Blizzard Lighting FURY 30W LED Moving Head Spot User Manual

Blizzard Lighting, LLC
www.blizzardlighting.com
Brookfi eld, WI USA Copyright (c) 2010
TABLE OF CONTENTS
FURY™ 30W LED Moving Head Spot 1
What’s In The Box? 3 Getting It Out Of The Box 3 Powering Up! 3 Getting A Hold Of Us 3 Safety Instructions (Don’t Stick Your Hand In The Toaster!) 4
2. Meet The FURY™ Spot 5
Features 5 DMX Quick Reference (11-Channel Mode) 5 DMX Quick Reference (7-Channel Mode) 6 The FURY Pin-up Picture 6
3. Setup 7
Fuse Replacement 7 Connecting A Bunch Of FURYs™ 7 Data/DMX Cables 7 Cable Connectors 8 3-Pin??? 5-Pin??? Huh? 8 Take It To The Next Level: Setting up DMX Control 8 Fixture Linking (Master/Slave Mode) 9 Mounting/Rigging 9
4. Operating Adjustments 10
The Control Panel 10 Control Panel Menu Structure 11 Additional User Adjustments 12 Setting the pan/tilt/Menu to inverting or non-inverting 12 Setting the DMX channel conguration 12 Setting the maximum pan angle 12 Setting the maximum tilt angle 12 Service Functions 12 Resetting the xture 12 Restoring Factory Defaults 12 Stand-Alone (“Auto”) Mode 13 Master/Slave (“Auto” or “Sound Active”) 13 DMX Mode 13 DMX Channel Values In-Depth (11-Channel Mode) 14 DMX Channel Values In-Depth (7-Channel Mode) 15 Troubleshooting 16
5. Appendix 17
A Quick DMX Lesson 17 Keeping Your FURY Spot As Good As New 18 Returns (Gasp!) 18 Shipping Issues 18 Tech Specs 19
FURY Manual Rev. A Copyright (c) 2010 Blizzard Lighting, LLC
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1. GETTING STARTED
What’s In The Box?
• 1 x FURY™ Spot
• An Ever-So-Handy Power Cord
• A Handy DMX cable
• A Totally Useful Set of Mounting Brackets
• This Lovely User Manual
Getting It Out Of The Box
Congratulations on purchasing one waaay cool moving light! You are offi cially ready to kick butt and take names! Now that you’ve got your FURY, you should carefully unpack the box and check the contents to ensure that all parts are present and in good condition. If anything looks as if it has been damaged in transit, notify the shipper immedi­ately and keep the packing material for inspection. Again, please save the carton and all packing materials. If a fi xture must be returned to the factory, it is important that the fi xture be returned in the original
factory box and packing.
Powering Up!
All xtures must be powered directly off a switched circuit and cannot be run off a rheostat (variable resistor) or dimmer circuit, even if the rheostat or dimmer channel is used solely for a 0% to 100% switch.
AC Voltage Switch - Not all fi xtures have a voltage select switch, so please verify that the fi xture you receive is suitable for your local pow- er supply. See the label on the fi xture or refer to the fi xture’s specifi - cations chart for more information. A fi xture’s listed current rating is its average current draw under normal conditions. Check the fi xture or device carefully to make sure that if a voltage selection switch exists that it is set to the correct line voltage you will use.
Warning! Verify that the voltage select switch on your unit matches the line voltage applied. Damage to your fi xture may result if the line voltage applied does not match the voltage indicated on the voltage selector switch. All fi xtures must be
connected to circuits with a suitable Ground (Earthing).
Getting A Hold Of Us
If something is wrong, just give us a call or send an email. We’ll be happy to help, honest.
Blizzard Lighting 2705 Brookview Ct., Brookfi eld, WI 53005 USA support@blizzardlighting.com | Phone: 414-979-5781 www.blizzardlighting.com
FURY Manual Rev. A Copyright (c) 2010 Blizzard Lighting, LLC
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SAFETY INSTRUCTIONS
• Please keep this User Guide for future use. If you sell the unit to someone else, be sure that they also receive this User Guide.
