EN - DISPOSAL OF THE DEVICE
Dispose of the unit and used batteries in an environment friendly manner
according to your country regulations.
FR - DÉCLASSER L’APPAREIL
Débarrassez-vous de l’appareil et des piles usagées de manière écologique
Conformément aux dispositions légales de votre pays.
NL - VERWIJDEREN VAN HET APPARAAT
Verwijder het toestel en de gebruikte batterijen op een milieuvriendelijke
manier conform de in uw land geldende voorschriften.
DU - ENTSORGUNG DES GERÄTS
Entsorgen Sie das Gerät und die Batterien auf umweltfreundliche Art und
Weise gemäß den Vorschriften Ihres Landes.
ES - DESHACERSE DEL APARATO
Reciclar el aparato y pilas usadas de forma ecologica conforme a las
disposiciones legales de su pais.
PT - COMO DESFAZER-SE DA UNIDADE
Tente reciclar a unidade e as pilhas usadas respeitando o ambiente e em
conformidade com as normas vigentes no seu país.
ENGLISH OPERATION MANUAL
OPERATION MANUAL
Thank you for buying this SYNQ®product. To take full advantage of all possibilities, please read these
operating instructions very carefully.
FR : Merci d’avoir choisi ce produit SynQ®. Vous pouvez télécharger la version française de ce mode d’emploi de notre
site Web: www.synq-audio.com
NL: Hartelijk dank voor de aankoop van dit SynQ®product. U kan de Nederlandstalige versie van deze handleiding
downloaden via: www.synq-audio.com
DE: Vielen Dank, dass Sie sich für den Erwerb dieses SynQ®-Produkt entschieden haben. Sie können sich die Deutsche
Version dieses Benutzerhandbuches von unserer Website herunterladen: www.synq-audio.com
ES: Gracias por comprar este producto SynQ®. Puede descargar la versión en Español de este manual de usuario en
nuestra página Web: www.synq-audio.com
PT: Obrigado por ter adquirido este produto da SynQ®. Pode fazer o download da versão Portuguesa deste manual no
nosso website: www.synq-audio.com
FEATURES
This unit is radio-interference suppressed. This appliance meets the requirements of the current European
and national guidelines. Conformity has been established and the relevant statements and documents have
been deposited by the manufacturer.
16 channel PA-mixing console with very low noise architecture.
4 subgroups with independent sub-masters
Internal 24bit DSP-effect unit with 100 presets & foot switch
USB in/out for direct recording to PC
12 balanced input channels, 8 Mono + 4 stereo channels:
Input gain
Inserts on mono channels
Peak indication @ -5dB
High pass filter @ 75Hz
3band equalizer with parametric mid
1 AUX send pre (monitoring)
1 AUX send with pre/post switch
EFX send for effects section (post)
PAN/BAL control
Channel mute button
PFL-switch
LEVEL with 60mm fader control
L-R and subgroup 1-2 3-4 select
48V Phantom power available on all balanced microphone inputs
Use of external effects possible
Balanced Main L/R + subgroup output controls
Headphone and control room output
2x 10 section LED VU-meters
7band equalizer on master mix
External power transformer
19” brackets for easy rack mounting included
BEFORE USE
Before you start using this unit, please check if there’s no transportation damage. Should there be any, do
not use the device and consult your dealer first.
Important: This device left our factory in perfect condition and well packaged. It is absolutely necessary
for the user to strictly follow the safety instructions and warnings in this user manual. Any damage caused
by mishandling is not subject to warranty. The dealer will not accept responsibility for any resulting defects
or problems caused by disregarding this user manual.
ENGLISH OPERATION MANUAL
Keep this booklet in a safe place for future consultation. If you sell the fixture, be sure to add this user
manual.
To protect the environment, please try to recycle the packing material as much as possible.
Check the contents:
Check that the carton contains the following items:
User manual
SMP16.42 mixer
2 rack mount adapters + 6 screws
Power supply
SAFETY INSTRUCTIONS:
CAU TIO N
The lightning flash with arrowhead symbol within the equilateral triangle is intended to alert the
use or the presence of un-insulated “dangerous voltage” within the product’s enclosure that may
be of sufficient magnitude to constitute a risk of electric shock.
