Barco iD R600 User Manual

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Barco iD R600/R600+
Owners Manual
R9010340 R9010341
R5976837/02 21/09/2006
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Product revision
Software version: V1.30
Barco nv Presentations
aan 5, 8520 Kuurne
presentations.bid@barco.com
E-mail: Visit us at the web: www.barco.com
PrintedinBelgium
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Guarantee and Compensation
Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. On receipt, the purchaser must immediately inspect all delivered goods for damage incurred during transport, as well as for material and manufacturing faults Barco must be informed immediately in writing of any complaints.
The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning, at latest 30 days after the transfer of risks. In the event of justified notice of complaint, Barco can repair the fault or provide a replacement at its own discretion within an appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component of the system or independent service, will be deemed invalid provided the damage is not proven to be attributed to the absence of properties guaranteed in writing or due to the intent or gross negligence or part of Barco.
If the purchaser or a third party carries out modifications or repairs on goods delivered by Barco, or if the goods are handled incorrectly, in particular if the systems are commissioned operated incorrectly or if, after the transfer of risks, the goods are subject to influences not agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as well as normal maintenance are not subject to the guarantee provided by Barco either.
The environmental conditions as well as the servicing and maintenance regulations specified in the this manual must be complied with by the customer.
Changes
Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied war­ranties or merchantability and fitness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the program(s) described in this publication at any time without notice.
This publication could contain technical inaccuracies or typographic publication; these changes are incorporated in new editions of this publication.
al errors. Changes are periodically made to the information in this
Copyright ©
All rights reserved. No part of this document may be copied, reproduced or translated. It shall not otherwise be recorded, transmitted or stored in a retrieval system without the prior written consent of Barco.
Federal Communications Commission (FCC Statement)
This equipment has been tested and found to comply with the li These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interferenc cause harmful interference, in which case the user will be responsible for correcting any interference.
e to radio communications. Operation of this equipment in a residential area may
mits for a class A digital device, pursuant to Part 15 of the FCC rules.
EN55022/CISPR22 Class A ITE (Information Technology Equipment)
Class A ITE is a category of all other ITE which satisfies the class A ITE limits but not the class B ITE limits. Such equipment should not be restricted in its sale but the following warning shall be included in the instructions for use:
Warning : This is a class A product. In a domestic required to take adequate measures.
environment this product may cause radio interference in which case the user may be
Trademarks
Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders. All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for the products or their manufactures.
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Table of contents
TABLE OF CONTENTS
1. Packaging............................................................................................................ 3
1.1 Unpacking ............................................................................................................................ 3
2. Installation guidelines ............................................................................................. 5
2.1 Safety warnings....................................................................................................................... 5
2.2 Installation guidelines ................................................................................................................ 5
3. Installation........................................................................................................... 7
3.1 Battery installation in the RCU ....................................................................................................... 8
3.2 Lens installation . . .................................................................................................................... 9
3.2.1 Lens installation ................................................................................................................ 9
3.2.2 Removing the lens ............................................................................................................. 9
3.2.3 Lens range . ...................................................................................................................10
3.2.4 Lens Formulas . ...............................................................................................................10
3.3 Projector configuration .............................................................................................................. 10
3.4 Positioning the projector............................................................................................................. 11
3.5 Connections ......................................................................................................................... 14
3.5.1 Power connection.............................................................................................................14
3.5.2 Input Source connections. ....................................................................................................14
3.5.2.1 Input section ............................................................................................................14
3.5.2.2 Input facilities...........................................................................................................14
3.5.2.3 5-Cable input ...........................................................................................................15
3.5.2.4 CompositeVideo Input.................................................................................................16
3.5.2.5 S-Video input ...........................................................................................................17
3.5.2.6 Digital Visual Interface (DVI) input.....................................................................................18
3.5.2.7 Computer input .........................................................................................................18
3.5.2.8 Serial Digital Interface (Optional) ......................................................................................19
3.5.2.9 Audio input/Output (Optional) . . . .. .....................................................................................19
3.5.2.10 Communications Connections .. .. .....................................................................................20
3.5.2.10.1 RS232 INconnection ............................................................................................20
4. Setup ................................................................................................................21
4.1 RCU& Localkeypad ................................................................................................................21
4.2 Terminology overview ............................................................................................................... 22
4.3 Switching on......................................................................................................................... 24
4.4 Setting up the RCU address . . . .....................................................................................................25
4.5 Projector address . ...................................................................................................................26
4.6 Orientation ...........................................................................................................................27
4.7 Adjusting the lens....................................................................................................................27
4.8 Preferences..........................................................................................................................29
4.8.1 Language. . ....................................................................................................................29
4.8.2 Quick access keys ............................................................................................................30
4.8.3 Automatic startup ............................................................................................................. 30
5. Getting started.....................................................................................................33
5.1 Start up ..............................................................................................................................33
5.2 Creating your personal PiP Layout . ................................................................................................33
5.3 Adjusting the image .................................................................................................................35
6. Advanced...........................................................................................................37
6.1 Using theDialog boxes..............................................................................................................37
6.2 Source Selection ....................................................................................................................38
6.2.1 Source selection ..............................................................................................................38
6.2.2 Composite Video .............................................................................................................39
6.2.3 S-Video .......................................................................................................................40
6.3 General menu . . . . ...................................................................................................................41
6.3.1 Pause..........................................................................................................................41
6.3.2 Freeze.........................................................................................................................42
6.3.3 Standby Timer. ................................................................................................................42
6.3.4 Audio (Optional) ...............................................................................................................43
6.3.4.1 Audio Setup ............................................................................................................43
6.3.4.2 Audio Settings ..........................................................................................................44
6.3.5 Identification ...................................................................................................................45
6.4 Image menu ......................................................................................................................... 46
6.4.1 Settings........................................................................................................................46
6.4.1.1 Contrast.................................................................................................................47
6.4.1.2 Brightness ..............................................................................................................47
6.4.1.3 Color....................................................................................................................48
6.4.1.4 Tint (hue) ...............................................................................................................48
6.4.1.5 Sharpness .. . ...........................................................................................................48
6.4.1.6 Gamma .................................................................................................................49
6.4.1.7 Phase...................................................................................................................49
6.4.1.8 Noise reduction . . . .....................................................................................................49
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Table of contents
6.4.2 Aspect ratio ...................................................................................................................50
6.4.3 Shownativeresolution........................................................................................................ 52
6.4.4 Keystone ......................................................................................................................54
6.4.5 Color temperature.............................................................................................................55
6.4.6 Filmmode detection (video only) .............................................................................................55
6.4.7 White peaking ................................................................................................................57
6.4.8 Dynacolor™...................................................................................................................58
6.4.9 Blanking.......................................................................................................................67
6.4.10 Input balance. . . ...............................................................................................................67
6.4.11 AGCon Video.................................................................................................................71
6.4.12 Manual Gain Control . . . . . .....................................................................................................72
6.5 Tools ................................................................................................................................. 73
6.5.1 Introduction toPiP ............................................................................................................73
6.5.2 PiP select......................................................................................................................75
6.5.3 PiP add window ...............................................................................................................75
6.5.4 PiP remove window ...........................................................................................................76
6.5.5 PiP layout .....................................................................................................................76
6.5.5.1 PiP Save................................................................................................................76
6.5.5.2 PiP renamelayout......................................................................................................77
6.5.5.3 PiP deletelayout .......................................................................................................78
6.5.6 PiP Adjust .....................................................................................................................79
6.5.7 Color keying ..................................................................................................................79
6.5.8 Diagnostics . ...................................................................................................................80
6.6 Signal Menu . . .. . ....................................................................................................................80
6.6.1 Switching mode...............................................................................................................80
6.6.2 Background ...................................................................................................................81
6.7 Lamp management . . . ...............................................................................................................82
6.7.1 Runtimes......................................................................................................................82
6.7.2 Mode ..........................................................................................................................82
6.7.3 History.........................................................................................................................84
6.7.4 Reset runtime .................................................................................................................85
6.7.5 Runtimewarning..............................................................................................................86
6.8 Image files menu ....................................................................................................................87
6.8.1 Load file . . . ....................................................................................................................87
6.8.2 AutoImage....................................................................................................................88
6.8.3 Editfile ........................................................................................................................ 90
6.8.4 Rename file ...................................................................................................................93
6.8.5 Copy...........................................................................................................................94
6.8.6 Delete .........................................................................................................................94
6.8.7 Forced file load................................................................................................................95
6.9 Display Setup........................................................................................................................96
6.9.1 Fullscreenrepresentation....................................................................................................96
6.9.2 Startupscreen ................................................................................................................97
6.9.3 Textbox........................................................................................................................ 97
6.9.4 Take screenshot...............................................................................................................97
6.9.5 Menubarposition.............................................................................................................98
6.9.6 Status barposition ............................................................................................................98
6.9.7 Sliderbox position.............................................................................................................99
6.9.8 AutoImage Setup .............................................................................................................99
6.9.9 Blanking......................................................................................................................100
6.9.10 Soft Edge.....................................................................................................................101
6.9.10.1 Introduction .. ..........................................................................................................101
6.9.10.2 Soft Edge overlap zone (horizontalSoft Edge).......................................................................103
6.9.10.3 Soft Edge border adjustment .........................................................................................103
6.9.10.4 Black level of the images. . . ...........................................................................................106
6.10 Installation ..........................................................................................................................107
6.10.1 Lens adjustments . . ..........................................................................................................107
6.10.2 Security.......................................................................................................................108
6.10.3 Change password. . ..........................................................................................................110
A. Standard Image Files............................................................................................. 113
A.1 Tableoverview......................................................................................................................113
B. Troubleshoot ...................................................................................................... 119
B.1 Using theOSD......................................................................................................................119
C. Maintenance....................................................................................................... 121
C.1 Cleaning the lens ...................................................................................................................121
C.2 Cleaning the dustfilters .. . ..........................................................................................................121
C.2.1 Dustfilters.....................................................................................................................121
C.2.2 Cleaning . . .. ..................................................................................................................122
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1. PACKAGING
8
1.1 Unpacking
CEE7
European power plug to connect the power cord to the wall outlet.
ANSI 73.11
American power plug to connect the power cord to the wall outlet.
Content
1 projector (weight ± 14 kg or 31 lbs)
1 remote control unit RCU + 2 batteries.
2 power cables with outlet plug type CEE7 and ANSI 73.11.
1 owners manual
1 safety manual
1. Packaging
Form
The projector is packed in a carton box. To provide protection during transportation, the projector is surrounded with foam. The package is secured with banding and fastening clips.
R824561
R824562
Projector
R824518
(+ cable basket R72440
R825784
Image 1-1
Lens packaging
The Lens is supplied as an individual item.
Thelensispackedinacartonbox.
Save the original shipping carton and packing material, they will be necessary if you ever have to transport the lens.
CAUTION: Never transport the projector with the lens mounted on it !
Always remove the lens before transporting the projector.
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1. Packaging
How to unpack the projector
1. Release the cord straps. (image 1-2)
2. Remove the assembly from the pallet
3. Remove the cardboard cover
4. Remove the large cardboard
5. Remove the 8 foam parts
6. Loosen and remove the 3 screws spacers fixing the projector to the wooden board
7. Remove the projector from the board
PULL
TO OPE
Image 1-2
Save the original shipping carton and packing material, they will be necessary if you ever have to ship your projector. For maximum protection, repack your projector as it was originally packed at the factory.
