Blizzard Lighting LOOK User Manual

Blizzard Lighting, LLC

www.blizzardlighting.com

Waukesha, WI USA

Page 2

TABLE OF CONTENTS

LOOK™ Dual Beam + Aura Eect 1

1. Getting Started

3

What’s In The Box? 3 Getting It Out Of The Box 3 Powering Up! 3 Getting A Hold Of Us 3 Safety Instructions (Don’t Stick Your Hand In The Toaster!) 4

2. Meet The LOOK™ 5

Main Features 5 DMX Quick Reference 5 The LOOK™ Pin-up Picture 6

3. Setup 7

Fuse Replacement 7 Connecting A Bunch Of LOOK™ Fixtures 7 Data/DMX Cables 7 Cable Connectors 8 3-Pin??? 5-Pin??? Huh? 8 Take It To The Next Level: Setting up DMX Control 8 Fixture Linking (Master/Slave Mode) 9 Mounting/Rigging 9 Installation 10

4. Operating Adjustments 10

The Control Panel 11 Control Panel Menu Structure 12 DMX Channel Values In-Depth 14 Troubleshooting 19

5. Appendix 20

A Quick DMX Lesson 20 Keeping Your LOOK™ As Good As New 21 Returns (Gasp!) 21 Shipping Issues 21 Tech Specs 22 Dimensional Drawings 23

Page 3

1. GETTING STARTED

What’s In The Box?

• 1 x LOOK™ Professional LED Fixture

• An Ever-So-Handy Power Cord

• This Lovely User Manual

Optional Accessories (sold separately)

The following accessory is currently available for this xture. But the lone wolves that they

are, they must be purchased separately. Contact your authorized Blizzard Lighting dealer for best pricing!

•

LOOK Klamp: Modular dual Omega bracket mounting plate that ts perfectly into the top 4-peg locking mechanism of LOOK™ xtures. Comes with plate attachment and (2) 1/4 turn Omega brackets.

Getting It Out Of The Box

Congratulations on your purchase of LOOK™, the ultra-sharp dual beam xture with mesmerizing LED aura eects! Now that you’ve got your LOOK™ (or hopefully, LOOKS)

, you

should carefully unpack the box and check the contents to ensure that all parts are pres

ent and in good condition. If anything looks as if it has been damaged in transit, notify the shipper immediately and keep the packing material for inspection. Again, please save the

carton and all packing materials. If a xture must be returned to the factory, it is impor

-

tant that the xture be returned in the original factory box and packing.

Powering Up!

All xtures must be powered directly o a switched circuit and cannot be run o a

rheostat (variable resistor) or dimmer circuit, even if the rheostat or dimmer channel is used solely for a 0% to 100% switch.

AC Voltage Switch - Not all xtures have a voltage select switch, so please verify that the xture you receive is suitable for your local power supply. See the label on the xture or refer to the xture’s specications chart for more information. A xture’s listed current rating is its average current draw under normal conditions. Check the xture or device

carefully to make sure that if a voltage selection switch exists that it is set to the correct line voltage you will use.

Warning! Verify that the voltage select switch on your unit matches the line

voltage applied. Damage to your xture may result if the line voltage applied does not match the voltage indicated on the voltage selector switch. All xtures must

be connected to circuits with a suitable Ground (Earthing).

Getting A Hold Of Us

If something is wrong, please just visit our website at www.blizzardlighting.com/ support and open a support ticket. We’ll be happy to help, honest.

Disclaimer: The information and specications contained in this document are subject

to change without notice. Blizzard Lighting™ assumes no responsibility or liability for any errors or omissions that may appear in this user manual. Blizzard Lighting™ reserves the right to update the existing document or to create a new document to correct any errors or omissions at any time. You can download the latest version of this document from www. blizzardlighting.com.

Author: Date: Last Edited: Date:

J. Thomas 9/9/2016 J. Thomas 9/13/2016

Page 4

SAFETY INSTRUCTIONS

• Please keep this User Guide for future use. If you sell the unit to someone else, be sure that they also receive this User Guide.

• ALWAYS make sure that you are connecting to the proper voltage, and that the line voltage you are connecting to is not higher than that stated on the de-

cal or rear panel of the xture.

• This product is intended for indoor use only.

• To prevent risk of re or shock, do not expose xture to rain or moisture.

• Make sure there are no ammable materials close to the unit while operating.

• The unit must be installed in a location with adequate ventilation, at least

20in (50cm) from adjacent surfaces. Be sure that no ventilation slots are

blocked.

• ALWAYS disconnect from the power source before servicing or replacing fuse and be sure to replace with same fuse size and type.

• ALWAYS secure xture using a safety chain. NEVER carry the xture by its

head. Use its carrying handles.

• DO NOT operate at ambient temperatures higher than 104°F (40°C).

• In the event of a serious operating problem, stop using the unit immediately. NEVER try to repair the unit by yourself. Repairs carried out by unskilled people can lead to damage or malfunction. Please contact the nearest authorized technical assistance center. Always use the same type spare parts.

• NEVER connect the device to a dimmer pack.

• Make sure the power cord is never crimped or damaged.

• Never disconnect the power cord by pulling or tugging on the cord.

• Avoid direct eye exposure to the light source while it is on.

Caution! There are no user serviceable parts inside the unit. Do not open the housing or attempt any repairs yourself. In the unlikely event your unit may require service, please open a support ticket at www. blizzardlighting.com/support.

Page 5

2. MEET THE LOOK™

MAIN FEATURES

• 2* high output 60W RGBW 4-in-1 LEDs

• 2* 4-segment ring aura eects (16 x 0.5W RGB LEDs)

• Individually controllable beams and aura eects

• Ultra-sharp 4.5° beam angle (x2)

• 2700-10000K CTC (color temperature control)

• User adjustable white balance settings

• Stackable and side-by-side locking linear array

• LED drive current: beam=4500mA, aura=30mA

• User selectable 32-bit dimming modes, 0-20Hz strobe eects

• 3-pin and 5-pin male/female input and outputs

• PowerCon™ compatible AC power In/Out connectors

CONTROL:

• Protocol: USITT DMX-512

• DMX Channels: 13/24/45-channel

• 2.4 inch TFT color LCD display panel with 4x touch sensitive buttons

• Operating Modes: Standalone, Master/Slave, Auto, Sound Active

DMX Quick Reference (13/24/45-Channel Modes)

