What’s In The Box? 3
Getting It Out Of The Box 3
Powering Up! 3
Getting A Hold Of Us 3
Safety Instructions (Don’t Stick Your Hand In The Toaster!) 4
2. Meet The ToughSTICK™ RGBAW 5
Features 5
DMX Quick Reference 5
The ToughSTICK™ Pin-up Picture 6
Rear Connections 6
3. Setup 7
Fuse Replacement 7
Connecting A Bunch Of ToughSTICKS™ 7
Data/DMX Cables 7
Cable Connectors 8
3-Pin??? 5-Pin??? Huh? 8
Take It To The Next Level: Setting up DMX Control 8
Fixture Linking (Master/Slave Mode) 9
Mounting/Rigging 9
4. Operating Adjustments 10
The Control Panel 10
Control Panel Menu Structure 11
DMX Mode 12
Master/Slave Mode 12
Standalone (Program) Mode 12
DMX Channel Values In-Depth 13
Troubleshooting 14
5. Appendix 15
A Quick DMX Lesson 15
Keeping Your ToughSTICK™ As Good As New 16
Returns (Gasp!) 16
Shipping Issues 16
Tech Specs 17
Congratulations on purchasing one way cool, way fl exible, way original LED
strip light! Now that you’ve got your ToughSTICK™ RGBAW (or hopefully,
ToughSTICKs!), you should carefully unpack the box and check the contents
to ensure that all parts are present and in good condition. If anything looks as
if it has been damaged in transit, notify the shipper immediately and keep the
packing material for inspection. Again, please save the carton and all packing
materials. If a fi xture must be returned to the factory, it is important that the fi xture be returned in the original factory box and packing.
Powering Up!
All fi xtures must be powered directly off a switched circuit and cannot be run
off a rheostat (variable resistor) or dimmer circuit, even if the rheostat
or dimmer channel is used solely for a 0% to 100% switch.
AC Voltage Switch - Not all fi xtures have a voltage select switch, so please
verify that the fi xture you receive is suitable for your local power supply. See
the label on the fi xture or refer to the fi xture’s specifi cations chart for more
information. A fi xture’s listed current rating is its average current draw under
normal conditions. Check the fi xture or device carefully to make sure that if a
voltage selection switch exists that it is set to the correct line voltage you will
use.
Warning! Verify that the voltage select switch on your unit matches
the line voltage applied. Damage to your fi xture may result if the line
voltage applied does not match the voltage indicated on the voltage
selector switch. All fi xtures must be connected to circuits with a
suitable Ground (Earthing).
Getting A Hold Of Us
If something is wrong, just give us a call or send an email. We’ll be
happy to help, honest.
Blizzard Lighting
W220 N1531 Jericho Ct. Ste E
Waukesha, WI 53186 USA
www.blizzardlighting.com
414-395-8365
Email: support@blizzardlighting.com
• Please keep this User Guide for future use. If you sell the unit to someone
else, be sure that they also receive this User Guide.
• ALWAYS make sure that you are connecting to the proper voltage, and that
the line voltage you are connecting to is not higher than that stated on the
decal or rear panel of the fi xture.
• Make sure there are no fl ammable materials close to the unit while operating.
• The unit must be installed in a location with adequate ventilation, at least
20in (50cm) from adjacent surfaces. Be sure that no ventilation slots are
blocked.
• ALWAYS disconnect from the power source before servicing or replacing fuse
and be sure to replace with same fuse size and type.
• ALWAYS secure fi xture using a safety chain. NEVER carry the fi xture by its
cord. Use its carrying handles.
• DO NOT operate at ambient temperatures higher than 104°F (40°C).
• In the event of a serious operating problem, stop using the unit immediately.
NEVER try to repair the unit by yourself. Repairs carried out by unskilled people
can lead to damage or malfunction. Please contact the nearest authorized
technical assistance center. Always use the same type spare parts.
• NEVER connect the device to a dimmer pack.
• Make sure the power cord is never crimped or damaged.
• Never disconnect the power cord by pulling or tugging on the cord.
• Avoid direct eye exposure to the light source while it is on.
Caution! There are no user serviceable parts inside the unit. Do not
open the housing or attempt any repairs yourself. In the unlikely event
your unit may require service, please contact Blizzard Lighting at
support@blizzardlighting.com.