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2. Installation guidelines
2. INSTALLATION GUIDELINES
2.1 Safety warnings
WARNING: Before installing the projector, read first the safety instructions in the safety manual (R5975258)
delivered with the projector.
Insure that the projector is installed in an easy to evacuate room in case of a lamp explosion.
Mercury Vapor Warnings
Keep the following warnings in mind when using the projector. The lamp used in the projector contains mercury. In case of a lamp rupture, explosion there will be a mercury vapor emission. In order to minimize the potential risk of inhaling mercury vapors:
Ensure the projector is installed only in ventilated rooms.
Replace the lamp module before the end of its operational life.
Promptly ventilate the room after a lamp rupture, explosion has occurred, evacuate the room (particularly in case of a pregnant woman).
Seek medical attention if unusual health conditions occur after a lamp rupture, explosion, such as headache, fatigue, shortness of breath, chest-tightening coughing or nausea.
2.2 Installation guidelines
Ambient temperature check
Careful consideration of things such as image size, ambient light level the optimum use of the projection system.
Max. ambient temperature : 40 °C or 104 °F
Min. ambient temperature : 0 °C or 32 °F
The projector will not operate if ambient air temperature falls outside this range (0°C- 40°C or 32°F-104°F).
Environment
Do not install the projection system in a site near heat sources su excessive dust or humidity. Be aware that room heat rises to the ceiling; check that temperature near the installation site is not excessive
CAUTION: Harmful Environmental Contamination Precaution
Environment condition check
A projector must always be mounted in a manner which ensures the free flow of clean air into the projectors ventilation inlets as well as free flow at the ventilation outlets. The installatio For installations in environments where the projector is subject to airborne contaminants such as that produced by smoke machines or similar (these deposit a thin layer of greasy residue upon the projectors internal optics and imaging electronic surfaces, degrading performance), then it is highly advisable and de air supply. Devices or structures to extract or shield contaminated air well away from the projector are a prerequisite, if this is not a feasible solution then measures to relocate the projector to a clean air environment should be considered. Make sure that the projector never runs with dirty dustfilters dustfilters on a regular basis and to replace them at any lamp change. Barco reserves itself the right to refuse warranty replacement of consumables if they have been used in a projector with dirty airfilters. Only use the manufactures recommended cleaning kit which has been specifically designed for clean degrade optical coatings and damage sensitive optoelectronics .
Failure to take suitable precautions to protect the projector from the effects of persistent and prolonged air contaminants will culmi­nate in extensive and irreversible ingrained optical damage. At this stage cleaning of the internal optical units will be non-effective and impracticable. Damage of this nature is under no circumstances covered under the manufactures warranty and may deem the warranty null and void. In such a case the client shall be held solely responsible for all costs incurred during any repair. It is the clients responsibility to ensure at all times that the projector is protected from the harmful effects of hostile airborne particles in the environment of the projector. The manufacture reserves the right to refuse warranty repair if a projector has been subject to wantful neglect, abandon or improper use.
as this will dramatically reduce the lifetime of the consumables. It is advised to clean the
ing optical parts, never use industrial strength cleaners on a projectors optics as these will
n must also allow easy access to the consumable parts ( dustfilters, lamps, ...)
sirable to have this contamination removed prior to it reaching the projectors clean
, projector placement and type of screen to use are critical to
ch as radiators or air ducts, or in a place subject to direct sunlight,
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2. Installation guidelines
What about ambient light ?
The ambient light level of any room is made up of direct or indirect sunlight and the light fixtures in the room. The amount of ambient light will determine how bright the image will appear. So, avoid direct light on the screen. Windows that face the screen should be covered by opaque drapery while the set is being viewed. It is desirable to install the projection system in a room whose walls and floor are of non-reflecting material. The use of recessed ceiling lights and a method of dimming those lights to an acceptable level is also important. Too much ambient light will ‘wash out’ of the projected image. This appears as less contrast between the darkest and lightest parts of the image. With bigger screens, the ‘wash out’ becomes more important. As a general rule, darken the room to the point where there is just sufficient light to read or write comfortably. Spot lighting is desirable for illuminating small areas so that interference with the screen is minimal.
Which screen type ?
There are two major categories of screens used for projection equipment. Those used for front projected images an projection applications. Screens are rated by how much light they reflect (or transmit in the case of rear projection systems) given a determined amount of light projected toward them. The ‘GAIN’ of a screen is the term used. Front and rear screens are both rated in terms of gain. The gain of screens range from a white matte screen with a gain of 1 (x1) to a brushed aluminiz gain of 10 (x10) or more. The choice between higher and lower gain screens is largely a matter of personal preference and another consideration called the Viewing angle. In considering the type of screen to choose, determine where the viewers will be located and go for the highest gain screen possible. A high gain screen will provide a bright more information about screens, contact your local screen supplier.
er picture but reduce the viewing angle. For
d those for rear
ed screen with a
Image size
The projector is designed for projecting an image size with a screenwidth from 1.00m (3.3ft) to 6.00m (19.7ft) with an aspect ratio of 4to3.
6
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3. INSTALLATION
2
0
Overview
Battery installation in the RCU
Lens installation
Projector configuration
Positioning the projector
Connections
Dimensions overview
Dimensions are given in mm (1 inch = 25.4 mm)
Length with different lenses : see table
3. Installation
5
9 6
Cold air IN
487 (length without Cable Basket)
Cold air IN
T U O r
i a
d
l o
C
5 1 4
45
9 1
8 7
5 0 3
1
2
8
5
2
1
Image 3-1
380
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3. Installation
Lens
CLD (1.2-1.6:1)
CLD (1.6-2.4:1)
CLD (2.4-4.3:1)
QCLD (1.1-1.3:1)
QCLD (0.85:1)
Length of projector
530 mm
525 mm
550 mm
580 mm
610 mm
3.1 Battery installation in the RCU
How to install the battery
Two batteries are packed together with the RCU. Before using your RCU, install first these batteries.
1. Remove the battery cover on the backside by pushing the handle a little towards the bottom of the RCU.
2. Lift up the top side of the cover at the same time.
3. Insert the batteries as indicated in the RCU.
4. Put the battery cover on its place.
How to replace the batteries in the RCU
To replace the batteries :
1. Remove the battery cover on the backside by pushing the handle a little towards the bottom of the RCU.
2. Lift up the top side of the cover at the same time.
3. Push on the + side of the battery towards the - side
4. Lift up the battery at the same time.
5. Repeat for the second battery.
6. Insert the batteries as indicated in the RCU (battery type AA or LR6 or equivalent).
7. Put the battery cover on its place. (image 3-2)
Image 3-2
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3.2 Lens installation
3.2.1 Lens installation
How to install ?
1. Take the lens out of its packing material
2. Fix the lens by placing it in the housing (image 3-3)
Note: In case of a motorized lens the female jack must be in front of the male jack located in the upper-left part of the housing
in the projector
3. Push carefully to lock the lens in the housing
3. Installation
Image 3-3
3.2.2 Removing the lens
How to remove the lens ?
1. Unlock the lens by pulling the handle located on the right side of the projector (image 3-4, image 3-5)
2. Remove the lens out of its housing
Image 3-5
Image 3-4
location of the lens handle
CAUTION: Never transport the projector with the lens mounted on it !
Always remove the lens before transporting the projector.
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3. Installation
3.2.3 Lens range
Overview table
Lens
CLD (1.2-1.6:1)
CLD (1.6-2.4:1)
CLD (2.4-4.3:1)
QCLD (1.1-1.3:1)
QCLD (0.85:1)
Partnumber
R9849870
R9849880
R9849890
R9849850
R9849860
See the Maintenance appendix for more information about lens cleaning.
3.2.4 Lens Formulas
Formulas
Lenses
QCLD (0.85:1) PD=0.86XSW+0.06 PD = 0.86 X SW + 2.36
QCLD (1.1-1.3:1) PD
CLD (1.2-1.6:1) PD
CLD (1.6-2.4:1) PD
Metric Formulas (meter) Inch formulas (inch)
= 1.1 X SW + 0.05
min
=1.3XSW+0.06
PD
max
=1.19XSW+0.02
min
=1.63XSW+0.02
PD
max
=1.58XSW+0.00
min
= 2.39 X SW - 0.02
PD
max
PD
min
PD
max
PD
=1.19XSW+0.79
min
=1.63XSW+0.79
PD
max
PD
=1.58XSW+0.00
min
PD
max
=1.1XSW+1.97
= 1.3 X SW + 2.36
= 2.39 X SW - 0.79
CLD (2.4-4.3:1) PD
= 2.38 X SW - 0.03
min
= 4.32 X SW - 0.01
PD
max
PD
= 2.38 X SW - 1.18
min
PD
max
3.3 Projector configuration
The different configurations
Depending on the installation the projector can be mounted in different ways, the 4 different configurations are:
1. Rear/Ceiling
2. Rear/Table
3. Front/Ceiling
4. Front/Table
= 4.32 X SW - 0.39
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3. Installation
1
3
Image 3-6
2
4
The configuration should also be communicated to the projector. This is done in the Insta llation menu through the Projector Configuration parameter. (See Setup section)
3.4 Positioning the projector
On-Axis projection
Projection where the projector is positioned so as to have the centre of the lens coinciding with the centre of the screen.
Positioning the projector
The position of the projector with reference to the screen may also be different depending on the installation. Basically the projector can be positioned in an On-Axis or Off-Axis configuration. Several parameters can be calculated determining the position in any installation.
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3. Installation
a
SH
PD
P
front plate
x
A
S
CD=SH/2+B-A
B
F
b
SW
S
SW
c
SH
F
Image 3-7
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PD
3. Installation
a
SH
front plate
P
S
A
B
CD=B-A
F
b
SW
S
SW
c
SH
F
Image 3-8
A 100% Off-Axis position means that the position of the centre of the lens is shifted by half the screen height.
Never use a short throw lens in an Off-Axis installation. Shifting the lens will not guarantee optimal image quality.
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3. Installation
3.5 Connections
3.5.1 Power connection
AC power (mains) cord connection
Use the supplied power cord to connect your projector to the wall outlet.
Plug the female power connector into the male connector at the front of the projector.
The power input is auto-ranging from 90 to 240 VAC.
Fuses
For continued protection against fire hazard :
refer replacement to qualified service personnel
ask to replace with the same type of fuse.
3.5.2 Input Source connections
Overview
Input section
Input facilities
5-Cable input
Composite Video Input
S-Video input
Digital Visual Interface (DVI) input
Computer input
Serial Digital Interface (Optional)
Audio input/Output (Optional)
Communications Connections
3.5.2.1 Input section
Input Layers
The input section is divided in layers, each of them regrouping several inputs, this architecture allows the input section to be upgraded at any time with an optional analog or digital layer.
