Barco R9040040, Reality 909 Owner's Manual

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BarcoReality 909 Split Pack

Owner’s Manual

R9040040

R5976398/01 21/02/2003

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Barco nv Simulation Products 600 Bellbrook Ave, Xenia OH 45385 Phone: +1 (937) 372 7579 Fax: +1 (937) 372 8645 E-mail: eis@barco.com Visit us at the web: www.eis.barco.com

Barco nv Simulation Products

laan 5, B-8520 Kuurne

Noord Phone: +32 56.36.82.11 Fax: +32 56.36.84.86

info@barco.com

E-mail: Visit us at the web: www.barco.com

PrintedinBelgium

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All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco.

Changes

Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied warranties or merchantability and fitness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the program(s) described in this publication at any time without notice.

This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this publication; these changes are incorporated in new editions of this publication.

Trademarks

Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respecti All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for the products or their manufactures.

ve holders.

Federal Communications Commission (FCC Statement)

This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area may cause harmful interference, in which case the user will be responsible for correcting any interference.

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Table of contents

TABLE OF CONTENTS

1. Safety Instructions.................................................................................................. 5

1.1 Safety Instructions .................................................................................................................... 5

2. AC Power ............................................................................................................. 9

2.1 AC Power Cord Connection . . .. . ..................................................................................................... 9

2.2 AC PowerVoltage..................................................................................................................... 9

3. Source Connections............................................................................................... 11

3.1 Input Locations .. .. ...................................................................................................................11

3.2 RGB Analog Source to Port3 .......................................................................................................12

3.3 RGB Analog Source withCompositeSync to Port 4/5..............................................................................12

3.4 Component Video Source to Port 4/5 . .. ............................................................................................13

3.5 RGB Analog Source with Tri Level Sync to Port 4/5 (Optional) . . ..................................................................13

3.6 Component Video Source with Tri Level Sync to Port 4/5 (Optional) ..............................................................13

3.7 RS232 Connection ...................................................................................................................14

3.8 Communication Port for Communication WithPeripherals.........................................................................14

4. Getting Started......................................................................................................15

4.1 Batteries ..............................................................................................................................15

4.1.1 Battery installation .............................................................................................................15

4.2 RCU & Local keypad.................................................................................................................15

4.3 Terminology overview ................................................................................................................15

4.4 Switching on the projector ...........................................................................................................17

4.5 Using the RCU .......................................................................................................................18

4.6 Projector Address....................................................................................................................20

4.6.1 Controlling theprojector.......................................................................................................20

4.6.2 Displaying and Programming addresses .....................................................................................20

4.7 Controlling the projector..............................................................................................................21

5. Entering the Adjustment menus.................................................................................23

5.1 The Adjustment menus . . . ...........................................................................................................23

5.2 Password Protection .................................................................................................................23

6. Random Access Adjustment Mode .............................................................................25

6.1 Introduction . ..........................................................................................................................25

6.2 Random Access Overview...........................................................................................................26

6.3 Selecting Setup Pattern..............................................................................................................27

6.4 PictureTuning........................................................................................................................29

6.4.1 Starting up PictureTuning.....................................................................................................29

6.4.2 Color Balance..................................................................................................................29

6.4.3 Contrast Modulation ...........................................................................................................30

6.4.4 Sync mode: Fast/Slow ........................................................................................................33

6.4.5 Peaking ........................................................................................................................34

6.4.6 Clamp mode: Normal/Restoration ............................................................................................34

6.4.7 Port 2 Video/S-Video (Optional). . . ............................................................................................35

6.4.8 Line Multiplier settings (Optional) ............................................................................................35

6.4.8.1 Starting up LineMultiplier settings .....................................................................................36

6.4.8.2 MotionProcessing On/Off ..............................................................................................36

6.4.8.3 OutputMode ............................................................................................................37

6.4.8.4 VideoEqualizing ........................................................................................................38

6.4.8.5 Noise Reduction ........................................................................................................39

6.4.8.6 Contrast Enhancement .................................................................................................39

6.4.8.7 Split ScreenOn/Off .....................................................................................................40

6.4.8.8 Advanced Settings......................................................................................................40

6.4.8.8.1 Starting UpAdvanced Settings...................................................................................40

6.4.8.8.2 Time Base Correction.............................................................................................41

6.4.8.8.3 Luminance Delay .................................................................................................41

6.4.8.8.4 VerticalSync Reference..........................................................................................41

6.4.8.8.5 Clamp Gating .....................................................................................................42

6.4.8.9 Limo Pro Options(Optional)............................................................................................42

6.4.8.9.6 Starting UpLimo Pro Options....................................................................................43

6.4.8.9.7 Coring .............................................................................................................43

6.4.8.9.8 LTI.................................................................................................................43

6.4.8.9.9 CTI ................................................................................................................44

6.5 Geometry.............................................................................................................................46

6.4.8.9.10 Factory Presets ...................................................................................................45

6.5.1 Starting Up Geometry .........................................................................................................46

6.5.2 Green Convergence ...........................................................................................................47

6.5.3 Horizontal PhaseAdjustment .................................................................................................47

6.5.4 RasterShift Adjustment .......................................................................................................48

6.5.5 Left-Right (East-West) Adjustments ..........................................................................................49

6.5.5.1 Starting Up Left-Right(E-W) Adjustments .............................................................................49

6.5.5.2 Vertical Centerline.......................................................................................................50

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Table of contents

6.5.5.3 Side Precorrection ......................................................................................................51

6.5.5.4 Left.......................................................................................................................51

6.5.5.5 Fine SideCorrection....................................................................................................52

6.5.6 Top-Bottom (North-South)Adjustments.......................................................................................53

6.5.6.1 Starting Up the Top-Bottom(N-S)Adjustments........................................................................53

6.5.6.2 Horizontal Centerline....................................................................................................53

6.5.6.3 Horizontal Top...........................................................................................................54

6.5.6.4 Horizontal Bottom .......................................................................................................55

6.5.7 Size Adjustment ...............................................................................................................55

6.5.8 Fine HorizontalSize Adjustment..............................................................................................57

6.5.9 LinearityAdjustment...........................................................................................................57

6.5.9.1 Starting Up the Linearity Adjustment...................................................................................57

6.5.9.2 Coarse Linearity. . . .. ....................................................................................................58

6.5.9.3 Fine Vertical Linearity . . . ................................................................................................59

6.5.9.4 Fine Horizontal Linearity ................................................................................................59

6.5.10 Blanking Adjustments .........................................................................................................60

6.6 Convergence .. . . . . ...................................................................................................................61

6.6.1 Starting Up Convergence .....................................................................................................61

6.6.2 CoarseConvergence Adjustment.............................................................................................62

6.6.3 Fine Convergence Adjustment ................................................................................................63

6.7 Focusing..............................................................................................................................64

6.7.1 Starting Up Focusing..........................................................................................................64

6.7.2 Midpoint focusing..............................................................................................................65

6.7.3 Top imagefocusing............................................................................................................65

6.7.4 Bottomimage focusing ........................................................................................................65

6.7.5 Digital Adjustment .............................................................................................................66

6.7.6 Blue OnSource................................................................................................................66

6.8 Color Select ..........................................................................................................................67

6.9 Soft Edge (Optional) . . ...............................................................................................................67

6.10 DriverVoltage(Optional).............................................................................................................67

7. Service Mode........................................................................................................69

7.1 Introduction . ..........................................................................................................................69

7.2 ServiceMode Overview..............................................................................................................70

7.3 Projector Set-Up......................................................................................................................70

7.3.1 Starting Up Projector Set-Up..................................................................................................71

7.3.2 Identification ...................................................................................................................71

7.3.3 TotalRunTime.................................................................................................................72

7.3.4 Change Password .. ...........................................................................................................73

7.3.5 Change Projector Address ....................................................................................................73

7.3.6 Change Baudrate .. . ...........................................................................................................74

7.3.7 ProjectorWarm Up ............................................................................................................75

7.3.7.1 Starting Up Projector Warm Up.........................................................................................75

7.3.7.2 Warm Up On/Off ........................................................................................................76

7.3.7.3 Warm Up Frequency ....................................................................................................76

7.3.7.4 Warm Up Time ..........................................................................................................77

7.3.8 Power Up ModeOperating/Stand-By.........................................................................................77

7.3.9 CommonAddress .............................................................................................................78

7.3.10 ABLController .................................................................................................................78

7.4 Memory Management . ...............................................................................................................80

7.4.1 Starting Up Memory Management ............................................................................................80

7.4.2 Copy a Block...................................................................................................................80

7.4.3 Copy Soft Edge Block.........................................................................................................81

7.4.4 Deletea Block .................................................................................................................81

7.4.5 DeleteAllBlocks...............................................................................................................82

7.4.6 Set to Midposition. .. ...........................................................................................................82

7.4.6.1 Starting up Set to Midposition..........................................................................................82

7.4.6.2 R&BConvergence Midposition.........................................................................................83

7.4.6.3 Green Convergence Midposition .......................................................................................83

7.4.6.4 Focus to Midposition....................................................................................................84

7.4.6.5 East-West to Midposition . . . ............................................................................................85

7.4.6.6 North-South to Midposition .............................................................................................86

7.4.6.7 Digital Vertical Linearity Midposition. . . .................................................................................86

7.4.6.8 Digital Horizontal Linearity Midposition.................................................................................87

7.4.6.9 Astigmatism Midposition ................................................................................................88

7.4.6.10 AllSettings to Midposition..............................................................................................88

7.5 Common Settings .................................................................................................................... 89

7.5.1 Starting Up Common Settings ................................................................................................89

7.5.2 Dynamic Astigmatism .........................................................................................................90

7.5.3 Gamma Corrections...........................................................................................................92

7.5.4 CRTRun InCycle .............................................................................................................92

7.5.5 CRTDriveMode...............................................................................................................93

7.5.6 MemoryBanks.................................................................................................................94

7.5.7 Flyback Turnover Point........................................................................................................95

7.5.8 Menu Position..................................................................................................................95

7.5.9 Option1........................................................................................................................96

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7.5.10 Real TimeClock...............................................................................................................96

7.6 I2C Diagnostics. . . . ...................................................................................................................97

7.7 Voltage Diagnostics .. . ...............................................................................................................98

7.8 Projector Diagnostics . ...............................................................................................................98

8. Messages, Warnings and Failures ............................................................................ 101

8.1 Messages. . . .........................................................................................................................101

8.2 Warnings.............................................................................................................................101

8.3 Failures ..............................................................................................................................102

Index.................................................................................................................... 103

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Table of contents

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1. Safety Instructions

1. SAFETY INSTRUCTIONS

Overview

• Safety Instructions

1.1 Safety Instructions

Notice on Safety

This equipment is built in accordance with the requirements of the international safety standards EN60950, UL 1950 and CSA C22.2 No.950, which are the safety standards of information technology equipment including electrical business equipment. These safety standards impose important requirements on the use of safety critical components, materials and isolation, in order to protect the user or operator against risk of electric shock and energy hazard, and having access to live parts. Safety standards also impose limits to the internal and external temperature rises, radiation levels, mechanical stability and strength, enclosure construction and protection against the risk of fire. Simulated single fault condition testing ensures the safety of the equipment to the user even when the equipment’s normal operation fails.

Installation Instructions

Before operating this equipment please read this manual thoroughly, and retain it for future reference. Installation and preliminary adjustments should be performed by qualified BARCO personnel or by authorized BARCO service dealers.

Owner’s Record

The part number and serial number are located at the back side of the projector. Record these numbers in the spaces provided below. Refer to them whenever you call upon your BARCO dealer regarding this product.

Part Number:

Ser. Number:

Dealer:

Safety Indication on the Product

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION/ TO REDUCE THE RISK OF ELECTRIC SHOCK

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL

Image 1-1 Safety Indication

DO NOT REMOVE COVER (OR BACK)

NO USER-SERVICEABLE PARTS INSIDE

The lightning flash with an arrowhead within a triangle is intended to tell the user that parts inside this product may cause risk of electrical shock to persons.

The exclamation point within a triangle is intended to tell the user that important operating and/or servicing instructions are included in the technical documentation for this equipment.

Safety Warning

TO PREVENT FIRE OR ELECTRICAL SHOCK HAZARD, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE !

Federal Communication Commission (FCC Statement)

This equipment has been tested and found to comply with the limits of a class A digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used

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1. Safety Instructions

in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at his own expense.

The use of shielded cables is required to comply within the limits of Part 15 of FCC rules and EN55022.

• All the safety and operating instructions should be read before using this unit.

• The safety and operating instructions manual should be retained for future reference.

• All warnings on the equipment and in the documentation manuals should be adhered to.

• All instructions for operating and use of this equipment must be followed precisely.

On Safety

• This product should be operated from an AC power source. Power input is autoranging from 90 V to 230V.

• All equipment in the system is equipped with a 3-wire grounding plug, a plug having a third (grounding) pin. This plug will only fit into a grounding-type power outlet. This is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the purpose of the grounding-type plug.

• Do not allow anything to rest on the power cord. Do not locate this product where persons will walk on the cord. To disconnect the cord, pull it out by the plug. Never pull the cord itself.

• If an extension cord is used with this product, make sure that the total of the ampere ratings on the products plugged into the extension cord does not exceed the extension cord ampere rating.

• Never push objects of any kind into this product through cabinet slots as they may touch dangerous voltage points or short out parts that could result in a risk of fire or electrical shock.

• Never spill liquid of any kind on the product. Should any liquid or solid object fall into the cabinet, unplug the set and have it checked by qualified service personnel before resuming operations.

• Lightning - For added protection for this video product during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet. This will prevent damage to the projector due to lightning and AC power-line surges.

• The wires of the main lead are colored in accordance with the following code.

CEE 7 Plug

Green and yellow : Ground

Blue : Neutral

Brown : Line

Image 1-2 Power cord plugs

ANSI 73.11 Plug

Green and yellow : Ground

White : Neutral

Black : Line

WARNING: This apparatus must be grounded (earthed) via the supplied 3 conductor AC power cable. If the

supplied power cable is not the correct one, consult your dealer.

CautiononFireHazard

DO NOT PLACE FLAMMABLE OR COMBUSTIBLE MATERIALS NEAR THE PROJECTOR !

BARCO large screen projection products are designed and manufactured to meet the most stringent safety regulations. This projector radiates heat on its external surfaces and from ventilation ducts during normal operation, which is both normal and safe. Exposing flammable or combustible material material, resulting in a fire. For this reason, it is absolutely necessary to leave an "exclusion zone" around all external surfaces of the projector whereby no flammable or combustible materials are present. The exclusion zone must be not less that 10 cm (4") for Barco Retro Projectors. Do not cover the pro materials away from the projector at all times. Mount the projector is a well ventilated area away from sources of ignition and out of direct sun light. Never expose the projector to rain or excessive moisture. In the event of fire, use sand, CO extinguishers; never use water on personnel. Always insist on genuine BARCO replacement parts. Never use non-BARCO replacement parts as they may degrade the safety of this projector.

an electrical fire. Always have service performed on this projector by authorized BARCO service

s to the close proximity of this projector could result in the spontaneous ignition of that

jector with any material while the projector is in operation. Keep flammable and combustible

, or dry powder fire

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1. Safety Instructions

On Installation

• Do not place this equipment on an unstable cart, stand, or table. The product may fall, causing serious damage to it.

• Do not use this equipment near water.

• Slots and openings in the cabinet and the back or bottom are provided for ventilation; to ensure reliable operation of the product and to protect it from overheating, these openings must not be blocked or covered. The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should never be placed near or over a radiator or heat register. The projector should not be placed in a built-in installation or enclosure unless proper ventilation is provided.

• Do not block the projector cooling fans or free air movement under and around the projector. Loose papers or other objects may not be nearer to the projector than 4" on any side.

On Servicing

Do not attempt to service this product yourself, as opening or removing covers may expose you to dangerous voltage potentials a risk of electric shock!

Refer all servicing to qualified service personnel.

Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions:

• When the power cord or plug is damaged or frayed.

• If liquid has been spilled into the equipment.

• If the product has been exposed to rain or water.

• If the product does not operate normally when the operating instructions are followed. Adjust only those controls covered by the operating instructions since improper adjustment of the other controls may result in damage and will often require extensive work by a qualified technician to restore the product to normal operation.

• If the product has been dropped or the cabinet has been damaged.

• If the product exhibits a distinct change in performance, indicating a need for service.

• Replacement parts: When replacement parts are required, be sure the service technician has used original BARCO replacement parts or authorized replacement parts which have the same characteristics as the BARCO original part. Unauthorized substitutions may result in degraded performance and reliability, fire, electric shock or other hazards. Unauthorized substitutions may void warranty.

• Safety check: Upon completion of any service or repairs to this projector, ask the ser to determine that the product is in proper operating condition.

vice technician to perform safety checks

that are

On Cleaning

Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning. To keep the cabinet looking brand-new, periodically clean it with a soft cloth. Stubborn stains may be removed with a cloth lightly dampened with mild detergent solution. Never use strong solvents, such as thinner or benzine, or abrasive cleaners, since these will damage the cabinet. To ensure the highest optical performance and resolution, the projection lenses are specially treated with an anti-reflective coating, therefore, avoid touching the lens. To remove dust on the lens, use a soft dry cloth. Do not use a damp cloth, detergent solution, or thinner.

On Repacking

Save the original shipping carton and packing material; they will come in handy if you ever have to ship your equipment. For maximum protection, repack your set as it was originally packed at the factory.

