Aviom A-16CS, A-16R User Guide

9310 1003 0001F rev 2.00

A-16R

P e r s o n a l M i x e r

A-16

Control Surface for A-16R

User Guide

Certifications

Pb-Free

ETL/cETL Listed

EMC: EN 55013, EN 55020, SAA AS/NZS 1053

Conforms to: IEC 60065, EN 60065, UL 6500‑2001

Certified to: CAN/CSA E60065, KETI

RoHS Status: Pb‑free

Notice of Rights

All rights reserved. No part of this document may be reproduced or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or otherwise—without written permission of Aviom, Inc.

Trademarks

Aviom, A‑Net, the A‑Net icon, Pro16, Pro64, and Virtual Data Cable are trademarks of Aviom, Inc.

All other trademarks are the property of their respective owners.

Information subject to change without notice.

READ THIS FIRST

Important Safety Instructions

Read these instructions. 1. Keep these instructions2. Heed all warnings.3. Follow all instructions.4. Do not use this apparatus near water.5. Clean only with a dry cloth.6. Do not block any ventilation openings. Install in accordance with the 7.

manufacturer’s instructions. Do not install near any heat sources such as radiators, heat registers, 8.

stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding‑type 9.

plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or third prong are provided for your safety. If the provided plug does not fit your outlet, consult an electrician for replacement of the obsolete outlet.

Protect the power cord from being walked on or pinched, particu‑10. larly at plugs, convenience receptacles, and the point where they exit the apparatus.

Only use attachments/accessories specified by the manufacturer.11. Use only with the cart, stand, tripod, bracket, or table specified by 12.

the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip‑over.

Unplug this apparatus during lightning storms or when unused for 13. long periods of time.

Refer all servicing to qualified personnel. Servicing is required 14. when the apparatus has been damaged in any way, such as when the power‑supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

No on/off power switches are included in the system. The external 15. power supply should be used to control power to an Aviom device. This power supply should remain readily operable.

The solid line over dashed line symbol (16. ) indicates that the input voltage must be a DC voltage.

The box within a box symbol ( 17. ) indicates that the external power supply is double insulated.

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! !

WARNING!

TO REDUCE THE DANGER OF ELECTRICAL SHOCK DO NOT REMOVE COVERS.

NO USER SERVICEABLE PARTS INSIDE

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL ONLY

To reduce the risk of fire or electrical shock, do not expose this product to rain or other types of moisture.

To avoid the hazard of electrical shock, do not handle the power cord with wet hands.

Replace fuse with same type and rating. Operating Temperature: 10˚C to 50˚C (50˚F to 122˚F)

Risque de choc électrique – ne pas ouvrir. Pour réduire le risque de feu ou de choc électrique, ne pas exposer cet équipement à la pluie ou la moisissure. Pour réduire le risque de choc électrique, ne pas retirer le couvercle. Pièces non remplaçables par l’utilisateur. Confier la réparation à une personne qualifiée. Attention – utiliser seulement un fusible de rechange de même type.

Cet appareil est conforme à la section 15 de la norme FCC. Son fonctionnement est soumis aux conditions suivantes : (1) cet équipement ne doit pas causer des interférences nocives, et (2) cet équipement doit accepter toute interférence captée incluant les interférences pouvant causer des opérations indésirables.

Cet appareil numérique de Classe B est conforme à la norme NMB‑003 du Canada.

CAUTION:

Using any audio system at high volume levels can cause permanent • damage to your hearing.

Set your system volume as low as possible. • Avoid prolonged exposure to excessive sound pressure levels.•

IMPORTANT:

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that inter ference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.• Increase the separation between the equipment and receiver.• Connect the equipment into an outlet on a circuit different from •

that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help.•

Changes or modifications to the product not expressly approved by Aviom, Inc. could void the user’s FCC authority to operate the equipment.

Aviom, Inc. Limited Warranty

Aviom, Inc. warrants this product against defects in materials and workmanship for a period of one year from the date of the original retail purchase.

This warranty does not apply if the equipment has been damaged due to misuse, abuse, accident, or problems with electrical power. The warranty also does not apply if the product has been modified in any way, or if the product serial number has been damaged, modified, or removed.

If a defect is discovered, first write or call Aviom, Inc. to obtain a Return Authorization number. No service will be performed on any product returned without prior authorization. Aviom, Inc. will, at its option, repair or replace the product at no charge to you. The product must be returned during the warranty period, with transportation charges prepaid to Aviom, Inc., 1157 Phoenixville Pike, Suite 201, West Chester, PA

19380. You must use the product’s original packing materials for shipment. Shipments should be insured for the value of the product. Include your name, address, phone number, description of the problem, and copy of the original bill of sale with the shipment. The Return Authorization number should be written on the outside of the box.

THIS LIMITED WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS. YOU MAY HAVE OTHER RIGHTS, WHICH VARY FROM STATE TO STATE (OR JURISDICTION TO JURISDICTION). AVIOM’S RESPONSIBILITY FOR MALFUNCTIONS AND DEFECTS IN HARDWARE IS LIMITED TO REPAIR AND REPLACEMENT AS SET FORTH IN THIS LIMITED WARRANTY STATEMENT. ALL EXPRESS AND IMPLIED WARRANTIES FOR THE PRODUCT, INCLUDING BUT NOT LIMITED TO ANY IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED IN DURATION TO THE WARRANTY PERIOD SET FORTH ABOVE. NO WARRANTIES, WHETHER EXPRESS OR IMPLIED, WILL APPLY AFTER SUCH PERIOD.

