Avid Technology Music Mixer 7.3 User Manual
D-Command
Version 7.3
™
Copyright
Legal Notices
This guide is copyrighted ©2007 by Digidesign, a division of Avid Technology, Inc.
(hereafter “Digidesign”), with all rights reserved. Under copyright laws, this guide
may not be duplicated in whole or in part without the written consent of
Digidesign.
003, 003 Rack, 96 I/O, 96i I/O, 192 Digital I/O, 192 I/O, 888|24 I/O, 882|20
I/O, 1622 I/O, 24-Bit ADAT Bridge I/O, AudioSuite, Avid, Avid DNA, Avid Mojo,
Avid Unity, Avid Unity ISIS, Avid Unity MediaNetwork, Avid Xpress, AVoption,
AVoption|V10, Beat Detective, Bruno, Command|8, Control|24, D-Command,
D-Control, D-Fi, D-fx, D-Show, DAE, Digi 002, Digi 002 Rack, DigiBase,
DigiDelivery, Digidesign, Digidesign Audio Engine, Digidesign Intelligent Noise
Reduction, Digidesign TDM Bus, DigiDrive, DigiRack, DigiTest, DigiTranslator,
DINR, DV Toolkit, EditPack, Impact, Interplay, M-Audio, MachineControl, Maxim,
Mbox, MediaComposer, MIDI I/O, MIX, MultiShell, OMF, OMF Interchange, PRE,
ProControl, Pro Tools M-Powered, Pro Tools, Pro Tools|HD, Pro Tools LE,
QuickPunch, Reel Tape, Reso, Reverb One, ReVibe, RTAS, Smack!,
SoundReplacer, Sound Designer II, Strike, Structure, SYNC HD, SYNC I/O,
Synchronic, TL Space, Velvet, and X-Form are trademarks or registered
trademarks of Digidesign and/or Avid Technology, Inc. All other trademarks are
the property of their respective owners.
Product features, specifications, system requirements, and availability are
subject to change without notice.
PN 9106-55465-00 REV A 10/07
Comments or suggestions regarding our documentation?
email: techpubs@digidesign.com
Warning
This product contains chemicals, including lead, known to the State of California
to cause cancer and birth defects or other reproductive harm. Wash hands after
handling.
Communications & Safety Regulation Information
Compliance Statement
The models D-Command and XMON comply with the following standards
regulating interference and EMC:
• FCC Part 15 Class A
• EN55103 – 1, environment E4
• EN55103 – 2, environment E4
• AS/NZS 3548 Class A
• CISPR 22 Class A
• ICES-003 Class A
Canadian Compliance Statement:
This Class A digital apparatus complies with Canadian ICES-003
Cet appareil numérique de la classe A est conforme à la norme NMB-003 du
Canada.
CE Compliance Statement:
Digidesign is authorized to apply the CE (Conformité Europénne) mark on this
compliant equipment thereby declaring conformity to EMC Directive
89/336/EEC and Low Voltage Directive 73/23/EEC.
Australian Compliance:
Radio and Television Interference
This equipment has been tested and found to comply with the limits for a Class A
digital device, pursuant to Part 15 of the FCC Rules.
Communications Statement
This equipment has been tested to comply with the limits for a Class A digital
device. Changes or modifications to this product not authorized by Digidesign,
Inc., could void the Certification and negate your authority to operate the product.
This product was tested for CISPR compliance under conditions that included the
use of peripheral devices and shielded cables and connectors between system
components. Digidesign recommends the use of shielded cables and connectors
between system components to reduce the possibility of causing interference to
radios, television sets, and other electronic devices.
Safety Statement
This equipment has been tested to comply with USA and Canadian safety
certification in accordance with the specifications of UL Standards: UL60065 7th
/IEC 60065 7th and Canadian CAN/CSA C22.2 60065:03. Digidesign Inc., has
been authorized to apply the appropriate UL & CUL mark on its compliant
equipment.
Warning
Important Safety Instructions
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8) Do not install near any heat sources such as radiators, heat registers, stoves,
or other apparatus (including amplifiers) that produce heat.
9) Do not defeat the safety purpose of the polarized or grounding-type plug. A
polarized plug has two blades with one wider than the other. A grounding type
plug has two blades and a third grounding prong. The wide blade or the third
prong are provided for your safety. If the provided plug does not fit into your
outlet, consult an electrician for replacement of the obsolete outlet.
10) Protect the power cord from being walked on or pinched particularly at plugs,
convenience receptacles, and the point where they exit from the apparatus.
