BIC Muro M-50 Manual , Muro M-60, Muro M-80, Muro M-8.3, Venturi VI-38 User Manual

Page 1
MuroTM
M-50, M-60, M-80 and M-8.3
VenturiTM
VI-38
In-Wall Speaker Systems
Page 2
CONGRATULATIONS
Q
A
What you need to do the job
Speaker system parts inventory
. . I
. . . . . . , , . . . . . . .
0
-
on selecting
B.IC
Wall-Mounted
Speakers. Like all
B.IC
speakers, they
combine advanced acoustic technology with durability and will provide years of musical enjoyment.
This
manual is designed to make your M-50, M-60, M-80, M-8.3 or VI-38 speakers as easy to install as they are to
listen to. If you’ve had any home
“do-it-
yourself ” experience, you should find
installation of your new speakers a simple job.
However, we suggest you read through
this
manual before starting out. If you
then decide that installing your
B+IC In-
Wall Speakers is a bit beyond your skills, we’ve included suggestions for locating sources of affordable outside help.
mounting template
mounting bracket
masking
_
3
Tools for installation
.......................................
3
Speaker wire.
............................................
3
Amplifier considerations
....................................
3
0
I
m
Where to put your speakers
Varioususes.............................................
4
Stereo imaging
..........................................
.4
Other acoustic considerations
................................
5
Wall 8: ceiling surfaces
....................................
5
Speaker wire paths
.......................................
.6
Q
Painting your speakers.
.......................................
0
B
Cutting holes for the speakers
..................................
Q
Running connecting wires
.....................................
Hooking up your speakers
At the speaker end
.......................................
6 7
11
At the amplifier end..
. . , . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
11
Q
Final assembly.
..........................................
,
.
12
Q
A
short “test drive”
..........................................
12
A quick troubleshooting guide.
..............................
13
Further reading
Taking care of your new in-wall speakers.
......................
13
More on amplifiers and impedances
..........................
14
Installing
Be1.C
Muro speakers during new construction
............
14
B+C
Muro M-50, M-60, M-80, M-8.3 and Venturi VI-38 descriptions
and specifications.
.....................................
15
Outside help
............................................
15
grille
DRAWING 1
NOT SHOWN: packet of acoustic damping material
Page 3
WHAT YOU NEED TO DO THE JOB
SPEAKER SYSTEM
PARTS INVENTORY
Before you get involved in the actual installation process, it’s a good idea to check for possible shipping damage and
identify parts and hardware.
You should have the parts shown in
Drawing 1:
0
‘ho (2)
B+IC
In-wall loudspeaker
systems with attached grilles
0
Iho
(2) metal brackets
0
Eight (8) black metal screws (in their own little zip-top bag)
0
Another clear plastic bag with little
rectangles of a black substance
wrapped in white paper (we’ll
explain this one later!)
0
l’wo
(2) white cardboard mounting
templates
0
‘Iwo
(2) white cardboard masking
templates for painting
If anything is missing after a thorough search of the box and packing materials, contact the dealer where you bought your speakers.
Although BIG In-Wall Systems are extremely well packed to withstand the rigors of shipping, you should still inspect them closely, especially if there is any damage to the outside cartons. If
you find anything wrong, contact your
dealer or the shipper who delivered the speakers.
TOOLS FOR INSTALLATION
IN EXISTING WALLS
It doesn’t take a whole workshop to install your new speakers, just a few simple tools:
0
A pencil
0
A
drill with a l-inch flat bit
0
A retractable utility knife or keyhole saw
0
A length of stiff wire about 3 feet long (a straightened wire coat hanger works fine)
0
A
Phillips-head screw driver which will fit the black screws included with your speakers
0
A pair of diagonal pliers or wire strippers
Some of the following may also be needed, depending on the application. 0 A stud finder 0
Drill bit just slightly larger than the diameter of one speaker wire
0
Plumb bob or small weight on a string
0
Insulated staples for securing speaker wire
0
Masking tape or foam
“double-
stick” tape
0
Paint and applicator for changing grille
#and
outer frame finish
0 A bubble level
SPEAKER WIRE
The amount of wire you’re going to need will of course vary with speaker placement (which we cover next). But we’re covering the subject of wire now
because it’s something you may have to go out and obtain along with whatever tools you don’t already have.
What
kind to use
We recommend using inexpensive,
multi-stranded “zip-cord” for
amplifier-
to-speaker connections. Also called lamp cord, it’s sold in pre-packed rolls and in bulk displays at hardware, lighting and home improvement stores. Zip-cord’s outside covering (insulation) can be transparent, black, brown, white, etc. Color doesn’t matter. Thickness does.
Selecting the proper gauge
Wire is measured in “gauges.” For no particularly good reason, the bigger the number, the smaller the wire. For exam­ple,
18-gauge
is thinner than
14-gauge.
The gauge of wire you need is deter­mined by the distance between your amplifier/receiver and the speakers. Use the following chart as a guide:
Length
Minimum Gauge
Less than 10 ft.
18
10 to 50 ft.
16
Over 50 ft.
14
If in doubt, be safe and get a smaller
gauge (i.e. thicker wire). Using too thin
a gauge over a long distance can compro-
mise sound quality. And besides, there isn’t a vast cost difference between
gauges, anyway.
How much to buy
Basically, more than you think you
need. As we noted earlier, a discussion of
lengths is sort of premature until you’ve decided on exact placement, so you may want to skip to page 4 and read the sec­tion on “‘Where to
put your speakers.”
But if you have a rough idea of the dis­tance from your
ampfier
to the speak-
ers, here are a few tips:
Because of the complicated paths which are often required to route wires, you’ll definitely need more than the amount derived from simple measurements.
Even if one speaker is a lot closer to the amp than the other speaker, you should use the same length of wire for both paths. This insures that both speakers will play at equal volume.