The exclamation point within the equilateral triangle is intended to alert the user to the presence of
important operation and maintenance (servicing) instructions in the literature accompanying this
appliance.
This symbol means: indoor use only
This symbol means: Read instructions
This symbol means: Safety Class II appliance
To prevent fire or shock hazard, do not expose this appliance to rain or moisture.
To avoid condensation to be formed inside, allow the unit to adapt to the surrounding temperatures when
bringing it into a warm room after transport. Condense sometimes prevents the unit from working at full
performance or may even cause damages.
This unit is for indoor use only.
Don’t place metal objects or spill liquid inside the unit. No objects filled with liquids, such as vases, shall be
placed on this appliance. Electric shock or malfunction may result. If a foreign object enters the unit,
immediately disconnect the mains power.
No naked flame sources, such as lighted candles, should be placed on the appliance.
Don’t cover an y ventilation openings as this may result in overheating.
Prevent use in dusty environments and clean the unit regularly.
Keep the unit away from children.
Inexperienced persons should not operate this device.
Maximum save ambient temperature is 40°C. Don’t use this unit at higher ambient temperatures.
Minimum distances around the apparatus for sufficient ventilation is 5cm.
Always unplug the unit when it is not used for a longer time or before you start servicing.
The electrical installation should be carried out by qualified personal only, according to the regulations for
electrical and mechanical safety in your country.
Check that the available voltage is not higher than the one stated on the rear panel of the unit.
The socket inlet shall remain operable for disconnection from the mains.
The power cord should always be in perfect condition. Switch the unit immediately off when the power cord
is squashed or damaged. It must be replaced by the manufacturer, its service agent or similarly qualified
persons in order to avoid a hazard.
Never let the power-cord come into contact with other cables!
In order to avoid a hazard, the unit shall only be used with the AC-adaptor delivered with it. If the AC-
adaptor is damaged, a same model adaptor shall be used only.
When the power switch is in OFF position, this unit is not completely disconnected from the mains!
This appliance must be earthed to in order comply with safety regulations.
In order to prevent electric shock, do not open the cover. Apart from the mains fuse there are no user
serviceable parts inside.
CAUTION: To reduce the risk of electric shock, do not
remove the top cover. No user-serviceable parts inside.
Refer servicing to qualified service personnel only.
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Never repair a fuse or bypass the fuse holder. Always replace a damaged fuse with a fuse of the same
type and electrical specifications!
In the event of serious operating problems, stop using the appliance and contact your dealer immediately.
Please use the original packing when the device is to be transported.
Due to safety reasons it is prohibited to make unauthorized modifications to the unit.
INSTALLATION GUIDELINES:
Install the unit in a well-ventilated location where it will not be exposed to high temperatures or humidity.
Placing and using the unit for long periods near heat-generating sources such as amplifiers, spotlights, etc.
will affect its performance and may even damage the unit.
The unit can be mounted in 19-inch racks. Attach the unit using the 4 screw holes on the front panel. Be
sure to use screws of the appropriate size. (screws not provided).
Take care to minimize shocks and vibrations during transport.
When installed in a booth or flight case, please make sure to have good ventilation to improve heat
evacuation of the unit.
To avoid condensation to be formed inside, allow the unit to
adapt to the surrounding temperatures when bringing it into
a warm room after transport. Condense sometimes
prevents the unit from working at full performance.
CLEANING THE APPLIANCE:
Clean by wiping with a polished cloth slightly dipped with
water. Avoid getting water inside the unit. Do not use volatile
liquids such as benzene or thinner which will damage the unit.
CONNECTIONS
For more information on connections, please refer to the next
chapter.
Be sure to turn off the mixer before you make changes to the
different connections.
In this manual we talk about “line inputs”. This is a global
name for inputs with a level between 750mV and 2V. This
includes tuners, videos, CD-players, etc.
The mono/stereo combination input channels have a sensitivity of +20dB to-20dB
3. HPF(High-Pass Filter)
This switch toggles the HPF on or off. To turn the HPF on, press the switch In ( ). The HPF cut
frequencies below 75Hz
4. EQUALIZER
MONO CHANNEL
This 3-band equalizer adjusts the channel’s high, mid and low frequency bands. Setting the knob to the “0”
position produces a flat frequency response .Turning the knob to the right boosts the corresponding
frequency band ,while turning to the left cuts the band.