1. Layer 1: analog layer containing analog data and video inputs
2. Layer 2: a hybrid layer containing 2 digital and 1 analog input
3. Layer 3 : is an optional layer, it may be an Audio & Video analog layer or a SDI dig
ital layer
3.5.2.2 Input facilities
The optional features are also explained in this manual, they are always mentioned with “(optional)”
overview
5–cable input
composite video
component video (PR/Y/PB)
•S-Video
Digital Visual Input (DVI)
Computer
Serial Digital Input (Optional)
Audio input/output (Optional)
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Layer 3 can be an optional audio&video layer or an optional SDI (SDI Input/Output)
3. Installation
Image 3-9 source input section with optional SDI layer
A cable cover is supplied with the projector and can be fitted on the front of the projector
Image 3-10 Cable basket : the white arrow shows the cables leaving the projector
A Front view B Back view
3.5.2.3 5-Cable input
Input specifications
The 5-cable input section is made of 5 BNC input terminals.
0.7 Vpp ± 3dB
75 terminated
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3. Installation
Image 3-11
Component Video
In Component Video the term component describes a number of elements that are needed to make up the video pic­ture, these components are PR/Y/PB. A composite video signal on the other hand contains all the for the color picture in a single channel of information
Which signals can be connected ?
information needed
Signals/Input BNC
RGBHV
1
RGsB
1
RGBS
Component
R
R
R
R
PR Y PB
How to select a source on the 5 cable input ?
1. Press 1 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu
3.5.2.4 Composite Video Input
Input specifications
The Composite video i
1.0 Vpp ± 3dB
75 terminated
No loop through
nput section is made of 1BNC input terminal.
G
G
G
s
G
B H V
B H V
B
B
- -
S
- -
-
1. data or video
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Image 3-12
How to select a Composite Video Input ?
1. Press 3 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu.
3. Installation
3.5.2.5 S-Video input
Input specification
Image 3-13
Which signal can be connected ?
Standard S-Video (S-VHS) with separate Y(luma) and C (chroma) signals.
How to select the S-Video input ?
1. Press 4 on the RCU
Note: Another way for selecting this input is via Source on the local keypad or via the Menu.
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3. Installation
3.5.2.6 Digital Visual Interface (DVI) input
DVI
Digital Visual Interface is a display interface developed in response to the proliferation of digital flat panel displays.
The digital video connectivity standard that was developed by DDWG (Digital Display Work Group). This connection standard offers two different connectors: one with 24 pins that handles digital video signals only, and one with 29 pins that handles both digital and analog video. This standard uses TMDS (Transition Minimized Differential Signal) from Silicon Image and DDC (Display Data Channel) from VESA (Video Electronics Standards Association).
DVI can be single or dual link.
Input specifications
Single link DVI
Differential input voltage: 200 mV - 800mV
Image 3-14
a DVI-I type connector, analog link (4 pins at the right side of the connector) not supported
How to select the DVI Input ?
1. Press 5 on the RCU
Note: Another way for selecting this input is via the Menu.
3.5.2.7 Computer input
Input specification
TTL sync input : U
RGB input = 0.7 V
Image 3-15
min
pp
=2.0V
±3dB
What can be connected ?
•RGBHV
•RG
18
B
S
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CompositesynconlypossibleonGreen
How to select a computer input ?
1. Press 2 on the RCU
Note: Another way for selecting this input is via the Menu.
3.5.2.8 Serial Digital Interface (Optional)
SDI
Serial Digital Interface
Input specifications
SDI input : BNC
SDI output : BNC (=loop through)
typical : 0.8 Vpp
75terminated
output impedance: 75
3. Installation
Image 3-16
How to select the SDI input
1. Press 7 on the RCU
Note: Another way for selecting this input is via Source on the l
The SDI is located on Layer3 which is an optional Layer.
ocal keypad or via the Menu.
3.5.2.9 Audio input/Output (Optional)
Input specification
Typical = 2 00 mV
Max = 4V
Mono/Stereo
pp
Output specification
Vin+20dB / -dB
Max = 4 V
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pp
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3. Installation
Mono/Stereo (selectable in menu)
How to select the audio input ?
1. Use the Audio menu (General menu) to link the desired audio input to the desired signal. (image 3-17)
Image 3-17
3.5.2.10 Communications Connections
Overview
RS232 IN connection
3.5.2.10.1 RS232 IN connection
What can be connected to the RS232 IN connection ?
The RS 232 IN connections allows the projector to communicate with a Computer e.g. IBM PC or Apple Macintosh.
Image 3-18
Applications of the RS232 connection
Remote control:
easy adjustment of projector via IBM PC (or compatible) or MAC connection.
address range from 1 to 255
allow storage of multiple projector configurations and set ups.
wide range of control possibilities
Data communication: sending data to the projector or copying the data from the projector to the computer
To set up the baudrate of the projector, see the Installation menu
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4. SETUP
Overview
RCU & Local keypad
Terminology overview
Switching on
Setting up the RCU address
Projector address
Orientation
Adjusting the lens
Preferences
4.1 RCU & Local keypad
How controlling the projector ?
The projector can be controlled by the local keypad or by the remote control unit.
Location of the local keypad ?
The local keypad is located on the topside of the projector.
For key overview: "Terminology overview", page 22
4. Setup
Image 4-1 Local keypad layout
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4. Setup
Remote control functions.
This remote control includes a battery powered infrared (IR) transmitter that allows the user to control the projector remotely. This remote control is used for source selection, control, adaptation and set up. It includes automatic storing of picture controls (Bright­ness, Sharpness...) and settings.
Other functions of the remote control are :
switching between stand by and operational mode.
switching to "pause" (blanked picture, full power for immediate restarting)
direct access to all connected sources.
Diagnose LED’s
Green
LED1
LED2
LED3 IR acknowledgement continue : standby
cool down sequence: flickers 60 seconds (120 seconds in case of iQ 400 series) after switching to standby
only for the Pro version : shows when projector is in
standby and server is active.
Red
rescue program (software error)
hardware error
flickers : Security = ON
4.2 Terminology overview
Overview
The following table gives an overview of the keys.
22
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4. Setup
Image 4-2
1 Function keys
2 MENU Menu key, to enter or exit the Toolbar menu
3 Address key
4
LOGO key allows to recall the stored Logo (not in
5
PAU SE to stop projection for a short time, press ’PAUSE’. The image disappears but full power is
6
STBY standby button, to start projector whe
7
MUTE
8
AUTOIMAGE Auto image, to center the image on th
9 Digit buttons direct input selection.
9b
SOURCE button this button allows to switch through the active (scanned) inputs
10 Lens control
11
VOL use this button to obtain the desire
user programmable keys with functions f
(recessed key), to enter the address of the projector (between 0 and 9). Press the recessed address key with a pencil, followed by pressing one digit button between 0 and 9.
retained for immediate restarting.
n the power switch is switched on and to switch off the
projector without switching off the power switch.
Attention : Switching to Standby. When the projector is running and you want to go to standby, press the standby key for 2 seconds.
to interrupt the sound reproduction (audio = optional.
eactiveLCDsurface.
use these buttons to obtain the desired ZOOM, SHIFT, FOCUS.
d sound level (audio = optional)
or direct access.
.
PiP mode)
12 Picture controls use these buttons to obtain the desir
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ed picture analog level.
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4. Setup
13
DIGI ZOOM allows a digital Zoom of a part of the image
14 FREEZ
15 PIP
16 ENTER
press to freeze the projected image.
allows to activate the PICTURE IN PICTURE mode
to confirm an adjustment or selection in the MENU.
On the local keypad the ENTER button additionally accesses the PIP window resize function
17
Cursor keys Cursor Keys on RCU or on the local keypad : to make menu selections or to access the
toolbar.
18
BACK to leave the selected menu or item (go upwards to previous menu).
19
EFFECTS
20
PIP ADJUST allows to select a PiP window and change its configuration on screen
21
RC operating indication lights up when a button on the remote control is pressed. (This is a visual indicator to
not yet implemented
check the operation of the remote control)
22 IR receiver IR receiver
Table 4-2
ordernumber RCU: R763794K
4.3 Switching on
How to switch on.
1. Press the power switch to switch on the projector.
- When ’0’ is pushed in, the projector is s
- When ’1’ is pushed in, the projector is switched on
The projector starts in standby mode
Starting image projection.
1. Press Standby key once on the local keypad or on the remote control. (image 4-3)
MEN U BACK
EN T ER
PA U
9
Image 4-3
It may take about 60 seconds before image projection, i.e. no projection until the completion of several oper­ations (software initialization,...).
PI P
SE
L
OGO
DIGI
Z
M
OO
0
PH A
SE
witched off.
, LED3 is red.
If the Security mode
is enabled, a textbox will be displayed for PIN code entry, see Security settinginthe
Installation menu
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4.4 Setting up the RCU address
What has to be done ?
To allow the communication between the RCU and the projector the RCU has to be programmed with the same address as the projector.
This address must be in the range 0–9.
To know the address of the projector, one can visualize it in projection mode (on screen) as well as in standby mode (shown with the LED’s on top cover of the projector).
For more info on addresses see the appendix
At this stage the image projected may happen to be upside down or mirrored, this can be set in the Installation menu under Projector orientation (see further setting up the projector’s orientation).
Displaying the Projector Address in Standby mode
1. Press the Address key (recessed key on the RCU) with a pencil. (image 4-4)
All the LED’s (3) on the top cover of the projector go out.
Then LED1 starts blinking green the number of hundreds. After that LED2 starts blinking the number of tens. Finally LED3 starts blinking green the number of units. If this is done, the original status of the LED’s is restored.
4. Setup
MEN U BACK
EN T ER
PA U
9
Image 4-4
PI P
SE
L
OGO
DIGI
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M
OO
0
PH A
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Displaying the Projector Address in projection mode)
1. Press the Address key (recessed key on the RCU) with a pencil.
The projector’s address will be displayed on the screen in a Textbox
Programming the RCU
1. Push the address key If the address is not entered within 5 seconds, the RCU returns to its default address (zero address) and
controls then all projectors in the room.
2. Enter the same address with the digit buttons within 5 seconds after pushing the address key.
The projector can now be controlled with the RCU.
For example : if the projector address is 3, then press "3" on the RCU to set the RCU’s address to match the projector’s address.
Common address/Projector address : Beside the projector address, the projector disposes also of a Common address which can be set to “0” or “1” (by defaul
t“0”).
In other words, an RCU set to address “0” will always control a projector regardless of its projector address (since it uses the common address).
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4. Setup
4.5 Projector address
What can be done ?
The projector is shipped with projector address set to ”0”
In some cases the projector address must be changed, for example if an unique RCU is used to control 2 or more projectors (inde­pendently).
In the OSD menu Projector Address, the following addresses can be programmed :
Projector address: address defined by the user, may be from 0 to 255 0-9 is used for RCU communication, 0–255 being used for RS232 serial communication.
Common address : address may be 0 or 1
How to change the projector’s RC5 address ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation
3. Press to Pull down the Installation menu
4. Use or to select Projector address (image 4-5)
5. Press ENTER
A dialog box appears on the screen. (image 4-6, image 4-7)
Image 4-5
Image 4-6 Image 4-7
Entering the new projector address ?
1. Enter the new projector address with the digit keys on the RCU, the local keypad or the cursor keys.
This address must be between 0 and 255.
How to change the common RC5 address ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation
3. Press to Pull down the Installation menu
4. Use or to select Projector address
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5. Press ENTER
A dialog box appears on the screen.
Entering the new common address ?
1. Enter the new projector address with the digit keys on the RCU, the local keypad or the cursor keys.
This address must be between 0 or 1.