CH. Basic Mode (13ch) CH. Standard Mode (24ch) CH. Extended Mode (45ch)

1 Beam Red (0-100%) 1 Beam 1 Red (0-100%) 1 Beam 1 Red (0-100%) 2 Beam Green (0-100%) 2 Beam 1 Green (0-100%) 2 Beam 1 Green (0-100%) 3 Beam Blue (0-100%) 3 Beam 1 Blue (0-100%) 3 Beam 1 Blue (0-100%) 4 Beam White (0-100%) 4 Beam 1 White (0-100%) 4 Beam 1 White (0-100%) 5 Aura Red (0-100%) 5 Beam 2 Red (0-100%) 5 Beam 2 Red (0-100%) 6 Aura Green (0-100%) 6 Beam 2 Green (0-100%) 6 Beam 2 Green (0-100%) 7 Aura Blue (0-100%) 7 Beam 2 Blue (0-100%) 7 Beam 2 Blue (0-100%) 8 Beam Macro Color 8 Beam 2 White (0-100%) 8 Beam 2 White (0-100%) 9 Aura LED Eect 9 Beam Linear CTO 9 Beam 1 Linear CTO 10 Aura LED Speed 10 Beam Macro Color 10 Beam 2 Linear CTO 11 Strobe 11 Strobe 11 Beam 1 Macro Color 12 Dimmer 12 Beam LED Dimmer 12 Beam 2 Macro Color 13 32-Bit Dimming Modes 13 32-Bit Dimming Modes 13 Strobe

-- -- 14 Aura 1 Red (0-100%) 14 Beam LED Dimmer

-- -- 15 Aura 1 Green (0-100%) 15 32-Bit Dimming Modes

-- -- 16 Aura 1 Blue (0-100%) 16 Beam LED Auto Select

-- -- 17 Aura 2 Red (0-100%) 17 Beam LED Auto Speed

-- -- 18 Aura 2 Green (0-100%) 18 Aura LED Dimmer

-- -- 19 Aura 2 Blue (0-100%) 19 Aura LED Strobe

-- -- 20 Aura LED Dimmer 20 Aura LED Eect

-- -- 21 Aura LED Strobe 21 Aura LED Speed

-- -- 22 Aura LED Eect 22 Aura 1 - Red 1

-- -- 23 Beam LED Auto Select 23 Aura 1 - Green 1

-- -- 24 Aura LED Eect & Beam 24 Aura 1 - Blue 1

-- -- -- -- 25 Aura 1 - Red 2

-- -- -- -- 26 Aura 1 - Green 2

-- -- -- -- 27 Aura 1 - Blue 2

-- -- -- -- 28 Aura 1 - Red 3

-- -- -- -- 29 Aura 1 - Green 3

-- -- -- -- 30 Aura 1 - Blue 3

-- -- -- -- 31 Aura 1 - Red 4

-- -- -- -- 32 Aura 1 - Green 4

-- -- -- -- 33 Aura 1 - Blue 4

-- -- -- -- 34 Aura 2 - Red 1

-- -- -- -- 35 Aura 2 - Green 1

-- -- -- -- 36 Aura 2 - Blue 1

-- -- -- -- 37 Aura 2 - Red 2

-- -- -- -- 38 Aura 2 - Green 2

-- -- -- -- 39 Aura 2 - Blue 2

-- -- -- -- 40 Aura 2 - Red 3

-- -- -- -- 41 Aura 2 - Green 3

-- -- -- -- 42 Aura 2 - Blue 3

-- -- -- -- 43 Aura 2 - Red 4

-- -- -- -- 44 Aura 2 - Green 4

-- -- -- -- 45 Aura 2 - Blue 4

Page 6

Figure 1: The LOOK™ Pin-Up Picture

2* 60W RGBW

4-in-1 LEDs w/4.5°

Beam Eects

Mounting

Bracket

w/Locking

Knobs

Figure 2: The Rear Connections

2* RGB 3-in-1,

4-Segment Ring

Aura Eects

Fuse

Cover

Power

Out

3-Pin

DMX Out

5-Pin

DMX Out

4-Button

Menu

LCD

Display

5-Pin

DMX In

3-Pin

DMX In

Power

In

Page 7

3. SETUP

Fuse Replacement

Remove the fuse holder from of its housing. Then take out the damaged fuse from its holder and replace with exact same type of fuse. Reattach the fuse holder, and then reconnect power.

Connecting A Bunch of LOOK™ Fixtures

You will need a serial data link to run light shows using a DMX-512 controller or to run shows on two or more xtures set to sync in master/slave operating mode. The combined number of channels required by all the xtures on a serial data link determines the number of xtures the data link can support.

Fixtures on a serial data link must be daisy chained in one single line.

Also, connecting more than 32 xtures on one serial data link without

the use of a DMX optically-isolated splitter may result in deterioration of the digital DMX signal. The maximum recommended cable-run distance is 500 meters (1640 ft). The maximum recommended number

of xtures on a serial data link is 32 xtures.

Data/DMX Cabling

To link xtures together you’ll need data cables. You should use data-

grade cables that can carry a high quality signal and are less prone to electromagnetic interference.

For instance, Belden© 9841 meets the specications for EIA RS-485

applications. Standard microphone cables will “probably” be OK, but note that they cannot transmit DMX data as reliably over long distances. In any event, the cable should have the following characteristics:

2-conductor twisted pair plus a shield Maximum capacitance between conductors – 30 pF/ft. Maximum capacitance between conductor & shield – 55 pF/ft. Maximum resistance of 20 ohms / 1000 ft. Nominal impedance 100 – 140 ohms

Page 8

Cable Connectors

Cables must have a male XLR connector on one end and a female XLR connector on the other end. (Duh!)

CAUTION: Do not allow contact between the common and the x- ture’s chassis ground. Grounding the common can cause a ground

loop, and your xture may perform erratically. Test cables with an

ohm meter to verify correct polarity and to make sure the pins are not grounded or shorted to the shield or each other.

3-Pin??? 5-Pin??? Huh?!?

If you use a controller with a 5 pin DMX output connector, you will need to use a 5 pin to 3 pin adapter. They are widely available over the internet and from specialty retailers If you’d like to build your own, the chart below details a proper cable conversion:

Conductor 3-Pin Female

(Output)

5-Pin Male (Input)

Ground/Shield Pin 1 Pin 1

DMX Data (-) Pin 2 Pin 2

DMX Data (+) Pin 3 Pin 3

Not Used. No Connection. No Connection.