On Illumination

In order to obtain the best quality for the projected image, it is essential that the ambient light which is allowed to fall on the screen be kept to an absolute minimum. When installing the projector and screen, care must be taken to avoid exposure to ambient light directly on the screen. Avoid adverse illumination on the screen from direct sunlight or fluorescent lighting fixtures. The use of controlled ambient lighting, such as incandescent spot light or a dimmer, is recommended for proper room illumination. Where possible, care should also be taken to ensure that the floors and walls of the room in which the projector is to be installed are non-reflecting, dark surfaces. Brighter surfaces will tend to reflect and diffuse the ambient light and hence reduce the contrast of the projected image on the screen.

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1. Safety Instructions

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2. AC POWER

Overview

• AC Power Cord Connection

• AC Power Voltage

2.1 AC Power Cord Connection

How to connect the AC Power Cord?

Use the supplied power cord to connect your projector to the wall outlet.

1. Plug the female power connector into the male connector at the front side of the electronic block.

Voir la notice d' installation avont de raccor der au réseau. See installation instructions before connecti ng to the supply.

PORT 4 / 5

Comp / H-Sync

Comp / H-Sync V-Sync

V-Sync

DEFOCUS

PORT 2

ONOFF

POWER MAINS

800 periphals

COMM. PORT

See installation instructions before connecting to the supply. Voir la notice d' installation avont de raccorder au réseau.

800 periphals

COMM. PORTPORT 3

PORT 3 PORT 1

RGB

PORT 4 / 5

may cause undesired operation.

This device complies with part 15 of the FCC rules.

and (2) this device must accept any interference that

Operation is subject to following two conditions (1).

This device may not cause harmful interfer ence,

This device may not cause harmful interference,

Operation is subject to following two conditions (1) .

and (2) this device must accept any interference that

This device complies with part 15 of the FCC rules.

may cause undesired operation.

PORT 2

75 Ohm

ON - OFF

OFF - ON

75 Ohm

X-POSY-POS

X-POS Y-POS

PORT 1

OFF - ON

75 Ohm

2. AC Power

75 Ohm

ON - OFF

PROJECTOR MODE

green: operation

red: standby

PROJECTOR MODE

red: standby green: operation

REMOTE

Image 2-1 AC Power Cord Connection

RS 232 OUT

RS 232 IN

RS 232 OUT

RS 232 IN

2.2 AC Power Voltage

What is the AC Power Voltage?

The power input voltage is autoranging between 100V (-10%) and 2

40V (+6%).

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2. AC Power

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3. SOURCE CONNECTIONS

Overview

• Input Locations

• RGB Analog Source to Port 3

• RGB Analog Source with Composite Sync to Port 4/5

• Component Video Source to Port 4/5

• RGB Analog Source with Tri Level Sync to Port 4/5 (Optional)

• Component Video Source with Tri Level Sync to Port 4/5 (Optional)

• RS232 Connection

• Communication Port for Communication With Peripherals

3.1 Input Locations

Input Facilities

•RGBSorRGSB

• RGB3S or RG

• (R-Y)Y(B-Y)S or (R-Y)Y

• (R-Y)Y(B-Y)3S or (R-Y)Y

ONOFF

POWER MAINS

(B-Y) [Component Input]

POWER MAINS

800 periphals

COMM. PORT

800 periphals

COMM. PORTPORT 3

PORT 3 PORT 1

See installation instructions before connecting to the supply. Voir la notice d' installation avont de raccorder au réseau.

RGB

Comp / H-Sync V-Sync

PORT 4 / 5

3. Source Connections

Voir la notice d' installation avont de raccor der au réseau. See installation instructions before connecti ng to the supply.

PORT 4 / 5

Comp / H-Sync

V-Sync

DEFOCUS

PORT 2

may cause undesired operation.

This device complies with part 15 of the FCC rules.

and (2) this device must accept any interference that

Operation is subject to following two conditions (1).

This device may not cause harmful interfer ence,

This device may not cause harmful interference,

Operation is subject to following two conditions (1) .

and (2) this device must accept any interference that

This device complies with part 15 of the FCC rules.

may cause undesired operation.

PORT 2

75 Ohm

DEFOCUS

ON - OFF

OFF - ON

X-POS Y-POS

75 Ohm

X-POSY-POS

PORT 1

OFF - ON

75 Ohm

ON - OFF

PROJECTOR MODE

green: operation

red: standby

PROJECTOR MODE

red: standby green: operation

RS 232 OUT

RS 232 IN

RS 232 OUT

RS 232 IN

Image 3-1 Input Facilities

REMOTE

Which source to which input

This table gives an overview of the relation between Input Port #, Source Type and Selection Keys on the RCU:

Input Port # Source Type Selection Keys on the RCU

4/5 RGB

4/5 Component video

4/5 RGB with tri level sync

For future expansion

RGB

4/5 Component video with tri level sync

Table 3-1 InputPort#,SourcetypeandSelectionKeysontheRCU

—

4or5

1. Input signal : R, G and B with automatic sync detection between seperate sync (separate composite sync or with separate hor and vert. sync) or sync on green (composite sync).

2. Input signal : R-Y, Y and B-Y with separate composite sync or with separate hor and vert. sync or with composite sync on Y.

3. Input signal : R, G and B with separate tri level sync or with tri level sync on green.

4. Input signal : R-Y, Y and B-Y with separate tri level sync or with composite tri level sync.

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3. Source Connections

3.2 RGB Analog Source to Port 3

Which signal to Port 3?

Connect your RGB source with sync on green, composite or separate sync via an interface to Port 3. Always use an interface (e.g. Barco Magik Interface R9828120) when a computer and local monitor have to be connected to the projector as the signal cable coming from the computer is limited to 60 cm due to interferences. The RGB analog input accepts only sources with a horizontal frequency of 32 kHz and higher.

To connect a source lower than 32 kHz, an Optional Decoder + Limo Pro (R9828631) has to be installed.

Computer

to computer

Image 3-2 Port 3

to monitor

Pin configuration D9 connector of Port 3

Pin # Signal

3 Red

Not Connected

Ground RGBS

Green

Blue

Ground RGBS

Hor. / Comp. Sync.

Magik Interface

(R9828120)

Port on projector

PORT 3

Table 3-2 Pin configuration D9 connector of Port 3

Vert. Sync.

Port 3 Input Selection

1. Press digit button 3 on the RCU.

3.3 RGB Analog Source with Composite Sync to Port 4/5

Which signal to Port 4/5?

RGB analog input terminals with separate H and V sync inputs, composite sync input or with sync on green (BNC terminals). The projector detects automatically where the sync signal is located.

Always use an interface (e.g. Barco Magik Interface R9828120) when a computer and local monitor have to be connected to the projector as the signal cable coming from the computer is limited to 60 cm due to interferences.

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3. Source Connections

The RGB analog input accepts only sources with a horizontal frequency of 32 kHz and higher. To connect a source lower than 32 kHz, an Optional Decoder + Limo Pro (R9828631) has to be installed.

Computer

Image 3-3 Port 4/5

Magik Interface

(R9828120)

to computer

to monitor

Port on projector

RGB

Comp / H-Sync V-Sync

PORT 4 / 5

RGB Analog Video with Composite Sync Input Selection

1. Press digit button 4 or 5 on the RCU.

Button 4 on the RCU Sync. on Green

Button 5 on the RCU Separate Sync.

Ta bl e 3- 3 Port 4/5

3.4 Component Video Source to Port 4/5

Which signal to Port 4/5?

R-Y)Y(B-Y) analog input terminals with sync input or with sync on the luminance (Y) input (BNC terminals). The projector detects automatically where the sync signal is located.

Always use an interface (e.g. Barco Magik Interface R9828120) when a computer and local monitor have to be connected to th ences.

e projector as the signal cable coming from the computer is limited to 60 cm due to interfer-

RGB Component Video Port 4/5 Selection

1. Press digit button 6 on the RCU.

3.5 RGB Analog Source with Tri Level Sync to Port 4/5 (Optional)

Which signal to Port 4/5?

RGB analog input terminals with tri level sync input or with tri level sync on green (BNC terminals). The projector detects automatically where the sync signal is located. This feature requires a optional tri level sync module (Order number: R9828040).

RGB Analog Source with Tri Level Sync on Port 4/5 Selection

1. Press di

git button 7 on the RCU.

3.6 Component Video Source with Tri Level Sync to Port 4/5 (Optional)

Which signal to Port 4/5?

Component video with tri level sync input can be connected to the projector via port 4/5. The projector detects automatically where the sync signal is located. This feature requires a optional tri level sync module (Order number: R9828040).

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3. Source Connections

to compute

Component Video Source with Tri Level Sync on Port 4/5 Selection

1. Press digit button 8 on the RCU.

3.7 RS232 Connection

RS232 Input and RS232 Output of the projector

The projector is equipped with a RS232 port that allows them to communicate with a computer.

• Easy adjustment of the projector via a computer.

• Allow storage of multiple projector configurations and set ups.

• Wide range of control possibilities.

• Address range from 0 to 255.

• Sending data to the projector or copying the data from the projector to a hard memory device.

Computer

Port on projector

Image 3-4 RS232 Connector

RS 232 OUT

RS 232 IN

How to set up the baud rate for the communication with a computer?

See changing the baud rate in the chapter Service Mode of the Owner’s Manual.

3.8 Communication Port for Communication With Peripherals

Connecting a RCVDS 05 switcher to the projector

• Up to 10 inputs (20 inputs when video and S-video) with the RCVDS 05 s RCVDS switchers are linked via the 5-cable output modules.

• Serial communication with the projector.

• Remote control buttons on the RCVDS to control the projector (source

• Theselectedsourcenumberwillbedisplayedona2digitdisplayandtheselectedinputmoduleswill be indicated with a LED on the rear.

RCVDS 05 switcher

(R9827880)

Port on projector

800 periphals

witcher (R9827880) and up to 90 inputs when 10

selection and analog settings).

COMM. PORT

Image 3-5 Connecting a RCVDS 05 switcher to the projector

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Page 19

4. GETTING STARTED

Overview

• Batteries

• RCU & Local keypad

• Terminology overview

• Switching on the projector

•UsingtheRCU

• Projector Address

• Controlling the projector

4.1 Batteries

Overview

• Battery installation

4.1.1 Battery installation

How to install the battery

Two batteries are packed together with the RCU. Before using your RCU, install first these batteries.

1. Remove the battery cover on the backside by pushing the handle a little towards the bottom of the RCU.

2. Lift up the top side of the cover at the same time.

3. Insert the batteries as indicated in the RCU.

4. Put the battery cover on its place.

4. Getting Started

4.2 RCU & Local keypad

How controlling the projector ?

The projector can be controlled by the local keypad or by the remote control unit.

Location of the local keypad ?

The local keypad is located on the backside of the projector.

Remote control functions.

This remote control includes a battery powered infrared (IR) transmitter that allows the user to control the projector remotely. This remote control is used for source selection, control, adaptation and set up. It includes automatic storing of picture controls (Brightness, Sharpness...) and settings.

Other functions of the remote control are :

• switching between stand by and operational mode.

• switching to "pause" (blanked picture, full power for immediate restarting)

• direct access to all connected sources.

4.3 Terminology overview

Overview

The following table gives an overview of the different functionalities of the keys.

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Page 20

4. Getting Started

ADJ

5 6

7 8

Image 4-1 RCU function indication

PAUSE

TREBLE BALANCE

BASS

TEXT

PHASE

SHARPN

TINT

COLOR

BRIGHTN

CONTR

VOL

EXIT

ENTER

1 Function keys

user programmable keys with functions for direct access.

2 ADJ. Adjust key, to enter the adjustment mode

3 Address key

(recessed key), to enter the address of the projector (between 0 and 9). Press the recessed address key with a pencil, followed by pressing one digit button between 0 and 9.

Selection key (*) to direct access the zoom/focus/shift functions.

PAU SE to stop projection for a short time, press ’PAUSE’. The image disappears but full power is

retained for immediate restarting.

STBY standby button, to start projector when the power switch is switched on and to switch off the

projector without switching off the power switch.

Attention : Switching to Standby. When the projector is running and you want to go to standby, press the standby key for 2 seconds until the message ’Saving data, please wait’ is displayed. Do not press

any longer on the standby key otherwise

the projector will restart.

MUTE to interrupt the sound reproduction.

? Auto image, to center the image on the active LCD surface.

9 Digit buttons direct input selection.

10 Audio controls use these buttons to obtain the desired sound level.

11 Picture controls press to adjust the projected image.

12 Phase

be sure the projector is warmed up for at least 15 min before adjusting the phase, press to adjust the phase of the projected image.

13 FREEZ

press to freeze the projected image.

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Page 21

4. Getting Started

14 TEXT

when adjusting one of the image, e.g. controls during a meeting, the displayed bar scale can be removed by pressing ’TEXT’ key first. To re-display the bar scale on the screen, press ’TEXT’ key again.

15 ENTER

to start up the adjustment mode or to confirm an adjustment or selection in the adjustment mode.

Cursor keys to make menu selections when in the adjustment mode or to zoom/focus when the direct

access is active.

Comparison between the cursor keys and the use of the ’+’ and ’-’ keys on the local keypad : RCU = local keypad

cursor key up = ’+’ key up

cursor key down = ’-’ key down

cursor key right = ’+’ key right

cursor key left = ’-’ key left

17 EXIT to leave the adjustment mode or to scroll upwards when in the adjustment mode.

RC operation indication lights up when a button on the remote control is pressed. (This is a visual indicator to

check the operation of the remote control)

Table 4-1

4.4 Switching on the projector

Howtoswitchontheprojector?

1. Press the mains ON/OFF switch to switch on the projector.

Pressed

Not Pressed

Ta bl e 4- 2 Mains Power Switch

ONOFF

REMOTE

POWER MAINS

REMOTE

POWER MAINS

800 periphals

COMM. PORT

RS 232 OUT

Voir la notice d' installation avont de raccor der au réseau.

See installation instructions before connecting to the supply. Voir la notice d' installation avont de raccorder au réseau.

800 periphals

COMM. PORTPORT 3

PORT 3 PORT 1

RS 232 IN

RS 232 OUT

RGB

PORT 4 / 5

RS 232 IN

See installation instructions before connecti ng to the supply.

PORT 4 / 5

Comp / H-Sync

Comp / H-Sync V-Sync

V-Sync

DEFOCUS

PORT 2

OFF

may cause undesired operation.

This device complies with part 15 of the FCC rules.

and (2) this device must accept any interference that

Operation is subject to following two conditions (1).

This device may not cause harmful interfer ence,

This device may not cause harmful interference,

Operation is subject to following two conditions (1) .

and (2) this device must accept any interference that

This device complies with part 15 of the FCC rules.

may cause undesired operation.

PORT 2

75 Ohm

ON - OFF

OFF - ON

75 Ohm

X-POSY-POS

X-POS Y-POS

PORT 1

OFF - ON

75 Ohm

ON - OFF

PROJECTOR MODE

green: operation

red: standby

PROJECTOR MODE

red: standby green: operation

Image 4-2

The Stand by indication lamp will show the status of the projector:

No light up

Switched OFF

Green color Operational mode

Red color

Ta bl e 4- 3 Status lamp

Stand By mode

The switching on modes

When switching on with the power switch, the projector can start in 2 different modes depending on the “Power Up” setting in the Service mode:

• Operational mode (Picture displayed).

• Stand By mode.

Starting up in Operational Mode

The projector can start up with the selected source or the projector can start up with a warm up cycle message.

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Page 22

4. Getting Started

PROJECTOR WARM UP

A FULL WHITE PATTERN WILL BE

GENERATED FOR x MIN.

FOR IMMEDIATE USE OF THE

PROJECTOR, PRESS <EXIT>

WARNING: SKIPPING THIS

PROCEDURE CAN REDUCE THE

INITIAL PICTURE QUALITY OF THE

PROJECTED IMAGE;

YOU CAN ADJUST THE IMAGE DIMENSIONS WITH THE ARROW KEYS TO AVOID SCANNING ON

THE EDGES OF THE CRT’S;

THIS OPTION CAN BE DISABLED IN

THE SERVICE MENU

with <ENTER>

<EXIT> to return

Menu 4-1

When this warm up cycle message appears on the screen, the menu offers the possibility to start with a x minutes taking warm up period (press ENTER) or to skip this cycle (press EXIT). The x minutes and the horizontal frequency can be programmed in the ’Service mode’ under the item ’Projector Set Up’.

This warm up period is built in so that the projector can reach its maximum specifications and minimize all distortions.

When starting this warm up period, a full white image is shifted on the CRT faceplate to avoid a burn in. Every 30 seconds a text box will be displayed on another place on the screen with the remaining time to go. The image dimensions can be adjusted with the cursor keys to avoid scanning on the edges of the CRT’s.

How to interrupt the warm up period?

1. Press EXIT on the RCU.

The warm up menu will be displayed with the remaining time indication.

2. Press EXIT again to quit the warm up cycle and to display the source.

Starting up in Stand By Mode

The projector starts up in stand by. Press a digit key corresponding to the desired source or press STBY key. The projector displays the selected source or the warm up cycle message. When this warm up message appears on the screen, handle as described in ’Start up in Operational Mode’.

WARNING: Do not display a stationary image with full brightness and contrast for longer than 20 min., oth-

erwise you risk damage to the CRT’s.

How to switch off the projector?