4.6 Orientation
Projector orientations
Depending on how the projector is oriented, the projector’s internal settings have to be adapted.
How to change the orientation ?
1. Press MENU to activate the Toolbar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Orientation
5. Press to pull down the menu
6. Use or to select the desired orientation (image 4-8)
7. Press ENTER
The projection is adapted and a black bullet shows the active configuration.
4. Setup
Image 4-8
4.7 Adjusting the lens
What must be done ?
Depending on the projection distance and the lens used, the image may not be at the desired size, position and/or may be out of focus.
The projector will always allow you to shift your image vertically as well as horizontally (when available) to position it on the screen. In addition, motorized lenses will also allow you to Zoom and focus the image.
All these lens parameters can be adjusted using the RCU, the local keypad or in the Installation menu of the projector’s OSD.
Zoom (only for motorized lenses)
Focus (only for motorized lenses)
Vertical Shift
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4. Setup
The lens can also be adjusted via the dedicated keys on the remote.
How to Zoom/focus or shift via the RCU (or keypad)
1. Press LENS ZOOM or
LENS FOCUS or LENS SHIFT on the RCU (image 4-9)
2. Use the arrow keys to adjust (image 4-10)
4
3
BRIGHTN
2
1
Image 4-9
LENS
ZOOM
LENS
FOCUS VOL
CONTR
LENS
SH IF T
Image 4-10
How to Zoom/focus or shift in the OSD ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation
3. Press to Pull down the Installation menu
4. Use or to select Le
5. Press ENTER
A textbox appears on the screen, follow the instructions. (image 4-12, image 4-13)
ns adjustments... (image 4-11)
MEN U BACK
PA U
9
PI P
SE
L
OGO
DIGI
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M
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0
PH A
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EN T ER
Image 4-11
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Image 4-12 Image 4-13
The use of a sheet of paper held in front of the screen can be useful to determine the focus plane (position for best focus)
Vertical shift range : -120% to 120%
4. Setup
4.8 Preferences
4.8.1 Language
List of languages
The list of selectable languages is depending on the software of the projector.
How to change the Language ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to P
4. Use or to select Language
5. Press to pull down the menu
6. Use or to select the desired language (image 4-14)
7. Press ENTER
The language is adapted and a black bullet shows the active configuration.
ull down the Installation menu
Image 4-14
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4. Setup
4.8.2 Quick access keys
What can be done ?
The 3 function keys on top of the RCU can be associated with a particular item in one of the menus.
Each function which is not password protected or does not have a key on the RCU can be associated to a function key.
How to get an overview of the quick access keys ?
1. Press MENU to activate the Tool bar
2. Press to select the Installation
3. Press to Pull down the Installation menu
4. Use or to select Quick access keys (image 4-15)
5. Press ENTER
A text box appears on the screen.
Image 4-15
How to program the quick access keys ?
1. Scroll through the menus to the desired menu item
2. Push the desired function key for 3 seconds (image 4-16)
The menu item is stored in the quick access key
F2
F1
F3
MENU BACK
Image 4-16
Factory pre-programmed functions
-F1 : color depth
-F2 : noise reduction
-F3 : orientation
4.8.3 Automatic startup
What can be done ?
The automatic startup allows to bypass the standby state i.e. start up without going in standby state after switching on the projector.
This means that the automatic startup allows immediate restart of the projector after a power failure (breakdown), i.e. without passing through the standby state, by recovering the previous settings (previous source,...).
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This function can be disabled if undesired or inadequate for safety reasons, etc.
CAUTION: If the Automatic startup function is enabled one must be aware of the fact that it involves safety
precautions
Make sure that the projector (or the operators!) will not be affected by altered environmental conditions when restarting at power resume.
How to enable/disable the Automatic startup?
1. Press MENU to activate the Tool bar
2. Press to select the Installation item
3. Press to Pull down the Installation menu
4. Use or to select Automatic startup
5. Press to pull down the menu
6. Use or to enable/disable the automatic startup (image 4-17)
7. Press ENTER
4. Setup
Image 4-17
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4. Setup
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5. GETTING STARTED
5.1 Start up
How to start up the projector ?
1. Press the Standby button on the RCU or the local keypad (image 5-1)
The last selected source is displayed
MEN U BACK
EN T ER
PA U
9
Image 5-1
PI P
SE
L
OGO
DIGI
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M
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0
PH A
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5. Getting started
5.2 Creating your personal PiP Layout
As an example: the layout to be created must contain :
- one video source : composite video
- one data source : RGBHV
How to create a new layout based on an existing layout ?
1. Select an existing custom layout (non factory) from the PiP select menu (image 5-2)
2. Add the video window from the PiP add window menu by selecting the desired composite video source (image 5-3, image 5-4)
Note: You can only use one (2 in caseof an optionalvideo input) videosource i.e. if the layout already contains a v ideo source,
it will be impossible to add another (different) video input .
3. Follow the instruction wizard (size, position, order)
4. Repeat the previous steps to add the RGB source
5. Save the PiP layout in the PiP layout/Save as menu by typing a new name
See image 5-5.
Image 5-2
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5. Getting started
Image 5-3
Image 5-4
Image 5-5 Video/Data PiP layout
The added source(s) should be displayed with the right settings thanks to AutoImage. If it’s not the case (in case of some non standard source specifications) see Image files in the Advanced chapter.
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5.3 Adjusting the image
How to adjust the image
1. Use the PiP adjust button on the RCU to select the desired window (image 5-6)
2. Use the Image setting buttons on the RCU (image 5-7)
PH A
SE
F2
F1
MENU BA
Image 5-6
F3
K
C
Image 5-7
TINT
COLO
BRIGHTN
CO
R
NTR
5. Getting started
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5. Getting started
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6. ADVANCED
6.1 Using the Dialog boxes
How to use the dialog boxes ?
Some parameters are modified by means of a dialog box, where selections can be made and/or values can be entered.
The values can be entered in several ways:
Entering numeric values using the numeric keys on the remote control
1. Press ENTER to activate the input field. (image 6-1)
2. Key in the desired value.
Image 6-1
6. Advanced
Entering numeric values using the arrow keys on the remote control
1. Press ENTER to activate the input field.
2. Press or to select the digit to be changed. (image 6-2)
3. Press or to increase or decrease the value.
Image 6-2
Entering numeric values using the arrow keys on the local keypad
1. Press ENTER to activate the input field.
2. Press or to select the digit to be changed.
3. Press or to increase or decrease the value.
To confirm the changes always press ENTER.
Use or to browse between the different fields.
In some cases an alphanumeric value (file name, ...) has to be entered. Use or to scroll through the char­acter values once the input field is activated.
Following characters can be browsed in this partic
ular order:
Decimal scroll list: 0123456789
Signed decimal scroll list: 0123456789-
ASCII scrolllist:ABCDEFGHIJKLMNOPQRSTUVWXYZ0123456789+-*/&@#.;.abcdefghijklmnopqrstuvwxyz
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6. Advanced
6.2 Source Selection
Overview
Source selection
Composite Video
•S-Video
6.2.1 Source selection
Selecting a source
The Source selection menu allows to select one of the different sources. Another method to select an input source is via the remote control using the numeric keys or by using the local keypad.
When selecting a source with a different resolution (and/or aspect ratio) than the projector’s resolutio aspect ratio ), the source can be shown in its native resolution or can be re-scaled to the projector’s resolution, the latter case brings of course some loss of quality.
For more info on resolution match see the Show native resolution function in the Image menu.
How to select a source ?
1. Press MENU to activate the Tool bar
2. Press to Pull down the Source Selection menu (image 6-3, image 6-4)
3. Use or to select one of the different sources ( Press to Pull down if the item has a submenu)
4. Press ENTER to confirm your choice
On the screen appears now the selected source.
n(and/or
Image 6-3
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Image 6-4
6. Advanced
The Barco logo on the menu indicates the presence of a signal, the digit indicates the shortcut key on the RCU.
The 3 first sources (Data on BNC’s, Component Video & RG(s)B) refer to the 5-cable input, the position of the indication “1” will always show which BNC configuration is selected.
When to select “Data on BNC’s”
Select Data on BNC’s when a data signal is connected to the BNC’s
When to select “Component video” ?
Select Component video when a video signal of the type (R-Y/Y/B-Y) is connected on the BNC’s.
When to select RGsBVideo?
Select RG
This signal is routed to the video circuit and is projected in a Video Window.
6.2.2 Composit
How to sel
1. Press MENU to activate the Tool bar
2. Press to Pull down the Source Selection menu
3. Use or to select Composite video
4. Press to Pull down the submenu
5. Use or to select one of the different video inputs (image 6-5)
6. Press ENTER to confirm your choice
B Video when an RGB video signal (15 KhZ) with Sync on green or sync on H is presented on the BNC’s.
s
eVideo
ect one of the 7 composite video inputs ?
Note: Video2 is an optional Video input and is only displayed in case the optional Video/Audio layer is installed.
If the extended mode is d isabled, the submenu contains only 1 selection (2 selections if the Audio & Video option is installed).
A white bull
et indicates the selected composite video source which now appears on the screen.
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6. Advanced
Image 6-5
Adjustments on a Composite video signal
The projectors allows different adjustments on a composite video signal. Depending on the type of signal (NTSC /PAL) the termi­nology may differ :
Contrast
Brightness
Color : adjusts the level of color saturation in a PAL signal
Tint : adjusts the level of color saturation in an NTSC signal
AGC: Automatic Gain Control
The composite video sources can also be selected using the video selector or via the dedicated key 3 on the RCU. Key 3 allows to browse through the active video inputs when the extended mode is checked in Video Selector..
6.2.3 S-Video
When
Select the S-Video input when in presence of a video signal
An S-Video signal is available on the Mini-Din connector of a camera, VCR or DVD player.
also called S-VHS signal.
How to select one of the 3 S-Video inputs ?
1. Press MENU to activate the Toolbar
2. Press to Pull down the Source Selection menu
3. Use or to select S-Video
4. Press to Pull down the submenu
5. Use or to select one of the different video inputs (ima
Note: S-Video4 is an optional Video input and is only displayed in case the optional Video/Audio layer is installed
If the extended mode is d isabled, the submenu contains only 1 selection (2 selections if the Audio & Video option is installed).
6. Press ENTER to confirm your choice
A white bullet indicates the selected video source which now appears on the screen.
ge 6-6)
40
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Image 6-6
6. Advanced
The S-Video sources can also be selected using the video selector or via the dedicated key 4 on the RCU. Key 4 allows to browse through the active S-Video inputs when the extended mode is checke
6.3 General menu
Overview
Pause
Freeze
Standby Timer
Audio (Optional)
Identification
6.3.1 Pause
Interrupting the image projection
With the Pause function, the image projection can be stopped, the projector remains with full power for immediate restart.
How to interrupt the image projection ?
1. Press MENU to activate the Tool bar
2. Press to select General
3. Press to Pull down the General menu
4. Use or to select Pause (image 6-7)
5. Press ENTER to activate the Pause function
A brief sound indicates that the shutter has been activated.
d in Video Selector.
Image 6-7
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6. Advanced
The image projection can also be interrupted using the PAUSE key on the RCU.
To restart the image : press PAUSE
6.3.2 Freeze
Freezing the image
With the Freeze function, the image can be frozen.