11) Only use attachments/accessories specified by the manufacturer.
12) Unplug this apparatus during lightning storms or when unused for long
periods of time.
13) Refer all servicing to qualified service personnel. Servicing is required when
the apparatus has been damaged in any way, such as power-supply cord or plug
is damaged, liquid has been spilled or objects have fallen into the apparatus, the
apparatus has been exposed to rain or moisture, does not operate normally, or
has been dropped.
Do not attempt to service the equipment. There are no
user-serviceable parts inside. Please refer all servicing to authorized
Digidesign personnel.
Any attempt to service the equipment will expose you to a risk of
shock and will void the manufacturer’s warranty.
SPECIAL WARNING REGARDING VENTILATION:
Do not install D-Command anywhere or in any way that blocks free
air flow at any time around the back panel of the unit.
SPECIAL WARNING REGARDING AMBIENT TEMPERATURE:
Before powering on the D-Command unit, be sure to allow it to reach
room temperature. The unit includes some components that are
senstive to cold temperatures, so it is recommended that you
unpack the unit and allow it to acclimate before turning it on for the
first time.
Contents
Part I Introduction
Chapter 1. Introduction to D-Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
D-Command Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
D-Command System Components. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
System Expansion Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Operational Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Connection Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
System Requirements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Mechanical Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Chapter 2. D-Command Overview. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
D-Command Main Unit. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
D-Command Fader Module. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
D-Command XMON Interface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Part II Installation
Chapter 3. Setting Up the Fader Module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Assembling an Expanded System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Chapter 4. Connecting D-Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
D-Command Connections. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Audio Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Chapter 5. Configuring D-Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Starting Up and Shutting Down the System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Software Configuration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Setting D-Command Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
System Calibration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Part III Reference
Chapter 6. Channel Strip Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Channel Strips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Global Controls Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Miscellaneous Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Contents v
Chapter 7. Plug-in Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Plug-ins and D-Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
Dynamics Section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53
EQ Section. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Chapter 8. Transport and Navigation Controls. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Transport Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Zoom/Navigate Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Nudge/Bank Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72
Chapter 9. Management Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Window Management Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73
Session Management Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Soft Keys Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Chapter 10. Monitor and Meter Sections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Monitor Section Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Meter and Time Code Displays (Main Unit) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
Setting D-Command Meters for Different Reference Levels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Chapter 11. Operating Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Normal Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 95
Custom Fader Modes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
Working with Automation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
Appendix A. Utility Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Entering Utility Mode. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Navigating Utility Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111
Exiting Utility Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
D-Command System Info Page . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
D-Command Name Page. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112
D-Command Test Pages . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Resetting D-Command to Factory Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
D-Command Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116
Appendix B. Audio Connections and Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
25-Pin Female Connector Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119
15-Pin Connector Pinouts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121
Tech Pubs Style Guidevi
Part I: Introduction
Chapter 1: Introduction to D-Command
Welcome to the D-Command™ worksurface for Digidesign®
ICON systems.
D-Command System Components
D-Command provides hands-on control of Pro Tools®, and
offers powerful options for customizing the Pro Tools mix
environment.
D-Command Features
The D-Command system provides controls for most Pro Tools
recording, editing and mixing tasks, and a versatile remote-controlled audio monitoring system.
Control Features
• Touch-sensitive, motorized 100mm faders
• Touch-sensitive, multi-purpose rotary controls
• Dedicated controls for assignment and activation of inputs,
outputs, inserts and sends
• Flexible display of pan, insert, send, plug-in and mic pre
controls
• Dedicated EQ and dynamics plug-in control sections
• Dedicated controls for all channel strip functions including
recording and input monitoring modes, mute, solo, and
channel select
• Dedicated controls for automation mode, enable and safe
status
• Custom Fader Mode for flexible channel and parameter
mapping
• Full transport and navigation controls, including location
commands and scrub/shuttle capability
Monitoring Features
• 6-channel control room monitoring system supports mono
through 5.1 surround monitoring, with up to 5 possible input sources and 3 selectable output paths
• 2-channel cue system with 4 separate outputs and selectable
talkback feed
• Built-in talkback microphone and external talkback mic
input
• Standalone mode for monitoring without Pro Tools
• External source metering
The following components are included in a D-Command
8-channel or 24-channel system:
Main Unit
• D-Command Main Unit
•AC power cord
•Ethernet cable
• Ethernet “crossover” cable (for direct connection to CPU
without a hub)
• Ethernet loopback plug (for Ethernet testing)
• 9/64-inch hex driver (for removing side panels)
• 5/32-inch hex driver (for connecting Main Unit and
Fader Module)
Fader Module
(Required for 24-Channel System)
• D-Command Fader Module unit
•AC power cord
•Ethernet cable
XMON Monitoring System
•XMON Interface
•AC power cord
•XMON cable
System Expansion Options
An additional 16-channel Fader Module can be added to
D-Command, for a total of 24 faders. For details on
D-Command expansion and customization options, visit the
Digidesign website (www.digidesign.com).