AVIOM, INC. DOES NOT ACCEPT LIABILITY BEYOND THE REMEDIES SET FORTH IN THIS LIMITED WARRANTY DOCUMENT. AVIOM, INC.’S LIABILITY IS LIMITED TO THE REPAIR OR REPLACEMENT, AT OUR OPTION, OF ANY DEFECTIVE PRODUCT, AND SHALL IN NO EVENT INCLUDE INCIDENTAL OR CONSEQUENTIAL DAMAGES OF ANY KIND.

SOME STATES DO NOT ALLOW EXCLUSIONS OR LIMITATION OF IMPLIED WARRANTIES OR LIABILITY FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES, SO THE ABOVE LIMITATIONS MAY NOT APPLY TO YOU.

Warranty Information

Please record the following information for future reference:

Your Authorized Aviom Dealer:

Name:

Address:

Phone:

Serial Numbers of Your Aviom Products:

Date of Purchase:

Your Authorized Aviom Dealer is your primary source for service and support. The information recorded above will be helpful in communicating with your Authorized Aviom Dealer should you need to contact Aviom Customer Service. If you have any questions concerning the use of this unit, please contact your Authorized Aviom Dealer first. For additional technical support, or to find the name of the nearest Authorized Aviom Repair Station, check the Aviom web site at www.aviom.com.

To fulfill warranty requirements, your Aviom product should be serviced only at an authorized Aviom service center. The Aviom serial number label must appear on the outside of the unit, or the Aviom warranty is void.

This manual and its contents are copyrighted by Aviom, Inc. All rights are reserved by Aviom, Inc. This document may not, in whole or in part, be copied, photocopied, reproduced, translated, or reduced to any electronic medium or machine‑readable form without prior written consent from Aviom, Inc.

The software and/or firmware contained within Aviom products is copyrighted and all rights are reserved by Aviom, Inc.

Although every effort has been made to ensure the accuracy of the text and illustrations in this manual, no guarantee is made or implied as to the accuracy of the information contained within.

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Table of Contents

Welcome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .1

A‑16R Personal Mixer Features: . . . . . . . . . . . . . . . . 1

A‑16CS Remote Control Surface Features: . . . . . . . . . . . 1

System Options: . . . . . . . . . . . . . . . . . . . . . . .2

Conventions Used in this Document . . . . . . . . . . . . . . .2

Button Presses . . . . . . . . . . . . . . . . . . . . . . . .2

Using Personal Mixers. . . . . . . . . . . . . . . . . . . . . 2

Cat‑5 Cables . . . . . . . . . . . . . . . . . . . . . . . . . 2

A‑Net Distributors . . . . . . . . . . . . . . . . . . . . . .2

Optional Remote Control . . . . . . . . . . . . . . . . . . . . . 3

A-16R Master Volume Control . . . . . . . . . . . . . . . . . . .3

Package Contents . . . . . . . . . . . . . . . . . . . . . . . . .4

About A-Net . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4

Compatibility with Pro64 . . . . . . . . . . . . . . . . . . . . .5

About Category 5 . . . . . . . . . . . . . . . . . . . . . . . . . 5

Cat-5 Cables . . . . . . . . . . . . . . . . . . . . . . . . . . . .6

Cable Lengths . . . . . . . . . . . . . . . . . . . . . . . . 6

AC Line Conditioning . . . . . . . . . . . . . . . . . . . . . . .8

Power Supplies . . . . . . . . . . . . . . . . . . . . . . . . . .8

Cleaning and Maintenance . . . . . . . . . . . . . . . . . . . .9

Installing the A-16R in a Rack . . . . . . . . . . . . . . . . . . . 9

Channel Labels . . . . . . . . . . . . . . . . . . . . . . . . . 10

A-16R Front Panel . . . . . . . . . . . . . . . . . . . . . . . . 11

A-16R Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . 13

A-16CS Front Panel . . . . . . . . . . . . . . . . . . . . . . . 15

A-16CS Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . 16

Monitor System Setup . . . . . . . . . . . . . . . . . . . . . . 17

Power Connection . . . . . . . . . . . . . . . . . . . . . 17

System Connections . . . . . . . . . . . . . . . . . . . . 17

Audio Connections . . . . . . . . . . . . . . . . . . . . . 18

Labeling the Channels . . . . . . . . . . . . . . . . . . . 18

Powering Up . . . . . . . . . . . . . . . . . . . . . . . . 19

Basic Navigation . . . . . . . . . . . . . . . . . . . . . . . . . 19

Operational Modes . . . . . . . . . . . . . . . . . . . . . . . 20

Before You Start Editing . . . . . . . . . . . . . . . . . . . 20

Global Controls . . . . . . . . . . . . . . . . . . . . . . . . . 21

Tone Controls. . . . . . . . . . . . . . . . . . . . . . . . 21

Master Volume . . . . . . . . . . . . . . . . . . . . . . . 22

Button Behaviors . . . . . . . . . . . . . . . . . . . . . . . . 23

Making a Mix. . . . . . . . . . . . . . . . . . . . . . . . . . . 24

Setting Channel Volume . . . . . . . . . . . . . . . . . . 24

Setting Pan . . . . . . . . . . . . . . . . . . . . . . . . 25

Linking Channels . . . . . . . . . . . . . . . . . . . . . . 25

The Spread Control . . . . . . . . . . . . . . . . . . 26

The Effect of the Spread Control . . . . . . . . . . . 26

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Solo Functions . . . . . . . . . . . . . . . . . . . . . . . 26

