Behringer AX6220Z, AX6240Z, AX6220, AX6240, MA4000M Catalog

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EUROCOM

The New Standard for Installed Systems

Summer 2013

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EUROCOM

ivered an

stands for.

The EUROCOMStory

Innovative Tools forModern SystemsIntegrators

I’m often asked why BEHRINGER customers love our products so much. The answer is simple… it’sbecause we are so passionate about everything we do. Ourcustomers tell us what they want, and we design and build products that sound great and provide amazing feature sets—at extremely a ordable prices!

It all started 29 years ago when I was studying classical piano and sound engineering. I made my living playing jazz in piano bars, hotels and co ee shops. Being an aspiring sound engineer, Icould only dream of owning studio equipment, which at the time was far too expensive for a cash-strapped student like me.

The university I attended had only two microphones for 100students! It became clear that if I wanted to become a soundengineer, I would have to get my ownequipment.

During my childhood my father taught me electronics, and when I was 16 I built my  rst synthesizer. Since I was already intrigued by electronics, it was only natural for me to look inside the magical black boxes to see what

made them tick. I quickly realized that companies were charging US$1000 or more for a piece of equipment, while the components inside were only worth US$100!

So I immediately grabbed my soldering iron and went to work on my  rst signal processor. Word spread quickly among friends that my products sounded really good. More importantly, Ifound out that my friends were very much like me and couldn’t a ord to buy such expensive studio gear. I started production on my kitchen table and sold what I made at ridiculously low prices. Without even realizing it, I had startedBEHRINGER.

It became my personal dream, and later the company’s mission, too er high-quality products at prices that  t everyone’s budget. Tothis day, that is what BEHRINGER stands for.

It is with great pride that we at BEHRINGER now present these 64EUROCOM products for your consideration. We have dedicated years to their research and development, making them the best- sounding, most dependable, feature-packed products we’ve ever brought to the marketplace—and we stand behind them with the most comprehensive service plan in theindustry.

Yours truly,

Uli Behringer

Discover EUROCOM, the new standard for installed systems: New ideas, breathtaking technologies, a unique design aesthetic,  exibility – and tremendous value!

Over the past two decades we have heard from many customers who have used our products in installed sound systems. Afterall, system integrators and contractors are always looking for products that deliver a

rich feature set, consistent reliability and superior value; andBEHRINGER products deliver on all counts. As more and more integrators turned to us, they asked for products to provide more application-speci c solutions. Inessence, they wanted us to apply our founding philosophy to the installed soundindustry.

When BEHRINGER made a commitment to enter the installation market we knew that it would take much more than just great products. It would also mean a new and di erent way of doing business,

with a di erent sales and distribution model, termsof sale, marketing and support requirements. We recognized early on that the nature of project-driven sales di ers considerably from that of retail sales and that our organization

would need to adapt in order to fully and properly support the e orts of our installationcustomers.

In an industry that has been dominated by well-entrenched players for a very long time, BEHRINGER’s installation productsare truly unique.

Where the current standards include linear power supplies with around 20%e ciency, we have opted for energy-saving switch-mode designs that operate at up to 85% e ciency.

Where loudspeakers have come to all look alike, BEHRINGER has broken the mold and delivered an uncompromising aesthetic. Where features were o ered as optional extras, we have included them and made the products morea ordable.

Longtime BEHRINGER observers will recognize our EUROLIVE, EURODESK and EUROPOWER product family names. The origin of these names stems from our roots as a small startup in Germany, hence the name—EURO. So, of course when it came time to name the family of installed products, we naturally started there. The second half of the name came from the true purpose of installed products; they enable people to communicate.

And thus was born EUROCOM. Afamily of products designed to meet the needs of system integrators with fresh ideas, breathtaking technologies, style and as always, unbeatablevalue.

That’s what BEHRINGER EUROCOM stands for.

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MUSIC Group City

3,000 MUSIC GroupPeople That Are Incredibly Passionate to BuildYour Quality Product

At MUSIC Group, we believe that the only way to ensure quality is to build products in our own factory. That’swhy we built MUSIC Group City, our state-of-the-art factory where working conditions are so good that we have a waiting list for employment. Controlling every step of the design and manufacturing process is the only way to maintain a consistently high level of product quality and performance.

From the assembly of our mixers to the fretwork on our guitars, it’s all made under one roof (well, actually six really, really big roofs). We fabricate our own cabinets in a huge woodshop, stu our own circuit boards and test, re-test and re-re-test every unit before it leaves ourfactory.

Unlike the vast majority of our competitors, we build our own loudspeakers. We mold the cones

Advance d Klippel louds peaker testing en sures all of our speaker co mponents mee t the highest quali ty standards

from raw pulp, machine our own parts and wind our own voice coils.

Cutting -edge Surf ace Mount Technolog y (SMT) makes fast and a ccurate work of load ing circuit board s with miniaturized electronic components

Yes, it’sa huge investment in quality control, butwe believe it’s worth it.

What does this all mean to you? Youget tremendous value for your money when you buy a BEHRINGER product—and you can relax in the knowledge that your product will provide premium performance for many years to come.

The city of Zhongshan in Guangdong Province, China, is a modern metropolis with scenic parks and wide, bustling boulevards. It is also home to BEHRINGER manufacturing. Virtuallya city within a city, MUSICGroup City is a

MUSIC Grou p City was grante d the prestigious ISO9001:200 8 Certifica te in 2010

vibrant community that integrates every facet of the production chain – all of it under one roof. This is where each and every BEHRINGER product is manufactured and distributedglobally.

But MUSIC Group City is so much more than just a factory—it’s a city in every sense of the word. With its living quarters, restaurants, sports facilities, a library and even an onsite medical facility, more than 3,000 enthusiastic MUSIC Group people call MUSIC Group City theirhome.

BEHRINGER has a track record of manufacturing excellence spanning more than two decades.

This is the E lectromagne tic chamber wher e we test all produc ts for complianc e with standards su ch as FCCemissions, CE and safe ty. The facilit y represents a mul ti- milli on dollar investme nt and includes at le ast one machine tha t goes “ping”

Eachbuilding was meticulously planned and designed to ful ll clearly de ned functions. Operations such as Electronics, Loudspeaker and Wood Production, Research and Development, Administration and Warehousing are all strategically positioned to o er an uninterrupted  ow in the manufacturing process.

BEHRINGER’s application of

The Produ ct Showroom at MUS IC Group City, wher e we definitely d o not serve lunch

integrated production principles

has heralded a signi cant increase in e ciency and successful implementation of TotalQualityManagement. AndBEHRINGER product compliance testing ensures that every product meets or exceeds standards set for emissions and safety by consumer

State- of-the-art Au to Optical Inspec tion System that zooms in on e very solder jo int

MUSIC Grou p celebrates its 20 th Anniversar y with 3,000 MUSI C Group people, r ice wine and no cur few

watchdog agencies around theglobe.

It is MUSIC Group City, along with our amazing team of talented and highly skilled employees that sets us apart from our competitors. Theresulting synergy creates a passionate community dedicated to delivering products that help musicians all over the world realize their dreams and, ultimately, to de ne their success within the music industry.

Do you want to know more about MUSIC Group City? Come and visit eurotec. cn

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MA6000 Series

MA64

80A

— 2-

CH M

ixer

/Exp

ansi

on A

Outstanding Performance and Scalability

MA6000 Series

MA6000 Series products are the most powerful, feature-rich mixer-amps, power amps and stand-alone mixers in the EUROCOM family, combining automatic mixing, expandability, dual-channel amplification and a vast array of standard features with a sleek, stylish front panel that focuses on simplicity. Boasting high power, scalability, unprecedented value and reliability, MA6000Series automixer-amplifiers are destined to set new standards in distributed system designs.

Council Chambers - Take advantage of MA6000 Series' auto-mix capabilities to ensure maximum speech intelligibility

House of Worship - Especially well-suited for liturgical churches where spoken word clarity and suppression of background noise in reverberant environments is important

K-12 & Higher ED - MA6000 systems are easy to operate and include 8 dedicated mic inputs, plus 4 dedicated line inputs to accommodate any small to mid size auditorium sound reinforcement needs

Hospitality - The MA6000 Series is perfect for meeting room spaces, plus you can add optional remote level and source selection wall plates for even more functionality

Mixer and mixer-amplifier models feature 8 universal inputs (expandable up to 32) with 2-band EQ, direct outs, and an automatic proportional gain system that supports multiple open mics. Back-panel controls provide tremendous flexibility in customizing the mixer to the needs of each installation. Add to all this 4 remotely selectable Aux inputs, plus remote control of system volume, source selection and power—and the MA6000 Series becomes the ideal choice for conference rooms, shopping centers, meeting rooms, houses of worship, auditoriums, hotels, sports complexes, restaurants, and anywhere else the ultimate in control and scalability is desired.

CP3100 CP3110

Optional CP3100 (USA) and CP3110 (Euro) wall controllers provide convenient selection of auxiliary inputs (A, B, C, D), volume control for either auxiliary inputs or the main mix bus (selectable), muting of all sources and the ability to toggle power remotely over distances up to 300' (100 M).

Inexpensive CAT5 cable may be used with terminal blocks provided on the wall plate to simplify connection (no RJ45 crimping required!).

All soft touch control buttons plus the ergonomic dial are illuminated via power provided from the MA6000 (no local power required) and generous space is provided for input labeling.

