Axiom AX2065P User Manual

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USER MANUAL
AX2065P
passive ver cal array loudspeaker
KEY FEATURES
• High output line array element • Very stable horizontal coverage
• Compact size, very good output-to-weight ra o • Transmission Line back loading for clean mid-bass reproduc on
• High quality, low compression, low distor on HF driver • Natural sound Transmission Line HF projec on wave-forming device
The AX2065P Ver cal Line Array element is designed for a wide range of sound reinforcement applica ons where a fl exible and easy to use ver cal array systems is needed. The AX2065P has been designed both for rental live sound applica ons and for fi xed installa ons and has been engineered
for the simplest use possible but without sacrifi cing anything in sound quality and performance. The high frequency range is reproduced by a low-distor on compression driver, equipped with very light-weight Titanium diaphragms and a special new suspension design for very natural sound. A transmission line wave­forming waveguide has been used to load the HF driver, in order to provide a detailed and natural sound and to achieve a long-distance HF projec ng capacity. The two 6.5” woofers employed in the reproduc on of the mid-bass range are equipped with very light- weight cones and rubber suspension to extend the low frequency response. The lightness of the diaphragm is furthermore improved by the use of aluminium voice coil instead of conven onal copper.
This ensure a fast reproduc on of the mid range and of mid-bass musical passages, improving also the thermal capacity of the voice coil and, consequently, controlling the overall power compression. The two 6.5” woofers are back loaded by a short hybrid transmission line that minimizes the e ect of the box resonances and eliminates the “boxy” mid-bass sound commonly obtained from regular bassrefl ex enclosures. The crossover fi lter approach is based on a “Constant Power” technique. Thanks to a par cular phase combina on between the two ways around the crossover frequency, this approach is able to provide a very stable horizontal coverage and a very stable o -axys sound image, also minimizing unwanted e ects around the crossover frequency. The further applica on of phase lineariza on techniques, combined to constant power crossover, yield a linear phase response and a coherent  me response. This allows for a natural percep on of acous c instruments and voices and for an improved depth of the sound image.
TECHNICAL SPECIFICATION
AcousƟ cal
LF Power Compression
@ -10 dB Power (70 W) = 0.7 dB @ -3 dB Power (350 W) = 1.8 dB @ 0 dB Power (700 W) = 3.5 dB
System type
Line Array Element Short Transmission Line LF Back Loading Acous c Transmission Line HF Waveguide
Connectors
Low frequency transducer
Two 6.5” (165 mm), 1.5” (38 mm) aluminium voice coil, 16 each, paralleled
Connector Type Neutrik® Speakon® NL4 x 2
Input Wiring LF = Pin 1+/1-; HF = Pin 2+/2-
High frequency transducer
One 1.4” driver, 2.5” (64 mm) edgewound voice coil,  tanium diaphragm, 8 each, paralleled
Mechanical
Width 583 mm (22.95”)
Height 244 mm (9.60”)
Frequency response (±3 dB) 80 Hz – 18 kHz (Processed) Depth 481 mm (18.93”)
Sensi vity (2.83 V @ 1m, 2 Pi) 99 dBSPL (LF); 108 dBSPL (HF) Taper angle
Horizontal Coverage Angle 110° (-6 dB) Construc on 15 mm, reinforced Phenolic Birch
Ver  cal Coverage Angle 12° (-6 dB) Paint High resistance, water based paint
Maximum Peak SPL @ 1m 129 dB Suspension system
Electrical Front Suspension Aluminium Fast Link structure with ¼ Fast Pin
Nominal Impedance 8 (LF) + 8 (HF) Back Suspension High Strength Steel with ¼ Fast Pin
Minimum Impedance 7.2 @ 340Hz (LF); 7 @ 2.5kHz (HF) Net Weight 19.2 Kg (42.32 lbs.)
Power Handling Con nuous* 400 W (LF) + 75 W (HF)
Power Handling Peak 800 W (LF) + 150 W (HF)
* AES Pink Noise Power
revision 2014-12-5
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MECHANICAL DRAWING
OPTIONAL ACCESSORIES
AXCASE05 Carrying Case for 4 box unit + Flying Bar KPTSW215 Fly bar for Axiom AX2065 and SW215 Loudspeakers
AXCASE06 Carrying Case for 4 box unit KPTAX2065 Fly bar for Axiom AX2065 only
NL4FX Neutrik Speakon® PLUG AXFEETKIT Kit Of 6pcs BOARDACF01 M10 foot for stacked installa on
AX2065A Ac ve ver cal array loudspeaker KPAX265 Pole Adaptor
SW215P Passive Subwoofer KP010 0° to 10° lt adaptor
SW215FP Flyable Passive Subwoofer DHSS10M20 Sub-Speaker ø35mm Pole with M20 screw
PC260 2 in 6 out digital loudspeaker processor RAINCOV2065 Rain cover for input sockets
USB2CAN PRONET network converter
see hƩ p://www.axiomproaudio.com for detailed descripƟ on and other available accessories.