Solo a Channel . . . . . . . . . . . . . . . . . . . . 26

Held Solo Mode . . . . . . . . . . . . . . . . . . . 27

Mute a Channel . . . . . . . . . . . . . . . . . . . . . . . 28

Unmute a Channel . . . . . . . . . . . . . . . . . . 29

Creating Groups . . . . . . . . . . . . . . . . . . . . . . . . . 29

Creating Additional Groups . . . . . . . . . . . . . . . . . 30

Making Changes to a Group . . . . . . . . . . . . . . . . . 31

Changing Channel Settings Within a Group . . . . . . 31

Removing Channels From a Group . . . . . . . . . . 32

Muting Groups . . . . . . . . . . . . . . . . . . . . . . . 33

Saving a Preset. . . . . . . . . . . . . . . . . . . . . . . . . . 34

What Gets Saved . . . . . . . . . . . . . . . . . . . . . . 34

Information Not Saved With a Preset . . . . . . . . . . . . 35

Verify a Mix Preset Location . . . . . . . . . . . . . . . . . 35

A-16R Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . 36

A‑Net Connectors . . . . . . . . . . . . . . . . . . . . . . 36

DC Power Input . . . . . . . . . . . . . . . . . . . . . . . 37

Audio Outputs . . . . . . . . . . . . . . . . . . . . . . . 37

Stereo Operation . . . . . . . . . . . . . . . . . . . 37

Mono Operation . . . . . . . . . . . . . . . . . . . 37

Balanced Inserts . . . . . . . . . . . . . . . . . . . . . . 38

Signal Flow . . . . . . . . . . . . . . . . . . . . . . . . . 39

Mix In. . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

A‑Control. . . . . . . . . . . . . . . . . . . . . . . . . . 41

MIDI I/O . . . . . . . . . . . . . . . . . . . . . . . . . . 41

A‑Net In and Out . . . . . . . . . . . . . . . . . . . . . . 42

A-16CS Control Surface . . . . . . . . . . . . . . . . . . . . . 43

Overview . . . . . . . . . . . . . . . . . . . . . . . . . . 43

Master Volume . . . . . . . . . . . . . . . . . . . . . . . 43

Changing Channel Settings . . . . . . . . . . . . . . . . . 44

Saving a Mix From the A‑16CS . . . . . . . . . . . . . . . . 44

Recalling a Preset From the A‑16CS . . . . . . . . . . . . . 44

Display the Current Preset Number . . . . . . . . . . . . . 45

A-16CS Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . 45

A‑Control. . . . . . . . . . . . . . . . . . . . . . . . . . 45

Footswitch Jack. . . . . . . . . . . . . . . . . . . . . . . 45

MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47

MIDI Jacks . . . . . . . . . . . . . . . . . . . . . . . . . 47

MIDI In . . . . . . . . . . . . . . . . . . . . . . . . . . . 48

MIDI Out . . . . . . . . . . . . . . . . . . . . . . . . . . 48

MIDI Thru . . . . . . . . . . . . . . . . . . . . . . . . . . 48

A‑16R MIDI Base Channel . . . . . . . . . . . . . . . . . . 48

Display the MIDI Base Channel . . . . . . . . . . . . 48

MIDI Automation . . . . . . . . . . . . . . . . . . . . . . 49

MIDI Messages . . . . . . . . . . . . . . . . . . . . . . . 50

MIDI Data Storage . . . . . . . . . . . . . . . . . . . . . 50

Saving Presets via MIDI . . . . . . . . . . . . . . . . . . . 51

Save One Mix Preset via MIDI . . . . . . . . . . . . . 51

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Saving All Mix Presets via MIDI . . . . . . . . . . . . 52