Chapter 1: Introduction to D-Command 3
Operational Requirements
Connection Requirements
Temperature and Ventilation
D-Command should be installed and operated in a climate-controlled environment, away from heat sources, and
with adequate ventilation. D-Command should be operated at
an ambient temperature that does not exceed 100 degrees F
(35 degrees C).
The back panel and the front half of the bottom panel of each
unit should be exposed to ambient air. Blocking or partially
blocking the back panel or bottom panel of a D-Command
unit may cause the unit to malfunction and may void your
warranty.
Water and Moisture
D-Command units should be operated away from sources of
moisture or humidity and should be protected from liquid
spills.
Cleaning and Maintenance
If you need to clean the D-Command top surface, apply a
non-chlorine bleach based cleaning solution to a cloth or
paper towel, then carefully wipe the surface. Do not use
abrasives, cleaning solutions with chlorine bleach, or spray
cleaners.
Power Connections
Each unit (D-Command Main Unit, Fader Module, and
XMON Monitor Interface) requires its own power connection.
Make sure your power source is correctly rated for the number
of units you are connecting. A surge protected power source
(not included) is highly recommended.
Ethernet Connections
Each D-Command unit communicates with Pro Tools using
Ethernet. A single Main Unit can be connected to the host
computer without an Ethernet hub. To connect multiple
D-Command units to the host computer, an Ethernet hub
(not included) is required.
Audio Connections
All external analog audio inputs and outputs for control room
monitoring and studio communication are connected to the
XMON interface. D-Command connects to the XMON interface with a single 15-pin cable (included). All analog inputs
and outputs on the XMON use DB-25 connectors.
Audio Cables for D-Command Monitoring
Digidesign offers a range of DigiSnake cabling options for connecting Digidesign interfaces and external sources to the
XMON monitoring system. For details, visit the Digidesign
website (www.digidesign.com).
System Requirements
D-Command requires the following system components:
• Pro Tools|HD® system (which includes at least one
Pro Tools|HD audio interface)
An expanded Pro Tools|HD system is required for higher track
counts.
For complete system requirements, visit the Digidesign
website (www.digidesign.com).
Compatibility Information
Digidesign can only assure compatibility and provide support
for hardware and software it has tested and approved.
For a list of Digidesign-qualified computers, operating systems, and third-party devices, visit the Digidesign website
(www.digidesign.com).
D-Command Guide4
Mechanical Specifications
29.25 in
(74.3 cm)
14.4 in
(36.6 cm)
0.5 in
(1.27 cm)
2.55 in
(6.48 cm)
2.68 in
(6.79 cm)
4.24 in
(10.78 cm)
10.23 in
(25.98 cm)
32.3 in
(82 cm)
29.25 in
(74.3 cm)
D-Command side dimensions
D-Command top dimensions (Main Unit)
Chapter 1: Introduction to D-Command 5
D-Command top dimensions (Main Unit and Fader Module)
55.6 in
(141.2 cm)
29.25 in
(74.3 cm)
D-Command Guide6
Chapter 2: D-Command Overview
Monitor Section
Global
controls
Custom Fader
controls
Window
Management
section
Session
Management
section
Soft Keys
section
Nudge/Bank
section
Zoom/Navigation
section
Miscellaneous
controls
Talkback Microphone
Main Time Scale display
Automation Mode
controls
Dynamics Section
EQ Section
Tra n sp or t
Section
Rotary Encoder
section
Meter
section
Channel Strip
Display controls
Channel
Channel Strip
Mode controls
Modifier
faders
keys
D-Command Main Unit
Main Unit Top Panel
Figure 1. D-Command Main Unit top panel
Chapter 2: D-Command Overview 7
Meter Display
Soft Keys Section
The Meter display on the D-Command Main Unit can be set to
show the output levels, or levels associated with a track or
plug-in. See “Meter and Time Code Displays (Main Unit)” on
page 93.
