Barco R9040411, R9240411, R9040406, R9240406, Galaxy NW-7 User Manual

...
Page 1
Galaxy NW series
R59770718/01 20/06/2013
User guide
R9040411 - R9240411 R9040406 - R9240406
Page 2
Barco nv Advanced Visualization Systems Noordlaan 5, B-8520 Kuurne Phone: +32 56.36.82.11 Fax: +32 56.36.84.86 Support: www.barco.com/esupport Visit us at the web: www.barco.com
Printed in Belgium
Page 3
Changes
Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied war­ranties or merchantability and tness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the program(s) described in this publication at any time without notice.
This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this publication; these changes are incorporated in new editions of this publication.
The latest edition of Barco manuals can be downloaded from the Barco web site w
h
ttps://my.barco.com.
ww.barco.com or from the secured Barco web site
Copyright ©
All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco.
Disposal Information
Waste Electrical and Electronic Equipment
This symbol on the product indicates that, under the European Directive 2002/96/EC governing waste from electrical and electronic equipment, this product must not be disposed of with other municipal waste. Please dispose of your waste equipment by handing it over to a designated collection point for the recycling of waste electrical and electronic equipment. To prevent possible harm to the environment or human health from uncontrolled waste disposal, please separate these items from other types of waste and recycle them responsibly to promote the sustainable reuse of material resources.
For more information about recycling of this product, please contact your local city ofce or your municipal waste disposal service. For details, please visit the Barco website at: h
ttp://www.barco.
com/en/AboutBarco/weee
Disposal of batteries in the product
This product contains batteries covered by the Directive 2006/66/EC which must be collected and disposed of separately from
municipal waste.
If the battery contains more than the specied values of lead (Pb), mercury (Hg) or cadmium (Cd), these chemical symbols will appear below the crossed-out wheeled bin symbol.
By participating in separate collection of batteries, you will help to ensure proper disposal and to prevent potential negative effects on the environment and human health.
eCos
The software in this product uses eCos, the Em
This is the license for eCos:
Copyright (C) 1998, 1999, 2000, 2001, 2002, 2003 Red Hat, Inc.
Copyright (C) 2002, 2003 John Dallaway
Copyright (C) 2002, 2003 Nick Garnett
Copyright (C) 2002, 2003 Jonathan Larmour
Copyright (C) 2002, 2003 Andrew Lunn
Copyright (C) 2002, 2003 Gary Thomas
Copyright (C) 2002, 2003 Bart Veer
eCos is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation; either version 2 or (at your option) any later version.
eCos is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABIL­ITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
bedded Congurable Operating System.
Page 4
You should have received a copy of the GNU General Public License along with eCos; if not, write to the Free Software Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA.
As a special exception, if other les instantiate templates or use macros or inline functions from this le, or you compile this le and link it with other works to produce a work based on this le, this le does not by itself cause the resulting work to be covered by the GNU General Public License. However the source code for this le must still be made available in accordance with section (3) of the GNU General Public License.
This exception does not invalidate any other reasons why a work based on this le might be covered by the GNU General Public License.
The eCos source used to build the software used in the Barco iCon is available on request from Barco.
EN55022/CISPR22 Class A ITE (Information Technology Equipment)
Class A ITE is a category of all other ITE which satises the class A ITE limits but not the class B ITE limits. Such equipment should not be restricted in its sale but the following warning shall be included in the instructions for use:
Warning : This is a class A product. In a domestic environment this product may cause radio interference in which case the user may be required to take adequate measures.
Federal Communications Commission (FCC Statement)
This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area may cause harmful interference, in which case the user will be responsible for correcting any interference at his own expense
Guarantee and Compensation
Barco provides a guarantee relating to perfect manufacturing as pa must immediately inspect all delivered goods for damage incurred during transport, as well as for material and manufacturing faults Barco must be informed immediately in writing of any complaints.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning, at latest 30 days after the transfer of risks. In the event of justied notice of complaint, Barco can repair the fault or provide a replacement at its own discretion within an appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component of the system or independent service, will be deemed invalid provided the damage is not proven to be attributed to the absence of properties guaranteed in writing or due to the intent or gross negligence or part of Barco.
If the purchaser or a third party carries out modications or repairs on goods delivered by Barco, or if the goods are handled incorrectly, in particular if the systems are commissioned operated incorrectly or if, after the transfer of risks, the goods are subject to inuences not agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as well as normal maintenance are not subject to the guarantee provided by Barco either.
The environmental conditions as well as the servicing and maintenance regulations specied in the this manual must be complied with by the customer.
rt of the legally stipulated terms of guarantee. On receipt, the purchaser
JPEG
The software in this product is based in
part on the work of the Independent JPEG Group.
Trademarks
Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders. All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for the products or their manufacturers.
Information for China ROHS compliance
Table of toxic and hazardous substances/elements and their content, as required by China’s management methods for controlling pollution by electronic information products
Page 5
Projector
Part name Toxic or hazardous substances and elements
Pb Hg Cd Cr6+ PBB PBDE
Metal parts
Plastic parts
PCB or PCBA
Lamp
Power supply/adapter
Power cable
Connectors and cables
Fans
Heat radiation module (metal parts)
Card reader
Speaker (exclude PCB)
Remote control (exclude PCB)
O: Indicates that this toxic or hazardous substance contained in all of the homogeneous materials for this part is below the limit requirement in SJ/T11363-2006. X: Indicates that this toxic or hazardous substance contained in at least one of the homogeneous materials used for this part is above the limit requirement in SJ/T11363-2006
oo o o oo
x
x
o
x
x
x
x
x
oo o o oo
oo o o oo
x
ooooo
ooooo
x
ooooo
ooooo
ooooo
ooooo
ooooo
ooooo
oooo
中国大RoHS
根据中国大陆 《 电子信息产品 污染控制管理法》( 也称中国大RoHS),以下部份列出了本品中可能包含的有毒有害物或元素 的名称 和含量。
Projector
零部件名稱
金屬機構件
塑膠機構件
路板*
燈泡
電源模組
线
外部信号连接 线
風扇
散熱模組 (金屬部 分) 讀卡器
喇叭 (電路板組件 除外) 附電池遙控器 (電 路板組件除外) *: 路板件包括印刷路板及其构成的零部件,如阻、容、集成路、接器等
:表示该有毒有害物部件所有均材料中的含量均在《子信息品中有毒有害物的限量要求准》定的限量要求以下
×:表示该有毒有害物至少在部件的某一均材料中的含量超出《子信息品中有毒有害物的限量要求准》定的限量要求;但 是上表中打“×”的部件,其含量超出是因目前业界还没有成熟的可替代的技,且符合歐盟RoHS指令的排外條款及電池指令
有毒有害物質或元素
Pb
oooooo
x
x
o
x
x
x
x
x
oooooo
oooooo
x
汞(Hg
ooooo
ooooo
x
ooooo
ooooo
ooooo
ooooo
ooooo
ooooo
Cd
oooo
六价铬( Cr6+
溴联苯(PBB)多溴 二苯醚
PBDE
Page 6
Turkey RoHS compliance
Türkiye Cumhuriyeti: EEE Yönetmeliğine Uygundur.
[Republic of Turkey: In conformity with the EEE Regulation]
Page 7
Table of contents
TABLE OF CONTENTS
1. General............................................................................................................... 5
1.1 About this manual . . .................................................................................................................. 5
1.2 About GalaxyNW series............................................................................................................. 5
1.3 Unpacking the projector .............................................................................................................. 6
1.4 Initialinspection....................................................................................................................... 7
2. Installation........................................................................................................... 9
2.1 General installation guidelines ....................................................................................................... 9
2.2 Projector positionguidelines........................................................................................................10
2.3 Battery Installationin the RCU ......................................................................................................13
2.4 Lens installation .....................................................................................................................14
2.4.1 Lens range . . . .................................................................................................................14
2.4.2 Lens formulas .................................................................................................................14
2.4.3 Shift capabilities...............................................................................................................15
2.4.4 Lens installation ...............................................................................................................16
2.5 Projector conguration ..............................................................................................................17
2.6 Positioning theprojector.............................................................................................................18
2.7 Connections . ........................................................................................................................21
2.7.1 Power connection .............................................................................................................21
2.7.2 The front panel ................................................................................................................22
2.7.3 Connecting a DVI signal ......................................................................................................23
2.7.4 Connecting an XDS Desktop computer .. . ...................................................................................23
2.7.5 DVI output.....................................................................................................................24
2.7.6 Stereo connections . . .........................................................................................................25
2.7.7 Active Intec
2.7.8 Network connection . . .........................................................................................................27
2.7.9 Network settings ..............................................................................................................28
2.7.10 Serial connection..............................................................................................................30
2.7.11 Multichannel display systems ................................................................................................30
2.7.11.1 LinkedCLO.............................................................................................................30
2.7.11.2 LinkedDynacolor.......................................................................................................31
2.7.11.3 Linkedstereo...........................................................................................................31
2.8 Controlsoverview....................................................................................................................33
TM
................................................................................................................27
3. Setup ................................................................................................................35
3.1 Poweringup the projector...........................................................................................................35
3.2 Startingup theprojector.............................................................................................................36
3.3 Setting up the RemoteControl Unit address .......................................................................................38
3.4 Setting up the projector address (only if necessary) ...............................................................................39
3.5 Setting up the orientation............................................................................................................40
3.6 Adjusting the lens....................................................................................................................40
3.7 Setup the baud rate for serial communication. .. ...................................................................................42
3.8 Preferences..........................................................................................................................43
3.8.1 Language setting..............................................................................................................43
3.8.2 Automaticstartup .............................................................................................................43
3.8.3 Change password.............................................................................................................44
3.9 Setup of Linked projectors in a Multichannel system...............................................................................45
4. Getting started.....................................................................................................49
4.1 Startingup theprojector.............................................................................................................49
4.2 Selecting a source ..................................................................................................................49
4.3 Adjusting the image .................................................................................................................49
5. Advanced...........................................................................................................51
5.1 Using the menu......................................................................................................................51
5.2 Using the Dialogboxes..............................................................................................................52
5.3 Source selection..................................................................................................................... 53
5.3.1 Source selection ..............................................................................................................53
5.3.2 DVI ............................................................................................................................53
5.4 Image ................................................................................................................................54
5.4.1 Image settings ................................................................................................................54
5.4.1.1 Setting the Contrast ...................................................................................................54
5.4.1.2 Setting the Brightness..................................................................................................55
5.4.1.3 Gamma ................................................................................................................55
5.4.1.4 Phase (RGB signals only)..............................................................................................56
5.4.2 Aspect ratio ...................................................................................................................56
5.4.3 Color temperature.............................................................................................................60
5.4.4 Input balance (RGB signals only) . . . . ........................................................................................60
5.4.5 Input stereosync..............................................................................................................64
5.4.6 Passive Intec.................................................................................................................66
5.4.7 Passive to ActiveStereo......................................................................................................67
5.4.7.1 Passive to activestereo conversion...................................................................................67
5.4.7.2 Combining passive stereo inputs into an active stereo image. . . .....................................................67
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5.5 Image les ...........................................................................................................................70
5.5.1 Introduction to Image les ....................................................................................................70
5.5.2 Load le.......................................................................................................................71
5.5.3 Forced leload................................................................................................................72
5.5.4 AutoImage....................................................................................................................73
5.5.5 Edit ............................................................................................................................74
5.5.6 Save as (create a custom le)................................................................................................76
5.5.7 Rename le ...................................................................................................................77
5.5.8 Copy...........................................................................................................................77
5.5.9 Delete .........................................................................................................................78
5.6 Geometry ............................................................................................................................79
5.6.1 Introduction. . ..................................................................................................................79
5.6.2 Geometry les.................................................................................................................79
5.6.3 Accessing the Geometry menu ..............................................................................................80
5.6.4 Geometry distortions..........................................................................................................80
5.6.5 Load . . . ........................................................................................................................82
5.6.6 Edit ............................................................................................................................83
5.6.6.1 Accessing the Geometry Edit menu ..................................................................................83
5.6.6.2 Geometry Edit wizard ..................................................................................................84
5.6.6.3 Geometry Edit Modes ..................................................................................................86
5.6.6.4 Editing a geometry le .................................................................................................88
5.6.6.5 Axislink.................................................................................................................95
5.6.6.6 Shift Adjustment........................................................................................................98
5.6.6.7 Transport Delay .......................................................................................................100
5.6.6.8 Sharpness .............................................................................................................102
5.6.6.9 Geometry Reset .......................................................................................................103
5.6.6.9.1 Reset all levels..................................................................................................103
5.6.6.9.2 Restore toa level ...............................................................................................104
5.6.7 Rename a Geometry File .. . .................................................................................................106
5.6.8 Copy a Geometry File .......................................................................................................107
5.6.9 Delete a Geometry File ......................................................................................................108
5.7 Lamps...............................................................................................................................109
5.7.1 Lampinfo.....................................................................................................................109
5.7.2 Lampruntimewarning.......................................................................................................110
5.7.3 Lamp Power Mode . . . ........................................................................................................111
5.7.4 ConstantLight Output (CLO)................................................................................................111
5.7.4.1 Constant Light Output Mode . . . .......................................................................................112
5.7.4.2 CLO Target ............................................................................................................113
5.7.4.3 Linked CLO ............................................................................................................114
5.8 General .............................................................................................................................114
5.8.1 Identication..................................................................................................................114
5.8.2 Pause.........................................................................................................................115
5.8.3 Freeze........................................................................................................................115
5.8.4 Standby Timer................................................................................................................116
5.8.5 Desktop ......................................................................................................................117
5.9 Display setup .......................................................................................................................117
5.9.1 Textbox .......................................................................................................................117
5.9.2 Stereo display settings.....................................................................................................
