Beyerdynamic TG H54c, TG V96c, TG-I53C, TG-I57C User Manual

ELEMENTS OF SOUND

TOURING GEAR – THE BEST LIVE MICROPHONE SERIES WE‘VE EVER BUILT.

BEYERDYNAMIC I HANDMADE IN GERMANY

PERFECT SOUND CRAFTED BY HAND

Producing true, natural sound has always been of highest priority at beyerdynamic. This goes all the way back to the companies’ founder, Eugen Beyer, who was

fascinated with the idea of recording sounds as perfectly as possible and then reproducing them just as perfectly. The dynamic microphone he invented in 1939

was a first milestone – and many more followed. Since then, scores of beyerdynamic engineers have continuously invented new technologies to achieve ever

clearer and purer sound. The result: microphones developed and handcrafted in Germany, whose sound and quality are legendary throughout the world.

CONTENT

THE POWER OF THE MICROPHONE

Whether for voices or instruments, whether at concerts, TV performances or in the studio, the microphone is an integral part of

the connection between a performer and the audience. Because a microphone does so much more than just transform sound into

electrical impulses; it can excite you, make you scream, make you beam, make you cry, send shivers down your spine and touch

your soul. A microphone transmits sound, but it can also transmit so much feeling. Yet another reason for beyerdynamic to build

the very best microphones.

beyerdynamic Handmade in Germany

The power of the microphone I Content 3

Touing Gear Microphone Series 4 - 5

Touing Gear Elements of Sound 6

Sound Channelling Technology 7

How micophones work 8

Touing Gear - the four categoires

TG 30, TG 50, TG 70, TG 90 9

VOCALS I More than an instrument 10

TG V30d I TG V35d s 11

TG V50d I TG V50d s I TG V56c 12 - 13

TG V70d I TG V70d s I TG V71d 14 - 15

TG V90r 16 - 17

TG V96c 18 - 19

HEADSETS I Big sound with room to move 20

TG H54c + tan I TG H55c + tan 21

TG H74c + tan I TG H75c + tan 21

LAVALIER I Invisible quality 22

TG L55c I TG L55c tan 23

DRUMS I Feeling the beat 24

TG D52d I TG D57c 25

TG D58c 26

TG D70d 27

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INSTRUMENTS I The power of interplay 28

TG I50d I TG I52d 29

TG I53c I TG I53c helix 30

TG I56c I TG I57c 31

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TOURING GEAR MICROPHONE SERIES

TG V30d s

TG V35d s

TG V50d

TG V50d s

TG V56c

TG V70d

TG V70d s

TG V71d

TG V90r

TG V96c

TG H54c

TG H54c tan

TG H55c

TG H55 c tan

TG H74c

TG H74 c tan

TG H75c tan

TG H75c

VOCALS HEADSETS

THE BEST LIVE MICROPHONE SERIES WE’VE EVER BUILT

The Touring Gear series is a completely new microphone range from

beyerdynamic, totally redesigned from the ground up with a brand

new identification system to make selection of our microphones easier

for you, the user. The ‘TG’ for Touring Gear is followed by the letter of

the specific area of application – ‘V’ for vocals, ‘H’ for headsets, ‘L’ for

lavaliere, ‘D’ for drums and ‘I’ for instruments. The first number spe-

cifies the category and the following letter specifies the microphone

type – ‘d’ for dynamic, ‘c’ for condenser and ‘r’ for ribbon microphone.

An additional ‘s’ signifies a model with a switch. Touring Gear – the

sound of German craftsmanship from beyerdynamic.

TG L55c

TG L55c tan

TG D52d

TG D57c

TG D58c

TG D70d

TG I50d

TG I52d

TG I53c

TG I55c helix

LAVALIER DRUMS INSTRUMENTS

TG I56c

TG I57c

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ELEMENTS OF SOUND

How is one microphone different from another? Some are assembled by a machine and others are individually crafted by hand. Some

can just be adapted to suit an application while others are designed specifically for it. Some only transport sound- others utilise

special acoustic labyrinths to optimally channel the sound. Some are purely made up of parts while others contain the know-how

and precision of one of the most experienced and respected companies in the audio industry. Experience the difference between

conventional microphones and beyerdynamic microphones.

The new Touring Gear microphones from beyerdynamic are a series of live microphones that are set to excite performers in studios and

on stages all over the world. Rugged in design with phenomenal audio quality, they are the perfect complement to beyerdynamic’s

legendary M series models, including well-known classics such as the M 88 and M 160, and the personalised M(y)88.