For the mid tones, you can select the exact frequency that you want to adjust with the blue FREQ button.
You can select a frequency from 100HZ to 8KHz. Then you can boost or reduce the level of this frequency
by turning the white mid level button.
The following table shows the EQ type, frequency, and maximum cut/boost for each of the three bands.
STEREO CH ANNEL
This 4-band equalizer adjusts the channel’s high, high-mid, low-mid and low frequency bands. Setting the
knob to the “0” position produces a flat frequency response .Turning the knob to the right boosts the
corresponding frequency band, while turning to the left cuts the band. The following tables shows the EQ
type, base frequenc y, and maximum cut/boost for each of the 4 bands.
FUNCTIONS
INPUT CHANNEL CONTROL
1. PEAK LED INDICATOR
This LED indicator shows the level of the signal input of the
channel. The peak indicator lights up when the input signal
reaches 5dB below the channel’s clipping point. This indicator
shows the level of the Post-EQ/ pre-fader signal. If the PEAK
indicator lights more than briefly on high-level transients, you
should use the TRIM control to decrease the input sensitivity
of the channel. If this does not work, reduce the output level
of the connected source.
2. TRIM CONTROL
According to the level of the input signal, use this knob to
adjust the input to an appropriate level. The best balance of
S/N and dynamic range will be achieved if you adjust the
TRIM control so that the peak indicator lights occasionally.
This control adjusts the channel’s MIC input sensitivity
between -50dB and -6dB and the line input sensitivity
between -30dB and +14dB.
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5. AUX CONTROL
AUX 1 CONTROL
This AUX1 knob controls the signal level that the channel sends to the AUX1 bus.
If you are using stereo channels, the signals from the L and R channels are mixed and send to the AUX1
bus.
These controls are placed before the channel fader (pré-fader), what means that it’s level in not influenced
by the position of the channel fader. Pré-fader aux outputs are mainly used to control stage monitors
AUX 2 CONTROL
The AUX2 knob controls the signal level that the channel sends to the AUX2 bus.
If you are using stereo channels, the signals from the L and R channels are mixed and send to the AUX1
bus.
The AUX 2 controls can be switched as pré fader or post fader controls. Pré-fader aux outputs are not
influenced by the position of the channel fader an d are mainly used to control stage monitors. Post-fader Aux
outputs are also influenced by the channel faders and are mainly used with effect modules.
6. PRE/POST SWITCH
This button determines whether the AUX2 signal will be used in Pre or Post fader configuration. Pre means
not affected by the position of the channel fader. Post means is affected by the position of the channel fader.
Note that switch applies to AUX2 only.
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7. EFX CONTROL.
This knob controls the level of the signals sent to the EFX bus (to the EFX SEND jack on the front panel and
to the internal effect module). The channel signals mixed by this bus have their overall level set by the EFX
SEND Control.
Since this control is placed after the channel fader, the signal level will be affected by the channel fader’s
setting.
8. PAN /BAL CONTROL
PAN (Mono Channel)
This control pans the channel signal across the master L and R busses, thus determining the perceived
position of the sound from that channel in the output stereo sound field. If a PAN control is set all the way to
the left, for example, the sound from that channel will be heard from the left speaker system only.
If it is set all the way to the right, the sound will be heard from the right speaker system only.
Intermediate settings will cause the sound to appear at corresponding locations in the stereo sound field.
BALANCE (Stereo Channel)
This control adjusts the balance or the L/R position of the stereo input signal.
Turning the BALANCE control to the left moves the apparent source toward the MAIN MIX L bus, turning it to
the right moves the source toward the MAIN MIX R bus.
9. MUTE SWITCH
The mute function is on when the button is pressed in. This cuts all the signal feeds that are normally sent to
the MAIN L/R outputs, to GROUP1-2/3-4,to the AUX and the EFX busses. The switch lights up orange to
indicate that the mute function is on.
10. PFL INDICATOR
This indicator lights up when the PFL switch is turned on.
11. PFL SWITCH
When this switch is depressed, the channel input signal can be routed to the PFL bus.
