Your Ayre DX-5 offers a significant advance in both
video and audio performance from all digital
formats. The excitement and dimensionality of your
favorite films are apparent from the first viewing.
Music is reproduced with the warmth and
immediacy of a live performance. The combination
of superb resolution and a natural, relaxed quality
will draw you back to your home theater and music
system, time and time again.
This degree of performance has been implemented
using the highest level of workmanship and
materials. You can be assured that the Ayre DX-5
will provide you a lifetime of enjoyment.
2
To our North American customers, please be
sure to mail your warranty registration card and
photocopy of your original sales receipt within 30
days in order to extend the warranty to five
years.
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Overview and
Introduction
The Ayre DX-5 is a unique universal audio/video
engine that serves as the central source component
for all of your digital media. It plays all currently
available video optical disc formats (including
Blu-ray and DVD-Video), providing reference-level
picture quality for your home theater. The DX-5
also plays all currently available audio optical disc
formats (including CD, SACD, and DVD-Audio)
with unsurpassed audio quality.
To provide the highest level of performance, the
video and audio sections are totally separate. A bank
of opto-isolators provides electrical isolation
between the two sections of the player.
In addition, the DX-5 also connects to your personal
computer (using either Windows, Mac OS X, or
Linux) via the ubiquitous USB port to create a true
high-performance music server. As digital
downloads continue to grow in popularity, this
feature will become more valuable as time goes on.
The DX-5 generates a fixed-frequency master audio
clock and requests the data from the computer at
the correct time for jitter-free playback of your
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music. The DX-5 also utilizes opto-isolators to
provide total electrical isolation for the connections
between your computer and music system. This
minimizes the introduction of unwanted
radio-frequency interference (RFI), generated by all
computers.
Avoiding the use of wireless networks (e.g.,
Wi-Fi), by employing wired connections instead,
will reduce RFI levels in your home and results in
improved sound quality for any music system.
The Ayre DX-5 A/V Engine serves as the central
source component for most systems. It plays back
virtually all digital formats, both video and audio,
and it also provides a connection to provide the full
advantages of computer-based audio playback.
Thanks to its advanced technological features the
DX-5 will extract the full measure of performance
from all digital video and audio formats,
maximizing your enjoyment both now and into the
future.
Quick Start
The Ayre DX-5 is extremely flexible and versatile.
However, many of the features are primarily of
interest to the advanced user.
The information required to get started is
contained in the first three chapters of this
manual.
The remaining chapters cover additional
information that may be read at your leisure.
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Connections and
Installation
The Ayre DX-5 is a universal audio/video engine. It
may be connected to any video display with an
HDMI input, any audio system either with HDMI
or analog inputs, and any personal computer with a
USB output. It is easy to hook up and use. The
following guidelines will ensure that the installation
goes smoothly.
Location
The infrared beam of the
remote control will also travel
through glass.
A good location for your DX-5 is at an easily
accessible height in an open-backed cabinet or on a
shelf. The receiver for the infrared remote control is
mounted behind the small lens to the left of the
display. A direct line of sight from the listening
position will ensure the maximum range.
Video Outputs
Your Ayre DX-5 is equipped with an HDMI A/V
Output that supplies both high-resolution video
and multi-channel audio on the same cable.
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While the HDMI A/V Output also includes the
audio, the best performance for both video and
audio is achieved by using separate connections
for both the video and audio signals.
Video switchers and/or scalers
may compromise the signal
integrity unless executed at the
absolute highest standards.
It is recommended to connect the HDMI A/V
Output directly to your display device and connect
one (or both) of the dedicated audio outputs to your
audio system (multi-channel HDMI Audio Output
or two-channel Analog Audio Output).
There is also an analog Composite Video Output
for troubleshooting purposes. It is not
recommended to use the Composite Video
Output as the normal connection, because it only
provides a standard definition video signal.
Audio Outputs
The DX-5 has multiple audio outputs to allow
connection with a wide variety of music systems.
However, one of two main outputs should be used
whenever possible:
•
Analog Audio Output – for two-channel
playback.
6
•
HDMI Audio Output – for multi-channel
playback.
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Isolation of Audio and Video
Any audio/video system will
achieve the best performance
when the video system is
electrically isolated from the
audio system.
The entire audio section of the DX-5 is completely
isolated from the video section via opto-isolators
that provide total galvanic isolation. This is unusual
and will require some extra effort to maintain this
isolation when also using other video sources.
For the best performance, all other video sources
should link to the audio system with an electrically
isolated connection to maintain isolation between
the video and audio systems. One simple and
effective method is to use the optical digital
output of other video sources. Coaxial digital
outputs can provide isolation if a transformer is in
the signal path. If you are unsure if your
equipment has built-in digital audio transformers,
external transformers are available. To isolate an
analog audio connection, the best solution is to
use high-quality transformers. Jensen
Transformers offers both digital and analog
isolation transformers.
Two-Channel Systems
For over 50 years, the vast majority of music has
been recorded in two-channel stereo, thus the DX-5
includes two ultra-high quality audio
digital-to-analog converters. The stereo Analog
Audio Outputs will play all sources at their absolute
highest quality, including all two-channel optical
discs as well as the USB input for computer audio.
In addition, the stereo Analog Audio Outputs will
play a two-channel mixdown of multi-channel
sources, including both movie soundtracks and
musical discs. This allows the Analog Audio
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Outputs to provide a rich and fulfilling sonic
experience for movies as well as music. If you have a
two-channel audio system, simply connect the
Analog Audio Outputs to your preamplifier and you
can enjoy all of your sources, both music and
movies.
Multi-channel SACDs may not be downmixed.
However, they nearly always contain a separate
two-channel playback area.
The Ayre DX-5 offers both balanced and
single-ended outputs. Balanced connections are
made via three-pin XLR connectors, while
single-ended connections are made via RCA
connectors.
When you have a choice, a balanced connection
will offer slightly higher sound quality than a
single-ended connection.
Multi-Channel Systems
The HDMI Audio Output
must also supply a video
signal for proper operation. It
simply sends a gray screen at
720p for full compatibility.
8
Multi-channel audio is provided at full resolution
via the HDMI connection. Please note that there are
two HDMI connectors on the DX-5. One is labeled
“HDMI Audio Output” and provides higher quality
audio than the HDMI A/V Output that also
supplies the video signal.
The HDMI Audio Output transmits LPCM (or
optionally, DSD in the case of SACDs). All
compressed formats from Dolby and DTS are
decompressed by the player before transmission.
Simply connect the HDMI Audio Output to your
surround-sound processor to enjoy multi-channel
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movie soundtracks and music sources. The Analog
Audio Outputs may also be connected to your
system at the same time as the HDMI Audio
Output, either directly to the surround-sound
processor or through a stereo preamplifier with a
pass-through function.
Note that both the Analog Audio Outputs and
the Digital Audio Output are disabled and the
status LED glows orange when the HDMI Audio
Output is connected to a selected (active) HDMI
input on your surround-sound processor (SSP).
The disabled outputs will be re-activated when the
SSP input connected to the HDMI Audio Output
is de-selected (de-activated).
The Ayre DX-5 also supports “Audio Rate Control”
(ARC), which allows the master audio clock in your
surround-sound processor to be the main clock in
your audio system for the lowest jitter possible in a
multi-channel system. (The Analog Audio Outputs
provide the lowest possible jitter in a two-channel
system.) The DX-5 will lock onto this clock and
adjust the rate of its playback to ensure perfect
synchronization, and the status LED glows violet.
An adapter is available from
your Ayre dealer should you
need to connect the Digital
Audio Output to an S/PDIF
input that uses an RCA
connector.
AES/EBU Digital Audio Output
The Ayre DX-5 also features a balanced AES/EBU
(S/PDIF) digital audio output. This connection is
limited to lower-quality compressed formats such as
Dolby Digital and DTS. However, it can provide
multi-channel audio to older equipment that lacks
an HDMI input for audio. The HDMI Audio
Output should be used whenever possible for
multi-channel audio.
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USB Input
The USB input allows the DX-5 to be connected to
a personal computer for use as a state-of-the-art
music server. The input uses the squarish USB “B”
type connector designed for computer peripheral
devices. The rectangular “A” type connector at the
other end of the cable is designed to plug directly
into the computer itself.
Music input at the USB Audio Input will not be
output by either HDMI connector. Only the
Analog Audio Outputs will deliver music sent to
the USB Audio Input.
The USB 2.0 standard specifies a maximum cable
length of 16 feet (5 meters). It is not recommended
to use extenders or hubs with the QB-9. Fiber optic
USB cables can be longer, but are relatively
expensive.
10
AyreLink Ports
The AyreLink communication system provides a
convenient way to control your audio system. There
are two AyreLink ports on the rear panel of the
DX-5. Each port has four contacts and contains both
an input and an output. Both ports function
identically and may be used interchangeably.
AyreLink connections are made with commonly
available two-line telephone line cords using
modular (RJ-11) connectors. (These are the cords
that connect the telephone set to the wall in many
Page 13
countries.) They are readily available in different
lengths and various colors at most electronics stores.
Be sure to use two-line telephone
cords to make AyreLink connections.
These can be identified by the four
gold contacts on each connector.
Single-line cords with only two gold
contacts will not function in this
application.
The linked components may be
joined in any convenient
order.
The linked components should be connected in
daisy-chain fashion, connecting each component to
another until all of the linked components have
been connected.
When connecting the linked
components to form a chain, be careful
not to connect the two ends of the
chain. Closing the chain to form a loop
will cause the AyreLink system not to
function.
Ethernet LAN Connection
On the rear panel of the DX-5 is an RJ-45 jack for
an optional connection to the internet. This
connection will allow for two functions:
•
BD Live – Some newer Blu-ray titles include a
feature called “BD Live”. This allows an
internet-connected player to access additional
content such as commentaries and games.
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Firmware update – Periodically Ayre may offer
•
updates to the firmware of the DX-5 that will
offer additional features. While there are several
methods for updating the firmware, perhaps the
easiest is to use an internet connection.
AC Power
The DX-5 may be plugged directly into an
unswitched wall outlet. Although proprietary RFI
(radio-frequency interference) filtering is built into
the universal A/V engine, in some situations an AC
power-line filter (such as those offered by Ayre) may
provide additional sonic benefits.
As virtually all computers use switch-mode power
supplies that introduce unwanted RFI on the AC
power line, it may be beneficial to use an AC power
line filter for the computer and its accessories (e.g.,
display monitor), many of which also utilize
switch-mode power supplies.
Playing the unit for 100 to
500 hours will ensure full
break-in.
12
Break-In
Due to the manufacturing processes used for the
printed circuit boards, wires, and capacitors, a
break-in period is necessary for the player to reach
its full performance potential.
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Setup and
Configuration
Once you have connected the Ayre DX-5 to your
home theater system, you will need to configure it
to ensure compatibility with your display. There is
an extensive set of options as detailed in the chapter
“On-Screen Setup Menu”. To simplify the setup
process, nearly all of the options have been
pre-selected at the factory. However, a few settings
may need to be changed to match your system.
Video Setup
With the DX-5 connected to your video display and
powered on, press the “Setup” button on the remote
control handset (just above the “Red” button). This
will access the On-Screen Setup Menu. Use the
“Up/Down” arrow buttons to navigate to the
Video Setup menu item. Press the “Enter” button to
select the menu items and then once again use the
“Up/Down” arrow buttons to select the desired
option.
