Ayre P-5Xe Owner Manual

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Ayre P-5x
Owner’s Manual
A y r e
MC/MM Phono Preamplifier
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Table of
Contents
Welcome to Ayre . . . . . . . . . . . . . . . . . . . . . . . 2
Connections and Installation . . . . . . . . . . . . . . . . . . . . 3
Information for Customization . . . . . . . . . . . . . . . . . . 9
Numbers and Specifications . . . . . . . . . . . . . . . . . . 15
Statement of Warranty . . . . . . . . . . . . . . . . . . . . 16
A Place for Notes . . . . . . . . . . . . . . . . . . . . . . 19
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Welcome to
Ayre
Please send in your warranty
registration card so we can
stay in contact with you.
Your Ayre P-5x offers a significant advance in the musical performance of high-fidelity equipment. The warmth and immediacy of a live performance are apparent from the first listening. The combination of superb resolution and a natural, relaxed quality will draw you into the music, time and time again.
This level of performance has been implemented using the highest level of workmanship and materials. You can be assured that the Ayre P-5x will provide you a lifetime of musical enjoyment.
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Connections and
Installation
The Ayre P-5x phono preamplifier is easy to hook up and use. The following guidelines will ensure that the installation goes smoothly.
Location
It is recommended to maintain
a distance of 10" to 20"
(25 cm to 50 cm) to other
components to minimize hum
levels.
The balanced configuration
yields maximum sonic
performance with minimum
noise and hum.
A good location for your phono preamplifier is in a cabinet or on a rack or shelf. Please note that the high-gain circuitry required to amplify the low-level signal from a phono cartridge may be sensitive to the magnetic fields from transformers in other equipment.
Inputs
As the phono cartridge is an inherently balanced device, the Ayre P-5x offers balanced inputs via three-pin XLR connectors. Since most tone arms and/or turntables are not currently equipped with XLR connectors, there are two choices for making the proper connection:
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A y r e
Boulder, Colorado USA
S.N.
P-5x Phono Preamplifier
Output
Gain Settings Inside
Input
47k
100
1000
47k
1000
100
Input
BalBal
Output
UnbalUnbal
1) Use custom phono cables with XLR connectors at the phono preamplifier end and the appropriate connector (RCA or DIN, depending on the particular installation) at the turntable end. This is the preferred solution and offers the highest level of sound quality, or;
2) Use the existing cables with RCA connectors to connect to the unbalanced inputs of the P-5x.
A small toggle switch near the input connectors configures the circuit for either the balanced or unbalanced inputs.
50/60 Hertz 10 W Max
Volts
Note that the level of the
unbalanced outputs will be
6 dB lower than the balanced
outputs.
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Only one set of inputs (balanced or unbalanced) may be connected at a time.
Outputs
The Ayre P-5x offers one pair of balanced (XLR) outputs and one pair of unbalanced (RCA) outputs. Although both sets of outputs are always active regardless of which input (balanced or unbalanced) is used, it is normally recommended to only use one set of outputs at a time.
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AC Power
The phono preamplifier draws
only a small amount of power
and is designed to be left on at
all times.
Connect the Ayre P-5x to an unswitched AC power source. The front panel LED will glow blue to indicate that the unit is powered. The best sound quality is normally achieved when the P-5x is plugged directly into the wall outlet, without using any power strips or power line conditioners.
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Controls and
Operation
The Ayre P-5x offers the ultimate in flexibility and performance for all types of phono cartridges. Low-noise FET circuitry provides ultra-quiet operation even with the lowest output cartridges. Both gain and loading are easily adjustable to accommodate both moving coil and moving magnet designs.
Setting the Gain
Ayre’s exclusive zero-feedback design allows for a wide range of signal gain, without the need for step-up transformers or extra gain stages. Changing the gain is easily accomplished with jumper blocks inside the unit.
Disconnect the AC power before removing the cover of the unit.
To access the gain adjustments, remove the 10 screws on the top cover using a 5/64" (2 mm) hex wrench.
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Suggested gain settings are:
Cartridge Gain Gain to Out
Output
> 3 mV Low 50/44 dB
1 – 3 mV Med* 60/54 dB
< 1 mV High 70/64 dB
These gain settings are guidelines only. Variations from these settings are perfectly acceptable.