Loading Presets via MIDI . . . . . . . . . . . . . . . . . . 53

Loading One Preset via MIDI . . . . . . . . . . . . . 53

Loading an All Preset File via MIDI. . . . . . . . . . . 53

Exit MIDI SysEx Mode . . . . . . . . . . . . . . . . . 54

Applications . . . . . . . . . . . . . . . . . . . . . . . . . . . 55

Console Direct Outputs . . . . . . . . . . . . . . . . . . . 55

Using Aux Sends . . . . . . . . . . . . . . . . . . . . . . 56

Using Console Inserts . . . . . . . . . . . . . . . . . . . . 56

Y Cable Insert . . . . . . . . . . . . . . . . . . . . 56

Adding Effects . . . . . . . . . . . . . . . . . . . . 56

Studio Cue System . . . . . . . . . . . . . . . . . . . . . 57

Playback Monitoring . . . . . . . . . . . . . . . . . 57

Adding Effects to a Monitor Mix . . . . . . . . . . . . . . . 58

Adding Live Ambience to a Monitor Mix . . . . . . . . . . . 59

Silent Session . . . . . . . . . . . . . . . . . . . . . . . . 59

Other Uses for the Personal Mixer Outputs. . . . . . . . . . 59

Record a Mix . . . . . . . . . . . . . . . . . . . . . 60

Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . 61

Specifications - A-16R . . . . . . . . . . . . . . . . . . . . . . 65

Specifications - A-16CS . . . . . . . . . . . . . . . . . . . . . 66

A-16CS Mounting Options . . . . . . . . . . . . . . . . . . . . 66

A-16R Block Diagram. . . . . . . . . . . . . . . . . . . . . . . 67

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . 68

A-Control Specifications . . . . . . . . . . . . . . . . . . . . 70

Physical Connections . . . . . . . . . . . . . . . . . . . . 70

Electrical Connections . . . . . . . . . . . . . . . . . . . 70

Physical Layer Data Format . . . . . . . . . . . . . . . . . 71

MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . 72

MIDI System Exclusive Implementation . . . . . . . . . . . . . 73

Warranty Registration . . . . . . . . . . . . . . . . . . . . . . 88

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Welcome

Thank you for purchasing the A-16R Personal Mixer, and A-16CS Control Surface both of which are members of Aviom’s Pro16® Series of digital

products. All Pro16 products are powered by A‑Net®, Aviom’s proprietary data transmission protocol designed especially for the unique demands of live streaming audio. This User Guide is designed to familiarize you with your new product and to have your system up and running in no time.

Features

The A‑16R and A‑16CS provide a host of professional features designed to make the system flexible in a variety of music and audio situations.

The A‑16R rack‑mounted Personal Mixer can be used with all of Aviom’s Pro16 A‑Net devices and can be connected to third‑party products such as console cards that support the Pro16 A‑Net protocol.

A-16R Personal Mixer Features:

Sixteen Channel select buttons with dual LEDs• Dedicated Recall, Group, Solo, and Mute buttons• Sixteen user Preset memory locations • Pan/Spread control with LED readout• Channel volume control with LED level readout• Master Volume, Treble and Bass controls• Stereo Mix In with volume control• Balanced XLR and TRS outputs on the rear panel• Balanced stereo insert points on the rear panel• MIDI save and recall of user Presets• MIDI remote mixing control • A‑Control jack accepts the optional A‑16CS Control Surface• Stereo/Mono operation•

A-16CS Remote Control Surface Features:

Controls all front‑panel functions on the A‑16R• Sixteen Channel select buttons with dual LEDs• Dedicated Recall, Group, Solo, and Mute buttons• Pan/Spread control with LED readout• Footswitch jack for Preset Up/Down control• Can be mounted on the optional MT‑1 mic stand mount•

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System Options:

A‑16D A‑Net Distributor• A‑16D Pro A‑Net Distributor• MT‑1 mic stand mount for the A‑16CS Control Surface •

Conventions Used in this Document

Button Presses

When indicating a button on the front panel of the A‑16R Personal Mixer or A‑16CS, a special typeface is used. For example, “when selecting a Preset, press the Re c a l l button, followed by a numbered button”.

Using Personal Mixers

It is possible to create a personal monitor system using any combination of Aviom Personal Mixer products. In some cases the information in this document can refer to either the table‑top version of the Personal Mixer, or the rack‑mounted A‑16R version.

When using the A‑16R Personal Mixer with the optional A‑16CS Control Surface, many of the same buttons and functions are available.

When referring to the use of the mixers in a Personal Monitor Mixing System in general, the terms A-16 Mixer or Personal Mixer are used to describe a case where a standard A‑16 or A‑16II Personal Mixer, the A‑16CS Control Surface, or a rack mounted A‑16R Personal Mixer can be used.

Cat-5 Cables

In most cases Cat‑5e, Cat‑6, and Cat‑6e cables can be interchanged. When speaking about interconnections between components in a system, the term Cat-5 is used generically to indicate the use of any of the applicable cable types.

A-Net Distributors

The A‑16D and A‑16D Pro A‑Net Distributors are referred to generically as A-Net Distributors.

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Optional Remote Control

When using the A‑16R in a monitor system, the A‑16CS Control Surface can be used as an optional remote control device. This enables the A‑16R to be placed in a remote location while at the same time providing the user with complete control over their monitor mix environment.

It is important to note that the A‑16R front panel has a switch that selects whether the front panel buttons and knobs of the A‑16R or the A‑16CS Control Surface will be used for editing. The Remote/Local switch must be in the lo c a l position to use the front panel controls or to send/receive MIDI SysEx data. The Remote/Local switch should be in the Re m o t e position when the A‑16CS is being used.

A-16R Master Volume Control

When using an A‑16CS Control Surface with an A‑16R it is also important to note that the position of the Master Volume knob on the A‑16R rack sets the total volume output for the unit. The A‑16CS Control Surface simply offsets that master volume setting, allowing for precise system gain setup.

Switching from remote to local control with the Re m o t e /lo c a l switch may cause an increase in the overall volume, since this removes the A‑16CS Control Surface from the signal path.

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Package Contents

Check the contents of the shipping box carefully before making connections and continuing with installation.