Note: CP wal l controller s do not provid e input selec tion on mode l MA6480A.

MA6000M 8-Channel Auto-Mixer / MA6018 & MA6008 Auto-Mixer Amp Features:

• 8 Mic/Line inputs on XLR/TRS and Euroblock connectors, each with Lo and Hi frequency EQ, individual Trim control and post-trim input level LED

• Switchable Mic/Line, Phantom power, Main Mix and/or Zone 2 output, Mute Send/RCV, Remote Volume control, Chime, and Auto-mixing on each input

• 4 pair summed RCA Aux input s assignable to the Main Mix, Zone 2, and/or MOH

• Multi-featured, dedic ated page input with assignable Chime, switchable Mic/Line and Phantom power

• Optional wired Remote volume, power control and aux channel selec tion plus remote volume assign switch

• Individual front panel input Level, Lo/Hi Main, Aux EQ, Aux input and Zone 2 Volume

• Auto-dimming control illumination, dual channel VU meter, Power switch, and dual-function indicator ring surrounding Master volume control

• 4 front panel but tons select which four rear-panel Aux input s are active and feeding the Main mix bus at any given time

• Dual bridging input/output connectors allow multiple units to be interconnected

• Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC-type AC power cord and all mating Euroblock connec tors included

• Ultra-light, ultra-low noise and ultra-e cient switch-mode power supply for noise-free audio, superior transient response and low power consumption

Mixer-Ampli er Models Include:

• 2 transformerless, cool-running Class-D ampli ers simultaneously drive 70/100 V and 4/8 Ω loads with balance control (MA6018, 2 x 180 W / MA6008, 2 x 80 W)

• Independent DC and thermal overload protection plus automatic limiters for each ampli er prevent overload, clipping and distortion without shut ting down audio

MA6018/MA6008 — 8 -CH Mixer/Amps

Tel /Pa ge DIP Switches

Tel /Pa ge Settings

Dual Ampl ifier Output s Lo-Z (4/8 Ω ) + Hi-Z (70/100 V )

Balance Lo-Z / H i-Z

Main DIP Switches

MA648 0A — 2-CH Mixer/Expa nsion Amp

MA6480A Energy-Eﬃ cient, Multi-Function 240- Watt Mixing Ampliﬁ er/ Expansion Power Amp with Dual 70/100 V and 4 Ω Outputs

• Multi-function 240-Watt mixing ampli er with dual 70/100 V and 4Ω outputs, for continuous operation in distributed music, paging and AVapplications

• State-of-the-art, energy-saving Switch-Mode Power technology with up to 77% power e ciency drastically reduces energy cost

• 2 transformerless, cool-running Class-D ampli ers simultaneously drive 70/100V and 4 Ω loads with adjustable Balance control

• 2 Mic/Line inputs on Euroblock and XLR/TR S connectors, each with switchable Mic/Line and Phantom Power

• Input 1 features contact-ac tivated muting, priority ‘voice-over’ switch and dual-function indicator ring surrounding Master volume control

• Dual bridging input/output connectors allow multiple units to beinterconnected

• Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC- type AC power cord and all mating Euroblock connectors included

• Independent DC and thermal overload protection plus automatic limiters for each ampli er prevent overload, clipping and distortion without shut ting down audio

MA6018 — 180-Wat t, 8-CH Mixer/Amp

MA6008 — 80-Watt, 8-CH Mixer/Amp

4 Stereo RCA Aux Inputs

Remote Con trol Connecti ons

Euroblock /Combo Mic/L ine In Connectors

MA600 0M — 8-CH Mixer

MA648 0A — 2-CH Mixer/Expa nsion Amp

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MA4000 Series

Imagine the Possibilities

MA4000 Series

Born of the same spirit as the flagship MA6000 Series, MA4000Series products offer extraordinary versatility and ease- of- use in a rack-mountable system that is ideal for commercial install applications such as restaurants, bars, stores, sports clubs, spas and houses of worship. The clear and intuitive front panel is designed for operation by non-technical personnel, while the back- panel controls provide the installer with tremendous flexibility in customizing the system to suit individual installations.

The MA4000M and MA4008 both feature 4 universal inputs with combination XLR/TRS and Euroblock connectors, plus switchable Phantom Power for use with condenser mics. Channels 5 - 8 connectors are Euroblock and summed stereo RCA. Add to this a dedicated Tel/Page input with controls for Mute, Page and MOH (Music on Hold), Record and assignable Zone 2/MOH, Outs plus remote control capability, and the MA4000 Series becomes the “Swiss Army Knife” of modern installed sound.

MA4000M Energy-Eﬃ cient, 9-Input Mixer Featuring Multiple Input Connectivity and Diverse Signal Routing

• Multi-function mixer designed for continuous operation in distributed music, paging and AV applications

• State-of-the-art, energy-saving Switch-Mode Power technology drastically reduces energy cost

• 8 Mic/Line inputs on Euroblock, XLR/TRS and RCA connectors, each with switchable Mic/ Line and Phantom Power, individual Trim control and post-trim input level LED

• Inputs 1-8 individually assignable to Zone 2/MOH output; Aux input s 5-8 individually assignable to Main Mix

• Dedicated page input accepts telephone or paging microphone and features priorit y muting across all inputs

• Wired Remote volume, power and mute control connector

• Individual front panel input Level plus Lo and Hi Main EQ controls

• Auto-dimming control illumination, dual channel VU meter, Power switch, and dual- function indicator ring surrounding Master volume control

• Main Mix 1 & 2 outputs on balanced Euroblock connec tors

• Recording output and Zone 2/MOH assignable output with independent gain control

• Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC-type AC power cord and all mating Euroblock connectors included

MA4008 Energy-Eﬃ cient, Multi-function 80-Watt Mixing Ampliﬁ er with Dual 70/100 V and 4 Ω Outputs

• Multi-function 80-Watt mixing ampli er with dual 70/100 V and 8 Ω output s, for continuous operation in distributed music, paging and AV applications

• State-of-the-art, energy-saving Switch-Mode Power technology with up to 70% power e ciency drastically reduces energy cost

• 2 transformerless, cool-running Class-D ampli ers drive 70/100 V and 8 Ω loads simultaneously with adjus table Balance control

• 8 Mic/Line inputs on Euroblock, XLR/TRS and RCA connectors, eac h with switchable Mic/ Line and Phantom Power, individual Trim control and post-trim input level LED

Example Applications

CL106T

ST2400

MA4000M

AX6240Z

CL106

HD Recorder

AX6220

• Inputs 1-8 individually assignable to Zone 2/MOH output; Aux inputs 5-8 individually assignable to Main Mix

• Dedicated page input accepts telephone or paging microphone and features pr iority muting across all inputs

• Wired Remote volume, power and mute control connector

• Individual front panel input Level plus Lo and Hi Main EQ controls

• Auto-dimming control illumination, dual channel VU meter, Power switch, and dual-function indicator ring surrounding Master volume control

• Main mix output on Euroblock connector with selectable 70/100 V and 4 Ω outputs

• Recording output and Zone 2/MOH assignable output with independent gain control

• 2 Preamp Out/Amp In processing loops for each 70/100 V and 8 Ω output

DualDrive

TEL / PAGE

MP3 PlayerRemote

Tuner

CD Player

ourtwo-channel mixer- amplifiers and power amps provide dual independent channels within each enclosure. Onetransformerless amplifier is dedicated to low-impedance loads, while the other simultaneously drives 70/100 V loads at equal power.

Ampli cation

Featuring BEHRINGER’s DualDrive technology,

Retail / Hospitality - For deployments where music sets the mood for shopping or dining with foreground or background music, messaging or paging, the MA4000 exceeds

MA400 0M — 8-CH Mixer M aster Sectio n

MA400 8 — 80-Watt, 8- CH Mixer/Amp

expectations for functionality and ease of use

Warehouse Paging - The MA4000 is perfect for commercial installations where reliability and paging clarity is crucial for safety andefficiency

Offices - Guarantee the optimum office environment by using the MA4000 for office paging and sound masking applications

Main DIP Switches

Main Mix Outputs 1 & 2

8 9

Record & Zo ne 2/MOH Ou tputs

Tel /Pa ge Settings

Remote Con trol Connecti ons

Dual Ampl ifier Outputs Lo-Z (4/8 Ω ) + Hi-Z (70/100 V)

Balance Lo-Z / Hi-Z

Main DIP Switches

Dual Ampl ifier Inserts

Record & Zo ne 2/ MOH Outp uts

Tel /Pa ge Settings

Remote Con trol Connecti ons

Channel I nput Gain Control wi th Signal Level LED

Mic/Line/Phantom Power Switch

Mic/Aux Eurob lock & RCA Inputs

Euroblock /Combo Mic/Line In Connectors

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SN2000 Series

AX6000 Series

Elegant Simplicity

Incorporating BEHRINGER’s exclusive DualDrive technology, the SN2408 is powered by two independent mono amplifiers, one with a high impedance output that may be set to either 70 or 100V, the other with a standard low-Z output. This uniquely versatile configuration addresses the needs of hybrid distributed/lowimpedance systems, allowing easy installation and configuration of multi-zone setups in bars, recreation facilities, conference rooms, boardrooms, hotels and other venues.

