from devices
®
9
OPERATING INFORMATION
Wireless
Wired
Presentations
Connect the audio output from your laptop computer and deliver multimedia presentations.
Within auditoriums, the setup could include two L1 microphones, and a small mixer.
TAB TAB TAB TAB 4 , 11 TAB 3 , 10 TAB 2, 9, 16
®
Compact systems, several
English
10
TAB English TAB TAB 4, 11 TAB 5, 12 TAB 2, 9, 16 TAB 1, 8, 15
OPERATING INFORMATION
Solo musical performances
The multiple inputs on the L1® Compact system allow a soloist to connect a vocal microphone, musical instrument, and backing tracks.
DJ events
DJs use multiple input sources (CD player, MP3 player, etc.) plugged into a mixer. In this scenario, two mixer outputs are fed into two L1 sound.
®
Compact systems for stereo
11
OPERATING INFORMATION
Advanced setup using the T1 ToneMatch® audio engine
For more demanding performances, a musician can add the optional T1 ToneMatch and outputs, access to quality effects, dynamics processing, and our most advanced tone-shaping library. In addition, the T1 ToneMatch® audio engine provides additional input/output capabilities.
The optional T1 ToneMatch® audio engine requires the optional power supply. To learn more about the T1 ToneMatch www.Bose.com/musicians.
®
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English
audio engine to his or her setup. The T1 offers expanded inputs
®
audio engine, please visit
12
Single musician
A single musician could add a microphone and T1 ToneMatch® audio engine to their setup.
TAB English TAB TAB 4, 11 TAB 5, 12 TAB 2, 9, 16 TAB 1, 8, 15
OPERATING INFORMATION
Multiple musicians
In this scenario, a keyboard-guitar duo sings and plays through a single T1 ToneMatch
®
audio engine and an L1® Compact system.
Mixed setup
A more elaborate multiple musician setup could be as shown below. This scenario employs two L1
®
Compact systems and a T1 ToneMatch® audio engine.
13
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CARE AND MAINTENANCE
Caring for your product
Cleaning
• Clean the product enclosures using only a soft, dry cloth.
• Do not use any solvents, chemicals, or cleaning solutions containing alcohol,
ammonia, or abrasives.
• Do not use any sprays near the product or allow liquids to spill into any openings.
• If necessary, you may carefully vacuum the grille of the L1
Stand.
Troubleshooting
If you experience problems while using this product, try the following solutions.
Recommended troubleshooting tools
• Spare AC power cord
• XLR and ¼-inch phone plug cables
Problem What to do
System is plugged in, power switch is on, but power LED is off
Power LED is on, but no sound
Middle to high frequencies absent from the L1® Compact Loudspeaker Array
Instrument or audio source sounds distorted
Microphone is encountering feedback
• Make sure you are using the included L1® Compact Power Stand power cable.
• Make sure the power cable is fully engaged into both the Power Stand and the AC outlet.
• Make sure you have power at the AC outlet. Try operating a lamp or other equipment from the same AC outlet.
• Try a different power cable.
• If available, try a different Power Stand.
• Make sure the Volume control is turned up on the Power Stand.
• Make sure the volume control is turned up on your instrument.
• Make sure your instrument or audio source is plugged into the appropriate input jack.
• Connect your instrument or audio source to the Power Stand using a different cable.
• When in the collapsed position, always place the system on a tabletop so it is level with the listeners’ ears.
• Make sure the L1® Compact Extensions and L1® Compact Loudspeaker Array are firmly seated in their connectors.
• Make sure connections are not bent or broken.
• Try cleaning the contacts on the loudspeaker top and bottom with electronic contact spray cleaner.
• Lower the volume of the connected audio source.
• If you are connecting an external mixer, make sure the equalization controls for low, mid, and high on the mixer are set to mid position.
• Reduce the output of the mixer.
• Position the microphone so it is not pointing directly at its respective L1 Loudspeaker array.
• Try positioning the microphone so it nearly touches your lips.
• Try a different microphone.
• Try a different position for the L1® Compact Portable Line Array System and/or vocalist on stage.
• Increase the distance from the loudspeaker to the microphone.
• If using a vocal effects processor, make sure it is not contributing to the feedback.
®
Compact Power
English
®
Compact
14
Bose® Community Message Board
To interact with other L1® product owners and for tips on getting the most out of your L1® Compact Portable Line Array System, please visit the Bose® Musicians Community Message Board at: http://Bose.infopop.cc/eve.
Getting service
For additional help in solving problems, contact the Bose® Live Music Customer Service Product and Technical Support Team at (877) 335-2673 or visit our support area online at www.Bose.com/musicians.
