What’s In The Box? 3
Getting It Out Of The Box 3
Powering Up! 3
Getting A Hold Of Us 3
Safety Instructions (Don’t Stick Your Hand In The Toaster!) 4
2. Meet The ProPar Seven.6™ LED 5
Features 5
DMX Quick Reference 5
The ProPar Seven.6™ Pin-up Picture 6
3. Setup 7
Fuse Replacement 7
Connecting A Bunch Of ProPar Seven.6™ PAR Cans 7
Data/DMX Cables 7
Cable Connectors 8
3-Pin??? 5-Pin??? Huh? 8
Take It To The Next Level: Setting up DMX Control 8
Fixture Linking (Master/Slave Mode) 9
Mounting/Rigging 9
4. Operating Adjustments 10
Navigating The Control Panel 10
Control Panel Menu Structure 11
DMX Mode 12
Set The Starting DMX Address 12
Select the DMX Channel Mode 12
Slave Mode 12
Auto, Stand-Alone, & Built-in Program Modes 12
Builit-in Static Colors 12
Auto Mode 12
Custom Program Mode (Standalone) 12
Custom Program Playback 13
Sound Active Mode 13
Set a custom color in Standalone or M/S Mode 13
Manual Color Adjustment (Global) 13
Temperature Settings 13
DMX Channel Values In-Depth 14
Troubleshooting 15
5. Appendix 16
A Quick DMX Lesson 16
Keeping Your ProPar Seven.6™ As Good As New 17
Returns (Gasp!) 17
Shipping Issues 17
• 1 x ProPar Seven.6™ Professional LED PAR Fixture
• This Lovely User Manual
Getting It Out Of The Box
Congratulations! The power of 6-in-1 RGBAW+UV color mixing is now all yours! So now
that you’re the proud owner of a ProPar Seven.6™ (or hopefully, ProPars!), you should
carefully unpack the box and check the contents to ensure that all parts are present
and in good condition. If anything looks as if it has been damaged in transit, notify the
shipper immediately and keep the packing material for inspection. Again, please save
the carton and all packing materials. If a xture must be returned to the factory, it is
important that the xture be returned in the original factory box and packing.
Powering Up!
All xtures must be powered directly off a switched circuit and cannot be run off a
rheostat (variable resistor) or dimmer circuit, even if the rheostat or dimmer
channel is used solely for a 0% to 100% switch.
AC Voltage Switch - Not all xtures have a voltage select switch, so please verify that
the xture you receive is suitable for your local power supply. See the label on the
xture or refer to the xture’s specications chart for more information. A xture’s
listed current rating is its average current draw under normal conditions. Check the
xture or device carefully to make sure that if a voltage selection switch exists that it is
set to the correct line voltage you will use.
Warning! Verify that the voltage select switch on your unit matches the line
voltage applied. Damage to your xture may result if the line voltage applied
does not match the voltage indicated on the voltage selector switch. All
xtures must be connected to circuits with a suitable Ground (Earthing).
Getting A Hold Of Us
If something is wrong, just give us a call or send an email. We’ll be happy to
help, honest.
Blizzard Lighting
N16 W23390 Stoneridge Dr. Ste E
Waukesha, WI 53118 USA
www.blizzardlighting.com
414-395-8365
Disclaimer: The information and specications contained in this document are subject
to change without notice. Blizzard Lighting™ assumes no responsibility or liability
for any errors or omissions that may appear in this user manual. Blizzard Lighting™
reserves the right to update the existing document or to create a new document to
correct any errors or omissions at any time. You can download the latest version of this
document from www.blizzardlighting.com.
• Please keep this User Guide for future use. If you sell the unit to someone
else, be sure that they also receive this User Guide.
• ALWAYS make sure that you are connecting to the proper voltage, and that
the line voltage you are connecting to is not higher than that stated on the
decal or rear panel of the xture.
• This product is intended for indoor use only.
• To prevent risk of re or shock, do not expose xture to rain or moisture.
