Optional accessories available for the AXON AX-100
Sound card SB-676
GM / XG sound card with 480
sounds, 11 reverbs, 41 effects,
and synth sounds.
Piezo Pickup
Hex piezo pickup for
acoustic guitars
AIX-110
Interface board
for piezo pickup
13-conductor cable
7 m
13-conductor cable AXK100
length 7 m (23 foot)
13 pin connector
AIX-101
Interface for 6
string guitar
PICKUP FOR GUITAR
13 pin connector
AIX-102
Interface for Bass
with 4 strings
PICKUP FOR BASS
AIX-101
Interface for any
guitar with 6 steel
strings.
AIX-102
Interface for Bass guitar
with 4 steel strings.
User manual AXON AX-100 / AX-100 SB
AIX-210
Interface board for
the Godin guitar
"Multiac"
AFS-100
Swell pedal for
control function of
the AX-100.
(filter, volume,
panorama, etc. )
AFT-100
Footswitch with
closing contact for
Hold/Chain function.
7
BLUE CHIP
AXON AX-100 GUITAR TO MIDI CONVERTER
AXON Setup
Mono input
for guitar or
microphone
From Interface
AIX-101 / 102 / AIX110
to AXON 13 pin input
via 13-conductor cable.
MIDI
RECORDING
AXON connections and setup for AX-100
For all
monophonic
instruments
SB
707 100 001
From MIDI thru
to computer
MIDI in
Output (stereo/mono) AX-100 SB to
Only AX-100 SB version !
Exp. Pedal -EXP 1
control pedal for
volume, filter, etc.
mixer/amplifier
Output (stereo/mono) sound module
to mixer/amplifier
MIDI IN for
sound card
SB-676 or
MIDI Dump
MIDI OUT
to synth/
GM-module
MIDI IN
MIXER
Output guitar audio
signal to
mixer/amplifier
POWER ADAPTER
AC - output
12V/1,5 A
Exp. Pedal -EXP 2
control pedal for
volume, filter, etc.
Footswitch
CHAIN
8
FOOTSWITCH
FOOTSWITCH
Footswitch
HOLD
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
BLUE CHIP
Front Panel AX-100
h
g
j
i
l
k
n
m
f
Front Panel AX-100-SB
abcd
Guitar Interface Jack. Connect your guitar interface to this jack using the 13-conductor cable provided.
a
MONO IN Input Jack. Use this jack to input any analog signal to your AXON. The AXON will then convert it to MIDI
b
information.
e
p
o
q
LEVEL MONO. Sensitivity pot for the MONO IN jack.
c
The high-contrast LCD display shows preset names as well as various parameters, some of which are shown graphically.
d
Using the PRESET button, you can change from GLOBAL, UTILITY and CHAIN modes directly to PRESET mode. The
e
LED just to the left of the PRESET button shows you the status. In PRESET mode, the presently selected preset is shown
in the display. You also have the option of seeing the built in instrument tuner in the bottom half of the display. Use the
+/- Value buttons to cycle through and select presets. In the Text-Editor, using the PRESET button gives you a space.
Using the GLOBAL button, you have access to general system settings such as MIDI channel, guitar settings, as well as
f
the default values of all MIDI controllers. In addition you can prohibit output of Panorama, Reverb, Chorus and Variation
controllers separately. In the Text-Editor, using the PRESET button (A…Z) changes the presently selected character to a
capital or if no character is selected, gives you a capital ”A”.
The STORE button allows you to save preset data, arpeggiator patterns, drum sequences and chains to the permanent
g
battery-backed-up RAM of your AXON. In the Text-Editor, using the STORE button inserts a character at the present
cursor position, shifting all following characters one character to the right.
In UTILITY mode there are various special functions available:
h
In the Text-Editor, using the UTILITY button (a…z) removes the presently selected character to small case, or if no
character is selected, inserts a small case ”a”.
Using the EDIT button in PRESET mode allows you access to the various preset parameters. In CHAIN mode you can
i
select various series of presets that can be toggled using a foot pedal. In the Text-Editor, using the EDIT button (delete)
removes the presently selected character and moves all the following characters one character to the left.
output of sysex (system exclusive) data for archival purposes
access to the pattern-oriented drum sequencer built in to the AXON AX 100 SB
synthesizer with 32 user-programmable sounds (2 oscillators with over 200 waveforms, envelope generation,
LFO’s, Filters, etc.)
flexible effect editor for all available effects including reverb, delay, modulation, equalization, etc.
Use the CHAIN button to get to CHAIN mode, where you can use a foot pedal to cycle through preprogrammed preset
j
series. In the Text-Editor, using the CHAIN button (!…@) inserts a punctuation or special character.
klm
The +/- Value buttons increase or decrease the presently selected value of a parameter in the display. You can also use
the UP/DOWN buttons on your guitar interface.
The +/- Parameter buttons allow you to cycle through the various parameters in a parameter list in the display. In PRESET
n
mode these buttons have no function.
Use the EXIT button to leave the present sub menu. Pressing it several times brings you to the root level of PRESET
o
mode. Use the EXIT button to cancel a save function as well.
The ENTER button serves as a confirmation of saves and copies as well as opening a sub menu. The presence of a sub
p
menu is shown as ”…” in the display. You can leave any sub menu using the EXIT button.
POWER ON/OFF. Here is where you turn your AXON on and off. When you turn it on, the display shows your last used
q
preset in PRESET mode and is in LOCAL ON mode.
