
Table
of contents
Main Office BOLOGNA: Via Caduti Di Sabbiuno 6/F
40011 Anzola Emilia - Bologna - Italy
Tel. +39 051 736555 - Fax. +39 051 736170
Regional Office BERGAMO: Via Italia 1 –
24030 Medolago (Bg) – Italy
Tel. +39 051 736555 - Fax. +39 051 736170
e-mail: info@axeltechnology.com - w eb site: www.axeltechnology.com

Table of contents
1 Table of contents
1 TABLE OF CONTENTS 3
SAFETY WARNINGS / ISTRUZIONI PER LA SICUREZZA 5
FOREWORD 5
SAFETY WARNINGS 6
CONSIGNES DE SÉCURITÉ IMPORTANTES 7
ISTRUZIONI IMPORTANTI PER LA SICUREZZA 8
WICHTIGE SICHERHEITSHINWEISE 9
INSTRUCCIONES IMPORTANTES DE SEGURIDAD 10
UNPACKING AND INSPECTION 11
FIRST INSTALLATION RECOMMENDATIONS 12
POWER SUPPLY CABLE 12
AC MAINS VOLTAGE SETTING (230 V / 115 V) 12
FUSE REPLACEMENT 13
PROTECTION AGAINST LIGHTNING 14
VENTILATION 14
2 INTRODUCTION 15
3 SYS TEM OVERVIEW 16
3.1 SYSTEM PA RTS 16
3.2 COMMUNICAT ION 18
3.3 FEAT URE S AND HIGHLIGHT S 19
3.4 PRINCIPLE OF OPERATION 20
3.4.1 Oxygen 5 Digital system 20
3.4.2 Mixing console 20
4 CONTROL SURFACES 23
5 OXYGEN 5 DIGITAL ENGINE 24
5.1 IP/CLOCK CONFIGURAT ION 25
5.2 GLOBAL CONFIGURATION 26
5.3 MIX BUSS CONFIGURAT ION 27
5.4 MONIT OR BUSS CONFIGURATION 28
5.5 SOURCE CONFIGURATION 29
5.6 EXT ERN SOURCE CONFIGURATION 31
5.7 DEST INATION CONFIGURATION 32
5.8 TALKBACK CONFIGURAT ION 34
5.9 PROCESSING PRESETS 35
5.9.1 Settings 36
5.10 MODULE ASSIGNMENT 39
5.11 MODULE CONFI GURATION 40
5.11.1 Module configuration page 41
5.12 MIX/MONIT OR BUSS PRESETS 44
5.12.1 Settings 45
5.13 CONSOLE PRESETS 47
5.14 SURFACE CONFIGURAT ION 48
5.15 RACK CONFIGURAT ION 50
5.16 ENGINE FUNCTIONS 52
5.16.1 Modules 52
5.16.2 Busses 58
5.16.3 Monitor busses 59
5.16.4 Global 61
5.16.5 Sources 72
5.16.6 Destinations 73
6 BLOCK DIAGR AMS – NOT AVAIL ABLE 76
7 I/O RACK DESCRIPTION 77
7.1 POWER SUPPLY 78
7.2 ENGINE 78

Table of contents
8 AVAILABLE I/O RACK CARDS 81
8.1 MIC INPUT CARD 81
8.2 LINE INPUT CARD 82
8.3 DIGITAL IN/OUTPUT CARD (OPT IONAL SRC) 83
8.4 LINE OUTPUT CARD 84
8.5 CRM OUT PUT CARD 85
8.6 COBRANET IN/OUTPUT CARD 86
8.7 ADAT IN/OUTPUT CARD 87
8.8 HYBRID IN/OUTPUT CARD – NEEDS T O BE ADDED 88
8.9 FIREWIRE IN/OUTPUT CARD – NEEDS T O BE ADDED 89
8.10 DSP CARD 90
9 PATCH PANELS 91
9.1 19” PAT CH PANELS / BREAKOUT PANELS 91
9.2 WIRING 93
9.2.1 GPIO/Remote 93
9.2.2 MIC 94
9.2.3 Phones 94
9.2.4 Stereo line input and output 95
9.3 STANDARD RJ45 WIRING 95
9.3.1 GPIO TTL/Relay selection 95
9.4 SICO BREAKOUT BOX 97
10 SPECIFICATIONS OXYGEN 5 DIGITAL AUDIO SYSTEM 98
10.1 INPUT/OUT PUT CARDS 98
10.2 DSP PROCESSING 98
10.3 OVERALL 99
10.4 DIMENSIONS 99
11 LIST OF FIGURES 100
12 LIST OF TABLES 101
13 DECLAR ATION OF CONFORMITY 102
14 PRODUCT SAFETY 103
15 DISCLAIMER 104
16 APPENDIX A - NETWORK DESIGN FOR OXYGEN 5 DIGITAL 105
16.1 NETWORK LEV ELS 105
16.2 OXYGEN 5 DIGITAL NETWORK IMPLEMENTATION 105
16.3 NETWORK DESIGN 105
16.3.1 Practical solution 1: Physical separated switches and IP router 107
16.3.2 Practical solution 2: single managed level 3 switch/router 108
16.3.3 Practical solution 3: Physical separated switches and PCs if IP router 109
16.4 IP SUBNETS AND IP ROUTES 110
16.5 REMOTE ACCESS 111
17 APPENDIX B – SERVICE 112
17.1 MAMBANET NODE OVERVIEW 114
17.2 TEMPLATES 116
17.3 STORED CONFIGURAT IONS 117
17.4 ENGINE FUNCTIONS 118
17.5 PACKAGE VERSIONS 119
17.6 CHANGE PASSWORD 120
18 WEEE DIRECTIVE – INFORMATIV A RAEE 121
19 WARRANTY 123
20 DECLAR ATION OF ROHS CONFORMITY 123
21 AXEL TECHNOLOGY CONTACTS 124

SAFETY WARNINGS / ISTRUZIONI PER LA SICUREZZA
SAFETY WARNINGS / ISTRUZIONI PER LA SICUREZZA
SAFETY WARNINGS
CONSIGNES DE SÉCURITÉ IMPORTANTES
ISTRUZIONI IMPORTANTI PER LA SICUREZZA
WICHTIGE SICHERHEITSHINWEISE
INSTRUCCIONES IMPORTANTES DE SEGURIDAD
(Rel. 1.3)
FOREWORD
For your own safety and to av oid invalidation of the warranty all text marked w ith these Warning
Symbols should be read carefully.
Information in this manual is subject to change without notice and does not represent a commitment on the
part of the vendor.
The manufacturer shall not be liable for any loss or damage whatsoever arising from the use of information
or any error contained in thi s manual, or through any mis-operation or fault in hardware contained in the
product.
It is recommended that all maintenance and service on the product should be carried out by the
manufacturer or its authorised agents. The manufacturer cannot accept any liability whatsoever for any loss
or damage caused by service, maintenance or repair by unauthorised personnel.

SAFETY WARNINGS
SAFETY WARNINGS
The installation and servicing instructions in this manual are for use by qualified personnel only.
All safety and operating instructions must be read before operating the product.
They also must be retained for future reference, as it contains a number of useful hints for determining
the best combination of equipment settings for Yr particular application.
. All warnings on the product and those listed in the operating instructions must be
. This product must be situated away from any heat sources such as radiators or other products
(including power amplifiers or transmitters) that produce heat.
This product must be operated from the type of power s
ource indicated on the marking
label and in the installation instructions. If you are not sure of the type of power supplied to your facility,
consult your local power company. Make sure the AC main voltage corresponds to that indicated in the
technical specifications. If a different voltage (ex. 110/115 VAC) is avail able, open the equipment closure
and set the voltage switch on the main supply circuit, located behind the AC socket
Power supply cords must be routed so that they
are not likely to be walked on
nor pinched by items placed upon or against them. Pay particular attention to the cords at AC wall plugs
and convenience receptacles, and at the point where the cord plugs into the product
ripod, bracket, or table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury
from tip-over.
. For added protection for this product duri ng a
lightning storm, or when it is left unattended and
unused for long periods of time, unplug it from the AC wall outlet and the audio connections. This will
prevent damage to the product due to lightning and power line surges
Configuration and installation should only be carried out by a competent installation engineer
. Using high quality wires, well protected. Make sure the cable integrity.
This symbol alerts you to the presence of dangerous voltage inside the closure – voltage
which may be sufficient to constitute a risk of shock. Do not perform any servicing other
than that contained in the operating instructions. Refer all serv icing to qualified
personnel
The exclamation point w ithin an equilateral triangle is intended to alert the user to the
presence of important operating and maintenance (serv icing) instructions in the
literature accompanying the appliance.
Do not change the voltage setting or replace the mains fuse without first t
unit off and unplugging the mains cord
Make sure the AC main voltage corresponds to that indicated in the technical
specifications.
THIS APPARATUS MUST BE EARTHED !
To avoid risk of fire use the correct value fuse, as indicated on
This apparatus uses a single pole mains sw itch and does therefore not separate the
unit completely from the mains power. To completely separate from mains power
(f.i. in the event of danger) unplug mains power cord. As the MAINS plug is the
disconnect dev ice, the disconnect dev ice shall remain readily operable.

CONSIGNES DE SÉCURITÉ IMPORTANTES
CONSIGNES DE SÉCURITÉ IMPORTANTES
Observer tous les avertissements
Ne pas utiliser cet appareil à proximité de l’eau
Ne pas obstruer les ouvertures de ventilatio
n. Installer en respectant les consignes du fabricant
e pas installer à proximité d'une source de chaleur
telle qu'un radiateur, une bouche de chaleur, un
poêle ou d'autres appareils (dont les amplificateurs) produisant de la chaleur.
Ne pas annuler la sécurité de la fiche de terre
, la troisième branche est destinée à la sécurité. Si la
fiche fournie ne s'adapte pas à la prise électrique, demander à un électricien de remplacer la prise hors
normes.
Protéger le cordon d'alimentation
afin que personne ne marche dessus et que rien ne le pince, en
particulier aux fiches, aux prises de courant et au poi nt de sortie de l’appareil
Utiliser uniquement les accessoires spécifiés par le fabricant
Utiliser uniquement avec un chariot
, un support ou une table spécifié par le fabricant ou vendu avec
l’appareil. Si un chariot est utilisé, déplacer l’ensemble chariot–appareil avec précaution afin de ne pas le
renverser, ce qui pourrait entraîner des blessures
pendant les orages ou quand il ne sera pas utilisé pendant longtemps.
Confier toute réparation à du personnel
Des réparations sont nécessaires si l’appareil est
endommagé d’une façon quelconque, par exemple: cordon ou prise d’alimentation endommagé, liquide
renversé ou objet tombé à l’intérieur de l’appareil, exposition de l’appareil à la pluie ou à l’humidité,
appareil qui ne marche pas normalement ou que l’on a fait tomber.
NE PAS exposer cet appareil aux égouttures et aux éclaboussements
. Ne pas poser des objets
contenant de l'eau, comme des vases, sur l'appareil
Ce symbole indique la présence d'une tension dangereuse dans l'appareil constituant un
risque de choc électrique.
Ce symbole indique que la documentation fournie avec l'appareil contient des instructions
d'utilisation et d'entretien importantes.
Avant de modifier le commutateur de changement de tension ou replacer le fusible il
faut débrancher l’appareil de la prise électrique. Pendant son usage, l’appareil doit etre
branchee à la prise de terre
Utiliser le fusible principal AC avec le
valeur qui est indiquée sur l'étiquette collée sur le
vous que la tension principale AC correspond à celle indiquée dans les
spécifications techniques.
L’interrupteur d’alimentation interrompt un pôle du réseau d’alimentation excepté le
conducteur de terre de protection. En cas de danger, debrancher le cordon
d'alimentation. Parce que la prise du réseau de alimentation est utilisée comme
dispositif de déconnexion, ce dispositif doit demeuré aisément accessible

ISTRUZIONI IMPORTANTI PER LA SICUREZZA
ISTRUZIONI IMPORTANTI PER LA SICUREZZA
Leggere le presenti istruzioni
Conservare queste istruzioni
Osservare tutte le avvertenze
Seguire scrupolosamente tutte le istruzioni
Non usare questo apparecchio in prossimità di acqua
Non ostruire alcuna apertura per il raffreddamento
. Installare l’apparecchio seguendo le istruzioni
Non installare l'apparecchio accanto a fonti di calore
quali radiatori, aperture per
calda, forni o altri apparecchi (amplificatori inclusi) che generino calore
Non rimuovere il terminale di connessione a terra sul cordone di alimentazione
tutelare l’incolumità dell’utilizzatore. Se la spina in dotazione non si adatta alla presa di corrente, rivolgersi
ad un elettricista per far eseguire le modifiche necessarie.
Evitare di calpestare il cavo di alimentazione o di comprimerlo
, specialmente in corrispondenza della
spina e del punto di inserzione sull’apparato.
Utilizzare solo dispositivi di collegamento e gli accessori specificati dal produttore.
solo con un carrello, un sostegno, una staffa o un tavolo di tipo specificato dal
produttore o venduto insieme all’apparecchio. Se si utilizza un carrello, fare attenzione negli spostamenti
per evitare infortuni causati da ribaltamenti del carrello stesso.
Scollegare l’apparecchio dalla presa di corrente
durante i temporali o quando inutilizzato a lungo
, rivolgersi a personale di assistenza qualificato. È’ necessario intervenire
sull’apparecchio ogni qualvolta si verificano danneggiamenti di qualsiasi natura. Ad esempio, la spina o il
cavo di alimentazione sono danneggiati, è entrato liquido nell’apparecchio o sono caduti oggetti su di
esso, l’apparecchio è stato esposto alla pioggia o all’umidità, non funziona normalmente o è caduto.
Non esporre a sgocciolamenti o spruzzi
. Non appoggiare sull'apparecchio oggetti pieni di liquidi, ad
Questo simbolo indica la presenza di alta tensione all'interno dell'apparecchio, che
comporta rischi di scossa elettrica.
Questo simbolo indica la presenza di istruzioni importanti per l'uso e la manutenzione nella
documentazione in dotazione all'apparecchio.
Non sostituire il fusibile o cambiare la tensione di alimentazione senza aver prima
scollegato il cordone di alimentazione. L’APPARATO DEVE ESSERE CONNESSO A
TERRA.
Sostituire il fusibile generale con uno di identico v alore, come indicato sulla
applicata sul mobile dell’apparato
Assicurarsi che la tensione di rete corrisponda a quella per la quale è configurato
Questo apparato utilizza un interruttore di alimentazione di tipo unipolare e
l’isolamento dalla rete elettrica non è pertanto completo. Per ottenere un isolamento
totale (ad esempio in caso di pericolo), scollegare il cordone di alimentazione. Inoltre,
poichè la spina di alimentazione è utilizzata come dispositiv o di sezionamento, essa
deve restare facilmente raggiungibile