Main Time Scale Display and Location Indicator
The Main Time Scale display and Location indicator mirrors
the Main Time Scale in Pro Tools. See “Meter and Time Code
Displays (Main Unit)” on page 93.
Dynamics and EQ Sections
The D-Command Main Unit provides dedicated Dynamics
and EQ sections for plug-ins that support Dynamics and EQ
plug-in mapping. See “Plug-ins and D-Command” on page 49.
Monitor Section
The Monitor section on the D-Command Main Unit includes
a full set of controls for the control room, headphone/cue,
and talkback/listenback sections of D-Command. See “Monitor Section Controls” on page 85.
Zoom/Navigation Section
The Zoom/Navigate section on the D-Command Main Unit is
used to control navigation, display, and selections in the
Pro Tools Edit window. See “Zoom/Navigate Section” on
page 72.
The Soft Keys section on the D-Command Main Unit provides
access to a wide range of Pro Tools commands directly from
the control surface. It also provides access to preferences and
settings specific to D-Command. See “Soft Keys Section” on
page 75.
Transport Section
The Transport section on the D-Command Main Unit includes a full set of transport controls, switches for setting the
transport mode, scrub/shuttle controls, as well as advanced
audition and locate controls. See “Transport Section” on
page 67.
Global Controls
The Global controls are a set of channel-related controls in the
center of the D-Command Main Unit, allowing easy access to
powerful assignment, display, and channel function controls.
See “Global Controls Section” on page 38.
Custom Fader Controls
The Custom Fader mode switches on the D-Command Main
Unit invoke a special set of D-Command modes, called Custom
Fader modes, which let you set aside and customize channel
strips for display and editing of a variety of functions. See
“Custom Fader Controls” on page 42.
Automation Mode Controls
Nudge/Bank Section
The Nudge/Bank section on the D-Command Main Unit is
used to control the display of Pro Tools tracks on the control
surface. See “Nudge/Bank Section” on page 72.
Window Management and Session Management
Sections
The Window Management and Session Management sections
on the D-Command Main Unit include controls for opening
and closing Pro Tools windows, and managing and saving
Pro Tools sessions. See “Window Management Section” on
page 73 and “Session Management Section” on page 74.
The Automation Mode controls mirror the function of the
on-screen Automation Mode selector for each track, and let
you change automation modes during playback. See “Automation Mode Controls” on page 44.
D-Command Guide8
Main Unit Back Panel
Footswitch jack
Ethernet connector
XMON Monitoring System
connector
AC Power
Power switch
Figure 2. D-Command Main Unit back panel connectors
AC Power
The AC Power connector accepts a standard AC power cable.
The D-Command Main Unit is auto power-selecting (100V to
240V) and automatically works with a standard modular
power cord when connected to an AC receptacle in any
country.
Power Switch
The Power switch applies power to the D-Command Main
Unit.
Footswitch Jack
The footswitch jack on the back panel of the D-Command
Main Unit is a 1/4-inch TRS jack that supports two footswitch
connections. See “Footswitch Connections” on page 18.
Ethernet Connector
The Ethernet connector on the back panel of the D-Command
Main Unit provides communication to Pro Tools. See “Ethernet Connections” on page 17.
XMON Monitoring System Connector
The 15-pin connector on the back panel of the D-Command
Main Unit provides remote control of all audio monitoring
functions from the D-Command Monitoring section. See
“XMON Monitoring System Connection” on page 19.
Chapter 2: D-Command Overview 9
D-Command Fader Module
Channel Strip
Rotary Encoder
section
Meter
section
Channel Strip
Mode controls
Channel faders
Channel Strip
Function controls
Modifier keys
Fader Module Top Panel
Figure 3. D-Command Fader Module top panel
Meter Section
The Meter section on the D-Command Fader Module can display track levels, plug-in meters, and other parameters depending on D-Command metering preferences.
Channel Strip
Each channel strip on the D-Command Fader Module has
identical channel controls, including two touch-sensitive rotary encoders, display and mode controls, and a touch-sensitive fader. See “Channel Strips” on page 31.
Modifier Keys
Each D-Command Fader Module has a set of four switches in
its lower left corner that duplicate the function of the
Pro Tools computer keyboard modifiers. See “Modifier Key
Switches” on page 37.
D-Command Guide10
Fader Module Back Panel
AC Power
The AC Power connector accepts a standard AC power cable.
The D-Command Fader Module is auto power-selecting (100V
to 240V) and automatically works with a standard modular
power cord when connected to an AC receptacle in any
country.