SOUND CHANNELLING TECHNOLOGY

THE SECRET OF PERFECT TUNING

To achieve that unique “beyer” sound, beyerdynamic has been developing and refining

its Sound Channelling Technology (SCT) for decades. beyerdynamic’s acoustic experts

have created acoustic labyrinths with special geometries that provide optimised sound

channelling. They influence the sound and model the polar pattern by using precisely

tuned delay lines and attenuation pads. Whether with additional elements, special mate-

rials or unique design: every beyerdynamic microphone has its own Sound Channelling

Technology to ensure optimal control of the sound waves. The result? Incredible sound quality.

Details on which sound-channelling technology is used in each microphone can be found in the

product descriptions in the following pages. You will hear and experience the result in every

Touring Gear series microphone- that is our promise!

SCT

TECHNOLOGY

Every beyerdynamic microphone has its own sound channelling technology that is spe-

cifically tailored to the design of the diaphragm. For example for the TG V90r ribbon

microphone, a special high-tech acoustic fabric is used on the inside of the sophisticated

sound labyrinth on the back of the diaphragm. This special geometry provides the opti-

mised sound channelling that contributes to the balanced, natural sound of the TG V90r.

Another part of the sound channelling technology of the TG V90r is the newly developed treble

resonator, which provides the smooth high-range reproduction typical of ribbon microphones

whilst protecting the diaphragm against damage from plosives.

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HOW MICROPHONES WORK

MICROPHONE TYPES

CONDENSER MICROPHONE

In a condenser microphone the sound causes the conductive diaphragm

to vibrate, resulting in voltage fluctuations between the capacitor and the

capacitor foil. Because the foil diaphragm of a condenser microphone is ext-

remely light, it can detect even the most gentle of sound signals. As a result,

condenser microphones are distinguished by their complex character which

features especially fine resolution at high frequencies, a sound often referred

to as “open” and “elegant”. Today condensers can be found in nearly every

studio thanks to their high signal quality, although they always require a sup-

ply voltage, usually in the form of phantom powering from the microphone

amplifier or mixing console.

DYNAMIC MOVING COIL MICROPHONES

The M19b dynamic microphone, developed by Eugen Beyer in 1939, is based

on the principle of induction whereby sound is transformed into electroma-

gnetic voltage impulses. The advantage of a dynamic microphone lies in its

rugged design, which allows it to better withstand mechanical stress and

makes it conveniently insensitive to footfall and handling noise. The dia-

phragm of a dynamic microphone is heavier when compared to ribbon and

condenser microphones but is able to process high sound pressure levels with

significantly less distortion and reduced crosstalk from other unwanted sound

sources nearby. The result is extremely rugged handling, high feedback rejec-

tion and a powerful sound. Dynamic moving coil microphones do not require

a supply voltage and are best suited to live performances or where high SPL

levels are required.

RIBBON MICROPHONES

Although ribbon microphones are technically dynamic models, their sound

characteristics resemble those of a condenser microphone due to their excep-

tionally light aluminium diaphragms. They are distinguished by their extre-

mely clean transient behaviour while typically sounding warmer and softer

than condenser models. They are particular popular for their natural, faithful

midrange reproduction and a high-range reproduction that is significantly

softer and smoother than condenser microphones. Therefore they are often

used when highly complex sounds are required to be reproduced, whereas a

condenser microphone might sound too “bright” or “analytical.”

TOURING GEAR – THE FOUR CATEGORIES

TG 30 TG 50 TG 70 TG 90

The TG 30 series is the perfect introduction to the

world of beyerdynamic live microphones. An entry

level series that can produce big beyerdynamic

sound on a small budget.

With aesthetically pleasing looks and outstanding

sound quality, the TG 50 series is ideal for all

users. The series covers all applications relating to

stage performing – from vocals, instruments and

drums, to headsets and lavaliere microphones. TG

50 is the standard Touring Gear series with a truly

premium performance.

The models of the TG 70 series go one step further

with no compromises: Even better technical cha-

racteristics and even higher quality materials for

an even better sound. Every detail counts - both

during development and during manufacturing.

The result: first-class microphones - handcrafted

in Germany.

Designed to be the very best in the Touring Gear

range, the TG 90 series is manufactured to the

absolute highest quality standards and delivers a

sound that is second to none. High-end- equip-

ment handcrafted in Germany for the user who is

looking for the “non plus ultra”. The TG 90 series

provides an outstanding performance every time

and can handle even the most demanding requi-

rements on the stage.

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VOCALS

MORE THAN AN INSTRUMENT

The human voice is like no other instrument. Every

artist’s voice is individual and unique – and each

performance is one-of-a-kind. To turn these tran-

sitory moments into a special experience for the

audience, you need a microphone that is optimally

suited to the artist’s voice. Time for the Touring

Gear vocal microphones..