1. Use the same power switch to switch off the projector.

4.5 Using the RCU

Pointing to the reflective screen

1. Point the front of the RCU to the screen surface.

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4. Getting Started

Screen

RCU

Image 4-3 RCU to screen

Hardwired Remote Input

1. Plug one end of the remote cable in the connector on the bottom of the RCU.

2. Plug the other end in the connector on the projector labelled ’Remote’.

ONOFF

REMOTE

Projector

POWER MAINS

REMOTE

POWER MAINS

800 periphals

COMM. PORT

RS 232 OUT

800 periphals

COMM. PORTPORT 3

RS 232 OUT

PORT 3

RS 232 IN

Image 4-4 RCU in hardwire connection

Directly to the IR sensor on the Optical Block or the Electronic Block

When using the wireless remote control, make sure you are within the effective operating distance (30m, 100ft in a straight line). The remote control unit will not function properly if strong light strikes the sensor window or if there are obstacles between the remote control unit and the projector’s IR sensor.

Image 4-5 RCUtoIRsensors

ront of optical bloc

45° 45°

F2F3F4

ADJ

PAUSE

TEXT

RCU

PHASE

SHARPN

TINT

COLOR

BRIGHTN

CONTR

TREBLE BALANCE

BASS

VOL

45°

EXIT

ENTER

RCU

ront of electric bloc

45°

F2F3F4

EXIT

ADJ

ENTER

PAUSE

TEXT

PHASE

SHARPN

TINT

COLOR

BRIGHTN

CONTR

TREBLEBALANCE

BASS

VOL

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4. Getting Started

4.6 Projector Address

4.6.1 Controlling the projector

Projector address

Address installed in the projector to be individually controlled.

Common address

Default address. Projector will always execute the command coming from a RCU programmed with that common address.

Why a projector address ?

As more than one projector can be installed in a room, the separate projector should be separately addressable with an RCU or computer. There for each projector has its own address.

Set up an individual Projector Address.

The set up of a projector address can be done via the software. See ’Change projector address’ in chapter ’Service mode’.

Projector controlling.

Every projector requires an individual address between 0 and 255 which can be set in the Service

Whentheaddressisset,theprojectorcanbecontrollednow:

• RCU for addresses between 0 and 9.

• computer, e.g. IBM PC (or compatible), Apple MAC, etc. for addresses between 0 and 255.

mode.

A projector will respond to a RCU set to the common address (’0’ or ’1’) regardless of what address is set in the projector itself.

The RCU is default programmed with address 0 or 1, ’common address’. With that ’common grammed into the RCU, every projector, without exception will listen to the commands given by this RCU. If it is necessary to control a specific projector, than enter the projector address into the RCU (only when that address is between 0 and 9). The projector with the corresponding addres

Common Address

Every projector has a common address ’0’ or ’1’. The choice between ’0’ an

4.6.2 Displaying and Programming addresses

Displaying the Projector Address on the Screen.

1. Press Address key (recessed key on the RCU) with a pencil.

The projector’s address will be displayed in a ’Text box’

To continue using the RCU with that specific address, it is necessary to enter the same address with the digit buttons (address between 0 and 9) within 5 seconds after pushing the address key. For example : if the Address key displays projector address 003, then press "3" digit button on the RCU to set the RCU’s address to match the projector’s address. Do not press 003 digits. This will address the remote control to ’0’ and control all projectors in the room. If the address is not entered within 5 seconds, the RCU returns to its default address (zero address) and control all projectors in the room.

address’ pro-

s will listen to that specific RCU.

d’1’canbeselectedintheServicemode.

How to Program an Address into the RCU?

1. Press the Address key (recessed key on the RCU) with a pencil.

2. Enter the address with the digit buttons within 5 s

Note: That address can be any digit between 0 and 9.

econds after pushing the address key.

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4. Getting Started

4.7 Controlling the projector

Input Selection

Key in the corresponding slot number with the digit keys on the RCU. The selected source will be displayed.

Picture Controls

When an image control is pressed, a text box with a bar scale, icon and function name of the control, e.g. ’brightness...’ appears on the screen (only if text is ON). See example screen. The length of the bar scale and the value of the numeric indication indicat current memorized setting for this source. The bar scale changes as the control stick on the RCU is pressed or the + or - buttons on the local keypad.

ethe

Brightness

Contrast A correct ’contrast’ setting is important for good image reproduction. Adjust the contrast to the level

Color Color saturation is only active for Video and S-Video. Adjust the color intensity of the picture.

Tint

Sharpness Use the + button for a sharper picture.

Phase Use the + or - button to adjust the phase.

Freez

A correct ’brightness’ setting is important for good image reproduction.

Use the + button for a higher brightness.

Use the - button for a lower brightness.

you prefer, according to room lighting conditions.

Use the + button for a higher contrast.

Use the - button for lower contrast.

Use the + button for richer colors.

Use the - button for lighter colors.

Tint is only active for Video and S-Video when using the NTSC 4.43 or NTSC 3.58 system.

Use the + button

Use the - button.

Use the - button for a softer picture.

Press Freez to freeze the displayed image.

Sound Controls

When a sound control is pressed, a text box with a bar scale, icon and function name of the control, e.g. ’volume...’ appears on the screen (only if text is ON). See ex The bar scale changes as the + or - buttons of the control are pressed. The sound controls can only be adjusted with the RCU.

ample screen. The length of the bar scale indicates the current memorized setting for this source.

Volum e Volume control adjusts the volume.

Use the + button for a higher volume.

me.

le level (high tones).

tween the left and the right box.

Bass

Treble

Balance

Use the - button for a lower volu

Bass control adjusts the bass level (low tones).

Use the + button for more low tones.

Use the - button for less low tones.

Treble control adjusts the treb

Use the + button for more high tones.

Use the - button for less high tones.

Is only effective if a external amplifier with loudspeakers is connected to the audio output. The balance control adjust the sound level be

Use the + button for a higher sound level on the right box than on the left one.

Use the - button for a higher sound level on the left box than on the right one.

The Pause Key

When the Pause key is pressed, the image projection is stopped, a blue or black screen will be displayed and the projector remains with full power for immediate restart. The sound is not interrupted. The display on front of the projector will show a "P".

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Page 26

4. Getting Started

To restart the image :

•PressPause key.

•PressEXIT key

• Select a source number.

The Freeze key (Only with optional Line Multiplier)

When the Freeze key is pressed, the image is frozen until this key is pressed again (only with built in Line Multiplier).

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5. Entering the Adjustment menus

5. ENTERING THE ADJUSTMENT MENUS

5.1 The Adjustment menus

What is available in the Adjustment menus

A complete set of adjustments divided in different modes are available to adjust the projector, these different modes are:

Random Access

Installation

Service Should only be selected if the user intends to change the predefined settings.

Should only be accessed if the user is highly qualified and knows the sequence of adjustments. Has to be used to adjust the image.

Should only be selected if the projector is relocated and/or a different screen size is desired. When selecting Installation the user or operator will be warned to call a qualified technician to perform the installation procedure.

How to enter the Adjustment menus?

1. Press the ADJUST key.

The Adjustment Mode menu will be displayed.

ADJUSTMENT MODE

Select a path from below :

RANDOM ACCESS

INSTALLATION

SERVICE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 5-1

5.2 Password

Protection

Passwor

Some items in the Adjustment Mode are password protected. While selecting such an item, the projector asks to enter your password.

d Protection

Password Protection is only available when the password strap on the controller module is on. Contact a Barco authorized technician when no password is requested during the adjustment procedure and Password Protection is desired.

Entering the Password

The Password contains 4 digits, when the projector asks to enter your password:

1. Enter the digits with the numeric keys on the RCU (e.g.: 2319).

For each digit entered, a ’X’ appears on the screen under the displayed text ’enter password’

enter password

XXXX

Menu 5-2

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Page 28

5. Entering the Adjustment menus

When the password is correctly entered, all other password protected items are accessible without reentering the password. When reentering the adjustment mode, it will be necessary to enter your password again when selecting a password protected item.

When the password is wrong, the error message “Wrong Password !!!” will be displayed.

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Page 29

6. Random Access Adjustment Mode

6. RANDOM ACCESS ADJUSTMENT MODE

Overview

• Introduction

• Random Access Overview

• Selecting Setup Pattern

• Picture Tuning

• Geometry

• Convergence

• Focusing

• Color Select

• Soft Edge (Optional)

• Driver Voltage (Optional)

6.1 Introduction

How to start up Random Access Adjustment Mode?

1. Press the ADJUST key to start up the Adjustment Mode.

The main Adjustment Mode menu will be displayed.

2. Push the ↑ or ↓ keys to highlight Random Access and press ENTER to select.

ADJUSTMENT MODE

Select a path from below :

RANDOM ACCESS

INSTALLATION

SERVICE

Menu 6-1

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Some items in the Random access mode are password protected (when the password function is enabled). Enter your password to continue. All other password protected items are now also available if you stay in the adjustment mode.

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Page 30

6. Random Access Adjustment Mode

6.2 Random Access Overview

Random Access Overview

• Picture Tuning

- Color Balance

- Contrast Modulation

Contrast Equalisation

Contrast Edge Correction

-Sync

-Peaking

Off

Low Source Frequency

Mid Source Frequency

High Source Frequency

- Clamp Mode

-Port2

- Line Multiplier (Optional)

Motion Processing

Output Mode

Video Equalizing

Noise Reduction

Contrast Enhancement

Split Screen

Advanced Settings

Time Base Correction

Luminance Decay

VSyncRef

Clamp Gating

Limo + Options

Coring

LTI

CTI

Factory Preset

• Geometry

- Green Convergence

- H-Phase

- Raster Shift

Coarse Green

Coarse Red Horizontal

Coarse Blue Horizontal

Fine Green

Fine Blue

- Left / Right

Vertical Centerline

Side Precorrection

Left

Fine Side Correction

- Top / Bottom

Horizontal Centerline

Horizontal Top

Horizontal Bottom

-Size

- Fine Horizontal Adjustment

- Linearity

Coarse Linearity

Fine Vertical Linearity

Fine Horizontal Linearity

- Blanking

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Page 31

• Convergence

- Coarse Adjustment

- Fine Adjustment

• Focusing

-Red

Midpoint

To p

Bottom

Digital Adjustment

- Green

Midpoint

To p

Bottom

Digital Adjustment

-Blue

Midpoint

To p

Bottom

Digital Adjustment

- BlueonSource

Midpoint

To p

Bottom

Digital Adjustment

• Color Select

• Soft Edge (Optional)

• Driver Voltage (Optional)

6. Random Access Adjustment Mode

6.3 Selecting Setup Pattern

How to select the Setup Pattern?

If an external source is connected to the projector, the following screen will be displayed. To select the desired setup pattern, handle as follow:

1. An external source is connected to the projector.

If yes, Push the ↑ or ↓ keys to highlight the desired setup pattern and press ENTER to select.

Choose a setup pattern from

Menu 6-2

If no, The internal pattern menu will be displayed.

below:

SELECTED SOURCE

GENLOCKED PATTERN

INTERNAL # PATTERN

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Selected Source

Genlocked Pattern

External source

Internally generated pattern, locked on the external source, the pattern changes with the adjustment selection.

Internal # Pattern Internally generated pattern, locked on internal generated sync signals. (No external source

necessary)

When using the Internal # Pattern?

The Internal # Pattern menu will be displayed if the Internal Cross Hatch Pattern has been selected or if no source is connected to the projector.

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6. Random Access Adjustment Mode

Available Factory Preset Frequencies

The table below lists the 16 fixed factory preset frequencies available. Another 8 blocks are custom programmable.

31.2/50

31.5/60

EDTV

IDTV

33.7/60 HDTV HIVISION

31.5/70 VGA 1.2

35.5/87 VGA 4

44.2/70 Super VGA 2

48.0/60

1024 x 768

61.0/76 Super VGA 3

63.9/60

1280 x 1024

72.1/67 Super VGA 4

75.0/60

77.5/96

89.3/67

95.0/71

105.0/96

115.0/72

1600 x 1200

1024 x 768

1600 x 1280

1280 x 1024

2048 x 1536

How to select the desired Cross Hatch Frequency?

To select a desired cross hatch frequency, handle as f

1. Push the ↑ or ↓ keys to highlight the desired Cross Hatch Frequency.

INTERNAL # PATTERN

kHz/Hz

31.2/50 EDTV

31.5/60 IDTV

33.7/60 HDTV HIVISION

31.5/70 VGA 1.2

35.5/87 VGA 4

Select with ↑ or ↓ scroll with ← or →

<ENTER> to accept

<EXIT> to return

Menu 6-3

2. Push the ← or → keys to scroll to another p

3. Press ENTER if the desired block is selected.

The menus in this manual are created for an external source, connected to one of the inputs, and the ’Genlocked Pattern’ is selected.

ollow:

age.

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Page 33

6.4 Picture Tuning

Overview

• Starting up Picture Tuning

• Color Balance

• Contrast Modulation

• Sync mode: Fast/Slow

• Peaking

• Clamp mode: Normal/Restoration

• Port 2 Video/S-Video (Optional)

• Line Multiplier settings (Optional)

6.4.1 Starting up Picture Tuning

How to start up Picture Tuning?

1. Push the ↑ or ↓ keys to highlight Picture Tuning and press ENTER to select.

RANDOM ACCESS ADJUSTMENT MODE

PICTURE TUNING

GEOMETRY

CONVERGENCE

FOCUSING

COLOR SELECT

SOFT EDGE

DRIVER VOLTAGE

6. Random Access Adjustment Mode

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-4

The Picture Tuning menu will be displayed.

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-5

Depending on the input source, this menu will display different items:

- Color Balance

- Contrast Modulation

- Sync: Slow/Fast

- Port 2: Video/S-Video

-LineMultiplier

- Peaking

- Clamp Mode

6.4.2 Color Balance

What can be done?

The Color Balance function is used to select or adjust the color temperature of a projected white image by the projector.

The Color Balance can be adjusted on two different ways:

• By means of a fixed color balance. You have the choice between 3200 K (reddish), 4900 K, 6500 K (white) or 9300 K (bluish).

• By means of a custom white and black balance.

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6. Random Access Adjustment Mode

How to select Color Balance?

1. Push the ↑ or ↓ keys to highlight Color Balance and press ENTER to select.

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-6

The Color Balance menu will be displayed.

COLOR BALANCE

FIXED COLOR BALANCE 3200 4900 6500 9300

CUSTOM COLOR BALANCE

RED GREEN BLUE

COLOR SELECT

RED GREEN BLUE

RG RB BG

WHITE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-7

How to select a Fixed Color Balance?

1. Push the cursor keys to highlight one of the 4 preprogrammed color temperatures within Fixed Color Balance and press ENTER

to select.

2. Press EXIT to return to the Picture Tuning menu.

How to adjust using Custom Color Balance?

1. Push the cursor keys to highlight the desired color within Custom Color Balance and press ENTER to select.

2. Push the ↑ or ↓ keys to adjust the Red Cut Off.

3. Push the ← or → keys to adjust the Red Gain.

A bar scale indicates the amount of adjustment.

4. Press ENTER to return to the Color Balance menu.

5. Repeat step 3 to 5 for Green and Blue.

6. Press EXIT to return to the Picture Tuning menu.

How to use Color Select?

1. Push the cursor keys to highlight the desired color within Color Select and press ENTER to select.

2. Press ENTER to return to the Color Balance menu.

3. Press EXIT to return to the Picture Tuning menu.

6.4.3 Contrast Modulation

Why Contrast Modulation?

In multi-screen installations, the goal is to obtain a continuous matched image, forming one homogeneous field-of-view with overall light output uniformity. The laws of physics applied t will be brighter than the corners, this phenomenon is normally referred to as ’corner fall off’. Secondly, due to the normal off-axis projection of the red and blue images, CRT projection displays a phenomenon referred to as ’color shift’, whereby one side of the screen is "redish" an the other "blueish”.

o projection CRT and optics dictates that the center of the projected image

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6. Random Access Adjustment Mode

Image 6-1 Contrast Modulation

An external generated white image will be useful during the following adjustments.

Be sure the horizontal phase is correctly adjusted. The image must be centered on the raster with the horizontal phase adjustment, otherwise it is not possi

How to select Contrast Modulation?

1. Push the ↑ or ↓ keys to highlight Contrast Modul

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-8

The Contrast Modulation menu will be

CONTRAST MODULATION +

CONTRAST EQUALISATION

RED GREEN BLUE

CONTRAST EDGE CORRECTION

RED GREEN BLUE

COLOR SELECT

RED GREEN BLUE

RG RB BG

WHITE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

displayed.

ble to adjust the contrast modulation correctly.

ation and press ENTER to select.

Menu 6-9

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6. Random Access Adjustment Mode

Why Contrast Equalization?

These adjustments are used for horizontal and vertical light equalization for the three specific colors separately. This compensates the error due to the different position of the picture tubes. One side of the image is reddish and the other side is blueish. This phenomenon is called Color Shift.

How to adjust the Contrast Equalization?

1. Push the ↑ or ↓ keys to highlight the desired color within Contrast Equalization e.g. Red and press ENTER to select.

CONTRAST MODULATION +

CONTRAST EQUALISATION

RED GREEN BLUE

CONTRAST EDGE CORRECTION

RED GREEN BLUE

COLOR SELECT

RED GREEN BLUE

RG RB BG

WHITE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-10

Only a red image is displayed.

2. Push the ↑ or ↓ keys to adjust the vertical contrast equalization (top-bottom) and push the ← or → keys to adjust the horizontal contrast equalization (left-right).

Note: The best result is obtained by looking to the edges of the image.

The Contrast Equalization bar scale will be displayed (bar scale = 50 : no correction).