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16:9 Display
4:3 Display
TV Aspect Ratio
The Ayre DX-5 comes from the factory
pre-configured for proper operation with a
“widescreen” (16:9). This will work for the vast
majority of systems. However if you have an older
“standard” (4:3) display, you will need to change the
menu item TV Aspect Ratio.
Use the “Up/Down” arrow buttons to select the
proper menu item and the press “Enter”. Use the
“Up/Down” arrow buttons to select 4:3 Letterbox
and then press “Enter”. If you have inadvertently
changed the setting, the correct selection for a
“widescreen” display is 16:9 Wide/Auto.
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TV System
Around the world, there are two main video
standards in use, NTSC (North America and Japan)
and PAL (Europe, Asia, South America, and Africa).
The Ayre DX-5 can work perfectly well with either
system. From the factory the unit is set up to play
both types of discs (NTSC and PAL) in their native
format.
If your display accommodates both standards, you
need not change this setting. Similarly, if you only
play discs purchased from the same area as your
display, this setting will work well.
However, if you have purchased discs from other
parts of the world and your display only supports
one video standard, then you will need to change
the TV System setting to match your display.
Scroll down to the menu item TV System and press
“Enter”. Select the video standard (PAL/NTSC) to
match your display. The options are:
•
Multi-system (default) – No system conversion is
performed. The output video system is the same
as that encoded on the disc. Requires a TV that
supports both NTSC and PAL systems.
•
NTSC – When playing NTSC-encoded discs, no
system conversion is performed. PAL-encoded
content is converted to NTSC output.
•
PAL – When playing PAL-encoded discs, no
system conversion is performed. NTSC encoded
content is converted to PAL output.
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Output Resolution
Not only does the Ayre DX-5 Digital A/V Engine
play high-definition Blu-ray discs, but it also has a
world-class scaling engine that up-converts standard
definition video stored on DVD discs. The
sophisticated video processor ensures that the video
will have the best possible color, detail and motion.
The player offers several video output resolutions.
To achieve the best visual result, it is important to
select the output resolution that best matches your
display device. The rule of thumb when selecting an
output resolution is to match the “native resolution”
of your display.
The default setting from the factory is Auto. This
selection allows the display to communicate with
the player in order to establish the best resolution. If
there is difficulty with this setting, or if you wish to
select the resolution manually, use the “Up/Down”
arrow buttons to select Output Resolution and then
press “Enter”.
16
For the latest generation of 1080p, “Full HD” or
“True HD” displays, the best output resolution will
be 1080p. (A few early model 1080p displays do
not accept 1080p signal. For these displays the best
output resolution to use is 1080i.) For all other
digital televisions this will likely be 720p. For CRT
tube or rear projection televisions this will likely be
1080i. These are general recommendations that
work for most users, but there can be exceptions.
Consult the owner’s manual for your display.
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The DX-5 also supports a special “Source Direct”
output resolution. This resolution is only
recommended for use with high-performance
external video processors. In “Source Direct” mode,
the player works as a “transport”. It decodes video
from the discs and then sends the raw video signal
in its native resolution and format, without extra
processing, to the external video processor.
Beyond the Initial Setup
If your system requires a special setup configuration,
additional advanced details are given in various
chapters, including “On-Screen Setup Menu” and
“Optimization and Customization”. The Ayre DX-5
offers many specific features that may increase the
ease of operation in your audio/video system.
Configuring the Computer
You will also need to set up your personal computer
to act as a music server, using the USB Audio Input
on the DX-5. There are a variety of software music
players that are well suited for the job.
No matter what operating system (OS) your
computer uses — Apple, Windows, or Linux —
you’ll need to set up your computer to perform
several different tasks:
•
Transferring music to your computer’s hard
drive, either by converting the files from your
CD collection, commonly called “ripping”, or
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by purchasing files that are downloaded via the
internet.
Labeling the files you have transferred with the
•
names of the song, artist, album, et cetera,
commonly called “tagging”. (Downloaded files
will normally already have the “tags” included.)
Using a music player program to organize your
•
music collection and play it back.
Optionally record music selections back onto
•
CDs for playback in your car or other places,
commonly called “burning”.
Optionally transfer part of your music collection
•
to a portable music player.
A few programs can perform all of these functions,
for example iTunes (Apple and Windows), J.River
Media Center (Windows), and Windows Media
Player (Windows). Some users will prefer to use a
combination of other specialized programs to
perform these functions.
18
An introductory guide to setting up your computer
is available at the Ayre website at:
www.ayre.com/usb.htm
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Controls and
Operation
The Ayre DX-5 may be controlled using either the
front panel buttons or the remote control handset.
Basic functions are available at both locations.
Additional functions are available only at the remote
control handset.
This chapter is divided into three sections:
•
Basic Functions
•
USB Computer Audio
•
Media File Playback
There also many other sophisticated functions
available for the advanced user. These are described
in a separate chapter, “Advanced Features” (page
39).
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Status LED
There is a status LED on the front panel to the
lower-left of the control ring. It changes color to
indicate various states of the DX-5 as follows:
•
Blue = Display Off (see page 54)
•
Green = Pure Audio (see page 46)
•
Red = LFE Mixdown (see page 47)
•
Orange = HDMI Audio Active (see page 9)
•
Violet = HDMI Audio with ARC (see page 9)
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Basic Functions
While the remote control handset has a multitude
of functions, only a few of them are commonly used.
These basic functions apply to all optical discs,
including Blu-ray discs (BDs), DVDs,
DVD-Audios, SACDs, and CDs. Details on the
remaining functions may be found in a separate
chapter, “Advanced Features” (page 39).
Standby/Operate
The “Standby/Operate” button toggles the unit
between normal operation and standby mode. When
in standby mode, the LED in the front-panel
“Standby” button is green and all critical circuitry
remains powered. This ensures optimal performance
with a minimum of warm-up time.
Please note that the “Power” button on the
remote control corresponds to the
“Standby/Operate” function on the DX-5.
22
Open/Close
The “Open/Close” button opens and closes the disc
tray. An open tray may also be closed by pressing
gently on the front edge of the tray. When the tray
is closed, most video discs will automatically begin
playing. The behavior of CDs and SACDs when
closing the tray is determined by the On-Screen
Setup Menu (page 61).
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Play
Pressing the “Play” button initiates playback of the
disc. If the drawer is open, pressing “Play” will also
close the drawer.
Pause
Pressing the “Pause” button will pause the disc
playback. Playback may be resumed either by
pressing the “Pause” button again or the “Play”
button.
Stop
Pressing the “Stop” button will stop disc playback.
However the position is memorized and the video
display shows “Press PLAY to continue.” Press “Play” to
start from the memorized position, or press “Stop” a
second time to clear the memorized position.
For more information on the “Memory Resume”
feature, please refer to page 50.
Previous
Pressing the “Previous” button will back up to the
start of the current chapter or track. Additional
presses will move to previous chapters or tracks.
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Next
Pressing the “Next” button will move to the start of
the next chapter or track. Additional presses will
move to subsequent chapters or tracks.
Reverse Scan
The “Reverse Scan” mode scans backward through
the disc. Each button press increases the scan speed
until it returns to the normal playing speed as
shown at the diagram. Pressing “Play” will also
restore normal playback speed.
Forward Scan
The “Forward Scan” mode scans forward through
the disc. Each button press increases the scan speed
until it returns to the normal playing speed as
shown at the diagram. Pressing “Play” will also
restore normal playback speed.
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Cursor Buttons
Nearly all video discs feature on-screen menus to
access the various features found on the disc. These
menus use a highlighted cursor that is controlled by
using the “Cursor” buttons on the remote control
handset. When the desired selection is highlighted,
press the “Enter” button.
The cursor buttons are also used to navigate the
“On-Screen Setup Menu”. For additional
information, please refer to page 58.
Please note that the front panel control rings may
also be used to navigate on-screen menus. The
“Previous” and “Next” buttons correspond to
“Left” and “Right”. The “Pause” button
corresponds to “Up”, while the “Stop” button
corresponds to”Down”. Finally, the “Play” button
corresponds to the “Enter” function.
Menu Buttons
The on-screen menus found on nearly all video discs
will normally automatically display upon loading
the disc.
Blu-ray discs usually contain a Top Menu and a
Pop-Up Menu. The Top Menu normally appears at
the beginning of the playback, after the previews
and copyright messages. The Pop-Up Menu can be
accessed during the movie without interrupting
playback. Some menus make use of the “Color”
buttons. You can select menu functions by pressing
the corresponding “Color” button on the remote
control.
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Most DVD discs use a chapter menu for navigation.
Press the “Pop-Up Menu” button to display the
chapter menu. Some DVD discs may contain a title
menu, usually in addition to the chapter menu.
During playback, press the “Top Menu” button to
return to the disc title menu.
Number Buttons
During the playback of a disc, you can use the
“Number” buttons on the remote control to directly
jump to a specified chapter or track number.
To enter a number greater than “9”, simply press
the desired number buttons in order. For
example, to enter “23”, first press “2”, then “3”.
Audio
Most video discs and some audio discs have multiple
soundtracks. These usually these offer choices of
different languages, although some discs will have a
choice of different encoding schemes (e.g., Dolby
Digital or PCM). You can select a preferred
language that will automatically play using the
On-Screen Setup Menus (page 56), or you can scroll
through the available soundtrack choices using the
“Audio” button on the remote control.
26
Subtitle
Many video discs offer a choice of subtitles. You can
select a preferred language that will automatically
display using the On-Screen Setup Menus (page 56),
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or you can scroll through the available subtitle
choices, or turn the subtitles off completely, using
the “Subtitle” button on the remote control.
Pressing the “Subtitle” button once displays the
current setting. Additional presses will scroll
through the available choices.
Repeat
To repeat a certain chapter, title, track or disc, press
the “Repeat” button on the remote control. Each
press of the “Repeat” button switches the repeat
mode in the following sequence:
DVD and DVD-Audio
•
•
Blu-ray
•
CD and SACD
Selecting a Repeat mode cancels any Shuffle or
Random mode you may be using.
Shuffle and Random
When playing a CD or SACD, press the “Blue”
button on the remote control to activate the Shuffle
and Random modes. Each press of the “Blue” button
switches the playback mode in the following
sequence:
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In normal playback mode, each track is played back
in sequential order. The Random playback mode
randomly selects a track to play. The Shuffle mode
also plays back the tracks in random order, but it
ensures that each track is played only once.
Selecting the Shuffle or Random mode cancels any
Repeat mode you may be using.
DVD Quick-Start
When watching a DVD, the “Yellow” button allows
you to skip any previews or other material before the
beginning of the film. Simply load the disc in the
open tray and press the “Yellow” button to begin
play.
Light
When any button is pressed on the remote control,
the backlight will illuminate the buttons with a soft
amber glow for a few seconds. Conveniently placed
in the lower right corner, the “Light” button allows
you to turn the backlight on without activating any
functions on the DX-5.
28
If the front-panel display is off, pressing the
“Light” button will momentarily turn the display
on.
Bass on Multi-Channel Discs
If you are playing a multi-channel disc using the
HDMI Audio Output and the sound quality has
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poor bass response, be sure that the “Speaker
Configuration” settings are correct as explained on
page 86.