To restart the image, reuse the Freeze function or press the FREEZE button on the remote.
Howtofreezetheimage?
1. Press MENU to activate the Tool bar
2. Press to select General
3. Press to Pull down the General menu
4. Use or to select Freeze (image 6-8)
5. Press ENTER to activate the Freeze function
Image 6-8
TheimagecanalsobefrozenusingtheFREEZEkeyontheRCU
6.3.3 Standby Timer
Purpose of the Standby Timer
If there is no signal, and the standby timer is enabled, a dialogbox is displayed and the projector will shut down after a determined time.
The countdown time can be set in a dialog box in a range from 1 disabled.
80 to 3600 seconds (default value = 300). The Timer can also be
How to enable the timer ?
1. Press MENU to activate the Tool bar
2. Press to select General
3. Press to Pull down the General menu
4. Use or to select Standby Timer (image 6-9)
5. Press ENTER to activate the function
On the screen appears a dialogbox (image 6-10)
6. Use or to select Enabled, a box surrounds the selected item, press ENTER to activate
7. Use or to browse to the input field
8. Use or, the numeric keys on the remote or the keypad to change the countdown setting
9. Press MENU or BACK to exit or to go back to the previous
menu
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Image 6-9
Image 6-10
6. Advanced
6.3.4 Audio (Optional)
Overview
Audio Setup
Audio Settings
6.3.4.1 Audio Setup
What can be done ?
Layer 3 allows the input of 4 audio signals, each of them can be linked to the corresponding (video or data) source signal. it is also possible to link multiple audio signals to one video (or data) source signal, this can be useful in case of teleconferencing.
figuration has to be done in the Audio Setup menu
The con
ng the Audio Setup menu
Starti
1. Press MENU to activate the Tool bar
2. Press to select General
3. Press to Pull down the General menu
4. Use or ↓ to select Audio setup (image 6-11)
5. Press ENTER
Adialogbo
- LED is red : audio input is mute
- LED is green : input is active (linked image source is selected)
- LED is orange : image source is not selected
x is displayed (image 6-12)
Image 6-11
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6. Advanced
Image 6-12
How to mute an Audio channel ?
1. use the arrow keys to select the desired mute box
2. Press ENTER
How to link an audio input to a source ?
1. use the arrows to sel
2. Press ENTER to open the scroll box
3. use or to select the source
4. Press ENTER
ect the desired scroll box
When the source switching mode is the fade in/out mode, the audio switching will also be done using a fade in/out effect.
6.3.4.2 Audio Settings
Audio Settings
1. Press MENU to activate the Tool bar
2. Press to select General
3. Press to Pull down the General menu
4. Use or ↓ to select
5. Press ENTER
A dialog box is displayed (image 6-14)
6. Use the arrow keys to select and change the settings
Note: The default value for the volume is 43, this corresponds to a gain factor of 1 (volume in = volume out).
Audio setup (image 6-13)
3
Image 6-1
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Image 6-14
6.3.5 Identification
The projector’s identification screen
The identifica
tion screen displays the projector’s main characteristics
6. Advanced
How to display
1. Press MENU to activate the Tool bar
2. Press to select General
3. Press to Pull down the General menu
4. Use or to select Identification (image 6-15)
5. Press ENTER to activate the function
On the screen appe
In this case the projector is an iDR500 (image 6-16)
6. Press MENU or BACK to exit or to go back to the previous menu
Image 6-15
the identification screen ?
ars a text box.
Image 6-16
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6.4 Image menu
Overview
Settings
Aspect ratio
Show native resolution
Keystone
Color temperature
Filmmode detection (video only)
White peaking
Dynacolor™
•Blanking
Input balance
AGC on Video
Manual Gain Control
6.4.1 Settings
Overview
Contrast
Brightness
Color
Tint (hue)
Sharpness
Gamma
Phase
Noise reduction
What can be done ?
Correct image settings are important for a good image reproduction. The image settings are made through a dialog box with a scroll bar. Minimal, maximal and actual values are indicated. These settings can also be done directly via the R except for the sharpness.
Image 6-17
CU’s dedicated buttons,
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Image 6-18
6.4.1.1 Contrast
Contrast adjustment
Adjust the contrast to “brighten” the white parts of the image.
It is recommended to adjust the brightness before adjusting the contrast.
How to change the contrast
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select setting
5. Press to pull down the menu
6. Use or to select Contrast
7. Press ENTER
On the screen appears now a sliderbox (image 6-19)
8. Use or , the numeric keys on the remote, or the keypad to change the contrast
s
6. Advanced
Image 6-19
6.4.1.2 Brightness
Brightness adjustment
Adjusting the brightness will affect the dark areas of the image. Increase the brightness to “lighten” up the parts that are too dark.
How to change the Brightness ?
1. Press MENU to activate the Toolbar
2. Press to select
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Brightness
7. Press ENTER
On the screen appea
8. Use or , the numeric keys on the remote, or the keypad to change the Brightness
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the Image item
rs now a sliderbox (image 6-20)
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Image 6-20
6.4.1.3 Color
Color adjustment
Adjust the color to obtain more or less saturated colors.
How to change the Color ?
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Color
7. Press ENTER
On the screen appears now a sliderbox (image 6-21)
8. Use or , the numeric keys on the remote, or the keypad to change the Color
Image 6-21
6.4.1.4 Tint (hue)
How to change the Tint ?
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Tint
7. Press ENTER
On the screen appears now a sliderbox
8. Use or , the numeric keys on the remote, or the keypad to change the Tint
6.4.1.5 Sharpness
How to change the sharpness ?
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select sharpness
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7. Press ENTER
On the screen appears now a sliderbox
8. Use or , the numeric keys on the remote, or the keypad to change the sharpness
6.4.1.6 Gamma
How to change the Gamma
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Gamma
7. Press ENTER
On the screen appears now a sliderbox
8. Use or , the numeric keys on the remote, or the keypad to change the Gamma
6.4.1.7 Phase
6. Advanced
Phase adjustment
A bad phase adjustment will result in bad transitions and sometimes noise (text can end to be unclear).
How to change the Phase ?
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Phase
7. Press ENTER
On the screen appears now a sliderbox (image 6-22)
8. Use or , the numeric keys on the remote, or the keypad to change the Phase
Image 6-22
6.4.1.8 Noise reduction
How to change the Noise reduction ?
1. Press MENU to activate the Toolbar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select settings
5. Press to pull down the menu
6. Use or to select Noise reduction
7. Press ENTER
On the screen appears now a sliderbox
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8. Use or , the numeric keys on the remote, or the keypad to change the Noise reduction setting.
6.4.2 Aspect ratio
Aspect ratios
The standard aspect ratio used in broadcast television is the 4:3 ratio. However, most of the DVD sources use nowadays the widescreen 16:9 or even the cinemascope 2.35:1 aspect ratio.
Some DVD sources may even use the anamorphic 16:9 or anamorphic 2.35:1 to take advantage of the higher vertical resolution offered by the 4:3 ratio. The “anamorphic” term means that the original widescreen image is squeezed in order to fit the 4:3 aspect ratio.
4:3
Image 6-23 Common non- anamorphic aspect ratios in DVD sources
16:9
Image 6-24 Anamorphic aspect ratios in DVD sources
2.35:1
16:9
What can be done ?
The aspect ratio setting forces the projector to project an image using a defined aspect ratio :
•4:3
16:9
•5:4
•Auto
2.35:1
The settings do not refer to the aspect ratio of the source !
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6. Advanced
Source
4:3
16:9
2.35:1
16:9 anamorphic
Projector setting
4:3 16:9
5:4
2.35:1 anamorphic
Image 6-25 Possible aspect ratio settings and their
We can conclude that the thumb rule for DVD projection is to always leave the projector in 4:3 format except when dealing with anamorphic sources where the 16:9 setting allows the best reproduction.
The Auto function calculates an aspect ratio based on the information stored in the image files.
Selecting Auto in case of a Video source may shrink the image horizontally
effect on different sources in the iQ.
How to change the Aspect ratio ?
1. Press MENU to activate the Tool bar
2. Press to select Image
3. Press to Pull down the Image menu (image 6-26)
4. Use or to select Aspect ratio
5. Use open the Aspect ratio menu
6. Use or to select the desired ratio
7. Press ENTER to confirm
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Image 6-26
The aspect ratio settings are greyed out in case the Show native resolution or the Full screen representation setting is enabled.
How to set a custom Aspect ratio ?
1. Press MENU to activate the Tool bar
2. Press to select Image
3. Press to Pull down the Image menu
4. Use or to select Aspect ratio
5. Use open the Aspect ratio menu
6. Use or to select Custom
7. Press ENTER to confirm
A dialog box is displayed (image 6-27)
8. Enter the values for width and height of the image
The image aspect ratio is updated.
Image 6-27
6.4.3 Show native resolution
Reality(SXGA+)
Native resolution of the LCD panels = 1400 x 1050 pixels (4:3)
What can be done ?
The aim here is to always show the resolution of the source independently of the resolution of the LCD panels. This way better image reproduction is obtained since no up or down scaling is done on the source.
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Note that native resolution refers here to the source and does thus only have sense when handling data sources (greyed out for video sources).
Depending on the type of projector the “show native resolution” function will handle the sources as follows:
Source
Projected image
Name Ratio Resolution Ratio Resolution Display
xga
sxga
sxga+
uxga
Table 6-1 Show native resolution = ON
4:3 1024x768 4:3 1024x768 image centered +side blanked
5:4 1280x1024 5:4 1280x1024 image centered +side blanked
4:3 1400x1050 4:3 1400x1050 image centered
4:3 1600x1200 4:3 1600x1200 scroll image
The Full screen representation function on the other hand forces to use the complete native resolution of the LCD panels.
How to enable the “Show native resolution” function?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or ↓ to select Show native resolution (
5. Press to pull down the menu
6. Use or to select On
7. Press ENTER
A white bullet shows the selection
image 6-28)
Image 6-28
The default mode is used if the Sh ow native resolution and the Full screen representation are off.
The default mode s
hows always the native ratio and forces the native resolution of the panels (part of the
image blanked where needed)
When show native resolution is ON and the resolution of the source is higher than the panel resolution , use the arrow keys to scroll through the image (pan).
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6.4.4 Keystone
What can be done ?
The Keystone adjustment is used to align the image, this can be necessary when projecting under a non standard angle
How to perform a Keystone correction ?
1. Press MENU to activate the Tool bar
2. Press to select Image
3. Press to Pull down the Image menu
4. Use or to select Keystone (image 6-29)
5. Press ENTER to confirm
A sliderbox is displayed . (image 6-30)
Use or , the numeric keys on the remote, or the keypad to adjust the keystone.
The Top and bottom adjustments affect the image differently. (image 6-31, image 6-32)
Image 6-29
Image 6-30
Image 6-32 Bottom adjustment of the keystone
Image 6-31 Top adjustment of the keystone
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6.4.5 Color temperature
What can be done ?
The color temperature can be selected according to the type of source:
There are 4 different preset color temperatures:
Projector white
computer : 9300 K
Video : 6500 K
Film : 5400 K
Broadcast : 3200 K
These calibrated presets can be selected and will provide optimum color tracking, the projector allows however the setting of a personal color temperature, this is done in custom
How to select a preset color temperature ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Color temperature
5. Press to pull down the menu
6. Use or to select the desired preset color temperature
7. Press ENTER
The color temperature of the image is adapted and a white bullet shows the active setting.