• ALWAYS make sure that you are connecting to the proper voltage, and that the line voltage you are connecting to is not higher than that stated on the de­cal or rear panel of the fi xture.
• This product is intended for indoor use only.
• To prevent risk of fi re or shock, do not expose fi xture to rain or moisture.
• Make sure there are no fl ammable materials close to the unit while operating.
• The unit must be installed in a location with adequate ventilation, at least 20in (50cm) from adjacent surfaces. Be sure that no ventilation slots are blocked.
• ALWAYS disconnect from the power source before servicing or replacing fuse and be sure to replace with same fuse size and type.
• ALWAYS secure fi xture using a safety chain. NEVER carry the fi xture by its head. Use its carrying handles.
• DO NOT operate at ambient temperatures higher than 104°F (40°C).
• In the event of a serious operating problem, stop using the unit immediately. NEVER try to repair the unit by yourself. Repairs carried out by unskilled people can lead to damage or malfunction. Please contact the nearest authorized tech­nical assistance center. Always use the same type spare parts.
• NEVER connect the device to a dimmer pack.
• Make sure the power cord is never crimped or damaged.
• Never disconnect the power cord by pulling or tugging on the cord.
• Avoid direct eye exposure to the light source while it is on.
Caution! There are no user serviceable parts inside the unit. Do not open the housing or attempt any repairs yourself. In the unlikely event your unit may require service, please contact Blizzard Lighting at sup­port@blizzardlighting.com.
FURY Manual Rev. A Copyright (c) 2010 Blizzard Lighting, LLC
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2. MEET THE FURY SPOT
CONTROL FEATURES
7 or 11-channel DMX LED moving yoke• Pan: 540º / Tilt: 270º • Color wheel: 7 colors + white, Split Colors• Rainbow color spin at variable speeds• 7 gobos + open (2 glass, 5 metal)• Gobo wheel spin at variable speeds• Variable electronic strobe• Variable electronic dimmer (0 – 100%)• Built-in automated programs• Built-in sound activated programs
ADDITIONAL FEATURES
1 High-powered, 30 W (12,500 mA) LED• User-selectable pan/tilt ranges• Reset to factory settings option• User-selectable basic or advanced operating modes
DMX Quick Reference (11-Channel Mode)
Channel What It Does
1Pan 2 Pan Fine (16-Bit) 3 Tilt 4 Tilt Fine (16-Bit) 5 Pan/Tilt Speed 6 Strobe 7 Dimmer 8 Color 9 Gobo 10 Focus 11 Built-In Programs
DMX Quick Reference (7-Channel Mode)
Channel What It Does
1Pan 2 Tilt 3 Strobe 4 Dimmer 5 Color 6 Gobo 7 Dimmer
Figure 1: The FURY Pin-Up Picture
Head
Figure 2: The Rear Connections
DMX In DMX Out
Lens
LED Readout
Control Panel
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Power
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Fuse Cover
3. SETUP
Fuse Replacement
With a fl at head screwdriver, wedge the fuse holder out of its housing. Remove the damaged fuse from its holder and replace with exact same type fuse. Insert the fuse holder back in its place and reconnect power.
Connecting A Bunch of FURYs™
You will need a serial data link to run light shows using a DMX-512 controller or to run shows on two or more fi xtures set to sync in mas- ter/slave operating mode. The combined number of channels required by all the fi xtures on a serial data link determines the number of fi x- tures the data link can support.
Fixtures on a serial data link must be daisy chained in one single line. Also, connecting more than 32 fi xtures on one serial data link without the use of a DMX optically-isolated splitter may result in deterioration of the digital DMX signal. The maximum recommended cable-run distance is 500 meters (1640 ft). The maximum recommended number of fi xtures on a serial data link is 32 fi xtures.
Data/DMX Cabling
To link fi xtures together you’ll need data cables. You should use data- grade cables that can carry a high quality signal and are less prone to electromagnetic interference.