Take It To The Next Level: Setting Up DMX Control

Step 1: Connect the male connector of the

DMX cable to the female connector (output) on the controller.

Step 2: Connect the female connector of the DMX cable to the rst xture’s male connector (input). Note: It doesn’t matter which

xture address is the rst one connected. We recommend connecting the xtures in

terms of their proximity to the controller,

rather than connecting the lowest xture number rst, and so on.

Step 3: Connect other xtures in the chain

from output to input as above. Place a DMX

terminator on the output of the nal xture

to ensure best communication.

Page 9

Fixture Linking (Master/Slave Mode)

1. Connect the (male) 3/5-pin connector side of the DMX cable to the output (female) 3/5-pin connector

of the rst xture.

2. Connect the end of the cable coming from the

rst xture which will have a (female) 3/5-pin connector to the input connector of the next xture

consisting of a (male) 3/5-pin connector. Then, proceed to connect from the output as stated above to

the input of the following xture and so on.

A quick note: Often, the setup for MasterSlave and Standalone operation requires that

the rst xture in the

chain be initialized for this purpose via either settings in the control panel or DIP-switches.

Secondarily, the xtures

that follow may also require a slave setting.

Check the “Operating Adjustments” section in this manual for com-

plete instructions for this type of setup and conguration.

Mounting & Rigging

This xture may be mounted in any SAFE position provided there is

enough room for ventilation.

It is important never to obstruct the fan or vents pathway. Mount the

xture using a suitable “C” or “O” type clamp. The clamp should be rated to hold at least 10x the xture’s weight to ensure structural sta-

bility. Do not mount to surfaces with unknown strength, and ensure

properly “rated” rigging is used when mounting xtures overhead.

Adjust the angle of the xture by loosening both knobs and tilting the xture. After nding the desired position, retighten both knobs.

• When selecting installation location, take into consideration lamp replacement access (if applicable) and routine maintenance.

• Safety cables MUST ALWAYS be used.

• Never mount in places where the xture will be exposed to rain,

high humidity, extreme temperature changes or restricted ventilation.

Page 10

Installation

LOOK™ xtures can be set up on the ground, or mounted on truss. They can be connected and locked

together top to bottom, or side by side for an elongated matrix combination.

When truss mounting, always and use appropriately rated clamps to accommodate the total

weight of connected xtures, and no matter what type of conguration your choose to connect your xtures together, always be sure that each xture is individually secured with a safety

cable.

Matrix Combination:

1.) Starting with a xture to be connected under another, loosen the rear locking knobs and slide the locking plates to their outward most positions.

2.) Align and set the feet of the top xture into the holes found on the top cover of the bottom xture, then push the xture slightly into its correct position.

3.) Push both rear locking slider plates fully inward, then tighten down both of the locking knobs to nish securing the xtures together.

4.) Repeat the process to add more xtures.

Elongated Combination:

1.) Starting with a xture to be connected to the side of another, make sure the top and bottom Lock/

Unlock hook latches are both in the unlock position.

2.) Align the sides of the xtures, so the hook side meets the female catch.

3.) Using a 5mm allen wrench, swivel both hook latches to their lock positions.

4.) Repeat the process to add more xtures.

LOOK™ Klamp (sold separately)

Modular dual Omega bracket mounting plate that ts perfectly into the top 4-peg locking mechanism of LOOK™ xtures. Comes with plate attachment and (2) 1/4 turn Omega brackets.

Contact your favorite Blizzard Lighting dealer for best pricing.

Elongated

Combination

Matrix

Combination

Page 11

4. OPERATING ADJUSTMENTS

The Control Panel

All the goodies and dierent modes possible with the LOOK™ are accessed by using the control panel on the back of the xture. There are 4 control buttons

next to the menu display which allow you to navigate through the various control panel menus.

<MENU>

Is used to navigate to the previous higher-level menu item.

<UP>

Scrolls through menu items and numbers in ascending order.

<DOWN>

Scrolls through menu items and numbers in descending order.

<ENTER>

Is used to select and conrm/store the current selection.

The control panel display shows the menu items you select from the menu map on page #12. When a menu function is selected, the display will show immedi-

ately the rst available option for the selected menu function. To select a menu

item, press <ENTER>.

Use the <UP> and <DOWN> buttons to navigate the menu options. Press the <ENTER> button to select the menu function currently displayed, or to enable a menu option. To return to the previous option or menu without changing the value, press the <MENU> button.

Page 12

Control Panel Menu Structure

Main Function Sub Function Selection What It Does...

STATIC COLOR Beam Red1 000 <-> 255 Beam 1 - Red Intensity (0% <-> 100%)

Beam Green1 000 <-> 255 Beam 1 - Green Intensity (0% <-> 100%) Beam Blue1 000 <-> 255 Beam 1 - Blue Intensity (0% <-> 100%) Beam White1 000 <-> 255 Beam 1 - White Intensity (0% <-> 100%) Beam Red2 000 <-> 255 Beam 2 - Red Intensity (0% <-> 100%) Beam Green2 000 <-> 255 Beam 2 - Green Intensity (0% <-> 100%) Beam Blue2 000 <-> 255 Beam 2 - Blue Intensity (0% <-> 100%) Beam White2 000 <-> 255 Beam 2 - White Intensity (0% <-> 100%) Aura Red1 000 <-> 255 Aura 1 - Red Intensity (0% <-> 100%) Aura Green1 000 <-> 255 Aura 1 - Green Intensity (0% <-> 100%) Aura Blue1 000 <-> 255 Aura 1 - Blue Intensity (0% <-> 100%) Aura Red2 000 <-> 255 Aura 2 - Red Intensity (0% <-> 100%) Aura Green2 000 <-> 255 Aura 2 - Green Intensity (0% <-> 100%) Aura Blue2 000 <-> 255 Aura 2 - Blue Intensity (0% <-> 100%)

AUTO Auto1 - Auto10 <ENTER> Auto Modes 1-10

Auto Speed 001 <-> 255 Auto Speed

SOUND Sound1 <ENTER> Sound Active Mode 1

Sound2 <ENTER> Sound Active Mode 2 Sound3 <ENTER> Sound Active Mode 3 Sensitivity 001 <-> 100 Mic Sensitivity