The A‑16R Personal Mixer box contains:

One A‑16R Personal Mixer •

• DC Power supply User documentation •

Also included within this document is a Warranty registration page. Be sure to fill out the form and return it to Aviom, Inc. via mail or fax as soon as possible.

About A-Net

The Pro16® version of A‑Net® is a high‑speed data transmission protocol capable of sending and receiving high‑quality digital audio using readily available Cat‑5 cables. A‑Net is a proprietary technology developed by Aviom.

A‑Net is based on the physical layer of Ethernet, a Local Area Network (or LAN) technology. This provides A‑Net with a mature and robust base on which to build. However, it is important to note that A‑Net devices are not compatible with Ethernet devices.

As used in the Pro16 series products, the A‑Net signal carries sixteen channels of digital data from the Pro16 input module (AN‑16/i, AN‑16/i‑M, or compatible console card) to each A‑Net device connected to the system.

Some of the benefits of using A‑Net to transmit digital audio are:

Virtually no latency• No ground loops• Easy cabling using readily available components• An unlimited number of A‑Net devices can be used in a system• Ease in spanning long distances between system components•

P No t e : While the Cat‑5e cables and connectors used on your Aviom

products look like typical computer Ethernet network connections, do not connect computers, routers, or other home and business networking equipment to your Aviom products.

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Compatibility with Pro64

RJ45 Jack Cat-5 Cable

Many Pro16 products can be connected to a Pro64® A‑Net system with the addition of the ASI A‑Net Systems Interface. The ASI translates Pro64 A‑Net data into Pro16 data and separates the 64‑channel Pro64 stream into up to four 16‑channel Pro16 outputs, depending on the Pro64 sample rate being used.

Only Pro16 devices that have an A‑Net In port such as Personal Mixers, A‑Net Distributors, and output modules are compatible with Pro64 and the ASI. Pro16 input modules and console cards cannot send their data into a Pro64 network.

About Category 5

Category 5 (sometimes referred to as Cat-5 ) describes a commonly used type of high performance network cabling. It is used mainly for data transmission purposes to connect computers, modems and other devices. A standard Category 5 patch cable consists of four twisted pairs of copper wire terminated by RJ45 male connectors. The cable assembly is used to provide connectivity between any two Category 5 female outlet jacks. A variation, called Category 5e (or Cat‑5e), uses additional twists in the cable to reduce interference in high‑speed network applications. In general, when using long cable lengths, select Cat‑5e cables for best performance.

Use Cat-5e Unshielded Twisted Pair (UTP) cables or better for all A-Net applications.

The RJ45 connector looks similar to the connectors found on a telephone system, only larger. The twisting of the wire pairs helps to shield the cable from unwanted interference from electrical fields or radio interference (sometimes referred to as “RF”). Cat‑5 cabling supports frequencies up to 100 MHz and speeds up to 1000 Mbps.

5A-16R Pe R s o n A l Mix eR A n d A-16Cs Co n t R o l su R f A C e use R Gu i d e

Cat-5 Cables

The cables used with your Aviom system are interchangeable with any standard Category 5e (Cat‑5e) cables. If you need a longer cable for a particular application, any computer store should be able to supply you with an appropriate cable. A qualified technician should be able to build custom cables to any length (up to the maximum of 500 feet (150 meters) between components).

For fixed or permanent installations, you have the option of running Cat‑5 cables inside walls and terminating them with readily available wall panel connectors that include the RJ45 jack. (Solid wire is recommended for permanent installations.)

In addition to standard Category 5e cables, Category 6 (Cat‑6 and Cat‑6e) cables can also be used.

P No t e : When purchasing Category 5e cables, be sure to buy only standard

Cat‑5e UTP cables, not those sold as crossover cables. A crossover cable is used for file transfer between two computers. A crossover cable is not compatible with your Aviom equipment.

Cable Lengths

Cat‑5e cables used with your Aviom products can be up to 500 feet (150 meters) in length between devices. The maximum cable length specification applies to the cable connected between the A‑Net input module and the first Pro16 output device (such as an A‑16R Personal Mixer) in your system as well as for cable runs between each additional Pro16 A‑Net compatible device in your system.

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AN-16/i Input Module

Pro16 Input Pro16 Output

Total A-Net cable length can be 500 feet (150 meters)

System Bridge

A-Net Out A-Net In

System Bridge

Up to 500 feet of Cat-5e cable can be used to connect each system component

AN-16/o Output Modules or Personal Mixers

Infinite number of A‑Net components

Your cable length performance will be affected by a number of factors including the quality of the cables used, and the number of devices such as cable couplers used or passive wall panel interconnections in use. Use Cat‑5e cable for best performance wherever possible. Stranded or solid Cat‑5e cable can be used.

When using the optional AN‑16SBR System Bridge, the cable length specification applies to the total cable length between the two A‑Net devices being connected with the AN‑16SBR System Bridge. This is similar to what happens when using an inline coupler to extend cable lengths.

Total cable length c alculations include cables used top connect I/O modules to System Bridges.