Professional installers often use the following rule of thumb:
“As
the crow flies” amp to speaker distance TIMES FIVE. That allows enough for both speaker paths plus a very healthy margin for unplanned detours. Remember the electrician’s favorite
adage: “You
can
always
cut
off extra wire, but
they
don’t stretch
worth a ah.
AMPLIFIER
CONSIDERATIONS
Virtually any receiver, power amplifier or integrated amplifier can be used with your
BIG
Ceiling Speakers. Although
Muro
M-50’s
are rated at 100 watts maxi­mum input power, M-60’s at 110 watts,
M-80’s
at 120 watts,
M-8.3’s
at 120 watts,
and
V&38’s
at 125 watts, it’s OK to use a more powerful amplifier if you take some simple precautions, which we cover on page 13 (‘Taking care
of your new
B-1-C
In-wall speakers”).
A more serious consideration is whether or not you intend to power more than one set of speakers with the same amplifier or receiver. If you intend to hook speakers to both “A” and
“B”
receiver outputs and then play both sets
of speakers at the same time, you should
read the section starting on page 14 of
this manual
(“More on amplifiers
and impedances”),
to avoid potential
problems.
Page 4
I) D
0
EXCELLENT
WHERE TO PUT YOUR SPEAKERS
Placement can make all the difference in how your sound install. There are at least three “WHERE’S” and a “HOW” to factor into your layout;
l
HOW you intend to use your speakers
l
WHERE they’ll sound best (stereo
A
imaging and acoustic considerations)
a
WHERE it’s possible to install them (wall and ceiling surfaces)
l
WHERE they can be installed that
makes it easy to get wire to them
without remodeling your entire house.
VARIOUS USES
BaIX
used for background music, as a listening system or as built-in rear surround speakers in an audio/video home theater.
B.1,C In-wal.l
and how easy they are to
-
speaker systems
In-Wall Speakers can be
prlmar)
for stereo imaging
EXCELLENT
for stereo imaging
cl
2
/
U’
OK for background music; not good for stereo imaglng
Asymmetrilcsl
response; more bass from right speaker
Both speakers aren’t in line wlth listener
Not recommended for either:
Too close together
n3n
2.
3.
‘D/
\
Q
2
t
2
(
Q
I
a,,
2
r---7
!!I@,
c----
DRAWING 2
B-1-C
in-wall speakers may be used
for rear surround sound channels
by placing them (1) behind, (2) on
each side of the viewing position or
(3) in the ceiling just behind the
viewers.
make excellent, unobtrusive front channel home video theater speak­ers (4).
8.1.C
In-wall speakers also
DRAWING 3
Background music
If you
lust
want low-volume back­ground music to placement for best acoustics and imaging is not particularly critical. You can pretty well ignore all our diagrams and tips on imaging and other acoustical matters.
Just
put
your
nlent
and non-intrusive to room decor
-
but without grouping both speakers
too
close together speakers in living room that flows into a formal din­ing room, or in a kitchen and breakfast nook.
If
you’re going to place the speakers high up on a wall, flip the speaker upside down when tweeter IS on the bottom. This will insure better treble dispersion
5oat
through a room,
speakers where it’s
You
can even place the
adjoinmg
mountmg
rooms, such as a
it so that the
(see
Drawing 4).
conve-
Surround sound
B+C
In-Wall Speakers make excellent surround sound speakers. They can be mounted at ear level in any of the posi­tions shown in Drawing 2 including from the ceiling.
STEREO IMAGING
If your going to be your primary listening source in a room, you need to consider some other factors to insure proper imaging. The term “stereo imaging” refers to a speaker system’s ability to project music so that it sounds like the performers are in a speakers. It’s the whole point of having a stereo instead of monophonic system.
Drawing 3 shows some possible place­ments as well as some situations to avoid.
B.1.C
In-Wall Speakers are
3-dimensional
space between the
Page 5
rotated
down
OTHER ACOUSTIC CONSIDERATIONS
For best fidelity, there are several other factors to keep in mind before you start actual installation.
Vertical placement
Treble frequencies are quite directional.
While the
dome tweeters
in
B-1-C
Muro M-50, M-60 and M-80 speakers are designed to disperse high frequencies over a wide area, they will give you
the
best sound when positioned so that they are at least at ear level, as shown in Drawing 4.
If you have M-8.3’s or VI-38’s, the tweeter can be swivelled to direct the high frequencies toward the listening position. See drawing 4A.
of course, if the speakers are being
installed in an area where listeners usu­ally stand up (such as a kitchen or hallway), “ear level”
will
be higher on the wall than for rooms where listeners are often seated.
DRAWING 4
DRAWING 4A
Corners and reflections
When an in-wail speaker is placed close to the comer of a room, bass frequencies are emphasized. This can
be OK if both speakers are mounted near comers (while maintaining stereo imaging). But try to avoid placing just one speaker in a corner and another on a long flat wall.
Treble is emphasized when it reflects back from reflective surfaces such as large windows. Conversely, highs tend to be muffled by soft surfaces such as drapes, rugs, upholstered furniture, carpeted steps and even textured fabric wall paper.
In general, the best acoustic performance will result if both speakers face a similar type of surface and are placed in similar positions on the same type of wall.
WALL AND CEILING SURFACES
Now that we’ve covered where you
should put your speakers, let’s consider
where you CAN put them.
B+I,C
Muro
M-SO’s
require at least
2’/(
of wall depth;
M-GO’s
require at least
3’/4”;
M-80 and M-8.3’s require
351~”
;
VI-38 requires
3’/4#
of wall depth (all
measured from the outside surface of
the wall).
This means that they can be installed in
any wallboard-and-2x4 stud wall. In fact,
the dense, rigid nature of plasterboard
(or lath and plaster in older homes) acts as a superb speaker
baMe.
You can also
install B.1.C
In-wall
speak-
VI-38
Push on rim of
tweeter to rotate
M8.3
ers in stud walls covered with thick wood paneling or in wallboard/plaster ceilings.