This switch allows you to monitor the pre-fader channel input signal through the headphone outputs and the
control room outputs.
12. ASSIGN SWITCHES
Use these switches to send the channel’s signal to the Group1-2 , Group 3-4 and/or MAIN L/R busses.
When the switch is in its down position (on), the signal will be send to the corresponding group busses.
13. CH ANNEL FADER
This is the channel’s main level control. It determines the level of the signal that is sent from the channel to
the master mixing, group outs and post fader effect busses. It is the settings of the input channel faders that
determine the mix, or the balance of sound levels between the instruments or other sources connected to the
inputs. When a channel is not being used, its fader should be set at the minimum position to prevent the
addition of unwanted noise to the main program signal.
MAIN CONTR OL S ECTION
1. DSP PROGRAM DISPLAY
The selected DSP effect number is shown on the display.
2. DSP PROGR AM SELECT SWITCH
Turn the program knob to select one of the 100 built-in digital effects. The 24 Bit Digital Effects processor
provides high quality effects like Delay, Chorus and Reverb.
3. AUX PRE CONTROL
Adjust the level of the signal sent from the internal
Digital effect to the AUX1 and AUX2 busses. Like this you can also send for example some effect into your
stage monitors
4. DSP ON/OFF SWITCH
This switch turns the internal digital effect on/off.
5. PFL SWITCH
Set this switch on if you wish to output the effect signal
to the PFL bus.
6. PFL INDICATOR
This indicator lights when the PFL switch is turned on.
7. ASSIGN SWITCHES
Use these switches to send the effect’s signal to the
Group1-2 , Group 3-4 and/or MAIN L/R busses. When
the switch is in its down position (on), the signal will be
send to the corresponding group busses.
8. EFX RTN Fader
Adjust the level of the signal sent from the internal
digital effect to the MAIN and GROUP buses.
9. GROUP FADER (1-2, 3-4)
This fader adjusts the output level of the GROUPS.
10. TO MAIN SWITCH
If this switch is on, the mixer sends the signals
processed by the GROUP faders onto the MAIN L/R
bus. The Group 1/3 signals are sent to MAIN L and the
Group 2/4 signals are sent to MAIN R.
11. M AIN L/R M ASTER FADERS
Adjusts the final output level of the MAIN L/R
OUTPUTS.
12. RETURN CONTROL
• AUX1 and AUX2 Control
Adjust the level of the signal coming from the RETURN
jacks (L (MONO) and R), routed to the AUX1 and AUX2
Busses.
• MAIN L/R Control
Adjusts the level of the signal coming from the
RETURN jacks (L (MONO) and R), routed to the MAIN
L/R bus.
13. M ASTER AUX/FX SEND
• AUX1 and AUX2 Control
Controls the general output level of all the AUX1 /
AUX2 channel signals, that will be sent to the AUX1 SEND and AUX2 SEND jack outputs.
• EFX Control
Controls the general output level of all the EFX channel signals, that will be sent to the EFFECT unit and to
the EFX jack output.
Remark: if this level is set to zero, no audio signal will be sent to the effect unit.
14. T APE IN PFL INDICATOR
This indicator lights when the TAPE IN PFL switch is turned on
15. T APE IN PFL SWITCH
Set this switch on if you wish to output the TAPE IN signal to the PFL bus
16. T APE IN CONTROL
This knob controls the level of the playback signal that is coming from the TAPE IN RCA connectors, and
that will be routed to the MAIN L/R output.
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17. LEV EL METER SIGNAL SWITCHES
These level-meter switches, together with the channel PFL switches, select the signal that is sent to the
CONTROL ROOM OUT jacks, the HEADPHONE jack, and the LEVEL METER.
If the input channel’s PFL switch is on , then only the channel’s PFL output is sent to the
CONTROL ROOM OUT jacks, the HEADPHONE jack, and the LEVEL METER.
If the input channel’s PFL switch is off , then the MAIN L/R signal, GROUP1-2 signal or
GROUP 3-4 signal can be monitored via the CONTROL ROOM OUT jacks, the HEADPHONE jack,
and the LEVEL METER. Use the MAIN or the GROUP switches to select the desired output to listen
to.
18. CTRL ROOM /PHONES CONTROL
Controls the signal level of the PHONES and CONTROL ROOM outputs.