For instance, Belden© 9841 meets the specifi cations for EIA RS-485 applications. Standard microphone cables will “probably” be OK, but note that they cannot transmit DMX data as reliably over long distanc­es. In any event, the cable should have the following characteristics:
2-conductor twisted pair plus a shield
Maximum capacitance between conductors – 30 pF/ft. Maximum capacitance between conductor & shield – 55 pF/ft. Maximum resistance of 20 ohms / 1000 ft. Nominal impedance 100 – 140 ohms
Cable Connectors
Cables must have a male XLR connector on one end and a female XLR connector on the other end. (Duh!)
CAUTION: Do not allow contact between the common and the fi x- ture’s chassis ground. Grounding the common can cause a ground loop, and your fi xture may perform erratically. Test cables with an ohm meter to verify correct polarity and to make sure the pins are not grounded or shorted to the shield or each other.
3-Pin??? 5-Pin??? Huh?!?
If you use a controller with a 5 pin DMX output connector, you will need to use a 5 pin to 3 pin adapter. They are widely available over the internet and from specialty retailers If you’d like to build your own, the chart below details a proper cable conversion:
Conductor 3-Pin Female
(Output)
5-Pin Male (Input)
Ground/Shield Pin 1 Pin 1 DMX Data (-) Pin 2 Pin 2 DMX Data (+) Pin 3 Pin 3 Not Used. No Connection. No Connection. Not Used. No Connection. No Connection.
Take It To The Next Level: Setting Up DMX Control
Step 1: Connect the male connector of the
DMX cable to the female connector (output) on the controller.
Step 2: Connect the female connector of the DMX cable to the fi rst fi xture’s male connec- tor (input). Note: It doesn’t matter which xture address is the fi rst one connected. We recommend connecting the fi xtures in terms of their proximity to the controller, rather than connecting the lowest fi xture number fi rst, and so on.
Step 3: Connect other fi xtures in the chain from output to input as above. Place a DMX terminator on the output of the fi nal fi xture to ensure best communication.
FURY Manual Rev. A Copyright (c) 2010 Blizzard Lighting, LLC
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Fixture Linking (Master/Slave Mode)
1. Connect the (male) 3 pin connector side of the DMX cable to the output (female) 3 pin connector of the fi rst fi xture.
2. Connect the end of the cable coming from the rst fi xture which will have a (female) 3 pin connec- tor to the input connector of the next fi xture con- sisting of a (male) 3 pin connector. Then, proceed to connect from the output as stated above to the input of the following fi xture and so on.
A quick note: Often, the setup for Master­Slave and Standalone operation requires that the fi rst fi xture in the chain be initialized for this purpose via either settings in the control panel or DIP-switches. Secondarily, the fi xtures that follow may also re­quire a slave setting.
Check the “Operating Adjustments” section in this manual for com­plete instructions for this type of setup and confi guration.
4. OPERATING ADJUSTMENTS
The Control Panel
All the goodies and different modes possible with the FURY™ Spot are accessed by using the control panel on the front of the fi xture. There are 4 control buttons below the LED display which allow you to navi­gate through the various control panel menus.
<MODE/ESC>
Is used to initially access the control panel system, and also navigate to the previous higher-level menu item.
<UP>
Scrolls through menu items and numbers in ascending order. <DOWN>
Scrolls through menu items and numbers in descending order.
<ENTER>
Is used to select and confi rm/store the current selection.
Mounting & Rigging
This fi xture may be mounted in any SAFE position provided there is enough room for ventilation.
It is important never to obstruct the fan or vents pathway. Mount the xture using a suitable “C” or “O” type clamp. The clamp should be rated to hold at least 10x the fi xture’s weight to ensure structural sta- bility. Do not mount to surfaces with unknown strength, and ensure properly “rated” rigging is used when mounting fi xutres overhead.
Adjust the angle of the fi xture by loosening both knobs and tilting the xture. After fi nding the desired position, retighten both knobs.
• When selecting installation location, take into consideration lamp replacement access (if applicable) and routine maintenance.
• Safety cables MUST ALWAYS be used.
• Never mount in places where the fi xture will be exposed to rain, high humidity, extreme temperature changes or restricted ventilation.
FURY Manual Rev. A Copyright (c) 2010 Blizzard Lighting, LLC
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The Control Panel LED Display shows the menu items you select from the menu map on page #11. When a menu function is selected, the display will show immediately the fi rst available option for the selected menu function. To select a menu item, press <ENTER>.