WICHTIGE SICHERHEITSHINWEISE
WICHTIGE SICHERHEITSHINWEISE
Alle Warnhinweise BEACHTEN
Alle Anweisungen BEFOLGEN
Dieses Gerät NICHT in der Nähe von Wasser v erw enden
Lüftungsöffnungen verdecken
. Gemäß den Anwei sungen des Herstellers einbauen
Nicht in der Nähe von Wärmequellen
, wie Heizkörpern, Raumheizungen, Herden oder anderen
Geräten (einschließlich Verstärkern) installieren, die Wärme erzeugen
Die Schutzfunktion des Schukosteckers NICHT umgehen
. Bei Steckern für die USA gibt es
polarisierte Stecker, bei denen ein Leiter breiter als der andere ist; US-Stecker mit Erdung verfügen über
einen dritten Schutzlei ter. Bei diesen Steckerausführungen dient der breitere Leiter bzw. der Schutzleiter
Ihrer Sicherheit. Wenn der mitgelieferte Stecker nicht in die Steckdose passt, einen Elektriker mit dem
Austauschen der veralteten Steckdose beauftragen
VERHINDERN, dass das Netzkabel gequetscht oder darauf
, insbesondere im Bereich
der Stecker, Netzsteckdosen und an der Austrittsstelle vom Gerät
UR das vom Hersteller angegebene Zubehör
und entsprechende Zusatzgeräte verwenden.
mit einem vom Hersteller angegebenen oder mit dem Gerät verkauften
Transportwagen, Stand, Stativ, Träger oder Tisch verwenden. Wenn ein Transportwagen verwendet wird,
beim Verschieben der Transportwagen-Geräte- Einheit vorsichtig vorgehen, um Verletzungen durch
Umkippen
Das Netzkabel dieses Geräts
während Gewittern oder bei längeren Stillstandszeiten aus der Steckdose
von qualifiziertem Kundendienstpersonal DURCHFÜHREN
LASSEN. Kundendienst ist erforderlich, wenn das Gerät auf i rgendwelche Weise beschädigt wurde, z.B.
wenn das Netzkabel oder der Netzstecker beschädigt wurden, wenn Flüssigkei ten in das Gerät
verschüttet wurden oder Fremdkörper hineinfielen, wenn das Gerät Regen oder Feuchtigkeit ausgesetzt
war, nicht normal funktioniert oder fallen gelassen wurde.
- und Spritzwasser SCHÜTZEN
. KEINE mit Wasser gefüllten Gegenstände wie
zum Beispiel Vasen auf das Gerät STELLEN.
Dieses Symbol zeigt an, dass gefährliche Spannungswerte, die ein Stromschlagrisiko
darstellen, innerhalb dieses Geräts auftreten.
Dieses Symbol zeigt an, dass das diesem Gerät beiliegende Handbuch wichtige Betriebs- und
Wartungsanweisungen enthält.
Vor Änderung der Netzspannung oder Sicherungsw echsel Netzkabel trennen.
Das Gerät muss für den Betrieb geerdet werden.
Hauptsicherung nur mit einer gleichwertigen austauschen
(s. entsprechende Etikette).
Vor Einschalten Netzspannungseinstellung am Gerät überprüfen bzw . anpassen
Inpoliger Netzschalter. In Notfälle oder für Wartungsarbeiten Netzkabel trennen.
Netzstecker fungiert auch als Trennelement muss deshalb zugänglich bleiben

INSTRUCCIONES IMPORTANTES DE SEGURIDAD
INSTRUCCIONES IMPORTANTES DE SEGURIDAD
CONSERVE estas instrucciones
PRESTE ATENCION a todas las advertencias.
SIGA todas las instrucciones
NO utilice este aparato cerca del agua
NO obstruya ninguna de las aberturas de ventilación.
Instálese según lo indicado en las
instrucciones del fabricante
No instale el aparato cerca de fuentes de calor
tales como radiadores, regi stros de calefacción,
estufas u otros aparatos (incluyendo amplificadores) que produzcan calor
NO anule la función de seguridad del enchufe polarizado
o con clavija de puesta a tierra. Un enchufe
polarizado tiene dos patas, una más ancha que la otra. Un enchufe con puesta a tierra tiene dos patas y
una tercera clavija con puesta a tierra. La pata más ancha o la tercera clavij a se proporciona para su
seguridad. Si el toma corriente no es del tipo apropiado para el enchufe, consulte a un electricista para
que sustituya el toma corriente de estilo anticuado
PROTEJA el cable eléctrico
para evitar que personas lo pisen o estrujen, particularmente en sus
enchufes, en los toma corrientes y en el punto en el cual sale del aparato
UTILICE únicamente los accesorios especificados por el fabricante
con un carro, pedestal, escuadra o mesa del tipo especificado por el fabricante
o vendido con el aparato. Si se usa un carro, el mismo debe moverse con sumo cuidado para evitar que
se vuelque con el aparato
durante las tormentas eléctricas, o si no va a ser utilizado por un lapso
debe ser llevada a cabo por técnicos calificados. El aparato requiere reparación si ha
sufrido cualquier tipo de daño, incluyendo los daños al cordón o enchufe eléctrico, si se derrama líquido
sobre el aparato o si caen objetos en su interior, si ha sido expuesto a la lluvia o l a humedad, si no
funciona de modo normal, o si se ha caído.
este aparato a chorros o salpicaduras
de líquidos. NO coloque objetos llenos con líquido,
tales como floreros, sobre el aparato .
Este símbolo indica que la unidad contiene niveles de voltaje peligrosos que representan un
riesgo de choques eléctricos.
Este símbolo indica que la literatura que acompaña a esta unidad conti ene instrucciones
importantes de funcionamiento y mantenimiento.
Antes de cambiar la alimentacion de voltaje o de cambiar el fusible, desconecte el
cable de alimentacion. Para reducir el riesgo de descargas electricas, esta unidad
debe ser conectada a tierra.
Remplaze el fusible con lo mismo, que corresponde a lo indicado en el panel del
Antes de encender, controlar que la linea de alimentacion de voltaje corresponda a la
El interruptor de alimentación es unipolar. En el caso de peligro, desconecte el cable
de alimentación. Porque la clavija de conexion a red sirve por la desconection de la
unidad, la clav ija debe ser ubicada en proximidad de la unidad

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
UNPACKING AND INSPECTION
Your equipment was packed carefully at the factory in a container designed to protect the unit during
shipment. Nevertheless, we recommend making a careful inspection of the shipping carton and the
contents for any signs of physical damage.
Damage & Claims
If damage is evident, do not discard the container or packing material. Contact your carrier
immediately to file a claim for damages. Customarily, the carrier requires you, the consignee, to make
all damage claims. It will be helpful to retain the shipping documents and the waybill number.
Save all packing materials! If You should ever have to ship the unti (e.g. for servicing), it is best to ship
it in the original carton with its packing materials because both the carton and packing material have
been carefully designed to protect the unit.
Under normal conditions no user maintenance or calibration are required. Internal links and preset
controls may be set to configure the unit during installation. Any service w ork required should be
carried out by qualified service personnel only.
We are able to offer further product support through our worldwide network of approved dealers and
service agents.
To help us prov ide the most efficient service please would you keep a record of
the unit serial number, and date and place of purchase to be quoted in any
communication regarding this product.
The actual equipment Serial Number is indicated on the silver label stuck on the rear panel of the
equipment closure.
Tools And Equipment Needed
Onl y standard technician’s tools are required to install this equipment.

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
FIRST
INSTALLATION RECOMMENDATIONS
FIRST INSTALLATION RECOMMENDATIONS
POWER SUPPLY CABLE
A power supply cable of approx. 2 mt length is supplied with the device, which has a moulded IEC
plug attached – this is a legal requirement.
The type of plug for the power supply depends on the country in which i t is delivered.
If for any reason, you need to use this appliance with a different plug, you should use the following
wiring guidelines in replacing the exsisting plug with the new one:
Green, or green and yellow
Supply cables should be laid in such a manner that one does not step or walk on them. They should
not be squashed by any objects.
THIS EQUIPMENT MUST BE EARTHED.
The chassis is always connected to mains earth to ensure your safety: check your mains wiring and
earthing before switching on.
AC MAINS VOLTAGE SETTING (230 V / 115 V)
BE SURE THAT THE UNIT IS SET TO THE CORRECT MAINS/LINE VOLTAGE
FOR YOUR COUNTRY BEFORE PLUGGING IT INTO THE WALL OUTLET !
The actual Mains voltage is indicated on the label stuck on the equipment closure. Should the type of
power at the operation location not be known, please contact your dealer or electrici ty company.
If, for some reason, the unit is to be operated at a mains input voltage which is different to that as
supplied, you need to switch the voltage selector on the right side of the unit. You also need to replace
the AC main fuse, according to information provided on the external label or on the Technical
Specifications table at the end of this user manual.
CAUTION: TO REDUCE THE RISK OF ELECTRICAL SHOCK, ALWAYS
DISCONNECT THE AC MAINS CABLE BEFORE ALTERING THE CHANGE-OVER
SWITCH. NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO
QUALIFIED SERVICE PERSONNEL.

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
FIRST
INSTALLATION RECOMMENDATIONS
FUSE REPLACEMENT
The power supply socket has an integral fuse drawer containing the AC power fuse and a spare, both
of the same value.
BEFORE REPLACING THE POWER FUSE, MAKE SURE YOU HAVE THE RIGHT TYPE
OF FUSE FOR THE VOLTAGE TO BE PROTECT ED.
USING WRONG FUSE TYPE WILL RESULT IN INSUFFICIENT PROTECTION.
Make sure that the power is sw itched off and the power cable is disconnected from
Open the fuse drawe r using a small blade screwdrive r.
Replace the fuse located at the internal position
c.
Push the fuse socket back into the original position (a.)
up under static control conditions. Static charges are likely to
completely destroy one or more of the CMOS semiconductors employed in the unit.
Static damage will not be covered under warranty.
Basic damage prevention consists of minimizing generation, discharging any
accumulated static charge on your body and preventing that discharge from being sent
to or through any electronic component.
Uninsulated dangerous voltage are inside the enclosure, voltage that may be sufficient
to constitute a risk of shock.
Always disconnect to AC Mains before removing the top cover

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
FIRST
INSTALLATION RECOMMENDATIONS
PROTECTION AGAINST LIGHTNING
Should the device be put out of action due to being struck by lightning or excess
voltage, disconnect it from the power supply wi thout delay. Do not reconnect until the
device has been checked. If in doubt contact the technical support service.
Make sure there is sui table lightning protection to protect the device.
Alternatively you should disconnect all connectors from the device during a storm or
when the device is going to be unsupervised or not used for a longer period of time.
These measures will protect against damage by lightning or excess voltage.
VENTILATION
The equipment will operate as a free-standing unit without requiring any special cooling arrangement.
However, slots and openings in the product are provided for ventilation. They ensure reliable operation
of the product, keeping it from overheating. These openings must not be blocked nor covered during
operation.
YOU MUST LEAVE AT A MINIMUM ONE RACK UNIT OF EMPTY SPACE ABOVE THE
EQUIPMENT TO ENHANCE VENTILATION AND TO GET A LONGER EQUIPMENT LIFE.

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
2 Introduction
This manual will give you an overview of the functionality of the Oxygen 5 Digital audio system and all
its features. It is advisable to read this manual at least once before touching any control, or even
thinking about hooking up the system. We know that this is actually the fi rst thing you want to do, but
please do not and discipline yourself to read the manual first.
The manual gives all sorts of valuable information before getting started and it saves you from getting
all sorts of questions. After installing this manual can be used as a reference.
In the first chapter, we shall give you an overview of the Oxygen 5 Digital and its features.
This way, you have an impression on how to implement the system in your applicati on.
The next chapters will deal with interconnecting the various parts of the system and its external
interfacing with your equipment
When installing and wiring the Oxygen 5 Digital, you can finali ze its interfacing with the instructions in
the following chapters.
After installation, you will have a very complete mixer with a human interface that is very logical and
intuitive.

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
3 System overview
The Oxygen 5 Digital is a digital modular audio system that can solve your digital mi xing/routing
requirements in your broadcast studio or in your complete broadcast facility. The modular system can
be used in all your mixing/routing applications like on-air broadcast, self-op, production and voice
tracking.
3.1 System parts
To make a functional mixing console you require at least a 19” rack with a DSP card (32 stereo
channels), the desired I/O cards and a control surface that can control all the mixing power. T he
connection between the 19” rack(s) and control surface(s) rely on a network protocol that is been
called MambaNet.
MambaNet works on Ethernet layer 2, there for no IP-addresse s have to be setup for the ‘real-time’
functionality.
WARNING: Do not connect multiple Oxygen 5 Digital engines/racks in the same Ethernet
network (Layer 2)
To connect surface(s) and 19” rack(s) you can built on this known Ethernet standard with common
switches till advanced managed switches with all the security soluti ons as there are ST P (spanning
tree protocol), Trunking etc.
For (remote) configuration the well known webbrowser is used to access the consoles webserver. Of
course this happens on a IP-based level of communication, which makes it possible to configure
system over the internet.
The defaults IP-addresses for configuration pages are:
http://192.168.0.200 for the configuration in main menu
http://192.168.0.23x for the controller surface configuration. (for the fi rst surface set x to 4, for a
second surface set x to 5, etc).
To prevent other people to access the Oxygen 5 Digital configuration pages you need to logon.
The default logon is:
Username: service
Password: service
This account may change, which is explained in Appendix B.
Network specialists can find some more information in chapter 16 (Appendix A).

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Figure 1: Basic system layout

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3.2 Communication
All control communication takes place with MambaNet and gives the surface flexibility and power to
the Oxygen 5 Digital digital audio system. To understand the Oxygen 5 Digital audio system it would
help to know some principles of MambaNet.
MambaNet definitions:
- Objects
a fader, switch will have to tri gger an action in the Oxygen 5 Digital digital audio system. In
MambaNet, we call these faders and switches ‘objects’.
- Nodes
In hardware the faders and switches are grouped on modular blocks (think of a single PCB),
such blocks are represented as ‘nodes’ in MambaNet.
- Engine
In the Oxygen 5 Digital digital system the engine is in fact your mixing console. The functions
available in the ‘engine’ can connect to one or more objects found in your network.
In practice, this means you can connect any surface element like switches and faders to any function
of your mixing console(s). From now on, you can design your own functionality at the control surface.
Information for manufacturers and developers is located at http://www.mambanet.org, its possible to
make your own communication with the mixing system; we have a MambaNet library available for
Windows (DLL) and Linux (lib).
For professional developers it is possi ble to buy a Manufacture ID from Axel Technology so you are
able to make your own equipment compatible with the MambaNet protocol. Secondly, local radio
stations can use manufacturer ID 0xFFFF for some custom implementations.
(Al manufacturer IDs are unique except the 0xFFFF, which is free for ‘in-house’ implementation)
Figure 2: MambaNet logo

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3.3 Features and highlights
Because the Oxygen 5 Digital audio system is highly flexible, you can make many solutions for your
mi xing and routing. T o have an overview on the power of the Oxygen 5 Digital digital audio system we
made a list of the most important features and highl ights:
• I/O Matri x of 1280x1280 with opti onal I/O Cards:
- MIC inputs and GPIO’s
- Line inputs and GPIO’s
- Digital in/outputs and GPIO’s
- Line outputs and GPIO’s
- CRM/Phones outputs and GPIO’s
- ADAT in/outputs
- CobraNet in/outputs
- Firewire in/outputs
- Hybrid in/outputs
• 32 stereo modules per DSP card.
- Gain
- Low cut
- 6 band full parametric EQ
- Voice processi ng
- one free FX DSP for future use.
• 32 busse s, default configured if:
console 1 and 2 with each a:
- Stereo Program buss
- Stereo Sub buss
- 4x Stereo Aux buss
- Stereo Dump buss
- Stereo PFL buss
• Up to 4 DSP cards
- up to 128 stereo modules
- up to 16 monitor busses.
(for example it is possible to make 4 studios with one I/O rack, or even 2 studios of 16 stereo
modules and 2 stereo monitor busses with a single DSP card in your I/O rack…)
• Advanced preset system.
• Object oriented control protocol, MambaNet
• Configuration of the Oxygen 5 Digital nodes using one web server
• Multiple redundancy solutions
• Remote configuration via HTTP and TCP/IP
• Remote control via MambaNet over TCP/IP
• Standardized cabling with RJ45 (shielded for audio connections)

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3.4 Principle of operation
3.4.1 Oxygen 5 Digital system
The Oxygen 5 Digital system will be build up around the matrix/router that gives a lot of routing
flexibility. Up to 4 DSP cards can be inserted to create mixing power as requested. For example, you
can create with one Oxygen 5 Digital system (equipped with one DSP card):
- A single mixing console with 32 stereo modules and 16 stereo busse s
- Multiple mixing consoles (maximal 4), 3 consoles are used in our example:
1 consoles with 16 stereo modules and 6 stereo busses
1 consoles with 12 stereo modules and 6 stereo busses
1 console 4 stereo modules and 4 stereo busses
This makes clear we do not talk over a ‘mixing console’, the Oxygen 5 Digital is an audio-platform!
Depending on the configuration, you can make your own studio console(s)/surface funcionality. Al this
power is controlled and configured by the Oxygen 5 Digital engine. This engine configuration is
described in detail later on.
3.4.2 Mixing console
As mentioned before the configuration is done within the Oxygen 5 Digital engine, now we will give a
short overview/introduction on the structure of the mixing console(s) platform solution of the engine.
For the configuration of the busses, monitor busses and modules you can setup to which console it
should belong (1-4). Final ly the engine will extract a ‘assignment’ picture from thi s information which
shows clearly the console blocks.