RV EQUAL

éê

RH EQUAL

çè

Image 6-2 Contrast Equalization bar scale

3. It can be an interaction of several adjustments.

4. Press EXIT to return to the Picture Tuning menu.

Why Contrast Edge Correction?

Left and right (horizontally) and top and bottom (vertically) adjustments reduce the ’hot spot’ in the center of the screen.

How to adjust the Contrast Edge Correction (Hot Spot)?

1. Push the ↑ or ↓ keys to highlight the desired color within Contrast Edge Correction e.g. Red and press ENTER to select.

CONTRAST MODULATION +

CONTRAST EQUALISATION

RED GREEN BLUE

CONTRAST EDGE CORRECTION

RED GREEN BLUE

COLOR SELECT

RED GREEN BLUE

RG RB BG

WHITE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-11

2. Adjust with the cursor keys for the same light output in the corners as in the center of the image. Push the ↑ or ↓ keys for top-bottom adjustments and push the ← or → keys for left-right adjustments.

Note: Left-right adjustment must be done in combination with the top-bottom adjustment as both adjustments influence each

other

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6. Random Access Adjustment Mode

The Contrast Edge Correction bar scale will be displayed (bar scale = 50 : no correction).

TB EDGE CORR

éê

LR EDGE CORR

çè

Image 6-3 Contrast Edge Correction

3. Repeat for the other colors.

Note: These adjustments will reduce the total light output, so do not over adjust. A bar scale of 10 - 15 for both adjustments

gives a good result.

4. Press EXIT to return to the Picture Tuning menu.

Why Color Select?

Sometimes it is easy to spot color irregularities when projecting only one color, a 2 color combination or a full white image.

How to use Color Select?

1. Push the ↑ or ↓ keys to highlight the desired color within Contrast Select e.g. White and press ENTER to select.

CONTRAST MODULATION +

CONTRAST EQUALISATION

RED GREEN BLUE

CONTRAST EDGE CORRECTION

RED GREEN BLUE

COLOR SELECT

RED GREEN BLUE

RG RB BG

WHITE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-12

2. Press EXIT to return to the Picture Tuning menu.

6.4.4 Sync mode: Fast/Slow

What can be done?

The Sync function is used to minimize horizontal jittering or tearing at the top to the displayed image.

The Sync Slow/Fast function is only available for RGBS, RGsB, component, tri level and component tri level sources.

How to adjust the Sync mode?

1. Push the ↑ or ↓ keys to highlight Sync.

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-13

2. Press ENTER to toggle between Fast or Slow.

Note: Sync is normally set to Slow. The Fast position is used to compensate for unsteady sync p ulses from older video playback

equipment.

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6. Random Access Adjustment Mode

6.4.5 Peaking

What can be done?

Peaking improves the contours in an projected image.

The Peaking function is only available for RGBS, RGsB, component, tri level and component tri level sources.

How to adjust Peaking?

1. Push the ↑ or ↓ keys to highlight Peaking and press ENTER.

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-14

Note: During the creation of new settings for a RGB source the corresponding peaking is swit

The Peaking menu will be displayed.

PEAKING

OFF LOW FREQUENCY MID FREQUENCY

HIGH FREQUENCY

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-15

The following frequency areas are available:

Low Frequency Peaking 15–45Hz

Mid Frequency Peaking 45–85Hz

High Frequency Peaking 85–110Hz

2. Push the ↑ or ↓ keys to select the desired frequency area or off and press ENTER to activate.

3. Press EXIT to return to the Picture Tuning menu.

6.4.6 Clamp mode: Normal/Restoration

ched on as default.

What can be done?

The clamp mode can be switch between Normal and Restoration.

The clamp mode function is only available for RGBS, RGsB and component sources.

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How to set up the Clamp mode?

1. Push the ↑ or ↓ keys to highlight Clamp.

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-16

2. Press ENTER to toggle between Normal or Restoration.

6. Random Access Adjustment Mode

Normal

For all standard sources and all sources with a backporch > 0.8 µs or for sources with noise and spikes in the signal.

Restoration

For standard sources with a backporch between 0.4 µs and 0.8 µs or for sources with sync separate or sync on green.

6.4.7 Port 2 Video/S-Video (Optional)

What can be done?

Port 2 can be used as Video o

This menu item is only avai an S-Video source is selected.

r S-Video input.

lable when the projector is equipped with a Decoder + Limo Pro (R9828631) and if

How to configure Port 2?

1. Push the ↑ or ↓ keys to highlight Port2.

PICTURE TUNING

BALANCE

COLOR

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-17

2. Press ENTER to toggle between Video or S-Video.

6.4.8 Line Multiplier settings (Optional)

Overview

•Startingu

• Motion Processing On/Off

• Output Mode

• Video Equalizing

• Noise Reduction

• Contrast Enhancement

• Split Screen On/

• Advanced Settings

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p Line Multiplier settings

Off

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6. Random Access Adjustment Mode

6.4.8.1 Starting up Line Multiplier settings

What can be done?

The multiplier eliminates the video line patterns and improves the image stability.

In addition:

• The time base correction virtually eliminates the timing jitter caused by the common videocassette recorders.

• De-interlacing gets rid of line flicker.

• Film mode processing makes sure that material that has been converted from 24 Hz cinema to video (2:2 and 3:2 pull down) is displayed without artifacts.

• Dynamic noise reduction can be used to improve noisy video sources.

• Static contrast enhancement allows the user to adjust the image contrast to personal taste.

• Several detail-enhancing filters bring out details.

This menu item is only available when the projector is equipped with decoder + Limo Pro (R9828631).

Line multiplying is only possible for Video, S-Video, Component Video images on standard line frequency and RGB signals on 15 kHz.

The setting of the line multiplier will be saved together with the source number. Each time this source number is selected, the last saved version will be loaded.

How to start up the Line Multiplier settings?

1. Push the ↑ or ↓ keys to highlight Line Multiplier and press ENTER to select.

PICTURE TUNING

COLOR BALANCE

CONTRAST MODULATION

SYNC: FAST

PEAKING

CLAMP MODE: NORMAL

PORT 2: VIDEO

LINE MULTIPLIER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-18

The Image Processing menu will be displayed.

6.4.8.2 Motion Processing On/Off

What can be done?

With this function it is possible to recognize whether the source material was originally film or video. That prevents the creation of motion artifacts.

How to toggle Motion Processing On/Off?

1. Push the ↑ or ↓ keys to highlight Motion Processing.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANCEMENT

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-19

2. Press ENTER to toggle Motion Processing On/Off.

3. Press EXIT to return to the Picture Tuning menu.

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6.4.8.3 Output Mode

What can be done?

Within the output mode menu, it is possible to select a new output mode for a given input signal.

The input signal can be:

• line multiplied.

• interlaced.

• non-interlaced.

How to adjust the Output Mode?

1. Push the ↑ or ↓ keys to highlight Output Mode and press ENTER to select.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANCEMENT

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-20

If your input signal is PAL or SECAM signal following menu will be displayed:

LINEMULTIPLIER

OUTPUT MODE

50Hz 625 Lines NI

50Hz 935 Lines NI 100Hz 625 Lines NI 50Hz 1250 Lines NI 100Hz 1250 Lines I

6. Random Access Adjustment Mode

Menu 6-21

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

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6. Random Access Adjustment Mode

LINEMULTIPLIER

OUTPUT MODE

60Hz 525 Lines NI

60Hz 785 Lines NI 120Hz 525 Lines NI 60Hz 1050 Lines NI 120Hz 1050 Lines I

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-22

If it is a NTSC signal following menu will be displayed:

2. Push the ↑ or ↓ keys to highlight the desired scan rate e.g. 100Hz 625 Lines NI and press ENTER to activate..

LINEMULTIPLIER

OUTPUT MODE

50Hz 625 Lines NI

50Hz 935 Lines NI 100Hz 625 Lines NI 50Hz 1250 Lines NI 100Hz 1250 Lines I

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-23

50Hz

1250 Lines

N I = Non Interlaced = Progressive Scan

3. Press EXIT to return to the Image Processing men

Vertical frequency of the image

Quantity of horizontal lines

Interlace mode

6.4.8.4 Video Equalizing

What can be done?

The sharpness of the image can be adjusted for 3 frequency bands (low, medium and high) separately. In addition to the 7 preprogrammed factory presets a customized adjustment of the sharpness for 3 ranges is also possible.

How to adjust Video Equalizing?

1. Push the ↑ or ↓ keys to highlight Video Equalizing and press ENTER to select.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANCEMENT

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-24

The Video Equalizing menu will be displayed.

LOW HI

MID

FACTORY PRESET : x

Select with ç or

Adjust or scroll presets

Image 6-4 Video Equalizing menu

with

<EXIT> to return.

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6. Random Access Adjustment Mode

2. Push the ← or → keys to select the desired frequency band (Low, Mid or High) or the Factory Preset : x.

3. Push the ↑ or ↓ keys to adjust the sharpness in the chosen frequency band (Low, Mid or High) or to scroll through the factory presets (x = 1 to 7).

Note: Factory preset 8 is equal to the cust om adjustment as made with low, mid and high.

4. Press EXIT to return to the Image Processing menu.

6.4.8.5 Noise Reduction

What can be done?

Noisy, lower quality video images can be ameliorated by use of the Noise Reduction feature.

How to adjust Noise Reduction?

1. Push the ↑ or ↓ keys to highlight Noise Reduction and press ENTER to select.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANCEMENT

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-25

The Dynamic Noise Reduction bar scale will be displayed.

Dynamic

Noise Reduction

0ff Max

Image 6-5 Dynamic Noise R eduction bar scale

2. Push the ↑ or ↓ keys to adjust the Noise Reduction.

3. Press EXIT to return to the Image Processing menu.

6.4.8.6 Contrast Enhancement

What can be done?

Enhancing the contrast results in a more dynamic image.

How to adjust the Contrast Enhancement?

1. Push the ↑ or ↓ keys to highlight Contrast Enhancement and press ENTER to select.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANC

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

EMENT

Menu 6-26

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6. Random Access Adjustment Mode

The Contrast Enhancement bar scale will be displayed.

Contrast

Enhancement

0 100

Image 6-6 Contrast Enhancement bar scale

2. Push the ↑ or ↓ keys to adjust the Contrast Enhancement.

3. Press EXIT to return to the Image Processing menu.

6.4.8.7 Split Screen On/Off

What can be done?

When the split screen is ’on’, the left half of the image will be displayed without enhancements, the right half shows the image with all selected image processing enabled.

How to toggle Split Screen On/Off?

1. Push the ↑ or ↓ keys to highlight Spit Screen.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANCEMENT

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-27

2. Press ENTER to toggle Split Screen On/Off.

6.4.8.8 Advanced Settings

Overview

• StartingUpAdvancedSettings

• TimeBaseCorrection

• Luminance Delay

• Vertical Sync Reference

• Clamp Gating

• Limo Pro Options (Optional)

• Factory Presets

6.4.8.8.1 Starting Up Advanced Settings

How to start up Advanced Settings?

1. Push the ↑ or ↓ keys to highlight Advanced Settings and press ENTER to select.

IMAGE PROCESSING

MOTION PROCESSING: ON

OUTPUT MODE

VIDEO EQUALIZING

NOISE REDUCTION

CONTRAST ENHANCEMENT

SPLIT SCREEN: OFF

ADVANCED SETTINGS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-28

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6. Random Access Adjustment Mode

The Line Multiplier menu will be displayed.

6.4.8.8.2 Time Base Correction

What can be done?

With the Time Base Correction function it is possible to cleanup low quality videotape noise to obtain a more stable image.

How to toggle Time Base Correction On/Off

1. Push the ↑ or ↓ keys to highlight Time Base Correction.

LINE MULTIPLIER

TIME BASE CORRECTION

LUMINANCE DELAY

V SYNC REF: INDIRECT

CLAMP GATING: OFF

LIMO+ OPTIONS

FACTORY PRESET

WARNING: ADVANCED

ADJUSTMENT SHOULD BE

PERFORMED ONLY BY QUALIFIED

PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-29

2. Press ENTER to toggle Time Base Correction On/Off.

6.4.8.8.3 Luminance Delay

When is it necessary?

When a color shift is recognized on the screen. e.g. if color bars are projecte

How to adjust Luminance Delay?

1. Push the ↑ or ↓ keys to highlight Luminance Delay and press ENTER to select.

LINE MULTIPLIER

TIME BASE CORRECTION

LUMINANCE DELAY

V SYNC REF: INDIRECT

CLAMP GATING: OFF

LIMO+ OPTIONS

FACTORY PRESET

WARNING: ADVANCED

ADJUSTMENT SHOULD BE

PERFORMED ONLY BY QUALIFIED

PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-30

The Luminance Delay bar scale will be displayed.

Luminance

Delay

0-+

d and a line between the colors is recognized.

Image 6-7 Luminance Delay bar scale

2. Push the ↑ or ↓ keys to adjust the Luminance Delay until t

3. Press EXIT to return to the Line Multiplier menu.

6.4.8.8.4 Vertical Sync Reference

What can be done?

The Vertical Sync Reference can be set in 2 modes:

R5976398 BARCOREALITY 909 SPLIT PACK 21/02/2003

he color shift is eliminated.

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6. Random Access Adjustment Mode

Direct This sync processing has the disadvantage that glitches and other disturbances in the video signal

sometimes get passed and hence may cause problems in the image.

Indirect This sync processing throws away any disturbances that are not really sync signals. By source switching a

rolling effect on the image can occur. This sync processing is preferred especially with low quality material.

How to toggle Vertical Sync Reference Direct/Indirect?

1. Push the ↑ or ↓ keys to highlight Vertical Sync Reference.

LINE MULTIPLIER

TIME BASE CORRECTION

LUMINANCE DELAY

V SYNC REF: INDIRECT

CLAMP GATING: OFF

LIMO+ OPTIONS

FACTORY PRESET

WARNING: ADVANCED

ADJUSTMENT SHOULD BE

PERFORMED ONLY BY QUALIFIED

PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-31

2. Press ENTER to toggle Vertical Sync Reference Direct/Indirect.

6.4.8.8.5 Clamp Gating

When is it necessary?

Clamp Gating is useful when protection signals are present in the vertical interval of the video signal (macrovision), that would otherwise confuse the Limo Pro, causing horizontal brightness differences near the top of the screen.

How to toggle Clamp Gating On/Off?

1. Push the ↑ or ↓ keys to highlight Clamp Gating.

LINE MULTIPLIER

TIME BASE CORRECTION

LUMINANCE DELAY

V SYNC REF: IN

CLAMP GATING: OFF

LIMO+ OPTIONS

FACTORY PRESET

WARNING: ADVANCED

ADJUSTMENT SHOULD BE

PERFORMED ONLY BY QUALIFIED

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-32

DIRECT

PERSONNEL

2. Press ENTER to toggle Clamp Gating On/Off.

Note: Default Clamp Gating is set to Off.

Suggested default s

ettings:

Time Base Correction On

Vertical Sync Reference

Clamp Gate Off

6.4.8.9 Limo Pro Options (Optional)

Indirect

Overview

• StartingUpLimoProOptions

•Coring

•LTI

•CTI

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6.4.8.9.6 Starting Up Limo Pro Options

When available?

This menu item is only available when the projector is equipped with a line multiplier.

How to start up Limo Pro Options?

1. Push the ↑ or ↓ keys to highlight Limo Pro Options and press ENTER to select.

LINE MULTIPLIER

TIME BASE CORRECTION

LUMINANCE DELAY

V SYNC REF: INDIRECT

CLAMP GATING: OFF

LIMO+ OPTIONS

FACTORY PRESET

WARNING: ADVANCED

ADJUSTMENT SHOULD BE

PERFORMED ONLY BY QUALIFIED

PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-33

The Limo Pro Options menu will be displayed.

6.4.8.9.7 Coring

6. Random Access Adjustment Mode

What can be done?

With coring, a noise threshold will be set for all filters.

How to adjust Coring?

1. Push the ↑ or ↓ keys to highlight Coring and press ENTER to select.

LINE MULTIPLIER

CORING

LTI CTI

WARNING: ADVANCED ADJUSTMENT

SHOULD BE PERFORMED ONLY BY

QUALIFIED PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-34

The Coring bar scale will be displayed.

Coring

Image 6-8

2. Push the ↑ or ↓ keys to adjust the Coring.

3. Press EXIT to return to the Limo Pro Options menu.

6.4.8.9.8 LTI

What can be done?

LTI = Luminance transient improvement. This function makes the luminance transients sharper (from dark areas to highlight areas) without overshoot, undershoot or ringing.

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6. Random Access Adjustment Mode

Without LTI adjustment With LTI adjustment

Image 6-9 LTI basic principle

How to adjust LTI?

1. Push the ↑ or ↓ keys to highlight LT I and press ENTER to select.

LINE MULTIPLIER

CORING

LTI

CTI

WARNING: ADVANCED ADJUSTMENT

SHOULD BE PERFORMED ONLY BY

QUALIFIED PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-35

The Coring bar scale will be displayed.

LTI

Image 6-10 LTI bar scale

2. Push the ↑ or ↓ keys to adjust the LTI value.

Note: Only 7 steps are possible.

3. Press EXIT to return to the Limo Pro Options menu.

6.4.8.9.9 CTI

What can be done?

CTI = Chrominance (color) transient improvement. This function makes the chrominance transients (from one color to another) sharper without overshoot, undershoot or ringin

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6. Random Access Adjustment Mode

Without CTI adjustment With CTI adjustment

Image 6-11 CTI principle

How to adjust CTI?