Press the <MODE/ESC> button repeatedly until you reach the desired menu function. Use the <UP> and <DOWN> buttons to navigate the menu options. Press the <ENTER> button to select the menu function currently displayed, or to enable a menu option. To return to the previ­ous option or menu without changing the value, press the <MODE/ESC> button.
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Control Panel Menu Structure
Additional User Adjustments
TO SET THE PAN TO REVERSED OR NORMAL:
1.) Press the <MODE/ESC> button until it shows
2.) Use the <UP/DOWN> buttons to set to the desired position, press
<ENTER> to con rm.
TO SET THE TILT TO REVERSED OR NORMAL:
1.) Press the <MODE/ESC> button until it shows
2.) Use the <UP/DOWN> buttons to set to the desired position, press
<ENTER> to con rm.
TO SET THE LED READOUT TO REVERSED OR NORMAL:
1.) Press the <MODE/ESC> button until it shows
2.) Use the <UP/DOWN> buttons to set to the desired position, press
<ENTER> to con rm.
TO SET THE DMX CHANNEL CONFIGURATION:
1.) Press the <MODE/ESC> button until it shows or
2.) Use the <UP/DOWN> buttons to set to the desired position, press
<ENTER> to con rm.
TO SET THE MAXIMUM PAN ANGLE:
1.)Press the <MODE/ESC> button until it shows or
2.) Use the <UP/DOWN> buttons to set to the desired position, press
<ENTER> to confi rm.
or
or
or
or
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TO SET THE MAXIMUM TILT ANGLE:
1.) Press the <MODE/ESC> button until it shows
2.) Use the <UP/DOWN> buttons to set to the desired position, press
<ENTER> to confi rm.
or
Service Functions
TO RESET THE FIXTURE:
1.) Press the <MODE/ESC> button until the display shows
2.) Press <ENTER> to confi rm your selection.
TO RESTORE ALL SETTINGS TO THEIR FACTORY DEFAULTS:
1.) Press the <MODE/ESC> button until the display shows
2.) Press <ENTER> to confi rm your selection.
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Stand-Alone Mode (Auto Mode):
Allows a single unit to run to a factory installed program at one of two speeds.
1.) To set the fi xture in auto mode fast, select . Once confi rmed the display reads
.
2.) To set the fi xture in auto mode Slow, select . Once confi rmed the display reads
.
Master/Slave Mode (Auto or Sound Active):
Allows you to link up to 32 units together without a controller.
1.) Use standard DMX cables to daisy chain your units together via the DMX con­nector on the rear of the units. It may be necessary to use a terminator at the last fi xture. For more information about terminators, see page 8.
2.) Choose a unit to function as the Master. Select NAFA/NASL or NStS (see be­low for readout) depending upon which master mode you want. The master unit must be the fi rst unit. Finally, chain the units together using DMX cable.
Master Auto
Master Sound
3.) Select slave function by using the <UP>/<DOWN> keys to reach SLAv in the Master/Auto menu on the slave units, and they will react in the same as the Master.
Slave
DMX Mode
Allows the unit to be controlled by any universal DMX controller. If you are unfamiliar with DMX, please read the DMX Primer on page #17.
1.) The default mode for the fi xture is DMX, which appears as LED Readout.
or .
becomes when confi rmed.
becomes when confi rmed.
on the
DMX Channel Values (11 Channel Mode)
Channel Channel Value Does...