SPARE PARTS
NL4MP Neutrik Speakon® panel socket 98AXM6W16 6.5’’ woofer - 1.5” VC
94SPI2265 Locking Pin for AX2265 98DRI2065 1.4’’ - 2.5” compression driver
PLG716 Straight Shackle 16 mm for Fly bar 98MBN2065 tanium diaphragm for 1.4” driver
91CRAIN3 Crossover/protec on module
KPAX265
MAX 2x AX2065
1x SW215
KP010
DHSS10M20
AX2065 used as convenƟonal system
48.1 cm
18.93"
58.3 cm
22.95"
24.4 cm
9.60"
14.5 cm
5.70"
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REAR PANEL
INPUT - Power input for the external ampli er. The AX2065P does not include a passive crossover for ltering the signal, but only an internal
protec on that applies a gentle high-pass fi ltering and a limita on for excessive power on the HF sec on. The connec ons are the following:
INPUT - LINK
NL4 pin number internal connecƟ on
1+ LF+
1- LF-
2+ HF+
2- HF-
LINK - Power output in parallel with the INPUT socket for connec ng the unit to another speaker.
The number of AX2065P cabinets that can be connected in parallel depends on the amplifi er load capacity.
WARNING: In case of using the AX2065P passive module linked with an AX2065A acƟ ve module DO NOT LINK ANY OTHER AX2065P.
Useful tools to set up properly a verƟ cal array system
This is a list of tools that can be very useful to set properly a ver cal array system.
CABLE TESTER
It is a good prac ce to check all cables before each installa on, because even one faulty cable can compromise heavily the system performance.
INCLINOMETER WITH LEVER
This tool can be used to verify the ver cal array angle. It can be used at the top or at the bo om of the array In this case you have to sum all splay angles, so the maximum precision is needed for aiming the ver cal array, par cularly for long throw applica ons.
LASER DISTANCE METER
This instrument can be useful to measure the height of the ver cal array and to know the distance between FOH-Subs and FOH-Array for se ng the delay  me.
SMAART or similar acous c measurement system These are useful to measure delays, phase and response of the system.
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PREDICTION: EASE Focus 2
To aim correctly a complete system we suggests to use always the Aiming So ware - EASE Focus 2: The EASE Focus 2 Aiming SoŌ ware is a 3D Acous c Modelling So ware that serves for the confi gura on and modelling of Line Arrays and conven onal speakers close to reality. It only considers the direct eld, created by the complex addi on of the sound contribu ons of the individual loudspeakers or array components. The design of EASE Focus is targeted at the end user. It allows the easy and quick predic on of the array performance in a given venue. The scienfi c base of EASE Focus stems from EASE, the professional electro- and room acous c simula on so ware developed by AFMG Technologies GmbH. It is based on the EASE GLL loudspeaker data fi le required for its use: AXIOM_AX Series_v2_1.GLL, please note that the version must be 2.1 or more. The GLL fi le contains the data that defi nes the Line Array with regard to its possible confi gura ons as well as to its geometrical and acous cal proper es.
Download the EASE Focus 2 app from the AXIOM website at hƩ p://www.axiomproaudio.com/ clicking on downloads secƟ on of the product.
Use the menu op on Edit / Import System De niƟ on File to import the fi le AXIOM_AX Series_v2_1.gll from the installa on Data folder, the detailed instruc ons to use the program are located in the menu op on Help / User’s Guide.
Note: Some windows system can require the .NET Framework 4 that can be download from microsoŌ website at hƩ p://www.microsoŌ .com/en- us/download/default.aspx.
WARNING! CAREFULLY READ THE FOLLOWING INSTRUCTIONS AND CONDITION OF USE:
• This loudspeaker is designed exclusively for Professional audio applica
ons. The product must be installed by quali ed personal only.
• Proel strongly recommends that this loudspeaker cabinet be suspended taking into considera on all current Na onal, Federal, State and Local regula ons. Please contact the manufacturer for further informa on.