User manual AXON AX-100 / AX-100 SB
9
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AXON AX-100 GUITAR TO MIDI CONVERTER
Rear Panel AX-100
Rear Panel AX-100-SB
a
bcdefghijklmn
Model number of your AXON from the factory. If there is ”SB” after the ”AXON AX 100”, your AXON is equipped with
a
the internal sound board built in at the factory. You can of course opt to purchase the sound board later.
Serial Number of your AXON.
b
RIGHT (MONO): This is the right side line level output from the internal sound board, if you have the AXON AX 100
c
SB. If this output jack alone is connected (without the left output being connected) the resulting signal from this output
jack is a composite MONO signal.
h
LEFT (STEREO): This is the left side line level output from the internal sound board, if you have the AXON AX 100
d
SB. If this output jack alone is connected (without the right jack being connected) the resulting signal from this jack is
still the left side of the stereo signal alone.
MIDI IN jack: Your AXON AX 100 (SB) receives program change and sysex data on this port. If you also use the setting
e
LOCAL OFF in GLOBAL mode, you can have all incoming MIDI data sent directly to the optional internal sound board.
This is the typical setting if you are using your AXON with a sequencer.
MIDI THRU jack: All data that is received on the MIDI IN jack will be echoed unchanged to this port.
f
MIDI OUT jack: All MIDI data generated by your AXON will be sent to this port. If you are using an external MIDI
g
instrument with your AXON, be sure to connect this port with the MIDI IN port on your external instrument.
EXP1, EXP2 jacks for foot swell pedals: You can connect to separate swell pedals to these jacks to control any MIDI
i
controller you choose. Especially valuable when assigned to modulation and filter effects. Because your AXON supports
the NRPN/RPN controllers, you can assign controllers #6 and #38 to these pedals and have access to a wide variety of
usable functions that are not presently available in any other machine of this category.
CHAIN footpedal jack: In chain mode, you can use a pedal switch attached to this port to cycle through a series of
j
preprogrammed presets.
HOLD footpedal jack: connect the foot pedal included with your AXON to this port to access any of the various HOLD
k
modes such as COMMON, SEPARATE, LAYER, ARPEGGIATOR and CONTROL.
ADAPTER: Connect the powersupply included with your AXON to this jack.
l
GUITAR OUT jack: The normal analog signal from your guitar pickups is transmitted through the 13-conductor cable
m
from your guitar interface along with all the other information sent to your AXON. This unchanged analog signal is fed
through your AXON to this port so that you can, for example, combine your natural guitar sound with the MIDI sounds
generated by your AXON. In order to eliminate possible hum from the guitar analog signal, always use this port and the
signal coming through the 13-conductor cable for the source of your analog guitar sound if you are going to be combining
it with MIDI sounds. Your guitar interface AX101/102 has a mini phone jack for this purpose. You can connect it directly
to the included 13-conductor cable.
CE symbol: This symbol certifies that your AXON follows the appropriate standards of the European Union (EU).
n
10
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
About the AXON AX 100 (-SB)
Congratulations on your purchase of the AXON AX 100 (-SB), the
fastest and highest performance Guitar to Midi Converter presently
on the market. The AXON AX 100 represents a new generation of
the NGC 77, which up until now has been the standard for innovative
technology and which has become standard equipment for many professional guitarists like John McLaughlin for example. With the
development of the Neural Net System, with its ability to learn your
personal guitar playing style, the AXON AX 100 is capable of
recognizing the exact pitch that you play immediately as you play it,
whereas other converters need several string vibrations for pitch
analysis.
Transient Early Recognition is a process that allows the AXON to
immediately and simultaneously recognize and translate pitch, volume,
and even the pick position of your right hand, a characteristic that is
to date unique to the AXON. This is because of the AXON’s unique
structure of Splits. You can divide the six strings of your guitar into
two separate groups and then assign two separate sounds to those
string groups. Or you can make use of a ”Fretsplit”, to divide the
fingerboard of your guitar into two totally distinct play areas, assigning
separate sounds or characteristics to each area. Using ”Picksplit” you
can divide the area of your guitar where you pick the strings into
three separate ranges, allowing you to assign various sounds and sound
characteristics to each range. In this way you can switch from sound
to sound with lightning speed, simply by moving your right hand
forward or backward.
BLUE CHIP
String
{
{
String Split
Fert Split
Zone
String
{
Fret Lower ZoneFret Upper Zone
{
Impressive effects can be controlled by the Pickcontrol function,
allowing you to assign such Midi controller effects as Modulation to
various pick ranges. Other effects such as COMMON (Bypass), SEP ARATE (Hold), LA YER (ensemble/doubling), etc. can be controlled
by the fully programmable hold pedal.
The implimentation of a sophisticated Arpeggiator gives you the
possibilities of variation and expression and accompaniment. Splits
and effects can be freely combined and saved in up to 128 presets,
which can then be called up quickly.
Also unique to the AXON AX 100 is the ability to use special piezo
pickups in your bass guitar or even accoustic and nylon stringed
instruments, allowing you complete control of your AXON from
accoustic instruments. Finally a door to the midi world for bass
guitarists and classical guitarists is wide open for new and modern
forms of musical expression.