SN2408 Energy-Eﬃ cient 80 W Mixer Amp with Dual 70/100 V and 4 Ω Outputs for Distributed Music, Paging and AV Applications

• Multi-function 80-Watt mixer ampli er with dual 70/100 V and 4 Ω outputs for continuous operation in distributed music, paging and AV applications

• State-of-the-art, energy-saving Switch-Mode Power technology with up to 80% power e ciency drastically reducing energy cost

• 2 transformerless, cool-running Class-D ampli ers drive 70/100 V and 4 Ω loads simultaneously with adjus table Balance control

• 3 microphone inputs on XLR /TRS or Euroblock connec tors with switchable Mic/Line and Phantom Power

• Dedicated Tel/Page input with adjustable gain on Euroblock connec tor

• Assignable Zone 2 output with adjustable gain on Euroblock connector

• Pre Out/Amp In processing loop per ampli er channel on dual RCA connectors

• 2 Aux inputs for music or pro gram signals on RCA connectors

• Variable voice-activated or contac t-activated music muting

• Lo and Hi frequency EQ for ultimate sound adjustment

• Intuitive front panel with input level controls and dual-function indicator ring

Combining superior performance and ease-of-use with unprecedented value, the EUROCOM SN2108 mixer-amplifier is an innovative yet practical solution for distributed sound in low- complexity environments. Designed exclusively for Hi-Z systems, the SN2108 unites a 5-input mixer with an 80 W RMS mono amplifier engineered for continuous 70/100 V output. SN2108 is an ideal match for retail, hospitality, office, medical, educational and industrial spaces.

SN2108 Energy-Eﬃ cient 80-Watt Mixer Ampliﬁ er with 70/100 V Output for Distributed Music, Paging and AV Applications

• Multi-function 80-Watt mixer ampli er, designed for continuous operation in distributed music, paging and AV applications

• State-of-the-art, energy-saving Switch-Mode Power technology with up to 80% power e ciency drastically reduces energy cost

• Transformerless, cool-r unning Class-D ampli er drives 70 V loads directly

• 3 balanced or unbalanced microphone inputs on TRS connectors

• 2 Aux inputs for music or pro gram signals on RCA connectors

• Variable voice-activated music muting

• Lo and Hi frequency EQ for ultimate sound adjustment

• Intuitive front panel with dual-function indicator ring

• Secure 2-position terminal strip speaker output connec tor

• Independent DC and thermal overload protection plus automatic limiters for each channel prevent clipping and distortion without shutting down audio

• Ultra-light, ultra-low noise and ultra-e cient switch-mode power supply for noise-free audio, superior transient response and low power consumption

Example Applications

ST2400

CL106

Power + Total Control

The EUROCOM AX Series dual-channel professional power amplifiers represent the apex of power, flexibility, and control in digitally enabled power amplifiers. Two models are optimized for low impedance speaker loads (down to 2-Ohms), while a two additional model are designed to drive high-impedance

AX6240/AX6220 Energy-Eﬃ cient, DSP-Powered and Ethernet/USB-Controlled Low-Impedance Ampliﬁ ers

• Ultra-reliable, dual channel power amps for continuous operation in dis tributed music, paging, sound masking and general sound reinforcement applications

• State-of-the-art, energy saving Switch Mode power supply technology with up to 73% e ciency to drastically reduce energy consumption

• Transformerless out put design (AX6220/AX6240 Class-H), (AX622Z/AX6240Z Class-D) for optimum low frequency response

• High-performance DSP includes 24-bit/96 kHz convertors, delay, crossover, 8parametric + 2 dynamic EQs, dynamics processing, lockable security settings, plus full-featured test section with pink/white noise and  xed/sweepable sine waves

• Pink/white noise source can be routed through all DSP blo cks allowing system to function as a powerful, stand-alone sound-masking generator/ampli er

• Controlled and monitored via Ethernet net work or locally via USB (front panel LCD display also enables setup without PC connec tion)

• Front panel VU metering, mute indication, sys tem fault, over-current/overdr ive indicators plus illuminated master volume ring w/clip indicator

• “Zero attack” limiters on all output channels with independent DC and thermal overload circuits for maximum ampli er and loudspeaker protection

• Remote power terminal for sequential/remote control

• Inputs via 3 pin Euroblock and XLR/TRS combo connectors

• Output: AX6220/AX6240, NL4 & binding pos ts; AZ6220Z/AX6240Z, 4-point barrier strip

loads (70.7/100 V). With our AX Series amplifiers, programming, monitoring and control have never been easier. Whether accessed directly, from across the hall or halfway around the planet, the AXSeries amplifiers feature a plethora of connectivity and control options, providing immediate access to unbridled functionality.

AX6240Z/AX6220Z Energy-Eﬃ cient, DSP-Powered and Ethernet/USB-Controlled 70/100 V High-Impedance Ampliﬁ ers

Actual AX Series DSP Screenshots

Crossover f ilters comple te with slopes from 6 - 48 dB /Oct.

Phase- compensated Co mpressors and Li miters

Total control o f dynamic EQ includ ing filter t ype select ion

8 Paramet ric EQs with selec table filte rs

RMS Power R ating per Ch annel

(1% THD, 1kHz sine wa ve, both chan nels drive n)

SN2408

TN6232

CL106

AX6220

10 11

CD Player

Tuner

TEL / PAGE

AX6240

AX6220

AX6240Z

AX6220Z

2 Ω/CH 1,500 W (55 V ); 4 Ω/CH 900 W (60 V) 8 Ω /CH 550 W (66 V)

8 Ω Bridge M ono 1,850 W (121 V); 4 Ω Bridg e Mono 2,900 W (108 V)

2 Ω/CH 1,000 W (45 V ); 4 Ω/CH 650 W (51 V) 8 Ω/CH 4 00 W (57 V)

8 Ω Bridge M ono 1,300 W (102 V); 4 Ω Brid ge Mono 2,00 0 W (89 V)

70.7 V/CH: 700 W (7 Ω)

100 V/CH: 1,000 W (10 Ω)

70.7 V/CH: 350 W (14 Ω) 100 V/CH: 480 W (21 Ω)

Damping

Facto r

>220/8 Ω 2 Ω 12 A @ 120 V 60 Hz

>220/8 Ω 2 Ω 9 A @ 120 V 60 Hz

200/62 Ω

Min. Output

Impedance

14 Ω (70 V)

20 Ω (100 V)

14 Ω (70 V)

20 Ω (100 V)

Power

Consumption

200 W @ 1/8 rate d

power

200 W @ 1/8 rate d

power

Input

Connectors

2 x 3-pin Eur oblock and X LR/

TRS comb o

2 x 3-pin Eur oblock and X LR/

TRS comb o

2 x 3-pin Eur oblock and X LR/

TRS comb o

2 x 3-pin Eur oblock and X LR/

TRS comb o

Output

Connectors

NL4 and

bindin g posts

NL4 and

bindin g posts

Barri er Strip

4 pt

Barri er Strip

4 pt

Weight

21.4 lbs 9.7 kg

21.6 lbs 9.8 kg

Page 7

CL Small-Format Loudspeakers

CL106

CL108-WH CL206 CL208-WH

Compact Flexibility with Potent Performance

With precision-engineered waveguides and computer modeled transducers, CL Series Loudspeakers deliver superior sonic performance. With nineteen models to choose from (in either black or white), there is a CL Series configuration designed to fit virtually any requirement. In addition, their refined aesthetic design compliments even the most sophisticated interior spaces. CL Series models are constructed of durable laminated birch plywood and finished in both black and white. All models have metric threaded inserts for safe suspension using forged eye bolts. Designed for cluster pack applications, all models (except subwoofers) are trapezoidal in shape with rotatable high frequency sections for deployment in both vertical and horizontal orientations.

CL Series Small-Format Common Features:

• 8 compact, two-way, high output models feature single or dual woofer s (6" or 8") and top quality compression drivers coupled to 90° H x 70° V rotatable horns for superior ver satilityandperformance

• Passive crossover net work utilizes premium component s with integral transducerprotection

• Internally braced, acoustically-inert 15° trapezoidal birch plywood enclosure

• Powder-coated steel grille with color-matched, acoustically-transparent fabric wrap

• Multiple reinforced threaded inser ts for easy suspension and aiming

• OmniMount bolt pattern for 3rd par ty mounts

• Low Z (4 Ω/8 Ω nominal) or 70.7 V/100 V Hi-Z models available in black or white  nish

• Color matched mounting bracket included

• Optional array bracket s available (CLFK): CL FK (black), CL FK-WH (white)

CL106 / CL106-WH Ultra-Compact, 2-Way, 8 Ω Loudspeaker System with 6" Low-Frequency and 1" High-Frequency Transducers

• Frequency response: 69 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 90 dB (1 W @ 1 meter)

• Maximum rated SPL: 116 dB (peak @ 1 meter)

• Power handling: 400 W peak / 200 W continuous / 100 W RMS

• (per IEC268-5 standard; pink noise at rated power for 100 hours)

CL106T / CL106T-WH Ultra-Compact, 2-Way, 70/100 V Loudspeaker with 6" Low-Frequency and 1" High-Frequency Transducers

• Frequency response: 69 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 90 dB (1 W @ 1 meter)

• Maximum rated SPL: 110 dB (100 W @ 1 meter)

• 5-position terminal st rip provides ampli er connection to internal 100- Watt70/100Vtrans for mer

CL108 / CL108-WH Ultra-Compact, 2-Way, 8 Ω Loudspeaker System with 8" Low-Frequency and 1" High-Frequency Transducers

• Frequency response: 60 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 91 dB (1 W @ 1 meter)