CAUTION! The ToughSTICK™ RGBAW utilizes a high-output switch-mode
power supply with an internal fuse. Under normal operating conditions,
the fuse should not require replacement. The fuse is fi eld replaceable,
however it is an advanced procedure suited to qualifi ed individuals.
Should your ToughSTICK™ fuse require replacement, please contact
Blizzard Lighting for instructions, or to return your unit for service.
Connecting A Bunch of ToughSTICK™ RGBAW Fixtures
You will need a serial data link to run light shows using a DMX-512
controller or to run shows on two or more fi xtures set to sync in master/
slave operating mode. The combined number of channels required by all
the fi xtures on a serial data link determines the number of fi xtures the
data link can support.
Fixtures on a serial data link must be daisy chained in one single line.
Also, connecting more than 32 fi xtures on one serial data link without the
use of a DMX optically-isolated splitter may result in deterioration of the
digital DMX signal. The maximum recommended cable-run distance is 500
meters (1640 ft). The maximum recommended number of fi xtures on a
serial data link is 32 fi xtures.
Data/DMX Cabling
To link fi xtures together you’ll need data cables. You should use data-
grade cables that can carry a high quality signal and are less prone to
electromagnetic interference.
Maximum capacitance between conductors – 30 pF/ft.
Maximum capacitance between conductor & shield – 55 pF/ft.
Maximum resistance of 20 ohms / 1000 ft.
Nominal impedance 100 – 140 ohms
Cables must have a male XLR connector on one end and a female XLR
connector on the other end. (Duh!)
CAUTION: Do not allow contact between the common and the
fi xture’s chassis ground. Grounding the common can cause a ground
loop, and your fi xture may perform erratically. Test cables with an
ohm meter to verify correct polarity and to make sure the pins are not
grounded or shorted to the shield or each other.
3-Pin??? 5-Pin??? Huh?!?
If you use a controller with a 5 pin DMX output connector, you will need to use a 5 pin to 3 pin adapter.
They are widely available over the internet and from specialty retailers If you’d like to build your own, the
chart below details a proper cable conversion:
Conductor3-Pin Female
(Output)
5-Pin Male
(Input)
Ground/ShieldPin 1Pin 1
DMX Data (-)Pin 2Pin 2
DMX Data (+)Pin 3Pin 3
Not Used.No Connection.No Connection.
Not Used.No Connection.No Connection.
Take It To The Next Level: Setting Up DMX Control
Step 1: Connect the male connector of the
DMX cable to the female connector (output)
on the controller.
Step 2: Connect the female connector of
the DMX cable to the fi rst fi xture’ s male
connector (input). Note: It doesn’t matter
which fi xture address is the fi rst one
connected. We recommend connecting the
fi xtures in terms of their proximity to the
controller, rather than connecting the lowest
fi xture number fi rst, and so on.
Step 3: Connect other fi xtures in the chain
from output to input as above. Place a DMX
terminator on the output of the fi nal fi xture
to ensure best communication.
1. Connect the (male) 3 pin connector side of the
DMX cable to the output (female) 3 pin connector of
the fi rst fi xture.
2. Connect the end of the cable coming from
the fi rst fi xture which will have a (female) 3 pin
connector to the input connector of the next fi xture
consisting of a (male) 3 pin connector. Then,
proceed to connect from the output as stated above
to the input of the following fi xture and so on.
A quick note: Often,
the setup for MasterSlave and Standalone
operation requires that
the fi rst fi xture in the
chain be initialized for
this purpose via either
settings in the control
panel or DIP-switches.
Secondarily, the fi xtures
that follow may also
require a slave setting.
Check the “Operating Adjustments” section in this manual for
complete instructions for this type of setup and confi guration.
Mounting & Rigging
This fi xture may be mounted in any SAFE position provided there is
enough room for ventilation.
It is important never to obstruct the fan or vents pathway. Mount the
fi xture using a suitable “C” or “O” type clamp. The clamp should be
rated to hold at least 10x the fi xture’s weight to ensure structural
stability. Do not mount to surfaces with unknown strength, and ensure
properly “rated” rigging is used when mounting fi xutres overhead.
Adjust the angle of the fi xture by loosening both knobs and tilting the fi xture. After fi nding the desired position, retighten both knobs.
• When selecting installation location, take into consideration lamp
replacement access (if applicable) and routine maintenance.