PICK
Pick Split 1Pick Split 2
{
Lower
{
{
Upper Midle
User manual AXON AX-100 / AX-100 SB
11
BLUE CHIP
AXON AX-100 GUITAR TO MIDI CONVERTER
The internal sound board built into the AXON AX 100-SB makes
your AXON a professional guitar synthesizer with 480 excellent and
well-thought-out sounds, as well as 11 drum kits. Aside from the fact
that the soundboard totally adhers to XG-MIDI-MODE, the newest
standard in General-MIDI, there are numerous digital effects. All the
reverb, chorus and variation effects (11 reverb, 1 1 chorus, 42 variation)
can be freely combined and simultaneously implimented. In addition
the AXON AX 100-SB is a freely editable drum sequencer as well as
a programmable synthesizer section with 32 freely programmable
user voices. And because the AXON AX 100 is structured modularly ,
you can choose at any time to add the optional sound board, upgrading
to the SB version.
Quickstart
It’s certainly understandable that you are not in the mood right now
to learn all about the theory and structure of your AXON. You can do
that later in the pages of this manual. Now it’s time to dabble a little:
Basic Settings
Before you start, it’s important to tell the AXON a few things about
the instrument you’ll be playing. The more exact you are about these
basic settings, the more exact your AXON’s neural net will be able to
interpret your playing style and adjust to how you play. The default
parameters are so thought-out so that you will probably only have to
change a few of them. Then later, when you get to know your AXON
a bit better, you will be able to fine-tune these settings (Global Parameters).
1. Using the 13 pin jack on the front side of the AXON, connect your
guitar interface to it using the 13 connector cable provided. If you
will be using an external MIDI instrument, connect it using the MIDIout port on the AXON and the MIDI-in port on the synth using normal MIDI cables
12
2. Turn the AXON on. Wait for a moment until the AXON has
completed its initialisation process and the display is still.
3. Press the GLOBAL button. In the display you now see ”BASIC
CHANNEL.” If you see a ”1” after the colon, leave it. If not, use the
+/- Value buttons to set this value to 1.
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
4. Press the + Parameter button, to get to the next Global parameter.
Check to make sure that the parameter ”HOLD CHANNEL” is set to
”7.” If your AXON does not have the optional internal sound board
built in, you should skip to step 5. Otherwise press the + Parameter
button again and set the value for ”SEQ CHANNEL” to ”16” (+/Value buttons) if the value is different than 16.
5. Press the + Parameter button to set the values for ”PBEND RANGE.” This value sets the maximum number of halfsteps that are
allowed when Pitchbend information is analysed. What you set this
value for will be determined by the MIDI instrument you will be
using. If in doubt, read the user’s manual of your MIDI instrument. If
your instrument allows, use the +/- Value buttons to set this value to
12 (one octave).
6. Press the + Parameter button to get to ”SND PBENDRG.” If your
MIDI instrument supports setting separate pitchbend parameters for
each sound preset, set this value to ”ON” (+/- Value buttons). If in
doubt, read the user’s manual of your MIDI instrument. If you are
using the internal sound card of the AXON AX 100-SB, set this value
to ”OFF.”
BLUE CHIP
7. Press the + Parameter button repeatedly until you see ”GUITAR
NO” in the display. Now press the ENTER button to get to the
submenu. At the prompt ”TYP:” use the +/- Value buttons to set the
instrument you will be playing into your AXON: ”BASS”,
”GUITAR”, „VIOLINE“ OR „CELLO“ (+/- Value buttons).
8. Press the + Parameter button to tell the AXON about the type of
pickup you are using on your instrument. If you are using an accoustic
guitar or bass with a piezo pickup, choose ”PIEZO” (+/- Value
buttons). Otherwise leave the default setting at ”AIX101.”
You have now completed the basic settings and your AXON is ready
to be played. The changes you made have been automatically saved
in static RAM so that they will still be available after you restart your
AXON. Press the ”EXIT” button twice to get back to normal play
mode.
User manual AXON AX-100 / AX-100 SB
13
BLUE CHIP
AXON AX-100 GUITAR TO MIDI CONVERTER
Changing a preset sound
Make sure your AXON is in PRESET MODE (PRESET LED on the
front panel is on). This is the mode that your AXON is in when you
first turn it on or if you have not pressed any of the other mode buttons
(GLOBAL, UTIL, CHAIN).The top half of the display contains the
name of the active preset. To the right, the preset number. You can
change the preset by pressing the +/- Value buttons or by using the
UP/DOWN buttons on your guitar interface, stepping you through
256 presets. Presets 1-128 can be freely manipulated and edited by
the user. 129-256 contain factory presets that are undeditable. We
have copied the factory presets to positions 1-128 for you so that
there will be playable sounds already available in those slots. Perhaps
you’d like to play with a few of these factory presets. If you see an
abbreviation in the Preset name, for example ”SS”, the present preset
contains a split, in this case a String split. Other split abbreviations
are:
FS:Fret split
PS:Pick split
MS:Multi split
HL:Hold mode layer (activated using the hold pedal)
HS:Hold Mode Stack (simultaneously without Hold pedal)
HA:Hold mode arpeggio (activated using the hold pedal)
HC:Hold mode control (activated using the hold pedal)
PC:Pick control (control using your pick position)
WH:Wheel control (control using the wheel)
Now that you have sufficiently looked at and tried the factory presets,
let’s edit one of them:
1. Using the +/- Value buttons, find Preset number 2 ”EPno2+HdPad”
(the same as factory preset 130). You can also use the UP/DOWN
buttons on your guitar interface to manouver to Preset no. 2. Now
press the EDIT button.
2. Press the ENTER button to get to the split zone area of your AXON.
Press the ENTER button to accept the selected split zone.
14
3. If your AXON is equipped with the internal sound module, press
the – Parameter button and use the +/- Value buttons to select any of
the instrument groups. With the + Parameter button, you can now
move to the area where you can select a particular instrument for that
group. (+/- Value buttons).