• Maximum rated SPL: 119 dB (peak @ 1 meter)

• Power handling: 600 W peak / 300 W continuous / 150 W RMS (per IEC268-5 standard; pink noise at rated power for 100 hours)

CL108T / CL108T-WH Ultra-Compact, 2-Way, 70/100 V Loudspeaker with 8" Low-Frequency and 1" High-Frequency Transducers

• Frequency response: 60 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 91 dB (1 W @ 1 meter)

• Maximum rated SPL: 111 dB (100W @ 1 meter)

• 5-position terminal st rip provides ampli er connection to internal 100- Watt 70/100 V transformer

CL206 / CL206-WH Ultra-Compact, 2-Way, 8 Ω Loudspeaker System with 8" Low-Frequency and 1" High-Frequency Transducers

• Frequency response: 64 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 90 dB (1 W @ 1 meter)

• Maximum rated SPL: 119 dB (peak @ 1 meter)

• Power handling: 800 W peak / 400 W continuous / 200 W RMS (per IEC268-5 st andard; pink noise at rated power for 100 hours)

CL206T / CL206T-WH Ultra-Compact, 2-Way, 70/100 V Loudspeaker with 8" Low-Frequency and 1" High-Frequency Transducers

• Frequency response: 64 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 90 dB (1 W @ 1 meter)

• Maximum rated SPL: 113 dB (200W @ 1 meter)

• 5-position terminal st rip provides ampli er connection to internal 200- Watt 70/100 V transformer

CL208 / CL208-WH Compact, 2-Way, 4 Ω Loudspeaker with Dual 8" Low-Frequency and 1.35" High-Frequency Transducers

• Frequency response: 55 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 91 dB (1 W @ 1 meter)

• Maximum rated SPL: 120 dB (peak @ 1 meter)

• Power handling: 800 W peak / 400 W continuous / 200 W RMS (per IEC268-5 st andard; pink noise at rated power for 100 hours)

CL208T / CL208T-WH Compact, 2-Way, 70/100 V Loudspeaker with Dual 8" LF and 1.35" HF Transducers

• Frequency response: 55 Hz to 15 kHz (+/- 3 dB)

• Sensitivity: 91 dB (1 W @ 1 meter)

• Maximum rated SPL: 114 dB (200W @ 1 meter)

• 5-position terminal st rip provides ampli er connection to internal 200- Watt 70/100 V transformer

490.00 mm [19.291 in]

FRONT REAR

CL108 / CL108T

635.00 mm [25 in]

FRONT REAR

CL206 / CL 206T

720.00 mm [28.346 in]

FRONT REAR

CL208 / CL 208T-WH

260.50 mm [10.256 in]

50.80 mm [2.000 in]

242.00 mm [9.528 in] 108.00 [4.252 in]

260.50 mm [10.26 in]

50.80 mm [2 in]

108.00 mm [4.25 in]292.00 mm [11.50 in]

260.50 mm [10.2559 in]

50.80 mm [2.0000 in]

108.00mm [4.2520in]

372.00mm [14.6457in]

35.00 mm [1.378 in]35.00 mm [1.378 in]

35.00 mm [1.38 in]

35.00mm [1.3780in]35.00mm [1.3780in]

FRONT REAR

CL106 / CL106T

LF/HF Driv er Freq. Res ponse(+/- 3 dB) Sensitivi ty (1 W @ 1 m) Imp. Nom. Dis p. (H x V) Peak/C ont./RMS 70 V Taps 100 V Taps Connec tors Dimen sions (H x W x D) Weight

CL106 6"/1" 69 Hz - 15 kHz 90 dB 8 Ω 90° x 70° Rot atable 400/20 0/100 – – – 17.7 x 10.2 x 11.3" / 450 x 260 x 286 mm 20.7 lbs / 9.4 kg

CL106T 6"/1" 69 Hz - 15 kHz 90 dB – 90° x 70° Rotatabl e –

CL108 8 "/1" 6 0 Hz - 15 kHz 91 dB 8 Ω 90° x 70° Rot atable 600/30 0/150 – – Barri er Strip 19.3 x 10.2 x 11.3" / 490 x 260 x 286 mm 20.9 lbs / 9.5 kg

CL108T 8"/1" 60 Hz - 15 kHz 91 dB – 90° x 70° Rot atable –

CL206 2 x 6"/1" 64 Hz -15 kHz 90 dB 4 Ω 90 ° x 70° Rotatab le 800/40 0/200 – – Bar rier Strip 25 x 10.2 x 11.7" / 635 x 260 x 296 mm 2 9.5 lbs / 13.4 kg

CL206T 2 x 6"/1" 64 Hz - 15 kHz 90 dB – 90° x 70° Ro tatable –

CL208 2 x 8"/ 1.35" 55 Hz -15 kHz 91 dB 4 Ω 90° x 70 ° Rotatabl e 800/40 0/200 – – Bar rier Strip 28.4 x 10.2 x 11.9" / 720 x 260 x 30 2 mm 32.4 lbs / 14.7 kg

CL208T 2 x 8"/ 1.35" 55 Hz - 15 kHz 91 dB – 90° x 70° Rot atable –

OmniMount is a registered trademark and brand of Ergotron, Inc. Neutrik and Speakon are registered trademarks of Neutrik AG12 13

12.5/ 25/50 100 W

25/50

100/200 W

25/50

100/200 W

25/50 100 W

50/100

200 W

50/100

200 W

Speakon + B arrier Stri p 17.7 x 10.2 x 11.3" / 450 x 260 x 2 86 mm 23.3 lbs / 10.6 kg

Speakon + B arrier Stri p 19.3 x 10.2 x 11.3" / 490 x 260 x 2 86 mm 23.6 lbs / 10.7 kg

Speakon + B arrier Stri p 25 x 10.2 x 11.7" / 635 x 260 x 2 96 mm 33 lbs / 15 kg

Speakon + B arrier Stri p 28.4 x 10. 2 x 11.9" / 720 x 260 x 302 mm 35.9 lbs / 16.3 kg

Page 8

CL Large-Format Loudspeakers

CL Subwoofers

CL2264

CL2564-WH CL3264 CL3564-WH

Exceptional Output and Accurate Directivity in a Beautiful Package

CL Series Large Format Common Features:

• 4 two-way models with choice of 12" or 15" high output woofers and top quality compression driver s

• 4 three-way models with choice of 12" or 15" high output woofer s include 6" cone-horn-loaded midrange for enhanced output and intelligibility

• Rotatable horns for superior versatility and performance

• Passive crossover net work utilizes premium component s with integral transducer protection and allow full-range or bi-amp operation

• Dual professional speaker connectors (compatible with Neutrik Speakon) and 4-position terminal strip

• Internally braced, acoustically-inert 15° trapezoidal birch plywood enclosure

• Powder-coated steel grille with color-matched, acoustically-transparent fabric wrap

• Multiple reinforced threaded inser ts for easy suspension and aiming

• OmniMount bolt pattern for 3rd par ty mounts

• Models available in black or white  nish

• Optional color matched mounting brackets available

• Optional CL FK (black) and CL FK-WH array brackets

CL2264 / CL2264-WH Mid-Size 60° H x 40°, 2-Way, 8 Ω Loudspeaker System with 12" Low-Frequency and 1.35" High-Frequency Transducers

CL2296 / CL2296-WH Mid-Size 90° H x 60°, 2-Way, 8 Ω Loudspeaker System with 12" Low-Frequency and 1.35" High-Frequency Transducers

• Frequency response: 46 Hz to 18 kHz (+/- 3 dB)

• Sensitivity: 96 dB (1 W @ 1 meter)

• Maximum rated SPL: 125 dB (peak @ 1 meter)

• Power handling: 800 W peak / 400 W continuous / 200W RMS (per IEC268-5 standard; pink noise at rated power for 100 hour s)

• Optional mounting bracket: CL2200 YB (black), CL2200YB-WH (white)

CL2564 / CL2564-WH Mid-Size 60° H x 40°, 2-Way, 8 Ω Loudspeaker System with 15" LF and 1.35" HF Transducers

CL2596 / CL2596-WH Mid-Size 90° H x 60°, 2-Way, 8 Ω Loudspeaker System with 15" LF and 1.35" HF Transducers

• Frequency response: 42 Hz to 18 kHz (+/- 3 dB)

• Sensitivity: 96 dB (1 W @ 1 meter)

• Maximum rated SPL: 125 dB (peak @ 1 meter)

• Power handling: 800 W peak / 400 W continuous / 200W RMS (per IEC268-5 standard; pink noise at rated power for 100 hour s)

• Optional mounting bracket: CL2500 YB (black), CL2500YB-WH (white)

CL3264 / CL3264-WH High-Power 60° H x 40°, 3-Way, 8 Ω Loudspeaker System with 12" LF, 6" MF and 1.35" HF Transducers

CL3296 / CL3296-WH High-Power 90° H x 60°, 3-Way, 8 Ω Loudspeaker System with 12" LF, 6" MF and 1.35" HF Transducers

• Frequency response: 42 Hz to 18 kHz (+/- 3 dB)

• Sensitivity: 96 dB (1 W @ 1 meter)

• Maximum rated SPL: 125 dB (peak @ 1 meter)

• Power handling: 800 W peak / 400 W continuous / 200W RMS (per IEC268-5 standard; pink noise at rated power for 100 hour s)

• Optional mounting bracket: CL3200 YB (black), CL3200YB-WH (white)