RUN DMX512 <ENTER> Set to run in DMX Mode

Slave <ENTER> Set to run in Slave Mode

ADDRESS Set DMX Address 001 <-> 512 Set the DMX Address DMX MODE Stand Mode <ENTER> Standard Mode (24CH)

Basic Mode <ENTER> Basic Mode (13CH) Extend Mode <ENTER> Extended Mode (45CH)

TEST Test Beam <ENTER> Beam Test

Test Aura <ENTER> Aura Test Test All <ENTER> Test All

Linear CTO CTO 2700K <ENTER> CTO 2700K

CTO 3200K <ENTER> CTO 3200K CTO 4200K <ENTER> CTO 4200K CTO 5600K <ENTER> CTO 5600K CTO 6500K <ENTER> CTO 6500K CTO 7200K <ENTER> CTO 7200K CTO 8000K <ENTER> CTO 8000K CTO 10000K <ENTER> CTO 10000K

SET White Balance ON/OFF Turn ON to use the CAL Parameter settings

Dimmer Curve Gamma 1-4 Turn o or use dimming curves 1-4 Fan Control Auto/High/Low Set the fan for Auto or manual High/Low Speed Disp Setting Shut o time Set to shut o after 2-60 minutes of inactivity

Flip display Flip the display

Disp ash On/O: display will ash if DMX signal is lost

Factory Reset <ENTER> Select Yes to reset the xture

CAL Parameter Beam1 RGB Beam Red1 Beam 1 Red Color Balance

Beam Green1 Beam 1 Green Color Balance Beam Blue1 Beam 1 Blue Color Balance

Beam2 RGB Beam Red2 Beam 2 Red Color Balance

Beam Green2 Beam 2 Green Color Balance Beam Blue2 Beam 2 Blue Color Balance

INFO Time Info Power on Hours since powered on

Ttl Life Hrs Total running hours Last Run Hrs Last run hours

Temp Info Head 1 Temp LED 1 temperature (C)

Head 2 Temp LED 2 temperature (C)

Software Ver <ENTER> Displays software version information

Page 13

DMX Mode

Allows the unit to be controlled by any universal DMX controller.

Set the Starting DMX Address:

1.) Navigate the main menu until you reach ADDRESS.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select a DMX channel from 001-512.

4.) Press the <ENTER> button to conrm.

Select the DMX Channel Mode:

1.) Navigate the main menu until you reach DMX MODE.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select Stand Mode, Basic Mode, or Extend Mode.

4.) Press the <ENTER> button to conrm your selection.

Master/Slave Mode:

1.) Navigate the main menu until you reach RUN.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select DMX512 or Slave.

4.) Press the <ENTER> button to conrm your selection.

Auto, Sound Active, & Manual Adjustments:

Allows a single or Master/Slaved units to run factory installed programs at user selectable speeds.

Auto Mode:

1.) Navigate the main menu until you reach AUTO.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select AUTO1 - AUTO10.

4.) Press the <ENTER> button to conrm your selection of auto mode.

5.) In the same submenu, you can also select Auto Speed to adjust the speed of the auto program from 001-255 (slow <--> fast).

Sound Active Mode:

1.) Navigate the main menu until you reach SOUND.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to select SOUND1 - SOUND3.

4.) Press the <ENTER> button to conrm your selection of sound active mode.

5.) In the same submenu, you can also select Sensitivity to adjust the mic sensitivity level for the sound active program from 001-100.

White Balance Adjustment:

1.) Navigate the main menu until you reach CAL Parameter, then press <ENTER>.

2.) Using the <UP/DOWN> buttons, you can highlight and manually adjust Beam1 or Beam2 Red/Green/Blue color balance settings from 000-255.

3.) Make your selections, then hit <ENTER> to conrm.

4.) To use this custom setting, navigate to SET and press <ENTER>.

5.) Then use the <UP/DOWN> buttons to select White Balance and press <ENTER>.

6.) Finally, press the <UP/DOWN> buttons to select ON or OFF and press <ENTER>.

7.) If White Balance is ON, the CAL Parameter settings are active and will aect all modes.

Dimming Curve Selection

1.) Navigate the main menu until you reach SET.

2.) Push the <ENTER> button.

3.) Use the <UP/DOWN> buttons to highlight Dimmer Curve, then press <ENTER>.

4.) Use the <UP/DOWN> buttons to highlight ON/OFF, Gamma1 (linear), Gamma2

(Gamma 1.5)

, Gamma3 (Gamma 2), or Gamma4 (S-Curve).

5.) Press the <ENTER> button to conrm your choice.

Page 14

DMX Values In-Depth (45-Channel Mode)

Ch. Value What It Does

1 000 <-> 255 Beam 1 Red (0% <--> 100%) 3 000 <-> 255 Beam 1 Green (0% <--> 100%) 2 000 <-> 255 Beam 1 Blue (0% <--> 100%) 4 000 <-> 255 Beam 1 White (0% <--> 100%) 5 000 <-> 255 Beam 2 Red (0% <--> 100%) 6 000 <-> 255 Beam 2 Green (0% <--> 100%) 7 000 <-> 255 Beam 2 Blue (0% <--> 100%) 8 000 <-> 255 Beam 2 White (0% <--> 100%)

9

000 <-> 009 010 <-> 053 054 <-> 098 099 <-> 116 117 <-> 143 144 <-> 187 188 <-> 223 224 <-> 249 250 <-> 255

Beam1 Linear CTO

No Function 10000K 8000K 7200K 6500K 5600K 4200K 3200K 2700K

10

000 <-> 009 010 <-> 053 054 <-> 098 099 <-> 116 117 <-> 143 144 <-> 187 188 <-> 223 224 <-> 249 250 <-> 255

Beam2 Linear CTO

No Function 10000K 8000K 7200K 6500K 5600K 4200K 3200K

2700K 11 000 <-> 255 Beam1 Macro Color 12 000 <-> 255 Beam2 Macro Color

Beam Macro Colors (Extended Mode,

CH11 and CH12):

Value What is does Value What is does Value What is does

000 <--> 009 010 <--> 013 014 <-> 017 018 <-> 021 022 <-> 025 026 <-> 029 030 <-> 033 034 <-> 037 038 <-> 041 042 <-> 045 046 <-> 049 050 <-> 053 054 <-> 057 058 <-> 061 062 <-> 065 066 <-> 069 070 <-> 073 074 <-> 077 078 <-> 081 082 <-> 085 086 <-> 089 090 <-> 093 094 <-> 097