• Make sure there are no ammable materials close to the unit while operating.
• The unit must be installed in a location with adequate ventilation, at least
20in (50cm) from adjacent surfaces. Be sure that no ventilation slots are
blocked.
• ALWAYS disconnect from the power source before servicing or replacing fuse
and be sure to replace with same fuse size and type.
• ALWAYS secure xture using a safety chain. NEVER carry the xture by its
cord. Use its carrying handles.
• DO NOT operate at ambient temperatures higher than 104°F (40°C).
• In the event of a serious operating problem, stop using the unit immediately.
NEVER try to repair the unit by yourself. Repairs carried out by unskilled people
can lead to damage or malfunction. Please contact the nearest authorized
technical assistance center. Always use the same type spare parts.
• NEVER connect the device to a dimmer pack.
• Make sure the power cord is never crimped or damaged.
• Never disconnect the power cord by pulling or tugging on the cord.
• Avoid direct eye exposure to the light source while it is on.
Caution! There are no user serviceable parts inside the unit. Do not
open the housing or attempt any repairs yourself. In the unlikely event
your unit may require service, please contact Blizzard Lighting at www.
blizzardlighting.com/tickets.
CAUTION! The ProPar Seven.6™ utilizes a high-output switch-mode
power supply with an internal fuse. Under normal operating conditions,
the fuse should not require replacement. The fuse is eld replaceable,
however it is an advanced procedure suited to qualied individuals.
Should your ProPar Seven.6™ fuse require replacement, please contact
Blizzard Lighting for instructions, or to return your unit for service.
Connecting A Bunch of ProPar Seven.6™ Fixtures
You will need a serial data link to run light shows using a DMX-512
controller or to run shows on two or more xtures set to sync in
master/slave operating mode. The combined number of channels
required by all the xtures on a serial data link determines the number
of xtures the data link can support.
Fixtures on a serial data link must be daisy chained in one single line.
Also, connecting more than 32 xtures on one serial data link without
the use of a DMX optically-isolated splitter may result in deterioration of
the digital DMX signal.
The maximum recommended cable-run distance is 500 meters (1640
ft). The maximum recommended number of xtures on a serial data
link is 32 xtures.
Data/DMX Cabling
To link xtures together you’ll need data cables. You should use data-
grade cables that can carry a high quality signal and are less prone to
electromagnetic interference.
485 applications. Standard microphone cables will “probably” be
OK, but note that they cannot transmit DMX data as reliably over
long distances. In any event, the cable should have the following
characteristics:
2-conductor twisted pair plus a shield
Maximum capacitance between conductors – 30 pF/ft.
Maximum capacitance between conductor & shield – 55 pF/ft.
Maximum resistance of 20 ohms / 1000 ft.
Nominal impedance 100 – 140 ohms
Cables must have a male XLR connector on one end and a female XLR
connector on the other end. (Duh!)
CAUTION: Do not allow contact between the common and the
xture’s chassis ground. Grounding the common can cause a ground
loop, and your xture may perform erratically. Test cables with an
ohm meter to verify correct polarity and to make sure the pins are not
grounded or shorted to the shield or each other.
3-Pin??? 5-Pin??? Huh?!?
If you use a controller with a 5 pin DMX output connector, you will need to use a 5 pin to 3 pin adapter.
They are widely available over the internet and from specialty retailers. If you’d like to build your own,
the chart below details a proper cable conversion:
Conductor3-Pin Female
(Output)
5-Pin Male
(Input)
Ground/ShieldPin 1Pin 1
DMX Data (-)Pin 2Pin 2
DMX Data (+)Pin 3Pin 3
Not Used.No Connection.No Connection.
Not Used.No Connection.No Connection.
Take It To The Next Level: Setting Up DMX Control
Step 1: Connect the male connector of the
DMX cable to the female connector (output)
on the controller.
All the goodies and different modes possible with the ProPar Seven.6™
LED are accessed by using the control panel on the rear of the xture.