If a multi-channel disc played through the
two-channel Analog Audio Outputs has poor bass
response, first check the “Speaker Configuration”
settings and then try the “LFE Downmix ” mode as
explained on page 47. This will correct for
improperly authored multi-channel discs.
USB Computer Audio
The DX-5 can be connected to any modern personal
computer to create a powerful, flexible
state-of-the-art music server. Connect and configure
your computer as explained in the previous chapters.
When the DX-5 receives an active signal at the USB
Audio Input, all of the disc playing functions will
shut down, including both HDMI outputs. The
audio will be routed to the analog audio outputs.
Simply play your favorite songs on your computer
using your favorite software music player. The audio
will be routed through the DX-5 to your stereo
system.
When receiving a USB signal, the front panel
display will read “USB” along with the sample
rate in kHz.
When the DX-5 Universal A/V Engine stops
receiving a valid USB audio signal, it will simply
switch “Off” completely.
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Media File Playback
In addition to playing standard disc-based formats
such as Blu-ray disc, DVD, CD, and SACD, the
Ayre DX-5 Universal A/V Engine can play media
files. You can enjoy digital music, movies and
photos stored on an optical disc (recordable CD or
DVD) or a USB drive. Due to the variation of
media, encoding software and techniques used,
compatibility cannot be guaranteed for all
user-created or downloaded contents. Support for
such content is on a best-effort basis.
Playback from a USB Drive
The Ayre DX-5 is equipped with two USB host
ports, one on the front panel and the other on the
back. You may use either to plug in a USB drive
stored with digital music, movie and photo files.
30
The USB host ports are rated to
provide a maximum of 5V, 500mA
power to the USB drive. This is
sufficient for all USB thumb drives
and flash memory card readers, but
may not be sufficient for USB hard
disks. It is recommended that you use
a USB hard disk with an external
power supply to avoid damage to the
USB host ports.
This unit supports “USB Mass Storage Class
Bulk-Only Transport” devices only. Most USB
thumbs drives, portable hard disk drives and card
readers conform to this device class. Other USB
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devices such as MP3 players, digital cameras, and
mobile phones may not be compatible.
Supported USB drives must be formatted with
the FAT (File Allocation Table) or FAT32 file
system. Drives formatted with the NTFS or HFS
Plus file systems are not supported.
In some cases, an incompatible USB device may
cause the player to stop responding. If this occurs
simply turn off the power, remove the USB
device, and turn the player back on.
The player accesses the USB drive in read-only
mode. In order to minimize the risk of data
corruption, it is recommended that you only
unplug the USB device when playback is
completely stopped.
The Home Menu
When a USB drive or an optical disc with media
files is inserted, the player presents a “Home Menu”
to assist you in navigating and playing the files.
You can also bring up the “Home Menu” with the
“Home” button on the remote control. The “Home
Menu” is the starting point for accessing media files.
There are four selections in the “Home Menu”.
Depending on what type of media files that you
intend to play, you can choose among the “Music,”
“Movie”, and “Photo” categories. The “Setup Menu”
selection will bring you to the player’s Setup Menu
just like pressing the “Setup” button on the remote
control.
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Playing Music Files
To play digital music files stored on an optical disc
or USB drive, select “Music” from the “Home
Menu”. A file browser will appear to assist you in
navigating the files and folders. The first step is to
select the “Data Disc” or USB device that contains
the music files. The player will read the disc and list
the folders and music files. In the music browser,
you can perform the following operations:
Press the “Up/Down” arrow or “Page
•
Up/Down” buttons to move the cursor.
When a music file is highlighted by the cursor,
•
press the “Enter” or “Play” button to start
playback.
• Press the “Green” button to add the currently
highlighted music file to the Playlist. A green
check mark will appear in front of the file name,
and the Playlist count in the lower left corner of
the screen will increase by one.
32
•
Press the “Left” arrow button to move the cursor
to the Selection Menu in the lower left corner of
the screen. This menu contains the following
choices:
•
All Music – List all music files in a flat view without
any directory structure.
•
Playlist – List only music files added to the Playlist.
•
Browser – List folders and music files according to
the directory structure on the disc or USB drive.
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Now Playing – Show the status of the currently
•
playing music file.
Press the “Right” arrow button to move the
•
cursor back to the file listing.
If a music file starts playing and there is no
•
other user operation, the “Now Playing” screen
will appear after a few seconds. You can also get
to this screen using the “Now Playing” menu.
This screen can show the following information:
Playback status: “Play”, “Stop”, “Pause”.
•
Playback mode: “Shuffle”, “Random”,
•
“Repeat One”, “Repeat All”.
• Playback progress: “Track” and “Time”.
• Other embedded information: If the music file
contains supported album art image and tags,
those will be displayed.
•
The following operations are available while the
“Now Playing” screen is shown:
•
Normal playback control: “Play”, “Stop”,
“Pause”, “Prev/Next”, “Rev”, and “Fwd”
buttons.
•
Special playback modes: “Repeat” button and
“Shuffle/Random” button (”Blue” button)
•
Return to the Browser without stopping the
music: “Return” button.
•
Stop playback and return to the Browser: Press
the “Stop” button twice.
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Playing Movie Files
To play movie files stored on an optical disc or USB
drive, select “Movie” from the “Home Menu”. A file
browser will appear to assist you in navigating the
files and folders.
The first step is to select the “Data Disc” or USB
device that contains the movie files. The player will
take a moment to read the disc and list the folders
and movie files. In the movie browser, you can
perform the following operations:
Press the “Up/Down” arrow or “Page
•
Up/Down” buttons to move the cursor and
select movie files.
• When a movie file is highlighted by the cursor,
press the “Enter” or “Play” button to start
playback.
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Once a movie file starts playing, the normal
playback control functions are available. To stop the
movie and return to the file browser, press the
“Stop” button twice. You can also press the “Home”
button at any time to get back to the “Home
Menu”.
Viewing Photo Files
To view digital photo files stored on an optical disc
or USB drive, select “Photo” from the “Home
Menu”. A file browser will appear to assist you in
navigate the files and folders.
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The first step is to select the “Data Disc” or USB
device that contains the photo files. The player will
take a moment to read the disc and list the folders
and photo files. In the photo browser, you can
perform the following operations:
Press the “Up/Down” arrow or “Page
•
Up/Down” buttons to move the cursor and
select photo files.
When a photo file is highlighted by the cursor,
•
press the “Enter” or “Play” button to start
playback in a full screen slideshow fashion.
If you choose to start a photo slideshow (automatic
viewing of all photos in a folder), the following
operations are available:
•
Show the help screen: “Display” button.
•
Normal playback control: “Play”, “Stop”,
“Pause”, “Prev/Next” buttons.
•
Adjust slideshow speed: “Rev” and “Fwd”
buttons.
•
Zoom: “Zoom” button. Once in “Zoom” mode
the arrow buttons can be used to pan the photo.
•
Reflect (flip the photo along its horizontal axis
to make it upside-down): “Up” arrow.
•
Mirror (flip the photo along its vertical axis to
make it a mirror image): “Down” arrow.
•
Rotate left (counterclockwise): “Left” arrow.
•
Rotate right (clockwise): “Right” arrow.
•
Repeat: “Repeat” button.
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Show photos in “Digest” mode: “Red” button.
•
The “Digest” mode shows nine photo
thumbnails in a screen to make visual
navigation easy.
Show EXIF information: “Green” button.
•
Play in random sequence: “Blue” button.
•
Change slideshow transition effect: “Yellow”
•
button.
Adding Background Music
You can add background music to the photo
slideshow. To do so, you will need to prepare some
digital music files. The music files can be stored on
the same disk as the photos, or on a different USB
drive. Start music playback first by selecting
“Music” from the home menu. Once the music is
playing, press the “Home” button to get back to the
home menu, and start the photo slideshow by
selecting “Photo” in the usual manner.
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Optimization and
Customization
The Ayre DX-5 offers many advanced features. It is
configured at the factory to provide the best
performance for a typical installation. In certain
situations you may wish to change the default
configuration for optimal performance in your
system, using small toggle switches on the rear of
the unit.
The default configuration settings (all switches in
the “up” position) will work best for the vast
majority of users.
Digital Audio Output
An adapter is available from
Ayre should you need to
connect the digital output to a
device with an S/PDIF input
that uses an RCA connector.
The Ayre DX-5 features a balanced AES/EBU
Digital Audio Output on the rear of the unit. This
may be used when connecting to an older
surround-sound processor that lacks an HDMI
input.
The Digital Audio Output is only active with PCM
or compressed PCM (Dolby Digital or DTS)
based discs. It is inactive when playing SACDs.
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A switch on the rear panel allows the Digital Audio
Output to be turned off if its use is not required.
Turning the Digital Audio Output “off” when not
using it will result in slightly higher sound quality
through the analog outputs.
Digital Filter
The digital filter of the Ayre DX-5 features two
user-selectable algorithms. A selector switch is
located on the rear panel. One algorithm produces
greater accuracy in the time domain and is labeled
“Listen”. The other algorithm produces greater
accuracy in the frequency domain and is labeled
“Measure”.
Normally the selector switch is set to the “Listen”
position when listening to music. However some
listeners may prefer the additional high-frequency
energy provided by the “Measure” position.
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This switch only affects the Analog Audio Outputs,
and not the Digital Audio Output or either of the
HDMI outputs.
USB Audio Input Speed
For USB Audio, there are two speeds at which the
connection to the computer may operate. The first is
known as “Class 1 Audio” and is supported by all
operating systems (e.g., Windows, Mac OS X,
Linux, et cetera). Class 1 Audio uses the “Full
Speed” mode of USB and is capable of transporting
all sample rates up to 96 kHz. Select Class 1 Audio
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by setting the switch to “Rsrv A”.
Setting the switch to “Rsrv B” selects “Class 2
Audio”, which uses the USB “High Speed” mode to
transport data at higher rates. Beginning with
version 10.6 (Snow Leopard), Mac OS X supported
Class 2 Audio. The current version is only qualified
at audio speeds up to 96 kHz, so there is no
advantage over Class 1 Audio at the present time.
However, future versions of Mac OS X will support
sample rates up to 192 kHz.
When those improved operating systems are
installed on your computer, set the switch to
“Rsrv B” to enable Class 2 Audio. At that time you
will be able to enjoy music at all sampling rates.
Remote Code
The remote control supports three remote codes.
The default is “Code 1”. Some other products may
inadvertently respond to the DX-5 remote control.
In this case you can select a different remote code to
avoid conflicts.
To select a new remote code, open the battery
compartment cover of the remote control, and then
use a ball point pen to flip the switch to one of the
positions marked as “1”, “2”, or “3”. Close the
battery compartment cover. Make sure that the
DX-5 is turned on and the disc tray is ejected. Aim
the remote control at the player. Press and hold the
“Enter” button for 5 seconds. The player will start
using the new remote code.
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About
4:3 Display
Aspect Ratios
The term “aspect ratio” simply refers to the ratio of
the picture’s width to its height. Nonetheless there
is some room for confusion, as the original film, the
the picture transferred to the disc, and the display
itself each have their own aspect ratio. Most viewers
prefer to see the film in its original aspect ratio,
which preserves the director’s intention for the
visual composition of the film and is made easy with
the Ayre DX-5 Digital A/V Engine.