• Proel do not accept any liability for damage caused to third par es due to improper installa on, lack of maintenance, tampering or improper use of this product, including disregard of acceptable and applicable safety standards.
• During assembly pay a en on to the possible risk of crushing. Wear suitable protec ve clothing. Observe all instruc ons given on the rigging components and the loudspeaker cabinets. When chain hoists are in opera on ensure that there is nobody directly underneath or in the vicinity of the load. Do not under any circumstances climb on the array.
AIMING and SUSPENDING INSTRUCTIONS Fly Bar and accessories
The AX2065 Systems are built to allow the suspension of array with variable shape and dimensions. Thanks to a suspension mechanism designed to be func onal, fl exible and safe, each system must be suspended or stacked using the KPTSW215 or KPTAX2065 fl y bar. The loudspeakers are linked together in a column using a series of couplers integrated in the frame of each enclosure. Each system is set up properly both acous cally and mechanically only using the aiming so ware. Coupling system in the front does not require any adjustment: using two locking pins, each loudspeaker box is fi xed to the previous. The slo ed bar in the back is inserted in a U-shaped frame which features a series of numbered holes. Sliding the slo ed bar in the U-shaped frame of the next loudspeaker and inser ng a locking pin in one of the numbered holes, it is possible to adjust the rela ve splay angle between two adjacent loudspeakers in the array column.
KPTSW215 fl y bar maximum capacity is 540 Kg (1190 lbs) with the 0° angle. It can support, with a safety factor of 10:1, up to:
• 8 AX2065A + 8 AX2065P (fl ybar from 0° to 10°)
• 12 AX2065A (fl ybar from 0 to 10°)
• 2 SW215AF + 4 AX2065A + 4 AX2065P (fl ybar at 0°)
• 2 SW215AF + 8 AX2065A (fl ybar at 0°)
• 6 SW215AF (fl ybar from 0° to 5°) KPTSW215 can be used for stacked array, see further on this manual.
KPTAX2065 fl y bar maximum capacity is 200 Kg (441 lbs) with the 0° angle. It can support, with a safety factor of 10:1, up to:
• 6 AX2065 acƟ ve or passive (fl ybar from 0° to 10°) KPTAX2065 can NOT be used for stacked array.
NOTE: The fi gures illustrate the KPTWS215 only, KPTAX2065 use is similar with capacity limitaƟ ons.
1
1
2
2
3
4
5
KPTSW215 FLY BAR ASSEMBLY SEQUENCE
SUSPEND HOLES
SUSPEND HOLE INDICATOR
REAR BOX PIN ATTACHMENT
FRONT BOX PIN ATTACHMENT
FRONT BOX PIN ATTACHMENT
STRAIGHT SHACKLE 16mm
M10 FOOT FOR STACKED INSTALLATION (OPTIONAL)
IDENTIFICATION AND DATA LABEL
KPTSW215 FLY BAR AND ACCESSORIES
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Follow the sequence in the fi gure for fi xing the fl y bar at the fi rst box. Usually this is the fi rst step before li ing up the system. Be careful to insert properly all the locking pins (1)(2) and (3)(4) then the shackle (5) in the right holes as specifi ed by the aiming so ware. When li ing the system always proceed gradually step by step, paying a en on to secure the fl y bar to the box (and the box to the other boxes) before pulling up the system: this makes easier to insert properly the
locking pins. Also when the system is released down, unlock gradually the pins. During the li ing be very careful to not let the cables enter the space between one enclosure and the other, as their compression could cut them.
Fly bar suspension and angle setup (centre of gravity)
The fi rst fi gure shows where the normal centre of gravity is with one box or several boxes arranged in a line. Usually the boxes are arranged to make an arc for the best coverage of the audience, so the center of gravity moves backward. The aiming so ware suggests the ideal suspension pinpoint taking into account this behaviour: fi x the straight shackle in this posi on. Note that the ideal aiming angle o en doesn’t correspond to the pinpoint: there is o en a li le di erence between ideal aiming and real aiming and its value is the Delta angle: posi ve delta angle can be adjusted a li le using two ropes, nega ve delta angle are self adjusted a li le because the cables weighs on the back of the array. With some experience it’s possible to consider preven vely these required li le adjustments. During the fl own set up you can connect the elements of the array to their cables. We suggest to discharge the weight of the cables from the fl ying pinpoint by tying them with a tex le fi bre rope, instead of le ng them hang freely: in this way the posi on of the array will be much more similar to the simula on produced by the so ware.