5.9.2.1 Introduction ............................................................................................................118
5.9.2.2 Stereo Mode . .........................................................................................................120
5.9.3 Full screen synchronous representation settings . ..........................................................................121
5.9.3.1 Full screen synchronous representation..............................................................................121
5.9.3.2 Asynchronous frequency..............................................................................................123
5.9.4 Menubarposition............................................................................................................123
5.9.5 Status bar position.......................................................................................................... .124
5.9.6 Slider box position ........................................................................................................... 125
5.9.7 Dynacolor ....................................................................................................................125
5.9.7.1 Introduction ............................................................................................................125
5.9.7.2 Choosing DynaColor sets .............................................................................................129
5.9.7.3 EnablingDynaColor...................................................................................................130
5.9.7.4 Linking DynaColor.....................................................................................................131
5.9.7.5 Matching Intec A and Intec B.......................................................................................132
5.9.7.6 Changing color reproduction... .......................................................................................133
5.9.7.7 Black Color Matching..................................................................................................136
5.9.7.7.1 Introduction......................................................................................................136
5.9.7.7.2 Black Coloradjustment for Set 1 ...............................................................................137
5.9.8 Stereo System Setup........................................................................................................138
5.9.8.1 DarkTime..............................................................................................................138
5.9.8.2 Invert stereo ...........................................................................................................140
5.9.8.3 Stereo Phase..........................................................................................................142
5.9.9 Soft edge .....................................................................................................................143
5.9.9.1 Introduction ............................................................................................................143
5.9.9.2 Soft edge adjustments ................................................................................................144
5.9.9.3 Accessing the Soft edge menu .......................................................................................147
5.9.9.4 Soft edge edit . ........................................................................................................147
5.9.9.4.1 The soft edge edit wizard ......................................................................................148
..118
2
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Table of contents
5.9.9.4.2 The soft edge edit modes.......................................................................................148
5.9.9.4.3 Creating/editing a soft edge . . ..................................................................................150
5.9.9.4.4 Alpha planes . . ..................................................................................................157
5.9.9.5 Black level.............................................................................................................158
5.9.9.5.1 Introduction......................................................................................................158
5.9.9.5.2 Internal black level ..............................................................................................159
5.9.9.5.3 Beta planes......................................................................................................160
5.9.9.6 Blanking ...............................................................................................................161
5.9.10 AutoImage Setup ............................................................................................................162
5.9.11 True motion reproduction (TMR) ............................................................................................163
5.10 Installation ..........................................................................................................................164
5.10.1 Active Intec
5.10.2 Internal Patterns .............................................................................................................165
5.10.3 Scaledpatterns ..............................................................................................................167
5.10.4 Formatter patterns ...........................................................................................................169
5.10.5 Stereosync out ..............................................................................................................170
5.10.6 LFR...........................................................................................................................170
5.10.7 Convergence . ................................................................................................................170
5.11 Service..............................................................................................................................172
5.11.1 Diagnostics. . . ................................................................................................................172
5.11.2 Option key ...................................................................................................................172
5.11.3 Calibration ofCLOsensor ..................................................................................................172
5.11.4 Operation options............................................................................................................173
5.11.4.1 AutoImage .............................................................................................................173
5.11.4.2 Warning messages . . .................................................................................................173
TM
wheel index .................................................................................................164
6. Maintenance...................................................................................................... 175
6.1 Maintenance timing.................................................................................................................175
6.2 Visual checks.......................................................................................................................176
6.3 Cleaning housing and mechanical structure.......................................................................................177
6.4 Cleaning the projection lens........................................................................................................177
6.5 Checkingthecoolingliquidlevel ...................................................................................................178
6.6 Lamp replacement. . ................................................................................................................178
6.6.1 Lampdescription............................................................................................................. 179
6.6.2 Removingtherear cover ....................................................................................................179
6.6.3 Removingthefanoutlet .....................................................................................................180
6.6.4 Removingthelamp ..........................................................................................................181
6.6.5 Installing the lamp............................................................................................................182
6.6.6 Installing the fan outlet.......................................................................................................183
6.6.7 Installing the rear cover ......................................................................................................184
7. Trouble shooting ...... . . . . . .. . . .. . . .. . . .. . . .. . .. . .. . . .. . . .. . . .. . . .. . . .. . . .. . .. . .. . . .. . . .. . . .. . . .. . . .. . .. . .. . . .. . 187
7.1 Error codes . . .......................................................................................................................187
7.1.1 Introduction. . .................................................................................................................187
7.1.2 Overview of the error codes .................................................................................................187
7.2 Trouble shooting through the OSD.................................................................................................189
7.3 Basic troubleshooting guide........................................................................................................193
A. Image les ......................................................................................................... 195
A.1 List of standard image les.........................................................................................................195
Index.................................................................................................................... 197
List of images......................................................................................................... 201
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Table of contents
4 R59770718 GALAXY NW SERIES 20/06/2013
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1. GENERAL
1.1 About this manual
Manual layout
This manual describes the Galaxy NW series projector.
It contains 4 main chapters :
1. Installation: The mechanical setup of the projector.
2. Setup: Adjustment of the projection parameters in order to get the best image reproduction.
3. Getting started: Start the projector for daily use.
4. Advanced: Advanced operation and setup using the remote control and the projector’s OSD.
Symbol overview
The following icons are used in the manual :
Caution
Warning
1. General
Info, term denition. General info about the term
Note: gives extra information about the described subject
Tip: gives extra advice about the described subject
Font overview
Buttons are indicated in bold, e.g. OK.
Menu items are indicated in italic.
Step related notes, tips, warnings or cautions are printed in italic.
Procedure related notes, tips, warnings or cautions are printed in bold between 2 lines preceded by the corresponding icon.
1.2 About Galaxy NW series
Galaxy NW projectors
The Galaxy NW series consist of the following projectors:
Projector type Article number
Galaxy NW-7
Galaxy NW-7 with options
Galaxy NW-12
Galaxy NW-12 with options
R9040406
R9240406
R9040411
R9240411
About the Galaxy NW series
The Galaxy NW series projector is a projector that can display 2D mono and 3D stereoscopic images in WUXGA resolution (1920x1200 active pixels). Depending on the ordered options it can handle Active Stereo, Active Intec Stereo and/or Passive Intec Stereo.
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1. General
Another option is XDS Control Center: a desktop image, generated by a Desktop Generating Computer, is projected with multiple PiP’s at the same time. Each of the PiP’s can show:
a 2D mono image of a hard-wired source;
a 3D stereo image of a hard-wired source;
a 2D mono image of a Remote Desktop Sharing source.
Image 1-1
CAUTION: For more details about XDS Control Center, consult the related information on www.barco.com.
1.3 Unpacking the projector
Content
Description
Projector (weight ± 70 kg or ± 175 lbs)
Remote Control Unit (RCU) + 2 batteries
Power cord with outlet plug type CEE
Power cord with outlet plug type NEMA L6–20P 1
Galaxy NW series User guide
DLP Projector Safety manual
Packaging
The projector is packed in a cardboard box and is placed on a pallet. For maximum protection during transportation, the projector is surrounded with foam. The carton is secured to the pallet with banding and fastening clips.
The projection lens is ordered and supplied as an individual item and is packed in a separate carton.
CAUTION: The projector may never be shipped with the lens mounted on it. Always remove the lens before
transporting the projector.
Unpacking the projector
1. Release the cord straps (label A).
Quantity
1
1
1
1
1
6
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B
C
A
Image 1-2 Unpacking the projector
2. Remove the cardboard cover (label B).
3. Remove the smaller carton: it contains the accessories!
4. Open the large cardboard (label C).
1. General
Image 1-3 Unpacking the projector
5. Remove the foam parts.
6. Remove the projector from the pallet.
Save the original shipping carton and packing material, since you will need it if you ever have to ship your projector. For maximum protection during any future shipment, repack your projector as it was originally packed on delivery.
1.4 Initial inspection
General
Before shipment, the projector w is unpacked, inspect for any damage that may have occurred in transit. If damage is found, le claim with carrier immediately. The Barco Sales and Service ofce should be notied as soon as possible.
Box content
After unpacking the projector it is recommended to check if all items where included. See "Unpacking the projector", page 6.
Mechanical check
This check should conrm that there are no broken knobs or connectors, that the cabinet and panel surfaces are free of dents and scratches, and that the operating panel is not damaged. The Barco Sales and Service ofce should be notied as soon as possible in case of irregularities.
as inspected and found to be free of mechanical and electrical defects. As soon as the projector
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1. General
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2. INSTALLATION
Overview
General installation guidelines
Projector position guidelines
Battery Installation in the RCU
Lens installation
Projector conguration
Positioning the projector
Connections
Controls overview
2.1 General installation guidelines
WARNING: Prior to installing the projector, read the safety instructions in Safety manual R5976125 delivered
with the projector.
Insure that the projector is installed in an easy to evacuate room in case of lamp explosion.
2. Installation
Ambient Temperature Conditions.
Careful consideration of things such as image size, ambient light level, projector placement and type of screen to use are critical to the optimum use of the projection system.
Max. ambient temperature : 35°C or 95°F
Min. ambient temperature : 10°C or 50 °F
The projector will not operate if ambient air temperature is higher than 40°C or 104°F).
Storage temperature: -35°C to +65°C (-31°F to 149°F)
Humidity Conditions
Storage: 0 to 98 % RH Non-condensing
Operation: 0 to 95 % RH Non-condensing
CAUTION: Harmful Environmental Contamination Precaution
Environment
Do not install the projection system in a site near heat sources such as radiators or air ducts, or in a place subject to direct sunlight, excessive dust or humidity. Be aware that room heat rises to the ceiling; check that temperature near the installation site is not excessive.
