ACOUSTIC AND ELECTRICAL
PHYSICAL
Grille:
Black cloth
Dimensions:
18"h x 13"w x 9.5"d
45.72cm x 33cm x 24.13cm
Weight:
33 lbs.
15 kg
Shipping Dimensions:
26.25"h x 18.125"w x 14.5"d
66.67cm x 46cm x 36.83cm
Shipping Weight:
41 lbs.
18.40 kg
E-Trap
™
BAG END
SPECIFICATIONS
APPLICATIONS:
Recording Studios
Control Rooms
Home Theaters
The E-T
rap
™
Solution The electronic bass trap offers a
precise tool to attack the very worst problems with a high
degree of effectiveness in a fraction of the space occupied by passive bass traps. It also offers a practical low
cost solution to existing rooms where problems are present and room re-design or large passive absorbers are
not an option.
The E-Trap™can be viewed as an electronic acoustic
absorber. It incorporates a feedback control scheme into
a loudspeaker making the speaker exhibit the same
dynamics as that of a reactive absorber. It employs a
microphone, E-Trap™circuit module, tuning controls,
amplifier, speaker and the room to create a real time
active electronic acoustic feedback circuit. This active
feedback adds damping to a room mode at the tuned frequency. Because it is active it is capable of adding considerable damping to a room and still be very small in
size. The small size allows the designer to place it in
acoustically strategic locations without effecting the
rooms upper frequency characteristics and with minimal
impact to floor space and cosmetics.
The E-Trap™offers precise tunability of two well separated
target frequencies simultaneously. The frequency and
amount of damping is adjustable via controls. PC measurement software for Windows®is included with the
E-Trap™to allow the user to pinpoint the frequency that
requires damping. Once the E-Trap™is placed and tuned,
it requires no additional attention.
While not likely to replace all passive bass trap implementations, the precision, ease of tuning and small size
offered by the E-Trap™provides an additional tool to
absorb low frequencies and can provide a dramatic
improvement in the sound of the room.
E-Trap™ is a trademark of Modular Sound Systems, Inc.
Manufactured under license from Deicon, Inc.
Frequency Range:
20-65Hz
Maximum operating level:
110dB SPL
LED Green:
Power on
LED Red:
Circuit overload
Duty Cycle:
Designed for continuous
operation 24/7
Power Required:
120 VAC
(240 VAC available)
Watts - Min 24/Max 62
Neutrik Powercon mains
connector
Controls:
2 - Independent mode
damping channels
Feedback, Contour, Coarse
Frequency, Fine Frequency,
Mic Selection, On/Off
switch for each channel
BAG END Loudspeakers
22N272 Pepper Road
Lake Barrington, Illinois
60010 USA
Voice 847 382 4550
Fax 847 382 4551
www.bagend.com
Enclosure:
Consultant Version:
13-ply birch plywood
black textured paint finish
w/handle
Enclosure:
Designer Version:
Natural wood veneer over MDF
Damping Surface:
10" loudspeaker
SYSTEM COMPONENTS
CONTROLS
NOT SSHOWN:
PACKING SUSPENSION INSERT Z-655 (2)
PACKING DIE CUTINSERT Z-656 (2)
SHIPPING CARTON Z-654 (1)
PLASTIC BAG Z-626 (1)
E-Trap
™
GRILLE
BLACK CLOTH
DRIVER
EL-10
TREELOK
FASTENER
MALE
Z-203 (4)
SCREW
#10 - 24 x 1"
PHIL FILLISTER HD
Z-148 (8)
LOGO
Z-240
TREELOK FFASTENER
FEMALE Z-204 (4)
SCREW
#10-24 x 3/4"
PHIL TRUSS HD
Z-150 (4)
TRANSFORMER
Z-900
BAG END Loudspeakers 22N272 Pepper Rd. Lake Barrington, Illinois 60010 USA Phone 847 382 4550 Fax 847 382 4551
GASKET TAPE
Z-516
GASKET TAPE
Z-516
Feedback:
This controls the amount of damping effect. This can be thought of as the
gain of the feedback. Turning the control clockwise increases feedback.