There are 4 control buttons below the LED display which allow you to
navigate through the various control panel menus.
<ESC>
Is used to navigate to the previous higher-level menu item.
<UP>
Scrolls through menu items and numbers in ascending order.
<DOWN>
Scrolls through menu items and numbers in descending order.
<ENTER>
Is used to select and conrm/store the current selection.
The Control Panel LED Display shows the menu items you select from
the menu map on page #11. When a menu function is selected, the
display will show immediately the rst available option for the selected
menu function. To select a menu item, press <ENTER>.
Press the <UP/DOWN> buttons to navigate to the desired menu
function. Press the <ENTER> button to select the menu function currently displayed, or to enable a menu option. Use the <UP/DOWN>
buttons to navigate any submenu options, and press the <ENTER>
button to enable. To return to the previous option or menu without
changing the value, press the <ESC> button.
Allows the unit to be controlled by any universal DMX controller.
Set the Starting DMX Address:
The default mode for the xture is DMX, so the rst menu item that you can edit is the
starting DMX address.
1.) Navigate the menu using the <UP/DOWN> buttons until you reach A.001.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to select a DMX channel from 001-512.
4.) Press the <ENTER> button to conrm.
Select the DMX Channel Mode:
1.) Navigate the menu using the <UP/DOWN> buttons until you reach ChNd.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to select either hSu,ch.06, ch.08, or ch.11.
4.) Press the <ENTER> button to conrm.
Slave Mode:
To synchronize one or more xtures to follow the actions of the Master xture (the 1st unit in
the DMX chain), perform the following steps on each Slave xture:
2.) Navigate the menu using the <UP/DOWN> button until you reach SLAu.
3.) Push the <ENTER> button.
4.) Use the <UP/DOWN> buttons to select SLAu.
5.) Press the <ENTER> button to conrm.
Auto, Stand-Alone, & Built-in Program Modes:
Allows a single or Master/Slaved units to run factory installed programs at user selectable speeds.
Built-In Static Colors:
1.) Navigate the menu using the <UP/DOWN> button until you reach chAS.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to navigate to coLr, and press <ENTER>.
4.) Use the <UP/DOWN> buttons to select from cl.01-cl.31.
5.) Press the <ENTER> button to conrm.
Auto Mode:
1.) Navigate the menu using the <UP/DOWN> button until you reach chAS.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to navigate to AUto, and press <ENTER>.
4.) Use the <UP/DOWN> buttons to select from at.01-at.02, and press <ENTER>.
5.) Use the <UP/DOWN> buttons to select the speed from t0.01-t0.30 (fast <-> slow).
Custom Program Mode (Standalone):
Create/edit up to 6 custom programs of up to 30 scenes for playback in standalone mode.
1.) Navigate the menu using the <UP/DOWN> button until you reach Edit.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to navigate custom programs from Pr.01-Pr.06.
5.) Press the <ENTER> button.
5.) Use the <UP/DOWN> buttons to select a scene from Sc.01-Sc.30.
5.) Press the <ENTER> button.
4.) Use the <UP/DOWN> buttons to select r.--- (red), G.--- (green), b.--- (blue), A.---
(amber), U.--- (white) or u.--- (UV), and press <ENTER>.
4.) Using the <UP/DOWN> buttons, select the maximum level for each color between
x.000-x.255 (000=off), then press <ENTER> to store your scene.
5.) Repeat this process up to 30 times for each of the 6 custom program banks.
1.) Navigate the menu using the <UP/DOWN> button until you reach chAS.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to navigate to ProG, and press <ENTER>.
4.) Press the <ENTER> button again, and use the <UP/DOWN> buttons to navigate the
custom programs from Pr.01-Pr.06,
5.) Press the <ENTER> button to conrm your program selection.
6.) Use the <UP/DOWN> buttons to select the speed from t0.01-t0.30 (fast <-> slow).
Sound Active Mode:
1.) Navigate the menu using the <UP/DOWN> button until you reach SoUd.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to navigate to ProG, and press <ENTER>.