However, avoid:
Stud
walls covered only with thin veneer paneling - the surface isn’t rigid enough and can cause annoying vibrations and buzzing. T-bar “drop ceilings with very thin fiberboard panels which can
buzz and vibrate. If you suspect
this
will happen, reinforce the’
drop-in panel with wood or particle
board. Any wall which can’t provide proper depth (clearance) for
the
back of the Muro speaker to protrude. This includes brick or
concrete walls where the
wallboard or paneling is attached
to thin furring strips. Walls where you know that there are pipes, heating ducts and ESPECIALLY AC wiring in the general vicinity. For example, if there is an outlet along the baseboard, there is often a live wire running partly up
the
wall at
Page 6
SPEAKER WIRE PATHS
The last consideration is the obstacle course that lies between the speakers’ hoped-for mounting positions and your stereo system.
Wires can be run through crawl spaces that lie above your ceiling or below the floor, through basements or second stories, or simply along the perimeter of your listening room. We cover each of these options in detail in the
“Running connecting wires” section
attention to the following areas:
l
l Make sure that the entire path
l
of this manual.
In
general, you should pay particular
Avoid running speaker wires close to house electrical wiring for any distance. If you have to run them parallel, make sure to space the speaker wires at least two feet from the AC line. It is, however, OK for speaker wires to cross paths with AC line or go through the same hole together with house wiring if they separate before and after.
between speakers and amplifier is clear and not obstructed by a major floor or ceiling joist or masonry wall which you won’t be able to drill through.
Remember that the other end of the wires has to come out somewhere to connect with the amplifier. Confirm ahead of time that you can drill an outlet hole easily and in an unobtrusive spot.
PAINTING YOUR
CUTTING HOLES FOR THE
If you like the designer which has been applied to your In-Wall Speakers, you can skip to Step D, next column. But if you want your speak­ers to completely blend in with a colored wall or accent the surface, now is the time to paint your outer frames and perforated grilles.
The speaker’s outer surfaces are primed to accept ordinary latex wall paint or aerosol spray paint. Because the sur­face behind the perforated grille should remain black, you will need to mask this area off before you begin painting.
01.
First the speakers’ grille must be removed, From the back of the speaker, insert a mounting screw and push on the to loosen it so you can pull it off.
02
Attach loops of double-stick tape to the cardboard masking cards which have been included with your speakers.
Press a masking card onto each
03.
speakers’ surface to cover the woofer and tweeter.
04.
Paint the outer speaker frame and grille separately. A roller with a short or medium nap will work much better than a brush. If you’re using spray paint, make sure that you achieve the same coverage on both grille and frame.
After the paint has thoroughly
05.
dried, remove the cardboard masking plate.
There’s no need to replace the grille at
this time since you will need access to the inner speaker surface during installation.
white
finish
Bs1.C
In-wall speakers’
mside
of the grille
maskmg
tape or
SPEAKERS
Bg1.C
to make a relatively neat hole. Actually, the hole doesn’t even have to be that neat, since the speaker’s outer frame will cover it. Just make sure you don’t make it any bigger than the template. In the following steps, you’re going to locate a section of wall between two studs, mark the outer boundaries of the hole, drill a small hole in the center to co&rm your location and then cut the main hole.
01.
02.
Wallboard is an easy surface in which
First you must determine the location of your wall studs so that
the speaker can be approximately
centered between them. There are
several ways to go about this:
l Tap on the wall and listen to
the resulting “THUMP”. When it’s deeper, you’re between studs. When it’s sharper and more sounding, you’re close to a stud.
l Use a stud-finder, a simple little
magnetic device which works by locating the lines of nails ham­mered into the stud.
l Identify studs by the position
of electrical outlets or switches, There’ll be a stud either directly to the left or right of an electrical fixture. This gives you a point of measurement, since studs are either 18 or 16 inches apart in newer houses, 12 inches apart on
pre-W&2
When you’re reasonably sure of where the wall stud 2x4’s are
(and are TOTALLY sure that there isn’t an electrical cable, water pipe or heating duct in that vicinity of
homes.
flat-
Page 7
wall), position
one of the card board mounting templates and draw around the inside outline
with a pencil. If you don’t trust your eye, use a level to make sure the hole will be straight.
Repeat for the other speaker position.
Drill
03.
a l-inch hole in the center of
the pencil outline which you have just drawn.
obtain a length of stiff wire such as
04. an unwound, totally un-bent coat hanger, Bend it so that the last 12 inches is at a right angle to the rest.
Insert the angled part into the
05.
l-inch hole you just drilled and
probe to left and right to confirm
that a stud is not close on either side.
l
If
there is a close stud on one side, just re-position the cardboard template a few inches in the
opposite direction and re-draw
your pencil outline, keeping the
l-inch hole within the pencil out-
line’s inner boundaries.
06.
If there are no obstructions, cut
the hole along the pencil outline. If
the surface is wallboard, simply cut it increasingly deeper with a utility knife until it gives way and then
pull
it out by grasping the cut-out
through the l-inch hole.
l
If
you’re dealing with lath and plaster or thick paneling, you need to use a different technique. Drill
l-inch holes at the comers of the pencil outline. Then use a keyhole saw or even a hacksaw blade with VERY slow strokes to saw through and remove the inner surface.
Temporarily place a
07.
B.1.C
In-wall speaker into the cut-out to insure that it fits properly. It’s OK if the hole is slightly large, since it be covered by the. speaker’s outside frame.
Actual
installation will hap­pen later, after you’ve routed the speaker wires.
08.
Repeat steps 1 through 7 for the other speaker.
Now it’s time to drill the hole on
09. the OTHER end - at the point
where the wires from the speakers will exit to the amplifier/receiver.
l Use the same l-inch drill bit as
before.
l If you want a totally finished job,
install an outlet box against a stud and cover it with a TV cable or single outlet plate which has one hole in the middle for the wires to exit from.
wilI
RUNNING
CONNECTING
Now you know were the wires have to run. It’s time to actually route mentioned before, there are several sibilities.