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3.4.2.1 Sources
Each module can receive audio from the matrix using so called ‘sources’. A source is given a name,
left/right physical input and some additional settings (think of phantom, pad, redlight settings). For
example if we make source ‘MIC1’ with phantom on we can route this to module 1 and/or module 13.
So the MIC 1 i s used at console 1 but also at console 2 (or 3).
3.4.2.2 Destinations
Audio is sent to physical outputs by so called ‘destinations’. A destinations given a name, left/right
physical outpus and some additional settings (default audio-source, N-1 etc). For examples we make
destinations ‘Line out 1’ and ‘Dig out 1’ which both get the audio from ‘Prog A’.
3.4.2.3 Console/Surface functionality
After the consoles are set-up/configured and the inputs and outputs are set-up with the correct
settings if sources/destinati ons you can start using the console functionality. Which functi onality is
available depends on the configuration of the system.
It is important to make the required ‘real-time’ functionality available via de surface and rack
configuration menu’s. Actually here you define the ‘knob functions’.
3.4.2.4 Console startup/Presets
If the console start up it will load the last backup or the programmed defaults, this depends on a
setting in global configuration.
The programmed defaults are:
- The information set within the webbrowser pages
- For the modules ‘module preset 1A’ is selected by default.
Further in live use of the console(s) you can make use of presets:
- Processing presets
- Module presets
- Console presets
processing preset:
A processing preset contains module-settings (think of EQ, Dynamics etc. etc).
When a source is sel ected by the control surface encoder, the assigned default processing preset is
loaded.
Module preset:
The module preset 1A t/m 4B defines a combination of: Source, Processing preset and Routing
preset.
In this case if module preset 1B is recalled:
- The configured ‘preset 1B source’ is set on the module
- The corresponding processing preset is set on the module. Processing preset field that not
override the module will set according to the module configuration settings (if ‘Use at source
select’ is active).
- The routi ng as given by ‘module preset 1B’ is restored.
Console preset:
The console preset consists of two main parameters:
- It loads Module preset 1A, 1B, 2A, 2B, 3A, 3B, 4A or 4B.
- It loads a buss/monitor buss preset.
Here also you can define if a separate buss is used within the preset (the configuration setting ‘Use’ –
Yes/No).
In general you can say:
- The console will startup in the defaults like given in the webpage.

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- When a source is selected (can also be in the startup-defaults) the corresponding processing
preset is loaded.
- When a module preset is loaded, the complete module settings can be preset.
- With the console preset you are able to change: module-settings , buss master en monitor
buss settings.

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4 Control Surfaces
The engine will recognize the control surfaces of the Oxygen 5 Digital audio system as ‘nodes with
objects’. Each object can connect to an engine (mixing console) function.
Below you see an example of a control surface and a short description of the node/object structure.
Figure 3: 12 fader control surface
This control surface holds 4 user interfaces nodes:
- 3x four fader panel node
- 1x monitor buss panel node
The ‘four fader panel node’ holds 84 obj ects:
- 4x Display upper line
- 4x Display lower line
- 4x Encoder
- 4x Encoder-push
- 32x LEDs
- 32x switches with LEDs (16 small, 16 large)
- 4x fader
The ‘monitor buss panel node’ holds 61 objects:
- 1 chip card
- 54 switches with LED’s
- 1 encoder
- 1 encoder push
- 4 potentiometers

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5 Oxygen 5 Digital Engine
The engine of the Oxygen 5 Digital drives all audio processi ng/routing and from the surfaces and
remote locations, it can be controlled using MambaNet. Therefore it is required that you setup the
engine/system with your settings before it will work according your requirements. Of course, we deliver
the system in a default confi guration that will cover 90% of the functionality you wish.
Setting up the engi ne (your mixing console) is done using your web browser.
Simply enter the IP address of the 19” rack in your browser and log-on to the configuration pages.
By default the IP Address is: http://192.168.0.200
(at first time startup you can use a network or cross wire with a static IP given to your network
interface, e.g. 192.168.0.10).
On the Oxygen 5 Digital website, you find all necessary options to configure your system as full
functioning mixing console(s), it’s the most easy to step from up to down through the main menu:
Figure 4: Oxygen 5 Digital web server

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5.1 IP/Clock configuration
Figure 5: IP/Clock configuration
Here you can setup the network settings to be compatible with the required settings in your si tuation
and you can set the time zone to where you are.
It’s possible to change the IP, subnet, gateway and DNS server address by clicking on the address.
For more information on IP addressing:
http://en.wikipedia.org/wiki/IP_address
To change the time zone, click on the used time zone (in our example ‘Europe/Amsterdam’). You can
select the desired time zone in the list box.
The Oxygen 5 Digital uses the NTP protocol for accurate clock synchronization. In the section ‘current’
you find the IP address of the used ‘clock master’ and its ‘stratum’. For more information on NTP:
http://en.wikipedia.org/wiki/Network_Time_Protocol
When IP and DNS settings are setup correct, the Oxygen 5 Digital will automatically synchronize to a
pool of time servers. The Oxygen 5 Digital is also able to use a GPS receiver via USB for time
synchronization. At this moment to Oxygen 5 Digital may function if a NTP server for the surfaces.
On the webserver of the control surfaces you now can click on 'optional ntp server' to fill in the IP
address of the ntp server (e.g. 192.168.0.200).
Remember that all changes will become effective after reboot.

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5.2 Global configuration
Some overall system settings can be filled in on this webpage.
Figure 6: Global configuration
• Sample rate
You can select a sampl e rate of 32 kHz, 44.1 kHz en 48kHz. According to this setting, the
filters are setup so you have to make sure to select the sample rate you work with. Also when
using external clock.
• Extern(al) clock
If you want to use the external clock (Frame clock in) you can turn it on here.
• Headroom
The internal headroom is fixed at 20 dB, to adjust the headroom on a local input/output you
can give an offset level to the sources/destinations or at the rack configuration.
• Fader top level
You can make the fader work with or without 10 dB fader reserve. In the last situation the
faders will be 0 dB (unity gain) when the fader is fully up (maximum position).
• Auto momentary
Most switch functions can work in a auto-momentary mode. When set to yes a knob will
function latching when pressed shortly. But with a long press (>750 mS) the knob reacts like a
momentary switch (function active while pressed).
• Startup state
Here you can select to use a known startup state which is the ‘programmed defaul ts’ or use a
‘backup of the last situation’.
Programmed defaults are the defaults as setup in the web-configuration. An backup of the
console is saved once a minute, which means you will return to (almost) the last situation.

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5.3 Mix buss configuration
You have to setup the busses to create the names, console assignment and functionality of the
Busse s. Here we see the setup for a single console buss setup:
Figure 7: Buss configuration
• Label
The name given to this buss.
• 2 Mono busses
It is possible to make 2 mono busse s from one stereo buss. All buss-sends, to this buss, on
the module’s will now include stereo to mono summing.
• Master pre/post
You can choose the buss to be pre or post ON, level (comparable with pre/post fader) and
balance (could be your pan-pot).
• Master level/state
This setting is used as programmed startup level, so the buss masters are in a known state.
• Interlock
If you make a buss interlock, only 1 module can be assigned at the same time.
• Exclusive
When routing to an exclusive buss is made, the routing to all other busses on that module will
be disabled. This is usefull for a so called ‘dump buss’.
• Buss reset
This setting can be used to create a CUE/PFL buss with auto-reset (CUE Reset).
If you have multiple studi os and CUE/PFL busses you may assign reset to multiple busses.
• Console
You can select to which console a buss belongs.

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5.4 Monitor buss configuration
Per DSP card, you have 4 stereo monitor busses that can be used. They need a name, console
assignment and configuration so they can work properly:
Figure 8: Monitor buss configuration
• Label
Here you give a name to this monitor buss
• Interlock
Yes means only one source is active at the same time, on this monitor buss.
• Default selection
If the last selected source is turned off it will always go to the default selection.
This selection is also your startup default.
• Automatic switching.
You can tell the Engine that a monitor buss switches automatically when the ‘source buss’ is
activated. Also known as ‘PFL to CRM’. If you have two separate studios’ you can have
multiple automatically switched busse s (e.g. PFL 1 and PFL 2).
When to mix buss is an exclusive buss, the monitor buss will also switch ‘exclusive’; normally
automatic switching will be summing wi th the set up ‘Dim level’.
• Dim level
When you have set the monitor buss to swi tch automatically, the source signal is dimmed by
the filled in level and the buss that is switched on to the Monitor buss is at unity gain (0 dB).
• Console
You can select to which console a monitor buss belongs.

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5.5 Source configuration
The 19” rack unit can accept various I/O cards. These inserted I/O cards can accept audio in various
formats. This is because the audio connected to the I/O cards can have di fferent channel relations
(mono, stereo). To create a user readable label you have to configure sources.
Such a source is the entity you can select to be the input of your module in the mixing console.
See below for a simple source list example:
Figure 9: Source configuration
• Nr
Here you can reposition the destination to make the list in a convenient order.
• Label
Name of the source you are creating.
• Input 1/2
Here you select the physical slot and input of the card you want to assign to this source.
For mono sources you selected the same input for left and right.
• Phantom
The phantom power for this source is turned on/off at startup.
(this field is only avail able w hen the source-phantom function is al so assigned to an object;
e.g. via rack configuration)
• Pad
The PAD for this source is turned on/off at startup.
(thi s field is only available when the source-phantom function is al so assigned to an object;
e.g. via rack configuration)
• Gain
The source gain for this source is at startup set to this level.
(this field is only avail able w hen the source-phantom function is al so assigned to an object;
e.g. via rack configuration)
• Processing preset
If this source is selected on a module, by the ‘source select’ function (not via module or

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console preset), this processing preset is ‘set’ on the module.
• Trigger start
Here you can confi gure how the source start/stop change is triggered:
- Dedicated, the module fader and on are not triggering start/stop only the dedicated start/stop
controllers.
- Module fader on, the fader on will trigger the start as well.
- Module on, the on swi tch will trigger the start as well.
- Module fader on & on, the fader must be open and on active then the start is triggered.
For all modes the start/stop may at the same time controlled by the dedicated controllers
• Trigger stop
Here you can confi gure how the source start/stop change is triggered:
- Dedicated, the module fader and on are not triggering start/stop only the dedicated start/stop
controllers.
- Module fader off, the fader off will trigger the stop as well.
- Module off, the on swi tch will trigger the stop as well.
- Module fader off & off, the fader must be closed or on inactive then the stop is triggered.
For all modes the start/stop may at the same time controlled by the dedicated controllers
• Red-light.
When this source becomes active on a module, the corresponding Red-light buss becomes
active.
• Monitor destination mute
When this source becomes active on a module, the corresponding monitor buss will be muted.
• Delete
When you click on this column the source will be deleted (and also all references are deleted).
• Create a new source
By clicking on this link a popup will appear where you have to setup the physical inputs and
label for the new source.

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5.6 Extern source configuration
Each DSP card can handle four stereo monitor busses (with 4 DSP cards a max of 16 stereo monitor
busses is possible). For each DSP card you can configure 8 external stereo sources, beyond the 16
stereo mixing busses which are fixed available in the monitor section.
Figure 10: External source configuration
• Safe
Extern source can be confi gured to be ‘i nterlock safe’.
Normally only one buss or external input can be active on the monitor buss if configured to be
‘interlock’. But sometimes it is important your signal will not disappear if another CRM-source
is selected, in that case you can set the external source to be ‘safe’.
• Source
Here you can select which signal routes to this ‘external input’.
You can choose:
- Input sources (Mic, line, dig etc. etc.)
- Mix busses
- Monitor busses
- Insert outs (of modules)
- N-1 signals (for a single module)

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5.7 Destination configuration
The 19” rack unit can accept various I/O cards. With these cards, you can send audio from the
Oxygen 5 Digital digital audio system to the audio format you require. Because the audio connected
to the I/O cards can have different channel relations (mono, stereo) a combination has to be made. A
user readable label has to be created to configure destinations. Such destination is the entity you can
select to be the output of a mixing buss of the mixing console. See an example destination list:
Figure 11: Destination configuration
• Nr
Here you can reposition the destination to make the list in a convenient order.
• Label
Name of the desti nation you are setting up.
• Output 1/2
Here you select the physical slot and output of the card you want to assign to this destination.
For a mono output you have to select only one of the l eft or right outputs to a physical slot/ch.
• Level
The destination l evel for this source is at startup set to this level; for example to adjust
headroom for a single output.
(this field is only avail able w hen the destination-level function is al so assigned to an object;
e.g. via rack configuration)
• Default signal from
This destination/output will send audio from the default selected source (except if a N-1 is
active, then automatically the N-1 signal is selected).
You can choose:

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- Input sources (Mic, line, dig etc. etc.)
- Mix busses
- Monitor busses
- Insert outs (of modules)
• Default signal routing
Here you can choose which signal feeds the physical outputs:
Stereo (if no mix minus source is assigned):
Output left and right received their corresponding signal
Left:
Output left and right both receive the left signal.
Right:
Output left and right both receive the right signal.
Mono (only i f a mix minus source i s assigned):
The mix minus signal is always a mono signal.
• N-1 from/mix minus source
When the selected source is assigned to a module, this destination automatically creates an
N-1 using the selected source.
• Delete
When you click on this column the destination will be deleted (and also all references are
deleted).
• Create a new destination
By clicking on this link a popup will appear where you have to setup the physical outputs and
label for the new destination. When you select the same output for both channels, the system
will use it on the left output and set the right to none.

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5.8 Talkback configuration
This pages makes it possible to select the sources for the 16 talkback busse s available in the Oxygen
5 Digital.
Figure 12: Talkback configuration
• Source
Here you can select which signal routes to a talkback buss.
You can choose:
- Input sources (Mic, line, dig etc. etc.)
- Mix busses
- Monitor busses
- Insert outs (of modules)
- N-1 signals (for a single module)

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5.9 Processing presets
It is possible to set the module processing when a source is selected (via ‘source select’ or a module
preset) , the i nformation for this functionality is stored in the processing presets.
Figure 13: Processing presets
• Nr
Here you can reposition the preset to make the list in a convenient order.
• Label
Name of the preset.
• Settings.
Shows a new page where you can confi gure the preset.
• Delete
When you click on this column the preset will be deleted (and also all references are del eted).
• Copy to new preset
This function can be used to get the current settings copied in a new preset.
A popup will appear where you have to setup the label for the new preset.
• Create new preset
By clicking on this link a popup will appear where you have to setup the label for the new
preset.