Power Switch
The Power switch applies power to the Fader Module.
Ethernet Connector
The Ethernet connector on the back panel of the D-Command
Fader Module provides communication to Pro Tools. See
“Ethernet Connections” on page 17.
D-Command XMON Interface
Power
switch
MIDI Receive
indicator
Mute
indicator
Mute button
D-Command monitoring is based on the XMON analog interface, which is remotely controlled from the D-Command
monitoring section.
XMON Front Panel
Figure 4. XMON front panel
Power Switch
The Power switch applies power to the XMON Interface.
Mute Indicator
The Mute indicator shows the mute status of XMON.
MIDI Receive Indicator
The MIDI Receive indicator shows MIDI activity between
XMON and D-Command.
Mute Button
The Mute button mutes all XMON outputs. It is not possible
to unmute XMON with this button. The XMON mute state
can only be cleared from the D-Command Monitor section
(see “Monitor Section Controls” on page 85).
Chapter 2: D-Command Overview 11
XMON Back Panel
Cue Inputs
Cue Outputs
Main Inputs Surround Inputs Stereo Inputs
Main Outputs Alt Outputs Talkback/ Meter Calibration Control Surface AC Power
Listenback/
Utility
Screws
The back panel of the XMON interface includes connectors for all external analog audio inputs and outputs for D-Command. See
“Audio Connections” on page 19.
Figure 5. XMON back panel
D-Command Guide12
Part II: Installation
Chapter 3: Setting Up the Fader Module
Front bracket Center bracket Rear bracket
Front bracket Center bracket Rear bracket
10-32 x 3/4-inch
socket cap screw
6-32 x 3/8-inch
Philips pan head screw
This chapter explains how to add the Fader Module to the
D-Command Main Unit.
Placement of D-Command Fader Module
When placing the D-Command Fader Module in studio furniture or on a table top, make sure to account for the dimensions of the assembled system, allowing for at least 1 inch
(2.5 cm) of open space behind the finished unit. This meets
the ventilation requirements for the D-Command units.
When bracketing together your system, you will need additional clearance on either side of the unit to push the Fader
Module and the Main Unit together, as well as sufficient clearance in front and behind the units to allow you to attach the
brackets. You will also need access to the rear of the unit to
make cable connections.
The Fader Module is designed to be attached to the left of the
D-Command Main Unit.
Assembling an Expanded System
The D-Command Main Unit can be attached to the D-Command Fader Module, using the front, middle, and rear brackets included with the D-Command Fader Module.
Assembly Hardware
The following hardware is provided with the D-Command
Fader Module (spare pieces may be included).
Brackets
• Front Bracket
• Center Bracket
• Rear Bracket
Figure 2. D-Command expanded system connecting brackets
Screws
• (10) 10-32 x 3/4-inch socket cap screw
• (4) 6-32 x 3/8-inch Philips pan head screw
Figure 1. D-Command with Fade Module (bottom view)
Figure 3. Screws for D-Command connecting brackets
Chapter 3: Setting Up the Fader Module 15
Attaching the Units
Remove screws
D-Command
Fader Module
To attach the D-Command Fader Module to the Main Unit:
1 Remove the plastic end cap from the left end of the Main
Unit.
2 Place the Fader Module to the left of the Main Unit, and
press the D-Command units together.
3 Slide both units forward far enough to have complete access
to the front bracket screw holes.
4 Attach the front bracket, using four 10-32 3/4-inch socket
cap screws.
When bracketing together a D-Command system, leave all
sc rews on the Fade r Module loose e no ugh to allow you to adjust the position of the units relative to each other. After all
three brackets are installed, and the units are pressed fully
together, you will fully tighten the Fader Module screws.
5 Slide the connected units backwards far enough to have
complete access to the rear screws.
6 Remove the four Philips head screws indicated in Figure 4.
Figure 4. Rear view of D-Command and Fader Module
7 Attach the rear bracket, using four 10-32 3/4-inch socket cap
screws and four 6-32 x 3/8-inch Philips pan head screws.
8 Carefully slide the connected units forwards far enough to
have complete access to the center bracket screw holes.
9 Attach the center bracket, using two 10-32 3/4-inch socket
cap screws.
10 Press the D-Command units together. If necessary, use a
ratcheting nylon strap to press the units together by running
the strap around the two units. Make sure the nylon strap does
not contact any switches or encoders on the surface.