1. DOWN, ACROSS & BACK
you
have a crawl space under your house or a relatively unfinished basement, your job is broken into three parts:
1) Down from the amplifier to the crawl space; 2) Across the crawl space to the wall(s) with the speakers; 3) Up the wall to the speaker.
2.
UP & OVER. If you
overhead
crawi
space, your three steps are: 1) Up from the amplifier to the space; 2) Across the crawl space to the wall(s) with the speakers; 3) Down the wall to the speaker.
3. OVERLAND. If the speakers and amplifier are in the same room and it is carpeted, you can route the wires along the baseboard. This method results in just two
VERY
short lengths of wire being
possibly visible.
them. As
pos-
up.
If
have an attic or
crawi
DRAWING 5
Page 8
Use whichever method (or combina­tion) is most applicable, but read each over before undertaking it.
DOWN, ACROSS AND BACK UP (BASEMENT OR
LOWER CRAWL SPACE)
If you have an unfinished basement or
crawl space under your home, you can
avoid having to run wires in the room. Working from underneath is sometimes trickier since there are often more pipes, ducts, electrical and cable lines already
0
in place.
01.:Make sure you have the following:
0 Tape measure 0 Cordless drill (or regular model with long extension cord)
with a l-INCH BIT
0 A VERY long roll of speaker
wire
0 Wire cutters - either diagonal pliers or wire strippers which include a cutting surface
0 Length of stiff wire such as coat hanger at least 3 feet long
0 Tape -any kind will do
0 It’s also convenient to have another person upstairs helping
you.
The
person’s job will be to grab the cables as you push them up
Gem
below.
02.
03.
Enter the basement or crawl space and proceed to a spot directly below where one of
the
in-wall
speakers will be. After carefully measuring to make
sure you’re in the right place, drill a hole up through the horizontal 2x4 directly below the speaker.
04~.
If you haven’t encountered in-wall
insulation (sometimes present on outside walls), have your assistant drop a plumb bob or weight string down until you can reach it. Tape the cable to it and let them pull it
UP.
04B. If you have run into insulation,
there’s another approach: Get out
your long roll of speaker cable and
tape the end to the stiff wire or bent coat hanger. Push the stiff
wire with speaker cable attached
up through one of the holes far enough that your assistant can
grasp it through the speaker cut-
out above. Have him or her pull out at least 8 feet of cable (as measured from your position downstairs).
05
Making sure that the end doesn’t
get pulled back down through the hole, reel out wire while moving
across the basement.&& space until you reach a location below the amplifier,
06.
07.
08.
09.
Extend at least
10
(TEN)_
extra
feet of cable and cut the end off the roll.
Grab your coil/roll of cable and move over to the hole that’s been drilled below the other speaker.
Again, have your assistant drop a plumb bob or weight and string down until you can reach it. Tape the cable to it and let him or her
pull
it up, extending at least 8 feet of wire up through this hole. Or use the
stiff
wire method if the
wall has insulation or obstructions
in it. Making sure the end doesn’t get
pulled back down through the hole, reel out cable until you reach the space under the amplifier.
Extend at least
10 (TEN) extra
feet of cable and cut the end off the roll. You’ve now run wires from both speakers to a point directly below where the amplifier will be.
l-inc
/
hol
DRAWING 6 - DOWN, ACROSS AND BACK UP
Page 9
Drill a l-inch hole through the
010. horizontal 2x4 directly below the amplifier wall outlet hole.
Because of the small diameter of
011. the hole, the plumb bob/string
method may not work on the amplifier end. If so, tape the two cable ends (which come from the speakers) to a stiff wire and push them up through the hole. Since there’s only a l-inch hole upstairs, you’ll probably need to wiggle the wire around until your helper can locate it and snag the wires taped to the end. They, too may need to use a length of stiff wire with a hook in it to grab the cables through the small hole.
Have your helper pull the cable
012,
up until most of the slack has been taken up down in the crawl space or basement. If you want, you can secure the cable runs to the floor joists or beams using insulated staples.
You’ve done it! Skip to the next section
titled
“Hooking up your speakers.”
UP AND OVER (ATTIC CRAWL SPACE)
0 Tape measure 0 Cordless drill with a
I-INCH
BIT (or non-cordless model with long extension cord) 0 A VERY long roll of speaker wire 0 Wire cutters - either diagonal pliers or wire strippers which include a cutting surface. 0 Plumb bob or string with a
smcall
weight (such as a metal nut) on the end 0 Tape
Crawl up into the attic with all
02.
any kind will do
­the
aforementioned stuff and proceed to a spot that’s directly over one of
the
speaker cut-out holes.
After carefully measuring to make
03.
sure you’re in the right place, drill a hole through the horizontal
2x4
directly ABOVE the SPEAKER. Then drill a hole for
04.
Time to use that roll of cable. Push
the
other speaker.
the cable end through one of the holes
you
just drilled until it extends at least 8 feet. If you encounter insulation, such as an outside wall, tape the speaker cable to a stiff wire and poke it down until it can be located at the speaker cut-out.
reel out cable while moving across. the attic/crawl space until you reach the location above your amplifier.
06.
Extend at least 10 (TEN) more feet of cable for the roll and cut it.
Grab your coil/roll of wire and
07. move over to the hole that’s been drilled above the other speaker. Extend at least 8 feet of wire down through this hole
08.
Again, making sure that the end
doesn’t get pulled back up through
the hole, reel out cable
until
reach the space above the amplifier.
Extend at least 10 (TEN) more feet
09.
of cable and cut it. You now have cables running from both speakers. Time to get them down the wall to where the amplifier will be.
010.
Drill a l-inch hole through the
horizontal 2x4 directly above the amplifier wall outlet.