OFF Red Green Blue Cyan Yellow Magenta White 7000K White 3700K White 5000K Black Medium Yellow Straw Tint Surprise Peach Fire Medium Amber Gold Amber Dark Amber Sunrise Red Light Pink Medium Pink Pink Carnation Light Lavender

098 <-> 101 102 <-> 105 106 <-> 109 110 <-> 113 114 <-> 117 118 <-> 121 122 <-> 125 126 <-> 129 130 <-> 133 134 <-> 137 138 <-> 141 142 <-> 145 146 <-> 149 150 <-> 153 154 <-> 157 158 <-> 161 162 <-> 165 166 <-> 169 170 <-> 173 166 <-> 169 170 <-> 173 174 <-> 177 178 <-> 181

Lavender Sky Blue Just Blue Dark Yellow Spring Yellow Light Amber Straw Deep Amber Orange Light Rose English Rose Light Salmon Middle Rose Dark Pink Magenta Peacock Blue Blue Green Steel Blue Light Blue Steel Blue Light Blue Dark Green Leaf Green

182 <-> 185 186 <-> 189 190 <-> 193 194 <-> 197 198 <-> 201 202 <-> 205 206 <-> 209 210 <-> 213 214 <-> 216 217 <-> 219 220 <-> 222 223 <-> 225 226 <-> 228 229 <-> 231 332 <-> 234 235 <-> 237 238 <-> 240 241 <-> 243 244 <-> 246 247 <-> 249 250 <-> 252 253 <-> 255

Dark Green Mauve Bright Pink Medium Blue Golden Amber Pale Lavender Lavender Primary Green Bright Blue Apricot Pale Gold Deep Orange Bastard Amber Flame Red Daylight Blue Lilac Tint Deep Lavender Dark Blue Congo Blue Alice Blue Dirty White White

Page 15

DMX Values In-Depth (45-Channel Mode), continued

Ch. Value What It Does

13

000 <-> 031 032 <-> 063 064 <-> 095 096 <-> 127 128 <-> 159 160 <-> 191 192 <-> 223 224 <-> 225

Strobe

LEDs O

LEDs On

Strobe Eect (slow <--> fast)

LEDs On

Pulse-Eect in Sequences

LEDs On

Random Strobe (slow <--> fast)

LEDs On 14 000 <-> 255 Beam LED Dimmer

15

000 <-> 063 064 <-> 127 128 <-> 191 192 <-> 255

32-Bit Dimming

Curve1 - Gamma 1 Linear

Curve2 - Gamma 1.5

Curve3 - Gamma 2

Curve4 - Gamma 4 S-Curve

16

000 <-> 099 100 <-> 114 115 <-> 129 130 <-> 144 145 <-> 159 160 <-> 174 175 <-> 189 190 <-> 204 205 <-> 219 220 <-> 234 235 <-> 255

Beam LED Auto

No Function

Auto1

Auto2

Auto3

Auto4

Auto5

Auto6

Auto7

Auto8

Auto9

Auto10 17 000 <-> 255 Beam LED Auto Speed (slow <--> fast) 18 000 <-> 255 Aura LED Dimmer (0% <--> 100%)

19

000 <-> 031 032 <-> 250 251 <-> 255

Aura LED Strobe

LEDs O

Strobe Eect (slow <--> fast)

LEDs On

20

000 <-> 007 008 <-> 019 020 <-> 031 032 <-> 043 044 <-> 055 056 <-> 067 068 <-> 079 080 <-> 091 092 <-> 103 104 <-> 115 116 <-> 127 128 <-> 139 140 <-> 151 152 <-> 163 164 <-> 175 176 <-> 187 188 <-> 199 200 <-> 211 212 <-> 223 224 <-> 235 236 <-> 255

Aura LED Eect

No Function

Aura Macro1

Aura Macro2

Aura Macro3

Aura Macro4

Aura Macro5

Aura Macro6

Aura Macro7

Aura Macro8

Aura Macro9

Aura Macro10

Aura Macro11

Aura Macro12

Aura Macro13

Aura Macro14

Aura Macro15

Aura Macro16

Aura Macro17

Aura Macro18

Aura Macro19

Aura Macro20 21 000 <-> 255 Aura LED Eect Speed (slow <--> fast) 22 000 <-> 255 Aura1 Red1 (0% <--> 100%) 23 000 <-> 255 Aura1 Green1 (0% <--> 100%) 24 000 <-> 255 Aura1 Blue1 (0% <--> 100%) 25 000 <-> 255 Aura1 Red2 (0% <--> 100%) 26 000 <-> 255 Aura1 Green2 (0% <--> 100%) 27 000 <-> 255 Aura1 Blue2 (0% <--> 100%) 28 000 <-> 255 Aura1 Red3 (0% <--> 100%) 29 000 <-> 255 Aura1 Green3 (0% <--> 100%) 30 000 <-> 255 Aura1 Blue3 (0% <--> 100%) 31 000 <-> 255 Aura1 Red4 (0% <--> 100%) 32 000 <-> 255 Aura1 Green4 (0% <--> 100%)

Page 16

DMX Values In-Depth (45-Channel Mode), continued

Ch. Value What It Does

33 000 <-> 255 Aura1 Blue4 (0% <--> 100%) 34 000 <-> 255 Aura2 Red1 (0% <--> 100%) 35 000 <-> 255 Aura2 Green1 (0% <--> 100%) 36 000 <-> 255 Aura2 Blue1 (0% <--> 100%) 37 000 <-> 255 Aura2 Red2 (0% <--> 100%) 38 000 <-> 255 Aura2 Green2 (0% <--> 100%) 39 000 <-> 255 Aura2 Blue2 (0% <--> 100%) 40 000 <-> 255 Aura2 Red3 (0% <--> 100%) 41 000 <-> 255 Aura2 Green3 (0% <--> 100%) 42 000 <-> 255 Aura2 Blue3 (0% <--> 100%) 43 000 <-> 255 Aura2 Red4 (0% <--> 100%) 44 000 <-> 255 Aura2 Green4 (0% <--> 100%) 45 000 <-> 255 Aura2 Blue4 (0% <--> 100%)

DMX Values In-Depth (24-Channel Mode)