Aspect Ratios of Video Displays
Originally video displays were created with a 4:3
aspect ratio, mimicking the original aspect ratio
used in films. These types of displays are less
commonly available today, and are often referred to
as “standard” displays.
16:9 Display
40
Most modern displays now use a 16:9 aspect ratio
and are referred to as “widescreen” displays.
Widescreen displays are highly preferred for
displaying the wide aspect ratio movies that have
been commonly made for the last 40 years.
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The aspect ratios of video displays are usually given
as a ratio of integers. However as noted below, the
aspect ratios of films are usually normalized to one.
To make comparisons between video displays and
films easier, the ratios for displays can also be
normalized to one. Hence 16:9 becomes 1.78:1 and
4:3 becomes 1.33:1.
Aspect Ratios of Films
Nearly all films made from the 1920s through the
early 1950s used an aspect ratio of 1.37:1. To
compete against the threat of television, movie
studios began adding features such as color and a
wider (larger) picture.
Now nearly all films are made in a widescreen
format. The most commonly used aspect ratios
today are 1.85:1 and 2.35:1. This wider picture
allows for more dramatic and creative visual
compositions.
Matching Film to Display
When the aspect ratio of the film closely matches
the aspect ratio of the display, the film can easily be
viewed as the director intended. This happens when
watching a 1.37:1 film on a 1.33:1 standard video
display or when watching a 1.85:1 film on a 1.78:1
widescreen video display, as there is only a
negligible mismatch. But when there is a significant
mismatch, some action must be taken to allow the
film to be viewed without distortion.
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Widescreen Displays
Let’s start with a widescreen movie shot in 1.85:1
and viewed on a 1.78:1 widescreen video display. In
this case virtually the entire image can be seen with
no adjustments required. The film is presented in
the same way as in a movie theater.
If we want to now watch a standard movie shot in
1.37:1, With the DX-5 TV Aspect Ratio menu set
to 16:9 Wide we run into a problem. The narrower
picture automatically fills up the screen, stretching
and distorting the image.
This is clearly unacceptable, so instead select 16:9Wide/Auto in the TV Aspect Ratio On-Screen
Setup Menu. The DX-5 adds black vertical bars on
each side of the picture. These correspond to the
movable curtains used to block part of the screen in
a movie theater and restores the correct geometry.
42
Standard Displays
When watching a standard (1.37:1) film on a
standard (1.33:1) display, we can see virtually the
full image without adjustments. Again, the film is
presented in the same way as it would be in a movie
theater.
However if we watch a widescreen (1.85:1) film, we
have a new problem. The picture will be distorted as
the wide image is squeezed to fit the standard
display.
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Again, this distorted image is unacceptable. A few
high-quality standard video displays will allow for
the vertical size of the picture to be decreased,
restoring the proper image geometry. But since
nearly all standard displays lack any type of aspect
ratio control, this capability is instead built into all
video disc players.
By selecting 4:3 Letterbox for the TV Aspect Ratio
setting in the On-Screen Setup Menu (see page 68),
when a widescreen disc is played the player will
automatically squeeze the image vertically to restore
the correct geometry while adding black bars at the
top and bottom.
Additional Factors
So far everything has been relatively
straightforward. However, there are a few more cases
to consider that introduce some complexity to the
situation.
Very Wide Films
Many films are made with aspect ratios even wider
than 1.85:1, such as 2.35:1. Even on a widescreen
(1.78:1) video display these films would be distorted
if they were simply allowed to fill the screen.
Instead thin black bars are added to the top and
bottom of the image on the disc itself when the
transfer from film to video is made.
On a widescreen display these thin black bars are
perfectly normal and there is no distortion of the
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image. On a standard display, additional black bars
will be added by the video disc player (or much less
commonly by the display itself). The end result will
be thick black bars at the top and bottom of the
screen. Again this is perfectly normal.
Pan and Scan Discs
Sometimes when a widescreen film is transferred to
video disc, only the center portion is scanned. This
process is called “pan and scan” and changes the
aspect ratio to 1.33:1, allowing for viewing on
standard displays without the use of black bars.
However this not only changes the film director’s
original visual composition, but can even lead to
critical elements being left out of the picture
entirely.
These discs are often euphemistically called
“fullscreen”. Most film enthusiasts prefer to watch
the film’s original aspect ratio and therefore avoid
these discs. As far as compatibility with either
widescreen or standard displays, pan and scan discs
will work in the same way as standard 1.37:1 films.
44
Letterboxed Discs
Since all DVD players can convert a widescreen disc
to display properly on a standard video display,
there is no technical reason to make a “letterboxed”
disc. However in the very early days of DVD, movie
studios were selling to a much smaller audience of
DVD player owners. Instead of making a new
transfer to DVD in widescreen format, to save
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money they would use an existing transfer that had
been made for the laser disc format. Since laser disc
had no provision for widescreen films, these
transfers were done in “letterboxed” format, where
the black bars at the top and bottom of the image
were added to the disc itself during the transfer
process.
These letterboxed discs will display properly on a
standard display. However, on a widescreen display
you will not only see black bars at the top and
bottom of the image from the letterboxing process
on the disc itself, but the display will add additional
black bars at the sides of the image to maintain the
correct picture geometry. The final result is a very
small picture centered on your screen.
Most widescreen displays and the Ayre DX-5 have a
“zoom” mode (see page 55) that will expand the
image in all four directions to fill the screen.
However, the picture resolution suffers as many of
the available pixels on the disc have been discarded.
Fortunately as the market for video discs have
grown, these types of discs are now rarely seen.
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Advanced
Features
The remote handset for the Ayre DX-5 Digital A/V
Engine includes many features that may be used
only occasionally or even rarely. The buttons and
their actions are described in this chapter.
Pure Audio
You can achieve higher quality audio by turning off
the video processing and output. The Pure Audio
mode reduces any potential interference between the
video and audio signals.
Since the main HDMI output
carries audio together with
video, the HDMI video signal
cannot be completely turned
off. A black screen is
transmitted instead.
46
Press the “Pure Audio” button on the remote
control to turn off video and enter Pure Audio
mode. In addition the front-panel display will be
turned off. The status LED will glow green to
indicate that the unit is in Pure Audio mode. Press
the “Pure Audio” button again to cancel Pure Audio
mode.
Pure Audio mode is automatically canceled when
the unit is switched off or when playback is
stopped.
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Mute
Press the “Mute” button on the remote control
during playback to turn off audio output. The TV
screen displays a mute icon. The front panel MUTE
indicator will also light up. Press the “Mute” button
again to resume audio output.
Volume
The volume control function on the remote control
sends commands via the AyreLink to a linked
preamplifier or integrated amplifier.
LFE Mixdown
“LFE” is short for “Low-Frequency Effects”. It is a
separate channel on a multi-channel disc, dedicated
for sound effects such as explosions in movies. In a
surround-sound system this channel is typically
directed to a dedicated sub-woofer.
When playing a multi-channel disc the two-channel
Analog Audio Outputs contains a downmix of all
channels except for the LFE channel. This is because
the LFE channel uses a different reference level and
cannot be readily mixed in with the other channels.
Normally this doesn’t pose a problem, as the only
thing missing is an occasional sound effect.
Unfortunately a handful of discs have been authored
incorrectly, and all low-frequency information from
all of the channels has been routed to the LFE
channel. Since the LFE channel is not part of the
downmix, the sound will be “thin” or “lean”.
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To address this problem, the Ayre DX-5 offers a
mode whereby the LFE channel is mixed in with the
main channels for playback through the Analog
Audio Outputs. Simply press the “Setup” button on
the remote control handset, and then the numbers
The LED indicator on the front panel will glow red
to show the “LFE Mixdown” mode is active. To exit
the “LFE Mixdown” mode, press the “Setup” button
followed by “0 - 0 - 0 - 0”.
To achieve the mixing of digital signals
of different levels, the output level is
reduced by 6 dB. This requires an
increase of the system’s volume. Do
not forget to reduce the volume before
exiting the “LFE Mixdown” mode.
The “LFE Mixdown” mode is only for those
multi-channel discs that have been improperly
authored. Do not use it for two channel discs.
48
Viewing DVD-A Pictures
Some DVD-Audio discs contain static pictures, such
as photos of the band or song lyrics. When a
DVD-Audio track is playing, you may use the “Page
Up” button to select the previous picture or the
“Page Down” button to select the next picture.
Display
During the playback of a DVD or Blu-ray disc, press
the “Display” button on the remote control to show
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status information. For CD and SACD, the status
information is shown automatically.
While the status information is shown, press the
“Page Up/Down” buttons to scroll through several
display formats. The playback time information
displayed on the front panel changes together with
the on-screen display.
Press the “Display” button again to hide the
on-screen display. The playback time information
display on the front panel will remain in the
selected format. The following display formats are
available:
DVD and Blu-ray
Title elapsed time
-Title remaining time
CD and SACD
Track elapsed time
-Track remaining time
In addition to the playback time, the on-screen
display may also contain the following information:
•
Playback status: an icon indicating play, pause,
and fast forward/reverse status.
•
Bit rate meter: an indication of the bit rate of
the audio and video stream.
•
Current and total title numbers. (video discs)
-Chapter remaining time
-Disc remaining time
Chapter elapsed time
Disc elapsed time
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Current and total title chapters. (video discs)
•
Current and total tracks. (CD and SACD)
•
Audio information: current and available
•
number of audio tracks including language,
format, and channels.
Subtitle information: current and available
•
number of subtitle tracks and language.
Video format information: encoding type, frame
•
rate and original aspect ratio.
Memory Resume
The player automatically remembers the current
position when playback is interrupted. Operations
such as “Open” or turning “Power” off will cause the
player to save the current playing position. The
position is memorized even after changing the disc.
When the next time the disc with a memorized
playing position is played back, the player will
recognize the saved playing position. Playback will
automatically resume from this saved position.
However if you wish to cancel the automatic resume
and start playback from the beginning, you may
press the “Stop” button when prompted.
50
The player can remember playback position for
up to five discs. When the sixth disc is
memorized, the oldest one is replaced.
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Return Function
When you are using on-screen menus with a DVD,
the “Return” function allows you to go back one
menu level. The “Return” function also performs
the same function when you are in a deeper level of
the On-Screen Setup Menu.
A-B Replay
To repeatedly play a specified section, please follow
these steps:
During normal playback, press the “AB Replay”
•
button at the desired beginning point (Point A)
for the repeat play. The TV screen displays “A-”.
•
When playback reaches the desired ending
point (Point B) for the repeat play, press the
“AB Replay” button again. The player now
repeatedly plays back the specified section
(A-B). The TV screen displays “A-B”.
•
Press the “AB Replay” button for the third time
to resume normal playback.
Go-To
You may quickly find a specific location on the disc
by using the “Go-To” function. The first press
brings up the on-screen display, shown here for
video discs:
Pressing the “Go-To” button on the remote control
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scrolls through the choices of searching by time,
chapter (track for audio discs), title (video discs
only), or display.
Select the desired location using the Number
Buttons or Cursor (Arrow) Buttons, and then press
“Enter”.
For video discs, when the cursor is positioned on
the Time Counter, you can use the “Page Up”
and “Page Down” buttons to toggle between Title
Time or Chapter Time. The icon to the left of the
Time Counter will change from “T” for Title Time
to “C” for Chapter Time.