1 000 <-> 255 Pan
2 000 <-> 255 Pan Fine
3 000 <-> 255 Tilt
4 000 <-> 255 Tilt Fine
5 000 <-> 255 Pan/Tilt Speed (Normal to Slow)
6
7
8
9
10
11
000 <-> 003 004 <-> 007 008 <-> 215 216 <-> 255
000 <-> 255
000 <-> 008 009 <-> 013 014 <-> 019 020 <-> 025 026 <-> 031 032 <-> 037 038 <-> 043 044 <-> 052 053 <-> 064 065 <-> 076 077 <-> 088 089 <-> 100 101 <-> 112 113 <-> 124 125 <-> 128 129 <-> 191 192 <-> 255
000 <-> 007 008 <-> 015 016 <-> 023 024 <-> 031 032 <-> 039 040 <-> 047 048 <-> 055 056 <-> 063 064 <-> 071 072 <-> 079 080 <-> 087 088 <-> 095 096 <-> 103 104 <-> 111 112 <-> 119 120 <-> 127 128 <-> 191 192 <-> 255
000 <-> 255
000 <-> 007 008 <-> 023 024 <-> 039 040 <-> 055 056 <-> 071 072 <-> 087 088 <-> 103 104 <-> 119 120 <-> 135 136 <-> 151 152 <-> 167 168 <-> 183 184 <-> 199 200 <-> 215 216 <-> 231 232 <-> 247 248 <-> 255
Strobe
Off Open Strobe (Fast <-> Slow) Open
Dimmer
0 <-> 100%
Color
White Magenta Yellow Green Purple Blue Lime Green White/Magenta (Split) Magenta/Yellow (Split) Yellow/Green (Split) Green/Purple (Split) Purple/Blue (Split) Blue/Lime Green (Split) Lime Green/White (Split) White CCW Scroll (Slow <-> Fast) CW Scroll (Slow <-> Fast)
Gobo
Open Gobo 1 Gobo 2 Gobo 3 Gobo 4 Gobo 5 Gobo 6 Gobo 7 Gobo Shake 7 Gobo Shake 6 Gobo Shake 5 Gobo Shake 4 Gobo Shake 3 Gobo Shake 2 Gobo Shake 1 Open Gobo Wheel Spin CW (Slow <-> Fast) Gobo Wheel Spin CCW (Slow <-> Fast)
Focus
0 <-> 100%
Built-In Programs
No Function Built-In Program #1 Built-In Program #2 Built-In Program #3 Built-In Program #4 Built-In Program #5 Built-In Program #6 Built-In Program #7 Built-In Program #8 Sound Active Program #1 Sound Active Program #2 Sound Active Program #3 Sound Active Program #4 Sound Active Program #5 Sound Active Program #6 Sound Active Program #7 Sound Active Program #8
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DMX Channel Values (7 Channel Mode)
Troubleshooting
Channel Channel Value Does...
1 000 <-> 255 Pan
2 000 <-> 255 Tilt
3
4
5
6
7
000 <-> 003 004 <-> 007 008 <-> 215 216 <-> 255
000 <-> 255
000 <-> 008 009 <-> 013 014 <-> 019 020 <-> 025 026 <-> 031 032 <-> 037 038 <-> 043 044 <-> 052 053 <-> 064 065 <-> 076 077 <-> 088 089 <-> 100 101 <-> 112 113 <-> 124 125 <-> 128 129 <-> 191 192 <-> 255
000 <-> 007 008 <-> 015 016 <-> 023 024 <-> 031 032 <-> 039 040 <-> 047 048 <-> 055 056 <-> 063 064 <-> 071 072 <-> 079 080 <-> 087 088 <-> 095 096 <-> 103 104 <-> 111 112 <-> 119 120 <-> 127 128 <-> 191 192 <-> 255
000 <-> 255
Strobe
Off Open Strobe (Fast <-> Slow) Open
Dimmer
0 <-> 100%
Color
White Magenta Yellow Green Purple Blue Lime Green White/Magenta (Split) Magenta/Yellow (Split) Yellow/Green (Split) Green/Purple (Split) Purple/Blue (Split) Blue/Lime Green (Split) Lime Green/White (Split) White CCW Scroll (Slow <-> Fast) CW Scroll (Slow <-> Fast)
Gobo
Open Gobo 1 Gobo 2 Gobo 3 Gobo 4 Gobo 5 Gobo 6 Gobo 7 Gobo Shake 7 Gobo Shake 6 Gobo Shake 5 Gobo Shake 4 Gobo Shake 3 Gobo Shake 2 Gobo Shake 1 Open Gobo Wheel Spin CW (Slow <-> Fast) Gobo Wheel Spin CCW (Slow <-> Fast)
Focus
0 <-> 100%
Symptom Solution
Fixture Auto­Shut Off
Beam is Dim Check optical system and clean excess dust/grime. Also
No Light Output Check to ensure fi xture is operating under correct mode, IE
Chase Speed Too Fast/Slow
No Power Check fuse, AC cord and circuit for malfunction. Blown Fuse Check AC cord and circuit for damage, verify that moving
Slow Movement Verify that 220V/110V switch is in the correct position, if
No Response to Audio
Fixture Not Responding / Responding Er­raticly
Intermittant Lamp
Remote Doesn’t Work
Fixture Moving On Its Own
Check the fan in the fi xture. If it is stopped or moving slower than normal, the unit may have shut itself off due to high heat. This is to protect the fi xture from overheating. Clear the fan of obstructions, or return the unit for service.