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
If you don’t own the internal sound board, choose a GM (General
MIDI) instrument that you like and set the following parameters
”BANK MSB” und ”BANK LSB” (using the + Parameter button) to
the value of ”0” (+/- Value buttons). If the instrument shown in the
display is different than the sound you hear, you may have to set your
external MIDI instrument to GM (General MIDI) mode. If this isn’t
possible, maybe because your instrument is older and does not conform
to the General MIDI standard, you can still use the somewhat less
user-friendly method of setting Bank and program numbers. See the
chapter ”UTILITY MODE” for a description. We won’t however go
into that at this time.
4. Press the + Parameter button. Set the value for ”VOLUME” to
your desired level using the +/- Value buttons. If you like, you can
also change the next parameter ”TRANSPOSE”, which is valuable,
for example, for bass players. This parameter changes the pitch value
of your MIDI instrument in halfstep increments (like moving your
fingers up or down on the fingerboard.) To do this, press the + Parameter button again and set it’ s value using the +/- V alue buttons. (”+12”
or ”-12” for up an octave or down and octave respectively.)
BLUE CHIP
5. Press the EXIT button twice to get back to the top of the Preset
area. We now want to give our new (changed) preset a new name.
Press the ENTER button. The editor cursor is now over the ”E” of the
old name ”EPno2+HdPad.” W ith the +/- V alue buttons you can change
the letter where the cursor is. Think of a new name and change the
first letter accordingly . W ith the +/- Parameter buttons you can move
the editor cursor one character to the right or to the left respectively.
Repeat this process until your new name is complete in the display . If
your new name is shorter than the old one, you can simply change the
left over letters to spaces.
6. Press the EXIT button twice to end your Preset text editing session.
The upper half of the display is blinking. This signals that you have
changed some parameters that have not yet been saved. Press the
STORE button. Now you can determine at which slot you want to
save your new Preset. You can either overwrite the Preset you have
been editing or save it at another location within the user-definable
area (1-128). Choose, for example, Preset No. 128 (+/- V alue buttons).
Now when you press the ENTER button, your preset will be copied
to slot 128 and saved there. This also now becomes the active preset.
User manual AXON AX-100 / AX-100 SB
15
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AXON AX-100 GUITAR TO MIDI CONVERTER
About the User Interface of your AXON
The flexibility of of your AXON with all of its sophistication also
requires that many parameters to be set in order to achieve all the
possibilities. Here is a short description of the structure of the user
interface, in order to give you an overview of how the AXON works.
In order to keep the user interface as simple and as transparent as
possible, the structure of functions has been divided into four modes
or sections of operation that can all be accessed directly from the
front panel. Each of these Modes (GLOBAL, PRESET, UTILITY,
CHAIN) contain a series of related parameters that are accessed by
pressing the +/- Parameter buttons. The + Parameter button takes you
to the next parameter in the series, the - Parameter button to the
previous.
The values of each individual parameter can then be changed by using
the +/- Value buttons. The + Value button increases the value to the
next highest and the - Value button to the next lowest. By holding the
value buttons down, you can cycle through the available values step
by step. And so that you don’t fall asleep waiting for the appropriate
value in a long list, you can, after pressing the desired +/- Value buttons
and are holding it down, also pressing the other one (+ or -) and holding
both down. This will speed the scrolling of values considerably. You
can also change values in parameters by using the UP/DOWN buttons
on your guitar interface, although these are primarily designed to
change presets.
Some of the parameters have submenus with further parameters. You
can tell if this is the case by the ”…” at the end of the Parameter
name. Use the ENTER button to get to these submenus. You can then
navigate the submenus using the +/- Parameter buttons. The EXIT
button takes you back to the next level up in the submenu hierarchy;
to the parameter (…) before you pressed the ENTER button. Also
use the EXIT button to get back to the PRESET mode, the standard
mode of your AXON.
16
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
The Four AXON Modes of operation
GLOBAL MODE
All of the parameters in Global mode apply to all the presets in your
AXON, for example information regarding MIDI channels, the
instrument you are playing, basic tuning, or the sensitivity of each
string you play . Some of these parameters should be checked/changed
before you use your AXON for the first time so that it can operate
optimally with your instrument.
PRESET MODE
This is where you find all the parameters that relate to the
administration of individual presets. The Preset mode along with the
Utility mode is most sophisticated of the modes and contains numerous
split and effect settings. If you are not in any of the other modes,
Preset mode is always active.
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UTILITY MODE
Owners of the AXON AX 100-SB will find here numerous settings
for drum sequences, programmable digital effects and the QS300
sythesizer section. Here are also functions for loading and saving
SYSEX data using MIDI, so that you can, for example, back up all
your AXON settings to a floppy or hard disk drive on your computer ,
providing you have the appropriate software.
CHAIN MODE
You can define chains of presets for use in live performance that are
then easily accessible.
User manual AXON AX-100 / AX-100 SB
17
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AXON AX-100 GUITAR TO MIDI CONVERTER
GLOBAL MODE
The GLOBAL MODE is activated by pressing the GLOBAL button
on the front panel of your AXON. This is confirmed by the lighted
LED just to the right of the GLOBAL button.
Global Parameters
All of the parameters in Global mode apply to all the presets in your
AXON, for example information regarding MIDI channels, the
instrument you are playing, basic tuning, or the sensitivity of each
string you play . Some of these parameters should be checked/changed
before you use your AXON for the first time so that it can operate
optimally with your instrument.