Pin locking and splay angles set up
The fi gure below shows how to insert correctly the locking pin and how to set up the splay angle between loudspeakers.
Wind loads
When planning an open-air event it is essen al to obtain current weather and wind informa on. When loudspeaker arrays are fl own in an open-air environment, possible wind e ects must be taken into account. Wind load produces addi onal dynamic forces ac ng on the rigging components and the suspension, which may lead to a dangerous situa on. If according to the forecast wind forces higher than 5 b (29-38 Km/h) are possible, the following ac ons have to be taken:
- The actual on-site wind speed has to be monitored permanently. Be aware that wind speed typically increases with height above ground.
- Suspension and securing points of the array should be designed to support double the sta c load in order to withstand any addi onal dynamic forces.
WARNING!
Flying loudspeakers overhead at wind forces higher than 6 bŌ (39-49 Km/h) is not recommended.
If the wind force exceeds 7 b (50-61 Km/h) there is a risk of mechanical damage to the components which may lead to a dangerous situa on for persons in the vicinity of the fl own array.
- Stop the event and make sure that no person remains in the vicinity of the array.
- Lower and secure the array.
95AXM014 LOCKING PIN
press and insert
release and lock
KPTSW215 FLY BAR FOR FLOWN ARRAY
CENTRE OF GRAVITY
SINGLE PINPOINT FOR STRAIGHT SHACKLE
KPTSW215 FLOWN PINPOINT
HINGE BAR OF PREVIOUS BOX
LOUDSPEAKER SPLAY ANGLES SET UP
USE THIS HOLE TO LOCK THE HINGE BAR WHEN THE LOUDSPEAKER IS REST
LOCK THE PIN IN THE HOLE TO OBTAIN THE REQUIRED SPLAY ANGLE.
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Stacked installaƟ on (KPTSW215 only)
WARNING!
• The ground where the KPTSW215 Fly bar serving as ground support is placed needs to be absolutely stable and compact.
• Adjust the feet so to lie the bar perfectly horizontal.
• Always secure ground stacked setups against movement and possible  pping over.
• A maximum of 4 x AX2065 cabinets with the KPTSW215 Fly bar serving as ground support are allowed to be set up as ground stack.
In the stack configuration you have to use the three optional BOARDACF01 feet and the fl y bar must be mounted upside down on the ground. Coupling system in the front do not require any adjustment: using two locking pins each loudspeaker box is fi xed to the previous. The slo ed bar in the back is inserted in a U-shaped frame which features a series of numbered holes. Sliding the slo ed bar in the U-shaped frame of the next loudspeaker and inser ng a locking pin in one of the numbered holes, it is possible to adjust the rela ve splay angle between two adjacent loudspeakers in the array column. The op mal splay angles can be simulated using the EASE Focus 2 so ware.
System Processing basic instrucƟ on
The AX2065P system does not feature passive fi lters so it needs an external processor to take care of the filtering, the time alignment and the speaker protec on. For the system’s processing PROEL PC260 digital loudspeaker processor must be used, loaded with dedicated presets for the correct system opera on, which o er the best star ng point for se ng the  me alignment, the gain and the equaliza on. For detailed instruc ons about the use of PC260 refer to its user’s manual.
The presets can be download from the AXIOM web site in the AX2065P download secƟ on.
STANDARD PRESET (name: 2065_4+1_ST01.pcf)
This PRESET is suitable for ver cal fl own arrays that may range from 4 to 8 boxes or for the centre region of a bigger fl own array. It can be used also for stacked arrays. NOTE: in this preset the subwoofer SW215P is placed at the top of the
own array, in case the sub is placed on ground an addi onal delay me must be considered (read the PC260 OUT sec on further in this
manual).
LONG THROW PRESET (name: 2065_4+1_LT01.pcf)
This PRESET can be used in arrays bigger than 6 or 8 boxes and loaded in the top 1 or 2 boxes in order to obtain a more even distribu on of the sound pressure, especially if they point very far away or to the upper deck of a large theatre.
SINGLE/DOWN-FILL PRESET (name: 2065_4+1_SD01.pcf)
This PRESET, which features a much smoother high frequency response, can be loaded in the bo om boxes (usually 1 or 2 boxes) of a large fl own array, in order to reach conveniently the audience close to the stage. It can be used also for the conven onal system consis ng 1x SW215P at ground and 2x AX2065P on pole. This preset could be very useful also when the box is used just on its own as a Front Fill element in the front of very large stages.