19. LEVEL METER
This LED display shows the level of the signal selected by the selection switches, like described in the
LEVEL METER SIGNAL SW ITCHES (17) above. The “0” point corresponds to the standard output level of
+4dB.
20. M AIN EQ ON/OFF Switch
The EQ ON/OFF switch is used to engage or bypass the MAIN EQUALIZER. When the switch is in the down
position, the EQ is on and when the switch is up, the EQ is bypassed.
21. M AIN STEREO EQUALIZER
The MAIN STEREO EQUALIZER allows you to control the frequency response of the MAIN stereo mix bus signal.
Providing a maximum of 12dB of cut/boost for each frequency band , this Graphic EQ is also extremely useful tool for
cutting the frequencies that cause annoying feedback. Since the MAIN GRAPHIC EQUALIZER is stereo, the EQ curve is
applied to both the left and right signal of the MAIN OUTPUT.
22. PHANTOM POWER INDICATOR
This indicator lights up when the phantom power is switched on.
23. PHANTOM POWER SWITCH
This switch toggles the phantom power on or off. If you set the switch on, the mixer supplies power to all channels that
provide XLR MIC input jacks.
Set this switch on when using one or more condenser microphones that need to receive external power from the mixer.
: When this switch is on, the mixer supplies DC +48V power to pins 2 and 3 of all XLR-type MIC IN PUT jacks.
NOTE
* Be sure to leave this switch off ( ) if you do not need phantom power.
* When tuning the switch on ( ), be sure that only condenser MICs are connected to the XLR input jacks.
Devices other than condenser MICs may be damaged if connected to the phantom power supply.
Note, however, that the switch m ay be left on without problem when connecting to balanced dynamic microphones.
* To avoid damage to speakers, be sure to turn off amplifier (on powered speakers) before turning this switch on or off.
We also recommend that you turn all out controls (MAIN master fader, ALT3/4 fader, etc.) to minimum settings before
operating the switch, to avoid risk of loud noises that could cause hearing loss or device damage.
24. POWER INDICATOR
This indicator lights when power switch of the mixer is turned on.
CONNECTORS
1. CHANNEL INPUTS
BALANCED MIC XLR Connectors
These are balanced XLR-type input jacks (1: Sleeve, 2: Hot, 3:Cold)
BALANCED LINE IN JACK Connectors
A standard 1/4” TRS phone jack is used for balanced or unbalanced line level signals, like used with most
electronic keyboards, synthesizers, tape decks and the line outputs from other mixers.
2. CHANNEL INSERT I/O JACK
These are input/output jacks located between the head-amplifier and the high pass filter.
These jacks can be used to independently connect these channels to devices such as graphic equalizers,
compressors, and noise filters. These are 1/4” TRS (tip, ring, sleeve) phone jacks that support bi-directional
operation.
NOTE: Connection to an INSERT I/O jack requires a special separately-sold insertion cable such as
illustrated below.
3. CHANNEL INPUT JACKS
These are unbalanced stereo line input connectors. Two types are provided: Jack type and RCA pin type.
For stereo signals, you need of course to connect both Left and Right channels.
Channels CH9/10 and CH11/12 can also be used for mono signals. If you need to connect a mono signal,
then use only the L MONO Jack input. When the mixer detects no connector in the R input, it will spread the
signal of the L MONO Jack input over both L and R channels.
Channels 13/14 and 15/16 provide 2 types of inputs: jack and RCA connectors. Please use only one
NOTE:
of these inputs for each channel. Ne ver use both input types at the same time on the same channel.
4. STEREO RETURN L (MONO), R J ACK
These are unbalanced 1/4” TRS phone-type line input jacks. The signal received by these jacks is sent to the
MAIN bus and AUX1/AUX2 busses. These jacks are mainly used to receive a return signal from an external
effect (reverb, delay, etc.)
NOTE: These jacks can also be used as an auxiliary stereo input. If you need to connect a mono signal, then
use only the L MONO Jack input. W hen the mixer detects no connector in the R input, it will spread the
signal of the L MONO Jack input over both L and R channels.
5. TAPE IN RCA connectors
Use these RCA connectors when you want to connect a CD, DAT or other external sound source directly to the mixer for
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monitoring.