*Factory default setting.
Setting Bal/Unbal
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Setting the Loading
Cartridge loading can be adjusted with switches on the rear panel. The loading options built in to the
Ayre P-5x are 47 k, 1000 , and 100 . There is
a bank of two switches for each channel. When both switches are in the “Up” position the cartridge load
is 47 k, which is suitable for almost all cartridges.
It is recommended that the
loading not be changed from
47 k when using a
moving-magnet cartridge.
100 to 500 hours of music
played through the system will
ensure full break-in.
Some moving-coil cartridges will yield better sonic performance if they are loaded with a lower impedance. Usually, a lower load impedance results in a more focused soundstage, with greater image solidity and less apparent distortion. A higher load impedance will give a more “open” sound, with greater “air” and “life”. The final loading value must be chosen by ear to give the best sound in your particular system.
Break-In
Due to the manufacturing processes used for the circuit board and capacitors, a break-in period is necessary for the phono preamplifier to reach its full sonic potential.
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Information for
Customization
Technically oriented users may wish to explore additional customization options that are available when using the Ayre P-5x phono preamplifier.
Custom Loading Resistors
When using custom loading
resistors, leave the loading
switches in the “Up” position
(47 k).
Should additional loading values be desired, custom loading resistors are also easily accommodated. As there are two types of inputs (balanced and unbalanced), simply connect the desired value of loading resistor to the unused inputs using an appropriate connector (RCA or XLR).
Required materials include a pair of high-quality resistors of the desired value and an additional pair of the appropriate connectors (RCA or XLR). Male polarity connectors are required for the custom loading resistors.
When using a balanced (XLR) connection to the turntable, solder the desired value loading resistors between the center pin and the shell of the additional male RCA connectors. These additional connectors are then inserted into the otherwise
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unused unbalanced inputs of the P-5x.
When using an unbalanced (RCA) connection to the turntable, solder the custom loading resistors between pins 2 and 3 of the additional male XLR connectors. These additional connectors are then inserted into the otherwise unused balanced inputs of the P-5x.
Custom Phono Cables
As noted in the “Installation” section, a balanced connection from turntable to phono preamplifier will provide the highest level of performance. While Ayre offers pre-made cables of the correct configuration, some users will prefer to have custom phono cables made by another manufacturer, or to modify their existing cables. This section gives details on how to achieve the proper connection.
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In general, there will be a total of five connections to the turntable:
Left positive Left negative Right positive Right negative Tonearm ground
These should be connected to the phono preamplifier using only a single ground connection, in order to eliminate hum-inducing ground loops.
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Turntables with RCA Connectors
One common turntable configuration has two RCA jacks plus a ground post. Following is a schematic diagram of a suitable custom cable:
To
Turntable
Male RCA Shield
Spade Lug Spade Lug
Ground Wire
Male XLR
This configuration has two separate cables plus a ground wire, and requires balanced cabling with at least two conductors plus a shield. If the cabling has a third conductor (in addition to the shield), it should be connected to pin 1 of the XLR connector and left unconnected at the RCA end. If the cabling has four or more conductors, they should be paralleled to create two composite conductors.
1
To Phono
Preamplifier
1
Normally this turntable configuration has the RCA connectors mounted to an unsuspended part of the turntable and the cable’s stiffness will not interfere with the turntable’s suspension. Should the RCA connectors be mounted to a suspended part of the
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turntable, the custom cables must be made flexible to allow proper motion of the suspended sub-chassis. This is normally done by removing a section of the cable’s outer jacket near the turntable.
A custom phono cable using a single cable may also be used as shown below:
To
Turntable
Male RCA
Male XLR
1
Shield
To Phono
Preamplifier
1
Ground Wire
Spade LugSpade Lug
Please note that this configuration requires cabling that has a multiple of four conductors plus a shield. If there are eight or twelve conductors, they must be paralleled to create four composite conductors. Also, a short section of the cable jacket must be removed at each end of the custom cable to allow the connectors to be physically separated.
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Turntables with a DIN Connector
Another common tonearm configuration has a 5-pin DIN connector below the turntable base. This DIN
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To
Turntable
connector is nearly always on a suspended part of the turntable, and care must be taken to provide a flexible section of the custom phono cable so that the turntable’s suspension can have free motion.