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5.9.1 Settings
All processi ng parameters can be configured in the processing preset settings webpage
Figure 14: Processing preset settings

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• Override module
If set to no, the module setting will not be affected by this preset.
If set to yes, this preset will change the settings of the module for the corresponding
processing section (Digital gain, Low cut etc. etc.)
• State
if the override is turned to yes, you can set the processing section to ‘on’ or ‘off’.
for example:
- Microphones will often have the state EQ on
- CD players will often have the state EQ off
• Value
if the override is turned to yes, this value is set for the corresponding processing section.
For EQ and dynamics, a popup window is shown. Here you can set multiple values.
Figure 15: Processing preset EQ/Dynamics settings
EQ Range
Maximal adjustment you may generate with this band.
EQ Level
Level of the band that this preset will set.
The value must be within the EQ Range
EQ Frequency
Frequency of the band that this preset will set.
The frequency range is 20-20000 Hz.
EQ Bandwidth
Bandwidth of the band that this preset will set.
The bandwidth range is 0.1 – 10
EQ type
Type of the band that this preset will set.
You can choose:
- Off
- High pass filter (6 dB/Oct)
- Low shelf
- Peaking (is the normal EQ curve)
- High shelf
- Low pass filter
- Band pass fil ter
- notch filter
Downward expander threshold

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Threshold of the downward expander (to reduce ambient sound) that this preset will set.
The threshold range is -50 dB till 0 dB.
AGC ratio
The ratio for this automatic gain control is given in 0-100%.
AGC threshold
Threshold of the AGC, above the threshold the AGC tries to hold the signal 0 dB.
the threshold range is -30 till 0 dB.
(Be aware with a l ow threshold, you may generate a lot of gain)

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5.10 Module assignment
Modules can be assi gned to one of the 4 consoles, after this and a correct assignment of the busses
to the consoles you may click ‘generate’ to make a correct assi gnment configuration.
Afterwards you can overri de the generate assi gnments by clicking the ‘y’/’n’ fields. For example you
can create a buss that is available to all consoles.
Figure 16: Module assignment

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5.11 Module configuration
The module configuration makes it possible to give modules a default setting (after powering on) and
you can also configure module presets 1A/1B, 2A/2B, 3A/3B, 4A/4B.
Figure 17: Input module configuration
• Console
Shows to which console the module is assigned.
• Preset 1A/1B, 2A/2B, 3A/3B, 4A/4B
Shows the source and processing preset selected for corresponding module preset. If the ‘#’
symbol appears there is an active routing preset.
(cli ck on the link to go to the configuration page for the module)
• Processing
Here you can see if there is any processi ng done.
(cli ck on the link to go to the configuration page for the module)
• Routing
(cli ck on the link to go to the configuration page for the module)

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5.11.1 Module configuration page
On this page you can setup the defaul t module configuration, used at startup if programmed default.
If you have made your settings and you would like to copy them to all modules in this console (for
example if you want to use the same EQ center frequencies) you can simply hit ‘To all console x
modules’ after you made and checked the settings on the current module.
Figure 18: Module configuration page

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5.11.1.1 Module preset 1A/1B, 2A/2B, 3A/3B, 4A/4B
Here you select the source, processing preset and routing preset that is used when module preset
1A/1B, 2A/2B, 3A/3B, 4A/4B is selected. After a click on ‘routing’ a popup appears with the routing
possibilities (this depends on the consol e assignment).
• Routing Preset
Figure 19: Module routing preset
Ov erride module
If set to no, the module setting will not be affected by this preset. If set to yes, this preset will
change the settings of the module for the corresponding buss.
Level
If the override is turned to yes, this will set the send level to the buss for this module when
current preset is selected.
State
If the override is turned to yes, this will set the buss state to ‘on’ or ‘off’ for this module when
this module preset is select.
Pre/Post
If the override is turned to yes, this will set the buss pre or post for this module when this
module preset i s select.
Balance
If the override is turned to yes, this will set the buss balance for this module when this module
preset is select.
To all console 1-4 module
With this link you can copy the current settings to the same routing preset (1A/1B, 2A/2B,
3A/3B, 4A/4B) at all modules of the console where this module is assigned to.
• Ignore module state
When presets are recalled, it checks the module state to prevent recalling ‘onair’ signals. The
preset will wait till the module is switched off air.
If the ignore module state function is switched to yes, the presets will not check the module
state and forces the recall to be done always!

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5.11.1.2 Processing
This are the programmed processing defaults for the modules. Depending on the startup settings
these processing defaults will be used at startup.
The field ‘Use at source select’ determines if the processing section also is used when there is no
processing preset assigned to the source/module preset, or the processing section in the processing
preset is not overriding the module settings.
The following processing sections are available:
• Digital Gain level
You can enter a default gain level for each module.
• Low cut frequency
You can enter a default frequency of the low cut filter.
• Phase
Set the phase to default settings.
• Mono
Give the mono settings default values.
• EQ
By clicking on EQ you can set the default equalizer settings.
• Dynamics
This setting is used as default
• Module level
Set the level to default value at startup.
• Module state
Set the module to on or off at startup.
5.11.1.3 Routing
• Buss level
You may predefine the send level of a module to the busse s (e.g. Aux send).
• Buss status
You have to setup the startup status for the busse s. With this setting you set the buss routing
(e.g. Program on/off or CUE on/off).
• Buss Pre/Post
It’s possible to have pre/post selection per module, the startup setting can be configured here.
• Balance
You can select the bal ance of the buss sent.

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5.12 Mix/monitor buss presets
It is possible to make mix/monitor buss presets to make sure for different programs the correct buss
master states and levels are set. Also you can make sure the required monitor buss selection is made.
Figure 20: Mix/monitor buss presets
• Nr
Here you can reposition the preset to make the list in a convenient order.
• Label
Name of the preset.
• Settings.
Shows a new page where you can confi gure the preset.
• Delete
When you click on this column the preset will be deleted (and also all references are del eted).
• Create new buss preset
By clicking on this link a popup will appear where you have to setup the label for the new
preset.

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5.12.1 Settings
On this page you can set the required levels and state for all busses and monitor busse s which are
used in the mix/monitor buss preset.
Figure 21: Mix/monitor buss preset settings
5.12.1.1 Mix buss settings
• Console
Displays the console where this mix buss is assigned to.
• Use
When set to ‘yes’ the settings for this mix buss overrides the current mix settings if the preset
is loaded.
• Master level
Here you can give the preset master level of the corresponding mix buss.
• Master state
Here you can give the preset master state of the corresponding mix buss.
5.12.1.2 Monitor buss settings
• Console
Displays the console where this monitor buss is assigned to.
• Use
When set to ‘yes’ the settings for this monitor buss overrides the current monitor settings if the

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preset is loaded.
• State
This must be set to ‘yes’ if you want that this preset makes this monitor-buss routing.

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5.13 Console presets
To recall a complete console you use the console presets, what exactly is recalled is depending on the
underlying configuration of:
- Source configuration
- Processing presets
- Module configuration
- Mix/monitor buss presets
When a console preset is recalled it will set all modules to the module preset ‘A’-‘H’ as configured.
Secondly it will load the Mix/monitor preset as given in the console preset.
Figure 22: Console presets
• Nr
Here you can reposition the preset to make the list in a convenient order.
• Label
Name of the preset.
• Console
Select to which console or consoles this preset i s active.
• Select module preset
Here you can select to use module preset 1A/1B, 2A/2B, 3A/3B, 4A/4B.
• Mix/monitor buss preset
Here you can select on of the mix/monitor buss presets to use in this console preset.
• Recall time
A console preset can be recalled onair safe, so active channels are not recalled. Default you
have to press the preset button for 1 second before an ‘safe’ recall is done. After pressing 3
seconds the active channels are recalled as well (forced).
You can setup the delay time for the safe and forced console presets, when you give 0
seconds the recall will be done ‘direct’ when the button is pressed.
• Delete
When you click on this column the preset will be deleted (and also all references are del eted).
• Create new console preset
By clicking on this link a popup will appear where you have to setup the label for the new
preset.

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5.14 Surface configuration
You can see an overview of the boards in the surface(s) on this page. These are grouped together,
like their physical layout.
Figure 23: Surface configuration
• MambaNet Address
Show information on the internal used MambaNet addresses
• Node name
Logical name of the node
• Default
Number of objects that have a default value set.
• Config
Number of objects that are configured to an engine function.
• Import/Export
Once you have configured the defaults and used engine functions you can export and import
these settings. With export the current configuration is stored in the database, where you have
to give a logical name (e.g. Module 5-8). With i mport you can restore a configuration to the
same or a different node (of the same type). When you import Module 5-8 with an offset of -4
the configuration wil l be as you expect Module 1-4.

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• Configure
When you fol low the link configure, you are able to setup the functi onality for the different
objects on the node. The sensor and actuator data types determine which functi on is able to
connect to the object. For a complete list of the functions, you can go to chapter 5.16 Engine
function.
Figure 24: Node object configuration (to Oxygen 5 Digital functions)
• Default
The gray value is the startup defaul t, this may be changed by assigning a custom value.
When you submit an empty box the object returns to the startup default value.
• Function
Here you may select which engine function is connected to the object

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5.15 Rack configuration
You can see an overview of the cards in the rack on this page. You can find informati on like the slot
number, MambaNet address, card name, number of inputs and outputs.
The link Configure wi ll go to a page for connecting objects of the card to Oxygen 5 Digital engine’s
functions.
You can consider this as the remote control configuration. For example you can connect:
• Start/stop functionality to remote outputs
• Source gain functionality to MIC gain
• Speaker level to CRM output level
• etc. etc.
Figure 25: Rack configuration
• Slot
Slot number where the I/O card i s located.
• MambaNet Address
Show information on the internal used MambaNet addresses
• Node name
Logical name of the node
• Inputs
Number of mono input channels
• Outputs
Number of mono output channels
• Default
Number of objects that have a default value set.
• Config
Number of objects that are configured to an engine function.
• Import/Export
Once you have configured the defaults and used engine functions you can export and import
these settings. With export the current configuration is stored in the database, where you have
to give a logical name (e.g. Module 5-8). With i mport you can restore a configuration to the
same or a different node (of the same type). When you import Module 5-8 with an offset of -4
the configuration wil l be as you expect Module 1-4.

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• Configure
The page shown below gives an indi cation how the CRM output level objects connect to the
Speaker level engine functi ons. By following the links, you can reconfigure the functions that
connect to the objects. The sensor and actuator data types determine which functi on assigns
to the object.
For a complete list of the functions, you can look up chapter 5.16 Engine function.
Figure 26: Node object configuration (to Oxygen 5 Digital functions)

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5.16 Engine functions
The engine houses all mixing console functions and is able to connect various objects to its function
as has been described in the previous chapters. Below we gi ve a list of all availabl e functions within
the engine.
5.16.1 Modules
If four DSP cards are i nserted, it is possi ble to have 128 modules (32 stereo modules per DSP card).
For each module, you are able to connect objects to the following functions:
Example object to connect to
Label Label of the module
Steps through the source list at the current module
Select the pre con figured module preset 1A, 2A, 3A
or 4A. (Which of the 4 depends on the last console
preset used).
pre configured module preset 1B, 2B, 3B
or 4B. (Which of the 4 depends on the last console
preset used).
the pre configured modul e preset 1A
2A/2B, 3A/3B or 4A/4B. (Whic h of the 4 depends on
the l ast consol e preset used).
Select the pre con figured Module preset
Select the pre con figured Module preset
2A Select the pre con figured Module preset
2B Select the pre con figured Module preset
3A Select the pre con figured Module preset
e pre configured Module preset
e pre configured Module preset 4A
e pre configured Module preset 4B
Toggles phantom power on the sourc e routed to this
Toggles PAD on the source routed to this mod ule
changes ( anal og) gain on the source routed to this
changes ( anal og) gain on the source routed to this
Switc hes t he insert return on/off
Change phase of all channels in the module
Switc hes t he phase on/off
Controls the gain in steps of 0.1 dB
Low cut frequency c ontrol.
Select the lo w cu t on/off
Controls the EQ level in steps of 0. 1 dB
Controls the EQ bandwidth
Sets the EQ level to the band default
Sets the EQ frequency to the band default
Sets the EQ bandwidth to the band default
Steps through the EQ band types available
Controls the EQ level in steps of 0. 1 dB
Controls the EQ bandwidth
Sets the EQ level to the band default
Sets the EQ frequency to the band default
Sets the EQ bandwidth to the band default
Steps through the EQ band types available
Controls the EQ level in steps of 0. 1 dB

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Example object to connect to
Controls the EQ frequenc y
Controls the EQ bandwidth
Sets the EQ level to the band default
Sets the EQ frequency to the band default
Sets the EQ bandwidth to the band default
Steps through the EQ band types available
Controls the EQ level in steps of 0. 1 dB
Controls the EQ frequenc y
Controls the EQ bandwidth
Sets the EQ level to the band default
Sets the EQ frequency to the band default
Sets the EQ bandwidth to the band default
Steps through the EQ band types available
Controls the EQ level in steps of 0. 1 dB
Controls the EQ frequenc y
Controls the EQ bandwidth
Sets the EQ level to the band default
Sets the EQ frequency to the band
Sets the EQ bandwidth to the band default
Steps through the EQ band types available
Controls the EQ level in steps of 0. 1 dB
Controls the EQ frequenc y
Controls the EQ bandwidth
Sets the EQ level to the band default
Sets the EQ frequency to the
Sets the EQ bandwidth to the band default
Steps through the EQ band types available
Select the EQ on /off (all bands!)
Selects the threshol d for the downwards expander in
the range from -50 to 0 dB
Selects the threshol d for the AGC ( automatic gain
control) in the range from -30-0 dB
Select the dynamics on/off (dynamics is
2.0 Mono Makes the module output mono
panning from lef t to right
Sets the panni ng to the center
This function handl es the fader fu nctionality
This function handl es like a on
This function handl es like a off
This function handl es like a on/o ff
toggle bet ween on and off)
This function shows a ‘1’ if the fader and on are
active. When r ecei ve d a ‘1’ the fader and on are
activat ed
2.1 Fader and on inac tive
This function shows a ‘1’ if the fader and on are
inacti ve.
When rec eived a ‘1’ the fader and on ar e made
inacti ve.