Frame-by-Frame
While a DVD or Blu-ray disc is paused, press the
“Prev” or “Next” button to reverse or advance the
video frame-by-frame. Press the “Play” button to
resume normal playback.
52
Slow Playback
While a DVD or Blu-ray disc is paused, press the
“Rev” or “Fwd” button to play the video in slow
motion.
Each press of the “Rev” button switches the
playback speed in the following sequence:
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Each press of the “Fwd” button switches the
playback speed in the following sequence:
Press the “Play” button to resume normal playback.
Angle
When playing a DVD or Blu-ray disc, an angle
mark will be displayed on the screen when the
player detects scenes recorded with multiple angles:
The angle mark is also illuminated on the front
panel display.
Press the “Angle” button on the remote control to
select the desired playing angle. To resume normal
playback, repeat pressing the “Angle” button until
the default angle is displayed.
With the exception of adult entertainment titles
and a few music videos, almost no video discs use
multiple angles.
Secondary Audio and Video
Certain Blu-ray discs contain secondary video
(Picture-in-Picture, or PIP) and secondary audio.
This feature is often called BonusView. When such
a disc is played, a Picture-in-Picture mark (PIP
mark) and a Secondary Audio Program mark (SAP
mark) may be displayed on the screen to signify the
availability of the secondary audio/video content.
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The PIP and SAP marks can be turned off using
the On-Screen Setup Menu of the player.
The disc menu usually features interactive controls
to turn on/off the Picture-in-Picture video and
Secondary Audio Program. Please use those controls
to select the desired secondary audio/video content.
There is a “PIP” button on the remote control. If the
disc menu does not offer interactive
Picture-in-Picture controls, please use this button to
turn on/off Picture-in-Picture or select from
multiple secondary video programs.
There is also an “SAP” button on the remote
control. If the disc menu does not offer interactive
secondary audio controls, please use this button to
turn on/off Secondary Audio Program or select from
multiple secondary audio tracks. Secondary Audio
Programs are generally only available when
Picture-in-Picture is shown.
54
Discs may not respond to the “PIP” and “SAP”
buttons. Certain discs can override the remote
control commands.
Dimmer
The front panel display of the DX-5 has two
brightness settings, plus an “Off” position. Pressing
the “Dimmer” button will scroll through the three
choices. The status LED near the display glows blue
when the display is turned off.
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When the display is off, pressing any button will
illuminate the display for a few seconds. If the disc
is playing when the display is off, pressing “Play”
will illuminate the display without affecting
playback.
Power
In addition to the red “Power” button that toggles
the power state of the DX-5, there are also discrete
power buttons. These will not be used in normal
use, as the user can see the state of the unit at a
glance. However, they may be useful with an
aftermarket programmable remote control that can
create sequences of commands.
P/N
The “P/N” button provides a shortcut for changing
the “TV System” from PAL to NTSC to
Multi-system. Normally this setting only needs to
be changed if the display is replaced. To prevent
accidental activation, the button must be held for
five seconds with no disc playing. For more
information, please refer to “TV System” on page
69.
Resolution
The “Resolution” button provides a shortcut for
changing the “Output Resolution”. Normally this
setting only needs to be changed when the display is
replaced. For more information, please refer to
“Output Resolution” on page 70.
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Zoom
The “Zoom” button zooms in or out of the displayed
frame and also changes the aspect ratio (image
width vs. Height). To change the zoom level, press
the “Zoom” button on the remote control. Each
press of the “Zoom” button will switch the zoom
level in the following sequence:
1:1 (No zooming.)
•
The zoom level is reset to 1:1 when the disc is
ejected, or when the player is turned off.
Stretch – This zoom mode stretches and distorts
•
the image. It is not recommended except in one
specific situation.
When playing a widescreen (16:9) disc and the
player is set to 16:9 Wide/Auto, the image is
vertically stretched by 1.33 times. For movies
with 2.35:1 aspect ratio, this zoom level cuts off
the black borders at the top and bottom of the
image. This mode is only for users of projectors
with an anamorphic lens.
56
•
Full Screen – This zoom mode stretches the
image in both the horizontal and vertical
dimensions, thereby cutting off part of the
original picture. It is not recommended except
in one specific situation.
Some early DVD titles (released from 1997
until early 2000’s) use a 4:3 non-anamorphic
widescreen aspect ratio (“letterbox” format).
When the player is set to 16:9 Wide/Auto, the
content is shown in a small window with black
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borders on all four sides. The top and bottom
borders are encoded into the video. The left and
right borders are added by the player to
maintain the correct aspect ratio. For this type
of discs the “Full Screen” zoom mode can be
used to eliminate the borders.
Under Scan – The “Under Scan” zoom level
•
shrinks the image by 5%. This zoom level may
be used to compensate for displays that over
scan (typically direct-view CRTs and CRT rear
projectors), so the viewer can see the entire
image area with no cropping.
1.2, 1.3, 1.5, 2.0, ½ – These zoom levels are
•
indicated by their respective zoom ratio. There
is little practical use for these zoom levels.
Return to 1:1
•
Source
The “Source” button duplicates the function of the
“Home” button and brings up the “Home Menu”
for playback of media files. For more information,
please refer to “Media File Playback” on page 29.
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On-Screen
Setup Menu
The Ayre DX-5 has an On-Screen Setup Menu that
allow you to adjust a variety of system settings to
ensure compatibility with your system. The basic
menu items have normally already been set up with
the Video Setup (see page 13). Following is
information regarding the more detailed items for
advanced users.
To access the On-Screen Setup Menu, press the
“Setup” button located above the “Red” button on
the remote control.
Use the cursor buttons on the remote control to
navigate the On-Screen Setup Menu. Once you have
made the desired changes, press the “Setup” button
again to exit the On-Screen Setup Menu.
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If a disc is playing, some of the On-Screen Setup
Menu choices will be unavailable and greyed-out.
In this case, stop the disc before entering the
“Setup” mode.
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Navigating the On-Screen Setup Menu
After entering the On-Screen Setup Menu, you will
see that there are six main categories at the left,
along with the “Exit” choice. As you use the “Up”
and “Down” arrow buttons to navigate these Setup
Menu choices, you will see various Menu Items
appear for each choice.
If there are more Menu Items than will fit on the
screen, triangular arrow “Scroll” icons will be
displayed at the top or bottom of the Setup Menu
screen, indicating that additional choices exist.
Use the arrows buttons to select a Menu Item, and
you will then see the options available for that
choice. The currently active choice has a colored dot
next to it, while the possible choice will be
highlighted with the cursor. To change the option,
highlight the desired choice and press the “Enter”
button.
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Press the “Setup” button again to exit the
On-Screen Setup Menu or select “Exit” from the
Setup Menu options. The settings are permanently
changed when the player is turned off.
Playback Setup
The “Playback Setup” section is designed to
configure playback preferences for various content.
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SACD Priority
Select which audio area to play for SACD. Virtually
all multi-channel SACDs also have a stereo area.
Many, but not all, SACDs also have a second layer
with standard CD data. The options are:
•
Multi-Channel – Play the multi-channel audio
layer. Select this option if you have a
surround-sound system connected via the
HDMI link.
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Stereo (default) – Play the two-channel audio
•
layer. Select this option if you have a
two-channel audio system (normally connected
via the analog audio outputs).
CD Mode – Play the CD layer of a hybrid
•
SACD disc. The only reason to select this option
is if you have a two-channel audio system and
you are playing one of a handful of discs that
doesn’t have a stereo SACD layer.
The “Audio” button on the remote control
provides a shortcut that can toggle between the
multi-channel and stereo areas of an SACD, but it
cannot toggle between the SACD and CD layers
of a hybrid disc.
DVD-Audio Mode
Select which portion of a DVD-Audio disc to play.
The options are:
•
DVD-Audio (default) – Play the DVD-Audio
portion of the disc with high-resolution audio.
Select this option if you are using either the
analog audio outputs or the HDMI output
connected to a surround-sound processor with
capability to accept high-resolution digital
audio data streams.
•
DVD-Video – Play the DVD-Video portion of
the disc with Dolby Digital or DTS audio.
Select this option if you have an older
surround-sound processor that won’t accept
high sample rates.
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Auto Play Mode
Select whether the player shall start playing an
audio CD or SACD automatically.
On – These discs will start playing upon
•
insertion into the player. This allows audio discs
to mimic the behavior of video discs.
Off (default) – The player will wait for the user
•
to start playback by pressing the “Play” button.
This allows audio discs to behave as they
normally would in an audio-only player.
PBC
Enable/disable Play Back Control. PBC is a disc
menu used on VCDs (Video CDs). Few users will
ever make use of this option. The selections are:
•
On (default) – If the disc contains Play Back
Control, show the menu.
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•
Off – Play back the content by sequence.
Parental Control
Parental control ratings prevent minors from
watching inappropriate content. This function
depends on the disc being properly encoded.
To adjust the parental control settings, you must
enter the current parental control password. If you
have not set a parental control password yet, the
default password is “0000”.
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BD Ratings - Press the “Up” and “Down”
•
buttons to select the rating. “Off” means all
discs are allowed. Numbers 1 to 21 correspond
to the age limit. Any rating above the selected
age will be blocked.
DVD Ratings - Press the “Up” and “Down”
•
buttons to select the rating. The available
ratings are Kid, G, PG, PG-13, PGR, R, NC17,
Adult, and Off. The selected rating and below
are allowed. “Off” means all discs are allowed.
Area Code – Some Blu-ray discs have different
•
parental control ratings for different
geographical areas. At this time the player only
supports the ratings used in the United States.
Change Password – To change the parental
•
control password, enter a 4-digit number as the
new password. Enter it again to confirm.
Language
Allows you to configure language preferences.:
•
Player Language – To choose the language for
the On-Screen Setup Menu and on-screen
display. At this time only English is available.
•
Disc Menu Language – To choose the preferred
language for video disc menus. If a disc menu of
the selected language is available, that menu
will be shown instead of the default disc menu.
•
Audio Language – To choose the preferred audio
language for video discs. If the selected
language is available, it will be played back.
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Subtitle Language – To choose the preferred
•
subtitle language for DVD. If a subtitle of the
selected language is available, it will be
displayed. When “Auto” is selected, the subtitle
display is decided by the disc.
The most common language choices (English,
French, Spanish, Chinese) are available directly from
the on-screen menu. Many other language choices
are also available by selecting “Other” and entering
the four-digit language code. A list of available
languages can be found at the end of this chapter.
Video Setup
The “Video Setup” section of the On-Screen Setup
Menu system allows you to configure the video
output options.
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Picture Adjustment
The DX-5 contains a powerful video processing
engine. Its output parameters can be adjusted by
accessing the “Picture Adjustment” menu.
However, in general these adjustments should be
avoided. Any processing runs the risk of reducing
the signal quality.
Brightness: Adjusts the brightness (black level)
•
of the video output.
Contrast: Adjusts the contrast (white level) of
•
the video output.
Brightness and contrast must be properly adjusted
to achieve the best picture from your display.
However the adjustments should be made from
the display, preferably with the aid of a video
setup (test) disc. Only adjust the brightness and
contrast of your source components if they are
miscalibrated, which is not possible with the
purely digital signal path used in the Ayre DX-5.