011
Now you’re going to guide cables down to where they’ll emerge from the wall. Since this hole isn’t very big, just
stuffmg
them down
and grabbing them won’t work.
you
0 1. You’re about to ascend into your
attic. Grab
the
following:
Making sure the end doesn’t get
05
pulled back up through the hole,
wire
“runs”
(thickness exaggerated
from each speaker
for
clarity)
l-Inch
hole
DRAWING 7 - UP AND OVER
Page 10
Instead, it’s time for the plumb bob or string-with-weight (or wire
if there’s insulation to contend
with). Tape the two cable ends
(which come from the speakers) to the plumb bob string just above
the
weight and lower the whole thing down through the I-inch hole above probably have to “feed out” the attached cable to get the weight to descend.
Continue “paying out” both
012
cables until they and the weight hit bottom.
plumb bob string to something so that it doesn’t fall down the hole.
Exit the
013
stretch for a moment. Go over to the l-inch amplifier
014
wire hole and look for the extended string/plumb bob and attached cables. If they’re not visible, fish around for them with your and pull them through the hole. Then rescue the plumb bob from the attic.
the
amplifier. You’ll
‘lie
the free end of the
attic crawl space and
stiffwire/unbent
coat hanger
OVERLAND
If, for a variety of reasons, it’s impossible to route cables above or below, you can still achieve a relatively invisible job, assuming your amplifier can be located in the same room. The only visible cable will be a on the baseboard below each speaker.
01.
On the wallboard directly-below
each speaker cut-out hole, measure up 2 inches from the mark the spot with a pencil dot.
02.
Drill a small hole just large enough to admit a speaker cable.
Insert one end of your speaker wire
03.
through the small drilled hole and use a stiff hooked wire to fish out the speaker cable from above. Repeat for both speakers.
04.
When a room is carpeted, the baseboard moldings are elevated slightly to clear the carpet and pad. This creates a hollow space
I”-2”segment
floor
and
between the bottom of the molding and the floor which can be used to conceal your speaker cable along the perimeter of the room. Use a screwdriver to until you reach the spot where your amplifier will be.
To secure the cable so that it
05
doesn’t get pulled out during vacuuming, add insulated staples at the points where the cable enters and exits the baseboard.
Note: If your baseboards are taller than
normal, you can drill the hole behind the baseboard and avoid the visible cable. You may have to chisel a shallow channel in the back of the base­board for clearance.
stuff
the cable under
sh.ort
length of
DRAWING 9
At the speaker holes, things are
015,
much
easier.
You can just reach
through and grab the cables. their whole free length out the cut speaker hole. You’ve done it! Skip to the next section, titled
*‘Hooking up your speakers.”
Pull
DRAWING 8
-
OVERLAND
Page 11
HOOKING UP
AT
THE SPEAKER END
01.
The main thing to remember when
hooking up speakers is
that
the two
conductors in
the
speaker wire are not
interchangeable. One
will
be used as a
POSITIVE (+) conductor and
the
other
as a NEGATIVE
(-)
conductor. These
correspond to
the
RED
(+>
and BLACK
(-) connectors on your
B+C
Muro
In-
Wall Speakers and also to the speaker terminals on your amplifier or receiver.
IDENTIFYING
“+”
and
“0”
You need to be able to discriminate
between the two conductors in
the
zip
cord.
If
your wire has transparent insulation, this is easy: One conductor will be cop­per-colored and the other silver-colored. Generally, professionals denote the cop­per one as POSITIVE (+) and
the
silver
one as NEGATIVE
(-).
If
you’ve used wire
which
has an
opaque insulation, there are
still
differen-
tiating
markings.-Examine the
wire close-
ly and look for:
l A series of ribs or grooves on
one conductor
Make sure that
the speaker wire
Is passed
THROUGH the
mounting bracket
before connection
\
01.
02.
03.
04.
05.
06.
l A painted stripe l A single strand of yarn inter-
twined with the multi-stranded wire in one conductor.
Denote any of these as the POSITIVE (+) conductor for similar connections on both ends.
Cut off excess wire, leaving about 2 feet extending through the speaker cut-out hole.
Pull the conductors apart so they’re separated for the first two inches from their ends.
Using wire strippers, diagonal pliers or a knife, remove l/2 inch of insulation from each conductor.
Twist
the tiny strands in each conductor into tight spirals, as shown in Drawing 9.
IMPORTANT
Route the speaker
wire THROUGH the
Be1.C
In-wall speaker frame as shown in Drawing IO.
Attach the speaker wires to the red and black speaker terminals. Press down on the protruding levers while inserting the wire into
the
hole.
l Connect
the
POSITIVE (+) conductor to the RED terminal and the NEGATIVE
(-)
conductor to
the
BLACK speaker terminal.
07.
l Make sure
that
no stray strands of wire have gotten detached and are touching the other main wire.
Repeat Steps 1 through 6 for
the
other
BIG
In-Wall
Speaker.
AT THE AMPLIFIER END
02.
03.
04.
05.
Cut off excess wire, leaving enough to comfortably reach from the hole in
the
wall to your stereo system. If there’s a possibility that you’re going to move the amplifier to another part of the room, consider leaving some excess wire coiled up. If you’ve used sufficiently thick
wire, this extra length will not
affect
speaker performance and could make things easier if the room is rearranged later.
Pull the conductors on both speaker wires apart so they’re separated for the first two inches.
Using wire strippers, diagonal pliers or a knife, remove
l/2
inch
of insulation from each conductor.
‘I\vist
the
tiny
strands in each
conductor into tight spirals.
Attach
the
speaker wires to the red
and black speaker terminals on the
amplifier or receiver.
l Connect the POSITIVE (+)
conductor to
the
RED terminal and
the
NEGATIVE (-) conductor to
the
BLACK speaker terminal.
l Make sure that no stray strands
of wire have gotten detached and are touching the other main wire.