CL3564 / CL3564-WH High-Power 60° H x 40°, 3-Way, 8 Ω Loudspeaker System with 15" LF, 6" MF and 1.35" HF Transducers

CL3596 / CL3596-WH High-Power 90° H x 60°, 3-Way, 8 Ω Loudspeaker System with 15" LF, 6" MF and 1.35" HF Transducers

• Frequency response: 37 Hz to 18 kHz (+/- 3 dB)

• Sensitivity: 97 dB (1 W @ 1 meter)

• Maximum rated SPL: 128 dB (peak @ 1 meter)

• Power handling: 1200 W peak / 600 W continuous / 300 W RMS (per IEC268-5 standard; pink noise at rated power for 100 hour s)

• Optional mounting bracket: CL3500 YB (black), CL3500YB-WH (white)

CL118S

CL212S

Dynamic and Powerful Low End Enhancement

• Internally braced, acoustically-inert birch plywoodenclosure

• Powder-coated steel grille with color-matched, acoustically-transparent fabric wrap

• Multiple reinforced threaded inser ts for easy suspension and aiming

• Durable black  nish

CL Subwoofer Common Features:

• Exceptional sound qualit y with ultra-LF extension and linear response

• Choice of dual 8", dual 12" or single 18" high output woofers in precision tuned, compact enclosures

• Passive crossover net work utilizes premium component s with integral tr ansducer protection and provides  ltered high pass output for full range satellite loudspeakers

• Dual professional speaker connectors (compatible with Neutrik Speakon) and 4-position terminal strip

LF/MF/HF Driver

CL2264 12"/1.35" 46 Hz - 18 kHz 96 dB 8 Ω 60° x 4 0° Rotatab le 800/400/ 200

CL2296 12"/1.35" 46 Hz - 18 kHz 96 dB 8 Ω 90° x 6 0° Rotatab le 800/400/ 200

CL2564 15"/1.35" 42 Hz - 18 kHz 96 dB 8 Ω 60° x 4 0° Rotata ble 800/40 0/200

CL2596 15"/1.35" 42 Hz - 18 kHz 96 dB 8 Ω 90 ° x 60° Rotata ble 800/40 0/200

CL3264 12"/6"/1.35" 42 H z - 18 kHz 96 dB 8 Ω 60° x 40° Rotat able 800/40 0/200

CL3296 12"/6"/1.35" 42 H z - 18 kHz 96 dB 8 Ω 90° x 60° Rotat able 800/40 0/200

CL3564 15"/6"/1.35" 37 Hz -18 kHz 97 dB 8 Ω 6 0° x 40° Rotat able 1200/60 0/300

CL3596 15"/6"/1.35" 37 Hz -18 kHz 97 dB 8 Ω 9 0° x 60° Rotat able 1200/60 0/300

LF Driver

CL208S 2 x 8" 4 6 - 150 Hz 9 4 dB 4 Ω 360° 800/40 0/200

CL212S 2 x 12" 37 - 200 Hz 9 9 dB 4 Ω 360° 1200/600/300

CL118S 1 x 18" 29 - 200 Hz 99 dB 8 Ω 360° 80 0/800/400

Freq. Res ponse

(+/- 3 dB)

Freq. Res ponse

(+/- 3 dB)

CL208S Compact High-Power,

4 Ω Subwoofer with Dual 8" LF Transducers

• Frequency response: 46 Hz to 150 Hz (+/- 3 dB)

• Sensitivity: 94 dB (1 W @ 1 meter)

• Maximum rated SPL: 123 dB (peak @ 1 meter)

• Power handling: 800 W peak / 400 W continuous / 200W RMS (per IEC268-5 standard; pink noise at rated power for 100 hour s)

Sensitivity (1 W @ 1 m)

Imp. Nom. Di sp. (H x V) Peak/Co nt./RMS Conn ectors

CL208S

CL212S High-Power, 4 Ω Subwoofer System with Dual 12" LF Transducers

• Frequency response: 37 Hz to 200 Hz (+/- 3 dB)

• Sensitivity: 99 dB (1 W @ 1 meter)

• Maximum rated SPL: 130 dB (peak @ 1 meter)

• Power handling: 1200 W peak / 600 W continuous / 300W RMS (per IEC268-5 standard; pink noise at rated power for 100 hour s)

CL118S High-Power, 8 Ω Subwoofer System with 18" LF Transducer

• Frequency response: 32 Hz to 130 Hz (+/- 3 dB)

• Sensitivity: 99 dB (1 W @ 1 meter)

• Maximum rated SPL: 131 dB (peak @ 1 meter)

• Power handling: 1600 W peak / 800 W continuous / 400W RMS (per IEC 268-5 standard; pink noise at rated power for 100 hour s)

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Speakon + B arrier

Strip

Dimensions

(H x W x D)

29.5 x 15.4 x 16.9"

749 x 390 x 429 mm

29.5 x 15.4 x 16.9"

749 x 390 x 429 mm

32.4 x 18.5 x 16.5"

823 x 470 x 418 mm

32.4 x 18.5 x 16.5"

823 x 470 x 418 mm

31.9 x 18.5 x 16.5"

811 x 470 x 418 mm

35.0 x 18.5 x 16.5"

890 x 470 x 418 mm

35.0 x 18.5 x 16.5"

890 x 470 x 418 mm

35.0 x 18.5 x 16.5"

890 x 470 x 418 mm

Dimensions

(H x W x D)

11.3 x 25.6 x 14.6"

286 x 650 x 371 mm

15.4 x 35.9 x 16.6"

392 x 912 x 421 mm

26.6 x 21.7 x 22.1"

676 x 550 x 561 mm

Weight

57.6 lbs

26.2 kg

55.2 lbs

25.1 kg

67.1 lbs

30.5 kg

67.1 lbs

30.5 kg

68.9 lbs

31.3 kg

67.8 lbs

30.8 kg

77.4 lbs

35.2 kg

75.7 lbs

34.4 kg

Weight

45 lbs

20.4 kg

73.4 lbs

33.3 kg

86 lbs 39 kg

14 15

Neutrik and Speakon are registered trademarks of Neutrik AG

Page 9

SL On-Wall Loudspeakers

ispersion

)

SL Series Common Features:

• Perfect for use in public address, foreground and background music systems

• Exceptional sound qualit y with wide frequency bandwidth and uniform disper sion

• Tuned and ported design for maximum low frequenc yresponse

• Switchable full-range and high-pass satellite modes for maximum versatility*

• Professional 4-pole Euroblock input connector allows easy “daisy chain” connections*

• Contemporary, rounded design composite enclosure for low-resonance performance

• Includes dual axis mounting hardware for 90° vertical and 180° horizontal positioning

• 16 Ω operation via transfor mer bypass switch allows 4 units to be powered via 2-CH traditional receiver/amp in classroom applications (full range models only)*

* Not inclu ded on SL4210 or SL4208S

lit

nnections*

rformance

l positionin

via 2-CH

SL4210 / SL4210-WH Ultra-Compact, Surface-Mounted 10-Watt Loudspeaker

• 3.5" x 1.18" Full range loudspeaker provides exceptional frequency response and ultra-wide 150° dispersion

• 1.25 W, 2.5 W, 5 W & 10 W power selection @70.7 V (2.5W, 5 W & 10 W @ 100 V)

• 80 dB sensitivit y (1 W/1 m)

SL4230 / SL4230-WH Compact, Surface-Mounted 75-Watt, 6" Loudspeaker

• 6" woofer and 1" high-frequency transducer provide exceptional frequency response and wide 120° dispersion

• 7.5 W, 15 W, 30 W & 60 W power sele ction @70.7 V (15 W, 30 W & 60 W @ 100 V), plustransformer bypass mode for 16 Ω operation

• 88 dB sensitivit y (1 W/1 m)

Studio Monitor Accuracy and Extreme Versatility

Discarding the classic box shape of traditional surface mount loudspeakers, BEHRINGER has created a sleek shape with smooth curves that do not detract from the ambiance of its location, but instead enhance it. Innovation and originality continues with our mounting system, which provides exceptional range of motion, on both axes. Durability, rugged construction, dual impedance modes* and incredible weather resistance make these speakers perfectly suited for foreground music, AV playback, and distributed sound reinforcement applications.

* Dual imp edance mode no t included wi th SL4210 or SL4208S

LF/HF Driver

SL4210

SL4220 4"/0.75" 120 Hz - 20 kHz 86 dB 16 Ω 120° x 120° 30 W

SL4230 6"/1" 100 Hz - 20 kHz 88 dB 16 Ω 120° x 120° 75 W

SL4240 8"/1" 85 Hz - 20 kHz 89 dB 16 Ω 120° x 120° 100 W

SL4208S 8" 60 - 180 Hz 90 dB * 36 0° 160 W

* 70.7 V / 100 V Ope ration onl y

3.5" x 1.18" Full Range

Freq. Res ponse

(+/- 3 dB)

150 Hz - 18 kHz 8 0 dB * 150° x 150 ° 10 W

Sensitivity (1 W @ 1 m)

Imp. Nom. Disp.