BASIC CHANNEL
Basic MIDI Channel (1…11)
The MIDI information that your AXON generates based on the
vibrations of your guitar strings that are sent to it have to be assigned
to a channel in order for that information to get to the sound module
or the external MIDI instrument that will then play the information.
The ideal scenario (see STRING MODE SEPARATE) is for each
individual string to be assigned its own MIDI channel. The advantage
is that controller information that is generated parallel to pitch
information only effects the sound generated by that particular string.
For example pitchbend information generatedby pulling a string
should only affect that one string and not all the others that are
presently sounding and not being pulled. With the parameter BASIC
CHANNEL, you need only set the FIRST of the six channels for
your six strings. The other five will automatically be assigned
respectively . For example, if this value is set to ”1”, then channels 16 will be reserved for the six strings. If you set this value for ”5”, then
channels 5-10 will be reserved, the value ”11” will reserve channels
11-16, etc. Typically this parameter is set to ”1”, reserving channels
1-6 for string input.
18
HOLD CHANNEL
Hold MIDI Channel (1…11)
In the same way that the first of six channels was set for the BASIC
CHANNEL parameter , so the first of an additional six MIDI channels
is set here for Hold effects such as SEPARATE, LAYER, ARPEGGIO. It is important here that basic channels and hold channels do
not coincide. In other words, make sure that the basic channel and the
hold channel values are at least six digits apart. T ypically this parameter
is set to ”7”, reserving channels 7-12 for the hold functions.
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
SEQ CHANNEL
MIDI channel for internal soundboard drum sequences (1…16)
The output from the drum sequencer that is built into the internal
soundboard will have its own separate MIDI channel. It is important
here that the SEQ CHANNEL not coincide with any of the BASIC
CHANNEL or HOLD CHANNEL reserved MIDI channels. Make
sure you choose a free channel and reserve it for drum sequences
using this parameter. T ypically this value is set for ”16.” This parameter
is only available to those who have the internal sound board installed.
PBEND RANGE
Pitchbend limit values (OFF, 1…24)
Techniques often used by guitarists are string bends, pulloffs,
hammerons, slides. In order to effectively interpret these techniques
that are fairly unique to guitar, your AXON uses the MIDI controller
Pitchebend. In much the same way that a keyboard player hits a key
and then uses his pitchwheel to modify the pitch, your AXON can
generate pitchbend information for picked notes. In order for the built
in sound module or the external MIDI instrument to correctly play
this pitchbend information, the limit values for pitchbending need to
be set. The value you choose relates to the number of halfsteps that
the pitch will be allowed to be bent. Make sure that your MIDI
instrument can interpret the values you program for this parameter . If
possible set this value to 12 (one octave). For bass guitar, we
recommend a setting of 24. The value OFF sends no pitchbend
information, so that when you bend strings or slide, the resulting pitch
will change in halfstep increments.
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SND PBENDRG
Send Pitchbend Range (ON/OFF)
If your MIDI instrument allows pitchbend parameter settings for every
Preset (sound), set this parameter to ON. In this case your AXON
sends the pitchbend range event directly after every program change
event. If your MIDI instrument saves pitchbend information in its
global area, set this value to OFF.
User manual AXON AX-100 / AX-100 SB
19
BLUE CHIP
AXON AX-100 GUITAR TO MIDI CONVERTER
LOCAL MODE
Local operation mode (ON/OFF)
ON: This is the internal operating mode of your AXON. The internal
sound module will be directly triggered. Received program change
events (via MIDI IN) will affect the program selected in your AXON.
These events are then sent on to the MIDI OUT port. In this way,
other connected MIDI instruments can be controlled. This value should
be set if you are not using an external sequencer to drive your AXON
or other synths. This would probably be the case most often in live
situations.
OFF: If you want to control your AXON from a hardware or software
sequencer in cooperation with other connected MIDI instruments,
you can deactivate local control. Your internal sound module will
now act like a normal expander. You can no longer change the Presets
of your internal sound module thtrough the MIDI IN port. Of course
you can still select presets using the front panel buttons. All the MIDI
data that your AXON generates will now be exclusively sent to the
MIDI OUT port. Make sure you have the sequencer connected to the
MIDI OUT port of the AXON and that the MIDI OUT port on the
sequencer is connected to MIDI IN on your AXON. Switch the echo
function in your sequencer on, so that the incoming signal from your
AXON will be echoed to the OUT port and back to the AXON and to
it’s internal sound module.
After turning off your AXON, the LOCAL MODE parameter is
automatically reset to ON. If you set this parameter to OFF, it will
only remain off as long as your AXON is poweredup.
TUNE BASE
Basic Tuning (-99…+99)
All the MIDI notes generated by your AXON are compared to the
reference tuning of 40 Hz plus or minus the value you set with this
parameter. If you are playing with other musicians using instruments
that are difficult to tune (piano for example), it is much easier to tune
your AXON to their instrument. Here’s how to do that: carefully tune
the A string of your guitar to the other instrument, to which you want
to tune (piano). Press the ENTER button. In the display you see ”PICK
THE OPEN A STRING”. When you play the A string, your AXON
analyses the pitch and adjusts its tune base to the correct value. You
can also set the value manually using the +/- Value buttons, if you
know the value. After this step, you can now tune the other strings of
your guitar using the AXON’s built in tuning function. When you
play alone (solo), you should set the tune base value to ”0”.
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User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
GUITAR NO…
Guitar number and guitar-specific settings (1…4)
In order for your AXON to optimally translate the information coming
from your guitar into MIDI information, there are a few basic
parameters that need to be set in terms of sensitivity , etc. These settings
are dependant upon the structure of your guitar, and are very specific.