10
Page 12
FINAL ASSEMBLY
0 1. If you haven’t done so already
05.
02
@
03
during painting, remove the perfo­rated grilles from both
B+C
Muro
In-Wall
Speakers, Use one of the black mounting screws to push the grille out from the back side.
Attach the black mounting bracket to
the
speaker using the black screws provided, as shown in Drawing 11. Tighten the screws just a few turns each - only enough to loosely hold
the
mounting bracket
in place. NOTE: Although six holes are
provided on both the speaker and bracket, only four are used.
Slide the bottom of the bracket inside the speaker cut-out hole, followed by the top so that the wallboard is between the bracket and
the
speaker.
A. Attach mounting
6.
With screws
bracket to speaker
with
4 screws
only
lightly
threaded...
I
0.
.
..fint
the bottom,
then the top.
04.
06.
Center the speaker in the cut-out hole and tighten the screws until the mounting bracket is drawn up snugly from behind, clamping the speaker in place. Try to tighten each screw equally.
Replace the
B.1.C
Muro speaker grille by gently pressing it into place.
Repeat the above steps for the other speaker.
In most situations, the grilles will Et
tightly without vibration. If any audible
vibration does occur - or if your
B.1.C
In-wall speakers are ceiling-mounted,
you finally get to use the contents of that
mysterious packet with the black stuff
wrapped in little
white
papers, They’re
pre-cut lengths of a special
damping/adhesive material,
Remove the perforated grille, unwrap four of the damping strips and affix them to the four outer comers of the inner
speaker surface. Then replace the grille.
E. Tighten
all 4 screws
evenly.
c. .
..slip
the bracket
behind the
wallboard..,
I
Q
A SHORT TEST
DRIVE
It’s a good idea to test everything out at
this
point. Also, although we’ve paid close attention to speaker polarity, we haven’t concerned ourselves with which wires went
01.
02.
03.
04
05.
06.
to left and right speakers.
Turn on your stereo system. Make sure that the VOLUME control is turned down and that the BALANCE control is set to center.
Activate a musical source such as
FM, a tape or CD player. Gently turn up
the
volume. You
should hear music coming out of
your new
B.1.C
In-Wall Speakers!
(If you don’t, refer to the
troubleshooting guide on the next
Page*)
Now rotate the stereo’s BALANCE
control all the way to the
LEFT.
Sound should only come out of your left speaker. If it comes out of the RIGHT speaker, skip to Step
6B.
Rotate
the
BALANCE control all the
way to the RIGHT. Sound should
only come out of the right speaker.
If this is the case, your installation is a success. We suggest you read the section on the next page titled Taking care of your new
in-
wall
Speakers”
(for further
operating tips).
0613.
If
sound comes from the right speaker when the stereo’s balance control is turned to the
LIFf,
you’ll need to change the connections on the back of the amp or receiver.
l
FIRSTTURNOFFTHE
AMPLIFIER!
l Then swap the wires attached to
the left and right speaker terminals.
DRAWING
11
Page 13
A QUICK
TROUBLESHOOTlNG GUIDE
Before returning your Speakers for service, it’s ,a good idea to check out these simple remedies
iound
NO
1s
1.
2.
3.
No
1.
Intermittent sound from one speaker or speakers play initially but then shut off.
1.
from either speaker
Incorrect source selected on receiver or
Mute button pressed on receiver. Wrong speaker output selected many receivers have an “A” and
“B”
speaker switch. Make sure it’s
in the right position.
S
‘ound
Un-secure connection at either the speaker
check them. Balance control turned left or right Bad connecting cable between sound a new cable.
Defective speaker - contact your
B+C
dealer or call
Short circuit’at either the amplifier or speaker connectors is activating the amp’s protection circuits connections, making sure no stray strands of wire are touching the ‘other.
preamplZier.
from one speaker
or
amptier -
-
source
-
double check
B+C
In-Wall
t?rst.
-
double
all
the way
return it to center.
and amplifier - try
(800)
348-6492.
fror;l
one connector
Both speakers play but sound is mixed with hum.
1.
It could be a faulty patch cord. If so, there will be hum from your main speaker system as well as from your
2.
Assuming you didn’t have hum in your system before, one or both of the speaker wires has been run too close to internal AC house wiring.
Re-route it so that it stays at least 2 feet away from AC power wiring when running parallel.
Both
speakers play but sound is muffled and “strained”. Amplifier may shut off if volume is raised too far.
1.
Too thin a gauge of wire has been
run too far a distance between amp and speakers. Make sure that you have followed our suggestions as to wire gauge versus overall distance.
(M-60, M-80, M-8.3, Vl-38 only) When volume is turned up to a high level, the treble cuts in and out
1.
The M-60, M-80, M-8.3 and VI-38 feature a special protection circuit which electronically disconnects the tweeter if it starts getting too hot. Turn down your amplifier and make sure to read the section of this manual titled
your new in-wall speakers”
which starts on this page.
B+C In-Wall
‘Taking care of
Speakers.
FURTHER READING
TAKING CARE OF YOUR
NEW IN-WALL SPEAKERS
B+C
In-Wall Speakers are designed to last the life of your home - if you follow a few simple rules.
The main “killers” of any loudspeaker system are 1) too volumes, 2) too much power at high volumes, 3) transient thumps.
Not enough power
It’s
a surprising fact, but far more speakers are damaged by too little power than by too much! When an amplifier runs out of power while trying to re-create musical peaks, it causes a
form of high frequency distortion called
clipping. In moderate amounts,
clipping simply makes the music sound terrible. In greater quantities over a period of time, it can damage or destroy the tweeters (high frequency reproduc­tion speakers) in any speaker system. If you like your music LOUD, consider getting an amplifier with at least 60 watts per channel.