11 Tighten the bracket screws on the Fader Module.
12 Attach the plastic end cap to the Fader Module.
D-Command Guide16
Chapter 4: Connecting D-Command
Footswitch jack
Ethernet connector
XMON Monitoring System connector
D-Command Connections
D-Command units require power and Ethernet connections to operate with Pro Tools. An optional footswitch connection is also
available on the Main Unit. The connectors on the back panel of the D-Command Main Unit are shown in Figure 5.
Be sure to make all connections with your D-Command units and computer turned off.
Figure 5. D-Command Main Unit back panel connectors
Power Connections
Each D-Command unit (Main Unit and Fader Module) and
the XMON Monitor Interface requires its own power connection. D-Command Main Units, Fader Modules, and XMON Interfaces are auto power-selecting (100V to 240V) and automatically work with a standard modular power cord when
connected to an AC receptacle in any country. A power cable
is provided with each D-Command unit and the XMON
interface.
To make D-Command power connections:
For each D-Command unit and the XMON Interface, con-
nect the included AC power cord the unit and to a power
source.
Ethernet Connections
Each D-Command unit communicates with Pro Tools using
Ethernet. An Ethernet cable is included with each D-Command unit.
If you are connecting only one D-Command unit to your computer:
1 Connect one end of the supplied Ethernet cable to the
Ethernet port on the back panel of D-Command.
2 Connect the other end of the cable to the appropriate Ether-
net port on the computer.
If you are connecting more than one D-Command unit to your
computer:
1 Install an Ethernet hub (not included) according to its in-
structions, apply power to it, and verify that it is functioning
properly.
2 Connect the Ethernet hub to the Ethernet port on your
computer.
3 For each D-Command unit, connect one end of the supplied
Ethernet cable to a port on the Ethernet hub (do not use any
port labeled for LAN connection), and connect the other end
of the Ethernet cable to the Ethernet port on the back of the
unit.
Chapter 4: Connecting D-Command 17
Using D-Command on an Ethernet Network
You can purchase a combined 10/100-BaseT Ethernet hub that
can simultaneously support D-Command over 10-BaseT and
other network traffic over 100-BaseT. This will let you use
D-Command over a local area network.
Moderate network traffic (such as e-mail) should not affect
communication between D-Command and the computer. If
your network experiences heavy traffic, you may want to create a dedicated Ethernet network for D-Command.
Controlling Pro Tools Systems Over a Network
When D-Command is connected to an Ethernet network, it
will be available to be declared by any Pro Tools system on
that network. This lets you control different Pro Tools systems
on the network with a single D-Command console. (You can
only control one Pro Tools system at a time.)
Footswitch Connections
You can connect two SPST (single-pole, single-throw) footswitch units to the D-Command Main Unit to control any of
the following functions:
• Starting and stopping Pro Tools playback
• Starting Pro Tools recording
• Toggling Talkback on and off
The footswitch connector is a single 1/4-inch TRS jack on the
back panel of the D-Command Main Unit.
To wire a TRS connector for the D-Command footswitch jack:
Use the following wiring convention: Tip = Footswitch 1,
Ring = Footswitch 2, Sleeve = Ground.
D-Command Guide18
Audio Connections
Cue Inputs
Cue Outputs
Main Inputs Surround Inputs Stereo Inputs
Main Outputs Alt Outputs Talkback/ Meter Calibration Control Surface AC Power
Listenback/
Utility
Screws
D-Command monitoring is based on the XMON analog interface, which is remotely controlled from the D-Command monitoring section. All external analog audio inputs and outputs for control room monitoring and studio communication are connected
to the XMON interface.
XMON provides 18V phantom for its three external mic inputs (External Talkback Mic, Listen Mic 1, Listen Mic 2).
All audio connections are made with standard DB-25 connectors. The back panel of the XMON is shown in Figure 6.
Figure 6. XMON back panel
XMON Monitoring System Connection
D-Command connects to XMON with a single 15-pin XMON cable. A 50-foot (15.25 m) cable is included with the D-Command
Main Unit. The system supports up to an 80-foot (24.5 m) cable.
To connect the XMON to D-Command:
1 Connect the included AC power cord to the back panel of the XMON and to a power source. A surge protected power source
is highly recommended.
2 Connect one end of the included XMON cable to the Control Surface port on your XMON unit, and the other end to the 15-pin
XMON Monitoring System connector on the back panel of the D-Command Unit.