Environment condition check
A projector must always be mounted in a manner which ensures the free ow of clean air into the projectors ventilation inlets. For installations in environments where the projector is subject to airborne contaminants such as that produced by smoke machines or similar (these deposit a thin layer of greasy residue upon the projectors internal optics and imaging electronic surfaces, degrading performance), then it is highly advisable and desirable to have this contamination removed prior to it reaching the projectors clean air supply. Devices or structures to extract or shield contaminated air well away from the projector are a prerequisite, if this is not a feasible solution then measures to relocate the projector to a clean air environment should be considered.
Only ever use the manufacturer’s recommended cleaning kit which has been specically designed for cleaning optical parts, never use industrial strength cleaners on the projector’s optics as these will degrade optical coatings and damage sensitive optoelectronics components. Failure to take suitable precautions to protect the projector from the effects of persistent and prolonged air contam­inants will culminate in extensive and irreversible ingrained optical damage. At this stage cleaning of the internal optical units will be non-effective and impracticable. Damage of this nature is under no circumstances covered under the manufacturer’s warranty and may deem the warranty null and void. In such a case the client shall be held solely responsible for all costs incurred during any repair. It is the clients responsibility to ensure at all times that the projector is protected from the harmful effects of hostile airborne particles in the environment of the projector. The manufacturer reserves the right to refuse repair if a projector has been subject to wantful neglect, abandon or improper use.
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2. Installation
Special Care for Laser Beams
Special care should be used when DLP projectors are used in the same room as performant laser equipment. Direct or indirect hitting of a laser beam on to the lens can severely damage the Digital MicroMirror Devices™ in which case there is a loss of warranty
Screen type ?
There are two major categories of screens used for projection equipment. Those used for front projected images and those for rear projection applications.
Screens are rated by how much light they reect (or transmit in the case of rear projection systems) given a of light projected toward them. The ‘GAIN’ of a screen is the term used. Front and rear screens are both rated in terms of gain. The gain of screens range from a white matte screen with a gain of 1 (x1) to a brushed aluminized screen with a gain of 10 (x10) or more. The choice between higher and lower gain screens is largely a matter of personal preference called the Viewing angle. In considering the type of screen to choose, determine where the viewers will be located and go for the highest gain screen possible. A high gain screen will provide a brighter picture but reduce the viewing angle. For more information about screens, contact your local screen supplier.
determined amount
and another consideration
Image size
The projector is designed for projecting an image width of minimum 1.00 m (3.3 ft) to maximum 15 m (49.21 ft), depending on the ambient light conditions, with the native aspect ratio of the projector.
2.2 Projector position guidelines
Projector dimensions
Weight (without lens) : 70 kg (175 lbs)
10
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166
108
130
465
913 805
635
90
261
408
460
190
30
320
350
408
589
182
104
Image 2-1 Dimensions
Dimensions below are given in mm and inch (1 inch = 25.4 mm)
Air ow guidelines
The hot air outlet at the rear side of the projector can reach high temperatures due to the high power lamp. Do not come near it while the projector is running with lamp switched on.
Image 2-2 Hot air outlet
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2. Installation
The cool air inlet at the bottom side of the projector may never be blocked. Always keep enough distance between projector’s bottom and support plate to allow a good air ow in. It is advised to also use an open projector support frame rather than a full support plate.
Image 2-3 Cool air intake
Image 2-4 Cool air intake directions and restrictions
Projector tilt range
The tilt range of the projector is restricted by the tilt range of the lamp. The images below show the maximum tilt range in both senses.
20°
Image 2-5 Projector tilt range
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Image 2-6 Projector tilt range
2. Installation
360°
CAUTION: Not respecting the projector tilt range causes lamp icker or even premature lamp failure.
Service area
Make sure that sufcient free space (area free from obstacles - see the image below) should be available around the projector for maintenance and service activities.
500 mm
Image 2-7 Dimensions: free space around the projector
500 mm
200 mm200 mm200 mm 500 mm
2.3 Battery Installation in the RCU
How are the batteries delivered ?
The batteries (not yet installed to save the battery life time) are delivered inside the plastic bag with the power cord.
How to install
1. Remove the battery cover on the backside of the remote control by pushing the indicated handle a little towards the bottom of the RCU.
2. Lift up the top side of the cover at the same time.
3. Insert the 2 new 1,5 V batteries as indicated in the RCU.
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2. Installation
1
Image 2-8 Battery installation
4. Put the battery cover back on its place.
2.4 Lens installation
Overview
Lens range
Lens formulas
Shift capabilities
Lens installation
3
2
RCU Top
+
+
2.4.1 Lens range
Overview table
Lens Partnumber
TLD+ (0.73:1)
TLD+ (1.2:1)
TLD+ (1.5–2.0:1)
TLD+ (2.0–2.8:1)
TLD+ (4.5–7.5:1)
See the Maintenance appendix for more information about lens cleaning.
R9842041
R9840775
R9842061
R9842081
R9842121
2.4.2 Lens formulas
Formulas
Metric Formulas (meter) Inch formulas (inch)
TLD+ (0.73:1) PD = (0.71 x SW) + 0.09 PD = (0.71 x SW) + 3.55
TLD+ (1.2:1) PD = (1.14 x SW) + 0.18 PD = (1.14 x SW) + 7.26
TLD+ (1.5–2.0:1) PD
PD
TLD+ (2.0–2.8:1) PD
PD
TLD+ 4.5–7.5:1) PD
PD
= (1.42 x SW) + 0.08
min
=(1.88xSW)+0.12
max
= (1.88 x SW) + 0.07
min
=(2.57xSW)+0.07
max
= (4.08 x SW) + 0.07
min
=(6.85xSW)+0.29
max
PD
= (1.42 x SW) + 3.20
min
= (1.88 x SW) + 4.90
PD
max
PD
= (1.88 x SW) + 2.90
min
= (2.57 x SW) + 2.90
PD
max
PD
= (4.08 x SW) + 2.89
min
= (6.85 x SW) + 11.49
PD
max
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The distances are measured starting from the back side of the ange of the projector lens.
B
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2
B
a
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2. Installation
Image 2-9
2.4.3 Shift capabilities
Description
The maximum vertical and horizontal shift range depends on the lens. Shifting outside this range will not guarantee a full image i.e. some corners of the image will be clipped and will not be visible (will appear dark on the screen).
The table below gives an overview of the shift capabilities in function of the lens :
Lens shift range Vertical shift Horizontal shift
TLD+ (0.73:1) up/down : 22% left/right : 9%
TLD+ (1.2:1)
TLD+ (1.5-2.0:1)
TLD+ (2.0-2.8:1)
TLD+ (2.8-4.5:1)
TLD (4.5-7.5:1)
Ta bl e 2 - 3 Maximum shift range in function of lens
Horizontal Shift in Nominal Position Horizontal Shift : +100%
Projector
Projector
up/down : 113% left/right : 54%
Screen
Screen
Image 2-10 Example of a horizontal shift of 100%
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2. Installation
Vertical Shift in Nominal Position
Projector Projector
Screen
Image 2-11 Example of a vertical shift of +100% and -25%
Vertical Shift : +100% Vertical Shift : -25%
2.4.4 Lens installation
Necessary tools
Hexagonal key 4 mm (hexagonal) - delivered with the projector
Necessary parts
Lens
Lens interface plate (pre-mounted on the lens holder)
4x M5x12 screws (delivered with the projector and with the lens)
Installing the lens
1. Remove the lens interface plate from the lens holder if it is still mounted to it
2. Fix the lens interface plate to the lens using the delivered screws (4)
Note: Install the lens and the lens interface plate with their screening UP or TOP oriented in the same direction
Caution: M ind the orientation of the lens interface plate in relation to the lens.
Projector
Screen
Screen
UP
Image 2-12 Assembling the lens, screening UP to the top side
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2. Installation
Image 2-13 Lens interface plate, screening UP to the top side
3. Mount the assembly (lens + interface plate) on the lens holder Insert and tighten the 4 screws with one hand while supporting the lens with the other hand
Caution: M ind the orientation of the lens assem bly: the screenings UP and TOP must be oriented upwards (table congura-
tion!).
Image 2-14 Lens installation
2.5 Projector conguration
CAUTION: Projectors in ceiling conguration must have their second pump being connected mechanically
and electrically! If no second pump is present in the projector, the corresponding kit must be installed rst. Contact a Barco trained and certied technician.
The different congurations
Depending on the installation the projector can be mounted in different ways, the 4 different congurations are:
1. Rear/Ceiling
2. Rear/Table
3. Front/Ceiling
4. Front/Table
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2. Installation
1
3
Image 2-15 Projector congurations
2.6 Positioning the projector
2
4
On-Axis projection
Projection where the projector is positioned so as to have the centre of the lens coinciding with the centre of the screen.
Positioning the projector
The position of the projector with reference to the screen may also be different depending on the installation. Basically the projector can be positioned in an On-Axis or Off-Axis conguration. Several parameters can be calculated determining the position in any installation.
18
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2. Installation
PD
ref.: Front plate
P
a
SH
x
A
b
c
SW
S
CD=SH/2+B-A
B
F
S
SW
SH
F
Image 2-16 ON-Axis projector installation
aSideview b Top view cBackview x Optical axis projection lens pProjector s Screen FFloor
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2. Installation
a
SH
PD
x
ref : front plate
P
S
A
B
CD=B-A
F
b
SW
c
Image 2-17 OFF-Axis projector installation
aSideview b Top view cBackview x Optical axis projection lens pProjector s Screen FFloor
S
SW
SH
F
A 100% Off-Axis position means that the position of the centre of the lens is shifted by half the screen height.
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2.7 Connections
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
Overview
Power connection
The front panel
Connecting a DVI signal
Connecting an XDS Desktop computer
DVI output
Stereo connections
•ActiveInfitec
Network connection
Network settings
Serial connection
Multichannel display systems
2.7.1 Power connection
Electrical ratings
Projector type
NH-12 230V single phase 12 Amps 50-60 Hz
Galaxy NH-12
iD LH-12 230V single phase 12 Amps 50-60 Hz
NW-12 220–240V single phase 12 Amps 50-60 Hz
Galaxy NW-12
Galaxy NW-7
TM
Voltage (AC) Current / Power
230V single phase 12 Amps 50-60 Hz
220–240V single phase 12 Amps 50-60 Hz
220–240V single phase 12 Amps 50-60 Hz
2. Installation
Frequency
Power connection
1. Use the supplied power cord to connect the projector to the power outlet.
2. Plug the female power connector into the male connector at the front of the projector, secure the connection with the locking spring.
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 2-18 Power connector
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
OPEN
Image 2-19 Power plug spring system
2.7.2 The front panel
View
The front panel of the projector can be divided in 2 major parts :
1. Signal Input/Output section
2. System input/output section
1
2
Image 2-20 Front panel
DESKTOP INPUT
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
LOCKED
The signal input/output section
The input/output section has a modular architecture i.e. it is composed of several (5) slots which can be equipped with different input modules :
The different available inputs that can be installed :
twin dual DVI input
Stereo inputs
SDI/HDSDI
DVI (HDCP) / D15
The different available outputs :
DVI output & RS232 IN
The projector is by default equipped as follows:
Layer 1: empty (can be tted with any input board)
Layer 2: empty (can be tted with any input board)
Layer 3: twin dual DVI input board (xed)
Layer 4: Stereo input board (xed)
Layer 5: DVI output and RS232 board (xed)
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DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
Layer 1
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
Layer 2
Layer 3
Layer 5
Image 2-21 Input layers
DESKTOP INPUT
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
STEREO INPUT
RS 232 C
L2L2L3
DVI
STEREO OUTPUT
Layer 4
R.C.