ensure that the 220V/110V switch is in the correct position, if applicable.
sound active/auto/DMX/Etc., if applicable. Contact service for more information.
Check to ensure proper setup of speed adjustment.
parts are not restricted and that unit’s ventilation is not obstructed
applicable. Also check that speed channels are set appropri­ately.
Verify that the fi xture is in “Sound Active” mode. Adjust Audio Sensitivity, If Applicable.
Make sure all connectors are seated properly and securely. Use Only DMX Cables. Install a Terminator. Check all cables for defects. Reset fi xture(s).
Check lamp for properly installation. Relamp, lamp may have reached end of life.
Verify remote control cable is installed properly and securely. Verify remote is correct type (CA-9 or other as applicable.)
Verify proper mode of operation. Is the fi xture in “Auto” mode?
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If your problem isn’t listed, or if problems persist,
please contact support: support@blizzardlighting.com.
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5. APPENDIX
A Quick Lesson On DMX
DMX (aka DMX-512) was created in 1986 by the United States Institute for Theatre Technology (USITT) as a standardized method for connecting lighting consoles to lighting dimmer modules. It was revised in 1990 and again in 2000 to allow more fl exibility. The Entertainment Services and Technology Association (ESTA) has since assumed control over the DMX512 standard. It has also been approved and recognized for ANSI standard clas­sifi cation.
DMX covers (and is an abbreviation for) Digital MultipleXed signals. It is the most common communications standard used by lighting and related stage equipment.
DMX provides up to 512 control “channels” per data link. Each of these channels was origi­nally intended to control lamp dimmer levels. You can think of it as 512 faders on a lighting console, connected to 512 light bulbs. Each slider’s position is sent over the data link as an 8-bit number having a value between 0 and 255. The value 0 corresponds to the light bulb being completely off while 255 corresponds to the light bulb being fully on.
DMX data is transmitted at 250,000 bits per second using the RS-485 transmission stan­dard over two wires. As with microphone cables, a grounded cable shield is used to prevent interference with other signals.
There are fi ve pins on a DMX connector: a wire for ground (cable shield), two wires for “Primary” communication which goes from a DMX source to a DMX receiver, and two wires for a “Secondary” communication which goes from a DMX receiver back to a DMX source. Generally, the “Secondary” channel is not used so data fl ows only from sources to receiv- ers. Hence, most of us are most familiar with DMX-512 as being employer over typical 3-pin “mic cables,” although this does not conform to the defi ned standard.
DMX is connected using a daisy-chain confi guration where the source connects to the input of the fi rst device, the output of the fi rst device connects to the input of the next device, and so on. The standard allows for up to 32 devices on a single DMX link.
Each receiving device typically has a means for setting the “starting channel number” that it will respond to. For example, if two 6-channel fi xtures are used, the fi rst fi xture might be set to start at channel 1 so it would respond to DMX channels 1 through 6, and the next xture would be set to start at channel 7 so it would respond to channels 7 through 12.
The greatest strength of the DMX communications protocol is that it is very simple and robust. It involves transmitting a reset condition (indicating the start of a new “packet”), a start code, and up to 512 bytes of data. Data packets are transmitted continuously. As soon as one packet is fi nished, another can begin with no delay if desired (usually another follows within 1 ms). If nothing is changing (i.e. no lamp levels change) the same data will be sent out over and over again. This is a great feature of DMX -- if for some reason the data is not interpreted the fi rst time around, it will be re-sent shortly.