Chapter 4: Connecting D-Command 19
Control Room Monitoring Connections
AFL/PFL
Input
(2 channels)
Main
Input
(6 channels)
Surround
Input
(6 channels)
Stereo 1
Input
(2 channels)
Stereo 2
Input
(2 channels)
Stereo 3
Input
(2 channels)
Listen
Mic 1
Listen
Mic 2
Level
Level
Input
Source
Select
AFL/PFL
Level
Pro Tools
Solo
Command
Mono
Summing
Level, Dim,
Solo, Mute,
Trim + Cal
Control Room
Output Select
Main Output
(6 channels)
Alt Output
(6 channels)
Mini Output
(2 channels)
[To Cue System]
Figure 7. Control room monitoring system block diagram
Inputs
Outputs
• Main Inputs (6 channels), balanced, +4 dBu (from Pro Tools)
• Surround Inputs (6 channels), balanced, +4 dBu
• Stereo 1 Inputs (2 channels), balanced, +4 dBu/–10dBV
• Stereo 2 Inputs (2 channels), balanced, +4 dBu/–10dBV
• Stereo 3 Inputs (2 channels), balanced, +4 dBu/–10dBV
• AFL/PFL Inputs (2 channels), balanced, +4 dBu
• Listen Mic 1 (external), mic level (XMON provides 18V phantom power)
• Listen Mic 2 (external), mic level (XMON provides 18V phantom power)
• Main Control Room Outputs (6 channels), balanced or unbalanced, +4 dBu
• Alt Control Room Outputs (6 channels), balanced or unbalanced, +4 dBu
• Mini Control Room Outputs (2 channels), balanced or unbalanced, +4 dBu
D-Command Guide20
Headphone/Cue System Connections
Main Monitor
Input
Cue 1
Input
(2 channels)
Cue 2
Input
(2 channels)
Internal
Talkback
Input
External
Talkback
Input
Talkback
switch Talkback
Assign
Internal
Talkback
Level
External
Talkback
Level
Talkback/Slate Out
(1 channel)
Cue 1 Out
(2 channels)
Cue 2 Out
(2 channels)
HP Out
(2 channels)
Studio LS
(2 channels)
(2 channels)
[from Control Room System]
Figure 8. Headphone/Cue system block diagram
Inputs
• Main Monitor Input (2 channels)
• Cue 1 Input (2 channels), balanced, +4 dBu
• Cue 2 Input (2 channels), balanced, +4 dBu
• Internal Talkback Mic (from internal mic)
• External Talkback Mic, mic level (XMON provides 18V phantom power)
Outputs
• Cue 1 (2 channels), +4 dBu
• Cue 2 (2 channels), +4 dBu
• Headphone (2 channels), to internal headphone jack
• Studio Loudspeaker (2 channels)
• Talkback/Slate Output (1 channel)
Chapter 4: Connecting D-Command 21
Analog Outputs 1-8
Analog Outputs 9-16
Cue Inputs Main Inputs
Main OutputsCue Outputs Talkback/ListenbackAlt Outputs
Analog Outputs 1-8
1-2: Studio
3-4: Cue 1
5-6: Cue 2
1 = L
2 = (Lc*)
3 = C
4 = (Rc*)
5 = R
6 = Ls
7 = Rs
8 = LFE
1 = L
2 = (Lc*)
3 = C
4 = (Rc*)
5 = R
6 = Ls
7 = Rs
8 = LFE
1 = Ext Talkback Mic Input
2 = Listen Mic 1 Input
3 = Listen Mic 2 Input
4 = AFL Input 1
5 = AFL Input 2
6 = Mini Speaker Out 1 (L)
7 = Mini Speaker Out 2 (R)
8 = Talkback/Slate (Out)
To
Cue System
Amplifiers
To
Main
Speakers
To
Alternate
Speakers
To
Various
Inputs
and
Outputs
DB-25 to DB-25
connectors
DB-25 to XLR
snakes
192 I/O
XMON
* Main Speaker Outputs 2 and 4 are active on XMON, but Lc and Rc outputs cannot be controlled independently from the
D-Command monitor section. Global Volume, Solo, and Mute controls affect all outputs.
Example XMON Wiring Diagram
The following diagram shows basic XMON connections for a Pro Tools|HD system with a Digidesign 192 I/O with 16 analog outputs (with a 192 AD card installed).
Figure 9. Wiring diagram for 192 I/O and XMON
D-Command Guide22
Chapter 5: Configuring D-Command
Starting Up and Shutting Down the System
Your D-Command-based system must be started up and shut
down in a specific order.