Watts

RMS

70 V Taps

10/5/2.5

1.25 W

30/15/7.5

4 W

60/30/15

7.5 W

60/30/15

7.5 W

80/40/20

10 W

100 V

Taps

10/5

2.5 W

30/15

7.5 W

60/30

15 W

60/30

15 W

80/40

20 W

Connectors

Eurobl ock 5 pts

Eurobl ock 4 pts

Barri er Strip 4 pts

Dimensions

(H x W x D)

6 x 3.8 x 4.5"

152 x 97 x 114 mm

9.1 x 5.9 x 6.7"

231 x 150 x 171 mm

12.5 x 7.8 x 8.1"

311 x 200 x 206 mm

16 x 10.4 x 10.7"

406 x 264 x 274 mm

19 x 8.4 x 18.6"

483 x 214 x 477 mm

Weight

2.2 lbs 1 kg

4.4 lbs 2 kg

8.8 lbs 4 kg

13.2 l bs 6 kg

44.1 lbs

20 kg

SL4220 / SL4220-WH Compact, Surface-Mounted 30-Watt, 4" Loudspeaker

• 4" woofer and 3/4" high-frequency transducer provide exceptional frequency response and wide 120° dispersion

• 4 W, 7.5 W, 15 W & 30 W power selec tion @70.7 V (7. 5 W, 15 W & 30 W @ 100 V), plustransformer bypass mode for 16 Ω operation

• 86 dB sensitivit y (1 W/1 m)

SL4240 / SL4240-WH Surface-Mounted 100-Watt,

8" Loudspeaker

• 8" woofer and 1" high-frequency transducer provide exceptional frequency response and wide 120° dispersion

• 7.5 W, 15 W, 30 W & 60 W power sele ction @70.7 V (15 W, 30 W & 60 W @ 100 V), plustransformer bypass mode for 16 Ω operation

• 89 dB sensitivit y (1 W/1 m)

SL4208S Compact, Sur face-Mounted 200-Watt, 8" Subwoofer

• High-performance, sur face-mountable subwoofer for high-quality foreground music and AV playback

• Exceptional sound quality and uniform dispersion

• 200-Watt, 8" low-frequency driver mounted in a ported re ex enclosure provides exceptional bass response

• Built-in low-pass crossover and overload circuitry ensures optimal driver protec tion

• Concealed secure 5-position terminal strip

• Contemporary low-resonance enclosure for optimal performance

16 17

Page 10

ST In-Ceiling Loudspeakers

Precision Dispersion and Seamless Integration

ST2400NANO Compact, 30-Watt, 4" Ceiling Loudspeaker Assembly

• 4" depth enclosure design is perfect for low clearance plenums

• 4" woofer and 1/2" high frequenc y transducer provide exceptional frequency response and wide dispersion

• Suggested for ceiling heights up to 12'

• 1.25 W, 2.5 W, 5 W & 10 W power selection @ 70.7 V (2.5 W, 5 W & 10 W @ 100 V), plus transformer bypass mode for 8 Ω operation

• 86 dB sensitivit y (1 W/1 m)

ST2400NANO Dimensions

ST Series loudspeakers are unlike any in-ceiling speaker you’ve seen or heard! With our exceptional aesthetics and premium-grade sound, the ST Series features a proprietary range of concentric drivers that deliver exceptionally broad frequency response and ultra-wide dispersion; all manufactured to exacting quality control standards in our BEHRINGER manufacturing facility. Offered in a variety of full-range and complementary subwoofer models, the EUROCOM ST Series offers unmatched performance, style and value.

ST2400 Compact, 30-Watt, 4" Ceiling Loudspeaker Assembly

• 4" woofer and 3/4" high frequency transducer provide exceptional frequency response and wide dispersion

• Suggested for ceiling heights up to 12'

• 4 W, 7.5 W, 15 W & 30 W power selection @ 70.7 V (7.5 W, 15 W & 30 W @ 100 V), plustransf ormer bypass mode for 8 Ω operation

• 86 dB sensitivit y (1 W/1 m)

ST2400 Dimensions

ST2600 Compact, 60-Watt, 6.5" Ceiling Loudspeaker Assembly

• 6.5" woofer and 3/4" high frequency transducer provide exceptional frequency response and wide dispersion

• Suggested for ceiling heights up to 18'

• 7.5 W, 15 W, 30 W & 60 W power selection @ 70.7 V (15 W, 30 W & 60 W @ 100 V), plustransf ormer bypass mode for 8 Ω operation

• 89 dB sensitivit y (1 W/1 m)

ST2600 Dimensions

7.70

6.69

(170)

(235)

10.2

(260)

9.3

(196)

8.45 (215)

Shown wit h optional black gr ille

ST208S High-Power 80-Watt, 8" Ceiling Foreground Subwoofer

• 8" high-excursion driver for maximum bass impact

• Band pass design and internal passive crossover minimizes woofer localization

• 10 W, 20 W, 40 W & 80 W power selec tion @ 70.7 V (20 W, 40 W & 80 W @ 100 V), plus transformer bypass mode for 8 Ω operation

• 89 dB sensitivit y (1 W/1 m)

ST208S Dimensions

12.48

11.48 (292)

12.2

(308)

13.6

(345)

(317)

13.51 (343)

Optional Accessories for ST Series

4.13

(105)

(175)

(200)

5.12

(130)

5.81

(148)

6.9

7.9

6.26

(159)

(175)

(200)

6.9

7.9

7.25

(184)

7.93

(201)

New construction plaster rings:

• ST2400 PR for ST2400 and ST240 0NANO

• ST2600 PR for ST2600

• ST208S PR for ST208S

Black grille:

• ST2400-BG for ST2400 and ST2400NANO

• ST2600-BG for ST2600

• ST208S-BG for ST208S

ST Series Common Features:

• Ceiling-mount, “blind  t” loudspeakers perfect for use in public address, foreground and background music systems

• Exceptional sound qualit y with wide frequency bandwidth and uniform disper sion

• Tuned and ported design for maximum low frequency response

• Switchable full-range and high-pass satellite modes for maximum versatility (full-range models only)

• Professional 4-pole Euroblock input connector allows easy “daisy chain” connections

• Zinc coated deep-draw enclosure includes seismic restraint tab

• Easy conduit connection via top mounted access panel

• Ships with split “C” ring and tile support rails for quick, easy installation (optional new construction ring also available)

• Ships with white powder-coat, press- t steel grille. Optional black grille available to match blacked-out ceilings

• UL Listed for use in air handling spaces (UL2043 and UL1480)

LF/HF Driver

ST2400NANO 4"/0.5" 105 Hz - 20 kHz 8 6 dB 8 Ω 150 ° 40 W

ST2400 4"/0.75" 100 Hz - 20 kHz 87 dB 8 Ω 150 ° 60 W

ST2600 6. 5"/0.75" 85 Hz - 20 kHz 89 dB 8 Ω 150 ° 120 W

ST208S 8" 55 H z - 150 Hz 89 dB 8 Ω 180 ° 16 0 W

Freq. Res ponse

(+/- 3 dB)

Sensitivity (1 W @ 1 m)

Imp.

18 19

ST Serie s Plaster/New Contru ction Rings Optiona l Black Grilles fo r ST Series

Nom. Dis p.

(H x V)

Watts

RMS/Prog

70 V

Taps

10/5

2.5/1.25 W

30/15

7.5/4 W

60/30

15/7.5 W

80/40

20/10 W

100 V

Taps

10/5

2.5 W

30/15

7.5 W

60/30

15 W

80/40

20 W

Connectors Outer Diameter Cutout Diameter Weight

Euroblock

4 pts

Euroblock

4 pts

Euroblock

4 pts

Euroblock

4 pts

7.9 "

200 mm

7.9 "

200 mm

10.2"

260 mm

13.6"

345 mm

6.9"

175 mm

6.9"

175 mm

9.3"

235 mm

12.2"

308 mm

7.7 lbs

2.1 kg

5.3 lbs

2.4 kg

7.0 lbs

3.2 kg

21 lbs

9.5 kg

Page 11

TN6232

SPL3220

100% Automatic Feedback Suppression Perfect Sound + Total Protection

Example Application

MA4000M

The fully automatic TN6232 professional dual-channel feedback suppression processor is the latest state-of-the-art advancement from BEHRINGER, one of the world’s leading manufacturers of feedback suppressors. From conference rooms to concert halls, anyvenue with a sound reinforcement system will benefit from the TN6232’s unprecedented performance and value.

In designing the TN6232, our engineers have delivered a fully automatic feedback suppressor requiring no advance setup or tuning. Functioning in real time, and with detection accuracy to within one-sixth of a cycle, the TN6232 is an elegant “plug and play” solution to one of live sound’s most vexing problems. Say goodbye to feedback forever with the EUROCOM TN6232.

TN6232 Ultra-Fast and Fully Automatic Dual-Channel Feedback Suppression Processor

• Dual-channel feedback suppression processor designed for fully automatic and zero- con g uratio n setup

• O ers up to 10 dB increase in system gain

• Instantly detect s and stops acoustic feedback. Highly e ective with both speech and music

• Ultra-fast and highly accurate DSP selects and applies up to 32  lters per channel

• Two fully independent audio channels to process stereo or separate zone signals

• Extremely narrow  lters (up to 1/30th oc tave) to retain overall signal integrit y

• Two balanced/unbalanced inputs on combination line level XLR/TRS and 3-pin Euroblockconnec tors

TN6232

AX6220

CL106

• Hinged front door panel covers the control surface featuring suppression and  lter reset buttons plus the power switch

• Rack ear screw covers, IEC-type AC power cord and all mating Euroblock connectorsincluded

• Ultra-light, ultra-low noise and ultra-e cient switch-mode power supply for noise-free audio, superior transient response and low power consumption

Whether in a club, a church or an outdoor festival, the ability to control sound volume has always been a challenge. Especially in today’s regulatory environment, it is extremely important for proprietors to have a solution in place to prevent complaints and fines, and to protect their customers and sound system when an over-enthusiastic engineer decides to “crank it up.” The EUROCOM SPL3220 offers the ideal solution, providing dependable, seamless full-loudness control—without sacrificing the sonic integrity of the sound system, or listening pleasure of the audience.