They can be totally different for different guitars. If, in the middle of
a live performance, you decide you want to play another guitar with
your AXON, you can quickly call up settings for that particular
instrument.. It is simply a matter of selecting the appropriate guitar
number. You can program basic settings for four totally distinct
instruments into your AXON. When you press the ENTER button,
you toggle through the various settings. Use the +/- Parameter buttons
to select the individual functions. The values can then be changed
using the +/- Value buttons. Within these basic settings, the first line
in your display shows a VU meter. The position of the small dashes
correspond to the strings of your guitar. When you play a string, you
will see that the associated dash fills in more and more until playing
loudly fills out the entire character space.
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TYP
Type of instrument (GUITAR, BASS, VIO:LINE, CELLO)
You decide here what type of instrument you will be using. This is
particularly important for the assigning of string and hold channels.
PICKUP
The type of pickup in your instrument (AIX101, PIEZO)
Choose the type of pickup you will be using to drive your AXON.
AIX101 is the normal setting if, for example, you are using the Guitar
Interface AIX-101. The setting PIEZO allows for the use of polyphonic
Piezo-Pickups (optional). The signal from piezo pickups is very true
to the original accoustic sound of the instrument and have been
developed especially for accoustic guitars. The advantages of these
pickups for accoustic guitarists are that the pickup is totally invisible
(installed under the bridge) and that you can use nylong stringed
instruments (classical guitars) to drive your AXON.
User manual AXON AX-100 / AX-100 SB
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AXON AX-100 GUITAR TO MIDI CONVERTER
NOTE OFF LIM
Note off Limiter (10…30)
Unlike a keyboard, where a key is pressed and the note ends when
you release the key, a guitar string sounds until its vibrations decay
totally or until it is dampened. The decay time is most definitely
dependant upon the quality and structure of the guitar and the strings.
Some guitars sound more percussive; others have a longer sustain.
Synthesizers recreate these characteristics using a so-called ”envelope
curve,” to graphically reproduce an instrument’s characteristic of
decaying amplitude (volume) as it diminishes to zero. Be setting a
limit point within the envelope, we can determine at what point in
time a note’s ”release” comes; the point at which it ceases to sound.
The higher this value, the earlier a MIDI NOTE OFF event will be
sent to the MIDI instruments. Smaller values will allow the note to be
held longer. In this way you can adjust this value to match your
instrument optimally.
TRIG. LEVEL
Trigger Level (0…9)
Using this parameter you can set the volume level at which your
AXON reacts to a signal from your instrument (at which volume level
a MIDI NOTE ON event is sent). The smaller the value, the more
sensitively your AXON reacts even to very softly played notes. Higher
values mean that you have to play loudly in order for the AXON to
send a NOTE ON event. You should experiment with this parameter
in order to find a setting that feels good to you and your playing style.
SENSE
Guitar/Bass input sensitivity: E6…E1 or B6…C1 (16…64)
Using the +/- Parameter buttons you can toggle through all the strings
of your instrument and set each one’s input sensitivity separately.
Higher values mean a higher level of sensitivity. Your AXON, like
many electronic devices that translate analog audio into a digital signal,
is very sensitive and can easily be overdriven. But the other extreme
is equally as true: you shouldn’t drive your AXON with too low of an
input signal level either.You will probably have to increase the
sensitivity of the thin strings to obtain a balance between the strings
and to reproduce a natural sound. When setting up a bass guitar, for
reasons of compatibility, your AXON takes for granted that you are
playing a six-string bass. If you are playing an instrument with less
than six strings, simply bypass the strings that don’t apply.
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User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
PAN ENABLE
Panorama Controller (ON/OFF)
Within a given preset of your AXON, it is possible to set distinct
stereo panorama placement for each individual split. Panorama is
MIDI Controller #10 which is sent to your MIDI instruments. If you
don’t want to send Controller #10 events, perhaps because you would
rather use the panorama settings within a connected keyboard, for
example, or because a given MIDI instrument is older and doesn’t
support Controller 10 information, set this value to OFF. If this
parameter is set to ON, the values will be sent that were set in the
Play Area parameters (see PRESET MODE). As will all other
controller information, you AXON will only send Controller 10 if
the panorama settings have changed from what was previously sent,
so as not send redundant information.
REV ENABLE
Reverb Controller (ON/OFF)
For the same reasons (see PAN ENABLE), you may not want MIDI
Controller #91 information (Reverb) for a preset split sent to your
MIDI instruments. Set this value to OFF. If your AXON is equipped
with the internal soundboard, a third parameter, NO EFFECT, is also
listed as a choice. If this is selected, the programmed reverb function
of the preset will be ignored by the soundboard.
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GLOBALS
PAN ENABLE: ON
GLOBALS
REV ENABLE: ON
CHOR ENABLE
Chorus Controller (ON/OFF)
Here you determine whether MIDI Controller #93 (Chorus) will be
sent to your MIDI instruments or not. (see PAN ENABLE) f your
AXON is equipped with the internal soundboard, a third parameter,
NO EFFECT, is also listed as a choice. If this is selected, the
programmed chorus function of the preset will be ignored by the
soundboard.
VAR ENABLE
Variation Controller (ON/OFF)
ere you determine whether MIDI Controller #94 (Variation) will be
sent to your MIDI instruments or not. (see PAN ENABLE) f your
AXON is equipped with the internal soundboard, a third parameter,
NO EFFECT, is also listed as a choice. If this is selected, the
programmed variation function of the preset will be ignored by the
soundboard.