•
Hue: Adjusts the hue (tint) of the analog video
output only.
As this control applies only to the composite
output used for troubleshooting measures, it is
safe to ignore this control altogether.
•
Saturation: Adjusts the saturation (color
intensity level) of the video output.
This control is unnecessary when the video disc
provides a high-quality signal. Its use should be
limited to attempts to improve low-quality discs.
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Detail Enhancement (Sharpness): Adjusts the
•
sharpness of video output. Detail enhancement
level can be set between -16 and +16. The
default is level 0, which turns off detail
enhancement.
This control is unnecessary when the video disc
provides a high-quality signal. Its use should be
limited to attempts to improve low-quality discs.
Edge Enhancement: Adjusts the sharpness of
•
object edges in the video. Edge enhancement
level can be set between -16 and +16. The
default is level 0. Level 0 turns off edge
enhancement.
This control is unnecessary when the video disc
provides a high-quality signal. Its use should be
limited to attempts to improve low-quality discs.
•
Noise Reduction: Adjusts the video noise
reduction processing. Noise reduction levels can
be set between 0 and 8. The default is level 0,
which turns off noise reduction.
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This control is unnecessary when the video disc
provides a high-quality signal. Its use should be
limited to attempts to improve low-quality discs.
•
YC Delay: Adjusts the time difference between
the Luminance (Y) and Chrominance (Cr)
channels of the video signal. The YC delay
setting applies to the HDMI output only.
This control is unnecessary when the video disc
provides a high-quality signal. Its use should be
limited to attempts to improve low-quality discs.
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Border Level: Sets the brightness level of the
•
border area when borders are inserted by the
player to maintain correct aspect ratio. The
default level is 0, which corresponds to total
black. If you set it to a positive level, the bars
gradually become lighter grey instead of black.
This setting may be useful for users with plasma
or CRT TVs that are sensitive to “burn-in”. A
grey border setting allows the phosphor in the
bar area to be moderately used, matching the
active portion of the screen and can alleviate the
burn-in problem.
The Border Level setting only applies to the
HDMI output, and only affects borders inserted
by the player. If the borders are encoded in the
original video, the border brightness level will not
be affected by this setting.
Primary Output
Selects the primary video output port. The options
are:
•
HDMI (default) – Use HDMI as the primary
video output port. This setting will ensure that
the display receives a purely digital signal for
the best possible picture quality.
The Anchor Bay Technology VRS video processor
will be used unless “Source Direct” output
resolution is selected, in which case VRS video
processing is bypassed.
•
Component – The component analog video
outputs have been removed from the Ayre
DX-5.
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Selecting this setting will result in only
a low-quality signal at the composite
video output. Do not use this setting.
TV Aspect Ratio
Sets the aspect ratio of the player’s output image.
The options are:
4:3 Letterbox – Choose this when the display is
•
standard 4:3. A widescreen image is displayed
in “letterbox” format with black borders on top
and bottom.
4:3 Pan & Scan – Choose this when the display
•
is standard 4:3. A widescreen image will be
stretched vertically, filling the screen but
distorting the image.
•
16:9 Wide – Choose this when the display is
widescreen 16:9. 16:9 materials will be
displayed in its native aspect ratio, and 4:3
materials will be stretched horizontally, filling
the screen but distorting the image.
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•
16:9 Wide/Auto (default) – Choose this when
the display is widescreen 16:9. 16:9 materials
will be displayed in its native aspect ratio, and
4:3 materials will be displayed with black
borders on both sides in order to maintain the
original 4:3 aspect ratio.
Only two choices will preserve the original image
without distortion – 4:3 Letterbox for older
“standard” displays and 16:9 Wide/Auto for
newer “widescreen” displays. These are the only
recommended selections.
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TV System
You also may wish to play video discs from other
countries. In this situation you must consider
whether the video standards match between the disc
and your video display. There are two commonly
used video standards, NTSC and PAL. NTSC is used
in North America and Japan, while PAL is used in
Europe, Asia (except Japan), Australia, South
America, and Africa. Select the output video
standard to match your display. The options are:
Multi-system (default) – No system conversion
•
is performed. The output video system is the
same as that encoded on the disc. Requires a TV
that supports both NTSC and PAL systems.
Blu-ray discs encoded with 24Hz frame rate are
converted to 60Hz frame rate if neither
1080p24 Output nor Source Direct output
resolution is enabled.
•
NTSC – When playing NTSC-encoded discs, no
system conversion is performed. PAL-encoded
content is converted to NTSC output. Blu-ray
discs encoded with 24Hz frame rate are
converted to 60Hz frame rate if neither
1080p24 Output nor Source Direct output
resolution is enabled.
•
PAL – When playing PAL-encoded discs, no
system conversion is performed. NTSC encoded
content is converted to PAL output. Blu-ray
discs encoded with 24Hz frame rate are
converted to 50Hz frame rate if neither
1080p24 Output nor Source Direct output
resolution is enabled.
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If your display is compatible with both video
standards, select “Multi-system”. Then when playing
an NTSC disc the player will output an NTSC
signal, and when playing a PAL disc the player will
output a PAL signal. This ability to display the
“native” format of the source material provides the
very highest picture quality.
However, many video displays will only accept one
type of signal and not the other. In this case the
DX-5 is capable of transcoding from one video
format to the other. You may select either “NTSC”
or “PAL” from the On-Screen Setup Menu and all
source material will be presented in the format
required by your display device. The conversion is
performed at the highest level of quality possible by
the Anchor Bay VRS digital video engine.
Output Resolution
The Ayre DX-5 offers several video output
resolutions. To achieve the best visual result, it is
important to select the output resolution that best
matches the “native resolution” of your display
device.
70
For the latest generation of 1080p, “Full HD” or
“True HD” displays, the best output resolution will
be 1080p. (A few early model 1080p displays do
not accept 1080p signal. For these displays the best
output resolution to use is 1080i.) For all other
digital televisions this will likely be 720p. For CRT
tube or rear projection televisions this will likely be
1080i. These are general recommendations that
work for most users, but there can be exceptions.
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There is also an “Auto” mode that depends on
the display communicating properly with the
DX-5. It should usually provide good results but in
some cases there may be incompatibilities.
The DX-5 also supports a special Source Direct
output resolution. This resolution is only
recommended for use with high-performance
external video processors. In Source Direct mode,
the player works as a “transport”. It decodes video
from the discs and then sends the raw video signal
in its native resolution and format, without extra
processing, to the external video processor.
Very few external video processors can match the
performance of the Anchor Bay VRS video
processing engine in the Ayre DX-5. “Source
Direct” is recommended only for use with
external processors of the very highest quality.
1080p24 Output
Sets the 1080p 24Hz output options. This option
only applies to the HDMI output at 1080p
resolution. If the TV properly supports 1080p
24Hz, smoother motion can be achieved by
enabling 1080p24 output for such discs.
Many Blu-ray discs that originated from theatrical
movies are encoded using 24Hz frame rate, the same
number of frames per second as the original
theatrical film. In a theater, each frame is flashed
twice to achieve a frame rate of 48Hz.
This relatively low frame rate works well in a
completely darkened theater where the projector can
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display the entire frame simultaneously and with a
small fraction of “dead time”. However a home
video display operates under different conditions
and normally uses a refresh rate of 60Hz in NTSC
countries (North America and Japan) to provide
smooth motion.
Since 60Hz is not an even multiple of the 24Hz rate
used in theatrical movies must be multiplied by 2.5.
This is achieved by displaying one frame twice and
the next frame three times, a process called “2:3
pulldown”.
This uneven display of the original frames can cause
a slight jerkiness to motion displayed in the movie,
called “judder”. To provide smoother rendition of
motion, some displays can operate at an even
multiple of 24Hz, for example 72Hz. If fed the
original 24Hz signal, they simply show each frame
three times in succession.
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The available options are:
•
Auto – Video encoded in 24Hz frame rate will
be output as 1080p 24Hz if the TV informs the
player that it can support the 1080p24 signal.
•
On – Video encoded in 24Hz frame rate will be
output as 1080p 24Hz without regard to
whether the TV can support the 1080p24 signal
or not. Please note that if the TV cannot
support 1080p24, selecting this option will
result in no video.
•
Off (default) – Video encoded in 24Hz frame
rate will be converted to 60Hz (“TV System” set
to NTSC) or 50Hz (“TV System” set to PAL).
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DVD 24p Conversion
Sets 24Hz frame rate conversion for DVD. This
option only applies to the HDMI output and is
available only when “1080p24 Output” is enabled
(set to Auto or On).
Many DVDs that originated from theatrical movies
are encoded using a method called “2:3 telecine” to
convert the 24 frames per second film to 60Hz video
signal. The Ayre DX-5 can convert the 60Hz video
signal back to 24 frames per second and output as
1080p 24Hz.
Smoother motion can be achieved by enabling this
option, provided that both the display can operate at
an even multiple of 24Hz and the disc was sourced
from a theatrical release using “2:3 telecine”. The
available options are:
•
On – Convert DVD to 24Hz frame rate when
possible.
•
Off (default) – Do not convert DVD to 24Hz
frame rate.
The result of DVD 24p Conversion depends
heavily on the quality of the content. If the video
encoded on the DVD contains incorrect 2:3
cadence, cadence breaks caused by edits, or
heavy compression noise that can affect cadence
detection, the result may have motion judder or
frame tearing. Should this happen, you should
turn off DVD 24p Conversion and watch the
DVD in its original frame rate.
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HDMI Options
Configures video options for the HDMI output.
There is a sub-menu with the following settings:
De-interlacing Mode – Selects the deinterlacing
•
algorithm that the player should use to convert
interlaced video on a disc to progressive output.
The proper mode will ensure the output video is
free of artifacts. The available options are:
Auto (default) – Source adaptive deinterlacing is
•
on. This is the recommended setting as the player
will optimally process a variety of signals.
• Film Bias Mode – The Film Bias Mode may
improve film mode detection in some cases.
• Video Mode – Turn off film mode detection and
treat all content as video origin. Use this setting if
you are certain the disc is made from footage
originally shot with a video camera, and not with
a film camera.
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•
2:2 Even - This mode should be used when you
know that the source is high-quality 2:2 pulldown
(i.e., film-based content from a country with a
50Hz video standard). This mode weaves two
adjacent fields together starting with an even field
and combining it with the following odd field. This
may provide a higher quality overall signal than
the ‘Auto’ or ‘Film Bias Mode’ settings, providing
that the source really is a 2:2 pull-down and does
not have bad edits.
•
2:2 Odd - This mode is very similar to “2:2 Even”
except that this weaves two adjacent fields
together starting with an odd field and combining
it with the following even field. Only one of the
2:2 de-interlacing settings is correct for any given
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source and the correct mode can be chosen by
simply trying both of them and selecting the one
which does not result in combing artifacts.
The “Auto” setting is highly recommended. The
video processing engine designed by Anchor Bay
Technology has enough “intelligence” to select
the best deinterlacing mode automatically.
CUE Correction – Selects whether the player
•
should apply filtering to remove Chroma
Upsampling Errors (CUE) and the Interlaced
Chroma Problem (ICP). CUE is caused by
improper decoding and deinterlacing of MPEG
video. The Ayre DX-5 is completely free of the
CUE problem. ICP is an inherent byproduct of
the encoding process for interlaced video, so you
may encounter it on some video discs. The CUE
Correction function can detect and filter out the
errors. The available options are:
• Auto (default) – Automatic chroma error
detection and correction. Use this setting for all
normal circumstances.