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Example object to connect to
This function shows a ‘1’ if the fader and on are
active.
When rec eived a ‘1’ the ‘fader and on’-state toggles
bet ween active an d inactive
This function handl es like a fader
This function handl es like a fader
This function handl es like a fader on/off
= toggle between fader 0 dB and off)
level to the buss for this module
2.0 Buss 1/2 l evel reset
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to
Controls the s ent level to t he buss for this module
2.0 Buss 3/4 l evel reset
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the
This resets the balanc e to t he center position
Controls the s ent level to t he buss for this module
2.0 Buss 5/6 l evel reset
Select ‘O ff ‘or ‘On = 0 dB’ depending on current
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to t he center position
Controls the s ent level to t he buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to t he center position
sent level to the buss for this module
2.0 Buss 9/10 level r eset
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
the balanc e to t he c enter position
Controls the s ent level to t he buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
of t he module signal sent to the buss
This resets the balanc e to t he center position

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Example object to connect to
Controls the s ent level to t he buss for this module
‘Off ‘or ‘On = 0 dB’ depe nding on current state
sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to t he center position
level to the buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
on/ off Select the buss on/o ff
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
the balanc e to t he c enter position
Controls the s ent level to t he buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
of t he module signal sent to the buss
This resets the balanc e to t he center position
Controls the s ent level to t he buss for this module
‘Off ‘or ‘On = 0 dB’ depe nding on current state
sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to t he center position
level to the buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
on/ off Select the buss on/o ff
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
the balanc e to t he c enter position
Controls the s ent level to t he buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
of t he module signal sent to the buss
This resets the balanc e to t he center position
Controls the s ent level to t he buss for this module
‘Off ‘or ‘On = 0 dB’ depe nding on current state

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Example object to connect to
sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to t he center position
level to the buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
on/ off Select the buss on/o ff
Select if this module sent pre or post fader signal to
The balance of t he module signal sent to the buss
the balanc e to t he c enter position
Controls the s ent level to t he buss for this module
Select ‘O ff ‘or ‘On = 0 dB’ depending on current state
Select if this module sent pre or post fader signal to
of t he module signal sent to the buss
This resets the balanc e to t he center position
Controls the s ent level to t he buss for this module
‘Off ‘or ‘On = 0 dB’ depe nding on current state
sent pre or post fader signal to
The balance of t he module signal sent to the buss
This resets the balanc e to t he center position
Stop (GPO) for current source
Toggle between st art/stop for current source
Toggle between Cough On and Cough off.
number for this module)
The data interpretation depends on the mode of this
control (source, gain, aux level etc . etc)
current selec te d control 1
4 depends on console number f or this module)
(Source, gain, aux level etc . etc)
Sets the data to the control 1
4 defa ult val ue or toggle
functi ons (1-4 depends on console number for this
module).
The data interpretation depends on the mode of this
control (source, gain, aux level etc . etc)
The data interpretation depends on the mode of this
control 1 (source, gain, aux level etc. etc)
Set label of the current selected control 1 mode
(Source, gain, aux level etc . etc)
Sets the data to the control 1 default valu e
The data interpretation depends on the mode of this
control 1 (source, gain, aux level etc. etc)
The data interpretation depends on the mode of this
control 2 (source, gain, aux level etc. etc)
Set label of the current selected control 2 mode
(Source, gain, aux level etc . etc)
Sets the data to the control 2 default valu e
The data interpretation depends on the mode of this
control 2 (source, gain, aux level etc. etc)

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Example object to connect to
The data interpretation depends on the mode of this
control 3 (source, gain, aux level etc. etc)
Set label of the current selected control 3 mode
(Source, gain, aux level etc . etc)
the control 3 default value
The data interpretation depends on the mode of this
control 3 (source, gain, aux level etc. etc)
The data interpretation depends on the mode of this
control 4 (source, gain, aux level etc. etc)
Set label of the current selected control 4 mode
(Source, gain, aux level etc . etc)
Sets the data to the control 4 default valu e
The data interpretation depends on the mode of this
control 4 (source, gain, aux level etc. etc)
2.0 Pea k Sho ws when this module has a peak in the audio
Sho ws when audio is received at the module
LED 2.0 Processing preset
With this function you can scroll through
Loads module r outing preset 1A
Loads module r outing preset 1B
Loads module r outing preset 2A
module r outing preset 2B
Loads module r outing preset 3A
Loads module r outing preset 3B
Loads module r outing preset 4A
Switc hes t al kback 1 to all output where the c urrent
Switc hes t al kback 2 to all output where the c urrent
Switc hes t al kback 3 to all output where the c urrent
Switc hes t al kback 4 to all output where the c urrent
Switc hes t al kback 5 to all output where the
Switc hes t al kback 6 to all output where the c urrent
Switc hes t al kback 7 to all output where the c urrent
8 to N-1 Switc hes t al kback 8 to all output where the c urrent
Switc hes t al kback 9 to all output where the c urrent
Switc hes t al kback 10 to all output where
Switc hes t al kback 11 to all output where the current
Switc hes t al kback 12 to all output where the current
Switc hes t al kback 13 to all output where the current
Switc hes t al kback 14 to all output where the current
Switc hes t al kback 15 to all
Switc hes t al kback 16 to all output where the current

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5.16.2 Busses
The Oxygen 5 Digital has 16 stereo busses. For each buss, you are able to connect objects with the
following functions:
Controls the buss master level
2.0 Buss master level reset
Switc hes t he total buss pre or post
2.0 Buss Audio level left
2.0 Buss Audio level right

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5.16.3 Monitor busses
With 4 DSP cards, the Oxygen 5 Digital will have 16 stereo monitor busses (4 per DSP card).
For each monitor buss, you are able to connect objects to do the following functions:
Select buss 1/2 for the monitor buss
Deselect buss 1/2 for the monitor buss
buss 1/2 for the monitor buss
Select buss 3/4 for the monitor buss
Deselect buss 3/4 for the monitor buss
buss 3/4 for the monitor buss
Select buss 5/6 for the monitor buss
Deselect buss 5/6 for the monitor buss
buss 5/6 for the monitor buss
Select buss 7/8 for the monitor buss
Deselect buss 7/8 for the monitor buss
buss 7/8 for the monitor buss
Select buss 9/10 for the monitor buss
Deselect buss 9/10 for the monitor buss
buss 9/10 for the monitor buss
Select buss 11/12 for the monit or buss
Deselect buss 11/12 for the monitor buss
buss 11/1 2 for the monitor buss
Select buss 13/14 for the monit or buss
Deselect buss 13/14 for the monitor buss
buss 13/1 4 for the monitor buss
5/16 for the monit or buss
15/16 for the monitor buss
buss 15/1 6 for the monitor buss
7/18 for the monit or buss
7/18 for the monitor buss
buss 17/1 8 for the monitor buss
9/20 for the monit or buss
9/20 for the monitor buss
buss 19/2 0 for the monitor buss
2.0 Buss 21/22 on Select buss
2.2 Buss 21/22 off Deselect buss
buss 21/2 2 for the monitor buss
23/24 for the monit or buss
23/24 for the monitor buss
buss 23/2 4 for the monitor buss
25/26 for the monit or buss
25/26 for the monitor buss
buss 25/2 6 for the monitor buss
27/28 for the monit or buss
27/28 for the monitor buss
buss 27/2 8 for the monitor buss
29/30 for the monit or buss
29/30 for the monitor buss
buss 29/3 0 for the monitor buss
2.0 Buss 31/32 on Select buss
2.2 Buss 31/32 off Deselect buss
buss 31/3 2 for the monitor buss
Select Ext 1 for the monit or buss
Deselect Ext 1 for the monitor buss
Ext 1 for th e monitor buss
Select Ext 2 for the monit or buss
Deselect Ext 2 for the monitor buss
Ext 2 for th e monitor buss
Select Ext 3 for the monit or buss
Deselect Ext 3 for the monitor buss
Ext 3 for th e monitor buss
Select Ext 4 for the monit or buss
Deselect Ext 4 for the monitor buss
Ext 4 for th e monitor buss
Select Ext 5 for the monit or buss
Deselect Ext 5 for the monitor buss
Ext 5 for th e monitor buss
Select Ext 6 for the monit or buss

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Deselect Ext 6 for the monitor buss
Ext 6 for th e monitor buss
Select Ext 7 for the monit or buss
Deselect Ext 7 for the monitor buss
Ext 7 for th e monitor buss
Select Ext 8 for the monit or buss
Deselect Ext 8 for the monitor buss
Ext 8 for th e monitor buss
2.0 Mute Mutes t he out put
Controls the l evel in steps of 0.1 dB
Phas e reverse the right output
Controls the l evel in steps of 0.1 dB
Talkbac k t o monitor from Talkback 1
Talkbac k t o monitor from Talkback 2
Talkbac k t o monitor from Talkback 3
Talkbac k t o monitor from Talkback 4
Talkbac k t o monitor from Talkback 5
Talkbac k t o monitor from Talkback 6
Talkbac k t o monitor from Talkback 8
Talkbac k t o monitor from Talkback 9
Talkbac k t o monitor from Talkback 10
Talkbac k t o monitor from Talkback 11
Talkbac k t o monitor from Talkback 12
Talkbac k t o monitor from Talkback 13
Talkbac k t o monitor from Talkback 14
Talkbac k t o monitor from Talkback 15
Talkbac k t o monitor from Talkback 16
Audio level for level meter
Audio level for level meter
2.0 Label Name of the monit or buss

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5.16.4 Global
It will be possible to have the following global sensor change receivers:
reset Do buss 19/20 reset
2.0 Control 1 mode source
Select mode source for control 1
2.1 Control 1 mode source
gain Select mode source gain f or control 1
2.0 Control 1 mode source phantom
Select mode phan tom for control 1
2.1 Control 1 mode source pad
Select mode pad f or control 1
Select mode gain f or control 1
2.0 Control 1 mode phas e
Select mode phase for contr ol 1
2.0 Control 1 mode low cut
Select mode low cut for c ontr ol 1
2.0 Control 1 mode Insert on/off
Select mode insert for control 1
2.2 Control 1 mode EQ band 1 le vel
Select mode EQ band 1 level for control 1
2.0 Control 1 mode EQ band 1
Select mode EQ band 1 fr eq for control 1
2.0 Control 1 mode EQ band 1
Select mode EQ band 1 bw for control 1
2.0 Control 1 mode EQ band 1
type Select mode EQ band 1 type for control 1
2.0 Control 1 mode EQ band 2 le vel
Select mode EQ band 2 level for control 1
2.0 Control 1 mode EQ band 2
Select mode EQ band 2 fr eq for control 1
2.0 Control 1 mode EQ band 2
Select mode EQ band 2 bw for control 1
2.0 Control 1 mode EQ band 2 t yp e
Select mode EQ band 2 type for control 1
2.0 Control 1 mode EQ band 3 le vel
Select mode EQ band 3 level for control 1
2.0 Control 1 mode EQ band 3
Select mode EQ band 3 fr eq for control 1
2.0 Control 1 mode EQ band 3
Select mode EQ band 3 bw for control 1
2.0 Control 1 mode EQ band 3 t yp e
Select mode EQ band 3 type for control 1
2.0 Control 1 mode EQ band 4
l evel Select mode EQ band 4 level for control 1
2.0 Control 1 mode EQ band 4
Select mode EQ band 4 fr eq for control 1
2.0 Control 1 mode EQ band 4
Select mode EQ band 4 bw for control 1
Select mode EQ band 4 type for control 1
2.0 Control 1 mode EQ band 5 le vel
Select mode EQ band 5 level for control 1
2.0 Control 1 mode EQ band 5
Select mode EQ band 5 fr eq for control 1
Select mode EQ band 5 bw for control 1
2.0 Control 1 mode EQ band 5 t yp e
Select mode EQ band 5 type for control 1
2.0 Control 1 mode EQ band 6 le vel
Select mode EQ band 6 level for control 1
Select mode EQ band 6 fr eq for control 1

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Select mode EQ band 6 bw for control 1
2.0 Control 1 mode EQ band 6 t yp e
Select mode EQ band 6 type for control 1
Select mode EQ on/off for contr ol 1
2.1 Control 1 mode module
downward expander threshold
Select mode downward expander threshold
2.1 Control 1 mode AGC threshold
Select mode AGC t hreshold
r atio Select mode AGC ratio for control 1
2.0 Control 1 mode Dynamics on/off
Select mode Dynamics on/off for control 1
Select mode mono for control 1
Select mode pan f or control 1
2.0 Control 1 mode module l evel
Select mode module level for control 1
½ Select mode buss 1/ 2 for control 1
2.0 Control 1 mode buss 1/2
Select mode buss 1/ 2 bal. for control 1
Select mode buss 3/ 4 for control 1
2.0 Control 1 mode buss 3/4
Select mode buss 3/ 4 bal. for control 1
2.0 Control 1 mode buss 5/6
Select mode buss 5/ 6 for control 1
2.0 Control 1 mode buss 5/6
mode buss 5/ 6 bal. for control 1
2.0 Control 1 mode buss 7/8
Select mode buss 7/ 8 for control 1
2.0 Control 1 mode buss 7/8
Select mode buss 7/ 8 bal. for control 1
2.0 Control 1 mode buss 9/10
Select mode buss 9/ 10 for
2.0 Control 1 mode buss 9/10
Select mode buss 9/ 10 bal. for contr ol 1
2.0 Control 1 mode buss 11/12
Select mode buss 11/12 f or control 1
2.0 Control 1 mode buss 11/12
Select mode buss 11/12 bal. f or control
2.0 Control 1 mode buss 13/14
Select mode buss 13/14 f or control 1
2.0 Control 1 mode buss 13/14
Select mode buss 13/14 bal. f or control 1
2.0 Control 1 mode buss 15/16
Select mode buss 15/16 f or control 1
2.0 Control 1 mode buss 15/16
Select mode buss 15/16 bal. f or control 1
2.0 Control 1 mode buss 17/18
Select mode buss 17/18 f or control 1
2.0 Control 1 mode buss 17/18
Select mode buss 17/18 bal. f or control 1
2.0 Control 1 mode buss 19/20
Select mode buss 19/20 f or control 1
2.0 Control 1 mode buss 19/20
Select mode buss 19/20 bal. f or control 1
2.0 Control 1 mode buss 21/22
Select mode buss 21/22 f or control 1
Select mode buss 21/22 bal. f or control 1
2.0 Control 1 mode buss 23/24
Select mode buss 23/24 f or control 1
2.0 Control 1 mode buss 23/24
Select mode buss 23/24 bal. f or control 1
25/26 Select mode buss 25/26 f or control 1
2.0 Control 1 mode buss 25/26
Select mode buss 25/26 bal. f or control 1
2.0 Control 1 mode buss 27/28
Select mode buss 27/28 f or control 1
2.0 Control 1 mode buss 27/28
Select mode buss 27/28 bal. f or control 1
2.0 Control 1 mode buss 29/30
Select mode buss 29/30 f or control 1
2.0 Control 1 mode buss 29/30
Select mode buss 29/30 bal. f or control 1
2.0 Control 1 mode buss 31/32
2.0 Control 1 mode buss 31/32
Select mode buss 31/32 bal. f or control 1
2.0 Control 2 mode source
Select mode source for control 2
2.1 Control 2 mode source g ain
Select mode source gain f or control 2
2.0 Control 2 mode source phantom
Select mode phan tom for control 2
2.1 Control 2 mode source pad
Select mode pad f or control 2
Select mode gain f or control 2
2.0 Control 2 mode phas e
Select mode phase for contr ol 2
2.0 Control 2 mode low cut
Select mode low cut for c ontr ol 2
2.0 Control 2 mode Insert on/off
Select mode insert for control 2