1. Push the ↑ or ↓ keys to highlight CTI and press ENTER to select.

LINE MULTIPLIER

CORING

LTI

WARNING: ADVANCED ADJUSTMENT

SHOULD BE PERFORMED ONLY BY

CTI

QUALIFIED PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-36

The LTI bar scale will be displayed.

CTI

Image 6-12 CTI bar scale

2. Push the ↑ or ↓ keys to adjust the CTI value.

Note: Only 7 steps are possible.

3. Press EXIT to return to the Limo Pro Options menu.

6.4.8.9.10 Factory Presets

What can be done?

All settings for the Line Multiplier can be set to the Factory Presets.

These Factory Presets settings are:

Time Base Correction On

Luminance Delay 0

Vertical Sync Reference

Indirect

Clamp Gating Off

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6. Random Access Adjustment Mode

How to set to the Factory Presets?

1. Push the ↑ or ↓ keys to highlight Factory Presets.

LINE MULTIPLIER

TIME BASE CORRECTION

LUMINANCE DELAY

V SYNC REF: INDIRECT

CLAMP GATING: OFF

LIMO+ OPTIONS

FACTORY PRESET

WARNING: ADVANCED

ADJUSTMENT SHOULD BE

PERFORMED ONLY BY QUALIFIED

PERSONNEL

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-37

2. Press ENTER to set to the Factory Presets?

3. Press EXIT to return to the Image Processing menu.

6.5 Geometry

Overview

• Starting Up Geometry

• Green Convergence

• Horizontal Phase Adjustment

• Raster Shift Adjustment

• Left-Right (East-West) Adjustments

• Top-Bottom (North-South) Adjustments

• Size Adjustment

• Fine Horizontal Size Adjustment

• Linearity Adjustment

• Blanking Adjustments

6.5.1 Starting Up Geometry

What can be done?

The geometry adjustments have to be done only on the green image. These adjustments are automatically implemented for the other color images.

The following adjustments can be adjusted:

• Left-Right (East-West) Corrections.

• Top-Bottom (North-South) Corrections.

• Blanking.

• Horizontal Amplitude.

• Vertical Amplitude.

• Vertical Linearity .

• Horizontal Phase.

The convergence corrections are disabled during geometry corrections. The blanking corrections are only enabled during the blanking adjustments.

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6. Random Access Adjustment Mode

How to start up Geometry?

1. Push the ↑ or ↓ keys to highlight Ge ometry and press ENTER to select.

RANDOM ACCESS ADJUSTMENT MODE

PICTURE TUNING

GEOMETRY

CONVERGENCE

FOCUSING

COLOR SELECT

SOFT EDGE

DRIVER VOLTAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-38

The Geometry menu will be displayed.

6.5.2 Green Convergence

Why switching your Green Convergence On/Off?

The adjustments for a good image should be done with the geometry corrections prior to the convergence corrections as the power consumption (heat production inside the projector) will be lower. With a lower heat production, the stability of the electronics will increase. So, start by switching off the convergence and adjust first all the geometry corrections. Switch on the convergence again and if a misalignment is still visible, correct that with the convergence corrections.

How to toggle Green Convergence On/Off?

1. Push the ↑ or ↓ keys to highlight Green Convergence.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-39

2. Press ENTER to Toggle Green Convergence On/Off.

6.5.3 Horizontal Phase Adjustment

No horizontal phase adjustment is available on the Internal # Pattern. If the genlocked pattern was selected during the start up of the random access mode, the exter

How to adjust the Horizontal Phase?

1. Push the ↑ or ↓ keys to highlight Horizontal Phase and pr

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-40

nal source will be displayed.

ess ENTER to select.

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6. Random Access Adjustment Mode

The Horizontal Phase Text box will be projected in the middle of the external image. A bar scale and a number indicator (between 0 and 100) on the screen give a visual indication of the horizontal phase adjustment.

H PHASE

Image 6-13 Horizontal Phase Text Box

2. If the raster shift is correctly adjusted, the H Phase text box is projected in the middle of the raster. At that moment, the "><" icon indicates the middle of the raster. Press the ← or → keys to adjust the H Phase "><" icon to coincide with the middle of the projected image.

3. Press EXIT to return to the Geometry menu.

6.5.4 Raster Shift Adjustment

WARNING: It is necessary to look into the lenses to perform these adjustments. To avoid eye discomfort

while looking into the lenses, reduce the contrast and gradually increase the brightness level until the raster becomes visible on the face of the CRT.

What has to be done?

The raster of the separate colors must be centered both horizontally and vertically on the center of the CRT surface. To center the raster, look into the lens of the respective color and use the cu

rsor keys to move the raster.

RASTER POSITION WRONG RASTER POSITIONS

CRT phosphor width for the green color

Image 6-14

11,5 cm (4.5 inch)

CRT Faceplate holder

Forbidden area

Phosphor area

Projected raster

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How to adjust the Raster Shift?

1. Push the ↑ or ↓ keys to highlight Raster Shift and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT

LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-41

The Raster Shift menu will be displayed.

2. First push the ↑ or ↓ keys to highlight Coarse Green and press ENTER to select.

RASTER SHIFT

COARSE GREEN

COARSE RED HORZ

COARSE BLUE HORZ

FINE GREEN

FINE RED

FINE BLUE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

6. Random Access Adjustment Mode

Menu 6-42

3. Use the cursor keys to perform a Coarse Raster Shift and press ENTER to continue.

4. Push the ↑ or ↓ keys to highlight Coarse Red Horz and press ENTER to select.

5. Use the cursor keys to shift the Red Raster until Red is almost on Green.

6. Repeat step 4 till 5 for Coarse Blue Horz.

7. If necessary repeat step 4 till 5 to perform a Fine Raster Shift until the colors math each other.

Note: Horizontal and Vertical shifts for Red and Blue should end up with a setting close to 50%. If these settings are significantly

greater or lesser than 50%, contact a BARCO authorized service technician.

8. Press EXIT to return to the Geometry menu.

6.5.5 Left-Right (East-West) Adjustments

Overview

• Starting Up Left-Right (E-W) Adjustments

• Vertical Centerline

• Side Precorrection

• Left

• FineSideCorrection

6.5.5.1 Starting Up Left-Right (E-W) Adjustments

What can be adjusted?

Left-Right adjustments affect only the vertical lines of th

The following adjustments can be executed:

• Vertical Centerline: Bow and Skew.

• Side Precorrections: Bow and Keystone.

• Left: Bow and Keystone.

• Fine Side Correction.

e projected image.

Only the Green image is displayed while making Left-Right Adjustments. The Red and Blue images will automatically be corrected in the same manner.

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6. Random Access Adjustment Mode

How to start up Left-Right (E-W) Adjustment?

1. Push the ↑ or ↓ keys to highlight Left–Right (E-W) and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT

LEFT-RIGHT (E-W)

TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-43

The Left–Right (E-W) menu will be displayed.

All adjustments will be displayed on the screen with the function name, a bar scale and a number between 0 and 100.

6.5.5.2 Vertical Centerline

What can be done?

This will adjust the bow and skew of the vertical centerline.

How to adjust the Vertical Centerline?

1. Push the ↑ or ↓ keys to highlight the Vertical Centerline and press ENTER to select.

LEFT-RIGHT (E-W)

VERTICAL CENTERLINE

SIDE PRECORRECTION

LEFT

FINE SIDE CORRECTION

WARNING: USE SIDE

PRECORRECTION TO ADJUST

THE RIGHT SIDE OF THE IMAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-44

2. Use the ↑ or ↓ keys to adjust the curvature of the vertical lines in the middle of the image.

Image 6-15 Vertical Centerline: Bow Adjustment

3. Use the ← or → keys to adjust the tilting of the vertical lines in the middle of the image.

Image 6-16 Vertical Centerline: Skew Adjustment

4. Press EXIT to return to the Left-Right (E-W) menu.

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6. Random Access Adjustment Mode

6.5.5.3 Side Precorrection

What can be done?

This will adjust the bow and skew of the vertical lines on both sides of the image.

Although this adjustment corrects both sides, look only at the right side when performing this adjustment.

Use the side precorrection to adjust the right side of the image, adjust afterwards the left side with ’left’ correction.

How to adjust the Side Precorrection?

1. Push the ↑ or ↓ keys to highlight the Side Precorrection and press ENTER to select.

LEFT-RIGHT (E-W)

VERTICAL CENTERLINE

SIDE PRECORRECTION

LEFT

FINE SIDE CORRECTION

WARNING: USE SIDE

PRECORRECTION TO ADJUST

THE RIGHT SIDE OF THE IMAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-45

2. Use the ↑ or ↓ keys to adjust the curvature of the vertical lines on both sides (look only at he right side) of the screen image.

Image 6-17 Side Precorrection: Bow Adjustment

3. Use the ← or → keys to adjust the keystone geometry of the vertical lines on both sides (look only at he right side) of the screen image.

Image 6-18 Side Precorrection: Keystone Adjustment

4. Press EXIT to return to the Left-Right (E-W) menu.

6.5.5.4 Left

What can be done?

This will adjust the bow and skew of the vertical lines on the left side of the image.

How to adjust Left?

1. Push the ↑ or ↓ keys to highlight the Left and press ENTER to select.

LEFT-RIGHT (E-W)

VERTICAL CENTERLINE

SIDE PRECORRECTION

LEFT

FINE SIDE CORRECTION

WARNING: USE SIDE

PRECORRECTION TO ADJUST

THE RIGHT SIDE OF THE IMAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-46

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6. Random Access Adjustment Mode

2. Use the ↑ or ↓ keys to adjust the curvature of the vertical lines on the left side of the screen image.

Image 6-19 Left: Bow Adjustment

3. Use the ← or → keys to adjust the keystone geometry of the vertical lines on the left side of the screen image.

Image 6-20 Left: Keystone Adjustment

4. Press EXIT to return to the Left-Right (E-W) menu.

6.5.5.5 Fine Side Correction

What can be done?

This adjustment can be executed in 9 different areas and corrects the left and right side at the same time.

How to adjust the Fine Side Correction?

1. Push the ↑ or ↓ keys to highlight the Fine Side Corrections and press EN

LEFT-RIGHT (E-W)

VERTICAL CENTERLINE

SIDE PRECORRECTION

LEFT

FINE SIDE CORRECTION

WARNING: USE SIDE

PRECORRECTION TO ADJUST

THE RIGHT SIDE OF THE IMAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-47

A selection area menu will be displayed.

2. Push the ↑ or ↓ keys to select one the 9 possible areas and press ENTER to confirm.

Image 6-21 Fine Side Correction: 9 possible areas

3. Use the cursor keys to correct the sides of the image in this specific area.

4. Press ENTER to save the correction and to return to the selection screen.

5. Press EXIT to return to the Left-Right (E

-W) menu.

TER to select.

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6.5.6 Top-Bottom (North-South) Adjustments

Overview

• Starting Up the Top-Bottom (N-S) Adjustments

• Horizontal Centerline

• Horizontal Top

• Horizontal Bottom

6.5.6.1 Starting Up the Top-Bottom (N-S) Adjustments

What can be adjusted?

Top-Bottom adjustments affect only the horizontal lines of the projected image.

The following adjustments can be executed:

• Horizontal Centerline: Bow and Skew.

• Horizontal Top: Bow and Keystone.

• Horizontal Bottom: Bow and Keystone.

Only the Green image is displayed while making Top–Bottom Adjustments. The Red and Blue images will automatically be corrected in the same manner.

6. Random Access Adjustment Mode

How to start up the Top-Bottom (N-S) Adjustments?

1. Push the ↑ or ↓ keys to highlight Top-Bottom (N-S) and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT

LEFT-RIGHT (E-W)

TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-48

The Top-Bottom (N-S) menu will be displayed.

All adjustments will be displayed on the screen with the function name, a bar scale and a number between 0 and 100.

6.5.6.2 Horizontal Centerline

What can be done?

This will adjust the bow and skew of the horizontal centerline.

How to adjust the Horizontal Centerline?

1. Push the ↑ or ↓ keys to highlight Horizon tal Centerline and press ENTER to select.

TOP-BOTTOM (N-S)

HORIZONTAL CENTERLINE

HORIZONTAL TOP

HORIZONTAL BOTTOM

Select with ↑ or ↓

then <ENTER>

You can adjust BOW with ↑ or ↓

and KEYSTONE with ← or →

<EXIT> to return

Menu 6-49

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6. Random Access Adjustment Mode

2. Use the ↑ or ↓ keys to adjust the curvature of the horizontal lines in the middle of the image.

Image 6-22 Horizontal Centerline: Bow Adjustment

3. Use the ← or → keys to adjust the tilting of the horizontal lines in the middle of the image.

Image 6-23 Horizontal Centerline: Skew Adjustment

4. Press EXIT to return to the Top-Bottom (N-S) menu.

6.5.6.3 Horizontal Top

What can be done?

This will adjust the bow and skew of the horizontal lines on the top side of the image.

How to adjust Horizontal Top?

1. Push the ↑ or ↓ keys to highlight Horizontal Top and press ENTER to select.

TOP-BOTTOM (N-S)

HORIZONTAL CENTERLINE

HORIZONTAL TOP

HORIZONTAL BOTTOM

Select with ↑ or ↓

then <ENTER>

You can adjust BOW with ↑ or ↓

and KEYSTONE with ← or →

<EXIT> to return

Menu 6-50

2. Use the ↑ or ↓ keys to adjust the curvature of the horizontal lines on the top of the image.

Image 6-24 Horizontal Top: Bow Adjustment

3. Use the ← or → keys to adjust the tilting of the horizontal lines on the top of the image.

Image 6-25 Horizontal Top: Skew Adjustment

4. Press EXIT to return to the Top-Bottom (N-S) menu.

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6.5.6.4 Horizontal Bottom

What can be done?

This will adjust the bow and skew of the horizontal lines on the bottom side of the image.

How to adjust Horizontal Bottom?

1. Push the ↑ or ↓ keys to highlight Horizontal Bottom and press ENTER to select.

TOP-BOTTOM (N-S)

HORIZONTAL CENTERLINE

HORIZONTAL TOP

HORIZONTAL BOTTOM

Select with ↑ or ↓

then <ENTER>

You can adjust BOW with ↑ or ↓

and KEYSTONE with ← or →

<EXIT> to return

Menu 6-51

2. Use the ↑ or ↓ keys to adjust the curvature of the horizontal lines on the bottom of the image.

6. Random Access Adjustment Mode

Image 6-26 Horizontal Bottom: Bow Adjustment

3. Use the ← or → keys to adjust the tilting of the horizontal lines on the bottom of the image.

Image 6-27 Horizontal Bottom: Skew Adjustment

4. Press EXIT to return to the Top-Bottom (N-S) menu.

6.5.7 Size Adjustment

What can be done?

To adjust (correct) a little bit the horizontal and vertical picture size (when the projector is on its correct position) in regard with the installed screen.

In order to avoid loss of resolution in the projected image and to ensure maximum CRT longevity, do not use an excessively small size setting.

If the internal # pattern was selected, this the external source will be displayed.

pattern remains on the screen, if the genlocked pattern was selected,

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6. Random Access Adjustment Mode

H si

How to adjust the Size?

1. Push the ↑ or ↓ keys to highlight Size and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-52

A bar scale and a numeric indicator will help to gauge the size adjustment.

V SIZE

éê

H SIZE

çè

Image 6-28

2. Push the ← or → keys to adjust the horizontal size until the exact imag

e width is obtained.

ze too large

Ideal image width

Image 6-29 Horizontal Size Adjustment

H size too small

3. Push the ↑ or ↓ keys to adjust the vertical size until the exact image height is obtained.

Image

too tall

Image 6-30 Vertical Size Adjustment

Ideal image height

Image

too

short

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4. Press EXIT to return to the Geometry menu.

6.5.8 Fine Horizontal Size Adjustment

What can be done?

The horizontal size can be extra fine tuned.

How to perform a Fine Horizontal Size Adjustment?

1. Push the ↑ or ↓ keys to highlight Fine Horizontal Size Adjustment and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-53

2. Use the cursor keys to fine tune the horizontal size.

6.5.9 Linearity Adjustment

6. Random Access Adjustment Mode

Overview

• Starting Up the Linearity Adjustment

• Coarse Linearity

• Fine Vertical Linearity

• Fine Horizontal Linearity

6.5.9.1 Starting Up the Linearity Adjustment

What can be done?

For the standard projectors, the horizontal & vertical linearity adjustment functions correct for horizontal and vertical non-linearities which extend from the center of the image to the left and right of the image or to the top and bottom of the image.

For the projectors equipped with the optional linearity adjustments, a fine vertical and horizontal linearity adjustment is added.

How to start up the Linearity Adjustment?

1. Push the ↑ or ↓ keys to highlight Linearity and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-54

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6. Random Access Adjustment Mode

In a Standard projector (without the optional linearity adjustments) the Coarse Linearity bar scale will be displayed.

COARSE V LIN

éê

COARSE H LIN

çè

Image 6-31 Coarse Linearity Adjustment

If the projector is equipped with the optional linearity option, the Linearity menu will be displayed.

LINEARITY

COARSE LINEARITY FINE V LINEARITY FINE H LINEARITY

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-55

6.5.9.2 Coarse Linearity

How to start up Coarse Linearity?

1. Push the ↑ or ↓ keys to highlight Coarse Linearity and press ENTER to select.

LINEARITY

COARSE LINEARITY

FINE V LINEARITY FINE H LINEARITY

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-56

The Coarse Linearity bar scale will be displayed.

How to perform a Coarse Linearity Adjustment?