(Note: feedback is how the E-Trap
™
works. This should not be confused with
instability, which is commonly called feedback in PA systems when a mic is
turned up too much. Instability occurs when there is too much feedback for
a given situation.
Contour:
This controls both feedback and the Q of the
damping effect. Turning the Contour clockwise will
increase feedback and narrow the Q. (Note:
the range of the Q is from narrow to ver y narrow.)
Frequency:
Frequency range is from 20 Her tz, fully counter
clockwise to 65 Hertz, fully clockwise.
Note: Look at the calibration on the data sheet to
approximate knob location in between 20 Hertz and 65 Hertz.
Fine Frequency:
Approximately 2 Hertz difference between fully
counter clockwise and fully clockwise
On/Off: Turns on and off damping for mode 1
On/Off: Turns on and off damping for mode 2
Switch Mic A/B:
Selects active microphone. Mic A is on the back
plate next to this switch. Mic B is on the front
plate above the speaker.
Test: No user function, for manufacturing use
Mic Out: E-Trap
™
mic out for testing
20
30
40
50
60
63
65
SCREW
#8 X 3/4"
PHIL PH SMS
Z-101 (14)
HANDLE
H-10
E-TTRAP™ELECTRONICS
MICROPHONE
Z-901
E-Trap
™
BAG END Loudspeakers 22N272 Pepper Rd. Lake Barrington, Illinois 60010 USA Phone 847 382 4550 Fax 847 382 4551
Tuning instructions for Advanced Users:
Use FFT spectrum analyzer with 1/2 Her tz resolution.
Typically 8 sample refresh rate is good for initial tuning.
Longer averages are best for final data and documentation.
Measure the magnitude of the modes of interest in various
locations in the room typically along the boundaries. To
add damping to a mode, place the E-Trap™physically in a
hi-pressure location of that mode. Locate the measurement microphone in another location of high pressure of
the same mode. Typically across the room near an opposite boundary.
To begin switch on only one mode channel of the E-Trap™.
Switch to mic "B" this is the front mic. Press the knobs
and they pop out for accessing them. After tuning carefully
press them in so they are less likely to get bumped or
turned.
Turn the "Contour" control up full to the right, turn the
feedback control up some, perhaps 1/4 to 1/2 way, tune
the coarse frequency control until you see some reduction
in the peak of the magnitude on the analyzer.
Once you get the E-Trap™in the general range then adjust
the fine frequency control. The fine frequency control
moves the tuning about 2 Hertz in its full adjustment.
Reduce the contour and adjust the feedback until you
obtain the desired amount of damping.
Too much feedback and the E-Trap™will go unstable. This
is the common sound of too much gain on a microphone in
a PA system. Turn it down. An E-Trap™will not ever give
good results at or near instability.
The contour control is a combination of "Q" and feedback.
Turning it down both reduces feedback and widens the
frequency range you can add damping to. This may assist
in reducing split mode tuning. Remember the E-Trap™is a
narrow frequency mode device. The contour control range
goes from "narrow" in the down position (left) to "ver y very
narrow" as its turned up to the right. Also turning it up
may allow more damping with less instability. (common
settings are 1/2 to full)
Sometimes when your looking for more damping it can
actually be achieved by turning down the feedback. If getting the damping your looking for seems hard, sometimes
less feedback will help rather than more. This may seem
counter intuitive.
Graphs showing E-Trap™on and off:
A concrete room known as the boathouse was chosen as
a test location because of the extreme intensity of its low
frequency standing waves. The construction is solid concrete
on 5 sides. Figures 1 and 2 show two different measurements within the boathouse.
Figure 1: The magnitude vs frequency in the boathouse
shows very strong resonant peaks. The red trace is with a
single E-Trap
™
tuned to two frequencies and turned on.
Figure 2: A test signal consisting of sine wave tones, on for
1/2 second then off for a 1/2 second, star ting at 27 Her tz,
and raising 1 Hertz each time it turns on, up to 40 Hertz,
was played in the room using a flat response Infrasub loudspeaker. The blue trace is the undamped response within
the room. The red trace is the well damped response with
the E-Trap
™
on.
blue trace
red trace
red trace
100
Amplitude (%)
-25
-50
-75
-100
75
50
25
0
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Time (sec)
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