Layer 3, 4 and 5 are xed i.e. they may only be tted with the boards mentioned above.
The system section
The bottom system section holds :
Ethernet RJ45 connection
DVI desktop input
•LCDdisplay
2. Installation
2.7.3 Connecting a DVI signal
Connecting a DVI signal
1. Connect the DVI cable to one of the projector’s DVI inputs.
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 2-22 DVI input connectors
2.7.4 Connecting an XDS Desktop computer
Connecting an XDS Desktop computer
1. Connect the Desktop generating computer to the desktop input connection (DVI connector)
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
Image 2-23 Desktop input
Tip: An Ethernet connection mu st also be set to allow Desktop integration
DESKTOP INPUT
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
The projector can be connected to a LAN or can be connected to a desktop PC via a crossed cable (a above).
The desktop can be enabled/disabled, "Desktop", page 117
Using the desktop input makes only sense when using the Barco Desktop integration software. The Desktop integration software is covered in the Desktop integration User Guide.
2.7.5 DVI output
DVI output
IN1
L1
s indicated
DVI
DVI
IN2
IN1
IN2
IN1
IN2
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 2-24 DVI output
The DVI output is a single link DVI output signal, having the following specications:
resolution: is the same as the native resolution of the projector;
vertical refresh rate: 60 Hz if th
e projector runs in asynchronous mode mono;
signal type: digital signal (DVI).
It reects the projected image, excluding Geometry corrections, Soft edge and Black level correction, Dynacolor settings and OSD.
CAUTION: If the projector runs in s
ynchronous mode, the DVI output is synchronous with the input signal.
In this mode, most monitors will not display the signal in a correct way!
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
CAUTION: If the selected input signal is a stereo signal, a black image is displayed at the DVI output.
2.7.6 Stereo connections
What can be done ?
The stereo sources sync signals have to be connected to the 4th layer of the front panel. The stereo input layer holds 6 mini DIN connectors and 2 BNC connectors.
The 6 mini DIN connectors are the stereo sync input connections for respectively from the left to the right, the 1 The order is from left to right eg. for the DVI input board, the left DIN connector (L3/IN1) is for the left connector on the DVI input board and the right DIN connector (L3/IN2) is for the right connector on the DVI input board.
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
st,2nd
and 3rdlayer.
Image 2-25 Stereo sync inputs
The BNC connectors are the stereo output sync signals. These signals will drive the emitters in case of active stereo projection using active stereo glasses. The fact that the projector is providing two BNC is to allow the linking (stereo synchronization) of several projectors in a multichannel projection system (see Multichannel installation).
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 2-26 Stereo sync outputs
The 2 BNC’s are identical i.e. it does not matter to which BNC the emitter is connected.
Connecting the stereo input and output signals
1. Connect the mini-din male connector(s) to the projector’s female mini DIN connector(s)
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
r
2
DESKTOP INPUT
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
RS 232 C
DVI
DESKTOP INPUT
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
Image Generator
IR Emitter
Image Generator
IR Emitte
Active Glasses
Image 2-27 Connecting stereo sources
2. Connect the BNC connector to the stereo IR emitter
Stereo settings
Different stereo settings have to be done :
•stereoinput settings in the Image menu : to match the Image generator to the projector. "Input stereo sync", page 64
•stereooutput & system settings in the Display setup menu : to match the projector to the emitters ,..."Stereo System Setup",
page 138
•stereodisplay settings in the Display setup menu : to decide how to display the video content. "Stereo display settings", page
118
Stereo input settings
DVI
2
IN2
IN1
IN2
IN1
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
Image Generator
Image 2-28 Stereo settings
RS 232 C
Stereo output & system settings
DESKTOP INPUT
IR Emitter
Active Glasses
Stereo display settings
IR Emitter
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
See the Display setup menu (for the stereo output and system settings) and the Image menu (for the stereo input settings)
2.7.7 Active Intec
TM
TheActiveInfitecTMfeature is optional: a software key is needed to activate it.
How to connect when using active IntecTMstereo ?
1. The input connection is done in the same way as described above but the stereo output signal is not requi Intec
TM
stereo glasses are required instead (these glasses are passive i.e. not switched).
redinthiscasesince
2.7.8 Network connection
What can be done ?
The projector can be connected to a network allowing it to be accessed from any connected network device. The Ethernet connection can be used to upload/download projector software and/or to set up communication (TCP-packets) with the projector. This network can be a local area network or a small dedicated network
Following operations are made possible :
le transfer for rmware upgrade
easy adjustment of projector
storage of multiple projector congurations and set ups.
wide range of control possibilities.
linking the projectors to allow uniform color (Linked Dynacolor) and brightness (CLO) ,...
•...
The connection to the projector can be done via a crossed cable or via a HUB on the local network (LAN).
The Ethernet connection is also used to allow the Desktop integration. The software on the delivered CDROM must therefore be installed on the desktop PC. See the Desktop integration software User Guide.
Connecting the projector to a network
1. Connect the RJ 45 male plug to the projector’s RJ 45 female connector
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 2-29 Network connection (RJ45)
See Network settings to set the communication port.
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2. Installation
The linking of projectors is treated in the section “Setup of the linked projectors in a multichannel system”
2.7.9 Network settings
CAUTION: Make sure that a DHCP server is available in the network and works ne.
In normal conditions, the network detection takes few seconds. This means that the total time needed to go from power ON to Standby mode is only a few seconds. This value can vary depending on the speed of the network connection.
But when the DHCP setting of the projector is set to Yes and the network does not allow the projector to an IP address from the DHCP server, the startup time will be delayed by upto ve minutes. After this time, a time-out occurs if the network detection fails, and the projector starts up without any network connection.
What can be done?
These settings are used to set the Ethernet Communication parameters.
Following parameters are available :
obtain
MAC Address MAC Address of the projector (This is a non-adjustable value programmed into the Ethernet
IP Address (Current) IP Address of the projector (This is a non-adjustable value).
Subnet Mask Subnet Mask (This is a non-adjustable value)
Gateway Gateway (This is a non-adjustable value)
DHCP
IP Address Fixed IP Address of the projector : this eld can be edited when Fixed IP is selected
Subnet Mask Subnet Mask : this eld can be edited when Fixed IP is selected
Gateway Gateway : this eld can be edited when Fixed IP is selected
Hostname Hostname : this eld can be edited when DHCP is selected
board).
DHCP setting:
Yes: The projector will dynamically obtain its IP address from the DHCP server.
No: The IP address needs to be entered manually. Note that when selecting F
the IP settings elds are enabled
ixed IP
How to set up the network settings ?
1. Press the MENU key to activate the Menu bar.
2. Push the cursor key or to highlight Installation in the menu bar.
3. Push the keytopulldowntheInstallation menu.
4. Push the cursor key or to highlight Network settings and press ENTER to select.
28
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Image 2-30
A dialog box will be displayed.
2. Installation
Image 2-31
5. Push the cursor key or to highlight the desired parameter.
6. Use the cursor key or , the numeric keys on the RCU, or the local keypad, to edit and change the values.
7. Press Apply settings to apply the changes
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
A dialog box is shown. The different executed operations are shown with a checkbox. The last operation Restarting network takes a few seconds more.
Image 2-32
2.7.10 Serial connection
What is possible with the RS232 connection?
1. Remote control: sending serial commands to control the projector (e.g. using a touchscreen device);
2. Data communications: sending data to the projector or copying the data from the projector to a memory device (hard disc, etc.).
Connect a serial communication line
1. Connect the Sub D9 connector from the RS232 cable to the RS232 input on the projector.
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 2-33 RS232 connection (serial communication)
2.7.11 Multichannel display systems
Overview
•LinkedCLO
Linked Dynacolor
•Linkedstereo
2.7.11.1 Linked CLO
Linking CLO in a multichannel display
The linking of the projectors to allow CLO and Dynacolor information interchange is done via the Ethernet connection.
To set the projector as Master see “Setup of the linked projectors in a multichannel system”.
system
30
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DVI
DVI
1
2
DESKTOP INPUT
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DESKTOP INPUT
2. Installation
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
Network switch
WAN
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
LAN1 LAN2 LAN3 LAN4 LAN5 LAN6
DESKTOP INPUT
Image 2-34 Linking pr ojectors
2.7.11.2 Linked Dynacolor
Linking Dynacolor in a multichannel system
The linking of the projectors to allow Dynacolor and CLO information interchange is done via the Ethernet connection.
To set the projector as Master see “Setup of the linked projectors in a multichannel system”.
2.7.11.3 Linked stereo
Linking stereo in a multichannel system
The genlocking for stereo is done using a coax link.
The projectors are connected in a daisy chain. Only the output side may drive IR-emitters.
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2. Installation
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
Image Generator
DESKTOP INPUT
DESKTOP INPUT
DESKTOP INPUT
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
Active Glasses
IR Emitter
IR Emitter
CadWall
Network switch
WAN
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
LAN1 LAN2 LAN3 LAN4 LAN5 LAN6
Image 2-35 Linked projectors for stereo
The stereo out sync signal available on the BNC output can be disabled, see “Stereo Sync out” in the instal­lation menu.
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2.8 Controls overview
F1
F2
F3
MENU
BACK
ENTER
PAUSE
AUTO IMAGE
PC
RGB
VIDEO
Fire Wire
DVI
IQ-PC
SDI
S-VIDEO
PHASE
PIP
TINT
COLOR
BRIGHTN
CONTR
FOCUS
LENS
ZOOM
LENS
ZOOM
DIGI
SHIFT
LENS
VOL
9
0
7
8
5
6
3 4
1
2
RCU
2. Installation
1
2
3
MENU
4
5
6
7
8
9
10
Image 2-36 Remote Control Unit
SDI
DVI
VIDEO
RGB
F1
PAUSE
AUTO IMAGE
IQ-PC
Fire Wire
S-VIDEO
LENS ZOOM
LENS FOCUS
F2
F3
BACK
ENTER
PIP
*
DIGI
ZOOM
PHASE
TINT
COLOR
BRIGHTN
PC
CONTR
LENS SHIFT
VOL
19
18
17
16
15
14
13
12
11
16
Image 2-37 Local keypad
S
N
LE
CE
R U
SO
6
18
17
The following table gives an overview of the different functionalities of the keys that can be found on the RCU:
1 Function keys Not used
2 MENU Menu key, to enter or exit the Tool bar menu
3 Address key
(Recessed key), to enter the address of the projector (between 0 and 9). Press the recessed address key with a pencil, followed by pressing one digit button between 0 and 9
4 LOGO Cycle through Focus and Convergence internal patterns
5
PAUSE To stop projection for a short time, press ’PAUSE’. The image disappears but full power is
retained for immediate restarting.
6
STANDBY Standby button, to start projector when the power switch is switched on and to switch off the
projector without switching off the power switch
Attention: Switching to Standby. When the projector is running and you want to go to standby, press the standby key for 2 seconds.
7
MUTE Not used
8 Auto image Not used
9 Digit buttons Direct input selection
10 Lens control Use these button to obtain the desired ZOOM, SHIFT, FOCUS
11 VOL Not used
12 Picture Controls Use these buttons to obtain the desired picture analog level
13 DIGI ZOOM Not used
14 FREEZ Not used
15 PIP Not used
16 ENTER To conrm an adjustment or selection in the menu
17 Cursor keys To make menu selections, to perform bare scale adjustments or to zoom/focus when the direct
18
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BACK To leave the selected menu or item (go upwards to previous menu)
19
RCU operation indication led
access is active
Lights up when a button on the remote control is pressed. (This is a visual indicator to check the operation of the remote control)
Page 40
2. Installation
The LCD display
The LCD display on the bottom of the front panel allows to inform the user on the status of the projector and other information like warnings etc.