1. Push the ↑ or ↓ keys to adjust the vertical linearity until the distances between the horizontal lines of the set up pattern are equal from top to bottom.

2. Push the ← or → keys to adjust the horizontal linearity until the distances between the vertical lines of the set up pattern are equal from left to right.

5. Only to be done when the projector is equipped with the optional linearity option.

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6.5.9.3 Fine Vertical Linearity

How to adjust the Fine Vertical Linearity?

1. Push the ↑ or ↓ keys to highlight Fine V Linearity and press ENTER to select.

LINEARITY

COARSE LINEARITY

FINE V LINEARITY

FINE H LINEARITY

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-57

A selection area menu will be displayed.

2. Push the ↑ or ↓ keys to select one of the 9 possible areas and press ENTER to confirm.

Image 6-32 Fine Vertical Linearity

3. Use the cursor keys to correct the Vertical Linearity of the image in this specific area.

4. Press ENTER to save the correction and to return to the selection screen.

5. Repeat step 2 till 4 for each area that needs an adjustment.

6. Press EXIT to return to the Linearity menu.

6. Random Access Adjustment Mode

6.5.9.4 Fine Horizontal Linearity

How to adjust the Fine Horizontal Linearity?

1. Push the ↑ or ↓ keys to highlight Fine H Linearity and press ENTER to select.

LINEARITY

COARSE LINEARITY FINE V LINEARITY

FINE H LINEARITY

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-58

2. Push the ↑ or ↓ keys to select one of the 9 possible areas and press ENTER to confirm.

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6. Random Access Adjustment Mode

1 2 3 4 5 6 7 8 9

Image 6-33 Fine Horizontal Linearity

3. Use the cursor keys to correct the Horizontal Linearity of the image in this specific area.

4. Press ENTER to save the correction and to return to the selection screen.

5. Repeat step 2 till 4 for each area that needs an adjustment.

6. Press EXIT to return to the Linearity menu.

6.5.10 Blanking Adjustments

What can be done?

Blanking adjustments affect only the edges of the projected image and are used to f to hide or black out unwanted information.

The following blanking adjustments are available:

• Top.

• Bottom.

• Left.

• Right.

rame the projected image on to the screen and

If the internal # pattern was selected, this pattern remains on the screen.

If the genlocked pattern was selected, the external source will be dis

How to adjust the Blanking?

1. Push the ↑ or ↓ keys to highlight Blanking and press ENTER to select.

GEOMETRY

GREEN CONVERGENCE: ON

H PHASE

RASTER SHIFT LEFT-RIGHT (E-W) TOP-BOTTOM (N-S)

SIZE

FINE H SIZE

LINEARITY

BLANKING

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-59

The Blanking menu will be displayed.

BLANKING

TOP

BOTTOM

LEFT

RIGHT

Select with ↑ or ↓

then <ENTER> <EXIT> to return

played.

Menu 6-60

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6. Random Access Adjustment Mode

Adjust

Left Blanki

Adjust

2. Push the ↑ or ↓ keys to highlight the desired blanking position and press ENTER to select.

op Blanking

men

Bottom Blanking Adjustment

Image 6-34 Blanking Adjustments

Right Blanking Adjustment

3. Push the cursor keys to adjust the blanking and press ENTER to confirm.

4. Press EXIT to return to the Geometry menu.

6.6 Convergence

Overview

• Starting Up Convergence

• Coarse Convergence Adjustment

• Fine Convergence Adjustment

6.6.1 Starting Up Convergence

What has to be done?

Convergence adjustments affect both the horizontal and vertical lines of the setup pattern. These adjustments are performed on the green image first, if green convergence is available, until these lines or straight and then on the red image while superimposed on the green image and on the blue image while superimpos with the green lines.

ed on the green image. Adjust the red and blue until they exactly match

green image

red image

Convergence

Adjustment

Image 6-35 Convergence Adjustment

Adjustment order

Adjust first the coarse adjustment and continue with the fine adjustment.

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6. Random Access Adjustment Mode

Coarse Adjustment

Fine Adjustment

The screen is divided in 25 areas. By pushing enter the selected area jumps to the next area (auto select).

The screen is divided in 81 (9 x 9) areas with no auto select.

How to start up Convergence?

1. Push the ↑ or ↓ keys to highlight Convergence and press ENTER to select.

The Convergence menu will be displayed.

6.6.2 Coarse Convergence Adjustment

Adjustment Order

When green convergence is available, start always with ’green only’ and continue with ’red on green’ and ’blue on green’.

How to perform a Coarse Convergence Adjustment?

1. Push the ↑ or ↓ keys to highlight Green Only within the Coarse Convergence Adjustment and press ENTER to select.

CONVERGENCE

COARSE ADJUSTMENT

GREEN ONLY

RED ON GREEN

BLUE ON GREEN

BLUE ON RED

FINE ADJUSTMENT

GREEN ONLY

RED ON GREEN

BLUE ON GREEN

BLUE ON RED

Select with ↑ or ↓

then <ENTER> <EXIT> to return

Menu 6-61

The Convergence Selection menu will be displayed and the screen will be divided in 25 areas.

CONVERGENCE

SEL: select area

using

arrow keys

ADJ: adjust area

using

arrow keys

Toggle between

SEL and ADJ

with <ENTER>

<ENTER> to continue

<EXIT> to return

Menu 6-62

2. Use the cursor keys to sel mode.

Tip: For the best result, start by adjusting zone 1 and follow the default order as shown in the image.

Image 6-36 25 Coarse Convergence Areas

3. Use the cursor keys to make horizontal or vertical adjustments in the selected zone.

4. Press ENTER to

5. Repeat step 2 till 4 for each area that needs an adjustment.

6. Press EXIT to return to the Converg ence.

finish convergence adjustment and to toggle the cursor keys to the selection mode.

ect one of the 25 areas and press ENTER to confirm and to toggle the cursor keys to the adjustment

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6. Random Access Adjustment Mode

123456789

7. Repeat the same procedure for Red on Green and Blue on Green.

8. Press EXIT to return to the Random Access Adjustment Mode menu.

6.6.3 Fine Convergence Adjustment

What can be done?

The Convergence for ’Green only’, if available, and ’Red on Green’ and ’Blue on Green’ can be adjusted in 81 areas without any influence for another area.

How to perform a Fine Convergence Adjustment?

1. Push the ↑ or ↓ keys to highlight Green Only within the Fine Convergence Adjustment and press ENTER to select.

CONVERGENCE

COARSE ADJUSTMENT

GREEN ONLY

RED ON GREEN

BLUE ON GREEN

BLUE ON RED

FINE ADJUSTMENT

GREEN ONLY

RED ON GREEN

BLUE ON GREEN

BLUE ON RED

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-63

The Convergence Selection menu will be displayed and the screen will be divided in 81 areas.

2. Use the cursor keys to select one of the 81 areas and press ENTER to confirm and to toggle the cursor keys to the adjustment mode.

Image 6-37 81 Fine Convergence Areas

3. Use the cursor keys to make horizontal or vertical adjustments in the selected area.

4. Press ENTER to finish convergence adjustment and to toggle the cursor keys to the selection mode.

5. Repeat step 2 till 4 for each area that needs an adjustment

6. Press EXIT to return to the Converge nce menu when the convergence for that item is finished.

7. Repeat the same procedure for Red on Green and Blue on Green.

8. Press EXIT to return to the Random Access Adjustment Mode menu.

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6. Random Access Adjustment Mode

6.7 Focusing

Overview

• StartingUpFocusing

• Midpoint focusing

• Top image focusing

• Bottom image focusing

• Digital Adjustment

• BlueOnSource

6.7.1 Starting Up Focusing

What has to be done?

After mechanical lens focusing the electromagnetic focus can be adjusted, the electromagnetic focus will focus the image in every spot on the CRT faceplate.

The focusing has to be done for the three colors separately, start with Green and continue with Red and Blue.

The following items can be adjusted for each color:

• Midpoint Focusing.

• Top Image Focusing.

• Bottom Image Focusing.

• Digital Adjustment.

For the digital adjustment, the screen is divided into 25 areas which can be selected with a Select Area menu.

How to start up Focusing?

1. Push the ↑ or ↓ keys to highlight Focusing and press ENTER to select.

RANDOM ACCESS ADJUSTMENT MODE

PICTURE TUNING

GEOMETRY

CONVERGENCE

FOCUSING

COLOR SELECT

SOFT EDGE

DRIVER VOLTAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-64

The Focusing menu will be displayed.

2. Start the following procedures (Midpoint, Top, Bottom and Digital Adjustment Focusing) with Green and when finished continue withRedandBlue,pushthe↑ or ↓ keys to highlight Green and press ENTER to select.

FOCUSING

RED

GREEN

BLUE

BLUE ON SOURCE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-65

The Green Focusing menu will be displayed.

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6.7.2 Midpoint focusing

How to focus the Midpoint?

1. Push the ↑ or ↓ keys to highlight Midpoint and press ENTER to select.

GREEN FOCUSING

MIDPOINT

TOP

BOTTOM

DIGITAL ADJUSTMENT

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-66

2. Push the cursor keys until the center of the image is sharp.

3. Press ENTER to return to the Focusi ng menu.

6.7.3 Top image focusing

How to focus the Top of the image?

1. Push the ↑ or ↓ keys to highlight To p and press ENTER to select.

GREEN FOCUSING

MIDPOINT

TOP

BOTTOM

DIGITAL ADJUSTMENT

6. Random Access Adjustment Mode

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-67

2. Push the cursor keys until the upper part of the image is sharp.

3. Press ENTER to return to the Focusi ng menu.

6.7.4 Bottom image focusing

How to focus the Bottom of the image?

1. Push the ↑ or ↓ keys to highlight Bottom and press ENTER to select.

GREEN FOCUSING

MIDPOINT

TOP

BOTTOM

DIGITAL ADJUSTMENT

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-68

2. Push the cursor keys until the lower part of the image is sharp.

3. Press ENTER to return to the Focusi ng menu.

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6. Random Access Adjustment Mode

12345

6.7.5 Digital Adjustment

How to perform a Digital Adjustment?

1. Push the ↑ or ↓ keys to highlight Digital Adjustment and press ENTER to select.

GREEN FOCUSING

MIDPOINT

TOP

BOTTOM

DIGITAL ADJUSTMENT

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-69

The Selection menu will be displayed and the screen will be divided in 25 areas.

2. Use the cursor keys to select one of the 25 areas and press ENTER to confirm and to toggle the cursor keys to the adjustment mode.

Image 6-38 25 Digital Adjustment Areas

3. Use the cursor keys to focus the image in the selected area.

4. Press ENTER to finish the digital focus adjustment and to toggle the cursor keys to the selection mode.

5. Repeat step 2 till 4 for each area that needs an adjustment.

6. When finished press EXIT to return to the Focusing menu.

6.7.6 Blue On Source

What has to be done?

After focusing the three colors, a discoloring on a full white image is still visible, this can be corrected using the Blue On Source Adjustment.

How to adjust Blue On Source?

1. Push the ↑ or ↓ keys to highlight Blue On Source and press ENTER to select.

FOCUSING

RED

GREEN

BLUE

BLUE ON SOURCE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-70

2. Repeat the procedures mentioned above (Midpoint, Top, Bottom and Digital Adjustment Focusing) to improve white uniformity.

3. Keep pressing EXIT until the Random Access Adjustment Mode menu is displayed.

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6. Random Access Adjustment Mode

6.8 Color Select

What can be done?

Only one color (CRT) or a combination of colors can be switched on to display the image.

How to use Color Select?

1. Push the ↑ or ↓ keys to highlight Color Select and press ENTER to select.

RANDOM ACCESS ADJUSTMENT MODE

PICTURE TUNING

GEOMETRY

CONVERGENCE

FOCUSING

COLOR SELECT

SOFT EDGE

DRIVER VOLTAGE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-71

The Color Select menu will be displayed.

2. Push the ↑ or ↓ keys to highlight the desired color or color combination and press ENTER to select.

Only the choosen color or color combination will be displayed.

3. Press EXIT to return to the Random Access Adjustment Mode menu.

6.9 Soft Edge (Optional)

When available?

Only available as an option, for more explanation see SEMU manual.

6.10 Driver Voltage (Optional)

When available?

Only available as an option.

What can be done?

The voltage for the convergence and focus outputs that is tracked wi on the projected image.

This voltage should be kept as low as possible to avoid extra dissipation inside the projector.

How to adjust the Driver Voltage?

1. Push the ↑ or ↓ keys to highlight Driver Voltage and press ENTER to select.

RANDOM ACCESS ADJUSTMENT MODE

PICTURE TUNING

GEOMETRY

CONVERGENCE

FOCUSING

COLOR SELECT

SOFT EDGE

DRIVER VOLTAG

th the line frequency, can be extra turned up or down depending

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 6-72

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6. Random Access Adjustment Mode

The Driver Voltage bar scale will be displayed.

Voltage

Output Drivers

Max

Image 6-39 Driver Voltage bar scale

2. Was it possible to perfectly adjust the Convergence (No Hooking)? If yes, Use the cursor keys to turn back the Driver Voltage until there is just no distortion visible on the screen.

The dissipation inside the projector will be reduced. If no, Use the cursor keys to drive up the Driver Voltage a little and try again to converge the image, repeat this step if necessary.

Tip: Do not exaggerate as the dissipation inside the projector will increase too.

3. Press EXIT to return to the Random Access Adjustment Mode menu.

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7. SERVICE MODE

Overview

• Introduction

• Service Mode Overview

• Projector Set-Up

• Memory Management

• Common Settings

• I2C Diagnostics

• Voltage Diagnostics

• Projector Diagnostics

7.1 Introduction

How to start up Service Mode?

1. Press the ADJUST key to start up the Adjustment Mode.

The main Adjustment Mode menu will be displayed.

2. Push the ↑ or ↓ keys to highlight Service and press ENTER to select.

ADJUSTMENT MODE

Select a path from below :

RANDOM ACCESS

INSTALLATION

SERVICE

7. Service Mode

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-1

The Service menu will be displayed.

SERVICE MODE

PROJECTOR SET-UP

MEMORY MANAGEMENT

COMMON SETTINGS

I2C DIAGNOSTICS

VOLTAGE DIAGNOSTICS

PROJECTOR DIAGNOSTICS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-2

Some items in the Service mode are password protected (when the password function is active). Enter your password to continue. All other password protected items are now also available if you stay in the adjustment mode.

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7. Service Mode

7.2 Service Mode Overview

Service Mode Overview

•ProjectorSetUp

- Identification

-TotalRunTime

- Change Password

- Change Projector Address

- Change Baudrate

-ProjectorWarmUp

- Power Up Mode

- Common Address

- ABL Controller

• Memory Management

- Copy a Block

- Copy Soft Edge Block

- DeleteaBlock

- Deletion All Blocks

- Set to Midposition

• Common Settings

- Dynamic Astigmatism

- Gamma Correction

- CRTRunInCycle

-CRTDriveMode

- Memorybanks

- Flyback Turnover Point

- Menu Position

-option1

- Real Time Clock

•I

C Diagnostics

• Voltage Diagnostics

• Projector Diagnostics

7.3 Projector Set-Up

Overview

• StartingUpProjectorSet-Up

• Identification

• Total Run Time

• Change Password

• Change Projector Address

• Change Baudrate

• Projector Warm Up

• Power Up Mode Operating/Stand-By

• Common Address

• ABL Controller

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7.3.1 Starting Up Projector Set-Up

What can be done?

Within the projector set-up menu, the following items can be consulted or set to the desired setting:

• Identification.

• Total Run Time.

• Change Password.

• Change Projector Address.

• Change Baudrate.

• Projector Warm Up.

• Power Up Mode.

• Common Address.

Projector Set-Up

1. Push the ↑ or ↓ keys to highlight Projector Set-Up and press ENTER to select.

SERVICE MODE

PROJECTOR SET-UP

MEMORY MANAGEMENT

COMMON SETTINGS

I2C DIAGNOSTICS

VOLTAGE DIAGNOSTICS

PROJECTOR DIAGNOSTICS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

7. Service Mode

Menu 7-3

The Projector Set-Up menu will be displayed.

7.3.2 Identification

What can be seen?

The Identification screen gives information concerning:

• Projector address, to change the address of your projector, contact a qualified service technician.

• Software version.

• Configuration, possible installations: Front-ceiling, Front-table, Rear-ceiling, Rear-table.

• Baud rate PC: transfer speed for communication with an IBM PC (or compatible) or MAC. The baud rate of the projector must

be the same as the baud rate of the connected computer. When there is a difference, contac

t a qualified service technician to

make the appropriate changes.

• Text On/Off: indicates in operational mode if the bar scale and number indicator will be displayed and if warnings and failures

will be displayed (ON: displayed, OFF: not displayed). The status can be changed by pressing the TEXT key once on the RCU.

• Serial No.: indicates the fabrication number of the projector. This number can be useful when calling for technical assistance.

How to start up Identification?

1. Push the ↑ or ↓ keys to highlight Identification and press ENTER to select.

PROJECTOR SET-UP

IDENTIFICATION

TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-4

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7. Service Mode

The Identification screen will be displayed.

BARCO

REALITY 909

Proj. address: 001

Soft. Version: 2.11

Config.: Ceiling

Front

Baudrate PC: 9600

Text: ON

Serial No.: 1035895

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-5

2. Press EXIT to return to the Projector Set-Up menu.

7.3.3 Total Run Time

What can be seen?

The total system run time since the first start up can be displayed plus the run time of the separate CRT’s since the last reset.

All projectors leave the factory after a burn-in period of approximately 100 hours.