GLOBALS
CHOR ENABLE: ON
GLOBALS
VAR ENABLE: ON
User manual AXON AX-100 / AX-100 SB
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AXON AX-100 GUITAR TO MIDI CONVERTER
CC DEFAULTS…
Controller defaults…
In using the various possibilities of control you have using modulation
wheels or, in our case, pick control functionality, it is necessary for
the controller value to be reset to its default value (usually zero) after
a preset change for example. But there are exceptions. The optional
soundboard excpects a standard value of 64 for Controllers 71-74
because these controllers are used as offsets. Because there are
numerous non-standard Controllers available in the MIDI Protocol,
that manufacturers can use at will, your AXON is equipped with the
ability to determine and set the default value for all these controllers.
Press the ENTER button to get to the submenu. In the first line of the
display shows the name and number of the presently selected controller
and in the second line, its default value in hexadecimal format. The
cursor is in the first line and by using the +/- Value buttons, you can
select the controller you want to work with. The + Parameter button
moves the cursor to the second line, and then the default value can be
changed using the +/- Value buttons. The value you enter here will be
saved in a battery-backed-up memory area of your AXON. The table
contains the factory default values. All standardized MIDI controllers
have a default value of zero. Refer to the user manual of MIDI
instrument or module you are using for the default values of any
controller used by the manufacturer and set it here. Use the EXIT
button to leave the Submenu.
GLOBALS
MIDI MAPPING:...
MIDI MAPPING:
Program change commands that are received on the selected active
BASIC CHANNEL can be assigned to any AXON presets using this
mapping table. Press the ENTER button.
The first line of the display shows the program number that your
AXON receives; the second line of the display shows the Preset to
which the change will be made. The default setting is the program
change will be sent to the AXON preset with the same program
number. If you want to change this setting, use the +/- VALUE buttons
to change to the appropriate value. Your entry will be immediately
saved in the AXON’s internal battery-backed-up memory, and does
not have to be saved. Use the EXIT button to leave the submenu.
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User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
PRESET MODE
Preset Mode is always active unless you activate another mode. When
you leave one of the other modes, you will always be sent back to
Preset Mode. Preset Mode is signaled by a lit LED just to the right of
the PRESET button on the front panel.
Preset Parameters
These parameters contain all the settings that relate to individual
presets. A preset is a playing environment that you determine, saved
and easily retrievable, with the flexibility and complexity to give you
total control over playing and sound characteristics. You can program, save and recall up to 128 complex presets. How complex a
preset is, is something you determine. For example you have the
capability of dividing the strings of your guitar into a total of 12 totally
separate and individual splits and then to freely combine them. Each
of these presets can have its own set of effects, selected from a copious
list, as well as its own set of playing parameters.
BLUE CHIP
Recalling Presets
Use the +/- Value buttons to cycle through your presets. You can also
use the UP/DOWN buttons on your guitar interface.
Guitar Tuner
In the default setting (see UTILITY MODE, DISPLAY) the bottom
half of the display shows a tuner that monitors your instrument as
you play to insure correct tuning. It is important that your instrument
is tuned within a certain tolerance so that your AXON will send the
proper MIDI pitch information to your MIDI instruments. Tune every
string so that the meter pointer is directly over the arrow in the middle
of the scale. As long as the Tune Base Parameter is set to “0”, the
arrow in the middle of the scale represents a standard tuning of 440
Hz. There may be reasons for changing this basic tuning standard, for
example if you want to play with an acoustic piano that is somewhat
under the pitch. (see Global Parameters, TUNE BASE) In this case
you can tell the AXON to orient itself to the tuning of your guitar,
giving you a new standard. In this case the arrow in the middle of the
tuning scale represents the new tuning standard.
User manual AXON AX-100 / AX-100 SB
25
BLUE CHIP
AXON AX-100 GUITAR TO MIDI CONVERTER
PRESET PROGRAMMING
When your AXON is in preset mode, you can press the EDIT button
to program/edit a preset. The graphic at the bottom of the display
shows the actual split zones of the presently selected preset. In order
for you to better understand what a split zone is, let us look a little
closer at the split possibilities that your AXON is equipped with. A
split is simply the dividing up of the play area of an instrument into
two or more zones. Your AXON is capable of the following split
possibilities:
Fret Split
String Split
Fert Split
Zone
String Upper Zone
String Lower Zone
{
{
{
{
Fret Lower ZoneFret Upper Zone
String Split
Pick Split
String Split
Y ou can divide the six strings of your guitar into two separate groups,
each of which can be assigned a separate synthesizer sound. You can,
for example, assign a Bass guitar sound to the bottom E and A strings,
and then give the other four strings a piano sound. It is totally up to
you between which strings you want to set the split.
Fret Split
Likewise you can divide the fretboard of your guitar into two zones
divided by a particular fret, so that regardless of which string you
play , in one zone above or below the given fret one synth sound will
be heard, and in the other zone another one. The fret at which the split
occurs is determined by your own preference.
Pick Split
The area of your guitar between the bridge and the highest fret is the
area where you normally pick or strum your guitar. This area can be
divided into up to three split zones. The width of these zones is also
flexible and can be freely programmed. This function allows you to
play up to three different synth sounds with your guitar depending on
whether you pick/strum close to the bridge, in the middle, or close to
the neck.
Pick Split 1 Pick Split 2
26
PICK
{
Lower
{
{
Upper Midle
Split Combinations
These three different types of splits can be totally independently
combined giving you a total of 12 split combinations (2 string splits,
2 fret splits, 3 pick splits). And because you can freely choose where
the split points are in each of the three split types, the combination
possibilities are more than numerous.