All the goodies and different modes possible with the ToughSTICK™
RGBAW are accessed by using the control panel on the side of the
fi xture. There are 4 control buttons below the LED display which allow
you to navigate through the various control panel menus.
<MENU>
Is used to navigate to the previous higher-level menu item.
<UP>
Scrolls through menu items and numbers in ascending order.
<DOWN>
Scrolls through menu items and numbers in descending order.
<SAVE>
Is used to select and confi rm/store the current selection.
The Control Panel LED Display shows the menu items you select from
the menu map on page #11. When a menu function is selected, the
display will show immediately the fi rst available option for the selected
menu function. To select a menu item, press <ENTER>.
Press the <MENU> button repeatedly until you reach the desired
menu function. Use the <UP> and <DOWN> buttons to navigate the
menu options. Press the <SAVE> button to select the menu function
currently displayed, or to enable a menu option. To return to the
previous option or menu without changing the value, press the
<MENU> button.
Allows the unit to be controlled by any universal DMX controller.
1.) The default mode for the fi xture is DMX, which appears as
select a different DMX address, using the <MENU> button, select
Use the <UP/DOWN> buttons to select the correct address, then hit <ENTER> to confi rm.
A001 on the LED Readout. To
Addr,then hit <ENTER>.
Stand-Alone, Master/Slave Modes:
Allows a single or Master/Slaved units to run factory installed programs at user selectable speeds.
1.) To set the fi xture in Flash/Fade mode, select FLAS or FAdE
To confi rm, press the <ENTER> button.
2.) Now, select the fl ash or fade speed using <MENU> button to reach <ENTER>.
The display reads
confi rm.
3.) To use the fi xture in automatic mode, select
confi rm.
4.) Adjust the speed of the chase as above using
press the <ENTER> button to confi rm.
5.) To set the fi xture as a slave unit, select
then fl ash
SP15 (slowest) to SP00 (fastest), then press the <ENTER> button to
ASC-, then press the <ENTER> button to
SP15 (slowest) to SP00 (fastest) then
SLAV, and hit <ENTER>. The menu display will
SLAV. Once it stops fl ashing, the fi xture is in slave mode.
SP--, then hit
Standalone (Program) Mode:
Allows a single unit to display a variety of colors and programs without a DMX controller.
1.) To set the fi xture in manual mode, select Pr--.
To confi rm, press the <ENTER> button.
2.) Now, select the program by using the <UP> and <DOWN> buttons to select
. To confi rm, press the <ENTER> button.
Pr15
Pr00-
Pr00 = RedPr01 = GreenPr02 = BluePr03 = Amber
Pr04 = WhitePr05 = R+G+BPr06 = W+APr07 = Program #1
Pr08 = Program #2Pr09 = Program #3Pr10 = Program #4Pr11 = Program #5
Pr12 = Program #6Pr13 = Program #7Pr14 = Program #8Pr15 = Pr07-Pr14 Chase
Program Descriptions:
Program #1: 15-Color Chase, Full Bar
Program #2: Red + G/B/A/W Pixel Chase
Program #3: 5-Color Pixel Chase
Program #4: Red+Green + B/A/W Pixel Chase
Program #5: Red/Green/Blue Pixel Chase
Program #6: Blue/Amber/White Pixel Chase
Program #7: Inverse Color Pixel Chase
Program #8: R/G/B/A/W 3-Pixel Offset Chase
DMX (aka DMX-512) was created in 1986 by the United States Institute for Theatre
Technology (USITT) as a standardized method for connecting lighting consoles to lighting
dimmer modules. It was revised in 1990 and again in 2000 to allow more fl exibility. The
Entertainment Services and Technology Association (ESTA) has since assumed control over
the DMX512 standard. It has also been approved and recognized for ANSI standard classifi cation.
DMX covers (and is an abbreviation for) Digital MultipleXed signals. It is the most common
communications standard used by lighting and related stage equipment.
DMX provides up to 512 control “channels” per data link. Each of these channels was originally intended to control lamp dimmer levels. You can think of it as 512 faders on a lighting
console, connected to 512 light bulbs. Each slider’s position is sent over the data link as an
8-bit number having a value between 0 and 255. The value 0 corresponds to the light bulb
being completely off while 255 corresponds to the light bulb being fully on.
DMX data is transmitted at 250,000 bits per second using the RS-485 transmission standard over two wires. As with microphone cables, a grounded cable shield is used to prevent
interference with other signals.