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Control 2 mode EQ band 1 le vel
Select mode EQ band 1 level for control 2
2.0 Control 2 mode EQ band 1
Select mode EQ band 1 fr eq for control 2
2.0 Control 2 mode EQ band 1
2.0 Control 2 mode EQ band 1 t yp e
Select mode EQ band 1 type for control 2
2.0 Control 2 mode EQ band 2 le vel
Select mode EQ band 2 level for control 2
2.0 Control 2 mode EQ band 2
Select mode EQ band 2 fr eq
2.0 Control 2 mode EQ band 2
Select mode EQ band 2 bw for control 2
2.0 Control 2 mode EQ band 2 t yp e
Select mode EQ band 2 type for control 2
2.0 Control 2 mode EQ band 3 le vel
Select mode EQ band 3 level
2.0 Control 2 mode EQ band 3
Select mode EQ band 3 fr eq for control 2
2.0 Control 2 mode EQ band 3
Select mode EQ band 3 bw for control 2
2.0 Control 2 mode EQ band 3 t yp e
Select mode EQ band 3 type
2.0 Control 2 mode EQ band 4 le vel
Select mode EQ band 4 level for control 2
2.0 Control 2 mode EQ band 4
Select mode EQ band 4 fr eq for control 2
2.0 Control 2 mode EQ band 4
Select mode EQ band 4 bw for control 2
2.0 Control 2 mode EQ band 4 t yp e
Select mode EQ band 4 type for control 2
2.0 Control 2 mode EQ band 5 le vel
Select mode EQ band 5 level for control 2
2.0 Control 2 mode EQ band 5
Select mode EQ band 5 fr eq for control 2
2.0 Control 2 mode EQ band 5
Select mode EQ band 5 bw for control 2
2.0 Control 2 mode EQ band 5 t yp e
Select mode EQ band 5 type for control 2
2.0 Control 2 mode EQ band 6 le vel
Select mode EQ band 6 level for control 2
2.0 Control 2 mode EQ band 6
Select mode EQ band 6 fr eq for control 2
2.0 Control 2 mode EQ band 6
Select mode EQ band 6 bw for control 2
2.0 Control 2 mode EQ band 6
type Select mode EQ band 6 type for control 2
2.0 Control 2 mode module EQ
Select mode EQ on/off for contr ol 2
2.1 Control 2 mode module
downward expander threshold
Select mode downward expander threshold
Select mode AGC t hreshold
2.1 Control 2 mode AGC r atio
Select mode AGC ratio for control 2
2.0 Control 2 mode Dynamics on/off
Select mode Dynamics on/off
Select mode mono for control 2
Select mode pan f or control 2
2.0 Control 2 mode module l evel
Select mode module level for control 2
2.0 Control 2 mode buss 1/2
Select mode buss 1/ 2 for control 2
2.0 Control 2 mode buss 1/2
mode buss 1/ 2 bal. for control 2
2.0 Control 2 mode buss 3/4
Select mode buss 3/ 4 for control 2
2.0 Control 2 mode buss 3/4
Select mode buss 3/ 4 bal. for control 2
2.0 Control 2 mode buss 5/6
Select mode buss 5/ 6 for control
2.0 Control 2 mode buss 5/6
Select mode buss 5/ 6 bal. for control 2
2.0 Control 2 mode buss 7/8
Select mode buss 7/ 8 for control 2
2.0 Control 2 mode buss 7/8
Select mode buss 7/ 8 bal. for control 2
2.0 Control 2 mode buss 9/10
Select mode buss 9/ 10 for control 2
2.0 Control 2 mode buss 9/10
Select mode buss 9/ 10 bal. for contr ol 2
2.0 Control 2 mode buss 11/12
Select mode buss 11/12 f or control 2
Select mode buss 11/12 bal. f or control 2
2.0 Control 2 mode buss 13/14
Select mode buss 13/14 f or control 2
2.0 Control 2 mode buss 13/14
Select mode buss 13/14 bal. f or control 2
2.0 Control 2 mode buss 15/16
Select mode buss 15/16 f or control 2
2.0 Control 2 mode buss 15/16
Select mode buss 15/16 bal. f or control 2
2.0 Control 2 mode buss 17/18
Select mode buss 17/18 f or control 2

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Control 2 mode buss 17/18
mode buss 17/18 bal. for control 2
2.0 Control 2 mode buss 19/20
Select mode buss 19/20 f or control 2
2.0 Control 2 mode buss 19/20
Select mode buss 19/20 bal. f or control 2
2.0 Control 2 mode buss 21/22
2.0 Control 2 mode buss 21/22
Select mode buss 21/22 bal. f or control 2
2.0 Control 2 mode buss 23/24
Select mode buss 23/24 f or control 2
2.0 Control 2 mode buss 23/24
Select mode buss 23/24 bal.
2.0 Control 2 mode buss 25/26
Select mode buss 25/26 f or control 2
2.0 Control 2 mode buss 25/26
Select mode buss 25/26 bal. f or control 2
2.0 Control 2 mode buss 27/28
Select mode buss 27/28 f or control 2
2.0 Control 2 mode buss 27/28
Select mode buss 27/28 bal. f or control 2
2.0 Control 2 mode buss 29/30
Select mode buss 29/30 f or control 2
2.0 Control 2 mode buss 29/30
Select mode buss 29/30 bal. f or control 2
2.0 Control 2 mode buss 31/32
Select mode buss 31/32 f or control 2
2.0 Control 2 mode buss 31/32
Select mode buss 31/32 bal. f or control 2
2.0 Control 3 mode source
Select mode source for control 3
2.1 Control 3 mode source g ain
Select mode source gain f or control 3
2.0 Control 3 mode source phantom
Select mode phan tom for control 3
2.1 Control 3 mode source pad
Select mode pad f or control 3
Select mode gain f or control 3
2.0 Control 3 mode phas e
Select mode phase for contr ol 3
2.0 Control 3 mode low cut
Select mode low cut for c ontr ol 3
2.0 Control 3 mode Insert on/off
Select mode insert for control 3
2.2 Control 3 mode EQ band 1 le vel
Select mode EQ band 1 level for control 3
2.0 Control 3 mode EQ band 1
Select mode EQ band 1 fr eq for control 3
2.0 Control 3 mode EQ band 1
Select mode EQ band 1 bw for control 3
2.0 Control 3 mode EQ band 1 t yp e
Select mode EQ band 1 type for control 3
2.0 Control 3 mode EQ band 2 le vel
Select mode EQ band 2 level for control 3
2.0 Control 3 mode EQ band 2
Select mode EQ band 2 fr eq for control 3
2.0 Control 3 mode EQ band 2
Select mode EQ band 2 bw for control 3
2.0 Control 3 mode EQ band 2 t yp e
Select mode EQ band 2 type for control 3
2.0 Control 3 mode EQ band 3 le vel
Select mode EQ band 3 level for control 3
2.0 Control 3 mode EQ band 3
Select mode EQ band 3 fr eq for control 3
2.0 Control 3 mode EQ band 3
Select mode EQ band 3 bw for control 3
2.0 Control 3 mode EQ band 3 t yp e
Select mode EQ band 3 type for control 3
2.0 Control 3 mode EQ band 4 le vel
Select mode EQ band 4 level for control 3
2.0 Control 3 mode EQ band 4
Select mode EQ band 4 fr eq for control 3
2.0 Control 3 mode EQ band 4
Select mode EQ band 4 bw for control 3
2.0 Control 3 mode EQ band 4 t yp e
Select mode EQ band 4 type for control 3
2.0 Control 3 mode EQ band 5 le vel
Select mode EQ band 5 level for control 3
2.0 Control 3 mode EQ band 5
Select mode EQ band 5 fr eq for control 3
2.0 Control 3 mode EQ band 5
Select mode EQ band 5 bw for control 3
2.0 Control 3 mode EQ band 5 t yp e
Select mode EQ band 5 type for control 3
2.0 Control 3 mode EQ band 6 le vel
Select mode EQ band 6 level for control 3
2.0 Control 3 mode EQ band 6
Select mode EQ band 6 fr eq for control 3
2.0 Control 3 mode EQ band 6
2.0 Control 3 mode EQ band 6 t yp e
Select mode EQ band 6 type for control 3
2.0 Control 3 mode module EQ
Select mode EQ on/off for contr ol 3

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downward expander threshold
downward expander threshold
2.1 Control 3 mode AGC threshold
Select mode AGC t hreshold
2.1 Control 3 mode AGC r atio
Select mode AGC ratio for control 3
2.0 Control 3 mode Dynamics on/off
Select mode Dynamics on/off for control 3
Select mode mono for control 3
Select mode pan f or control 3
2.0 Control 3 mode module l evel
Select mode module level for control 3
2.0 Control 3 mode buss 1/2
2.0 Control 3 mode buss 1/2
Select mode buss 1/ 2 bal. for control 3
2.0 Control 3 mode buss ¾
Select mode buss 3/ 4 for control 3
2.0 Control 3 mode buss 3/4
Select mode buss 3/ 4 bal. for control 3
2.0 Control 3 mode buss 5/6
Select mode buss 5/ 6 for control 3
2.0 Control 3 mode buss 5/6
Select mode buss 5/ 6 bal. for control 3
2.0 Control 3 mode buss 7/8
Select mode buss 7/ 8 for control 3
Select mode buss 7/ 8 bal. for control 3
2.0 Control 3 mode buss 9/10
Select mode buss 9/ 10 for control 3
2.0 Control 3 mode buss 9/10
Select mode buss 9/ 10 bal. for contr ol 3
2.0 Control 3 mode buss 11/12
Select mode buss 11/12 f or control 3
2.0 Control 3 mode buss 11/12
Select mode buss 11/12 bal. f or control 3
2.0 Control 3 mode buss 13/14
Select mode buss 13/14 f or control 3
2.0 Control 3 mode buss 13/14
mode buss 13/14 bal. for control 3
2.0 Control 3 mode buss 15/16
Select mode buss 15/16 f or control 3
2.0 Control 3 mode buss 15/16
Select mode buss 15/16 bal. f or control 3
2.0 Control 3 mode buss 17/18
2.0 Control 3 mode buss 17/18
Select mode buss 17/18 bal. f or control 3
2.0 Control 3 mode buss 19/20
Select mode buss 19/20 f or control 3
2.0 Control 3 mode buss 19/20
Select mode buss 19/20 bal.
2.0 Control 3 mode buss 21/22
Select mode buss 21/22 f or control 3
2.0 Control 3 mode buss 21/22
Select mode buss 21/22 bal. f or control 3
2.0 Control 3 mode buss 23/24
Select mode buss 23/24 f or control 3
2.0 Control 3 mode buss 23/24
Select mode buss 23/24 bal. f or control 3
2.0 Control 3 mode buss 25/26
Select mode buss 25/26 f or control 3
2.0 Control 3 mode buss 25/26
Select mode buss 25/26 bal. f or control 3
2.0 Control 3 mode buss 27/28
Select mode buss 27/28 f or control 3
2.0 Control 3 mode buss 27/28
Select mode buss 27/28 bal. f or control 3
2.0 Control 3 mode buss 29/30
Select mode buss 29/30 f or control 3
2.0 Control 3 mode buss 29/30
Select mode buss 29/30 bal. f or control 3
2.0 Control 3 mode buss 31/32
Select mode buss 31/32 f or control 3
2.0 Control 3 mode buss 31/32
Select mode buss 31/32 bal. f or control 3
2.0 Control 4 mode source
Select mode source for control 4
2.1 Control 4 mode source g ain
Select mode source gain f or control 4
2.0 Control 4 mode source
Select mode phan tom for control 4
2.1 Control 4 mode source pad
Select mode pad f or control 4
Select mode gain f or control 4
2.0 Control 4 mode phas e
Select mode phase for contr ol 4
2.0 Control 4 mode low cut
Select mode low cut for c ontr ol 4
2.0 Control 4 mode Insert on/off
Select mode insert for control 4
2.2 Control 4 mode EQ band 1 le vel
Select mode EQ band 1 level for control 4
2.0 Control 4 mode EQ band 1
Select mode EQ band 1 fr eq for control 4
2.0 Control 4 mode EQ band 1
Select mode EQ band 1 bw for control 4

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Control 4 mode EQ band 1 t yp e
Select mode EQ band 1 type for control 4
2.0 Control 4 mode EQ band 2
l evel Select mode EQ band 2 level for control 4
2.0 Control 4 mode EQ band 2
Select mode EQ band 2 fr eq for control 4
2.0 Control 4 mode EQ band 2
Select mode EQ band 2 bw for control 4
Select mode EQ band 2 type for control 4
2.0 Control 4 mode EQ band 3 le vel
Select mode EQ band 3 level for control 4
2.0 Control 4 mode EQ band 3
Select mode EQ band 3 fr eq for control 4
Select mode EQ band 3 bw for control 4
2.0 Control 4 mode EQ band 3 t yp e
Select mode EQ band 3 type for control 4
2.0 Control 4 mode EQ band 4 le vel
Select mode EQ band 4 level for control 4
Select mode EQ band 4 fr eq for control 4
2.0 Control 4 mode EQ band 4
Select mode EQ band 4 bw for control 4
2.0 Control 4 mode EQ band 4 t yp e
Select mode EQ band 4 type for control 4
Select mode EQ band 5 level for control 4
2.0 Control 4 mode EQ band 5
Select mode EQ band 5 fr eq for control 4
2.0 Control 4 mode EQ band 5
Select mode EQ band 5 bw for control 4
Select mode EQ band 5 type for control 4
2.0 Control 4 mode EQ band 6 le vel
Select mode EQ band 6 level for control 4
2.0 Control 4 mode EQ band 6
Select mode EQ band 6 fr eq for control 4
Select mode EQ band 6 bw for control 4
2.0 Control 4 mode EQ band 6 t yp e
Select mode EQ band 6 type for control 4
2.0 Control 4 mode module EQ
Select mode EQ on/off for contr ol 4
2.1 Control 4 mode module
downward expander threshold
Select mode downward expander threshold
2.1 Control 4 mode AGC threshold
Select mode AGC t hreshold
2.1 Control 4 mode AGC r atio
Select mode AGC ratio for control 4
2.0 Control 4 mode Dynamics on/off
Select mode Dynamics on/off for control 4
Select mode mono for control 4
Select mode pan f or control 4
2.0 Control 4 mode module l evel
Select mode module level for control 4
2.0 Control 4 mode buss 1/2
Select mode buss 1/ 2 for control 4
2.0 Control 4 mode buss 1/2
Select mode buss 1/ 2 bal. for control 4
2.0 Control 4 mode buss 3/4
Select mode buss 3/ 4 for control 4
2.0 Control 4 mode buss 3/4
Select mode buss 3/ 4 bal. for control 4
2.0 Control 4 mode buss 5/6
Select mode buss 5/ 6 for control 4
2.0 Control 4 mode buss 5/6
Select mode buss 5/ 6 bal. for control 4
2.0 Control 4 mode buss 7/8
2.0 Control 4 mode buss 7/8
Select mode buss 7/ 8 bal. for control 4
2.0 Control 4 mode buss 9/10
Select mode buss 9/ 10 for control 4
2.0 Control 4 mode buss 9/10
Select mode buss 9/ 10 bal. for
2.0 Control 4 mode buss 11/12
Select mode buss 11/12 f or control 4
2.0 Control 4 mode buss 11/12
Select mode buss 11/12 bal. f or control 4
2.0 Control 4 mode buss 13/14
Select mode buss 13/14 f or control 4
2.0 Control 4 mode buss 13/14
Select mode buss 13/14 bal. f or control 4
2.0 Control 4 mode buss 15/16
Select mode buss 15/16 f or control 4
2.0 Control 4 mode buss 15/16
Select mode buss 15/16 bal. f or control 4
2.0 Control 4 mode buss 17/18
Select mode buss 17/18 f or control 4
2.0 Control 4 mode buss 17/18
Select mode buss 17/18 bal. f or control 4
2.0 Control 4 mode buss 19/20
Select mode buss 19/20 f or control 4
Select mode buss 19/20 bal. f or control 4

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Control 4 mode buss 21/22
Select mode buss 21/22 f or control 4
2.0 Control 4 mode buss 21/22
Select mode buss 21/22 bal. f or control 4
23/24 Select mode buss 23/24 f or control 4
2.0 Control 4 mode buss 23/24
Select mode buss 23/24 bal. f or control 4
2.0 Control 4 mode buss 25/26
Select mode buss 25/26 f or control 4
2.0 Control 4 mode buss 25/26
Select mode buss 25/26 bal. f or control 4
2.0 Control 4 mode buss 27/28
Select mode buss 27/28 f or control 4
2.0 Control 4 mode buss 27/28
Select mode buss 27/28 bal. f or control 4
2.0 Control 4 mode buss 29/30
2.0 Control 4 mode buss 29/30
Select mode buss 29/30 bal. f or control 4
2.0 Control 4 mode buss 31/32
Select mode buss 31/32 f or control 4
2.0 Control 4 mode buss 31/32
2.0 Master control 1 mode buss 1/2
Select mode for Master control 1
2.0 Master control 1 mode buss 3/4
Select mode for Master control 1
2.0 Master control 1 mode buss 5/6
Select mode for Master control 1
2.0 Master control 1 mode buss 7/8
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 1 mode buss
Select mode for Master control 1
2.0 Master control 2 mode buss 1/2
Select mode for Master control 2
2.0 Master control 2 mode buss 3/4
Select mode for Master control 2
2.0 Master control 2 mode buss 5/6
Select mode for Master control 2
2.0 Master control 2 mode buss
7/8 Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2
Select mode for Master control 2
2.0 Master control 2 mode buss
Select mode for Master control 2