How to start up the custom color temperature ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Color temperature
5. Press to pull down the menu
6. Use or to select custom
7. Press ENTER
A slider box for the red custom setting is displayed as well as a wizard text box in the lower part of the screen. (image 6-33)
Follow the instructions on the wizard textbox. (image 6-34)
Image 6-33
Image 6-34
6.4.6 Filmmode detection (video only)
What can be done ?
Some sources like common DVD material are derived from cinema 24 Hz sources (2/2 or 3/2 pull down method).
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VIDEO PAL
50f/s
160
120
80
40
Image 6-35 film to video conversion: 2/2 and 2/3 pull down method
167
125
83
42
0
2/2
FILM 24 f/s
NTSC VIDEO
60 f/s
3/2
167
133
83
50
0
1/30s
1/20s
Image 6-36
The filmmode detection insures that these converted signals are shown without artefacts, especially motion artefacts due to bad de-interlacing.
This function may cause undesired effects on standard sources, therefore it can be disabled (OFF) at any time
Enabling/disabling the filmmode detection
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Filmmode detection
5. Press to pull down the menu
6. Use or to enable or disable the Filmmode detection (image 6-37)
7. Press ENTER
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A white bullet shows the active setting
Image 6-37
6.4.7 White peaking
6. Advanced
White peaking
White peaking function will allow you to adjust the “white level” of the colors i.e. increasing the white peaking will increase the overall brightness of the image. Note that increasing the white peaking will decrease the color saturation.
How to adjust the White peaking level ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select White peaking (image 6-38)
5. Press ENTER
A slider box is displayed (image 6-39)
6. Adjust the white peaking to the desired value
Image 6-38
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Image 6-39
6.4.8 Dynacolor™
What can be done?
DynaColor™ will eliminate channel-to-channel color variations.
How to define color?
The CIE chromaticity diagram is one way to plot the colors the human eye can see.
Image 6-40 The CIE chromaticity diagram
A projector can only reproduce a certain color gamut within this diagram. This color gamut is defined by the triangle formed by the x, y coordinates of Red Green and Blue. These parameters are used by the DynaColor™ adjustment.
Image 6-41 The projector color gamut is defined by the triangle formed by the x, y coordinates of Red Green and Blue
Due to the tolerance on optical components the x, y values of this color gamut of each projector will differ.
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6. Advanced
Image 6-42 The color gamut of each projector will differ
When working with a multichannel setup, these color differences between different projectors can be smoothed out by matching the color gamuts of the different projectors to a Common Color Gamut.
Image 6-43 Common Color Gamut
The Common Color Gamut
In a basic setup with 2 projectors, the perimeter of the Common Color Gamut is described by the 6 points of intersection of the 2 separate color gamuts.
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.8
.7
.6
.5
G2
G1
Gc
y
.4
W1
.3
W2
Wc
Cc
.2
.1
Bc
Mc
B1
B2
0
.1 .2 .3 .4 .5 .6 .7
Yc
R2
Rc
R1
x
Image 6-44 The Comm on Color Gamut
R1 Red projector 1 R2 Red projector 2 G1 Green Projector 1 G2 Green Projector 2 B1 Blue Projector 1 B2 Blue Projector 2 W1 White Projector 1 W2 White Projector 2 Rc Red Common Color Gamut Gc Green Common Color Gamut Bc Blue Common Color Gamut Cc Cyan Common Color Gamut Mc Magenta Common Color Gamut Yc Yellow Common Color Gamut Wc White Common Color Gamut
The following parameters can be adjusted within DynaColor™:
the x, y coordinates and g(Light Output) of the 6 Common Color Gamut perimeter points.
the x, y coordinat
es and g(Light Output) of the White point of the Common Color Gamut.
How to Start up Dy
1. Press the MENU key to activate the Menu bar.
2. Push the cursor key or to highlight Image in the menubar.
3. Push the key to pull down the Image menu.
4. Push the cursor key or to highlight Dynacolor and press ENTER to select. (image 6-45)
The Dynacolor dialog box will be displayed. (image 6-46)
60
nacolor™?
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5. Push the cursor key or select enable/diasable and then ENTER.
Image 6-45
6. Advanced
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Image 6-46
Dynacolor™ g (Light Output) Value
The value g in the Dyancolor™ interface represents a relative light output.
g=1 is the maximum available light output.
Assume we have a projector. L=1 in the Dyancolor™ interface will correspond with a ’maximum full white light’ output of x Lumens.
Important ! In the projectors iD R600 and iD Pro R600 (R9010340 and R9010350) the measuring is done with white peaking = 0.
In the projectors iD R600+ and iD Pro R600+(R9010341 and R9010351) however, the white peaking must be 10 during the measurement.
The dialogbox shown here are as displayed in the iD R600 and iD Pro R600 (with the field White ).The dialogbox displayed in the iD R600+ and iD Pro R600+ contain the field White+ instead of White.
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The Dynacolor™ Interface
Following parameters are available in the Dyancolor™ Interface:
Measured Values These are the colors the projector displays when no color changes are made
6. Advanced
Red x, y
Green x, y Coördinates for the Green point
Blue x, y
White x, y
Red L Red Light output
Green L Green Light output
Blue L Blue Light output
White L
Desired Values These are the colors you want the projector to display when the status is enabled
Red x, y
Green x, y Coördinates for the Green point
Blue x, y
Cyan x, y Coördinates for the Cyan point
Ye llo w x, y
Magenta x, y
Coördinates for the Red point
Coördinates for the Blue point
Coördinates for the White point
White Light Output
Coördinates for the Red point
Coördinates for the Blue point
Coördinates for the Yellow point
Coördinates for the Magenta point
White x, y
Red g
Green g Green Light Gain
Blue g
Cyan g Cyan Light Gain
Ye llo w g
Magenta g
White g
Status
Factory Preset
Coördinates for the White point
Red Light Gain
Blue Light Gain
Yellow Light Gain
Magenta Light Gain
White Light Gain
Enables or disables Dynacolor™
Sets the measured parameters back to the factory preset for the current set
Basic Dynacolor™ Adjustment
We assume we have a basic setup with 2 projectors, the Dynacolor™ adjustment is done by using only the Dynacolor™ menu:
1. Enable Dynacolor™ on both projectors.
2. Assume the first projector has the following measured values. (image 6-47)
3. Assume the second projector has the follow
4. We start by setting both projectors to the common red coordinate.
Tip: Draw a quick sketch of both gamuts as a graphical help. (image 6-49)
5. Display the internal color bar pattern on both projectors.
6. In the desired values, adjust the red coordinate to a common value for both projectors.
Tip: The color barof the adjustedcoordinate will nolonger be displayedin casethe coordinate isnot present withinthe gamut
of the adjusted projector e.g. with the desired values for red set to x=660 and y= 318. (image 6-50)
ing measured values. (image 6-48)
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Select a coordinate that is present in the common gamut e.g. with the desired values for red set to x=633 and y= 328. (im­age 6-51)
7. Repeat step 5 to 6 for all coordinates on both projectors.
Both projectors will now operate within the same color gamut.
Image 6-47
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6. Advanced
Image 6-48
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330
320
310
R2
R1
650640
Image 6-49 Red coordinates for both projectors
330
320
310
650640
Image 6-50 Coordinate is not present within the gamut of the adjusted projector
660
R2
Rc
R1
660
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330
320
310
6. Advanced
R2
Rc
R1
650640
Image 6-51 Select a coordinate that is present in the common gamut
Another way to determine the new coordinates is to use the DynacolorTool (software tool running on a laptop or PC), contact Barco for more information.
660
6.4.9 Blanking
Blanking in the Image menu
The blanking in general allows to blank unwanted video information (noise in the top or bottom of the image).
The blanking in the image menu is the same as in the Display settings menu except for the fact that here the blanking settings are stored in the image files. In other words each custom file or source has its own blanking values.
the blanking procedure in the Display settings menu.
See
he selected source is not entirely displayed always check first the blanking settings in the image menu
If t since the active custom file may contains blanking.
6.4.10 Input balance
Introduction: Unbalanced color signals
When transporting signals, there is always a risk of deterioration of the information contained in the signals.
he alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced,
T
B
0.7V
Image 6-52
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6. Advanced
G
R
R
Image 6-53
The objective of input balancin
The objective in input balancing is to “set” the same black level and the same white level for the three colors of a particular input source.
Black level setting : brightness
White level setting : contrast
The same absolute black and white level for the three colors allows the same reference for Brightness and contrast control of the picture !
These two references also set the range in which the ADC will work for that particular source ( this explains also why each input balance setting is linked to a particular source and thus saved in the image file).
g
B
G
∆Β
Black level
How can it be done ?
To balance the three color signals of a particular source there are conditions; in fact we must know the black and the white level of the source i.e. :
1. the source in quest
2. the source in question must be able to generate a black signal, ideally a 100 % black (background) full screen pattern
ion must be able to generate a white signal, ideally a 100% white (background) full screen pattern
A
Image 6-54
balance : In the projector, we will set the contrast for each color until we get a 100% light output picture when projecting a
White 100% white image (image A)
Black balance : In the projector, we will set the brightness for each color until we get a 0% light output picture when projecting a 100% black image (image B).
The changeover from min to max is indicated by the apparition of bright spots also called “digital noise”
B
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An alternative to a full screen White/black pattern is the standard gray scale pattern, the white bar will be used for white balance and the black bar for black balance.
Image 6-55
Black balance
1. Connect the source you want to project
2. Press MENU to activate the Tool bar
3. Press to select the Image item
4. Press to Pull down the Image menu
5. Use or to select Input balance
6. Press to pull down the menu
7. Use or to select Black balance (image 6-56)
8. Adjust the red black level on a minimal value (image 6-57)
9. Adjust the blue black level on a minimal value
Note: this minimalvalueis not necessary, provided that the2 other colors arenot influencing too muchthe color to beadjusted,
in fact the aim isto minimize theeffect of the two othercolors since there is arisk of reachingtoo soon the 50% transition due to the contribution of these two other colors signals.
10.Adjust the green black level until bright spots appear on the black part of the image
11.Adjust the Blue black level until bright spots appear on the black part of the image
12.Adjust the Red black level until bright spots appear on the black part of the image
The projected image should know be noisy full black
Image 6-56
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Image 6-57
if one uses a gray scale pattern, the bright spots should appear in the black bar.
Performing White input
1. Select a black pattern (or gray scale as alternative)
2. Press MENU to activate the Toolbar
3. Press to select the Image item
4. Press to Pull down the Image menu
5. Use or to select Input balance
6. Press to pull down the men
7. Use or to select White balance (image 6-58)
8. Adjust the red white level (gain) on a minimal value (image 6-59)
9. Adjust the blue white level (gain) on a minimal value
Note: this minimalvalueis not necessary, provided that the2 other colors arenot influencing too muchthe color to beadjusted,
in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the transition (bright spots) due to the contribution of these two other colors signals.