Accessories
Visit www.Bose.com/musicians, or call (800) 905-0886 for accessory information.
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CARE AND MAINTENANCE
15
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Serial numbers and product registration
Now is a good time to record the serial numbers of your system here and on your product registration card.
L1
®
Compact Loudspeaker Array __________________________________________________
L1
®
Compact Power Stand________________________________________________________
L1
®
Compact Extensions _________________________________________________________
Bose recommends that you keep your sales receipt together with this guide.
CARE AND MAINTENANCE
Limited Warranty and Registration
Yo ur
L1® Compact Portable Line Array System warranty. Details of the limited warranty are provided on the product registration card that is included in the carton. Please refer to the card for instructions on how to register. Failure to register will not affect your limited warranty rights.
What you must do to obtain Limited Warranty Service:
Return product, with proof of purchase from an authorized Bose® dealer, using the following procedures:
1. Contact the Bose organization in your country/region (visit Global.Bose.com
for Bose contact information in your country/region) for specific return and shipping instructions;
2. Label and ship the product, freight prepaid, to the address provided by the
authorized service facility; and
3. Place any necessary return authorization number prominently on the outside of
the carton. Cartons not bearing a return authorization number, where required, will be refused.
®
The L1 pending in the U.S. and other countries.
Compact Portable Line Array System is covered by patents issued or
English
is covered by a limited transferable
16
Technical Information
Mechanical
Part Dimensions Weight
L1® Compact Power Stand with Loudspeaker Array
L1® Compact Loudspeaker Array 16" H x 2¾" W x 2¾" D
L1® Compact Extensions (2) 32½" H x 2¾" W x 2¾" D
Collapsed position (assembled)
Extended position (assembled)
Shipping Cartons Weight
L1® Compact loudspeakers 30.4 lbs. (13.8 kg) L1® Compact extensions 7.5 lbs. (3.4 kg)
Electrical
• AC power rating 100-240V 50/60Hz 200W max
• Peak inrush current 230V: 18.2 Amps 120V: 9.7 Amps
TAB English TAB TAB 4, 11 TAB 5, 12 TAB 2, 9, 16 TAB 1, 8, 15
CARE AND MAINTENANCE
16½" H x 13¼" W x 16¾" D (41.8 cm x 33.9 cm x 42.6 cm)
(40.8 cm x 7 cm x 7.1 cm)
(83 cm x 7 cm x 7.1 cm) 16½" H x 13¼" W x 16¾" D
(41.8 cm x 33.9 cm x 42.6 cm) 78½" H x 13¼" W x 16¾" D
(199.5 cm x 33.9 cm x 42.6 cm)
24.6 lbs. (11.2 kg)
3.0 lbs. (1.35 kg)
2.3 lbs. (1.05 kg) each
24.6 lbs. (11.2 kg)
29.2 lbs. (13.3 kg)
BOSE, L1, and TONEMATCH are registered trademarks of Bose Corporation in the U.S. and other countries.
17
TAB TAB TAB TAB 4, 11
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¡Ô¨¡ÃÃÁ¢Í§ DJ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
¡ÒõÑ駤‡Ò¢Ñé¹ÊÙ§â´Â㪈à¤Ã×èͧàÊÕ§ T1 ToneMatch
¹Ñ¡´¹µÃÕ·ÕèàŇ¹¤¹à´ÕÂÇ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
¹С¡´¹µГХЛЕТВ¤¹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
¡ÒõÑ駤‡ÒẺÁÔ¡«‹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
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КУЛГСº¡ХµТГ‹НР¤ЩКµФ¡ . . . . . . . . . . . . . . . . . . . . . . . . . 9
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¡ТГ´ЩбЕГС¡ЙТ 14
¡ТГ´ЩбЕГС¡ЙТ¼ЕФµАС³±‹¢Н§¤Ш³ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
¡ТГ·У¤ЗТБКРНТ´ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
¡ÒÃᡈ»ÑËÒ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
¡Ãдҹ¢ˆÍ¤ÇÒÁªØÁª¹ Bose
¡ÒÃÃѺºÃÔ¡Òà . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
НШ»¡Г³‹аКГФБ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
¡ÒÃÃѺ»ÃСѹẺ¨Ó¡Ñ´áÅСÒÃŧ·ÐàºÕ¹ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
ÊÔ觷Õè¤Ø³µˆÍ§·Óà¾×èÍ¢ÍÃѺºÃÔ¡ÒÃÃѺ»ÃСѹẺ¨Ó¡Ñ´: . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
¢ˆÍÁÙÅ·Ò§´ˆÒ¹à·¤¹Ô¤ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
à¤Ã×èͧ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
ä¿¿ƒÒ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
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