User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
Selecting Split Zones
Make sure your AXON is in PRESET MODE (PRESET LED next to
the PRESET button on the front panel is on.) Press the EDIT button.
The bottom half of the display now shows a small graphic to help you
visualize the play area of your guitar. The little triangle at the far right
symbolizes the nut and at the left the symbols for the three pick splits,
that can be split into six different parts when combined with a string
split. The part of the graphic in between the pick split symbols and
the triangle for the nut represent the fingerboard and can be divided
into 4 parts symbolizing a combination of string and fret splits. As
you program your splits, this graphic will change allowing you to see
graphically where your split zones are. The simplest form is when
the preset that is presently selected has no splits. If you assign a string
split, you will see that the fingerboard area of the graphic now has
either the upper or the lower half filled in contrasting the other half,
depending upon which split zone is presently active. Using the +/Value buttons you can step through all the possible split zones.
Depending upon the complexity of the preset, you can half up to twelve
different split zones. Now try to determine by looking at the graphic
what split types are combined in the presently selected preset. With
very little practice you will soon understand and be able to immediately
decipher the help graphic. Press the EXIT button once to return to
normal play mode.
BLUE CHIP
Changing the Split Parameters
Select a split zone as described above and press the ENTER button.
Just to the left of the help graphic described above the text SLCT is
flashing. Your AXON is waiting for you to either press the ENTER
button to accept the split definitions as they stand, or to define your
own split definitions. Notice the similar graphic painted on the front
panel around the buttons that we have used up until now. It is very
similar to the help graphic on the display and has the same function.
Except for the ENTER and EXIT buttons, all the other ones now
function to let you select one of the split zones to edit. For right now ,
let’s create a simple string split causing the upper half of fret area in
the help graphic to be filled. Every button represents a particular split
zone that can be activated for editing by pressing once, or deactivated
by pressing again. Press all the upper buttons to turn them on and
make sure the lower buttons are off. Now press the ENTER button.
Using the +/- Parameter buttons we can now edit a series of sound
characteristics for our split as follows:
User manual AXON AX-100 / AX-100 SB
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AXON AX-100 GUITAR TO MIDI CONVERTER
Choose Instrument
Here your determine which MIDI patch/sound will be used for this
split. With your AXON in XG MODE (see Utility Parameters), you
will see all XG (Extended General MIDI) Sound names in your display .
You can make your choice based on instrument group or instrument
name. Press the – Parameter button to place the cursor in the instrument
group box. Choose a random group using the +/- Value buttons. The
selected instrument name will automatically be the first in the sound
group. For our example here, select the group Bass instruments (e.g.:
AkBas). Now press the + Parameter button to select the Bass of your
choice from the group.
BANK MSB / BANK LSB
Bank Select (0...127)
You can select banks with this function, if there is no sound board
build in the AX100.
VOLUME
Volume level (0…127)
Every split allows for an independent volume level that you set here.
Using the +/- Value buttons set the level for your Bass sound to a
value of your choosing.
TRANSPOSE
Transposition (-36…+36)
You can set a pitch offset in half step increments to affect the tuning
for this split. This is a way for you to play notes with your guitar that
you couldn’t normally reach with the guitar alone. For our example
set this value to –12 (–1 octave), so that the Bass will play within its
typical range.
QUANTIZE
Pitch Quantization (AUTO, OFF, ON, TRIGGER)
With this parameter you tell your AXON to execute pitch changes
using your normal pitchbend settings or step-wise (quantized):
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User manual AXON AX-100 / AX-100 SB
AXON AX-100 GUITAR TO MIDI CONVERTER
AUTO:
This setting corresponds to your AXON’s unique ability to recognize
your intentions as you play with respect to pitch quantization and
then translate them appropriately . Chords for example, are interpreted
exactly (no pitchbend information), whereas for melodic notes of a
solo which contain string bends and slides, hammer-ons and pulloffs, pitch quantization is turned off, allowing for normal pitchbend
information to be sent.
OFF:
All pitch changes (hammer-ons, pull-offs, slides, etc.) will be translated
into pitchbend information allowing for true representation of what
you play. (see Global Parameters: Pitchbend range).
ON:
Any variation in pitch will NOT be translated in pitchbend information
until the given pitch reaches the next half step and will at that point
jump to the new pitch chromatically , but using pitchbend information
and NOT sending new note information. Hammer-ons, pull-offs,
slides, etc. will not be carried out as they are intended. The pitches
you play are then locked (quantized) to the nearest half step. This
setting is advantageous for playing chords.
BLUE CHIP
TRIGGER:
This setting turns pitchbend off altogether, af fecting simple chromatic
half steps when playing bends or slides. It is the same as setting the
global setting PBEND RANGE to OFF (see Global Parameters), but
only affects this one particular split zone. It is recommendable to use
this setting when using a piano sound, for example, which
characteristically cannot be bent.
For our example set the Quantize parameter to AUTO. It applies to
the Bass split and allows for string bending (pitchbend), whereas the
piano sound will be triggered in half steps.
PAN POS
Panorama Position (L15…L1, MID, R1…R15)
This is where you place the selected sound of your MIDI instrument
in the overall panorama left to right in stereo. The values L15 to L1
represent the left side, L15 being all the way to the left and R15 to R1
being the same in reverse. R1 and L1 are close to the center. MID is
exactly centered in the stereo panorama.
User manual AXON AX-100 / AX-100 SB
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