10.Adjust the Green white level (gain) until bright spots appear on the white part of the image
11.Adjust the Blue white level (gain) until bright spots appear on the white part of the image
12.Adjust the Red white le
The projected image should now be noisy neutral grey.
balance
u
vel (gain) until bright spots appear on the white part of the image
Image 6-58
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Image 6-59
if one uses a gray scale pattern, the bright spots should appear in the white bar.
Selecting Preset restores the factory input balance setting
The input balance settings are stored in the image file, each source has its own input balance.
6.4.11 AGC on Video
6. Advanced
AGC
Automatic Gain Control: allows an automatic amplitude (gain) control of the incoming video signal
AGC is only for Video signals
Enabling/disabling the AGC
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the
4. Use or ↓ to select AGC on Video
5. Press to pull down the menu
6. Use or to enable or disable the AGC
7. Press ENTER
A white bullet shows the active setting (image 6-60)
Image menu
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Image 6-60
The AGC can be disturbing in case of Macrovision encoded signals, therefore the AGC can be disabled (OFF) at any time
6.4.12 Manual Gain Control
What can be done ?
Beside the AGC there is the possibility to manually set the gain of the incoming video signal. When the AGC is enabled (ON), the manual setting does not affect the gain, AGC must therefore pattern with white areas (grey scale bar pattern)
be disabled. The manual gain control must be done on an external
How to set the Manual Gain Control ?
1. Press MENU to activate the Tool bar
2. Press to select the Image item
3. Press to Pull down the Image menu
4. Use or to select Manual Gain Control (image 6-61)
5. Press ENTER
A scroll bar is displayed (image 6-62)
6. Use or , the numeric keys on the remote, or the keypad to change the gain so as to obtain homogene white parts in the
image.
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Image 6-61
6. Advanced
Image 6-62
6.5 Tools
1
6.5.
What are the different possibilities within the PiP mode ?
The input section of the IQ projector allows a multitude of combinations of different input signals which may be projected in the 4 windows of the PiP screen.
The PiP mode allows independent settings for each window:
Image settings : contrast, brightness, tint, color,...
Vertical and horizontal shift of each window all over the screen
Resizing of the window
Digita
Linking of (an) audio input(s) to a single or multiple windows
oduction to PiP
Intr
PiP
PiP sta windows may be of the video or data type.
l Zoom
nds for "Picture in Picture" and allows to display multiple windows containing each of them an image. The
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What are the different PiP layouts ?
Full screen
The full screen is used to display one of the selected sources. Browsing through the sources is possible with the PiP Adjust button on the remote.
2
2–by-2 raster
2
The screen is divided into 4 subscreens containing 2 Video and 2 Data sources.
Image 6-63 PiP: 2by2 layout
PiP layout 1–3
3
These are factory layouts, they can be edited and saved.
Personal layouts
Beside the 2 fixed layouts and the 3 factory layouts, one can set 5 additional (personal) layouts.
PiP dedicated buttons
PiP Adjust : this button allows to focus on one particular window, this is shown with a white frame surrounding the selected window. A source identification box is displayed in the right lower corner.
Image 6-64
Pressing the button removes the frame to the next window. This can also be done via PiP Adjust in the Tools menu
PiP: this button allows to browse through the different configurations, it has the same function as PiPselect in the Tools menu.
Since there is only one decoder (second decoder is optional), when in 2by2 configuration, Video1 and Video2 are derived from the same video source.
2. fixed layout
3. factory layouts
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6.5.2 PiP select
PiP layouts
The different PiP layouts (configurations) can be selected in the PiP select menu.
How to change the PiP configuration ?
1. Press MENU to activate the Tool bar
2. Press to select the Tools item
3. Press to Pull down the Tools menu
4. Use or to select PiP select
5. Press to pull down the menu
6. Use or to select the desired configuration
7. Press ENTER
A white bullet shows the active layout (image 6-65)
6. Advanced
Image 6-65
The PiP configuration can also be selected via the dedicated PiP key on the RC
U.
6.5.3 PiP add window
What can be done ?
It is possible to add a window to the existing windows (maximum 4), therefore a source must be selected.
Sources which are already used are non selectable. If, for instance, the PiP layout contains a component video then component video will be non selectable.
Once added, the window may be altered in several ways to meet particular needs:
repositioning
re-sizing
changing the order
How to add a window ?
1. Press MENU to activate the Tool bar
2. Press to select the Tools item
3. Press to Pull down the Tools menu
4. Use or to select PiP add window
5. Press ENTER
The source selection menu is displayed (image 6-66)
In the lower part of the screen appears a wizard in 4 steps (image 6-67)
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Image 6-66
Image 6-67
6.5.4 PiP remove wind
How to remove a
1. Press MENU to activate the Tool bar
2. Press to select the Tools item
3. Press to Pull down the Tools menu
4. Use or ↓ to select PiP remove window
5. Press ENTER
In the lower part o
The selected window appears surrounded with a white frame, each hit on PiP ADJUST will move the frame along the different windows.
Image 6-68
ow
window ?
f the screen appears a wizard. (image 6-68)
6.5.5 PiP layout
Overview
•PiPSave
PiP rename layout
PiP delete layout
6.5.5.1 PiP Save
What can be done ?
The active layout can be saved or "saved as". When a new layout is saved it is added to the PiP select menu.
A fixed layout can be edited (re-sizing, re-positioning,...) but it can not be saved under its original name.
How to save a layout ?
1. Press MENU to
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activate the Tool bar
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2. Press to select the Tools item
3. Press to Pull down the Tools menu
4. Use or to select PiP layout
5. Press to pull down the menu
6. Use or to select PiP save or save as
7. Press ENTER
If save as has been selected, a dialog box is displayed (image 6-69)
Use or , the numeric keys on the remote, or the keypad to enter the name and exit with BACK or MENU. If save as has been selected, a message box is displayed (image 6-70)
6. Advanced
Image 6-69
6.5.5.2 PiP rename layout
What can be done ?
The non fixed layouts (factory and personal layouts) can be renamed .
The maximal length of the name is 12 characters.
A fixed layout can not be renamed
How to rename a layout ?
1. Press MENU to activate the Tool bar
2. Press to select the Tool
3. Press to Pull down the Tools menu
4. Use or to select PiP layout
5. Press to pull down the menu
6. Use or to select Rename
7. Press ENTER
A dialog box is displayed (
8. Use or to select the layout to be renamed
9. Press ENTER
A dialog box is displayed (image 6-72)
Use or , the numeric keys on the remote, or the keypad to enter the name and exit with BACK or MENU.
s item
image 6-71)
Image 6-70
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Image 6-72
Image 6-71
6.5.5.3 PiP delete layout
What can be done ?
The non fixed layouts (factory and personal layouts) can be deleted.
The fixed layouts and the active layout can not be deleted
How to dele
1. Press MENU to activate the Tool bar
2. Press to select the Tools item
3. Press to Pull down the Tools menu
4. Use or to select PiP layout
5. Press to pull down the menu
6. Use or to sel
7. Press ENTER
A dialog box is displayed (image 6-73)
8. Use or to select the layout to be renamed
9. Press ENTER
The layout is deleted and disappears from the dialog box
tealayout?
ect Delete
Image 6-73
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6.5.6 PiP Adjust
What can be done ?
PiP adjust allows to browse through the windows in the active layout, a white frame indicates the window which has the focus.
This way, independent settings (picture settings, ...) are possible for each window.
This can also be done by using the dedicated PiP Adjust key on the RCU
6. Advanced
Image 6-74 PiP adjust in case of 2by2 layout
A Data1 window has the focus, new settings will only affect Data1 window B Video1 window has the focus, new settings will only affect Video1 window
PiP adjust
1. Press MENU to activate the Toolbar
2. Press to select the Tools item
3. Press to Pull down the Tools menu
4. Use or to select PiP Adjust
5. Press ENTER
The menu dissapears.
The focus moves to the next window when pressing ENTER (clockwise rotation)
If you press BACK or if you wait 5 seconds the menu is displayed.
When using the PiP adjust key on the RCU the corresponding source box is displayed in the bottom right corner.
How to adjust a window in the layout ?
1. Use the PiP Adjust key or function in the menu to choose the window to be adjusted
2. Press ENTER
A wizard bar is displayed in the bottom of the screen
Follow the procedure.
6.5.7 Color keying
Principle of color keying
Take e.g. two image. One taken on a full color background and the other a normal image. The full color background will be replaced by the second image via the principle of color keying.
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Image 6-75 Zebraonasinglecolor
The color keying function is only relevant when in presence of the Pro version, although present in the stan­dard version.
Image 6-76 Full color im age
Image 6-77 Result image after color keying
6.5.8 Diagnostics
Diagnostics
1. See the Troubleshoot section in the appendix
6.6 Signal Menu
Overview
Switching mode
Background
6.6.1 Switching mode
Switching from one source to another
To minimize undesired effects when switching from one source to another, one can use the Seamless switching mode, beside Seam-
switching there is a wide choice of several effects which render the source switching transitions more enjoyable.
less
to select a switching mode ?
How
1. Press MENU to activate the Tool bar
2. Press to select the Signal item
3. Press to Pull down the Signal menu
4. Use or to select Switching mode
5. Press to pull down the menu
6. Use or
7. Press ENTER
A white bullet shows the active effect.
The next source switching will be done using the selected effect
80
to select the desired switching mode (image 6-78)
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Image 6-78
6. Advanced
The Random mode will select a new switching mode at each source switching i.e. there will never be 2 suc­cessive source switchings with the same effect.
The Seamless switching mode is not used in the Random mode.
The switching effects are only possible in the full screen mode
When the source switching mode is the fade in/out mode, the audio (when available) switching will also be done using a fade in/out effect.
6.6.2 Background
Purpose
If there is no signal connected to the projector, the background will be a logo, a black or a blue screen depending on the background settings.
How to change the background ?
1. Press MENU to activate the Toolbar
2. Press to select the Signal item
3. Press to Pull down the Signal menu
4. Use or to select Background
5. Press to pull down the menu
6. Use or to select the desired background (image 6-79)
7. Press ENTER
Image 6-79
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The logo display is only possible in the full screen mode, a logo can thus not be displayed (rescaled) in a window in the PiP mode.
When there is no signal connected, the projector will also start its standby timer countdown (if enabled) and shuts down after the predetermined time.
6.7 Lamp management
6.7.1 Runtimes
How to display the lamp runtimes ?
1. Press MENU to activate the Toolbar
2. Press to select the Lamp item
3. Press to Pull down the Lamp menu
4. Use or to select Runtimes (image 6-80)
5. Press ENTER
A textbox is displayed (image 6-81)
Image 6-80
Image 6-81
6.7.2 Mode
What are the different lamp modes ?
Single mode
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The projector will always switch to the lamp with the shortest runtime when the difference between the runtimes of lamp1 and lamp 2 reaches 100 hours, switching from one lamp to another happens only at switching on of the projector and not during operation.
When the lamp fails or reaches its maximum runtime the projector switches automatically to the other lamp without interrupting the projection.The failure is logged and the lamp will never be initialized in the future.
Image 6-82 Single mode operation: switching principle
Dual mode
Both lamps are working.
When one lamp fails, the projector continues the projection using the remaining lamp.
How to select the lamp mode ?
1. Press MENU to activate the Toolbar
2. Press to select the Lamp item
3. Press to Pull down the Lamp menu
4. Use or to select Mode
5. Press to pull down the menu
6. Use or to select the desired background (image 6-83)
7. Press ENTER
A bullet shows the active mode.