You can adjust the signal level using the TAPE IN control in the MAIN CONTROL SECTION.
6. REC OUT RC A connectors
The REC OUT connectors send the pre-fader signal from the master bus. U can use this output for recording.
7. SEND JACKS
These are unbalanced phone jacks
* AUX1, AUX2
These jacks output respectively the signal form AUX1 and AUX2 bus. You can use these jacks, for example to connect
powered stage monitors.
* EFX
You can use this jack for example to connect an external effect unit.
8. FOOT SWITCH JACK
A foot switch can be connected to this phone input jack and can be used to turn the digital effects ON/OFF .
9. GROUP OUT (1 to 4 ) JACKS
Unbalanced 1/4” Jack outputs for the signals of GROUP 1-2 / 3-4.
10. M AIN L/R OUTPUT JACKS
Balanced 1/4” Jack outputs. You can use these outputs to connect the power amplifiers for you main speakers, or you
can use them when you wish to record the signal that is also influenced by the main output faders.
11. CONTROL ROOM OUTPUT JACKS
These unbalanced 1/4” Jack outputs are controlled by the
used to connect a monitoring system.
NOTE::The signal monitored by these outputs is selected by the settings of the LEVEL METER SIGNAL SWI TCHS, the
TAPE IN switch, and the PFL switches on the input channels.
12. PHONES JACK
Stereo headphones connector.
CTRL ROOM /PHONES CONTROL
and are generally
.
3. MAIN L/R OUTPUT.
Used to connect the master output (Main L/R) of the mixer to a power amplifier (or other equipment)
4. USB PORT
The built-in stereo USB audio interface allows you to connect your mixer to a PC for recording or playback.
Virtually any digital recording software can be used.
The PC/Mac will detect your mixer as a sound card, so normally no drivers are needed. This means also you
will be able to use the standard audio interface controls in the MAC or W indows operating system to make all
the settings.
Getting Started with Windows XP
The first time you plug the mixer into a USB port, W indows will install the universal drivers for that port. A
balloon tip will pop up, telling you it has found the USB Audio codec.
When the installation is ready, the message “Your new hardware is installed and ready to use” will appear
Most of the time, you’ll want the output volume from the computer at it’s maximum position, but sometimes
the default setting is much lower, what makes the output level too low. The volume can be increased in
several ways. The simplest is to click the loudspeaker icon (figure 3) in the system tray and drag the slider to
the top
NOTE:
The signal monitored by these jacks is selected by the settings of the LEVEL METER SIGNAL SWITCHS, the TAPE IN
switch, and the PFL switches on the input channels.
REAR P ANEL
1. POWER SUPPLY CONNECTOR
Connect the included power supply here. Replace this power supply only with exactly the same type number.
Use of a different adaptor may result in fire or electric shock.
2. POWER SWITCH
Used to switch the mixer on/off. We strongly advise to set the master output faders of the mixer and the gain
controls of your amplifier to zero before you switch the mixer on or off
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If the icon is not there, the volume can be changed b y going to Control Panel and opening Sounds and Audio
Devices.
To use the mixer as your default input/output device (for system sounds and audio recording software),
ensure that it is set for playback and recording in the Audio tab.
The volume can then be set by pressing the Volume button
Getting Started with M AC OS X
Connect the mixer to your mac by using a standard USB cable. The LED will light up to indicate it is receiving
USB power. The MAC will recognize the USB audio device and automatically install a universal driver.
To select the mixer as the computer’s audio input, open the System Preferences from the dock or the main
Apple Menu.
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Now, click on the Input tab and select USB Audio Codec. You may notice that the Volume slider sets itself to
the highest level. This will allow you to use the level controls of the mixer at their full range.
Then click on the Output tab and select USB Audio Codec. You may notice that the Volume slider sets itself
to the full level. You may notice that the Volume slider sets itself to the highest level. This will allow you to
use the level MAIN controls of the mixer to set the exact output level.
WIRING
Recording to the USB I/O
For recording a live performance, you can send the main output mix to a computer by using the USBI/O
connector. The output signal will only be influenced by the individual channel settings and channel faders,
not by the MAIN L/R master output fader.