Pre‑made cables in a variety of lengths and colors are available at most

7A-16R Pe R s o n A l Mix eR A n d A-16Cs Co n t R o l su R f A C e use R Gu i d e

computer outlets. Cables can be extended by using a simple passive device called an inline coupler to add length to existing cables (as long as you do not exceed the specified maximum cable length). If you need a longer cable on occasion, this is a simple solution. Note that it is possible that the maximum cable length specification can be compromised by using inline couplers or other passive connection devices.

AC Line Conditioning

Aviom products are digital devices and as such are sensitive to sudden spikes and drops in the AC line voltage. Changes in the line voltage from lightning, power outages, etc. can sometimes damage electronic equipment.

To minimize the chance of damage to your equipment from sudden changes in the AC line voltage, you may want to plug your equipment into a power source that has surge and spike protection. Power outlet strips are available with built‑in surge protection circuits that may help protect your equipment.

Other options for protection of your equipment include the use of an AC line conditioner or a battery backup system (sometimes referred to as an uninterruptible power supply, or UPS).

Power Supplies

Your Aviom product uses a DC power supply that has a two‑prong power cord. The prongs on the power supply are identical, meaning that there is no need to orient the plug in a specific direction in the power outlet. Some products with two‑prong power cords have polarized plugs that can only be inserted into an electrical outlet one way.

The power supply that is shipped with your Aviom product is a universal switching type. It is capable of working with voltages from 90 to 240 volts AC. This means that a separate power supply is not needed to use the products with the AC power systems found in most countries. You should always use the power supply that shipped with your product. When travelling, you may need plug adapters to use the power supply with the AC outlet plug shape variations in use throughout the world.

Should you need to replace the power supply that came with your product, we recommend using only a power supply that meets the following specifications.

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Type: Switching

Input Voltage: 90‑240 volts 50/60Hz 30VA

Output: 24VDC 0.5A

Polarity Outer = negative; Inner = positive

Plug Size 2 mm

Note that polarity of the plug found on the DC power supply needs to match that of the original power supply that came with your Aviom equipment. Aviom products use a center positive power supply. The outer contact is negative, the inner contact is positive. (See the diagram above.)

Power Supply Polarity

Cleaning and Maintenance

The exterior of your Aviom products should be cleaned with a dry, soft, lint‑ free cloth. For tougher dirt, you can use a cloth slightly dampened with water or with a mild detergent.

When cleaning your Aviom products, never spray cleaners directly onto the product surfaces. Instead, spray a small amount of the cleaning solution onto a clean cloth first. Then use the dampened cloth to clean the product.

P No t e : Never use solvents or abrasive cleaners on the finished surfaces of

your Aviom products.

Installing the A-16R in a Rack

The A‑16R Personal Mixer is designed to be installed in a standard 19‑inch audio equipment rack. This design is both for easy transportation of the units and for protection in a permanent installation. Each unit takes up one standard rack space (19 inches wide by 1.75 inches high). Optionally, you can place the units on a table top or other flat surface such as a shelf.

The rack ears on each side of the device are designed to support the weight of the A‑16R without additional hardware. Each rack ear contains holes for two screws per side. Always support the unit with all four screws.

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To rack mount the A‑16R Personal Mixer, position it in the equipment rack

11 22

55 66

88 99

1100 1111 1122 1133 11 44 11 55 1166

Save

AA--11 66RR

Personal Mixer

Solo

Mute

InRecall Mode - All Volumes Zero

Recall

Grou p

Mut

Select

Mut

Select

Mute Select

Mix In Bass Treble

Master

Volume

Pan

A-Net

Active

_+_

at the desired location. Use standard rack‑mounting screws (10‑32 size) to attach the unit to your rack hardware. Tighten all four screws firmly, but avoid overtightening.

You may want to use non‑metallic washers between the rack‑mounting screws and the device’s finished surface to avoid marring the painted finish on your Aviom products.

Always allow adequate ventilation for devices mounted in equipment racks. Avoid placing your A‑16R Personal Mixer directly above or below other rack‑ mounted gear that produces high levels of heat, such as power amps.

Channel Labels

For writing channel information or names on the A‑16R Personal Mixer (or A‑16CS) label surface or “scribble strip”, we suggest using a china marker or other easily removed marking device. A china marker is designed for marking on plastic, metal, glass, wood, and paper. These are available at most office supply outlets. Avoid the use of permanent markers. Optionally a strip of removable artist’s tape can be used instead of writing directly on the product’s surface.

Mixer Label Strip above the channel selec t buttons

To clean the label area on the A‑16R Mixer or A‑16CS, use a soft clean cloth to remove most types of temporary marking materials. For difficult‑to‑remove types of marking devices, a cotton swab moistened with a drop of rubbing alcohol can be used. Use the minimum amount possible to remove the writing.