Galaxy NW-12 standby
DESKTOP INPUT
Image 2-38 LCD Display
See the Appendix for a listing of the existing error messages.
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3. SETUP
DVI
DVI
1
2
DESKTOP INPUT
IN1
IN2
L1
STEREO INPUT
STEREO OUTPUT
L3
IN1
IN2
IN1
IN2
RS 232 C
DVI
R.C.
Overview
Powering up the projector
Starting up the projector
Setting up the Remote Control Unit address
Setting up the projector address (only if necessary)
Setting up the orientation
Adjusting the lens
Setup the baud rate for serial communication
Preferences
Setup of Linked projectors in a Multichannel system
3.1 Powering up the projector
How to power up the projector ?
1. Switch the power switch to “1”
3. Setup
DVI
DVI
IN1
IN2
IN1
IN2
IN1
IN2
L1
L2L2L3
STEREO INPUT
STEREO OUTPUT
DVI
R.C.
RS 232 C
DESKTOP INPUT
Image 3-1 Mains po wer switch
2. The software will be initialized. This may take up to 30 seconds. During this phase the LCD display is lit (1). The initialization is followed by the keypad lighting up briey (5 seconds) and the projector Standby status (2) .
1
Galaxy NW-12 standby
2
Image 3-2 Switch ON sequence
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3. Setup
57600
In normal conditions, the network detection takes about 25 seconds. This means that the total time needed to go from power ON to Standby mode can take up to 85 seconds. This value can vary depending on the speed of the network connection.
If the network cable is plugged in, but no real network is connected to it, this start-up time can take up to 120 seconds: 60 seconds where the backlight of the LCD display is ON but no message is displayed, increased by 60 seconds during which the LCD display shows the text BOOT.
Galaxy NW-12 Boot
Image 3-3
Standby status
The standby status is shown on the LCD display. An information eld will rotate between the following information strings :
Projector name
Hostname : this is the name dened in the network settings menu, see Network settings
IP address
Baudrate
RCU private address
RCU common address
Galaxy NW-12 standby
Galaxy NW-12
Common 0
Private 1
Image 3-4 Standby status
3.2 Startinguptheprojector
CAUTION: This projection product contains sev
in order to reproduce initial adjustments. If the environment (e.g. ambient temperature of the surrounding) is stable, the product will typically reproduce functional performance within 30 minutes and achieve optimal performance after 45 minutes (advised for dissipation of the product itself might inuence its environment; if not monitored and corrected via external responsive temperature controls, this might affect the typical settle time required.
Hostname
150.158.193.179
eral optical elements which require a certain warm up time
multichannel display systems). It should be noted that the heat
How to start up the projector ?
1. Press the Standby button on the RCU or on the local keypad
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Image 3-5
B
a
r
c
o
i
C
o
n
N
H
-
1
2
MENU BACK
PAUSE
9
PIP
LOGO
DIGI
ZOOM
0
PHASE
ENTER
3. Setup
LENS
E
C
R U
O S
Image 3-6
2. The projection lamp is started up. This may take up to 15 seconds. During this phase the LCD display and the keypad are lit (1). The progression is shown with the asterisk characters adding up (2). This is followed by the projector Power on mode (3).
Galaxy NW-12
Galaxy NW-12
Galaxy NW-12
standby
1
***
2
Power on
3
Image 3-7 Startup sequence
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3. Setup
Once the projector is operational, the information strings are rotating in the same way as in the standby mode (see Standby Status)
3.3 Setting up the Remote Control Unit address
RCU
Remote Control Unit
What has to be done?
To allow the communication between the RCU and the projector the RCU has to be programmed with the same address as the projector.
This address must be in the range 0-9.
To know the address of the projector, one can visualize it in projection mode (on screen) as well as in stan the LED’s on top cover of the projector).
At this stage, the image projected may happen to be upside down or mirrored, this can be set in the Installation menu under Projector orientation (see further setting up the projector’s orientation).
dby mode (shown with
Displaying the Projector Address in projection mode
1. Press the Address key (recessed key on the RCU) with a pencil.
MEN
U
PA
USE
9
0
BACK
EN T ER
PI P
L
OGO
DIGI
Z
OO
M
SE
PH A
Image 3-8
The projector’s address will be displayed on the screen in a Textbox
Programming the RCU
1. Push the address key If the address is not entered within 5 seconds, the RCU returns to its default address (zero address) and controls then all projectors in the room.
2. Enter the same address with the digit buttons within 5 seconds after pushing the address key.
The projector can now be controlled with the RCU.
For example : if the projector address is 3, then press "3" on the RCU to set the RCU’s address to match the projector’s address.
Common address/Projector address : Beside the projector address, the projector disposes also of a Common address which can be set to “0” or “1” (by default “0”).
In other words, an RCU set to address “0” will always control a projector regardless of its projector address (since it uses the common address).
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3.4 Setting up the projector address (only if necessary)
What can be done ?
The projector is shipped with projector address set to ”0”
In some cases the projector address must be changed, for example if an unique RCU is used to control 2 or more projectors (inde­pendently).
In the OSD menu Projector Address, the following addresses can be programmed :
Projector address: address dened by the user, may be from 0 to 255
0-9 is used for RCU communication, 0–255 being used for RS232 serial communication.
Common address : address may be 0 or 1
How to change the projector’s address ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation
3. Press to Pull down the Installation menu
4. Use or to select Projector address
3. Setup
Image 3-9
5. Press ENTER
A dialog box appears on the screen
Image 3-10
6. Enter the new projector address with the digit keys on the RCU, the local keypad or the cursor keys.
How to change the common address ?
1. Proceed in the same way as for the projector address
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3. Setup
3.5 Setting up the orientation
What must be done ?
Depending on the mechanical orientation of the projector, the projector’s internal settings have to be adapted.
The projector is shipped (default) with a table/front orientation.
How to set the orientation ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Orientation
5. Press to pull down the menu
6. Use or to select the desired orientation
Image 3-11
7. Press ENTER
The projection is adapted and a bullet shows the active conguration.
3.6 Adjusting the lens
What must be done ?
Depending on the projection distance and the lens used, the image may not be at the desired size, position and/or may be out of focus.
The projector will always allow you to shift your image Vertically as well as horizontally to position it on the screen. In addition, motorized lenses will also allow you to Zoom and focus the image.
All these lens parameters can be adjusted using the RCU, the local keypad or in the Installation menu of the projector’s OSD.
Zoom (only for motorized lenses)
Focus (only for motorized lenses)
horizontal/vertical Shift
The lens can also be adjusted via the dedicated keys on the remote.
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How to Zoom/focus or shift via the RCU (or keypad)
1. Press LENS ZOOM or LENS FOCUS or LENS SHIFT on the RCU
4
3
BR
IGHTN
2
1
C
O
NTR
L
EN
S
L
EN
S
ZOOM
SH
I
FT
L
EN
S
F
OCUS
VO
L
Image 3-12
2. Use the arrow keys to adjust
MENU BACK
ENTER
PAUSE
9
Image 3-13
PIP
LOGO
DIGI
ZOOM
0
PHASE
3. Setup
How to Zoom/focus or shift in the OSD ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation
3. Press to Pull down the Installation menu
4. Use or to select Lens adjustments...
Image 3-14
5. Press ENTER
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3. Setup
A text box appears on the screen, follow the instructions.
Image 3-15 Image 3-16
The use of a sheet of paper held in front of the screen can be useful to determine the focus plane (position for best focus)
3.7 Setup the baud rate for serial communication
What can be done ?
The RS232 IN port of the projector allows you to communicate with any other equipment disposing of an RS232 port (generally a PC) using the RS232 protocol. The baud rate must be set to the same value on both the projector and the other equipment.
How to change the baud rate?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select RS232 baud rate
Image 3-17
5. Press to pull down the menu
6. Use or to select the desired baud rate
7. Press ENTER
42
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Always select the highest rate unless otherwise specied.
3.8 Preferences
Overview
Language setting
Automatic startup
Change password
3.8.1 Language setting
How to change the Language ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Language
5. Press to pull down the menu
6. Use or to select the desired language
3. Setup
Image 3-18
7. Press ENTER
The language is adapted and a bullet shows the active selection.
3.8.2 Automatic startup
What can be done ?
The automatic startup allows to bypass the standby state i.e. start up without going in standby state after switching on the projector.
This means that the automatic startup allows immediate restart of the projector after a power failure (breakdown), i.e. without passing through the standby state, by recovering the previous settings (previous source,...).
This function can be disabled if undesired or inadequate for safety reasons.
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3. Setup
CAUTION: If the Automatic startup function is enabled one must be aware of the fact that it involves safety
precautions
Make sure that the projector (or the operators!) will not be affected by altered environmental conditions when restarting at power resume.
Unless it is required, it is advised to leave this setting OFF.
How to enable/disable the Automatic startup?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Automatic startup
5. Press to pull down the menu
6. Use or to enable/disable the automatic startup
Image 3-19
7. Press ENTER
3.8.3 Change password
What can be done ?
The password used to access the advanced (More...) items can be reprogrammed.
How to change the password ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Change password..
44
.
R59770718 GALAXY NW SERIES 20/06/2013
Page 51
Image 3-20
5. Press ENTER
3. Setup
Image 3-21
3.9 Setup of Linked projectors in a Multichannel system
What can be done ?
The user interface of the projector allows to link up to 10 (slave) projectors to a single Master projector. The linking itself is done through an Ethernet connection (see Communications, "Connections", page 21). The ’software’ linking itself is done in the Linked projectors menu of the Instal
A single dialog box allows to declare (in the Master projector ! ) the 10 slave projectors by their IP address or host name and to set the following parameters to be controlled by the Master i.e. it allows to add the projector to the different control loops by a simple check :
CLO: adding the projector to this control loop will allow the brightness (light output) of the projector to be controlled by the master
Dynacolor : adding the projector to this control loop will allow the displayed primary and secondary colors of the projector to be
controlled by the Master
Stereo : adding the projector to this control loop will allow the stereo output settings (Dark time, invert stereo, Phase) and the
stereo mode to be controlled by the Master
This information has to be declared in the Master projector since this projector must know all the projectors it has to talk to.
The linked projector menu in the Slave projectors will remain greyed out.
lation menu.
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3. Setup
In the Master projector, Stereo Mode may not be set to Auto.EitherAlways active or Intec must be selected.
The BNC cords between the projectors(coaxial link for stereo sync genlock) must be connected prior to check­ing the Stereo boxes in the Linked projectors dialog box of the Master projector.
How to start up the linked projector menu ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Linked projectors...
Image 3-22
5. Press ENTER
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Page 53
A dialog box is displayed
3. Setup
Image 3-23
How to set a projector to Master ?
1. In the linked projector menu of the projector to be set as Master, Select the Master check box and press ENTER
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3. Setup
Image 3-24
How to set a projector as Slave ?
1. In the linked projector menu of the master projector, Select the Hostx check box and press ENTER
The ip address edit box is enabled
2. Fill in the IP address or Host name of the projector to be declared as slave i.e. to be controlled by the Master For example IP address 150.158.193.110
3. Select and press ENTER for the desire
It is advised to declare the projector by a Host name (unique name in the network).
The Dynacolor options are used to perform the Dynacolor linking, see Dynacolor adjustment in the Display Setup menu.