•
On – Chroma filtering is always on. Use this
setting if the disc is known to have chroma errors.
•
Off – No chroma filtering is applied. Use this
setting if the disc is known not have chroma
errors.
The “Auto” setting is highly recommended. The
video processing engine designed by Anchor Bay
Technology has enough “intelligence” to select
the best chroma correction mode automatically.
•
Color Space – Selects the color space for the
HDMI output. The available options are:
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Auto (default) – The player communicates with
•
the display to automatically determine what color
space to use. If the display device supports YCbCr
4:4:4, then it will be used to avoid additional color
space conversions.
RGB Video Level – The HDMI output uses RGB
•
color space and normal signal range suitable for
video displays.
RGB PC Level – The HDMI output uses RGB
•
color space and expands the signal range for
personal computer (PC) displays. Some TVs are
designed to be used as a PC monitor, and expect
signal in expanded RGB range when the DVI input
is selected. For these displays if the video signal
uses the normal RGB range, the contrast will be
reduced. You can select the RGB PC Level output
and restore proper contrast.
• YCbCr 4:4:4 – The HDMI output uses YCbCr
4:4:4 color space.
• YCbCr 4:2:2 – The HDMI output uses YCbCr
4:2:2 color space. Generally this is the color space
that is closest to the color space encoded on the
discs. (All discs are encoded in YCbCr 4:2:0 color
space, and the video decoder in the player
extrapolates it to YCbCr 4:2:2.)
76
•
HDMI Deep Color – Deep Color is an option
for some newer displays. Normally, each pixel of
the video image is transmitted using 24-bit
data (8-bit per color channel). If Deep Color is
supported, each pixel of the video image can be
transmitted using 30-bit (10-bit per color
channel) or 36-bit (12-bit per color channel)
data. The increased bit depth should result in
smoother color transitions and better gradients,
but only under specific circumstances. If the
display does not support 36-bit deep color,
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dithering 36-bit to 30-bit or 24-bit may
produce an image that is visually smoother than
rounding 36-bit to 30- or 24-bit. The available
options are:
36 Bits – Use 36-bit per pixel Deep Color.
•
30 Bits (Dithered) – Use 30-bit per pixel Deep
•
Color with dithering applied.
30 Bits – Use 30-bit per pixel Deep Color.
•
Off (Dithered) – Do not use Deep Color but
•
apply dithering to the color signal.
• Off (default) – Do not use Deep Color.
Enabling Deep Color while connected to a display
without this feature will result in no effect (or
possibly) no video. At this time, no disc is
encoded with Deep Color.
Enabling Deep Color with a compliant display will
not magically make colors richer, but will help
preserve the maximum color precision as a result
of any video processing or picture control
adjustment. However, simply leaving the player
controls at their default will achieve the same
result.
•
Demo Mode
Enables a special split-screen demonstration
mode. This is designed for the demonstration of
the Anchor Bay VRS video processing
technology. It can also be used as an aid for
setting picture control adjustments for Detail
Enhancement, Edge Enhancement and Noise
Reduction. It should not be used for normal
movie watching. The available options are:
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On – The video screen will be split in half. The left
•
side demonstrates the result of the VRS video
processing, and the right side shows video without
the help VRS video processing.
Off (default) – Normal viewing mode.
•
A/V Sync – Adds a delay to the audio portion of
•
the HDMI A/V Output. It is not recommended
to use the audio portion of the HDMI A/V
Output. Improved sound quality is obtained by
using the HDMI Audio Output.
Display Options
Configures video options that affect the format of
the display. This item contains a sub-menu with the
following settings:
•
Subtitle Shift – Shifts the subtitles vertically
from their original position. The range of
adjustment is from -5 to +5, with 0 being the
default.
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•
OSD Position – Shifts the position of the
On-Screen Display (time and track/chapter
information) vertically. The range of adjustment
is from 0 to +5, with 0 being the default.
•
OSD Mode – Selects how long the on-screen
display information, such as elapsed or
remaining time, stays on the TV screen. The
available options are:
•
Normal (default) – On-screen display information
remains until the user cancels it.
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Silent – On-screen display information shows on
•
the screen for a few seconds and then disappears.
The front panel display still maintains the selected
display information.
Remaining – On-screen display information stays
•
on the screen until the user cancels it. However, it
displays remaining time instead of elapsed time.
Angle Mark – Turn on/off the display of an
•
angle mark when a video disc with multiple
available angles is played. Keeping the angle
mark off avoids distraction from normal movie
watching.
Picture-In-Picture Mark – Turn on/off the
•
display of a Picture-in-Picture (PIP) mark when
a Blu-ray disc with secondary video is played.
Keeping the PIP mark off avoids distraction
from normal movie watching.
•
Secondary Audio Program Mark – Turn on/off
the display of a Secondary Audio Program mark
when a Blu-ray disc with secondary video and
audio is played. Keeping the SAP mark off
avoids distraction from normal movie watching.
•
Screen Saver – Turn on/off the screen saver
function. The screen saver is designed to
minimize burn-in concerns for plasma and CRT
display devices. The available options are:
•
On – After 3 minutes of inactivity, the player will
show a logo moving on a black background. This
allows most areas of the screen to rest and gives
all areas an equal opportunity to refresh. Use this
option for displays that are susceptible to burn-in
(e.g., CRT, plasma, et cetera).
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Off – The screen saver will not be activated. Use
•
this option if your display does not have burn-in
issues (e.g., DLP, D-ILA, LCD).
Energy Saver – Video output will be turned off
•
after 3 minutes of inactivity. Many projectors and
LCD displays will go into a standby or sleep mode
and turn off their projection or backlight lamp,
thus saving energy and prolonging the lamp life.
When you press any button on the DX-5 remote
control or the player’s front panel, the screen
saver will be canceled and video output will be
restored. If your display is in standby or sleep
mode, you may need to wake up the display by
pressing a button on its remote or control panel.
Audio Format Setup
The “Audio Format Setup” section allows you to
configure preferences for audio output formats. The
menu items in this section are:
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Secondary Audio
Sets the Secondary Audio Program (SAP) mixing
option. Some Blu-ray discs contain a secondary
program, such as a director’s commentary or menu
sounds. This menu item allows you to mix the SAP
sounds into the primary audio. The options are:
On – The Secondary Audio Program and menu
•
sounds are mixed into the primary audio. High
resolution primary audio will be converted to
normal resolution in order to mix with the
secondary audio.
Off (default) – The Secondary Audio Program
•
and menu sounds are turned off. This setting
preserves the highest possible audio quality for
the primary audio.
It is recommended to turn the Secondary Audio
“Off”. This provides the highest sound quality for
the main soundtrack.
HDMI Audio
Selects digital audio output format from the HDMI
A/V Output. The options are:
•
Auto – The audio format will be selected
automatically, based on communications with
the surround-sound processor.
•
LPCM – Digital audio output will be Linear
PCM, and compressed audio bit streams will be
decoded by the player.
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Bitstream – Digital audio output will be in the
•
format encoded on the disc.
Off (default) – No digital audio output via the
•
HDMI A/V Output. This is the recommended
setting.
The HDMI Audio Output will provide higher
performance than the audio output of the HDMI
A/V Output. It is recommended to use the HDMI
Audio Output and set the HDMI Audio option to
“Off”.
If the HDMI Audio is set to any
selection besides “Off”, when the
HDMI A/V Output is connected to any
equipment that cannot accept DSD
then all signals (internal and external
outputs) will be forced to PCM when
playing SACD, regardless of the other
player settings.
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SACD Output
Selects audio output format for SACD. The options
are:
•
PCM – Audio data on SACDs (“DSD”) is
converted into PCM at 88.2 kHz/24 bits. The
PCM data is then output through both HDMI
ports and also used for the analog audio outputs.
•
DSD (default) – “DSD” data from an SACD is
output over both HDMI ports and also used for
the analog audio outputs without any
conversion.
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Nearly all systems will achieve higher sound
quality with this selection set to “DSD”. The only
time to select “PCM” is if you wish to listen to
SACDs in multi-channel while using a
surround-sound processor that is new enough to
have an HDMI input for audio but old enough
that it does not support DSD.
HDCD Decoding
There are four audio outputs on the Ayre DX-5; the
Analog Audio Outputs and the HDMI Audio
Output, which are the main outputs, and the HDMI
A/V Output and the Digital Audio Output, which
are secondary outputs only to be used if your system
is not equipped to connect with the main outputs.
When “HDCD Decoding” is set to “On”, the signal
for the main outputs (Analog Audio and HDMI
Audio) will be decoded inside the DX-5. The
behavior of the secondary outputs (HDMI A/V and
Digital Audio) depends on the setting for each
respective output (“HDMI Audio” and
“Coaxial/Optical Output”). When set to “LPCM”
that output will present a decoded signal, but when
set to “Bitstream” that output will present the
undecoded signal that requires HDCD decoding by
the downstream device. When the decoding is “Off”
the undecoded data will be sent to all four outputs
regardless of any other setting.
It is strongly recommended to set the “HDCD
Decoding” to “On”, as this is the only way that
the Analog Audio Outputs can decode an HDCD
disc properly.
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Coaxial/Optical Output
Sets the output format for the (AES/EBU) Digital
Audio Output for use with Dolby Digital and
DTS-compatible surround-sound processors. The
options are:
LPCM – Creates downmixed two-channel
•
digital audio output. However, no external
converter will outperform the one built into the
unit that drives the Analog Audio Outputs.
Bitstream (default) – Passes audio as compressed
•
bitstream format to the receiver/amplifier.
Choose this setting if your receiver/amplifier is
capable of decoding Dolby Digital and/or DTS.
Certain audio discs will achieve higher sound
quality with this selection set to “Bitstream”. This
allows pre-emphasized CDs to be equalized with
the high-quality minimum-phase digital filter built
into the internal Ayre D/A converter and
connected to the Analog Audio Output.
You may also use this setting when connecting to
a very old surround-sound processor that does
not accept an HDMI audio connection. There is
no reason to ever select “LPCM”.
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LPCM Rate Limit
Sets the maximum Linear PCM output frequency for
the AES/EBU Digital Audio Output. Higher
sample rate material will be down-sampled to stay
within the maximum rate. The player does not
up-sample audio to higher sample rates. The options
are:
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48K – Supported by most equipment.
•
96K – Allows a higher sampling rate for better
•
audio quality. Ensure that the receiver/amplifier
can support it.
192K (default) – Allows the highest sampling
•
rate for best audio quality. Ensure that the
receiver/amplifier can support it.
This output will only be used with older
surround-sound processors that lack an HDMI
input. Select the highest sample rate supported by
your processor.
Audio Processing
The “Audio Processing Setup” section of the
On-Screen Setup Menu system allows you to
configure how the player will process audio signals.
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Speaker Configuration
“Speaker Configuration” applies only to the HDMI
Audio Output and LFE Mixdown mode. The other
digital outputs and normal operation of the Analog
Audio Outputs are unaffected by these settings.