There are fi ve pins on a DMX connector: a wire for ground (cable shield), two wires for
“Primary” communication which goes from a DMX source to a DMX receiver, and two wires
for a “Secondary” communication which goes from a DMX receiver back to a DMX source.
Generally, the “Secondary” channel is not used so data fl ows only from sources to receiv-
ers. Hence, most of us are most familiar with DMX-512 as being employer over typical
3-pin “mic cables,” although this does not conform to the defi ned standard.
DMX is connected using a daisy-chain confi guration where the source connects to the input
of the fi rst device, the output of the fi rst device connects to the input of the next device,
and so on. The standard allows for up to 32 devices on a single DMX link.
Each receiving device typically has a means for setting the “starting channel number” that
it will respond to. For example, if two 6-channel fi xtures are used, the fi rst fi xture might
be set to start at channel 1 so it would respond to DMX channels 1 through 6, and the next
fi xture would be set to start at channel 7 so it would respond to channels 7 through 12.
The greatest strength of the DMX communications protocol is that it is very simple and
robust. It involves transmitting a reset condition (indicating the start of a new “packet”),
a start code, and up to 512 bytes of data. Data packets are transmitted continuously. As
soon as one packet is fi nished, another can begin with no delay if desired (usually another
follows within 1 ms). If nothing is changing (i.e. no lamp levels change) the same data will
be sent out over and over again. This is a great feature of DMX -- if for some reason the
data is not interpreted the fi rst time around, it will be re-sent shortly.
Not all 512 channels need to be output per packet, and in fact, it is very uncommon to fi nd
all 512 used. The fewer channels are used, the higher the “refresh” rate. It is possible to
get DMX refreshes at around 1000 times per second if only 24 channels are being transmitted. If all 512 channels are being transmitted, the refresh rate is around 44 times per
second.
In summary, since its design and evolution in the 1980’s DMX has become the standard
for lighting control. It is fl exible, robust, and scalable, and its ability to control everything
from dimmer packs to moving lights to foggers to lasers makes it an indispensable tool for
any lighting designer or lighting performer.
The fi xture you’ve received is a rugged, tough piece of pro lighting equip-
ment, and as long as you take care of it, it will take care of you. That said, like
anything, you’ll need to take care of it if you want it to operate as designed.
You should absolutely keep the fi xture clean, especially if you are using it in an
environment with a lot of dust, fog, haze, wild animals, wild teenagers or spilled
drinks.
Cleaning the optics routinely with a suitable glass cleaner will greatly improve
the quality of light output. Keeping the fans free of dust and debris will keep
the fi xture running cool and prevent damage from overheating.
In transit, keep the fi xtures in cases. You wouldn’t throw a prized guitar,
drumset, or other piece of expensive gear into a gear trailer without a case,
and similarly, you shouldn’t even think about doing it with your shiny new light
fi xtures.
Common sense and taking care of your fi xtures will be the single biggest thing
you can do to keep them running at peak performance and let you worry about
designing a great light show, putting on a great concert, or maximizing your client’s satistfaction and “wow factor.” That’s what it’s all about, after all!
Returns (Gasp!)
We’ve taken a lot of precautions to make sure you never even have to worry
about sending a defective unit back, or sending a unit in for service. But, like
any complex piece of equipment designed and built by humans, once in a while,
something doesn’t go as planned. If you fi nd yourself with a fi xture that isn’t
behaving like a good little fi xture should, you’ll need to obtain a Return Authori-
zation (RA).
Don’t worry, this is easy. Just send an email to support@blizzardlighting.com,
and we’ll issue you an RA. Then, you’ll need to send the unit to us using a
trackable, pre-paid freight method. We suggest using USPS Priority or UPS.
Make sure you carefully pack the fi xture for transit, and whenever possible, use
the original box & packing for shipping.
When returning your fi xture for service, be sure to include the following:
1.) Your contact information (Name, Address, Phone Number, Email address).
2.) The RA# issued to you
3.) A brief description of the problem/symptoms.
We will, at our discretion, repair or replace the fi xture. Please remember that
any shipping damage which occurs in transit to us is the customer’s responsibility, so pack it well!
Shipping Issues
Damage incurred in shipping is the responsibility of the shipper, and
must be reported to the carrier immediately upon receipt of the items.
Claims must be made within seven (7) days of receipt.