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Master control 2 mode buss
Select mode for Master control 2
2.0 Master control 3 mode buss
1/2 Select mode for Master control 3
2.0 Master control 3 mode buss 3/4
Select mode for Master control 3
2.0 Master control 3 mode buss 5/6
Select mode for Master control 3
2.0 Master control 3 mode buss 7/8
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 3 mode buss
Select mode for Master control 3
2.0 Master control 4 mode buss 1/2
Select mode for Master control 4
2.0 Master control 4 mode buss 3/4
Select mode for Master control 4
2.0 Master control 4 mode buss 5/6
Select mode for Master control 4
2.0 Master control 4 mode buss 7/8
Select mode for Master control 4
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
2.0 Master control 4 mode buss
Select mode for Master control 4
Data value of master control 1
2.0 Master control 1 reset
control 1 to the d efault value
Data value of master control 2
2.0 Master control 2 reset
Sets mas ter control 2 to the default value
Data value of master control 3
2.0 Master control 3 reset
Sets mas ter control 3 to the default value
Data value of master control 4
2.0 Master control 4 reset
Sets mas ter control 4 to the default value
After pressing one s econd, console 1 is reset to the
2.1 Reset c onsol e 2 to programmed
After pressing one s econd, console 2 is reset to the
After pressing one s econd, console 3 is reset to the

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
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Reset c onsol e 4 to programmed
After pressing one s econd, console 4 is reset to the
second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to

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recall. Console preset 25
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
After one second recalls the preset on
After three seconds it forces the on-air channels to
recall.
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
l mode & module control mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 1 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are

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Oxyg en 5 Digital
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15/ 16 switched to buss 15/16
Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
mode & module control mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 2 mo de buss
Master control mode & module c ontrol mo
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
control mode & mod ule control mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 3 mo de buss
Master control mode & module c ontrol mode are
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are

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23/ 24 switched to buss 23/24
Master & c ontrol 4 mo de buss
control mode & mod ule control mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c o
2.0 Master & c ontrol 4 mo de buss
Master control mode & module c ontrol mode are
Returns t he name of the last used preset on
Returns t he name of the last used preset on
Returns t he name of the last used preset on
Returns t he name of the last used preset on
5.16.5 Sources
Some objects have functionalities that relate to the source selected on a module. For example if you
have a GPI that needs to trigger a CUE or Alert module function. In addition, a GPO can have a
relation to the fader on/off of the module where its source is connected.
This group with source functions makes it possibl e to have source related module functionality:
connect t o the module(s) on if this s ource is selected
off connect t o the module(s) off if this s ource is selected
connect t o the module(s) on/off if this source is selected
connect t o the module(s) fader on if t his source is sel ected
GPIO 2.0 Module fader off
connect t o the module(s) fader of f this source is selected
GPIO 2.0 Module fader on/off
connect t o the module(s) fader on/off this source is sel ected
GPIO 2.0 Module fader and on active
connect t o the module(s) fader on and on if this source is selected
GPIO 2.0 Module fader and on
connect t o the module(s) fader on and on if this source is selected
GPIO 2.0 Module fader and on
connect t o the module(s) fader on and on if this source is selected
GPIO 2.2 Module buss 1/2 on
connect t o the module(s) buss 1/2 on if t his source is sel ected
GPIO 2.0 Module buss 1/2 off
connect t o the module(s) buss 1/2 of f if this source is sel ected
GPIO 2.0 Module buss 1/2 on/off
connect t o the module(s) buss 1/2 on/off if this source is
GPIO 2.0 Module buss 3/4 on
connect t o the module(s) buss 3/4 on if t his source is sel ected
GPIO 2.0 Module buss 3/4 off
connect t o the module(s) buss 3/4 of f if this source is sel ected
GPIO 2.0 Module buss 3/4 on/off
connect t o the module(s)
buss 3/4 on/off if this source is selected
GPIO 2.0 Module buss 5/6 on
connect t o the module(s) buss 5/6 on if t his source is sel ected
GPIO 2.0 Module buss 5/6 off
connect t o the module(s) buss 5/6 of f if this source is sel ected
on/off connect t o the module(s) buss 5/6 on/off if this source is selected
GPIO 2.0 Module buss 7/8 on
connect t o the module(s) buss 7/8 on if t his source is sel ected
GPIO 2.0 Module buss 7/8 off
connect t o the module(s) buss 7/8 of f if this source is
GPIO 2.0 Module buss 7/8 on/off
connect t o the module(s) buss 7/8 on/off if this source is selected
GPIO 2.0 Module buss 9/10 on
connect t o the module(s) buss 9/10 on if this source is selected
GPIO 2.0 Module buss 9/10 off
modul e(s) buss 9/10 off if this source is select ed
GPIO 2.0 Module buss 9/10 on/off
connect t o the module(s) buss 9/10 on/ off if this source is selected
GPIO 2.0 Module buss 11/12 on
connect t o the module(s) buss 11/12 on if this source is sel ected
GPIO 2.0 Module buss 11/12 off
connect t o the module(s) buss 11/12 of f if this source is selected
GPIO 2.0 Module buss 11/12 on/off
connect t o the module(s) buss 11/12 on/of f if this source is
GPIO 2.0 Module buss 13/14 on
connect t o the module(s)
buss 13/14 on if this source is selected
GPIO 2.0 Module buss 13/14 off
connect t o the module(s) buss 13/14 of f if this source is selected
GPIO 2.0 Module buss 13/14 on/off
connect t o the module(s) buss 13/14 on/of f if this source is
GPIO 2.0 Module buss 15/16 on
connect t o the module(s) buss 15/16 on if this source is sel ected
GPIO 2.0 Module buss 15/16 off
connect t o the module(s) buss 15/16 of f if this source is selected
GPIO 2.0 Module buss 15/16 on/off
connect t o the module(s) buss 15/16
GPIO 2.0 Module buss 17/18 on
connect t o the module(s) buss 17/18 on if this source is sel ected

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Oxyg en 5 Digital
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connect t o the module(s) buss 17/18 of f if this source is selected
connect t o the module(s) buss 17/18 on/of f if this source is
GPIO 2.0 Module buss 19/20 on
connect t o the module(s) buss 19/20 on if this source is sel ected
GPIO 2.0 Module buss 19/20 off
connect t o the module(s) buss 19/20 of f if t
GPIO 2.0 Module buss 19/20 on/off
connect t o the module(s) buss 19/20 on/of f if this source is
GPIO 2.0 Module buss 21/22 on
connect t o the module(s) buss 21/22 on if this source is sel ected
GPIO 2.0 Module buss 21/22 off
connect t o the module(s) buss 21/22 of f if this source is selected
GPIO 2.0 Module buss 21/22 on/off
connect t o the module(s) buss 21/22 on/of f if this source is
GPIO 2.0 Module buss 23/24 on
connect t o the module(s) buss 23/24 on if this
GPIO 2.0 Module buss 23/24 off
connect t o the module(s) buss 23/24 of f if this source is selected
GPIO 2.0 Module buss 23/24 on/off
connect t o the module(s) buss 23/24 on/of f if this source is
GPIO 2.0 Module buss 25/26 on
connect t o the module(s) buss 25/26 on if this source is sel ected
GPIO 2.0 Module buss 25/26 off
connect t o the module(s) buss 25/26 of f if this source is selected
GPIO 2.0 Module buss 25/26 on/off
connect t o the module(s) buss 25/26 on/of f if this
GPIO 2.0 Module buss 27/28 on
connect t o the module(s) buss 27/28 on if this source is sel ected
GPIO 2.0 Module buss 27/28 off
connect t o the module(s) buss 27/28 of f if this source is selected
GPIO 2.0 Module buss 27/28 on/off
connect t o the module(s) buss 27/28 on/of f if this source is
GPIO 2.0 Module buss 29/30 on
connect t o the module(s) buss 29/30 on if this source is sel ected
GPIO 2.0 Module buss 29/30 off
connect t o the module(s) buss 29/30 of f if this source is
GPIO 2.0 Module buss 29/30 on/off
connect t o the module(s) buss 29/30 on/of f if this source is
GPIO 2.0 Module buss 31/32 on
connect t o the module(s) buss 31/32 on if this source is sel ected
GPIO 2.0 Module buss 31/32 off
the modul e(s) buss 31/32 off if this source is sel ected
GPIO 2.0 Module buss 31/32 on/off
connect t o the module(s) buss 31/32 on/of f if this source is
GPIO 2.0 Module cough on/off
connect t o the module(s) Cough if this source is selected
GPI 2.0 Start Start functi on for the c orrespondi ng source
GPO 2.0 Stop Stop function for the corresponding source
Start functi on for the c orrespondi ng source
Pha ntom f unction for the corresponding source
2.0 Pad PAD function for the corresponding source
(Analog) gain for the corresponding source
Gain 2.0 Alert Alert from the c orresponding source
5.16.6 Destinations
Some objects have functionality that relates to the destination selected on a send module. For
example if you have a GPI that should trigger a TB or MUTE send module function.
This group with destination functions makes it possible to have destination related send module
functionality:
Example object to connect to
Label Sho ws t he name of the current desti nation
Selects the source f or this desti nati on
2.0 Monitor speaker level
a monit or buss and the speaker
level is changed this destination will follow
If the source is a monitor buss and the phones
level is changed this destination will follow
2.0 Level This adjust the
level of this des tination
2.0 Mute Mutes t his destination
Mutes t his destination if the s ource is a monitor
buss and the monitor buss mut e is acti vated or its
local mute is set.
2.0 Dim Dims this destination
Dims this destination if the source is a monitor
buss and the monitor buss dim is acti vated or its
local di m is set.
2.0 Mono Make this des tination mono

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Example object to connect to
Make this des tination mono if the source is a
monitor buss and the monit or buss mo no is
activat ed or its local mono is set.
Changes phase f or this destination
Changes phase f or this destination if the source
is a monit or buss and the monitor buss phase is
activat ed or its local phase is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 1
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 2
2.0 Talkbac k 2 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
2.0 Talkbac k 3 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
2.0 Talkbac k 4 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Switc h, I/ O card talkback 5
2.0 Talkbac k 5 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
talkback to this des tination
Switc h, I/ O card talkback 6
2.0 Talkbac k 6 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 7
2.0 Talkbac k 7 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 8
2.0 Talkbac k 8 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 9
2.0 Talkbac k 9 & M onitor
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 10
2.0 Talkbac k 10 & Monit or
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 11
2.0 Talkbac k 11 & Monit or
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 12
2.0 Talkbac k 12 & Monit or
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 13
2.0 Talkbac k 13 & Monit or
Do tal kback to this des tination if
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 14
2.0 Talkbac k 14 & Monit or
this destination if the s ource is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 15
2.0 Talkbac k 15 & Monit or
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.
Do tal kback to this des tination
Switc h, I/ O card talkback 16
Do tal kback to this des tination if the source is a
monitor buss and the monit or buss talkback is
activat ed or its local talkback is set.

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Example object to connect to
Makes it possible to s elect which channels are
going to this desti nation. The options are Left,
Right, Stereo

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
Block diagrams –
NOT AVAILABLE
6 Block diagrams – NOT AVAILABLE
With all configuration options, it is possible to make many different systems using a single I/O rack.
We will show some example block diagrams on possi ble setups within an Oxygen 5 Digital system.
32 stereo module, 16 stereo buss and 4 stereo monitor buss consol e:
Note:
These diagrams will follow in future manuals, sorry

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
7 I/O Rack description
The Oxygen 5 Digital audio system has a 19” rack (for 21 slots) that requires at least one power
supply (3 slots) and one engine card (2 slots). You then have space for a maximum of 16 in and
output cards. Because the Oxygen 5 Digital is a modular system it is up to you how many in and
output cards are necessary to do the job.
For the connections, we use standard RJ45; an example for other connectors is ADAT that uses the
well-known ADAT optical connector. Connection between de RJ45s in the rack and your patch units is
by standard STP (Shielded T wisted Pair) cable.
Figure 27: Oxygen 5 Digital Digital audio system 19” Rack

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
7.1 Power supply
At the far left position in the I/O RACK is the position where the power
supply Card is inserted; an optional second power supply card can be
inserted alongside thi s first one. With two power supplies, you have
created automatic power supply redundancy.
The LED will blink green to show the power supply is up and running.
At failure of the local power, this LED activity wi ll blinking red or not
blinking at all.
The NEUTRIKTM PowerCONTM will feed to 100-240V power to the
supply.
With the power switch you can turn off the local power supply.
WARNING:
Before you insert a second power supply please turn on the power
of this second unit first to make sure you will not short the internal
power-lines.
7.2 Engine
The engine is the controller card of the Oxygen 5 Digital system. This card has a
fixed location at the far right side. For proper functioni ng of the system, you
absolutely have to insert this card to your digital audio systems network.
The RJ45 is a default 100Mbit Ethernet port and over this network connection, the
following information is send:
• MambaNet: control protocol
• HTTP: Configuration of your engine via web server
• FTP: Firmware/configuration update and backup via a file server.
Currentl y, the serial RS232, VGA, Keyboard, mouse and USB connecti on can be
used for service purposes only.
Via the BNC connectors you synchronize this entire rack to an external frame
clock as well as to remote equipment with the clock of this 19”rack.
With the 75R swi tch, you can turn on/off a 75-Ohm termination on the receiving
frame clock connector.
The ACT(ive) LED will blink to show proper functioning of the Engine card.
On the next page, you find the pin information for all the connectors:

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
switchable 75Ohm terminator.
Table 7-1: Frame clock input BNC
32kHz, 44.1kHz, 48kHz, +5V TTL, imp.: 75Ohm
GND GND
out
Table 7-2: Frame clock output BNC
Table 7-3: VGA 15p D-Sub connector
Keyboard/Mouse Connection
Table 7-4: Keyboard & Mouse mini DIN connector
Table 7-5: USB connector (2x)

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
Table 7-6: RS232 9pin SUB-D connector
5 3A 3 NC 4 3B NC 7 4A 4 NC 8 4B NC S
Table 7-7: Ethernet RJ45 connection

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
Available I/O rac k
cards
8 Available I/O rack cards
Depending on your audio-connections, you can select the I/O cards.
The next paragraphs will give you a detailed overview on the currently available cards.
8.1 MIC input card
There are four balanced MIC inputs available on each card.
Each RJ45 connector represents a MIC input and two GPIO’s which can be connected to
the 19” patch panels with a shielded twisted pair (STP) cable.
On each MIC input you can individual activate the +48V phantom power and PAD.
For each GPIO you can choose, by way of a hardware jumper on de board, between TTL
Input/Output or Photo-MOS relay output see chapter 9.3.1 GPIO TTL/Relay selection
Table 8-1: MIC RJ45 connection
TTL in/out or relay out, see 9.3.1
4 3B GPIO1b
TTL in/out or relay out, see 9.3.1

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Available I/O rac k
cards
8.2 Line input card
There are four balanced stereo line inputs available on each card.
Each RJ45 connector represents a stereo line input and two GPIO’s which can be connected to the
19” patch panels with a shielded twisted pair (STP) cable.
For each GPIO you can choose, by way of a hardware jumper on de board, between TTL
Input/Output or Photo-MOS relay output see chapter 9.3.1 GPIO TTL/Relay selection
Table 8-2: Line input RJ45 connection
TTL in/out or relay out, see 9.3.1
TTL in/out or relay out, see 9.3.1