For proper performance of the HDMI
Audio Output and LFE Mixdown
mode, it is critical that the settings be
adjusted exactly as they were
pre-configured at the factory. If they
should ever be changed, be sure to
revert them to their original settings as
explained below.
Enter the “Speaker Configuration” menu. There will
be a picture of a listening room with speakers. At
the bottom of the yellow floor, the Down Mix Mode
is indicated. This should be 7.1Ch.
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If it is not 7.1Ch, use the “Right”/“Left” arrow
buttons to highlight the Down mix sign behind the
couch. Press “Enter”, use the “Up”/“Down” arrow
buttons to select 7.1Ch and then press the “Left”
arrow button to return to the picture of the
listening room.
Next, select a speaker, press “Enter” and adjust the
Size to Large, the Distance to 0 ft, and the Trim to
0.0 dB. Select the Next Speaker, and apply the
same settings to all speakers except the Subwoofer.
For the Subwoofer (SW), select the Size as On, the
Distance as 0 ft, and the Trim as 5.0 dB.
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Do not ever change these settings, as
this will adversely affect the sound
from the HDMI Audio Output or if the
LFE Mixdown mode is engaged.
The operation “Reset Factory
Defaults” will automatically change
these settings, requiring you to reset
the “Speaker Configuration” settings
for proper operation of the HDMI
Audio Output and LFE Mixdown
mode.
Dynamic Range Control
Sets the audio Dynamic Range Control (DRC).
DRC tends to make all sounds play back at a similar
loudness. This is useful when listening while others
may be sleeping, as it prevents the loud sounds from
playing back at a high level and it becomes easier to
hear the dialog during quiet scenes. Otherwise the
DRC should be turned off to hear the sonic
dynamics present in the original recording. The
available options are:
•
Auto – Play at the dynamic range specified by
the disc. This option applies to Blu-ray discs
only. For other disc types no dynamic range
compression is applied.
•
On – Turn on dynamic range compression.
•
Off (default) – Turn off dynamic range
compression.
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Device Setup
The “Device Setup” section of the On-Screen Setup
Menu system allows you to configure additional
player options related to the hardware and control
functions. The menu items in this section are:
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Firmware Information
Displays the currently installed firmware version.
Firmware Upgrade
Upgrades the player’s firmware. This operation is
only available when the playback is completely
stopped. The firmware is the system software that
controls the features and functions of the player. To
ensure the best possible viewing experience, the
player may need a firmware update from time to
time. Please visit Ayre’s web site “www.ayre.com”
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to check for firmware updates and instructions on
installing the updates. There are three ways to
upgrade the player’s firmware. The options are:
Via USB – You may download the firmware
•
files from Ayre’s web site to a solid-state USB
(“thumb”) drive and use the drive to upgrade
the player. Please follow the instructions on the
firmware download web page.
Via Disc – You may request a firmware upgrade
•
disc from Ayre or download a disc image from
Ayre’s web site and burn an upgrade disc with
your computer. Please follow the instructions
that come with the upgrade disc.
Via Network – If the player has a working
•
internet connection, you may upgrade the
player directly over the internet. Please follow
the instructions on your display device screen.
Firmware Notification
Sets whether the player should automatically check
if new firmware versions are available on the
internet server and notify the user about new
firmware. The options are:
•
On (default) – Check for new firmware version
automatically and notify the user. Requires a
working internet connection.
•
Off – Do not check for new firmware version
automatically.
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Remote Control Code
The Ayre DX-5 can respond to one of 4 sets of
remote control codes. The default is “Code 1”. If you
have other products that respond to the DX-5
remote control, you can select a different remote
code to avoid conflicts. The available codes are:
Code 1 (default) – Remote code set 1. This is
•
the normal remote code.
Code 2 – Remote code set 2. Use this code if
•
you have other products that conflict with the
Ayre DX-5.
Code 3 – Remote code set 3. Use this code if
•
you have other products that conflict with the
Ayre DX-5.
•
Alt. Code – Alternative remote code. The
alternative remote control code enables users to
program universal remote controls that come
with a display or A/V receiver to operate the
Ayre DX-5 player. If the universal remote
control has a DVD player control function,
program it with the code for Toshiba, Philips,
Magnavox, Marantz, or Zenith DVD players.
You may need to try several times using
different codes to find a working code.
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If you have selected a new remote code, you must set
the remote control handset to use the same code.
Please refer to “Remote Code” section on page 39 of
this manual for details. If you have selected “Alt.
Code”, the supplied handset will not operate the
player, and you must use a universal remote control
with the properly configured code set.
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HDMI CEC
Sets the HDMI Consumer Electronics Control
(CEC) mode. CEC is an optional HDMI feature that
enables remote control and automatic setup of
consumer electronics over the HDMI connection.
The remote control function allows you to use a
single remote handset to operate multiple devices
connected via HDMI. For example, you may use the
TV remote to control playback of the Blu-ray disc
player.
The automatic setup function can automatically
turn on the TV and change to the proper input
when you start playing a disc in the Blu-ray disc
player. It can also turn off the player automatically
when you turn off the TV.
The implementation and compatibility of this
feature varies by device manufacturer. Each may
only implement part of the features or add their own
proprietary functions. The manufacturer-specific
implementation of the HDMI CEC function is often
given a proprietary name of “…Link” or “…Sync”.
The Ayre DX-5 provides three modes for the HDMI
CEC function:
•
On – HDMI CEC is enabled. Use this mode if
your other devices are compatible with the
player.
•
Limited – HDMI CEC is enabled but the DX-5
will only respond to playback control
commands. It will not respond or issue power
on/off and input selection commands. Use this
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mode if you do not want the automatic setup
function to turn on/off your devices.
Off (default) – HDMI CEC feature is turned off.
•
The player will not respond to HDMI CEC
commands from other devices, nor will it setup
other devices automatically.
The HDMI CEC feature only operates with the
main HDMI video port. It does not operate with
the separate HDMI Audio Output.
Dimmer Control
Controls the display intensity of the front panel
Vacuum Fluorescent Display (VFD) information
window. In case you feel that the display becomes a
distraction to your enjoyment of the video, this
option allows you to dim it or turn it off. The
available options are:
•
On (default) - The VFD is at normal brightness.
92
•
Dim - The VFD is at reduced brightness.
•
Off – The VFD is turned off. In this mode the
display resumes momentarily when there is any
user operation.
The “Dimmer” button on the remote control
provides a short-cut to this function. It is much
easier to change the display brightness directly
with this button.
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Persistent Storage
Manages the persistent storage for BD-Video
content. The persistent storage is a data storage area
that holds additional content for BonusView and
BD-Live features. The data will be kept even if you
turn off the player. The following persistent storage
management options are available:
Storage Device – Selects which storage device
•
should be used as the persistent storage. The
Ayre DX-5 is equipped with 1GB of internal
flash memory. There are two USB ports on the
player that can accept a USB drive to be used as
the persistent storage. The choices are:
• Internal Flash (default) – Use the internal flash
memory for persistent storage.
• USB Drive – Use a USB drive for persistent
storage. To meet the specification for BD-Live, a
USB drive of 1GB or larger is required.
The power available at the USB ports
is limited. It is recommended to use a
solid-state “flash” or “thumb” drive. If
you use a USB hard disk, be sure to
use one with its own external power
supply. The use of a USB hard drive
without a power supply may damage
the USB ports of the DX-5.
The new storage device choice becomes effective
only after the player is restarted. Make sure that
you turn off the player and then turn it back on
after changing the “Storage Device” option.
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Total Space – To display the total space of the
•
persistent storage.
Available Space – To display the currently
•
available space of the persistent storage. If the
available space becomes too low, some Blu-ray
discs may not play properly.
Erase BD-Video Data – To erase the BD-Video
•
data from the persistent storage.
Reset Factory Defaults
Resets all settings to the factory default value. The
remote control code, parental control password, and
ratings will not be reset. This operation is only
available when the playback is completely stopped
or when there is no disc loaded.
Warning! The factory default settings
are not correct for the Ayre DX-5,
particularly the “Speaker
Configuration” that affects the HDMI
Audio Output and LFE Mixdown
mode.
94
If the menu settings are reset to the
factory default, you will need to
manually change many of the settings
to restore proper operation. Please
refer to the chapter “On-Screen Menu
Settings Checklist”.
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Network Setup
The “Network Setup” section of the Setup Menu
system allows you to configure the parameters for
the internet connection of the player, test the
connection and restrict BD-Live access. An internet
connection is strictly optional. It allows for easy
firmware updates and also access to additional
material on some newer Blu-ray discs. The menu
items in this section are:
IP Configuration
Determines how the player obtains its IP (Internet
Protocol) address. The available options are:
•
Auto (DHCP) (default) - The player
automatically obtains its IP address information
using DHCP (Dynamic Host Configuration
Protocol). This is the default setting. In most
cases, automatic IP configuration can be used.
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Manual – Manually enter the numeric IP
•
address information. Set the IP configuration
manually only when the router has no DHCP
server functions or when the router’s DHCP
server function is disabled. For more
information on how to manually configure the
internet connection and what values to use,
please consult your router/modem instruction
manuals or call your internet service provider.
IP Address
Displays the Internet Protocol (IP) address of the
player. When “IP Configuration” is set to “Auto
(DHCP)”, the value displayed here is obtained using
DHCP and cannot be changed.
Subnet Mask
Each IP address has an associated subnet mask. It is
used by the player to decide whether to route
network traffic through the router or directly to
another device on the same network. When “IP
Configuration” is set to “Auto (DHCP)”, the value
displayed here is obtained using DHCP and cannot
be changed.
96
Gateway
Displays the IP address of the router. It is also called
“default gateway” or “default router”. When “IP
Configuration” is set to “Auto (DHCP)”, the value
displayed here is obtained using DHCP and cannot
be changed.
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DNS 1
Displays the IP address of the first (primary) DNS
(Domain Name System) server. DNS is the
mechanism to translate human-readable addresses
(such as “www.ayre.com”) to numeric IP addresses.
When “IP Configuration” is set to “Auto (DHCP)”,
the value displayed here is obtained using DHCP
and cannot be changed.
DNS 2
Displays the IP address of the second (secondary)
DNS server. When “IP Configuration” is set to
“Auto (DHCP)”, the value displayed here is
obtained using DHCP and cannot be changed.
BD-Live Network Access
Controls BD-Live content access. The available
options are:
•
On – BD-Live access is permitted.
•
Limited – BD-Live access is permitted only for
content that has a valid content owner
certificate. Internet access is prohibited if the
BD-Live content does not have a certificate.
This option ensures that you are accessing only
authentic content, although it may block your
access to smaller independent content providers.
•
Off (default) – BD-Live access is prohibited.
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Connection Test
Tests the internet connection. It is recommended
that you test the connection when you initially
connect the player to the internet, or whenever
changes to “IP Configuration” and other network
parameters are made.
MAC Address
This read-only field displays the MAC (Media
Access Control) address of the player. Each
networked device has a unique MAC address. It is
used by network controllers (such as a router or PC)
on the same network to provide identification and
facilitate communication.
Language Code List
98
When selecting language preferences for subtitles
and audio soundtracks, the frequently used
languages have names that show in the On-Screen
Setup Menu. Other languages must be entered by
using a numeric code.
Frequently Used Languages
Chinese (zh), 9072
English (en), 6978
French (fr), 7082
Spanish (es), 6983
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