Too
much power
There’s nothing wrong with driving
your
B+C
In-wall speakers with as much as 150 warts per channel - the extra power helps them achieve quick musical transients found in digital recordings. However, you must
remember to restrain yourself and not get too heavy-handed with the volume control (or remote buttons). If the music begins to sound distorted or you hear a “cracking” sound during bass notes, back M-60, M-80, M-8.3 or VI-38 internal protection circuits are intermittently shutting off the tweeter, you’re exceeding its safe power input level.
offl
little
power at high
And naturally, if the
Page 14
robust receivers and power amplifiers may even allow two sets of 4-ohm
Loud, deep THUMPS, caused when you
speakers.
turn your stereo on or off, or when the
tonearm
record, can seriously damage any loud­speaker including your
is dropped too hard on a
B-IX
In-Wall
information, consult the dealer where you purchased the amplifier, or call the manufacturer.
models. It’s always a good practice to turn the volume down (or press the
MUTE button if your receiver has one) when changing records or selecting another source (such as changing from
other speakers. It’s often printed on the back of the enclosure down near the con­nection terminals, or you can consult the speaker’s owners manual.
tuner to CD player input). Also remember
to
turn
your system off before disconnect­ing any hook-up cables. When they’re pulled out, a huge burst of low frequency hum often occurs if the system is still on.
8 ohms impedance. In general, this means that most amplifiers will allow you to simultaneously operate one set of Muro In-Wall Speakers and one other set of
Cleaning
B.1.C
M-50, M-60, M-80, M-8.3 and
VI-38 speakers are covered with a
durable finish which can be cleaned
with soap and water or spray cleaners. Avoid the use of ammonia-based cleaning
Muro In-wall Speakers. ohms, some amplifiers may experience
difficulty driving both sets at once and shut off intermittently when the volume control is turned up.
products, however. If you’ve painted the grills and frames, follow the paint manufacturer’s cleaning instructions.
MORE ON AMPLIFIERS
one set of speakers at a time or keep
the volume extremely low.
Parallel operation
AND IMPEDANCE
Not all amplifiers or receivers can safely operate two sets of speakers at once. If you intend to use your
B-IX In-
Wall Speakers at the same time as your main speakers hook up two pairs of
or if you intend to
­B.1.C
In-Wall Speakers and use both at the same time, it’s important to consider both the imped­ance of the speakers and the capabilities of the
amplifier
you’re using.
First, consult the owner’s manual that came with the amp or receiver. It should tell you
the
minimum speaker impedances during simultaneous operation. On some models, the manual will recommend that only two pairs of
8-ohm
speakers be used at the same time. Others might allow one set of
8-ohm
speakers and one set of 4-ohm
impedance speakers. A few extremely
connected in parallel create a load. This means that some amplifiers
can be used to drive as many as four sets of
(or three sets and one pair of main lis-
tening room speakers). The following chart may be used as a guide:
SIMULTANEOUS SPEAKER OUTPUT
OUTPUT RATING
Two sets of 8n spkrs.
One 8R set, one 40 set
Two
If you can’t readily determine this
Next, determine the impedance of your
All
B-IX
speakers are rated at
8-ohm
loudspeakers - or two sets of
If your other speakers are rated at 4
In this case, you should operate only
Two
sets
of
g-ohm
speakers
4-ohm
Bs1.C
In-Wall speakers at the same time
AMPLIFIER
A
1 pr BIC In-Wall speakers
1 pr BIC In-Wall speakers 1 pr BIC In-Wall speakers
1 pr. BIC In-Wall speakers
sets of 4R spkrs.
2 prs of BIC In-Wall speakers
2 prs. BIC In-Wall speakers
INSTALLING
B+C
MURO SPEAKERS DURING NEW CONSTRUCTION
Needless to say, installing speakers when a house is being built is far easier than doing it later.
B.1.C
offers a “Speaker Rough-In Kit” which consists of four brackets and a molded speaker mounting frame. The brackets are nailed onto wall studs and then the mounting frame is attached.
During new installation, keep the fol-
lowing tips in mind:
Use a bubble level to verify that the mounting frame is straight.
The flat brackets and nails which attach them are thin enough that they won’t interfere with wallboard added later.
Lf
possible run speaker wires after
AC wiring is in place to avoid induced hum caused by close parallel proximity.
Secure speaker wires in place along the run with insulated staples only and be careful not to pierce the insulation.
Avow
a bit of slack for
expansion of building materials. Needless to say, the actual
speakers should not be installed until the wall
board
the meantime, leave several feet of wire coiled up and secured to the back side of the mounting frame.
SPEAKER OUTPUT
AND
OR
AND AND 1 set 4R speakers
OR
AND 2 prs. of BIC In-Wall speakers AND 1 set 4R speakers
OR
AND 2
1 set 8R speakers
1
pr. BIC In-Wall speakers
prs.
of BIC In-Wall speakers
in-wall
is in place. In
B
Page 15
l
When
it comes time to put up the dry wall, make sure the speaker cut out hole doesn’t extend farther than
I/4#
from the sides of the
mounting frame.
l
After the wallboard is put up, install the speakers as detailed on
page 11 of
B+C
M-50, M-60, M-80,
this
manual.
M-8.3 AND VI-38
DESCRIPTIONS AND
SPECIFICATIONS
The
M-50, M-60, M-80, M-8.3 and
VI-38 have been ruggedly constructed to
the
withstand not only
range found in today’s digital sound sources, but also the rigors of temperature variation, dust and moisture encountered in permanent installation. Above all, they have been designed to give you possible music reproduction possible in modest-sized speakers.
The M-50 features a 5.5” long-throw, polypropylene woofer and 1/Z ferrofluid-cooled dome tweeter. A mylar capacitor is used in a crossover configuration to prevent low frequencies from entering the tweeter.
The
~-60
employs a polypropylene woofer with compliance foam surround to achieve additional bass response. The l-inch, ferrofluid-cooled soft dome tweeter achieves excellent transient response and wide dispersion of frequencies. An advanced, Second
YC
Order
crossover uses air-core inductors and premium mylar capacitors for enhanced sonic performance.