How to start up Total Run Time?

1. Push the ↑ or ↓ keys to highlight To t al R u n Ti m e and press ENTER to select.

PROJECTOR SET-UP

IDENTIFICATION

TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-6

The Total Run Time screen will be displayed, the System Runtime indicates the amount of time the projector has played since its first start up at the factory, the CRT run times will be displayed next to the respective colors.

RUN TIME

SYSTEM RUNTIME: 120 h

CRT RUNTIME

RED: 20 h

GREEN: 20 h

BLUE: 50 h

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-7

How to reset CRT Run Time?

1. Push the ↑ or ↓ keys to highlight the desired CRT e.g. Red, for which the Run Time has to be reseted.

RUN TIME

SYSTEM RUNTIME: 120 h

CRT RUNTIME

RED: 20 h

GREEN: 20 h

BLUE: 50 h

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-8

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7. Service Mode

2. Press ENTER to reset the Run Time.

3. Press EXIT to return to the Projector Set-Up menu.

7.3.4 Change Password

What can be done?

The password code (4 digits) can be changed to a new one. This item is password protected. First the actual password should be entered before continuing.

Password function is only active if the jumper on the controller is in the ’On’ position. Contact a qualified BARCO technician to activate the password if needed.

The default password is 0000.

How to Change the Password?

1. Push the ↑ or ↓ keys to highlight Change Password and press ENTER to select.

PROJECTOR SET-UP

IDENTIFICATION TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-9

Note: If it is the first time you enter a password protected item, enter your password and press ENTER.

The current Password will be displayed in the Password menu.

PASSWORD

Enter new password:

0000

Use ← and → to select,

and reprogram with numeric keys. <ENTER> to confirm

<EXIT> to return

Menu 7-10

2. Push the ← or → keys to highlight the digit to be changed.

3. Press a numeric key to enter the new digit.

4. Repeat step 2 till 3 for the other digits.

5. Press ENTER to save the new password.

Before saving the new password, a confirmation screen will be displayed.

6. Press ENTER to confirm, press EXIT to cancel the saving.

7.3.5 Change Projector Address

What can be done?

Every projector requires an individual address between O and 255. This address can be set by the software.

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7. Service Mode

How to Change the Projector Address?

1. Push the ↑ or ↓ keys to highlight Change Projector Password and press ENTER to select.

PROJECTOR SET-UP

IDENTIFICATION TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-11

The current Projector Address will be displayed in the Projector Password menu.

PROJECTOR ADDRESS

Enter new projector

address:

000

Use ← and → to select,

and reprogram with numeric keys.

Highest address is 255

<ENTER> to confirm

<EXIT> to return

Menu 7-12

2. Push the ← or → keys to highlight the digit to be changed.

3. Press a numeric key to enter the new digit.

4. Repeat step 2 till 3 for the other digits.

5. Press ENTER to save the new password.

7.3.6 Change Baudrate

What can be done?

The communication speed between projector and computer has 8 possible speeds. The baud rate speed can be software set up.

The following baud rates are available:

• 38400

• 19200

• 9600

• 4800

• 2400

• 1200

By default the Baudrate is set to 9600.

How to Change the Baudrate?

1. Push the ↑ or ↓ keys to highlight Ch ange Baudrate and press ENTER to select.

PROJECTOR SET-UP

IDENTIFICATION TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRA

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-13

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The Baudrate menu will be displayed, the actual Baudrate will be highlighted.

BAUDRATE

Select new baudrate: 38400 19200 9600 4800 2400 1200

Select with arrow

keys:

<ENTER> to accept

<EXIT> to return

Menu 7-14

2. Push the ↑ or ↓ keys to highlight the desired Baudrate and press ENTER to confirm.

3. Press EXIT to return to the Projector Set-Up menu.

7.3.7 Projector Warm Up

Overview

• Starting Up Projector Warm Up

• Warm Up On/Off

• Warm Up Frequency

•WarmUpTime

7. Service Mode

7.3.7.1 Starting Up Projector Warm Up

Why a projector Warm Up?

To perform in optimum conditions the projector needs to be warmed up.

What is done during the Warm Up period?

When in the Warm Up mode is set to On (and the CRT run in cycle is Off) the projector starts up with a warm up period, a warm up menu will be displayed, this menu offers the possibility to skip the warm up p to adjust the horizontal and vertical amplitude of this white image with the cursor keys. During this warm up period, a full white image is shifted on the CRT faceplate to avoid a burn in. Every 30 seconds a text box will be displayed in another place on the screen with the remaining time to go.

When EXIT is pressed during this warm up period, the warm up menu will be redisplayed with the remaining time indication. Press another time EXIT to interrupt the warm up cycle.

eriodbypressingtheEXIT key and offers the possibility

Which Warm Up settings can be adjusted?

The projector will start up with a warm up period to perform in optimum conditions.

Following warm up settings can be adjusted:

• Warm Up Mode On/Off.

• Warm Up Frequency of the warm up source.

• Warm Up Time.

How to start up Projector Warm Up settings?

1. Push the ↑ or ↓ keys to highlight Projector Warm Up and press ENTER to select.

PROJECTOR SET-UP

IDENTIFICATION TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-15

The Projector Warm Up menu will be displayed.

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7. Service Mode

7.3.7.2 Warm Up On/Off

What can be done?

The Warm Up period can be set On or Off.

On When starting the projector, the warm up period will be executed, during this warm up period a full white image

is projected

Off

The projector starts up with immediate image projection.

How to toggle Warm Up On/Off?

1. Push the ↑ or ↓ keys to highlight Warm Up On/Off.

PROJECTOR WARM UP

WARM UP: ON

FREQUENCY: 64 kHz

TIME: 15 min

A FULL WHITE PATTERN WILL BE GENERATED AT

POWER UP

AFTER THIS PROCEDURE

THE PROJECTOR IS READY

TO PERFORM IN OPTIMUM

CONDITION

with <ENTER>

<EXIT> to return

Menu 7-16

2. Press ENTER to toggle Warm Up On/Off.

7.3.7.3 Warm Up Frequency

What can be done?

The line frequency of the white pattern on which the warm up will be executed, can be entered by selecting out of the displayed list an available block.

How to set the Warm Up Fr

equency?

1. Push the ↑ or ↓ keys to highlight Frequency and press ENTER to select.

PROJECTOR WARM UP

WARM UP: ON

FREQUENCY: 64 kHz

TIME: 15 min

A FULL WHITE PATTERN WILL BE GENER

AFTER THIS PROCEDURE

THE PROJECTOR IS R

TO PERFORM IN OPTIMUM

<EXIT> to return

Menu 7-17

ATED AT

POWER UP

CONDITION

with <ENTER>

EADY

The Projector Warm Up Frequency menu will be displayed.

PROJECTOR WARM UP

Nr. Src Fh Fv inp conf 1 1 15.650 video FC 2 3 31.260 RGB3S RT 3 - 15.650 intern FC 4 2 31.550 RGB3S FC 5 - 33.760 intern FC 6

Active block nr.1

Select block to co

<ENTER> to copy settings to

warm up block.

<EXIT> to return.

Menu 7-18

py with ↑ or

↓

2. Push the ↑ o

r ↓ keys to highlight a Warm Up Block.

3. Press ENTER to copy the settings of the selected block to the warm up block.

4. Press EXIT to return to the Projector Warp Up menu.

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7.3.7.4 Warm Up Time

What can be done?

The Warm Up Time can be programmed with the cursor keys.

How to set the Warm Up Time?

1. Push the ↑ or ↓ keys to highlight Time and press ENTER to select.

PROJECTOR WARM UP

WARM UP: ON

FREQUENCY: 64 kHz

TIME: 15 min

A FULL WHITE PATTERN WILL BE GENERATED AT

POWER UP

AFTER THIS PROCEDURE

THE PROJECTOR IS READY

TO PERFORM IN OPTIMUM

CONDITION

with <ENTER>

<EXIT> to return

Menu 7-19

The Projector Warm Up Time menu will be displayed, the actual warm up time will be displayed.

PROJECTOR WARM UP

Enter new time:

15 min

7. Service Mode

Use ← and → to select,

and reprogram with numeric keys. <ENTER> to confirm

<EXIT> to return

Menu 7-20

2. Push the ← or → keys to highlight the digit to be changed.

3. Press a numeric key to enter the new digit.

4. Repeat step 2 till 3 for the other digits.

5. Press ENTER to save the new Warm Up Time.

6. Press EXIT to return to the Projector Set-Up menu.

7.3.8 Power Up Mode Operating/Stand-By

What can be done?

When pressing the power switch, the projector can start up in ’operating mode’ or in ’stand-by mode’.

Operating

Stand-By

The projector start up and displays image.

The projector start up in stand-by and waits until the stand-by button or a digit key is pressed

How to toggle Power Up Mode Operating/Stand By?

1. Push the ↑ or ↓ keys to highlight Power Up Mode and press ENTER to select.

PROJECTOR SET-UP

ICATION

IDENTIF TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJE

POWER UP MODE: operating

CTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-21

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7. Service Mode

7.3.9 Common Address

What can be done?

Every projector listens to a common address. This common address can be set to ’0’ or ’1’. When a RCU is programmed with that common address, every projector with that same common address will follow up the commands given by that RCU.

Why 2 different Common Addresses?

The reason to have the choice to select between common addresses is, to avoid controlling of other IR controlled units, e.g. a TV set with standard common address 0.

How to change the Common Address?

1. Push the ↑ or ↓ keys to highlight Common Address.

PROJECTOR SET-UP

IDENTIFICATION TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-22

2. Press ENTER to toggle the Common Address between ’0’ and ’1’.

3. Press EXIT to return to the Service Mode menu.

7.3.10 ABL Controller

What can be done?

To guarantee perfect dark images in e.g. night scene simulations the ABL control can be switched from a ’continues’ control, in sync with the vertical refresh rate of the projected image, to a ’forced’ control according to a programmable ABL timer setting.

When starting up the projector, the first 20 minutes the ABL control will always run in a ’continues startup’ mode.

How the change the ABL Control mode?

1. Push the ↑ or ↓ keys to highlight ABL Controller.

PROJECTOR SET-UP

IDENTIFICATION TOTAL RUN TIME

CHANGE PASSWORD

CHANGE PROJECTOR ADDRESS

CHANGE BAUDRATE

PROJECTOR WARM UP

POWER UP MODE: operating

COMMON ADDRESS: 0

ABL CONTROLLER

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-23

2. Press ENTER to select.

The ABL Controller menu will be displayed.

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3. Push the ↑ or ↓ keys to highlight ABL: Continues.

ABL CONTROLLER

ABL: CONTINUES

(ABL lines)

ABL TIMER : 0 hours

Set ABL timer to zero to disable the timer.

Timer only active in

FORCED mode.

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-24

4. Press ENTER to toggle between the ABL modes:

Continues The ABL is measured in sync with the vertical refresh rate of the projected image

Forced ABL is measured according to the ABL timer setting

How to set the ABL Timer?

TheABLTimerisonlyactivein’For

1. Push the ↑ or ↓ keys to highlight ABL Timer.

ABL CONTROLLER

ABL: FORCED

(no ABL lines)

ABL TIMER : 0 hours

Set ABL timer to zero to disable the timer.

Timer only active in

FORCED mode.

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

ced’ mode

7. Service Mode

Menu 7-25

2. Press ENTER to select

The ABL Timer menu will be displayed.

3. Push the ←, → and numeric keys to set the ABL Timer.

ABL CONTROLLER

new time :

Enter

0 0 1 hours

Use ← and → to select,

and reprogram with numeric keys.

<ENTER> to confirm

<EXIT> to return

Menu 7-26

Note: ABL can also be controlled by a PC through RS232, in this case the ABL Timer is disabled by setting the ABL timer to

zero.

4. Press ENTER t

o confirm.

5. Press EXIT to return to the ABL Controller menu.

6. Press EXIT to return to the Service Mode menu.

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7. Service Mode

7.4 Memory Management

Overview

• Starting Up Memory Management

• Copy a Block

• Copy Soft Edge Block

• Delete a Block

• Delete All Blocks

• Set to Midposition

7.4.1 Starting Up Memory Management

What can be done?

Within the Memory Management menu, the following items can be consulted or executed:

• Copy a Block.

• Copy Soft Edge Block.

• Delete a Block.

• Delete all Blocks.

• Set to Midposition.

How to start up the Memory Management?

1. Push the ↑ or ↓ keys to highlight Memory Management and press ENTER to select.

SERVICE MODE

PROJECTOR SET-UP

MEMORY MANAGEMENT

COMMON SETTINGS

I2C DIAGNOSTICS

VOLTAGE DIAGNOSTICS

PROJECTOR DIAGNOSTICS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-27

The Memory Management menu will be displayed.

7.4.2 Copy a Block

What can be done?

This will copy the settings of the selected block into the active block.

How to Copy a Block?

1. Push the ↑ or ↓ keys to highlight Copy a Block and press ENTER to select.

MEMORY MANAGEMENT

COPY A BLOCK

COPY SOFT EDGE BLOCK

DELETE A BLOCK

DELETE ALL BLOCKS

SET TO MIDPOSITION

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-28

The Copy Mode menu will be displayed.

2. Push the ↑ or ↓ keys to select a block.

3. Press ENTER to copy the settings of the selected block to the act

Note: All current settings will be overwritten with the settings of the block which is copied.

A confirmation screen will be displayed.

ive block you are working on.

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7. Service Mode

4. Press ENTER to confirm, press EXIT to cancel the saving.

7.4.3 Copy Soft Edge Block

What can be done?

This will copy the softedge settings of the selected block into the softedge settings of the active block.

How to Copy a Soft Edge Block?

1. Push the ↑ or ↓ keys to highlight Copy Soft Edge Block and press ENTER to select.

MEMORY MANAGEMENT

COPY A BLOCK

COPY SOFT EDGE BLOCK

DELETE A BLOCK

DELETE ALL BLOCKS

SET TO MIDPOSITION

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-29

The Copy Softedge Mode menu will be displayed.

2. Push the ↑ or ↓ keys to select a block.

3. Press ENTER to copy the softedge settings of the selected block to the softedge settings of the active block you are working on.

Note: All current softedge settings will be overwritten with the softedge settings of the block which is copied.

A confirmation screen will be displayed.

4. Press ENTER to confirm, press EXIT to cancel the saving.

7.4.4 Delete a Block

This item is password protected.

What can be done?

This will delete the selected block.

How to Delete a Block?

1. Push the ↑ or ↓ keys to highlight Delete a Block and press ENTER to select.

MEMORY MANAGEMENT

COPY A BLOCK

COPY SOFT EDGE BLOCK

DELETE A BLOCK

DELETE ALL BLOCKS

SET TO MIDPOSITION

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-30

The Delete a Block menu will be displayed.

2. Push the ↑ or ↓ keys to select a block.

3. Press ENTER to delete the selected block.

A confirmation screen will be displayed.

4. Press ENTER to confirm, press EXIT to cancel the deletion.

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7. Service Mode

7.4.5 Delete All Blocks

What can be done?

This will delete all blocks.

How to Delete All Blocks?

1. Push the ↑ or ↓ keys to highlight Delete All Blocks.

MEMORY MANAGEMENT

COPY A BLOCK

COPY SOFT EDGE BLOCK

DELETE A BLOCK

DELETE ALL BLOCKS

SET TO MIDPOSITION

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-31

2. Press ENTER to delete all blocks.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the deletion.

7.4.6 Set to Midposition

Overview

• Starting up Set to Midposition

• R&B Convergence Midposition

• Green Convergence Midposition

• Focus to Midposition

• East-West to Midposition

• North-South to Midposition

• Digital Vertical Linearity Midposition

• Digital Horizontal Linearity Midposition

• Astigmatism Midposition

• All Settings to Midposition

7.4.6.1 Starting up Set to Midposition

What can be done?

All geometry and convergence adjustment settings can be set to mid posi

This item is password protected.

How to start up Set to Midposition?

1. Push the ↑ or ↓ keys to highlight Set to Midposition and press ENTER to select.

MEMORY MANAGEMENT

COPY A BLOCK

COPY SOFT EDGE BLOCK

DELETE A BLOCK

DELETE ALL BLOCKS

SET TO MIDPOSITION

tion.

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-32

The Set to Midposition menu will be displayed.

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7.4.6.2 R&B Convergence Midposition

What can be done?

All convergence settings for Red and Blue can be set to midposition.

This item is password protected.

How to set R&B Convergence to Midposition?

1. Push the ↑ or ↓ keys to highlight R&B Convergence Mid .

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-33

2. Press ENTER to set the Red and Blue Convergence settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

7. Service Mode

How to Undo R&B Convergence to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo R&B Convergence Mid isdisplayedinsteadoffR&B Convergence Mid.

1. Push the ↑ or ↓ keys to highlight Undo R&B Convergence Mid.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-34

2. Press ENTER to reset the Red and Blue Convergence settings to the previous settings.

7.4.6.3 Green Convergence Midposition

Only available when the projector is equipped with the green convergence adjustments.

What can be done?

All Green convergence settings can be set to midposition.

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7. Service Mode

How to set Green Convergence to Midposition?

1. Push the ↑ or ↓ keys to highlight Green Convergence Mid.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-35

2. Press ENTER to set the Green Convergence settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

How to Undo Green Convergence to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo Green Convergence Mid is displayed in stead off Green Convergence Mid.

1. Push the ↑ or ↓ keys to highlight Undo Green Convergence Mid.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-36

2. Press ENTER to reset the Green Convergence settings to the previous settings.

7.4.6.4 Focus to Midposition

What can be done?