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A-16R Front Panel

11 22

55 66

88 99

11 00 1111 1122 11 33 11 44 11 55 11 66

Save

AA--1166RR

Personal Mixer

Recall

Gro up

Mut

Select

Mut

Select

Mute Select

2 3 4 5

Recall button (for Save, hold Re c a l l and GR o u p )

2 Group button

3 Channel or Preset select button (depends on mode)

4 Channel Select LED

5 Channel Mute LED

6 Label strip

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Solo

Mute

Phones

MIDI On

Local

Remote MIDI Off

Mix In Bass Treble

Master

Volume

Pan

A-Ne t

Act ive

13 14

7 Solo button

8 Mute button

9 Channel Pan control and LEDs

10 Channel Volume control and LEDs

11 A‑Net Active LED

12 Mix In volume control

13 Bass tone control

14 Treble tone control

15 Master volume control

16 Remote/Local MIDI on/off switch

17 Headphone output

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A-16R Rear Panel

Ou t

Ret u r n Se nd

RLRL

Mix In

/T /P i n 2

/S / P in 1

/R / P in 3

AA--1166RR

Ret u r n Se nd

Le f t Ri g h t

Mono/Stereo

Person al Mixer

/T /P i n 2

/S / P in 1

/R / P in 3

Lin e Ou t In sert

4 5 6

XLR balanced outputs

2 TRS balanced outputs

3 Mono/Stereo output switch

4 Balanced stereo insert Return

5 Balanced stereo insert Send

6 Stereo auxiliary Mix Input

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Regu lat ed

50 0 mA

Power

18 - 24 V

A-Ne t

Ou t InA-Cont rol

MI D I

Ou t

Thru In

A‑Control (for A‑16CS remote controller)

8 MIDI In, Out, Thru connections

9 A‑Net Out

10 A‑Net In

11 DC power connection

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A-16CS Front Panel

1 2 3 4 5

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Footswitch 1/2 A-Control

T-FtSw 1 R-FtSw 2 S-Ground

A‑Control In jack (rear panel)

2 A‑Net Active LED

3 Channel Pan control and LEDs

4 Channel Volume control and LEDs

5 Footswitch jack (rear panel)

6 Bass tone control

7 Treble tone control

8 Master volume control

9 Solo button

10 Mute button

11 Channel Mute LED

12 Channel select LED

13 Channel or Preset select button (depends on mode)

14 Label strip

15 Recall button (for Save, hold Re c a l l and GR o u p )

16 Group button

A-16CS Rear Panel

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Monitor System Setup

Configuring a Pro16 monitor mixing system requires only a few steps. Start with all devices turned off. When all power, network, and audio connections have been made, you can then power up all the components in your system. Power up the personal mixers and any amplifiers or powered speakers last to avoid unwanted pops or noises.

Power Connection

Connect the DC power supply to the A‑16R Personal Mixer unit. Plug the power supply into an available AC power outlet. The Personal Mixer will be on as long as it is plugged into a working electrical outlet.

No on/off power switches are included on the A‑16R. If you would like to control the on/off state of your units, simply connect the power supplies to a power strip with an on/off switch and use that as a system power switch.

DC power for the A‑16R Personal Mixer can optionally be supplied from a Pro16 A‑Net distributor, eliminating the need for the power supply at the mixer’s location. Refer to the documentation provided with the A‑Net distributor for more system setup information.

P No t e : The optional A‑16CS Control surface gets its power from the A‑16R

when the A‑Control jacks are connected via a Cat‑5 cable. No power supply is required.

System Connections

A single Cat‑5e cable is required to connect each A‑Net compatible device in your system. Connect a Cat‑5e cable from the a-Ne t ou t jack on the input module to the a-Ne t IN jack on the first Personal Mixer.

Connect additional A‑16R Personal Mixers with a Cat‑5e cable from the a-Ne t ou t jack on the first Personal Mixer to the a-Ne t IN jack on the next Personal Mixer. (Repeat this process for each additional Personal Mixer unit in your system.) Connecting the Personal Mixers in this manner is referred to as a series connection, also known as a daisy chain.

When using the A‑16CS Control Surface with the A‑16R for remote mix control, connect a Cat‑5e cable from the A‑16R A‑Control jack to the A‑Control input on the rear panel of the A‑16CS.

Any combination of A‑16II and A‑16R Personal Mixers as well as other Pro16 output devices can be used to create a system.

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Regulated

500 mA

Power

AA--1166RR

18-24V

A-Net

Out InA-Contr ol

MIDI

Out

Thru In

Retur n Send

RLRL

Left Righ t

Mono/Stereo

Mix In

Personal Mixer

/T/Pin 2

/S/Pin 1

/R/Pin 3

Line Out Inse rt

Regulated

500 mA

Power

AA--1166RR

18-24V

A-Net

Out InA-Contr ol

MIDI

Out

Thru In

Retur n Send

RLRL

Left Righ t

Mono/Stereo

Mix In

Personal Mixer

/T/Pin 2

/S/Pin 1

/R/Pin 3

Line Out Inse rt

Regulated

500 mA

Power

AA--1166RR

18-24V

A-Net

Out InA-Contr ol

MIDI

Out

Thru In

Retur n Send

RLRL

Left Righ t

Mono/Stereo

Mix In

Personal Mixer

/T/Pin 2

/S/Pin 1

/R/Pin 3

Line Out Inse rt

From A-Net input module

Connect A-Net Out to A-Net In to make a daisy chain.

A‑Net can also be distributed in parallel by using an A‑Net Distributor. This can eliminate daisy chained A‑Net connections.

Audio Connections

Plug headphones or in‑ear monitors into the A‑16R Personal Mixer’s front panel Headphone jack. If you use powered stage monitors, spot monitors, or wireless in‑ear monitors, connect the XLR or TRS Line output jacks on the rear panel of the A‑16R Personal Mixer to the inputs of your audio device.