Ch. Value What It Does

1 000 <-> 255 Beam 1 Red (0% <--> 100%) 3 000 <-> 255 Beam 1 Green (0% <--> 100%) 2 000 <-> 255 Beam 1 Blue (0% <--> 100%) 4 000 <-> 255 Beam 1 White (0% <--> 100%) 5 000 <-> 255 Beam 2 Red (0% <--> 100%) 6 000 <-> 255 Beam 2 Green (0% <--> 100%) 7 000 <-> 255 Beam 2 Blue (0% <--> 100%) 8 000 <-> 255 Beam 2 White (0% <--> 100%)

9

000 <-> 009 010 <-> 053 054 <-> 098 099 <-> 116 117 <-> 143 144 <-> 187 188 <-> 223 224 <-> 249 250 <-> 255

Beam Linear CTO

No Function

10000K

8000K

7200K

6500K

5600K

4200K

3200K

2700K 10 000 <-> 255 Beam Macro Color

Beam Macro Colors (Standard Mode, CH10):

Value What is does Value What is does Value What is does

000 <--> 009 010 <--> 013 014 <-> 017 018 <-> 021 022 <-> 025 026 <-> 029 030 <-> 033 034 <-> 037 038 <-> 041 042 <-> 045 046 <-> 049 050 <-> 053 054 <-> 057 058 <-> 061 062 <-> 065 066 <-> 069 070 <-> 073 074 <-> 077 078 <-> 081 082 <-> 085 086 <-> 089 090 <-> 093 094 <-> 097

OFF Red Green Blue Cyan Yellow Magenta White 7000K White 3700K White 5000K Black Medium Yellow Straw Tint Surprise Peach Fire Medium Amber Gold Amber Dark Amber Sunrise Red Light Pink Medium Pink Pink Carnation Light Lavender

098 <-> 101 102 <-> 105 106 <-> 109 110 <-> 113 114 <-> 117 118 <-> 121 122 <-> 125 126 <-> 129 130 <-> 133 134 <-> 137 138 <-> 141 142 <-> 145 146 <-> 149 150 <-> 153 154 <-> 157 158 <-> 161 162 <-> 165 166 <-> 169 170 <-> 173 166 <-> 169 170 <-> 173 174 <-> 177 178 <-> 181

Lavender Sky Blue Just Blue Dark Yellow Spring Yellow Light Amber Straw Deep Amber Orange Light Rose English Rose Light Salmon Middle Rose Dark Pink Magenta Peacock Blue Blue Green Steel Blue Light Blue Steel Blue Light Blue Dark Green Leaf Green

182 <-> 185 186 <-> 189 190 <-> 193 194 <-> 197 198 <-> 201 202 <-> 205 206 <-> 209 210 <-> 213 214 <-> 216 217 <-> 219 220 <-> 222 223 <-> 225 226 <-> 228 229 <-> 231 332 <-> 234 235 <-> 237 238 <-> 240 241 <-> 243 244 <-> 246 247 <-> 249 250 <-> 252 253 <-> 255

Dark Green Mauve Bright Pink Medium Blue Golden Amber Pale Lavender Lavender Primary Green Bright Blue Apricot Pale Gold Deep Orange Bastard Amber Flame Red Daylight Blue Lilac Tint Deep Lavender Dark Blue Congo Blue Alice Blue Dirty White White

Page 17

DMX Values In-Depth (24-Channel Mode), continued

Ch. Value What It Does

11

000 <-> 031 032 <-> 063 064 <-> 095 096 <-> 127 128 <-> 159 160 <-> 191 192 <-> 223 224 <-> 225

Strobe

LEDs O

LEDs On

Strobe Eect (slow <--> fast)

LEDs On

Pulse-Eect in Sequences

LEDs On

Random Strobe (slow <--> fast)

LEDs On 12 000 <-> 255 Beam LED Dimmer

13

000 <-> 063 064 <-> 127 128 <-> 191 192 <-> 255

32-Bit Dimming

Curve1 - Gamma 1 Linear

Curve2 - Gamma 1.5

Curve3 - Gamma 2

Curve4 - Gamma 4 S-Curve 14 000 <-> 255 Aura1 Red1 (0% <--> 100%) 15 000 <-> 255 Aura1 Green1 (0% <--> 100%) 16 000 <-> 255 Aura1 Blue1 (0% <--> 100%) 17 000 <-> 255 Aura1 Red2 (0% <--> 100%) 18 000 <-> 255 Aura1 Green2 (0% <--> 100%) 19 000 <-> 255 Aura1 Blue 2 (0% <--> 100%) 20 000 <-> 255 Aura LED Dimmer (0% <--> 100%)

21

000 <-> 031 032 <-> 250 251 <-> 255

Aura Strobe

Aura LED turn o

Aura LED Strobe (slow <--> fast)

Aura LED turn on

22

000 <-> 007 008 <-> 019 020 <-> 031 032 <-> 043 044 <-> 055 056 <-> 067 068 <-> 079 080 <-> 091 092 <-> 103 104 <-> 115 116 <-> 127 128 <-> 139 140 <-> 151 152 <-> 163 164 <-> 175 176 <-> 187 188 <-> 199 200 <-> 211 212 <-> 223 224 <-> 235 236 <-> 255

Aura LED Eect

No Function

Aura Macro1

Aura Macro2

Aura Macro3

Aura Macro4

Aura Macro5

Aura Macro6

Aura Macro7

Aura Macro8

Aura Macro9

Aura Macro10

Aura Macro11

Aura Macro12

Aura Macro13

Aura Macro14

Aura Macro15

Aura Macro16

Aura Macro17

Aura Macro18

Aura Macro19

Aura Macro20

23

000 <-> 099 100 <-> 114 115 <-> 129 130 <-> 144 145 <-> 159 160 <-> 174 175 <-> 189 190 <-> 204 205 <-> 219 220 <-> 234 235 <-> 255

Beam LED Auto

No Function

Auto1

Auto2

Auto3

Auto4

Auto5

Auto6

Auto7

Auto8

Auto9

Auto10 24 000 <-> 255 Aura LED Eect & Beam LED

Page 18

DMX Values In-Depth (13-Channel Mode)

Ch. Value What It Does

1 000 <-> 255 Beam Red (0% <--> 100%) 3 000 <-> 255 Beam Green (0% <--> 100%) 2 000 <-> 255 Beam Blue (0% <--> 100%) 4 000 <-> 255 Beam White (0% <--> 100%) 5 000 <-> 255 Aura Red (0% <--> 100%) 6 000 <-> 255 Aura Green (0% <--> 100%) 7 000 <-> 255 Aura Blue (0% <--> 100%) 8 000 <-> 255 Beam Macro Color