KPTSW215 STACKED ARRAY
max splay angle 10°
max splay angle 10°
max splay angle 10°
max splay angle 10°
System: AXIOM AX Series Company: PROEL S.p.A. Label: AXIOM AX Series Position: X=0.00 m
Y=0.00 m Z=4.00 m
Orientation: Hor=0.0°
Ver=-5.1°
Weight: 164,30 kg Setup: SW215 SuspBar Box Count: 5 Pinpoint Mode: Best Pinpoint Pinpoint Number: 7 Remaining Vertical Angle: 0.4° Bottom Angle: 23,1 ° Above Ground: 2,31 m
Box Type Gain Rigging Angle Aiming Angle
(Frame) -5.1°
Box 1 SW215F 0.0 dB -5.1° Box 2 AX2065 STD 0.0 dB -5.1° Box 3 AX2065 STD 0.0 dB -6.1° Box 4 AX2065 STD 0.0 dB -8.1° Box 5 AX2065 STD 0.0 dB 10° -18.1°
System: AXIOM AX Series Company: PROEL S.p.A. Label: AXIOM AX Series Position: X=0.00 m
Y=0.00 m Z=0.80 m
Orientation: Hor=0.0°
Ver=0.0°
Weight: 96,00 kg Setup: AX2065 StackBar Box Count: 4 Pinpoint Mode: No Pinpoint
Box Type Gain Rigging Angle Aiming Angle
Box 4 AX2065 STD 0.0 dB 8.0° Box 3 AX2065 STD 0.0 dB 8.0° Box 2 AX2065 STD 0.0 dB 7.0° Box 1 AX2065 STD 0.0 dB 5.0°
(Frame) 0.0°
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EXAMPLE OF INSTALLATION IN A THEATRE WITH BALCONY
Here below you can see an example of the use of di erent PRESETS in an AX2065 fl own array installed in a big theatre with balcony. The TOP BOXES of the array are aiming at the balcony while the DOWN FILL box is aiming at the audience close to the stage.
TOP BOXES: the power level at the end of the balcony is lower, as well as the high frequency level.
DOWN FILL BOXES: the power level in the proximity of the stage is higher, as well as the high frequency level.
PRESET OPERATIONS
In order to op mize the array performances for this specifi c applica on, the PRESETS should be loaded in di erent PC260 loudspeaker processors used in the following way. Load the STANDARD preset in the fi rst PC260 processor that drives the amplifi ers for the central boxes. Load the LONG THROW preset in the second PC260 processor that drives the amplifi es for the TOP 1 or 2 boxes, in order to compensate the loss of power level and high frequencies of the program sent to the upper deck of the theatre. Load the DOWN FILL / SINGLE BOX preset in the third PC260 processor that drives the amplifi ers for the BOTTOM box in order to smooth the high frequency content of the program sent to the audience close to the stage. NOTE: the audio signal send to all PC260 processors must be the same so their inputs must be linked with a XLR cable. NOTE: The outputs 1 and 2 of each PC260 are assigned always to drive the amplifi ers for the SW215 subwoofers, so you can use indiscriminately the output 1 and 2 of one of them.
IMPORTANT INSTRUCTIONS TO USE GROUPS
If you use more than one PC260 processor to drive the same ver cal array system as in the example above, you must always set the same parameters of the input panel for both processors: levels and delay and any other parameter must be always the same. The right way to this is the following:
1) Be sure that each PC260 has not assigned to any device
group.
2) Load the STANDARD, SINGLE/DOWN-FILL, LONG THROW
preset on each dedicated PC260.
3) Assign every PC260 to the same device group.
Now any modifi ca on made on one PC260 is repeated also on all the others assigned to the same group.
WARNING: A er you have assigned all the PC260 to the same group, do not load or save preset, because what you do on one unit will be repeated also on the others (for load and save opera ons you must remove the units from the groups).
EDIT PARAMETERS
In the PC260 presets some parameters can be customized and some other are protected, this ensure a safe opera on of the system. Here is a brief descrip on of customizable parameters:
IN: In this screen you can adjust the input levels, compressors/limiters and delay. The input range can be op mized in the -30 ÷ +6 dB range. The level is set a er the AD conversion, so if you have problems with an excessive input signal use the analog PAD bu on on the PC260 back panel. The compressors are set in order to a enuate very high input signals (the threshold is +12 dB), ensuring a more transparent musical behaviour of the system limi ng. If needed, the compressor threshold can be freely adjusted.