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Available I/O rac k
cards
8.3 Digital in/output card (optional SRC)
There are four balanced digital inputs and outputs available on each card.
Each RJ45 connector represents a stereo line input and two GPIO’s which can be
connected to the 19” patch panels with a shielded twisted pair (ST P) cable.
There is also a card available with built in sample rate converters (SRC).
For each GPIO you can choose, by way of a hardware jumper on de board, between TTL
Input/Output or Photo-MOS relay output see chapter 9.3.1 GPIO TTL/Relay selection
Table 8-3: Digital input/output RJ45 connection
With jumper on the I/O card it is possible to select the impedance for S/P-DIF (75Ω) or AES-3 (110 Ω)
This figures shows the jumper location on the I/O card
Figure 28: Digital S/P-DIF or AES3 selection
1 1A
1
+Audio 1 Digital input in-phase
optional SRC:
32..96kHz
2 1B -Audio 1 Digital input out-phase
3 2A
2
+Audio 2 Digital output in-phase Imp. 110Ω/75Ω
32, 44.1, 48kHz
TTL in/out or relay out, see 9.3.1
4 3B GPIO1b
TTL in/out or relay out, see 9.3.1

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Available I/O rac k
cards
8.4 Line output card
There are four balanced stereo line outputs available on each card.
Each RJ45 connector represents a stereo line output and two GPIO’s which can be
connected to the 19” patch panels with a shielded twisted pair (ST P) cable.
For each GPIO you can choose, by way of a hardware jumper on de board, between TTL
Input/Output or Photo-MOS relay output see chapter 9.3.1 GPIO TTL/Relay selection
Table 8-4: Line output RJ45 connection
TTL in/out or relay out, see 9.3.1
TTL in/out or relay out, see 9.3.1

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Available I/O rac k
cards
8.5 CRM output card
There are four stereo outputs available on this card. RJ45 connector A&B represents the
CRM stereo line output. RJ45 connector C&D represents the stereo phones outputs.
Each RJ45 connector has also two GPIO’s which can be connected to the 19” patch
panels with a shielded twisted pair (STP) cable.
This stereo output card has some special functions:
- Analog level and mute functionality.
- Headphone amplifiers.
RJ45 A is stereo balanced output 1
RJ45 B is stereo balanced output 2
RJ45 C is stereo headphone output 3&4
RJ45 D is stereo headphone output 3&4
For each GPIO you can choose, by way of a hardware jumper on de board, between TTL
Input/Output or Photo-MOS relay output see chapter 9.3.1 GPIO TTL/Relay selection
Table 8-5: CRM output RJ45 connection (A&B)
Table 8-6: Phones RJ45 connection (C&D)
TTL in/out or relay out, see 9.3.1
4 3B GPIO1b
TTL in/out or relay out, see 9.3.1
1 1A
1
+Audio 1 Left phones 1 output
minimal phones
imp. 32Ω
2 1B -Audio 1 Right phones 1 output
3 2A
2
+Audio 2 Left phones 2 output
minimal phones
imp. 32Ω
6 2B -Audio 2 Right phones 2 output
TTL in/out or relay out, see 9.3.1
4 3B GPIO1b
TTL in/out or relay out, see 9.3.1

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Available I/O rac k
cards
8.6 CobraNet in/output card
This CobraNet In/output card converts the CobraNet network signals into digital audio so it
can be processed in the Oxygen 5 Digi tal system’s 19” inch rack.
The CobraNet In/out card can ordered with various channel counts, please contact your
sales contact for the available options.
Table 8-7: CobraNet RJ45 (Ethernet) connection.
5 3A 3 NC 4 3B NC 7 4A 4 NC 8 4B NC S

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Available I/O rac k
cards
8.7 ADAT in/output card
This ADAT In/output card converts the ADAT optical signals into digital audio that can
received by the 19” i nch rack.
The ADAT card has to run synchronous with the connected devices, allowed sample rate
frequencies are 32kHz, 44.1kHz or 48kHz.

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8.8 Hybrid in/output card – Needs to be added

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
8.9 Firewire in/output card – Needs to be added

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Available I/O rac k
cards
8.10 DSP card
The DSP card adds mixing capabilities to your 19” rack. In combination with the Oxygen 5
Digital engine, this card gives you 32 stereo processing channels to create a mixing desk.
The system may be loaded with four DSP cards, which generates a mixing console wi th
128 stereo channels.
The ACT(ive) LED blinks when this card functions properly.

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9 Patch panels
All distribution of audio within the Oxygen 5 Digital audio system is with shielded twisted pair cable.
The Breakout 19” panels, you need to connect equipment use standard audio connectors.
9.1 19” Patch panels / Breakout panels
The Oxygen 5 Digital 19” Break out patch panels convert the RJ45 Shielded connection to the industry
standard connectors such as XLR and Jack. There are various patch panels available for the Oxygen
5 Digital for example:
60882045, The MIC I/O with 8 MIC XLR, 16 remote jack s, 4 stereo phone jacks, 2 Line out jacks.
60882046, Line I/O jack with 16 bal anced Line in/out jack and 16 remote jack s.
60882047, Line input XLR with 12 balanced Line in XLRs (female) and 12 remote jacks.
60882048, Line output XLR with 12 b alanced Line out XLRs (male) and 12 remote jacks.
60882049, Line I/O XLR with 8 bal anced Line in XLRs (female), 4 balanced Line out XLRs (male) and 12 remote jacks.
60882050, Dig I /O with 6 ste reo digital inputs and 6 stereo digital outputs.

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Figure 29: Oxygen 5 Digital Break out Panels

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9.2 Wiring
9.2.1 GPIO/Remote
The remote jack connects to all kinds of remote in-/outputs. Such as remote start/stop, external red
lights or cough. The function of the remote jack depends on the I/O card and function setup for this
GPIO. The software determines its function and where it is connected to.
! NEVER CONNECT HIGH POWER VOLTAGE (WALL POWER) TO THE REMOTE-JACK !
If the GPIO jumper setting on the Oxygen 5 Digital-Rack-Board is set for GPO the remote becomes
only a Remote-Output by a build in Solid State Relay. The relay is situated between Tip and Ring of
the remote jack.
Normally the GPIO jumper setti ng on the Oxygen 5 Digital -Rack-boards are set for GPO.
GPIO Jumper 23 & 56:
Photo MOS relay (max 50V, 200mA)
Ring GP-NO
Slave Shield Ground
Table : GPO Patch Panel w iring
If the GPIO jumper setting on the Oxygen 5 Digital-rack-Board is set for GPIO the remote becomes a
Remote-Output GPO (+5V TTL) on the Tip of the remote jack and a Remote-Input GPI (+5V TTL
internal pull-up) on the Ring. The Sleeve is Shield and the ground for the TTL signal.
GPIO Jumper 12 & 45:
GPO: +5V, 560R Ohm
GPI: max. +5V with 10k internal pull-up.
Ring GP-Input
Slave Shield Ground
Table : GPIO Patch Panel w iring
GPIO connection example for MicOn-LED and cough-switch remote.
GPIO connection example for OnAir-Lamp and TB-Switch remote.

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
GPO connection example for remote START Pioneer CD-player.
9.2.2 MIC
The MIC input connects microphones to the Oxygen 5 Digital. The Oxygen 5 Digital Mic Rack Module
supports 48 volts DC phantom power if it is switched on in the software.
2 +Audio Audio in phase
3 –Audio Audi o out phase
1 Shield Ground
Table 9-1: MIC patch panel XLR wiring
9.2.3 Phones
The Phones jacks connect headphones to the Oxygen 5 Di gital console. The PHONES-A and
PHONES-B female jack outputs all carry a stereo headphones signal. The phones connection
connects to the CRM-DA module.
Jack Name Function
Tip Audio left
Ring Audio right
Slave Shield
Table 9-2: Phones patch panel jack wiring

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9.2.4 Stereo line input and output
The line I/O jack patch panel houses female jack connecters, the line I/O XLR patch panel houses
XLR type connectors (male or female).
Shield Ground
Table 9-3: Line I/O patch panel XLR wiring
9.3 Standard RJ45 wiring
Figure 30: RJ45 Connector
Pin 1 Pin 2 Pin 3 Pin 4 Pin 5 Pin 6 Pin 7 Pin 8 Shield
1A 1B 2A 3B 3A 2B 4A 4B S
Ball Left (Hot) Left (Cold) Right (Hot)
GPIO1 GPIO1
Right (Cold)
GPIO2 GPIO2 Shield
Table 9-4: Standard RJ45 wiring
9.3.1 GPIO TTL/Relay selection
Each RJ45 connection on I/O cards handles audio signals and GPIOs.
The GPIO pins can be configured to work as:
• TTL in and out
this is selected by GPIO1 jumpers i n the place 12 and GPIO2 jumpers in place 45. These
jumpers are located on the I/O cards, close to the RJ45 connectors.
Table 9-5: RJ45 pinning in GPIO-TLL mode
• Relay out (no input available).
this is selected by GPIO1 jumpers i n the place 23 and GPIO2 jumpers in place 56. These
4 3B GPIO1b GP-In +5V TTL in, 10kR int. pul l-up

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
jumpers are located on the I/O cards, close to the RJ45 connectors.
Table 9-6: RJ45 pinning in GPO-Relay mode
The figure shows how the jumper selection on the I/O card l ooks:
Figure 31: GPIO TTL/Relay j umper selection
Bidirectional Max.
50V, 200mA
4 3B GPIO1b
Bidirectional Max.
50V, 200mA
8 4B GPIO2b
S GND S Shield GND

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9.4 Sico breakout box
The Oxygen 5 Digital SiCo (SIgnal
COmmunication) breakout box is the
communication interface between the control
room and the announcer or guest. It has a bui lt
in headphones amp, a remote connection to be
wired to the related Oxygen 5 Digital channel,
and a very convenient
CHOUGH/COMMUNICATION button and
indicator.
The AUDIO INPUT 1/2 RJ45 connector on the SiCo
breakout box connects to one of the Oxygen 5 Digital
phones outputs directly. The CRM and Studio I/O card
both have 2 phones outputs which both output the
PHONES 1/A and PHONES 2/B signal. Jumpers in the
SiCo breakout box select which signal is to pass on to the
unit. If the Sico breakout box cannot be connected to the
Oxygen 5 Digital by means of RJ45 cabling the AUDIO
INPUT stereo jack of the unit can be connected to a
phones output on one of the Oxygen 5 Digital patch
panels.
Both RJ45 THRU connectors on the SiCo breakout box are in parallel to the input connectors to
simplify wiring i f more than one unit is used.

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Specifications
Oxygen 5 Digital audio system
10 Specifications Oxygen 5 Digital audio system
10.1 Input/Output cards
Mic inputs : Electronically balanced
: Input impedance 2k Ohm
: Input sensitivity -70dBu up to +20dBu (PAD)
: CMRR MIC inputs: 85dB @ 1kHz, maximum gain
: Phantom is switchable +48 Volts
: Optional is transformer balancing
Line inputs : Electronically balanced
: Input impedance 10k Ohm
: input sensitivity +6dBu, maximum input +26dBu (+/- 20dB gain range).
: CMRR Line inputs: 30dB @ 1 kHz, maximum gain
: Transformer balancing is optional on the patch panels
Line Outputs : Electronically balanced
: Output impedance 56R Ohm.
: Nominal output level +6dBu, maximum output +26dBu
: Optional is transformer balancing
Digital Inputs : AES/EBU (AES3) or S/P-DIF
: 16/20/24 bit, 32kHz to 96kHz (optional built in sample rate converter)
: Input Impedance: 110R Ohm/75R Ohm
Digital outputs: AES/EBU (AES3) or S/P-DIF.
: 16/20/24 bit, 32kHz to 48kHz
: Output level: 2 to 5 volt
: Output Impedance: 110R Ohm/75R Ohm
GPIOs : All GPO’s are by opto isolated relays able to handle a maximum of 50V at 200mA
: All GPI’s have a 5V TTL 100kOhm circuitry
: GPIO-MIC has a 5V/600Ohm LED driver circuit
10.2 DSP processing
6 Bands EQ : +/- 18 dB, 20 – 20000 Hz, 0.1Q – 10Q LPF, LShelf, Peaking, HSelf, HPF, BPF,
Notch
Dynamics : Mentioned for voice processing use, you can setup the downward expander
threshold
: AGC threshold and ratio of working of the AGC.

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
Specifications
Oxygen 5 Digital audio system
10.3 OVERALL
Level : 0dBu = 0.775Vrms
: 0dB internal = -20 dBFs.
Clock : Sample rate: 32 kHz, 44.1 kHz, 48 kHz, +/- 20ppm (internally
synchronized)
Frequency response : 20 - 20.000 Hz +/- 0.2dB
THD+N : <-96dBfs
Dynamic Range : typically 105dB
Crosstalk : less than -90dBr
Noise : -86dBr
Power supply : NeutrikTM PowerConTM (delivered in the package).
: 100-240 Volt, 50/60Hz (1.7A Max)
10.4 DIMENSIONS
FRAME-10
Outside : 492 x 410 x 60/90mm
Drop through : 486 x 430mm
Weight : 10kg
FRAME-14
Outside : 684 x 410 x 60/90mm
Drop through : 678 x 430mm
Weight : 15kg
FRAME-18
Outside : 876 x 410 x 60/90mm
Drop through : 870 x 430mm
Weight : 20kg
FRAME-22
Outside : 1062 x 410 x 60/90mm
Drop through : 1056 x 430mm
Weight : 25kg
FRAME-26
Outside : 1260 x 410 x 60/90mm
Drop through : 1254 x 430mm
Weight : 30kg
RACK-ONE
Outside : 483 x 133 x 260mm
RACK-TWO
Outside : 483 x 266 x 260mm

Oxygen 5 Digital - User Manual Version 2.5 - 12/22/2010
11 List Of Figures
Figure 1: Basic system layout .......................................................................................................17
Figure 2: MambaNet logo .............................................................................................................18
Figure 3: 12 fader control surface ..................................................................................................23
Figure 4: Oxygen 5 Digital web server ...........................................................................................24
Figure 5: IP/Clock configuration ....................................................................................................25
Figure 6: Global configuration .......................................................................................................26
Figure 7: Buss confi guration .........................................................................................................27
Figure 8: Monitor buss confi guration..............................................................................................28
Figure 9: Source configuration ......................................................................................................29
Figure 10: External source configuration ........................................................................................31
Figure 11: Destination configuration ..............................................................................................32
Figure 12: Talkback configuration..................................................................................................34
Figure 13: Processi ng presets.......................................................................................................35
Figure 14: Processi ng preset setti ngs ............................................................................................36
Figure 15: Processi ng preset EQ/Dynamics settings.......................................................................37
Figure 16: Module assi gnment ......................................................................................................39
Figure 17: Input module configuration............................................................................................40
Figure 18: Module configuration page............................................................................................41
Figure 19: Module routing preset...................................................................................................42
Figure 20: Mix/monitor buss presets ..............................................................................................44
Figure 21: Mix/monitor buss preset settings ...................................................................................45
Figure 22: Console presets ...........................................................................................................47
Figure 23: Surface configuration....................................................................................................48
Figure 24: Node object configuration (to Oxygen 5 Digital functi ons)................................................49
Figure 25: Rack configuration .......................................................................................................50
Figure 26: Node object configuration (to Oxygen 5 Digital functi ons)................................................51
Figure 27: Oxygen 5 Digital audio system 19” Rack........................................................................77
Figure 28: Digital S/P-DIF or AES3 selection..................................................................................83
Figure 29: Oxygen 5 Digital Break out Panels ................................................................................92
Figure 30: RJ45 Connector ...........................................................................................................95
Figure 31: GPIO TTL/Relay jumper selection .................................................................................96
Figure 32: Service menu.............................................................................................................112
Figure 33: MambaNet node overview ..........................................................................................114
Figure 34: Node templates..........................................................................................................116
Figure 35: Stored configurations..................................................................................................117
Figure 36: Engine functions ........................................................................................................118
Figure 37: Package versions.......................................................................................................119