4.) Use the <UP/DOWN> buttons to select from Snd.1-Snd.4, and press <ENTER>.
5.) Use the <UP/DOWN> buttons to adjust the mic sensitivity level from Sd.00-Sd.99
(0%<->100%), then press the <ENTER> button to conrm.
To set a custom color in Standalone or M/S Mode:
Allows you to create any custom mixed color by adjusting the Red, Green, Blue, Amber, White and UV
values from 0-255.
1.) Navigate the menu using the <UP/DOWN> buttons until you reach StAt.
2.) Push the <ENTER> button.
3.) Press the <UP/DOWN> button until you reach either r.--- (Red), G.--- (Green), b.--(Blue). A.--- (Amber), U.--- (White), or u.--- (UV) then press <ENTER>.
4.) Using the <UP/DOWN> buttons, select the maximum level for each color between
x.000-x.255 (000=off), then press <ENTER> to conrm.
Manual Color Adjustment (Global):
Using this function, you can select any color by adjusting the Red, Green, Blue, Amber, White and UV
values from 0-255. Please note that modifying the values in this step will affect ALL modes, therefore
we recommend resetting all levels to their highest value (255) after using this mode.
1.) Navigate the menu using the <UP/DOWN> buttons until you reach SEt.
2.) Push the <ENTER> button.
3.) Press the <UP/DOWN> button until you reach cUrr, then press <ENTER>.
4.) Press the <UP/DOWN> button until you reach either r.--- (Red), G.--- (Green), b.--(Blue). A.--- (Amber), U.--- (White), or u.--- (UV) then press <ENTER>.
5.) Using the <UP/DOWN> buttons, select the maximum level for each color between
x.000-x.255 (000=off), then press <ENTER> to conrm.
Temperature Settings
Allows you to set a designated temperature protection cut off (in celsius degrees), and also displays
the current xture temperature.
1.) Navigate the menu using the <UP/DOWN> buttons until you reach tENP.
2.) Push the <ENTER> button.
3.) Use the <UP/DOWN> buttons to select either cUtP or toP.
4.) Press the <ENTER> button to conrm.
5.) cUtP will display the current internal temperature, and toP will then allow you to set the
maximum temperature allowed before the temperature protection cut off is initiated.
Auto Program 1 (Chase Pattern)
Auto Program 2 (Fade Pattern)
Custom Program 1
Custom Program 2
Custom Program 3
Custom Program 4
Custom Program 5
Custom Program 6
Sound Active 1
Sound Active 2
Sound Active 3
Sound Active 4
If your problem isn’t listed, or if problems persist,
Page 15
5. APPENDIX
A Quick Lesson On DMX
DMX (aka DMX-512) was created in 1986 by the United States Institute for Theatre
Technology (USITT) as a standardized method for connecting lighting consoles to lighting
dimmer modules. It was revised in 1990 and again in 2000 to allow more exibility. The
Entertainment Services and Technology Association (ESTA) has since assumed control over
the DMX512 standard. It has also been approved and recognized for ANSI standard clas-
sication.
DMX covers (and is an abbreviation for) Digital MultipleXed signals. It is the most common
communications standard used by lighting and related stage equipment.
DMX provides up to 512 control “channels” per data link. Each of these channels was originally intended to control lamp dimmer levels. You can think of it as 512 faders on a lighting
console, connected to 512 light bulbs. Each slider’s position is sent over the data link as an
8-bit number having a value between 0 and 255. The value 0 corresponds to the light bulb
being completely off while 255 corresponds to the light bulb being fully on.
DMX data is transmitted at 250,000 bits per second using the RS-485 transmission standard over two wires. As with microphone cables, a grounded cable shield is used to prevent
interference with other signals.
There are ve pins on a DMX connector: a wire for ground (cable shield), two wires for
“Primary” communication which goes from a DMX source to a DMX receiver, and two wires
for a “Secondary” communication which goes from a DMX receiver back to a DMX source.