TOP BOX
DOWN FILL BOX
+15
dB
+10
+5
0
-5
-10
-15
-20
-25
-30
-35 20 50 100 200 500 1K 2K 5K 10K 20K Hz
LONG THROW
STANDARD
SINGLE/DOWNFILL
AX2065P - PRESET RESPONSE
SUBWOOFER OUTPUTS
Page 8
LIMITED WARRANTY
Proel warrants all materials, workmanship and proper opera on of this product for a period of two years from the original date of purchase. If any defects are found in the materials or workmanship or if the product fails to func on properly during the applicable warranty period, the owner should inform about these defects the dealer or the distributor, providing receipt or invoice of date of purchase and defect detailed descrip on. This warranty does not extend to damage resul ng from improper installa on, misuse, neglect or abuse. Proel S.p.A. will verify damage on returned units, and when the unit has been properly used and warranty is s ll valid, then the unit will be replaced or repaired. Proel S.p.A. is not responsible for any “direct damage” or “indirect damage” caused by product defec veness.
• This unit package has been submi ed to ISTA 1A integrity tests. We suggest you control the unit condi ons immediately a er unpacking it.
• If any damage is found, immediately advise the dealer. Keep all unit packaging parts to allow inspec on.
• Proel is not responsible for any damage that occurs during shipment.
• Products are sold “delivered ex warehouse” and shipment is at charge and risk of the buyer.
• Possible damages to unit should be immediately nofi ed to forwarder. Each complaint for package tampered with should be done within eight days from product receipt.
SAFETY INSTRUCTIONS
– To reduce the risk, close supervision is necessary when the product is used near children. – Protect the apparatus from atmospheric agents and keep it away from water, rain and high humidity places. – This product should be site away from heat sources such as radiators, lamps and any other device that generate heat. – This product should be located so that its loca on or posi on does not interfere with its proper ven la on and hea ng dissipa on. – Care should be taken so that objects and liquids do not go inside the product. – The product should be connected to a power supply mains line only of the type described on the opera ng instruc ons or as marked on the product. Connect the apparatus to a power supply using only power cord included making always sure it is in good condi ons. – WARNING: The mains plug is used as disconnect device, the disconnect device shall remain readily operable. – Do not cancel the safety feature assured by means of a polarized line plug (one blade wider than the other) or with a earth connec on. – Make sure that power supply mains line has a proper earth connec on. – Power supply cord should be unplugged from the outlet during strong thunderstorm or when le unused for a long period of  me.
CE CONFORMITY
Proel products comply with direc ve 2004/108/EC (EMC), as stated in EN 55103-1 and EN 55103-2 standards and with direc ve 2006/95/CE (LVD), as stated in EN 60065 standard.
PROEL S.p.A. (World Headquarter) - Via alla Ruenia 37/43 - 64027 Sant’Omero (Te) - ITALY Tel: +39 0861 81241 Fax: +39 0861 887862 www.axiomproaudio.com
OUT: in this page you can see the level of the output signals and the gain reduc on if the
limiters are ac vated. You can also trim (±6 dB) the output signals in order to adjust the balance of LF, MF and HF ranges.
WARNING!
The limiter se ng of PC260 and 2065 preset is set for the use of 32 dB fi xed gain power amplifi ers: contact PROEL if you need a di erent se ng. The delays are set for the op mal alignment of a standard fl own confi gura on with the ver cal array on top of the subwoofers. If needed, the delay of the subwoofers (LOW-L and LOW-R) can be adjusted in rela on to the MID-HIGH outputs for the op mal alignment when the system is installed in a di erent posi on.
WARNING!
The DELAY di erence between MID and HIGH outputs must always be 93 mm (HIGH a er MID). If you modify the MID delay to align the tops with the subs, remember always to set the HIGH delay accordingly (+93 mm).
GEQ: this is the graphic equalizer on the processor inputs to be used for equalizing the whole system. It can be used for adjus ng the system’s response or for fi xing par cular frequency problems in the environment where the system is installed. The AX2065P preset has been prepared in order to obtain the best performance from the system, so we suggest to avoid extreme use of the GEQ.
PEQ: this is a full parametric 5-band equalizer on the processor’s inputs. Each fi lters can be set also as shelving, notch, allpass, high-pass and lo-pass, so this equalizer can be used to op mize the system response according to the environment characteris cs, including temperature, humidity and absorp on due to the audience.
DEQ: in the 2065 presets the 3-band dynamic equalizer is used to op mize the system’s response so we suggest to do not change its parameters and use it as it is already set.
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