DMX Values In-Depth (13-Channel Mode), continued

Ch. Value What It Does

9

000 <-> 007 008 <-> 019 020 <-> 031 032 <-> 043 044 <-> 055 056 <-> 067 068 <-> 079 080 <-> 091 092 <-> 103 104 <-> 115 116 <-> 127 128 <-> 139 140 <-> 151 152 <-> 163 164 <-> 175 176 <-> 187 188 <-> 199 200 <-> 211 212 <-> 223 224 <-> 235 236 <-> 255

Aura LED Eect

No Function

Aura Macro1

Aura Macro2

Aura Macro3

Aura Macro4

Aura Macro5

Aura Macro6

Aura Macro7

Aura Macro8

Aura Macro9

Aura Macro10

Aura Macro11

Aura Macro12

Aura Macro13

Aura Macro14

Aura Macro15

Aura Macro16

Aura Macro17

Aura Macro18

Aura Macro19

Aura Macro20 10 000 <-> 255 Aura LED Speed (slow <--> fast)

Beam Macro Colors (Basic Mode, CH8):

Value What is does Value What is does Value What is does

000 <--> 009 010 <--> 013 014 <-> 017 018 <-> 021 022 <-> 025 026 <-> 029 030 <-> 033 034 <-> 037 038 <-> 041 042 <-> 045 046 <-> 049 050 <-> 053 054 <-> 057 058 <-> 061 062 <-> 065 066 <-> 069 070 <-> 073 074 <-> 077 078 <-> 081 082 <-> 085 086 <-> 089 090 <-> 093 094 <-> 097

OFF Red Green Blue Cyan Yellow Magenta White 7000K White 3700K White 5000K Black Medium Yellow Straw Tint Surprise Peach Fire Medium Amber Gold Amber Dark Amber Sunrise Red Light Pink Medium Pink Pink Carnation Light Lavender

098 <-> 101 102 <-> 105 106 <-> 109 110 <-> 113 114 <-> 117 118 <-> 121 122 <-> 125 126 <-> 129 130 <-> 133 134 <-> 137 138 <-> 141 142 <-> 145 146 <-> 149 150 <-> 153 154 <-> 157 158 <-> 161 162 <-> 165 166 <-> 169 170 <-> 173 166 <-> 169 170 <-> 173 174 <-> 177 178 <-> 181

Lavender Sky Blue Just Blue Dark Yellow Spring Yellow Light Amber Straw Deep Amber Orange Light Rose English Rose Light Salmon Middle Rose Dark Pink Magenta Peacock Blue Blue Green Steel Blue Light Blue Steel Blue Light Blue Dark Green Leaf Green

182 <-> 185 186 <-> 189 190 <-> 193 194 <-> 197 198 <-> 201 202 <-> 205 206 <-> 209 210 <-> 213 214 <-> 216 217 <-> 219 220 <-> 222 223 <-> 225 226 <-> 228 229 <-> 231 332 <-> 234 235 <-> 237 238 <-> 240 241 <-> 243 244 <-> 246 247 <-> 249 250 <-> 252 253 <-> 255

Dark Green Mauve Bright Pink Medium Blue Golden Amber Pale Lavender Lavender Primary Green Bright Blue Apricot Pale Gold Deep Orange Bastard Amber Flame Red Daylight Blue Lilac Tint Deep Lavender Dark Blue Congo Blue Alice Blue Dirty White White

Page 19

Troubleshooting

Symptom Solution

No Light Output Check to ensure xture is operating under correct mode, IE sound active/auto/

DMX/Etc., if applicable.

No Power Check fuse, AC cord and circuit for malfunction.

Blown Fuse Check AC cord and circuit for damage.

Slow Movement Check that speed channels are set appropriately.

No Response to Audio

Verify that the xture is in “Sound Active” mode. Adjust Audio Sensitivity.

Fixture Not Responding / Responding Erratically

Make sure all connectors are seated properly and securely. Use Only DMX Cables. Install a Terminator. Check all cables for defects.

Reset xture(s).

Fixture Moving On Its Own

Verify proper mode of operation. Is the xture in “Auto” mode?

DMX Values In-Depth (13-Channel Mode), continued

Ch. Value What It Does

11

000 <-> 031 032 <-> 063 064 <-> 095 096 <-> 127 128 <-> 159 160 <-> 191 192 <-> 223 224 <-> 225

Strobe

LED turn o

LED turn on

Strobe eect (slow <--> fast)

LED turn on

Pulse-eect in sequences

LED turn on

Random strobe eect (slow <--> fast)

LED turn on 12 000 <-> 255 Dimmer (0% <--> 100%)

13

000 <-> 063 064 <-> 127 128 <-> 191 192 <-> 255

32-Bit Dimming Modes

Curve1 - Gamma 1 Linear

Curve2 - Gamma 1.5

Curve3 - Gamma 2

Curve4 - Gamma 4 S-Curve

Aura 2

LED 4

Aura 1

LED 2

Beam 2

Aura 2

LED 3

Aura 1

LED 3

Aura 2

LED 1

Aura 1

LED 4

Aura 2

LED 2

Aura 1

LED 1

Beam 1

Page 20

5. APPENDIX

A Quick Lesson On DMX

DMX (aka DMX-512) was created in 1986 by the United States Institute for Theatre Technology (USITT) as a standardized method for connecting lighting consoles to lighting

dimmer modules. It was revised in 1990 and again in 2000 to allow more exibility. The

Entertainment Services and Technology Association (ESTA) has since assumed control over the DMX512 standard. It has also been approved and recognized for ANSI standard clas-

sication.

DMX covers (and is an abbreviation for) Digital MultipleXed signals. It is the most common communications standard used by lighting and related stage equipment.

DMX provides up to 512 control “channels” per data link. Each of these channels was originally intended to control lamp dimmer levels. You can think of it as 512 faders on a lighting console, connected to 512 light bulbs. Each slider’s position is sent over the data link as an 8-bit number having a value between 0 and 255. The value 0 corresponds to the light bulb

being completely o while 255 corresponds to the light bulb being fully on.

DMX data is transmitted at 250,000 bits per second using the RS-485 transmission standard over two wires. As with microphone cables, a grounded cable shield is used to prevent interference with other signals.