Generally, the “Secondary” channel is not used so data ows only from sources to receivers. Hence, most of us are most familiar with DMX-512 as being employer over typical
3-pin “mic cables,” although this does not conform to the dened standard.
DMX is connected using a daisy-chain conguration where the source connects to the input
of the rst device, the output of the rst device connects to the input of the next device,
and so on. The standard allows for up to 32 devices on a single DMX link.
Each receiving device typically has a means for setting the “starting channel number” that
it will respond to. For example, if two 6-channel xtures are used, the rst xture might
be set to start at channel 1 so it would respond to DMX channels 1 through 6, and the next
xture would be set to start at channel 7 so it would respond to channels 7 through 12.
The greatest strength of the DMX communications protocol is that it is very simple and
robust. It involves transmitting a reset condition (indicating the start of a new “packet”),
a start code, and up to 512 bytes of data. Data packets are transmitted continuously. As
soon as one packet is nished, another can begin with no delay if desired (usually another
follows within 1 ms). If nothing is changing (i.e. no lamp levels change) the same data will
be sent out over and over again. This is a great feature of DMX -- if for some reason the
data is not interpreted the rst time around, it will be re-sent shortly.
Not all 512 channels need to be output per packet, and in fact, it is very uncommon to nd
all 512 used. The fewer channels are used, the higher the “refresh” rate. It is possible to
get DMX refreshes at around 1000 times per second if only 24 channels are being transmitted. If all 512 channels are being transmitted, the refresh rate is around 44 times per
second.
In summary, since its design and evolution in the 1980’s DMX has become the standard
for lighting control. It is exible, robust, and scalable, and its ability to control everything
from dimmer packs to moving lights to foggers to lasers makes it an indispensable tool for
any lighting designer or lighting performer.
The xture you’ve received is a rugged, tough piece of pro lighting equipment,
and as long as you take care of it, it will take care of you. That said, like
anything, you’ll need to take care of it if you want it to operate as designed.
You should absolutely keep the xture clean, especially if you are using it in an
environment with a lot of dust, fog, haze, wild animals, wild teenagers or spilled
drinks.
Cleaning the optics routinely with a suitable glass cleaner will greatly improve
the quality of light output. Keeping the fans free of dust and debris will keep
the xture running cool and prevent damage from overheating.
In transit, keep the xtures in cases. You wouldn’t throw a prized guitar,
drumset, or other piece of expensive gear into a gear trailer without a case,
and similarly, you shouldn’t even think about doing it with your shiny new light
xtures.
Common sense and taking care of your xtures will be the single biggest thing
you can do to keep them running at peak performance and let you worry about
designing a great light show, putting on a great concert, or maximizing your
client’s satisfaction and “wow factor.” That’s what it’s all about, after all!
Returns (Gasp!)
We’ve taken a lot of precautions to make sure you never even have to worry
about sending a defective unit back, or sending a unit in for service. But,
like any complex piece of equipment designed and built by humans, once in a
while, something doesn’t go as planned. If you nd yourself with a xture that
isn’t behaving like a good little xture should, you’ll need to obtain a Return
Authorization (RA).
Don’t worry, this is easy. Just go to our website and open a support ticket at
www.blizzardlighting.com/tickets, and we’ll issue you an RA. Then, you’ll need
to send the unit to us using a trackable, pre-paid freight method. We suggest
using USPS Priority or UPS. Make sure you carefully pack the xture for transit,
and whenever possible, use the original box & packing for shipping.
When returning your xture for service, be sure to include the following:
1.) Your contact information (Name, Address, Phone Number, Email address).
2.) The RA# issued to you
3.) A brief description of the problem/symptoms.
We will, at our discretion, repair or replace the xture. Please remember
that any shipping damage which occurs in transit to us is the customer’s
responsibility, so pack it well!
Shipping Issues
Damage incurred in shipping is the responsibility of the shipper, and
must be reported to the carrier immediately upon receipt of the items.
Claims must be made within seven (7) days of receipt.