Before powering up the system, turn the Master Volume control on the A‑16R Personal Mixer to its minimum setting (full left) to ensure that unwanted high‑volume audio is not accidentally sent into your monitors when the system is powered up. The Master Volume control is on the right side of the Personal Mixer, next to the Bass and Treble controls.

If you are using the A‑16CS Control Surface, make sure that the A‑Control cable is connected and that the Re m o t e /lo c a l switch on the front panel of the A‑16R is in the Re m o t e position.

Labeling the Channels

The A‑16R Personal Mixer has a convenient label strip (also called a “scribble strip”) right on the front panel. Use a non‑permanent marker to write the name of the instrument or audio source appearing on each channel in the label area. Optionally, apply removable artist’s tape to the label strip prior to labeling each Personal Mixer.

A convenient MS Excel format label strip template, available on the Aviom website, can be used to print out text labels for the A‑16R and optional A‑16CS Control Surface from a computer.

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P No t e Use only non‑permanent marking devices on the label surface to

avoid permanently marring the surface.

Powering Up

As when powering up any audio gear, it’s best to turn on all system components in the safest possible order to minimize the risk of damage to system components and your hearing. Start by turning on devices such as mic preamps, mixers, keyboards, and effects processors. Follow this by turning on power amps, or anything that applies power to speakers, headphones, etc.

In the case of the Personal Monitor Mixing System, you should power up your main audio mixer, effects devices, and keyboards first. Follow this by powering up your A‑Net input module and then all connected Personal Mixers.

Lastly, turn on any power amps, powered monitor speakers, in‑ear monitors, etc., that are part of the monitor system.

Basic Navigation

When the A‑16R is powered up, Preset 1 is automatically selected. On the Personal Mixer, one channel is always selected for editing. You can tell that a channel is selected because the upper LED in its button is lit.

Each channel button has two LEDs, an upper and a lower. The red upper LED indicates that the channel is selected; you can change its volume and panning. You can also solo or mute the channel using the dedicated So l o and mu t e buttons on the A‑16R Personal Mixer front panel (or from the A‑16CS).

The upper LEDs will also light in combination if a channel is stereo linked or is part of one of the three available Groups. (More info on Groups appears later.)

The lower yellow LED in each channel button indicates the channel’s mute status. A lit yellow LED indicates that the channel is muted. Any number of channels can be muted.

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Operational Modes

Phones

MIDI On

Local

Remote MIDI Off

Master

Volume

When using the A‑16R Personal Mixer, you will be in one of the following modes:

• Mix Mode — Here you can change channel and mix settings such as volume, mute, and panning; you’ll spend most of your time in this mode.

• Recall Mode — When activated by the Re c a l l button, the row of sixteen channel buttons are used to select one of the sixteen available mixes saved as Presets.

• Group Mode — Used when creating Groups or editing existing Groups. This is activated by pressing the GR o u p button. The channel select buttons are used to add or delete channels from a Group.

• Solo Mode — When the So l o button is pressed, the selected channel (or Group) is audible while the rest of the mix is muted.

Save Mode• — This mode is activated by pressing and holding both the Re c a l l and GR o u p buttons. When both buttons are held down, the Save Mode is active. Pressing any numbered channel button while still holding this button combination will save your current mix to that Preset location.

P No t e : A Preset is saved when the numbered channel button is released.

Before You Start Editing

When using the A‑16R, it is important to note that only one device can control the mix settings of the A‑16R at a time.

Place the Remote/Local swi tch in the Remote p osition when using the A-16CS.

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Some important points to keep in mind:

Set the • Remote/Local switch to the lo c a l position to use the front panel of the A‑16R for editing and save/recall of Presets. MIDI can also be used for changing mix param‑ eters and for Preset save/recall. (The A‑16CS is disabled.)

Set the • Remote/Local switch to the Re m o t e position to use an A‑16CS Control Surface to remotely control the A‑16R. Editing mixes and save/recall of your Presets only works from the A‑16CS in this case. MIDI is disabled.

Only the • Mix In knob on the A‑16R rack will function when the Remote/Local switch is set to the Re m o t e position. This is an analog control.

When using an A‑16CS with an A‑16R the settings of the Bass, Treble, and Master Volume knobs are independent. Switching mix control between the Local and Remote settings can cause unexpected changes in volume and EQ if the settings of the knobs are not similar. Remember that the master Volume on the A‑16R sets to total mix level.

Global Controls

The three knobs in the upper right section of the A‑16R Personal Mixer affect your overall mix volume and tone directly. The Bass, Treble, and Master volume controls are always active, regardless of the state of the current mix or selected Preset. These are analog controls and their settings are not stored as part of a mix preset.

Tone Controls

Use the Bass and Treble controls to change the overall balance of bass or treble frequencies in your mix. These controls affect the entire mix, not the individual channels.

The default position for the Ba S S and tR e B l e knobs is at 12 o’clock. To add more low frequencies to your monitor mix, turn the Ba S S knob to the right of the 12 o’clock position. To remove lows, turn the knob counterclockwise past the center. To change the high‑frequency content, follow the same procedure; turn the tR e B l e knob right to add highs, left to diminish them.

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