There are ve pins on a DMX connector: a wire for ground (cable shield), two wires for

“Primary” communication which goes from a DMX source to a DMX receiver, and two wires for a “Secondary” communication which goes from a DMX receiver back to a DMX source. Generally, the “Secondary” channel is not used so data ows only from sources to receivers. Hence, most of us are most familiar with DMX-512 as being employer over typical

3-pin “mic cables,” although this does not conform to the dened standard.

DMX is connected using a daisy-chain conguration where the source connects to the input of the rst device, the output of the rst device connects to the input of the next device,

and so on. The standard allows for up to 32 devices on a single DMX link.

Each receiving device typically has a means for setting the “starting channel number” that

it will respond to. For example, if two 6-channel xtures are used, the rst xture might

be set to start at channel 1 so it would respond to DMX channels 1 through 6, and the next

xture would be set to start at channel 7 so it would respond to channels 7 through 12.

The greatest strength of the DMX communications protocol is that it is very simple and robust. It involves transmitting a reset condition (indicating the start of a new “packet”), a start code, and up to 512 bytes of data. Data packets are transmitted continuously. As

soon as one packet is nished, another can begin with no delay if desired (usually another

follows within 1 ms). If nothing is changing (i.e. no lamp levels change) the same data will be sent out over and over again. This is a great feature of DMX -- if for some reason the

data is not interpreted the rst time around, it will be re-sent shortly.

Not all 512 channels need to be output per packet, and in fact, it is very uncommon to nd

all 512 used. The fewer channels are used, the higher the “refresh” rate. It is possible to get DMX refreshes at around 1000 times per second if only 24 channels are being transmitted. If all 512 channels are being transmitted, the refresh rate is around 44 times per second.

In summary, since its design and evolution in the 1980’s DMX has become the standard

for lighting control. It is exible, robust, and scalable, and its ability to control everything

from dimmer packs to moving lights to foggers to lasers makes it an indispensable tool for any lighting designer or lighting performer.

Page 21

Keeping Your LOOK™ As Good As New

The xture you’ve received is a rugged, tough piece of pro lighting equipment, and as long as you take care of it, it will take care of you. That said, like anything, you’ll need to take care of it if you want it to operate as designed.

You should absolutely keep the xture clean, especially if you are using it in an

environment with a lot of dust, fog, haze, wild animals, wild teenagers or spilled drinks.

Cleaning the optics routinely with a suitable glass cleaner will greatly improve the quality of light output. Keeping the fans free of dust and debris will keep

the xture running cool and prevent damage from overheating.

In transit, keep the xtures in cases. You wouldn’t throw a prized guitar,

drumset, or other piece of expensive gear into a gear trailer without a case, and similarly, you shouldn’t even think about doing it with your shiny new light

xtures.

Common sense and taking care of your xtures will be the single biggest thing

you can do to keep them running at peak performance and let you worry about designing a great light show, putting on a great concert, or maximizing your client’s satisfaction and “wow factor.” That’s what it’s all about, after all!

Returns (Gasp!)

We’ve taken a lot of precautions to make sure you never even have to worry about sending a defective unit back, or sending a unit in for service. But, like any complex piece of equipment designed and built by humans, once in a while,

something doesn’t go as planned. If you nd yourself with a xture that isn’t behaving like a good little xture should, you’ll need to obtain a Return Authori-

zation (RA).

Don’t worry, this is easy. Just go to our website and open a support ticket at www.blizzardlighting.com/support, and we’ll issue you an RA. Then, you’ll need to send the unit to us using a trackable, pre-paid freight method. We suggest

using USPS Priority or UPS. Make sure you carefully pack the xture for transit, and whenever possible, use the original box & packing for shipping.

When returning your xture for service, be sure to include the following:

1.) Your contact information (Name, Address, Phone Number, Email address).

2.) The RA# issued to you

3.) A brief description of the problem/symptoms.

We will, at our discretion, repair or replace the xture. Please remember that

any shipping damage which occurs in transit to us is the customer’s responsibility, so pack it well!

Shipping Issues

Damage incurred in shipping is the responsibility of the shipper, and must be reported to the carrier immediately upon receipt of the items. Claims must be made within seven (7) days of receipt.

Page 22

Tech Specs!

Weight & Dimensions

Width 11.8 inches (300 mm)

Depth 9.4 inches (237 mm)

Height 5.1 inches (130 mm)

Weight 15.4 lbs. (7 kg)

Power

Operating Voltage 100V-240VAC, 50-60Hz

Power Consumption 198W, 1.64A, PF:.99

Light Source

LED 2x 60W RGBW 4-in-1 LEDs

2x 4-segment (16 x 0.5W RGB 3-in-1 LEDs)

Optical

Beam Angle 4.5 degree beam

Luminous Intensity Lux/m Red Green Blue White All

1m 15,710 13,150 19,500 22,280 72,300

2m 6,750 5,590 7,850 11,070 28,240

3m 2,969 2,881 3,835 4,980 13,510

4m 1,822 1,692 2,356 2,750 7,280

5m 1,112 990 1,463 1,769 4,560

Thermal

Max. Operating Temp. 104 degrees F (40 degrees C) ambient

Control

Protocol USITT DMX-512

DMX Channels 13/24 or 45-channel DMX modes

Input 3 and 5-pin XLR Male

Output 3 and 5-pin XLR Female

Other Operating Modes Standalone, Master/Slave, Sound Active, Color Preset

Other Information

Opinion - 3.14 = Onion

Warranty

2-year limited warranty, does not cover malfunction caused by damage to LEDs.

DISCLAIMER:

The power connectors tted to the xture and xture cord are designed for compatibility with products

manufactured by Neutrik AG, Neutrik USA and their related entities, however they are not manufactured

by, aliated with or endorsed by Neutrik AG, Neutrik USA, or any related entity. Neutrik® and powerCON® are registered trademarks of Neutrik AG.

Page 23

Dimensional Drawings

5.6”

(143 mm)

3.6”

(90 mm)

11.8” (300 mm)

5.1”

(130 mm)

.59”

(15 mm)

13.1” (332 mm)

9.4” (237 mm)

Enjoy your product!

Our sincerest thanks for your purchase!

--The team @ Blizzard Lighting

Blizzard Lighting LOOK User Manual

Specifications and Main Features

Frequently Asked Questions

User Manual