To clear an IP address or Host
d parameters to be controlled by the master i.e. CLO and/or Dynacolor and/or Stereo
name from the text box use the C button
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4. GETTING STARTED
AUT
O IMAGE
PC
RGB
VIDEO
Fire W
ire
DVI
IQ-PC
SDI
S-VIDEO
PHASE
TINT
COLOR
BRIGHTN
CONTR
ZOOM
DIGI
9
0
7
8
5
6
3 4
1
2
AUT
O IMAGE
PC
RGB
VIDEO
Fire W
ire
DVI
IQ-PC
SDI
S-VIDEO
PHASE
TINT
COLOR
BRIGHTN
CONTR
ZOOM
DIGI
9
0
7
8
5
6
3 4
1
2
Overview
Starting up the projector
Selecting a source
Adjusting the image
4.1 Startinguptheprojector
How to start up the projector ?
1. Press the Standby button on the RCU or on the local keypad. See Setup for the detailed projector startup sequence.
4.2 Selecting a source
How to select a source ?
1. Press the digit, corresponding to the desired source, on the remote control.
4. Getting started
AUT
O IMAGE
SDI
DVI
VIDEO
RGB
IQ-PC
Fire W
S-VIDEO
DIGI
ZOOM
PHASE
TINT
ire
COLOR
BRIGHTN
PC
CONTR
Image 4-1
4.3 Adjusting the image
How to adjust the image ?
1. Use the Image setting buttons on the RCU
AUT
O IMAGE
SDI
DVI
VIDEO
RGB
IQ-PC
Fire W
S-VIDEO
DIGI
ZOOM
PHASE
TINT
ire
COLOR
BRIGHTN
PC
CONTR
Image 4-2
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4. Getting started
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5. ADVANCED
Overview
Using the menu
Using the Dialog boxes
Source selection
Image
Image les
Geometry
Lamps
General
Display setup
Installation
Service
5.1 Using the menu
Menu Layout
A grey line (menu separator) indicates the transition between standard and advanced me
Three suspension points indicate that the menu item hides a dialog box or a text box.
5. Advanced
nu parameters.
Image 5-1
The menus inserted in this manual are of the advanced type: a standard user on the screen will hence not correspond with the menus in the manual i.e. the advanced items will not be visible, they will be replaced with "More..."
Greyed out menus or menu items are not available
ll the items are visible. The menus seen by a
Menu password
The advanced menu items are only visible after entering a password. The default password is ’0000’ .
This password can be changed in the Installation menu.
How to pull down a menu ?
1. Use to pull down a menu
Howtopulldownasubmenu?
1. Use to pull down a submenu
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5. Advanced
How to exit the submenu ?
1. Press BACK to exit a submenu
Press MENU to exit the menu
When the menu has been exited for more than 1 minute, the advanced user password has to be re entered.
5.2 Using the Dialog boxes
How to use the dialog boxes ?
Some parameters are modied by means of a dialog box, where selections can be made and/or values can be entered.
The values can be entered in several ways:
Entering numeric values using the numeric keys on the remote control
1. Press ENTER to activate the input eld.
Image 5-2
2. Key in the desired value.
Entering numeric values using the arrow keys on the remote control
1. Press ENTER to activate the input eld.
2. Press or to select the digit to be changed.
Image 5-3
3. Press or to increase or decrease the value.
Entering numeric values using the arrow keys on the local keypad
1. Press ENTER to activate the input eld.
2. Press or to select the digit to be changed.
3. Press or to increase or decrease the value.
To con rm the changes always press ENTER.
Use or to browse between the different elds.
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5. Advanced
In some cases an alphanumeric value (le name, ...) has to be entered. Use or to scroll through the char­acter values once the input eld is activated.
Following characters can be browsed in this particular order:
Decimal scroll list: 0123456789
Signed decimal scroll list: 0123456789-
ASCII scrolllist:ABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789+-*/&@#.;.abcdefghijklmnopqrstuvwxyz
5.3 Source selection
Overview
Source selection
•DVI
5.3.1 Source selection
Selecting a source
The Source selection menu allows to select one of the different inputs. Another method to select an input source is via the remote control using the numeric keys or by using the local keypad.
Selecting a source from the menu bar (OSD) will always display that source in a full screen mode.
The source names in the menu bar are adapted automatically depending on the type of boards installed in the projector. For example :
•L1PC
•L1DVI
•L3DVI-1
•L3DVI-2
•...
In this case, an VGA–DVI board is installed in the rst layer (L1), a twin DVI board is installed in the third layer (L3) ,...
When selecting a source with a different aspect ratio than the projector’s resolution aspect ratio), the source can be shown in its native resolution or can be re-scaled to the projector’s resolution, the latter case brings of course some loss of quality.
The resolution of the projector is 1920 x 1200, which is an aspect ratio of 16:10
5.3.2 DVI
Both single link and dual link DVI signals are accepted by this board.
Selecting a DVI input
In this procedure, we are selecting one of the DVI connectors of layer 3.
1. Press MENU to activate the Menu bar
2. Press to Pull down the Source Selection menu
The menu contains an item L3 DVI-1 and an item L3 DVI-2
3. Use or to select L3 DVI-x
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Image 5-4
4. Press ENTER to conrm your choice
A bullet indicates the selected DVI source which now appears on the screen.
Adjustments on a DVI signal
The digital nature of this signal eliminates the need of most adjustments
5.4 Image
Overview
Image settings
Aspect ratio
Color temperature
Input balance (RGB signals only)
Input stereo sync
Passive Intec
Passive to Active Stereo
5.4.1 Image settings
5.4.1.1 Setting the Contrast
Contrast adjustments
Adjust the contrast to “brighten” the white parts of the image.
It is recommended to adjust the brightness before adjusting the contrast.
How to change the Contrast
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Contrast
7. Press ENTER
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On the screen appears now a slider box
Image 5-5
8. Use or , the numeric keys on the remote, or the keypad to change the contrast
5.4.1.2 Setting the Brightness
Brightness adjustment
Adjusting the brightness will affect the dark areas of the image. Increase the brightness to “lighten” up the parts that are too dark.
How to change the Brightness
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Brightness
7. Press ENTER
On the screen appears now a slider box
5. Advanced
Image 5-6
8. Use or , the numeric keys on the remote, or the keypad to chan
ge the brightness
5.4.1.3 Gamma
Gamma adjustment
The gamma parameter determines the way your encoded (luminance) signal is transformed into brightness at the output of the pro­jector. A correct gamma setting will allow the use of a maximum of gradations (brightness levels) in the projected image. Changing the gamma mainly changes the midtones of the image.
How to adjust the Gamma
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Gamma
7. Press ENTER
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On the screen appears now a slider box
Image 5-7
8. Use or , the numeric keys on the remote, or the keypad to change the Gamma
5.4.1.4 Phase (RGB signals only)
Phase adjustment
A bad phase adjustment will result in bad transitions and sometimes noise. (for example text will not be clear).
How to adjust the Phase
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Phase
7. Press ENTER
On the screen appears now a slider box
Image 5-8
8. Use or , the numeric keys on the remote, or the keypad to chan
ge the Phase
5.4.2 Aspect ratio
Aspect ratios
The standard aspect ratio used in broadcast television is the 4:3 ratio.
TM
However, most of the DVD sources nowadays use the wide screen 16:9 or even the Cinemascope
Some DVD sources may even use the anamorphic 16:9 or anamorphic 2.35:1 to take advantage of the higher vertical resolution offered by the 4:3 ratio. The term “anamorphic” means that the original wide screen image is squeezed in order to t the 4:3 aspect ratio.
4:3
Image 5-9 Common non- anamorphic aspect ratios in (non-HDTV) DVD sources
16:9
2.35:1 aspect ratio.
2.35:1
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16:9
2.35:1
16:9
2.35:1
Image 5-10 Anamorphic aspect ratios in (non-HDTV) DVD sources
In native HDTV DVD players the image is a real 16:9 format.
Image 5-11 Aspect ratios in native HDTV DVD sources
5. Advanced
16:10
Image 5-12 Aspect ratio for WUXGA (1920x1200)
What can be done ?
The aspect ratio setting forces the projector to project an image using a dened aspect ratio :
•Auto
•4:3
16:9
16:10
•5:4
•Custom
The settings do not refer to the aspect ratio of the source !
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SOURCE PROJECTOR SETTING
4:3
16:9
native16:9
16:10
16:104:3
Image 5-13
We can conclude that the thumb rule for DVD projection is to always leave the projector in 4:3 format (except when dealing with anamorphic sources).
The Auto function calculates an aspect ratio based on the information stored in the image les whereas Custom allows to set a personnel ratio.
The aspect ratio setting only affects the active source window, the desktop being locked on the native aspect ratio.
How to change the Aspect ratio ?
1. Press MENU to activate the Tool bar
2. Press to select Image
3. Press to Pull down the Image menu
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Image 5-14
4. Use or to select Aspect ratio
5. Use open the Aspect ratio menu
6. Use or to select the desired ratio
7. Press ENTER to conrm
The aspect ratio settings are greyed out in case the Show native resolution or the Full screen representation setting is enabled.
How to set a custom Aspect ratio ?
1. Press MENU to activate the Tool bar
2. Press to select Image
3. Press to Pull down the Image menu
5. Advanced
Image 5-15
4. Use or to select Aspect ratio
5. Use open the Aspect ratio menu
6. Use or to select Custom
7. Press ENTER to conrm
A dialog box is displayed
Image 5-16
8. Enter the values for width and height of the image
The image aspect ratio is updated.
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5.4.3 Color temperature
What can be done ?
The color temperature can be selected for the white point of the source. This is done according to the type of source:
•Projectorwhite
computer : 9300 K
Video : 6500 K
Film : 5400 K
Broadcast : 3200 K
These calibrated presets can be selected and will provide optimum color tracking.
Changing the Dynacolor settings will not affect the (white) color temperature of the source. Except if the color temperature is set to “projector white”.
In the Desktop integration mode the color temperature can be set for each window separately.
How to select a preset color temperature ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Color temperature
5. Press to pull down the menu
6. Use or to select the desired preset color temperature
7. Press ENTER
The color temperature of the image is adapted and a bullet shows the active setting.
Image 5-17
5.4.4 Input balance (RGB signals only)
Introduction: Unbalanced color signals
When transporting signals, there always is a risk of deterioration of the information contained in the signals.
The alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced.
B
0.7V
Image 5-18
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Black level
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R
Image 5-19
G
R
Δ
B
G
Δ
ΔΒ
Black level
The objective of input balancing
The objective in input balancing is to “set” the same black level and the same white level for the three colors of a particular input source.
Black level setting : brightness
White level setting : contrast
The same absolute black and white level for the three colors allows the same reference for brightness and contrast control of the picture!
These two references also set the range in which the ADC will work for that particular source (this also explains why each input balance setting is linked to a particular source and thus saved in the image le).
How can it be done ?
To balance the three color signals of a particular source there are conditions; in fact we must know the black and the white level of the source i.e. :
1. the considered source must be able to generate a white signal, ideally a 100% white (background) full screen pattern
2. the considered source must be able to generate a black signal, ideally a 100 % black (background) full screen pattern
A
Image 5-20
White balance : In the projector, we will set the contrast for each color until we get a 100% light output picture when projecting a 100% white image (image A)
Black balance : In the projector, we will set the brightness for each color until we get a 0% light output picture when projecting a 100% black image (image B).
The black balance can be done automatically with Automatic Black level.
The changeover from min to max is indicated by the apparition of bright spots, also called “digital noise”
B
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An alternative to a full screen white/black pattern is a black-and-white checkerboard pattern where the white blocks will be used for white balance and the black blocks for black balance.