Not all 512 channels need to be output per packet, and in fact, it is very uncommon to fi nd all 512 used. The fewer channels are used, the higher the “refresh” rate. It is possible to get DMX refreshes at around 1000 times per second if only 24 channels are being trans­mitted. If all 512 channels are being transmitted, the refresh rate is around 44 times per second.
In summary, since its design and evolution in the 1980’s DMX has become the standard for lighting control. It is fl exible, robust, and scalable, and its ability to control everything from dimmer packs to moving lights to foggers to lasers makes it an indispensible tool for any lighting designer or lighting performer.
Keeping Your FURY As Good As New
The fi xture you’ve received is a rugged, tough piece of pro lighting equip- ment, and as long as you take care of it, it will take care of you. That said, like anything, you’ll need to take care of it if you want it to operate as designed. You should absolutely keep the fi xture clean, especially if you are using it in an environment with a lot of dust, fog, haze, wild animals, wild teenagers or spilled drinks.
Cleaning the optics routinely with a suitable glass cleaner will greatly improve the quality of light output. Keeping the fans free of dust and debris will keep the fi xture running cool and prevent damage from overheating.
In transit, keep the fi xtures in cases. You wouldn’t throw a prized guitar, drumset, or other piece of expensive gear into a gear trailer without a case, and similarly, you shouldn’t even think about doing it with your shiny new light xtures.
Common sense and taking care of your fi xtures will be the single biggest thing you can do to keep them running at peak performance and let you worry about designing a great light show, putting on a great concert, or maximizing your cli­ent’s satistfaction and “wow factor.” That’s what it’s all about, after all!
Returns (Gasp!)
We’ve taken a lot of precautions to make sure you never even have to worry about sending a defective unit back, or sending a unit in for service. But, like any complex piece of equipment designed and built by humans, once in a while, something doesn’t go as planned. If you fi nd yourself with a fi xture that isn’t behaving like a good little fi xture should, you’ll need to obtain a Return Authori- zation (RA).
Don’t worry, this is easy. Just send an email to support@blizzardlighting.com, and we’ll issue you an RA. Then, you’ll need to send the unit to us using a trackable, pre-paid freight method. We suggest using USPS Priority or UPS. Make sure you carefully pack the fi xture for transit, and whenever possible, use the original box & packing for shipping.
When returning your fi xture for service, be sure to include the following:
1.) Your contact information (Name, Address, Phone Number, Email address).
2.) The RA# issued to you
3.) A brief description of the problem/symptoms.
We will, at our discretion, repair or replace the fi xture. Please remember that any shipping damage which occurs in transit to us is the customer’s responsibil­ity, so pack it well!
Shipping Issues
Damage incurred in shipping is the responsibility of the shipper, and must be reported to the carrier immediately upon receipt of the items. Claims must be made within seven (7) days of receipt.
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Tech Specs!
Weight & Dimensions
Length 8.25 inches (210 mm) Width 8.25 inches (210 mm) Height 10.75 inches (324 mm) Weight 12.6 lbs (5.75 kg)
Power
Operating Voltage 110/230VAC 50/60Hz (Switchable) Fuse 1A 250V (fast-blow) Power Consumption 90W @ 120V
Light Source
LED 1x30W 12,500mA LED 50,000 hours
Optical
Beam Angle 13 degrees Luminous Intensity 6,300 (full white) lux/1m
Movement Range
Pan 530 degrees Tilt 270 degrees
Thermal
Max. Operating Temp. 104 degrees F (40 degrees C) ambient
Control
Protocol USITT DMX-512 DMX Channels 9 or 12 (User Selectable) Input 3-pin XLR Male Output 3-pin XLR Female
Coolness Factor
Leventy Billion Percent
2-year limited warranty, does not cover mal-
Warranty
FURY Manual Rev. A Copyright (c) 2010 Blizzard Lighting, LLC
function caused by damage to LED’s.
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Enjoy your product!
Our sincerest thanks for your purchase!
--The team @ Blizzard Lighting
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