The focus settings can be set to midposition.

How to set Focus to Midposition?

1. Push the ↑ or ↓ keys to highlight Focus to Midposition.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-37

2. Press ENTER to set the Focus settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel t

he reset.

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7. Service Mode

How to Undo Focus to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo Focus to M idpo sition is displayed in stead off Focus to Midposition.

1. Push the ↑ or ↓ keys to highlight Undo Focus to Midposition.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-38

2. Press ENTER to reset the Focus settings to the previous settings.

7.4.6.5 East-West to Midposition

What can be done?

The East-West settings can be set to midposition.

How to set East-West to Midposition?

1. Push the ↑ or ↓ keys to highlight East-West to Midposition.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION

N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-39

2. Press ENTER to set the East–West settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

How to Undo East-West to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo E-W to Midposition is displayed in stead off E-W to Midposition.

1. Push the ↑ or ↓ keys to highlight Undo E-W to Midposition.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION

UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-40

2. Press ENTER to reset the East–West settings to the previous settings.

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7. Service Mode

7.4.6.6 North-South to Midposition

What can be done?

The East-West settings can be set to midposition.

How to set North-South to Midposition?

1. Push the ↑ or ↓ keys to highlight N–S to Midposition.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION

N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-41

2. Press ENTER to set the North–South settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

How to Undo North-South to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo N–S to M idposition is displayed in stead off N–S to Midposition.

1. Push the ↑ or ↓ keys to highlight Undo N–S to Midposition.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION

UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-42

2. Press ENTER to reset the North–South settings to the previous settings.

7.4.6.7 Digital Vertical Linearity Midposition

What can be done?

The Digital Vertical Linearity settings for the different areas can be set to their midposition.

How to set Digital Vertical Linearity to Midposition?

1. Push the ↑ or ↓ keys to highlight Dig Vert Linearity Mid.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-43

2. Press ENTER to set the Digital Vertical Linearity settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

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7. Service Mode

How to Undo Digital Vertical Linearity to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo Dig Vert Linearity Mid is displayed in stead off Dig Vert Linearity Mid.

1. Push the ↑ or ↓ keys to highlight Undo Dig Vertical Linearity Mid.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-44

2. Press ENTER to reset the Digital Vertical Linearity settings to the previous settings.

7.4.6.8 Digital Horizontal Linearity Midposition

What can be done?

The Digital Horizontal Linearity settings for the different areas can be set to their midposition.

How to set Digital Horizontal Linearity to Midposition?

1. Push the ↑ or ↓ keys to highlight Dig Hor Linearity Mid.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-45

2. Press ENTER to set the Digital Horizontal Linearity settings

to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

How to Undo Digital Horizontal Linearity to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo Dig Hor Linearity Mid is displayed in stead off Dig Hor Linearity Mid.

1. Push the ↑ or ↓ keys to highlight Undo Dig Hor Linearity Mid.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-46

2. Press ENTER to reset the Digital Horizontal Linearity settings to the previous settings.

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7.4.6.9 Astigmatism Midposition

What can be done?

The Astigmatism settings for the different areas can be set to their midposition.

How to set Astigmatism to Midposition?

1. Push the ↑ or ↓ keys to highlight Astigmatism Midposition.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-47

2. Press ENTER to set the Astigmatism settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

How to Undo Astigmatism to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo Astigmatism Midposition is displayed in stead off Astigmatism Midposition.

1. Push the ↑ or ↓ keys to highlight Undo Astigmatism Midposition.

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-48

2. Press ENTER to reset the Astigmatism settings to the previous settings.

7.4.6.10 All Settings to Midposition

What can be done?

All Set to Midposition menu settings can be set to their midposition.

How to set All Settings to Midposition?

1. Push the ↑ or ↓ keys to highlight All Settings to Midposition.

SET TO MIDPOSITION

R&B CONVERGENCE MID

GREEN CONVERGENCE MID

FOCUS TO MIDPOSITION

E-W TO MIDPOSITION N-S TO MIDPOSITION

DIG VERT LINEARITY MID

DIG HOR LINEARITY MID

ASTIGMATISM MIDPOSITION

ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-49

2. Press ENTER to set all Set to Midposition menu settings to midposition.

A confirmation screen will be displayed.

3. Press ENTER to confirm, press EXIT to cancel the reset.

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7. Service Mode

How to Undo All Settings to Midposition?

As long as the projector is playing on the same source (= same adjustment block) it is possible to return to the previous settings. Undo All Settings To Midpos is displayed in stead off All Settings To Midpos.

1. Push the ↑ or ↓ keys to highlight Undo All Settings To Midpos

SET TO MIDPOSITION

UNDO R&B CONVERGENCE MID

UNDO GREEN CONVERGENCE MID

UNDO FOCUS TO MIDPOSITION

UNDO E-W TO MIDPOSITION UNDO N-S TO MIDPOSITION

UNDO DIG VERT LINEARITY MID

UNDO DIG HOR LINEARITY MID

UNDO ASTIGMATISM MIDPOSITION

UNDO ALL SETTINGS TO MIDPOS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-50

2. Press ENTER to reset all Set to Midposition menu settings to the previous settings.

7.5 Common Settings

Overview

• StartingUpCommonSettings

• Dynamic Astigmatism

• Gamma Corrections

• CRTRunInCycle

• CRT Drive Mode

• Memory Banks

• Flyback Turnover Point

• Menu Position

•Option1

• Real Time Clock

7.5.1 StartingUpCommonSettings

What can be done?

Within the common settings menu, the following items can be set up or executed:

• Dynamic Astigmatism.

• Gamma Correction.

• CRTRunInCycle.

• CRT Drive mode.

• Memory Banks: On/Off.

• Flyback Turnover Point.

• Menu Position : Standard/Middle

How to start up Common Settings?

1. Push the ↑ or ↓ keys to highlight Comm on Settings and press ENTER to select.

SERVICE MODE

PROJECTOR SET-UP

MEMORY MANAGEMENT

COMMON SETTINGS

I2C DIAGNOSTICS

VOLTAGE DIAGNOSTICS

PROJECTOR DIAGNOSTICS

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-51

The Common Settings menu will be displayed.

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7.5.2 Dynamic Astigmatism

What can be done?

The Dynamic Astigmatism adjustments correct the spot shape until it is circular, this can be done in 25 different areas on the screen.

This adjustment is done for the three colors separately.

The spot shape is adjusted according to the axial axises and the diagonal axises when using the cursor keys on the RCU.

Diagonal

astigmatism correction

use the and keys

Spot shapes after

dynamic

Spot shapes before

dynamic

astigmatism correction

Axial

astigmatism correction

use the and keys

Image 7-1 Dynamic Astigmatism

These adjustments are done for each color separately on the selected source or on a dot pattern lock on the selected source (genlocked pattern).

astigmatism correction

Preparation

1. Press the + Contrast Control key to increase the Contrast Level to near maximum.

2. Press the – Sharpness key to defocus the image until the dots are larg

e and easily visible.

How to start up Dynamic Astigmatism?

1. Push the ↑ or ↓ keys to highlight Dynamic Astigmatism and press ENTER to select.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-52

The Dynamic Astigmatism menu will be displayed.

2. Push the ↑ or ↓ keys to highlight Dynamic Astigmatism and press ENTER to select.

The Dynamic Astigmatism menu will be displayed.

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7. Service Mode

12345

How to adjust Dynamic Astigmatism?

The following procedure is described for adjusting e.g. the Green color when using a Gelocked Pattern, repeat this procedure for each color:

1. Push the ↑ or ↓ keys to highlight the desired color e.g. Green on a Genlocked Pattern.

DYNAMIC ASTIGMATISM

ON SELECTED SOURCE

RED

GREEN

BLUE

ON GENLOCKED PATTERN

RED

GREEN

FOCUSING ON CURRENT SOURCE

Menu 7-53

The Dynamic Astigmatism adjustment menu will be displayed and the screen is divided in 25 areas.

SEL: select area using cursor

→, diagonal astig. using ↑ or

Toggle between SEL and ADJ

Toggle between 4-POLE and

Use the <SHARPNESS> keys for

BLUE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

DYNAMIC ASTIGMATISM

keys

ADJ: adjust axial astig.

using ← or

↓.

with

<EXIT>

6-POLE

with <ENTER>

defocusing of the image.

the

<ENTER> to continue

<EXIT> to return

Menu 7-54

2. Use the cursor keys to select one of the 25 areas and press ENTER to confirm and to toggle the cursor keys to the adjustment

mode.

Image 7-2 25 Dynamic Astigmatism Areas

Start by adjusting the 4 pole correction until the spot is circular:

- Push the ↑ or ↓ keys for the diagonal astigmatism adjustment.

-Pushthe← or → keys for the axial astigmatism adjustment.

3. Press ENTER to toggle the 4 pole correction to the 6 pole correction (and back).

Continue by adjusting the 6 pole correction until the spot is circular:

- Push the ↑ or ↓ keys for the diagonal astigmatism adjustment.

-Pushthe← or → keys for the axial astigmatism adjustment.

4. Press EXIT to return to the area selection mode.

5. Repeat step 2 till 6 for each area that needs an adjustment.

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7. Service Mode

Focusing On Current Source

When selecting this function, the Focus menus from Random Access Adjustment Mode will be displayed.

1. Push the ↑ or ↓ keys to highlight Focusing On Current Source and press ENTER to select.

DYNAMIC ASTIGMATISM

ON SELECTED SOURCE

RED

GREEN

BLUE

ON GENLOCKED PATTERN

RED

GREEN

BLUE

FOCUSING ON CURRENT SOURCE

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-55

the Focus menus from Random Access Adjustment Mode are displayed.

7.5.3 Gamma Corrections

WARNING: The Gamma Corrections are factory adjusted using an ACTAS color analyser! Therefore, only

qualified installation or service personnel should perform these adjustments!

What can be done?

This will adjust the Gamma settings of the projector.

How to perform a Gamma Corrections?

1. Push the ↑ or ↓ keys to highlight Gamma Corrections and press ENTER to select.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-56

A warning screen will be displayed.

WARNING RISK OF INCORRECT

ADJUSTMENT OF THE PROJECTOR

THE GAMMA CORRECTIONS ARE FACTORY ADJUSTED USING AN

ACTAS COLOR ANALYSER!

THEREFORE? ONLY QUALIFIED

INSTALLATION OR SERVICE

PERSONNEL SHOULD PERFORM

THESE ADJUSTMENTS!

<ENTER> to continue

<EXIT> to return

Menu 7-57

2. In case you are a qualified and authorized service pers

on.

If yes, Press ENTER to continue (Further description of the Gamma Corrections are given in the installation manual). If no, Press EXIT to return to the Common Settings menu.

7.5.4 CRT Run In Cycle

When necessary?

Only necessary when a new picture tube is installed.

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When available?

CRT Run In Cycle can only be activated when one or more memory blocks on an internal # pattern are available.

If no such a block is available, the projector cannot run CRT Run In Cycle and leaves the adjustment mode. If you still want to run CRT run in cycle, create first a memory block on an internal # pattern and restart CRT Run In Cycle .

What is done?

A flashing white image (5sec. on, 5 sec. off) is generated for 5 min. on the first internal block. In the next 5 min., the next internal block available will be used to generate the flashing white image.

The image will also be shifted in a vertical way to prevent a CRT burn in.

How to select CRT Run In Cycle?

1. Push the ↑ or ↓ keys to highlight CRT Run In Cycle and press ENTER to select.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-58

The CRT Run In Cycle menu will be displayed.

CRT RUN IN CYCLE

A flashing white pattern will

generated until <EXIT> is

The projector only uses memory blocks adjusted on an internal

# pattern: if no such block

available, the projector can’t

the procedure and leaves the

Menu 7-59

pressed.

run

adjustment mode.

<ENTER> to continue

<EXIT> to cancel

2. Press EXIT to quit the CRT Run In Cycle.

7.5.5 CRT Drive Mode

What can be done?

The projector CRT’s can be driven with the normal current (normal mode), a lower current (economic mode) or with a higher current (boost mode). The higher the current, the higher the light output but the lifetime of the CRT’s will shorten.

Which CRT Drive Modes are available?

Normal

Economic

Default Setting

Lower drive current to the CRT’s, the lifetime of the CRT’s will enlarge but the light output will reduce.

Temporary Boost

Higher drive current to the CRT’s, the lifetime of the CRT’s will shorten but the light output will be higher. This situation is temporary, when restarting the projector, the drive mode is automatically set to normal.

Permanent Boost

Higher drive current to the CRT’s, the lifetime of the CRT’s will shorten but the light output will be higher. This setting will be saved in the EEPROM. When restarting the projector, it will start up in boost mode.

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7. Service Mode

How to change the CRT Drive Mode?

1. Push the ↑ or ↓ keys to highlight CRT Drive Mode and press ENTER to select.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-60

The CRT Drive Mode menu will be displayed.

CRT DRIVE MODE

NORMAL

ECONOMIC

TEMPORARY BOOST

PERMANENT BOOST

WARNING: permanent

boost mode reduces the

lifetime

of the CRT’s !

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-61

2. Push the ↑ or ↓ keys to highlight the desired CRT Drive Mode and press ENTER to activate.

Note: When Permanent Boost mode is selected , a warning will be displayed, when Text is On this

warning will be repeated

every time a new source is selected.

7.5.6 Memory Banks

What can be done?

The user has the possibility to create 8 different memory banks (formats) for each source. But, the maximum allowed quantity of memory banks for all sources together is 32. The option to create different memory banks for the same source can be switched On or Off.

How to toggle Memory Banks On/Off?

1. Push the ↑ or ↓ keys to highlight Memory Banks.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-62

2. Press ENTER to toggle Memory Banks On/Off.

On Different memory banks available for the same so

urce

Off Only one memory bank available.

If differe

ntmemorybanksareavailableforthesamesourceandthememorybankoptionistoggledbackto

Off, only the first memory bank will be used to display the source.

How to create a New Memory Bank?

1. Select the desired source using the RCU e.g. source 1 (Video 64 kHz, 60 Hz).

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7. Service Mode

The projector selects the last used memory bank.

2. Press ENTER to continue.

3. Push the corresponding digit (between 1 and 8) of a non existing memory bank e.g. bank 4.

Note: The memory banks can be created in random order, it is possible first to create bank 4 and later on bank 2.

4. Make the necessary adjustments e.g. change the vertical frequency from 60 Hz to 50 Hz.

Due to the vertical frequency change the projector will create a new block with bank number 4.

How to Recall a Memory Bank?

When Memory Bank is On, an on-screen display with the last used memory bank settings will be displayed when selecting a source, to switch to another Memory Bank:

1. Press ENTER to select the next memory bank in increasing order.

The on-screen display will be updated. Or, Use the digit keys to enter the number of the desired memory bank.

The on-screen display will be updated.

7.5.7 Flyback Turnover Point

What can be done?

The horizontal flyback time for horizontal frequencies can be long or short. The turnover point from long to short can be set by the user.

How to adjust the Flyback Turnover Point?

1. Push the ↑ or ↓ keys to highlight Flyback Turnover Point and press ENTER to select.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-63

The Flyback Turnover Point menu will be displayed, the actual Flyback Turnover Point Frequency will be filled in.

2. Use the cursor keys to select the desired digits and enter the new value using the digit keys on the RCU.

FLYBACK TURNOVER POINT

Enter new frequency:

090kHz

Use the ← or → to select,

and reprogram with

numeric keys.

Lowest point is 90 kHz.

Highest point is 130 kHz.

<ENTER> to confirm

<EXIT> to return.

Menu 7-64

Note: The Flyback Turnover Point Frequency should be somewhere between 90 kHz and 130 kHz.

3. Press ENTER to activate the Flyback Turnover Point Frequency.

7.5.8 Menu Position

What can be done?

The bar scale menu, warning and message boxes can be displayed in the right lower corner or in the middle of the screen.

R5976398 BARCOREALITY 909 SPLIT PACK 21/02/2003

Page 100

7. Service Mode

How to change the Menu Position?

1. Push the ↑ or ↓ keys to highlight Menu Position.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-65

2. Press ENTER to toggle between Standard or Middle.

Standard The bar scale menu, warning and message boxes are displayed in the right lower corner of the screen.

Middle

The bar scale menu, warning and message boxes are displayed in the middle of the screen.

7.5.9 Option 1

What can be done?

Thisfunctioncanbeusedtocontrolanitemofanoptionalkit.

How to toggle Option 1 On/Off?

1. Push the ↑ or ↓ keys to highlight Option 1.

TTINGS

COMMON SE

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-66

2. Press ENTER to toggle Option 1 On or Off.

7.5.10 Real Time Clock

What can be done?

This function will set the time and date of the projector.

How to adjust the Real Time Clock?

1. Push the ↑ or ↓ keys to highlight Option 1 and press ENTER to continue.

COMMON SETTINGS

DYNAMIC ASTIGMATISM

GAMMA CORRECTIONS

CRT RUN IN CYCLE

CRT DRIVE MODE

MEMORYBANKS: ON

FLYBACK TURNOVER POINT

MENU POSITION: STANDARD

OPTION 1: OFF

REAL TIME CLOCK

Select with ↑ or ↓

then <ENTER>

<EXIT> to return

Menu 7-67

The Real Time Clock menu will be displayed.

R5976398 BARCOREALITY 909 SPLIT PACK 21/02/2003

Barco R9040040, Reality 909 Owner's Manual

Specifications and Main Features

Frequently Asked Questions

User Manual