~-80
The
core woofer
employs an 8” polycarbonate
with
coil. The l-inch soft dome tweeter fea-
tures a ferrofluid-cooled high tempera-
ture voice coil. An advanced custom designed crossover features built-in self resetting tweeter protection.
The
~-8.3
features a
woofer
with
vented pole piece and rubber surround for maximum bass reproduc­tion It has a coated cone midrange for greater mid frequency detail compared to
2-way
typical
designs. It also employs a
titanium dome swivel tweeter for superb
high frequency reproduction and preci­sion aiming.
extreme dynamic
the
finest
Fit
Order
b’long-throw,
high-
bigb
high temperature voice
high
power
The Venturi VI-38 features a 8”
poly-
carbon woofer with rubber surround for outstanding base reproduction. It employs a 2.5’ poly cone midrange for accurate mid-range reproduction. At
the
heart of the VI-38 is a concentric mount­ed 1” pivoting titanium tweeter for precise imaging and aiming of the critical
high-
frequency range. Specifications M-50
,
.6OHz
-
2
. . .lOO
.First
.8 ohms
1,OOOHz
watts
.9OdB
.5.5’
.
l/2’
Order
Frequency response
Max. recommended power Sensitivity Woofer Tweeter
. , , , , , . , . , . . . . . . , . .
Crossover type
Impedance
. , , , . . . . , . , . . . . . a .
. , . . . . . . , . , . . . . . . . . . I
. . . . . . . . .
. , . . . . , . . . . I I . I
VI-38 Frequency response Max. recommended power Sensitivity
Woofer . . . . . . . . . . . . . . . . . . . . . .
Midrange
Tweeter
Crossover type
with level attenuator for mid and tweeter
Impedance Dimensions Overall
Required cut-out
product quality as new technology and techniques become available, America reserves the right to revise
speaker systems specifications without notice.
Dimensions
.ll’H
x
Overall
. . . . . .
Required cut-out
7-1/2-W
. , . . . . . . .9-518” x 7”
M-60
Frequency response .
.50Hz
Max. recommended power Sensitivity Woofer
tieeter
, . , , . , , . . . , . . . . , , , , ,
Crossover type Impedance
. , , , , . . . . . . . . , ,
, . , . , . . . . . . , . . , . . ,
. . . . . . . .
Second Order
. . . . . . . . . . . . . . .
Dimensions
Overall Required cut-out
. .
.
.12”H
X
8-5/s”W
. . , . ,
lo-7/8#x 7-l/2”
M-80 Frequency response .
.40Hz
Max. recommended power Sensitivity Woofer
?treeter
. . . . . . , . . , . . . . . . . . . . .
Crossover type Impedance
. . . . . . . . . + . . , . . . . .
. . . . . . . . . . , , . . , . . , . . . . K
. . , . . . . . . .
. . . . . . . . . . . . . .
Dimensions
.14”H
Overall
. .
Required cut-out
x lo-l/s”W x
. .12-3/4”x
M-8.3 Frequency response .
.38Hz
Max. recommended power Sensitivity Woofer
Midrange
ILveeter
Crossover type
‘Bveeter with
. . . , . . . . . . . . . , .
and Midrange
level attenuator for tweeter and
. , . . , . . . , , , . . . . , . .
. . . . . . . . , . . , . . . . . . . . . . .K
. . . . . . , . , . . . . . . . . . . WZ”
.
. 1” swivel
. . . ,
.First
Order Woofer
. .
.Second
midrange. Impedance
, , , . . . . , . . . . . . .
Dimensions
.14”H
x
Overall
. .
Required cut-out
lo-l/S”W
. . , ,
.12-3/4-x 8-3/4-
-
22,OOOHz
I ,110
.8 ohms
X
3-l/2’D
-
22,OOOHz
. , .120
.First
Order
.8 ohms
3-3/4-D
-
22,OOOHz
. . ,120
.8 ohms
x
3-3/4”D
x
3’D
watts
.9OdB
.6”
.l’
watts
.9OdB
.
.l’
S-3/4”
watts
.9OdB
Order
OUTSIDE HELP
undertaking installation
start it and for some reason can’t finish
you have several alternatives for outside
help.
contractors.
specialize in complete “turnkey” installs, many stereo installation
also willing to do hourly work Unfortunately, they’re buried in the list­ings with Stereophonic & Dirs),
phone calls to find one.
With
company, a whole new industry has sprung up. These people are experts at stringing wires unobtrusively and have the tools to do the job quickly and easily. Many advertise papers or even via signs on bulletin boards.
Larger companies which specialize in installation Pages under the following listings: Telephone Equipment & Systems Wiring & Television Cable Contractors. These
firms charge more than free-lance installers but are also easier to locate and contact.
and
use a true electrical contractor. They’re
listed in the
. .
.36Hz
-
23,OOOHz
. . .125
watts
. . . . . . . . . . . . . . . . . .
,9OdB
K
. . . . , , , . . , , . . , , , . . ,
_ . . , . . . . . . . . . . .
. . . . . . . .
. , . . . . . . . . . . . . .
-14-H
. .
x lo-l/s”W x
. . . ,
.
. 1’ Pivotal
.Second
.12-3Flex S-3/4”
.2’/2*
Order
.8 ohms
3-3/4*D
Due to our continual efforts to improve
BIG
If you don’t feel that you’re up to
-
or if you
1. Custom stereo installation
Although
they
prefer to
companies are
regular stereo dealers (under
High
Fidelity Equip
-
so you may have to make several
2. Free-lance telephone installers.
the
deregulation of the phone
through small
3.
Phone installation services.
may
be found in the Yellow
community
-
InstaIIation
4.
Electrical contractors. As
or Telephone
a last
&
expensive resort, you can always
Yellow Pages under
Electric
Contractors.
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