Thanks to onboard, multiband Interactive Gain Control (IGC) and Interactive Knee Adaptation (IKA) compression, the SPL3220 allows you to apply processing with surgical precision for maximum punch and intelligibility—without the audible artifacts associated with traditional, broadband dynamics processors. Additionally, the SPL3220 can be used for mix leveling and maximizing signal density at low volumes, where perceived loudness becomes even more important. Add to this the ability to enhance speech intelligibility and provide exceptional loudspeaker protection, while preserving dynamic range—and the EUROCOM SPL3220 becomes an essential part of any audio engineer’s toolkit.

Professional XLR/TRS combination and Euroblock connectors provide ultimate versatility, allowing the SPL3220 to be inserted in-line prior to house amplification, no matter the configuration. Built-in hard-bypass relays ensure system protection and signal continuity in the event of a power failure or accidental disconnect. High-accuracy I/O Level and Gain Reduction meters plus an elegant, intuitive control panel make optimal system setup fast and easy. SPL3220’s control panel access cover can even be sealed to prevent unauthorized access, providing total system security.

SPL3220 Stereo Multiband Sound Processor / Loudness Maximizer / Limiter

• Professional multiband sound processor for public address, broadcasting and masteringapplications

• Multiband technology provides for brilliant and lively audio processing without audible“pumping” ar tifacts

• Loudness maximization to achieve ultimate signal density for public address and competitive broadcast sound

• Leveler automatically adjusts signal density for harmonized loudness and enhanced listening experience

• Protects speaker systems that are submitted to continuous operation at maximum SPL

• Controls the maximum allowable sound pressure level in public musical environments such as discotheques, pubs, etc.

• Speech enhancer to dramatically increase speech intelligibility for PA applications such as airport s and emergenc y announcement systems

• IKA (Interactive Knee Adaptation) compressor features “inaudible” compression and prevents “pumping” due to low-f requency signals

• IGC (Interactive Gain Control) peak limiting circuitr y combines clipper and program limiter for reliable and inaudible protection against signal peaks

• Highly accurate 8-segment input/output level and gain reduc tion meter

• True stereo operation through RMS energy summing for perfect stereo imaging

• Two balanced/unbalanced inputs on combination line level XLR/TRS and 3-pinEuroblockconnectors

• Operating level switchable from +4 dBu to -10 dBv

Example Application

MA6018

QX2222USB Mixer

TEL/PAGE AUX INPUTS

ON DIP ON DIP ON DIP ON DIP ON DIP ON DIP ON DIP ON DIP



CHIME

SIG



MUTEMIX

MUTE



INPUT REMOTE

MOH

PAGE

–

COM VDC RVCMUTE PWR

CTRL



GAIN

15–10

HIGH

LOW

HIGH

LOW

HIGH

LOW

–

CTRLOUT

MIC/LINE

SIG

HIGH

SEE OWNERS MANUAL FOR SETTINGS



GAIN

15–10

LOW

–

CTRLOUT

MIC/LINE

SIG

15–10

HIGH

MIC/LINE

INPUT

ONONONONONON

SIG



GAIN

15–10

LOW

–

CTRLOUT



GAIN

15–10

HIGH

LOW

HIGH

LOW

HIGH

LOW

–

CTRLOUT

MIC/LINE

AX6240 Power Amplier

CL2596 Loudspeakers

20 21

Page 12

S16 Digital Snake I/O

I/O Box with 16 Remote-Controllable Mic/Line Inputs, 8 Outputs and AES50 Networking Featuring KLARK TEKNIK Super MAC Technology

The new BEHRINGER S16 Digital Snake makes it ultra-easy to connect your FOH (Front of House) console with the talent, on the stage or in the studio. With 16 fully programmable, remotely controllable MIDAS-design mic preamps (the same as in the X32) plus 8 analog, balanced XLR returns at the stage end, up to three S16 connect to the FOH via a single CAT5 cable without the need for a dedicated router. KLARK TEKNIK, a longtime industry-leader

X32

Flagship 40-Channel Digital Mixer for Live PA, Monitoring and Recording

The X32 Digital Mixing Console has taken the entire audio world by storm, selling many thousands of units in its first production year. It has been praised by leading audio experts and engineers for its phenomenally user-friendly, intuitive layout and elegant workflow, literally changing the rules of the game when it comes to live performance and recording applications. Our new X32-Mix iPad App / X32-Edit App lets the operator listen to and adjust FOH and monitor mixes from anywhere in the venue, providing exceptional freedom and ease-of-use.

But, ease of use is just one of X32’s many hallmarks. We turned to our sister company MIDAS, recognized as the gold standard in digital console design, for X32’s superb mic preamps. We then added a dedicated channel strip section that puts 17 backlit buttons and 13rotary controls with LED-collars right at your fingertips for nuanced adjustment of each channel’s compressor, 4-band parametric EQ and much more. Each I/O channel has its own color backlit 128x64LCD, providing all vital information at-a-glance. Dual AES50 ports, each with KLARK TEKNIK’s rock-solid SuperMAC 48-channel I/O networking capability (a total of 96inputs and outputs), make the X32 the ideal partner for our new S16Digital Snake and P16 Personal MonitoringSystem.

* FireWire, iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries. The AES50 trademark is a property of the Audio Engineering Society, Inc. All third-party trademarks, including, but not limited to HUI,

22 23

Mackie, Lexicon, PCM, EMT, Quantec, QRS, and ADAT are trademarks or registered trademarks of their respective owners. Their use neither constitutes a claim of the trademark nor a liation of the trademark owners with MUSIC Group.

When it comes to onboard effects, the X32 is second to none, featuring 8 true-stereo FX slots and high-quality simulations of world-famous peripherals, such as the Lexicon 480L*, PCM70*, EMT250*, Quantec QRS* and many more. The X32 can also run 4 true-stereo reverbs concurrently with 8channels of 31-band graphic EQ without the need for expensive external hardware. With 40 channels of input and 25 mix buses in the output section, all of which can be processed individually, the X32 is perfect for the studio and configurable for live gigs of all sizes.

Digital Mixing—Analog Price

The BEHRINGER X32 sets a high benchmark for live sound mixing and provides a fantastic price-to-performance ratio. The X32 represents a major synergism between BEHRINGER, MIDAS and KLARK TEKNIK that delivers a full-featured digital mixer with so many input / output channels, extensive editing, flexible expansion options and an intuitive user interface at an amazing price point!

• 40-input channel, 25-bus digital mixing cons ole for Studio and Live application

• 32 MIDAS-designed, fully programmable mic preamps for audiophile sound quality

• 25 Fully automated motorized 100 mm faders allow for instant over view, powerful scene management and DAW control

• 16 XLR outputs plus 6 additional line in/outputs, 2 phones conne ctors and a talkback section with integrated or external mic

• Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction

• 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI* and Mackie Control*

• iPad* and iPhone* apps for professional remote operation available free of charge—no host PC required

• High-resolution 7" day-viewable Color TFT for easy viewing of work ow components andparameters

• Main LCR, 6 matrix buses and 16 mix buses each featuring inser ts, 6-band parametric EQ’s and full dynamics processing, plus 8 DCA and 6 mute groups

• Virtual FX rack featuring 8 true-stereo FX slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.

• 40-Bit  oating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency (0.8 msec)

• Powerful scene management for convenient handling of complex productions

• 48-channel Digital Snake ready** via AES50 por ts, featuring KLARK TEKNIK’s SuperMAC networking capability for ultra -low jitter and latency

Product names are mentioned solely as a reference for X32 compatibility and e ects.

in the development of high-end digital audio processing, provided the SuperMAC technology that made all of this possible— BEHRINGER makes it affordable.

Running back and forth to FOH or trying to communicate with a tech on stage, can really put a crimp in your gig. S16’s ingenious design allows you to select any of the 16 inputs, 8 buses or P16 output streams for immediate line checks right at the stage box. Additionally, you can set individual input Gain, apply +48 Vphantom power, plus you have the option of listening directly to the input signal via headphones and much more. Onceset, all configuration settings can be locked at the console fortotal system security.

The S16 also integrates seamlessly with the P16 Personal Monitoring System, providing an easy, affordable way to give your musicians and vocalists what they really want—“more me!”

P16

16-Channel Digital Personal Monitoring System

** S16 Digital Snake, P16 Personal Monitoring System, Smartphone, iPhone and iPad are not included.

The Missing Link

The S16 is the missing link between you and the stage and is available at a fraction of the cost of competing systems! Built tough for the road, the BEHRINGER S16 takes up just two rack spaces, connects with a single, inexpensive CAT5 cable—and we back it with an impressive 3-YearWarrantyProgram.

• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound qualit y

• 8 analog, servo-balanced XLR outputs

• AES50 network por ts featuring KLARK TEKNIK’s SuperMAC networking capability for ultra-low jit ter and latency

• Up to 100 m networking capability via CAT-5e cable (not included)

• Dual AES50 ports for cascading S16 units—no merger or router required

• Precise LED metering plus 7-segment displays for signal control on stage

• Phones output assignable to any of the inputs/outputs for on-stage monitoring

• Connectivity for BEHRINGER’s P-16 Personal Monitoring System for In-Ear applications (not inclu ded)

• Dual ADAT output s for use in splitter mode and stand-alone digital multicoreapplications

• MIDI In/Out for bi-directional communication between FOH console and on-stage MIDIdevices

• USB connector for sys tem updates via PC

• “Planet Earth” switching power supply for maximum  exibility (100 - 240 V~), noise- free audio, super ior transient response plus low power consumption for energysaving

• “Built like a tank” yet compact, all-steel 2U rack-mount chassis

The P16’s simple user interface makes it easy for even non-techies to dial-in the perfect monitor mix. For example, let’s say the electric guitar is too loud in the lead vocalist’s mix; they simply press the appropriate channel button (theone labeled E. GTR) and turn the Volume control to lower the guitar level in their mix. Theycan also adjust Pan (left to right mix), EQ (Bass, Mid with sweepable Freq control and Treble), and much more. All of these adjustments can be made without a ecting anyone else’s personal mix.

P16-M — 16-Channe l Digital Person al Mixer

• 16-channel di gital stereo mixer to crea te your personal monitor mix

P16-I — 16-Channe l 19" Input Mo dule with Analog an d ADAT Optical Inputs

• Converts 16 analo g inputs into 24-bit digit al audio to be transmitte d via standard CAT5 cable

P16-D — 16-Channel D igital ULTRANET Distribu tor

• Distrib ution Hub for P16-I for s ystem expansion

Page 13

X32 COMPACT

Compact 40-Input Channel, 25-Bus Digital Mixing Console with 16 Programmable MIDAS Preamps, 17 Motorized Faders, Channe LCD’s, Firewire/USB Audio Interface and iPad/IPhone* Remote Contorol

The X32 COMPACT*** delivers the best of the flagship X32 console in a slightly smaller package for installs at smaller venues, houses of worship, theaters or discerning audiosmiths who may not need as many local inputs or motorized faders. Ultimate connectivity remains the battle cry of the X32 COMPACT with its 40 inputs, 25buses, 16 programmable MIDAS-designed mic preamps, FireWire and USB 2.0 recording capability. Not sure which X32 is right for you? We totally get it. That’s why the entire X32 family is designed to be beautifully scalable through the powerful AES50 ports built right in. Connect the powerhouse S16 digital snakes to these inputs to add an additional 16 mic preamps to your setup. Need another X32 for side of stage or the broadcast control booth? X32 COMPACT packs all the features with the same great 7" TFT screen and customizable LCD scribble strip so you can take on the world of sound with all the firepower you’ll ever need – without hauling a world of outboard gear and analog snake cables.

• Compact 40-input channel, 25-bus digital mixing console for Studio and Live application

• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound qualit y

• 17 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control

• 8 XLR outputs plus 6 additional line in/outputs, 2 phone s connectors and a talkback section with integrated or external mic

• Individual and dynamic LCD Scribble Strips on all channels and buses creating easy assignment and intuitive channel distinction

• 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI* and Mackie Control*

• iPad* and iPhone* apps for professional remote operation available free of charge—no host PC required

• High-resolution 7" day-viewable Color TFT for easy viewing of work ow components and parameters

• Main LCR, 6 matrix buses and all 16 mix buses each featuring inser ts, 6-band parametric EQ’s and full dynamics processing, plus 8 DCA and 6 mute groups

• Virtual FX rack featuring 8 true-stereo F X slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.

• 40-Bit  oating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency (0.8 msec)

• Powerful scene management for convenient handling of complex productions

• 48-channel Digital Snake ready** via dual AES50 ports, featuring KL ARK TEKNIK’s SuperMAC networking capability for ultra-low jitter and latency

• USB type-A connec tor providing  le storage and uncompressed stereo recordings plus show presets and s ystem updates

• Dedicated and easy-to- use channel strip section with direct access controls and graphic user interf ace for intuitive work ow

• Additional user-de nable control section allows to set up short-cuts to your favorite views or parameters

• ULTRANET connectivit y for BEHRINGER’s P-16 Personal Monitoring System** plus AES/ EBU stereo digital output and MIDI

• Networked remote control for show setups with on-screen sof tware editor via Ethernet

• Built-in expansion port for audio interf ace cards or digital networking bridges

• Future  rmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of charge

X32 PRODUCER

40-Input Channel, 25-Bus Rack-Mountable Mixing Console with 16 Programmable MIDAS Preamps, 17 Motorized Faders, Firewire/USB Audio Interface and iPad/IPhone* Remote Contorol

In designing the X32 PRODUCER***, we packed as much of X32’s capabilities as possible into a smaller form factor, giving it the processing power and I/O to handle virtually any project requirement. This streamlined, but powerful, new member of the X32 family will fan the flames of your creativity in mobile and installedapplications.

19" rack-mountable and equipped with 16 MIDAS-designed mic preamps, X32 PRODUCER also comes with two AES50 ports to connect the powerful S16digital snake for 16 additional XLR inputs and 8 returns. FireWire and USB 2.0 functionality make it the ideal tool for mobile recording, plusbuilt-in control surface protocols make it a great companion to your favorite DAW. Controllable by iPad or PC, the X32 PRODUCER will amaze you with what it can do to help you produce.

• 40-input channel, 25-bus rack-mountable digital mixing console for Studio and Liveapplication

• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound qualit y

• 17 Fully automated motorized 100 mm faders allow for instant overview, powerful scene management and DAW control

• 8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input

• 32 x 32 channel audio interface over FireWire and USB 2.0, with DAW remote control emulating HUI* and Mackie Control*

• iPad* and iPhone* apps for professional remote operation available free of charge—no host PC required

• High-resolution 5" day-viewable Color TFT for easy viewing of work ow components and parameters

• Main LCR, 6 matrix buses and all 16 mix buses each featuring inser ts, 6-band parametric EQ’s and full dynamics processing, plus 8 DCA groups and 6 mute groups

• Virtual FX rack featuring 8 true-stereo F X slots include high-end simulations such as Lexicon 480L* and PCM70*, EMT250* and Quantec QRS* etc.

• 40-Bit  oating-point DSP features “unlimited” dynamic range with no internal overload and near-zero overall latency for mixing a total of 48 signals on 25 buses

• Powerful scene management for convenient handling of complex productions

• 48-channel Digital Snake ready** via AES50 por ts, featuring KLARK TEKNIK’s SuperMAC networking capability for ultra -low jitter and latency

• USB type-A connec tor providing  le storage and uncompressed stereo recordings plus show presets and s ystem updates

• Dedicated and easy-to- use channel strip section with direct access controls and graphic user interf ace for intuitive work ow

• Additional user-de nable control section allows to set up short-cuts to your favorite views or parameters

• ULTRANET connectivit y for BEHRINGER’s P16 Personal Monitoring System**

• Networked remote control via Ethernet for show setups with on-screen software editor

• Built-in expansion port for audio interf ace cards or digital networking bridges

• MIDI In/Out for remote scene re call or controlling other MIDI equipment

• Future  rmware updates, incl. new FX “Plug Ins”, downloadable from behringer.com free of charge

24 25

limited to HUI, Mackie, Lexicon, PCM, EMT, Quantec, and QRS are trademarks or registered trademarks of their respective owners. Their use neither constitutes a claim of the trademark nor a liation of the

trademark owners with MUSIC Group. E ects names are mentioned solely as a reference for X32 Compact and X32 Producer sound e ec ts.

** S16 Digital Snake, P16 Personal Monitoring System, Smartphone, iPhone and iPad are not included. *** This device has not been authorized by the rules of the Federal Communications Commission. This device is not, and may not be, o ered for sale or lease, or sold or leased in the 50 U.S. states, the District of Columbia and U.S. possessions, until authorization is obtained.

Page 14

X32 RACK

40-Input Channel, 25-Bus Digital Rack Mixer with 16Programmable MIDAS Preamps, 17 Motorized Faders, Firewire/USB Audio Interface and iPad/IPhone* RemoteContorol

It can be your top-notch studio recording interface today, control a complex theatre production tomorrow, or sit securely in your siderack while you’re mixing your band’s club gig from your iPad. The X32 RACK*** is a revolutionary new product genre that combines finest analog I/O and powerful digital connectivity, with ample processing for 40channels, 25 buses and up to 152 signal sources. While every parameter of your mix can be adjusted directly on the X32 RACK through its 800 x 480 graphic UI, networked remote control literally makes room for new possibilities. Several instances of our X32-Edit PC/Mac application, X32-Mix app for iPad/iPad mini and X32-Q app for iPhone/iPodtouch allow controlling the mix from exactly the place you find most suitable. 16 MIDAS-design mic preamps provide plenty of inputs—and with its dual AES50 ports, X32 RACK can support up to six S16digital snakes for massive I/Oconnectivity.

8 powerful stereo FX engines coupled with ultra-flexible routing options make the X32 RACK the ideal choice for handling audio now—and as your needs grow.

• 40-input channel, 25-bus, 3U rack-mountable digital mixer for live and inst alled soundapplication

• 16 MIDAS-designed, fully programmable mic preamps for audiophile sound qualit y

• 8 XLR outputs plus 6 additional line in/outputs, a phones connector and a talkback section with XLR mic input

• 32 x 32 channel USB2.0 audio interface