Image 5-21
How to set Automatic Black level ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Input balance
5. Press to pull down the menu
6. Use or to select Automatic Black level...
7. Press to pull down the menu
8. Use or to enable (ON)ortodisable(OFF) Automatic Black level
Image 5-22
9. Press ENTER to conrm
A white bullet shows the active setting
Performing Black input balance
1. Select a black pattern (or gray scale as alternative)
2. Press MENU to activate the Tool bar
3. Press to select the Image item
4. Press to Pull down the Image menu
5. Use or to select Input balance
6. Press to pull down the menu
7. Use or to select Black level...
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Image 5-23
8. Press ENTER
A dialog box is displayed
9. Adjust the red black level on a minimal value
5. Advanced
Image 5-24
10.Adjust the blue black level to a minimal value
Note: this minimal value is not necessary , provided that the 2 other colors are not inuencing too much the color to be adjus ted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the transition (bright spots) due to the contribution of these two other colors signals.
11.Adjust the Green black level until bright spots appear on the black part of the image
12.Adjust the Blue black level until bright spots appear on the black part of the image
13.Adjust the Red black level until bright spots appear on the black part of the image
The projected image should now be noisy neutral grey.
If one uses a checkerboard pattern, the bright spot
Black Level... is greyed out if Automatic Black level is enabled (ON).
s should appear in the black blocks.
Performing White input balance
1. Select a white pattern (or gray scale as alternative)
2. Press MENU to activate the Tool bar
3. Press to select the Image item
4. Press to Pull down the Image menu
5. Use or to select Input balance
6. Press to pull down the menu
7. Use or to select White level...
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Image 5-25
8. Press ENTER
A dialog box is displayed
9. Adjust the red white level (gain) on a minimal value
Image 5-26
10.Adjust the blue white level (gain) to a minimal value
Note: this minimal value is not necessary , provided that the 2 other colors are not inuencing too much the color to be adjus ted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the transition (bright spots) due to the contribution of these two other colors signals.
11.Adjust the Green white level (gain) until bright spots appear on the white part of the image
12.Adjust the Blue white level (gain) until bright spots appear on the white part of the image
13.Adjust the Red white level (gain) until bright spots appear on the white part of the image
The projected image should now be noisy neutral grey.
If one uses a checkerboard pattern, the bright spot
The input balance settings are stored in the image le, each source has its own input balance.
s should appear in the white blocks.
5.4.5 Input stereo sync
What can be done?
This menu allows different settings on the incoming stereo sync signal to allow the perfect match with the Image Generator or PC.
With Swapped Fields we can swap the left and right elds of the stereo image at the input stage i.e. the left eld will be processed in the projector as left eld or as right eld and the right eldprocessedaslefteld or right eld.
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Field 1 (Left)
Field 2 (Right)
Field 1 (Left)
Normal
Left
Stereo Sync
Right
Swapped fields
Left
Stereo Sync
Right
t
Image 5-27 Stereo Swapped elds
It is also possible to select only eld 1 or only eld 2 This will, of course, remove the stereoscopic effect in the projected image.
The swap eld function acts at the input while the Invert S output.
Howtoswaptheelds ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Input stereo sync
5. Press to pull down the menu
6. Use or to select Swapped Fields
Image 5-28
7. Press ENTER
A white bullet shows the active setting
tereo (see Display setup) acts on the stereo emitter
How to select a eld ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
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3. Press to Pull down the Image menu
4. Use or to select Input stereo sync
5. Press to pull down the menu
6. Use or to select Only eld 1 or Only eld 2
Image 5-29
7. Press ENTER
A white bullet shows the active setting
5.4.6 Passive Intec
Introduction
Passive Intec is the stereo technology where two projectors are used to display a stereoscopic image to viewers wearing Passive Intec eyewear. One projector has a “left” Passive Intec lter and displays the left image, whereas the other projector has a “right” Passive Intec lter and displays the right image. When looking through Passive Intec eyewear, a nice stereoscopic image can be seen.
If your projector has the Passive Intec stereo option on board, the according menu item becomes enabled. The moment you select a Passive Intec stereo source, you must make the selection in th displaying mono sources or Active (Intec) stereo sources, the Passive Intec lter must be moved out of the light path by selecting the corresponding setting in the OSD.
e OSD to move the Passive Intec lter in the light path. While
HowtomovethePassiveInfitec filter into the light path?
1. In the OSD, highlight Image > Pa ssive Intec > On
Image 5-30
2. Press Enter to conrm the selection. The Passive Intec lter moves into the light path.
Note: It takes some time before the Passi
ve Intec lter has fully moved into the light path.
How to move the Passive Intec lt
1. In the OSD, highlight Image > Pa ssive Intec > Off
66
er out of the light path?
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Image 5-31
2. Press Enter to conrm the selection. The Passive Intec lter moves out of the light path.
Note: It takes some time before the Passive Intec lter has fully moved out of the light path.
5.4.7 Passive to Active Stereo
Introduction
If your Galaxy NW projector has two dual link DVI input boards present, the projector can be used t (i.e. separate signals for Left eld and Right eld) into an Active Stereo image.
Overview
Passive to active stereo conversion
Combining passive stereo inputs into an active stereo image
5. Advanced
o convert Passive Stereo images
5.4.7.1 Passive to active stereo conversion
Description
From projector software version 3.04 on, it is possible to combine two passive stereo input signals and display an active stereo image. One of the input signals presents the right image content, while the other input signal presents the left image content.
Input signal requirements
The input signals must meet some specic requirements:
only DVI input signals are supported
the input signals must each be connected to a different input layer on the projector
to avoid image artifacts, both input signals must be identical (resolution, timing-format, ...) and externally frame-locked
Active image features and restrictions
Both input signals are displayed on top of each other, as two full screen images (or full screen “PiP’s) exactly aligned onto each other. This implies that only one of the displayed imag image is the input signal linked to Source 1 in the Passive to Active Stereo Conguration dialog box. It is possible to select the other image by pressing the PiP Adjust buttonontheRCU.
This is important because:
changing image settings (e.g. Contrast, Brightness, Gamma, ...) is only applied to the selected image;
the sync of the selected image is used to display Scaled Patterns.
es can be selected at a time (e.g. to change Contrast). By default the selected
5.4.7.2 Combining passive stereo inputs into an active stereo image
How to dene the Right and the Left input signal?
1. Connect each active stereo DVI input signal to a different input layer on the projector.
2. Check the presence of the input signals in the Source selection menu: select a different source (e.g. L1 PC). A Barco logo is visible in front of both corresponding DVI input connectors if the signals are present and detected.
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Source selection
L1 PC L1 DVI
L3 DVI-1 L3 DVI-2
Image 5-32 Two DVI signals detected
3. Browse to Image > Passive to Active Stereo... and click Enter.
Image 5-33
4. Click the button next to Source 1.
Image 5-34
5. From the list select the input connector to which the Right input signal is connected and conrm by pressing Enter.
Image 5-35
Note: In case of Intec stereo mode, Source 1 mus t be linked to the Right image and Source 2 mus t be linked to the Left
image. This is not c ritical in case of Always active stereo mode, since the sync signal towards the emitter(s) can be inverted through the OSD (Display setup > Stereo > Invert > On/Off).
6. Repeat step 4 and step 5 to link the Left input signal to Source 2.
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7. Store the settings by clicking Apply or store the settings and leave the menu by clicking OK.
How to display an active stereo image starting from two passive stereo input signals?
1. Browse to Image > Passive to Active Stereo... and click Enter.
Image 5-36
2. Check the radio button next to Status On.
5. Advanced
Image 5-37
A message can be read: Please s elect a s tereo display mod e!
3. Click OK to store the Status On setting and leave the dialog box.
4. Browse to Disp lay setup > Stereo mode and select Always active or Intec.
Image 5-38
The active stereo image is now displayed, and the image brightness has dropped.
CAUTION: If Auto is selected, only one out of both passive stereo source signals is displayed in mono.
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Quickcheckoftheactivestereoimage
1. Make sure that both previous procedures in this section have been performed in a correct way.
2. Open the Source selection drop down menu: both the connectors that have been linked to the Sources should have a bullet to indicate that they are currently displayed.
Source selection
L1 PC L1 DVI
L3 DVI-1 L3 DVI-2
Image 5-39 Two sources displayed simultaneously (bullet); one source available (Barco logo)
3. Browse to Installation > Scaled patterns and select Moving Hatch...
Image 5-40
You should now see the Moving Hatch pattern and the Left image content at the same time.
5.5 Image les
Overview
Introduction to Image les
Load le
•Forcedfile load
Auto Image
•Edit
Save as (create a custom le)
Rename le
Copy
Delete
5.5.1 Introduction to Image les
Image les
An image le contains the main characteristics of a source (number of active lines,...). The projector’s memory contains a list of les corresponding to the most common sources : standard les.
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When a new source corresponds to one of these les, a custom le is created. The custom le is automatically saved if a setting is altered (contrast, ...). The Save as... function allows to create and save a custom le.
The active lecanalwaysbeeditedinordertot exactly the source specications.
AutoImage creates automatically the best suited image le (custom le) for a new source. AutoImage is used when :
- a new source is detected: AutoImage creates a new custom le which can always be edited if necessary.
- the AutoImage is launched via the button on the RCU, the projector’s OSD or from the desktop’s OSD
File notation
The notation of the image le happens as follows :
/Standard/SXGA+@60.xml
file extension = xml
Vertical freq
Resolution
Type of file : standard or custom
Image 5-41
5.5.2 Load le
When to load a le ?
In some cases the user wants a particular le to be used for the display of a particular source. In this case the user should load the desired le from the image les menu. The load le option will allow the user to choose between several les corresponding more or less to the active source specications.
In normal operation the le selection (load) will be done automatically by Auto Image.
Howtoloadale ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select Load
Image 5-42
5. Press ENTER A dialog box is displayed
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Image 5-43
6. Use or to select the desired le
Tip: For more information (specications) on the image les see the Appendix section
7. Press ENTER
The le is loaded and the image is adapted.
What to do if the image is not perfect ?
If the displayed image is not correct after Auto Image or after selecting the best tting le, go to the Edit menu, select the active le and change the settings.
5.5.3 Forced le load
Forced le load
In some cases the user wants only one particular le to be loaded for a particular input (source) i.e. to prevent the (automatic) load of an inadequate le.
One can link a le to every input of each layer.
If a le is already selected (forced) to that particular input it will be indicated in the menu.
How to force a le to be loaded ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select Forced le load
5. Press to open the menu
6. Use or to select the desired layer (for example Layer 1)
7. Press to open the menu
8. Use or to select the desired input
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Image 5-44
Note: Inputs that are not hardware compatible with this layer are greyed out.
Note: if a le is already forced for that input it will be shown on the right.
9. Press ENTER The Load dialog box is displayed
10.Use or to select the desired le (for example /Standard/SXGA+@60.xml)
11. P re ss ENTER
The le is selected and will be loaded in the future.
5. Advanced
To delete the forced le, go to the desired input and press ENTER.
5.5.4 Auto Image
What can be done ?
Auto Image creates the best suited image le for the connected source.
It calculates/measures several source parameters :
Total pixels per line
•Startpixel
•Phase
Contrast/Brightness levels
Auto Image only works for data images.
The measure of the total number of pixels per line can be done through 2 methods
Limited scan: a windowing system is used to allow fast tracking.
The operation takes about 20 seconds (depending on le)
Full scan: tracking is done over the full range.
The operation takes about 1.5 minutes (depending on le)
HowtolaunchAutoImage?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select Auto Image
5. Press to open the menu
6. Use or to select the desired le scan method
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Image 5-45
7. Press ENTER
AutoImage acts on the active window. The image in the window may move and change in aspect during the AutoImage process.
Auto Image can also be launched via the RCU with the dedicated AutoImage key.
5.5.5 Edit
What can be done with the Edit le menu ?