Start your D-Command-based system in this order:
1 Turn on external hard drives first. Wait 10 to 15 seconds for
them to come up to speed.
2 Turn on the D-Command units.
3 If you plan to work with MIDI equipment, turn on MIDI in-
terfaces and other MIDI devices.
4 Turn on all Pro Tools audio interfaces.
5 Turn on the computer.
6 Turn on the XMON interface.
7 Turn on monitor amplifiers or self-powered speakers.
Shut down your D-Command-based system in this order:
1 Turn off monitor amplifiers or self-powered speakers.
2 Turn off the XMON interface.
Software Configuration
All D-Command software is included when Pro Tools software
is installed. The Pro Tools software installer places the D-Command Personality folder on the system drive.
Refer to the Getting Started Guide that came with your system
for instructions on installing or updating Pro Tools software.
Updating System Firmware
Each release of Pro Tools software includes the most current
D-Command firmware. When you declare a D-Command unit
in the Pro Tools Peripherals dialog, Pro Tools compares the
firmware of all connected units to the version available in
Pro Tools software, and prompts you if an update is available.
If you are prompted to update firmware, follow the on-screen
instructions to load the latest firmware to each D-Command
unit.
Declaring D-Command Units in Pro Tools
Communication between D-Command and Pro Tools is configured from Pro Tools.
3 Turn off all Pro Tools audio interfaces.
4 Shut down the computer.
5 If using MIDI equipment, turn off MIDI interfaces or con-
trollers.
6 Turn off the D-Command units.
7 Turn off external hard drives.
To declare D-Command units in Pro Tools:
1 Choose Setups > Peripherals, and click Ethernet Controllers.
Ethernet Controllers display in the Peripherals dialog
2 Select Enable. Pro Tools scans the Ethernet connection for
any Ethernet controllers connected to the system.
Chapter 5: Configuring D-Command 23
3 Select the units in the order you want them arranged left to
right.
Setting D-Command Preferences
It is not necessary to declare units in the same sequence
as they are physically arranged.
As each unit is selected, Pro Tools scans it and brings it online.
The current status of each unit is indicated in the Peripherals
dialog in the following ways:
• Bold indicates a connected unit.
• Italics indicate an offline or disconnected unit.
• Underlining indicates that the selected unit is in use by
another Pro Tools system.
4 After declaring one or both units, click OK to close the Pe-
ripherals window.
When communication is established, Pro Tools displays colored outlines identifying each bank of Pro Tools tracks.
The colors in each unit row are used to identify controller focus on-screen in Pro Tools. The bank, track, insert, send, or
other element currently the focus of D-Command is outlined
in the color associated with each unit.
Naming D-Command Units in Pro Tools
You can set the names for D-Command units from Pro Tools.
To name D-Command units in Pro Tools:
1 Choose Setup > Peripherals, and click Ethernet Controllers.
2 Click Name Units.
This section describes the settings and preferences for D-Command that are set directly from the control surface. For details
on preferences that are set from Pro Tools, refer to the
Pro Tools Reference Guide.
Fader and Switch Preferences
The following settings and preferences affect operation of the
faders and switches on D-Command.
Fader Bank Justification
The Bank Justification preference determines whether banks
of channels in Normal mode are left-, center-, or right-justified
on the control surface.
To set bank justification:
1 In the Console Prefs Soft Keys section, press the Operation
switch repeatedly to display the page that includes the Bank
Justification preference (“BnkJus”).
2 Press the Soft Key that corresponds to “BnkJus” to choose
between the “Left,” “CentrL,” “CentrR,” and “Right” settings.
3 Hold Control (Windows) or Command (Mac) and press the
Operation switch to exit.
Faders On/Off
The Faders On/Off preference lets you temporarily turn off
D-Command faders to prevent fader movement when monitoring a mix.
Naming D-Command units
3 Enter the names for the units and click OK.
You can also set the names for D-Command Main Units and
Fader Modules directly from the units themselves, by using
Utility mode. For details on naming D-Command units in
Utility mode, see “D-Command Name Page” on page 112.
D-Command Guide24
To toggle D-Command faders on and off:
1 In the Console Prefs Soft Keys section, press the Operation
switch repeatedly to display the page that includes the Faders
On/Off preference (“Faders”).
2 Press the Soft Key that corresponds to “Faders” to toggle all
faders on and off.
3 Hold Control (Windows) or Command (Mac) and press the
Operation switch to exit.
Loading...