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Image 6-83
When switching from the dual mode to the single mode the lamp with the longest runtime is switched off.
If the runtimes are equal (if the projector has always been operated in dual mode) then lamp1 i
s switched out.
When switching to single mode, returning to the dual mode will not be possible in the first 6 in the menu is greyed out and LED1 is flickering, thereby preventing hot restrike which may damage the lamp.
6.7.3 History
How to view the history ?
1. Press MENU to activate the Tool bar
2. Press to select the Lamp item
3. Press to Pull down the Lamp menu
4. Use or to select History (image 6-84)
5. Press ENTER
A textbox is displayed (image 6-85)
0 seconds, Dual
Image 6-84
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Image 6-85
6.7.4 Reset runtime
When to reset the lamp runtime ?
The lamp runtim
e should only be reset when placing a new lamp.
6. Advanced
WARNING: Lamp r
technician.
untime reset as well as the lamp replacement can only be done by a Barco authorized
How to reset the lamp runtime in the iQ/iD ?
1. Press MENU to activate the Tool bar
2. Press to sel
3. Press to Pull down the Lamp menu
4. Use or to select Reset runtime
5. Press to pull down the menu
6. Use or to select the lamp to be reset (image 6-86)
7. Press ENTER
A dialog box is d
8. Use or , the numeric keys on the remote, or the keypad to change the serial number of the lamp (serial number 0000000 will
not be accepted).
ect the Lamp item
isplayed (image 6-87)
Image 6-86
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Image 6-87
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
How to reset the lamp runtime in the SIM5Plus?
1. Press MENU to activate the Tool bar
2. Press to select the Lamp item
3. Press to Pull down the Lamp menu
4. Use or to select Reset runtime
5. Press to pull down th
6. Use or toselectthelamptobereset
7. Press ENTER
A dialog box is displayed (image 6-88)
8. Use or , the numeric keys on the remote, or the keypad to change the serial number of the lamp (serial number 0000000 will
not be accepted).
e menu
Image 6-88
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
6.7.5 Runtime warning
What can be done ?
n the lamp has reached a certain predetermined runtime , a warning message will be displayed on the screen. The lamp runtime
Whe warning can be set in a range from 30 to 200 hours. The runtime warning is displayed by default at 30 hours before end of lamp lifetime.
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How to set the lamp runtime warning?
1. Press MENU to activate the Toolbar
2. Press to select the Lamp item
3. Press to Pull down the Lamp menu
4. Use or to select Runtime warning (image 6-89)
5. Press ENTER
A dialogbox is displayed (image 6-90)
6. Use or , the numeric keys on the remote, or the keypad to change the runtime warning setting.
Image 6-89
6. Advanced
Image 6-90
WARNING: Lamp runtime reset as well as the lamp replacement can only be done by a Barco authorized
technician.
6.8 Image files menu
Overview
Load file
Auto Image
Edit file
Rename file
Copy
Delete
Forced file load
6.8.1 Load file
Howtoloadafile?
1. Press MENU to activate the Tool bar
2. Press → to sele
3. Press to Pull down the Image files menu
4. Use or to select Load (image 6-91)
5. Press ENTER
A dialog box is displayed (image 6-92)
ct the Image files item
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6. Use or to select the desired file
Tip: For more info about the available image files and the specifications, see "Standard Image Files", page 113
7. Press ENTER
The file is loaded and the image is adapted.
Image 6-91
Image 6-92
InPiPmode,thefileswhichmaybeloadedwillbeofthedatatypeiftheactivewindowisadatawindow,or they will be of the video type if the active window is a video window.
What to do if the image is not perfect ?
If the displayed image is not correct after AutoImage or after selecting the best fitting file, go to the Edit menu, select the active file and change the settings.
6.8.2 Auto Image
What can be done ?
Auto Image creates the best suited image file for the connected source.
It calculates/measures several source parameters :
Total pixels per line
Start pixel
Phase
Contrast/Brightness levels
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Auto Image works only for data images.
The measure of the total number of pixels per line can be done through 2 methods
Limited scan: a windowing is used to allow fast tracking. The operation takes about 20 seconds (depending on file)
Full scan: tracking is done over the full range. The operation takes about 1.5 minutes (depending on file)
How to launch Auto Image?
1. Press MENU to activate the Tool bar
2. Press to select the Image files item
3. Press to Pull down the Image files menu
4. Use or ↓ to select Auto Image
5. Press to open the menu
6. Use or to select the desired file scan method (image 6-93)
7. Press ENTER
A text box showing a progress bar is displayed. (image 6-94)
Tip: Press the Cancel button to cancel the operation.
6. Advanced
Image 6-93
Image 6-94
The Auto Image setup in the Display setup menu affect only Auto Image if it is launched via the RCU key or at automatic file creation.
Launching AutoImage via the menu involves complete checking of all parameters.
Auto Image can also be launched via the RCU with the dedicated AutoImage key.
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6.8.3 Edit file
What can be done with the Edit file menu ?
The Edit file menu makes it possible to change the settings of the file according to the real settings of the connected source. Consult the source specifications before entering the data.
How to edit a file ?
1. Press MENU to activate the Tool bar
2. Press to select the Image files item
3. Press to Pull down the Image files menu
4. Use or to select Edit (image 6-95)
5. Press ENTER
A dialog box is displayed
6. Use or to select the desired file
Note: If in PiP mode the cursor is placed by default on the active file which has the focus.
7. Press ENTER
A dialog box is displayed (image 6-96)
8. Press ENTER
A dialog box is displayed (image 6-97)
9. Use or , the numeric keys on the remote, or the keypad to edit and change the values, confirm with ENTER
Note: greyed out fields can not be updated (total pixels)
Image 6-95
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Image 6-96
6. Advanced
Image 6-97
Which items can be adjusted ?
The following items can be adjusted :
Active horizontal pixels
Horizontal start in pixels
Horizontal period in ns
Active ve
Vertical start in lines
rtical lines
Advanced video settings
Image 6-98
The advanced button enables the advanced settings for a video source.
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6. Advanced
video signal
Image 6-99
frame blanking
egalisation
HI
video signal
HI AGC Hold interval
The Comb filter is by default enabled.
The AGC hold interval is the time interval in which the AGC is inhibited (AGC hold = no update in video amplitude measurement), the advanced parameter allows to choose a short or long hold interval.
®
A long AGC hold interval eliminates Macrovision probability to encounter a Macrovision
®
pulse.
disturbances since the AGC is hold during a long interval, thus reducing the
The sync locking setting is recommended for poor video signals (ex: poor TV signals).
Sharpness adjustment can be chosen to be coarse or fine.
It is recommended to use the default values.
Advanced Data settings
The advanced button enables the advanced settings for a data source.
video in fo
b
Image 6-101
a
Hs Hs
Hs horizontal sync pulse aactivelow b active high
Image 6-100
The VCO range setting determines the frequency range of the VCO (Voltage Controlled Oscillator).
The Cpmp (Charge pump current) sets the low pass filter current.
Both VCO range & Cpmp are set by the image file, changing these settings is only indicated in for special purposes.
The horizontal sync polarity setting can be useful in case of a bad shaped edge, one can choose between the leading (active low) or trailing (active high) edge.
The input format settings are used to "tell more" about the signals connected on the BNC’s, it completes the information in the source selection menu.
- RGB is selected by default and means that an RGB signal is connected to the BNC’s
- PR/Y/PB must be selected whenever:
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a progressive signal (32 kHz frequency video signal ) is connected to the BNC’s (select the source with D ata on BNC’s in the Source selection menu).
one wants (in PiP mode) to visualize the component video signal in a Data window hereby adding a video image in the PiP layout.
-HDTV-PR/Y/PB for high definition component video signals.
It is recommended to use the default values.
6.8.4 Rename file
How to rename a file ?
1. Press MENU to activate the Tool bar
2. Press to select the Image files item
3. Press to Pull down the Image files menu
4. Use or to select Rename (image 6-102)
5. Press ENTER
A dialog box is displayed (image 6-103)
6. Use or to select the desired file
7. Press ENTER
A text box is displayed (image 6-104)
Use or →, ↓ or the numeric keys on the remote, or the keypad to edit and change the values, confirm with ENTER.
Image 6-102
Image 6-104
Image 6-103
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6.8.5 Copy
How to copy a file ?
1. Press MENU to activate the Tool bar
2. Press to select the Image files item
3. Press to Pull down the Image files menu
4. Use or to select copy (image 6-105)
5. Press ENTER
A dialogbox is displayed (image 6-106)
6. Use or to select the desired file
7. Press ENTER
A text box is displayed (image 6-107)
Use or →, ↓ or on the remote, or the keypad to enter the new name, confirm with ENTER.
Image 6-105
Image 6-106
utoImage function does not succeed in finding a file and no file is loaded (load list is empty), which
If the A means that the source is not displayed, then use the copy function: Copy a standard file (.std) which is not too different of the source to display, then edit this file to get the best image.
6
6.8.
How t
1. Press MENU to activate the Tool bar
2. Press to select the Image files item
3. Press to Pull down the Image files menu
4. Use or to select delete (image 6-108)
5. Press ENTER
te
Dele
o delete a file ?
A dialog box is displayed (image 6-109)
Image 6-107
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6. Use or to select the desired file
7. Press ENTER
The selected file is deleted and is removed from the list
Image 6-108
6. Advanced
Image 6-109
6.8.7 Forced file load
What can be done ?
ed file load allows to force or lock one particular custom file to be loaded for one particular input. This way one can guarantee
Forc that the same desired file is always used for a particular source.
For each layer (layer 1, layer 2, layer 3) we can enable or disable the forced file load. The specification for the file to be selected for each input on that layer is done via RS232.
see the RS232 User Guide for more information on the Forced file load command to be sent.
How to set a file to be loaded ?
1. Press MENU to activate the Tool bar ress to select the Image files item
2.P
3. Press to Pull down the Image files menu
4. Use or to select Forced file load
5. Press to open the menu (image 6-110)
6. Use or to select the desired layer
7. Press ENTER
ed file load is activated for this layer (this is shown with a bullet)
Forc
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6. Advanced
Image 6-110
6.9 Display Setup
Overview
Full screen representation
Startup screen
Textbox
Take screenshot
Menu bar position
Status bar position
Sliderbox position
AutoImage Setup
•Blanking
Soft Edge
6.9.1 Full screen representation
Purpose of the Full screen representation
The Full screen representation function forces to use the comple resolution of the source.
Note that the full screen representation does not preserve the aspect ratio of the source, i.e. when the aspect ratio of the active image is not the same as the projector (in this case 1920/1080 or 1.77:1), the image will end to be distorted (stretched or shrinked).
te native resolution of the LCD panels independently of the native
How to enable/disable the full screen representation ?
1. Press MENU to activate the Tool bar
2. Press to select the Display setup item
3. Press to Pull down the Display setup menu
4. Use or to select Full screen representation
5. Press to pull down the menu
6. Use or to select ON or OFF
7. Press ENTER
The full screen representation will not guarantee has to be selected.
The show native resolution function on the other hand forces to use the native resolution of the source. The Full screen representation function overrules the show native resolu tion function.
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the best image quality, therefore the Show native resolution
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