The Edit le menu makes it possible to change the settings of the le according to the real settings of the connected source. Consult the source specications before entering the data.
only the active le can be edited
How to edit a le ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select Edit
Image 5-46
5. Press ENTER
74
A dialog box containing the active le is displayed
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Image 5-47
6. Use or , the numeric keys on the remote, or the keypad to edit and change the values, conrm with ENTER
Note: greyed out elds can not be updated (total pixels)
5. Advanced
Which items can be adjusted ?
The following items can be adjusted :
Total horizontal pixels
Active horizontal pixels
Horizontal start in pixels
Horizontal period in ns
Active vertical lines
Vertical start in lines
Advanced settings for Analog Data sources (e.g. RGB HS/VS)
The advanced button enables the advanced settings for a data source.
Image 5-48
Color space : allows to select between 5 different color spaces
-RGB
-ITU_BT_709
- SMPTE_240M
-ITU_BT_601
-EBU
Clamp position : allows to set the clamp pulse position in the clamping circuit
Clamp width : allows to set the width of clamp pu
lse in the clamping circuit
It is recommended to use the default values.
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Advanced settings for Digital Data sources (DVI and HDSDI)
The advanced button enables the advanced settings for a DVI source.
Image 5-49
UsePictureBox can be disabled (0) or enabled (1). By default, it is disabled which means that only few timings can be changed. In case of a DVI source this is not a problem.
In very specic situations however (e.g. iBlend), more changes to the timings may be needed, such as the setting of the Start pixels,
Active pixels, S tart lines, Active lines. In that case, hit Enter and change the slider to position 1, thus enabling more settings in the Edit le menu.
Image 5-50
In the current software versions (1.22 for (Galaxy)NH-12, 1.23 for (Galaxy) NW-12, 1.02 for SIM 5W), changing the UsePictureBox settings also inverts the interlacing!
5.5.6 Save as (create a custom le)
Creating a custom le
When the loaded le is a standard le there is a possibility of saving it as a custom le (= creating a custom le) , this is done with the save as function. The saved le will always be a custom le (saved in the custom directory)
For sources that are often used, a custom le should be created. This custom le will then be loaded auto­matically and will prevent the AutoImage from being launched.
How to save a le ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select Save as...
Image 5-51
5. Press ENTER
76
A dialog box is displayed Use or →, ↓ or the numeric keys on the remote, or the keypad to edit and change the le name, conrm with ENTER.
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Image 5-52
5.5.7 Rename le
How to rename a le ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select Rename
5. Advanced
Image 5-53
5. Press ENTER A dialog box is displayed Use or →, ↓ or the numeric keys on the remote, or the keypad to edit and change the values, conrm with ENTER.
Image 5-54
5.5.8 Copy
Copy a le
The copy function allows to copy a le (standard or custom) to a custom le (to the custom directory).
How to copy a le ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select co py
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Image 5-55
5. Press ENTER A dialog box is displayed
Image 5-56
6. Use or to select the le to be copied
7. Press ENTER
The le name is copied in the edit eld
8. Use the keys on the remote to change the name of the destination le
5.5.9 Delete
How to delete a le ?
1. Press MENU to activate the Tool bar
2. Press to select the Image les item
3. Press to Pull down the Image les menu
4. Use or to select delete
Image 5-57
5. Press ENTER
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A dialog box is displayed
Image 5-58
6. Use or to select the desired le
7. Press ENTER
The selected le is deleted and is removed from the list
5.6 Geometry
Overview
Introduction
Geometry les
Accessing the Geometry menu
Geometry distortions
Load
•Edit
Rename a Geometry File
Copy a Geometry File
Delete a Geometry File
5. Advanced
5.6.1 Introduction
What can be done ?
With the geometry corrections, this projector can be used in a wide variety of curved and at-screen applications, ranging from at or straightforward cylindrical displays to the wildest shapes that can be imagined: by pre-distorting the image inside the projector, a correct geometry can be achieved on curved screens, without requiring additional computational power on the IG’s side.
5.6.2 Geometry les
Description
A geometry le contains the geometry corrections. The proje demonstrate the warping capabilities of the projector. These les are called standard les.
The active lecanalwaysbeeditedinordertot exactly the screen shape. Editing a standard le will automatically create a custom le.
The le notation in the Geometry les menu describes a le path.
For example : /Standard/Dist_le1.xml
ctor’s memory contains a list of les created for demo purposes e.g. to
/Standard/Dist_file1.xml
file extension = xml
file name
Type of file : standard or custom
Image 5-59 Geometry le notation
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5. Advanced
Standard le directory, also the type of le : Custom or Standard
Dist_le1 le name
xml
le extension
Available Geometry operations
Load : loads an existing standard or custom geometry le
Edit : allows to edit a custom geometry le
Rename : allows to rename the geometry le
Copy : allows to copy the geometry le
Delete : allows to delete the geometry le
5.6.3 Accessing the Geometry menu
How to access the Geometry menu ?
1. Press MENU to activate the Tool bar
2. Press to select Geometry
3. Press to Pull down the Geometry menu
Image 5-60
5.6.4 Geometry distortions
What can be done ?
The geometry adjustment consists of the entire image divid
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Image 5-61 The screen is divided in 33x33 regions
ed in 33x33 regions that can be shifted to the desired location.
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Modes and Levels
The geometry adjustment is divided in 6 groups or modes :
•2x2
•3x3
•5x5
•9x9
17x17
33x33
These modes represent 21 levels, each level represents a group of points (or zones). Each level will interact with other levels, adjusting a point on a certain level will affect points in the levels underneath.
The level of the adjustment gives a measure of this impact. A level 1 adjustment happens on the 4 corners of the image and will thus affect the whole image whereas a level 21 will only affect the adjusted point (called local points).
This interaction is also visible in the edit menu (see Geometry Edit wizard)
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Image 5-62 Geometry levels
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Level Hierarchy
The fact that the adjustment affects other points means that a certain hierarchy must be respected when adjusting the geometry.
The hierarchy or levels are indicated in the following image
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7
2x2
3x3
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Level 1
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33x33
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Image 5-63 Geometry level hierarchy
On top of this hierarchy, the 2x2 points. Adjusting points on level 1 will affect level 2 till 21.
At the bottom of the structure we nd the 33x33 points adjustment, adjusting grid points on level 21 will not affect any other points, these are called local points.
5.6.5 Load
How to load a geometry le ?
1. Press MENU to activate the Tool bar
2. Press to select Geometry
3. Press to Pull down the Geometry menu
4. Press to select Load
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5. Press ENTER
A dialog box is displayed
Image 5-64
6. Use the cursor key and to select the desired geometry le
7. Press ENTER
Tip: When starting a new geometry setup it is advised to select the “No_Distortion” le.
The le is loaded and the geometry settings are adapted.
5. Advanced
5.6.6 Edit
The images below show adjustments performed on a hatch pattern generated internally by the projector (see internal patterns).
Overview
Accessing the Geometry Edit menu
Geometry Edit wizard
Geometry Edit Modes
Editing a geometry le
•Axislink
Shift Adjustment
Transport Delay
Sharpness
Geometry Reset
5.6.6.1 Accessing the Geometry Edit menu
How to access the Geometry Edit menu ?
1. Press MENU to activate the Tool bar
2. Press to select Geometry
3. Press to Pull down the Geometry menu
4. Press or to select Edit
5. Press to open the Edit menu
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Image 5-65
5.6.6.2 Geometry Edit wizard
The geometry wizard
When entering the Edit mode, the Edit dialog box is displayed. When selecting a point in a certain adjustment, a yellow box shows the selection and a blue dotted box is placed around the selected grid point, indicating the interaction zone.
Image 5-66
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Image 5-67
Note that the dialog box is transparent so as to allow the preview of the adjustment over the whole screen during the adjustment (the image to be adjusted is not hidden by the dialog box)
Description of the Edit dialog box
An intuitive user interface is used to perform all the geometry corrections. This gives the user real-time access to the distortion characteristics. Each individual point can be selected and shifted to the desired location in real time.
Depending on the geometry mode, the dialog box may slightly differ, the dialog box below is for a 2x2 mode adjustment.
Image 5-68
Field
/adjustment
Level 2x2 gives the selected geometry adjustment. In this case, a
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Description Notes
2x2 adjustment
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5. Advanced
Field
/adjustment
Colom column corresponding to the selected point in a 2x2 adjustment column will be between 0
Row row corresponding to the selected point in a 2x2 adjustment row will be between 0 and
PixelX this slider box adjusts the new position of the point along
PixelY
edit box PixelX
edit box PixelY this edit box allows to edit the position of the point along
Axislink see ’Axislink’
Modes
Ta bl e 5 - 2 dialog box legend
Description Notes
and 32 (steps of 32)
32 (steps of 32)
High values can introduce some clipping
the x axis
this slider box adjusts the new position of the point along the y axis
this edit box allows to edit the position of the point along the x axis
the y axis
see ’Geometry Edit Modes’
When applying a distortion to the image this may take a certain time. During this operation, a text box is shown.
effects
High values can introduce some clipping effects
Busy
Image 5-69 Busy message
5.6.6.3 Geometry Edit Modes
The geometry Edit Modes
Select mode : allows to select the desired area on the screen using the arrows. From 0 to 32 along the x and y axis.
Adjust mode : allows to perform the correction (in real time) using the arrows. The adjustment is done in small steps of 0.1 pixels.
Edit mode : allows to select the desired control (edit box, ...) in the dialog box.
Change mode : allows to change the values in the controls (edit box, radio buttons, ...) of the dialog box.
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Image 5-70
5. Advanced
Image 5-71
Image 5-72
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How to select an Edit Mode ?
1. When the Edit dialog box is displayed, the Select mode is selected by default.
2. To go to the next mode (go to the right) press ENTER.
3. To return to a previous mode (go to the left) use BACK
5.6.6.4 Editing a geometry le
Introduction
The following procedures are written for a 2x2 mode adjustment. This adjustment involves the adjustment of the 4 corner points of the image. This is a level 1 adjustment and will affect the whole image.
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The adjustment procedure is similar for all the modes. The only thing to keep in mind is the order in which the points will be adjusted i.e. always start with the lowest level points and end with the highest level zones (see Geometry distortions/level hierarchy).
A 3x3 mode adjustment gives the following new points to be adjusted ( the 4 points of the 2x2 mode being already adjusted : they are therefore left out of the grid). Note that in this mode, 2 levels are involved, the level 2 and the level 3.
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How to start up the geometry edit ?
1. Start up the Geometry Edit menu
2. Press to select 2x2...
3. Press ENTER
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5. Advanced
A dialog box is displayed. The Select mode is enabled and the top/left (row = 0 ; colom = 0) corner is selected
Image 5-76
Image 5-77
How to select another point ?
1. Press to select the next adj
ustment point
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The column is adapted to 32
Image 5-78
5. Advanced
Image 5-79
2. Press to select the next adjustment point
The row is adapted to 32
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5. Advanced
Image 5-80
Image 5-81
3. Press to select the next adjustment point
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Image 5-82
5. Advanced
Image 5-83
How to adjust using the Adjust mode ?
Adjusting point (row =0 ; column =0) by 100 (pixels) along the x axis in the 2x2 mode
1. Press ENTER to go to the Adjust Mode
The Adjust mode is selected
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5. Advanced
Image 5-84
2. Use and to adapt the value of PixelsX
Tip: Use and to adapt the value of PixelsY
The image is distorted along the X axis. Notice the unaffected reg
ions.
Image 5-85
The adjustment is done in small steps. Adjusting for instance from 0 to 100 using the Adjust mode is not the ideal method. The use of the Edit and Change mode is more appropriate.
How to adjust using the Edit and Change mode ?
Adjusting point (row =0 ; column =0) by 100 (pixels) along the x axis in the 2x2 mode
1. Press 2 times ENTER to go t
94
otheEdit Mode
R59770718 GALAXY NW SERIES 20/06/2013
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