It is usually easier to create the required flexibility by using a single cable with four conductors plus a shield, instead of using a separate cable for each channel. Below is the schematic diagram for a suitable custom phono cable in this application, with the DIN connector shown from the rear (solder) side:
Female DIN
Male XLR
1
Shield
To Phono
Preamplifier
1
Ground Wire
Spade Lug
Remember that a section of the cable’s outer jacket must be removed from each end of the custom cable. This provides a flexible section at the tonearm end, and allows the XLR connectors to be physically separated at the phono preamplifier end.
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In the event that a four conductor cable is not available, a pair of cables with at least two conductors each may be used as shown in the following diagram, with the DIN connector shown from the rear (solder) side:
1
1
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In this situation extra care must be taken to provide a flexible section to avoid interference with the turntable’s suspension. If the cabling has three conductors (in addition to the shield), the third conductor should be connected to pin 1 of the XLR connectors and left unconnected at the tonearm end.
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Numbers and
Specifications
Input Impedance 47 kΩ, 1000 Ω, 100
(adjustable)
Gain 50 dB, 60 dB, 70 dB – balanced outputs
44 dB, 54 dB, 64 dB – unbalanced outputs (adjustable)
Frequency Response RIAA Curve ± 0.05 dB
(20 Hz – 20 kHz)
Output Impedance 110 – balanced outputs (55 per phase)
55 – unbalanced outputs
XLR Input Polarity Pin 1 – Ground
Pin 2 – Non-inverting (Positive) Pin 3 – Inverting (Negative)
Power Consumption 10 watts
Dimensions 17-¼" W x 13-¾" D x 2-¾" H
44 cm x 35 cm x 7 cm
Weight 12 pounds
5.5 kg
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Statement of
Warranty
Please take a moment to fill
out and return the enclosed
warranty registration card.
Your Ayre P-5x phono preamplifier is warranted against defects in workmanship and materials for a period of five years from the date of purchase. This warranty is transferable to subsequent purchasers within the original five-year period. All warranty claims must be made through an authorized Ayre dealer or distributor.
Warranty Statement
1. Ayre Acoustics, Inc. (Ayre) warrants the materials and workmanship of this product for a period of five years from date of first purchase. If any defects are found in the materials or workmanship of this Ayre product within the warranty period, the unit will be repaired or replaced by Ayre or its authorized agent.
2. Purchaser must return the product, packed in the original shipping carton, freight prepaid to:
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Ayre Acoustics, Inc. 2300-B Central Avenue Boulder, Colorado 80301
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or to Ayre’s authorized agent.
3. Ayre reserves the right to inspect any product that is the subject of any warranty claim prior to repairing or replacing it. Final determination of warranty coverage lies solely with Ayre.
Out-of-warranty claims will be billed for labor, materials, return freight, and insurance as required. Any product for which a warranty claim is accepted will be returned to the purchaser and the cost of shipping and insurance will be factory prepaid within the boundaries of the USA. Units to be shipped outside of the USA will be shipped freight collect only.
4. Ayre strives to manufacture the finest possible equipment, and therefore reserves the right to make improvements on its products, without necessarily assuming an obligation to retrofit such changes upon its previously manufactured models.
5. The above warranty is the sole warranty given by Ayre, and is in lieu of all other warranties. All implied warranties, including warranties of merchantability or fitness for any particular purpose shall be strictly limited in duration to five years from the date of original purchase, and upon expiration of the warranty period (five years), Ayre shall have no further obligation of any kind, whether express or implied. Further, Ayre shall in no event be obligated for any incidental or consequential damages as a result of any defect or any warranty claim, whether express or implied.
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6. Ayre does not authorize any third party, including any dealer or sales representative to assume any liability of Ayre or make any warranty for Ayre. The unit must not have been altered or improperly serviced. The serial number on the unit must not have been altered or removed.
7. Warranty registration cards must be completed and mailed to Ayre within 30 days of purchase. Ayre may, at its option, require from the purchaser valid proof of purchase (dated copy or photocopy of dealer's original invoice).
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A Place for
Notes
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20 Revision 1.0a
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Ayre Acoustics, Inc.
2300-B Central Avenue
Boulder, Colorado 80301
www.ayre.com
+1-303-442-7300
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