You can also assign the outputs of the AUX1 and AUX2 to the USB out, enabling you to build a stereo mix
for recording that’s independent from the house sound system.
Press the USB SEND switch down to send the AUX1 and AUX2 mix to the USB input.
Playback from the USB I/O
For playback, the USB stereo signal go es directl y via the TAPE IN to the MAIN OUTPUT mix of the console.
You can set the USB playback level by using the TAPE/USB volume knob.
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APPLICATIONS
HOME RECORDING
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Sound Reinforcement For Live Performance
SPECIFICATIONS
Power Supply AC 230 V, 50Hz
Power consumption 40W
Max output level (0.5% thd @ 1kHz) +26dB (MAIN L/R) @ 10kOhm
T.H.D. <0.1% @ +14dB 20Hz~20kHz (MIX L/R, GROUP 1-2/3-4, AUX1,
Frequency response 20Hz~20kHz, +1/-2dB (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX
Hum and Noise (average Rs=150Ohm ) -127dB equivalent input noise
Maximum Voltage Gain 74dB MIC IN TO Main L/R
Crosstalk (@ 1kHz) -70dB between input channels
Gain Control (mono input channel) 44dB Variable (-50dB ~ -6dB) (-30dB ~ +14dB)
Gain Control
(combinated mono/stereo input channel)
Mono input channel Equalization HIGH: 12kHz shelving
Stereo input channel Equalization HiGH: 12kHz shelving
Graphic Equalizer 7-band (63, 160, 400, 1K, 2.5K, 6.4K, 16KHZ)
LED Meters 2x 10 segment LED for MAIN L/R, GROUP1-2/3-4 or PFL
Internal Digital Effect 100 selectable presets
Channel indicators Peak: an indicator for each channel turns on when the pré-channel
Phantom Power (balanced input) +48V DC
Weight 5,36 kg
Dimensions 436(W) x 90(H) x 420(D) mm
+20dB (GROUP 1-2/3-4, AUX1, AUX2/EFX, CTRL ROOM) @
10kOhm
+20dB (INSERT) @ 10kOhm
More than 100mW (HEADPHONES° @33Ohm
AUX2/EFX SEND, CTRL ROOM) @10kOhm
SEND, CTRL ROOM) @10kOhm
-95dB residual noise (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX
SEND, CTRL ROOM)
-88dB (MIX L/R, GROUP 1-2/3-4, AUX1, AUX2/EFX SEND, CTRL
ROOM OUT) Master fader at nominal level and all channel assign
switches off.
74dB MIC IN TO GROUP 1-2/3-4
66dB MIC IN TO AUX1/AUX2 (PRE)
76dB MIC IN TO AUX2 (POST)
76dB MIC IN TO EFX
80dB MIC IN TO CONTROL ROOM L/R
52.2dB IN TO REC L/R
54dB LINE IN TO MIX L/R
54dB LINE IN TO GROUP 1-2/3-4
46dB LINE IN TO AUX1 / AUX2 (PRE)
56dB LINE IN TO AUX2 (POST)
60dB LINE IN TO CONTROL ROOM L/R
44dB STEREO IN TO MAIN L/R
44dB STEREO IN TO GROUP 1-2/3-4
16dB AUX RETURN IN TO MIX L/R
12dB AUX RETURN IN TO AUX1/AUX2
20dB TAPE IN TO MAIN L/R
-70dB between input/oputput channels
40dB Variable (-20dB ~ +20dB)
MID: 100-8kHz peaking
LOW: 80Hz shelving
*Turnover/roll off frequencies: located 3dB below max. boost/cut
HIGH MID: 3k Hz peaking
LOW MID: 500Hz peaking
LOW: 80Hz shelving
*Turnover/roll off frequencies: located 3dB below max. boost/cut
FOOT Switch control (ON/OFF)
fader signal is 5dB below clipping
SYNQ
®
17/20 SMP16.42
SYNQ
®
18/20 SMP16.42
ENGLISH OPERATION MANUAL
Specifications
-INPUT
-OUTPUT
ENGLISH OPERATION MANUAL
You can download the latest version of this user manual on our website: www.beglec.com
®
SYNQ
Every information is subject to change without prior notice
19/20 SMP16.42
SYNQ
®
20/20 SMP16.42
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