Avantic DL-735 Owners manual

INTRODUCTION

The DL7-35 amplifier is capable of the highest standard of reproduction expected of only the very best high fidelity
amplifiers. In addition, it has a number of unusual features which make it extremely versatile. Above all, it us built
to last and to give trouble-free service.In the following pages we have set out as clearly and as cogently as
possible all the relevant facts concerning the amplifier.

TECHNICAL DESCRIPTION

The DL7-35 amplifier was designed to provide the most realistic sound reproduction in the home. To this end,
every possible refinement of circuit detail has been incorporated. The considerations underlying the design of a
high fidelity amplifier and the methods by which the required high standard of performance has be en achieved in
the DL7-35 amplifier are described in this section.

POWER AMPLIFIER

From the point of view of power output an audio amplifier must be able to cope with the dynamic range of a full
symphony orchestra. In the concert hall, this reaches a maximum of about 70db. However, for the purposes of
broadcasting or recording this is generally compressed to 60db or less. In terms of power this represents a ratio of
one million to one. If we accept that 0.05mW of electrical power into a high sensitivity loudspeaker represents the
threshold of audibility in a quiet living room, the required maximum output becomes 50 watts. Fortunately,
maximum output occurs for only fractions of a second and the power required under these conditions is known as
the instantaneous peak power and this is generally 1.5 times the continuous power output.

There is another aspect to be examined. To provide an agreed standard of measurement, all amplifiers are tested
with a pure sine wave input signal. This never occurs in speech or music except, remotely, in the case of the flute.
From the point of view of power handling capacity a pure sine wave is one of the most difficult waveforms for an
amplifier to reproduce and invariably gives an inferior result. It can, therefore, be taken that an amplifier rated at
30 watts continuous sine wave output will give an instantaneous peak output of speech and music of at least
double this figure.

Power output of course means nothing unless distortion is taken into account. Modern standards for high fidelity
reproducers demand a harmonic distortion content of not greater than 0.1 per cent and an intermodulation
distortion level of not greater than 1 per cent.

The next consideration is frequency response. The fundamental frequency range of a symphony orchestra is from
about 35 c/s (the lowest note of a harp) to about 5,000 c/s (the highest note of a piccolo). The piano ranges from

25.5 to 4,186 c/s, but the instrument of widest range is the concert organ, 16 to 8,000 c/s. However, this is not the
whole picture. All instruments produce harmonics and it is the number and strength of the se that produces the
characteristic sound of each instrument. Without these it would be impossible to distinguish, say, an oboe from a
violin. In order to reproduce the harmonics, the response of an amplifier must extend to about 16,000 c/s.

Furthermore, the response must be linear. In other words, the relative intensity of sounds of different frequencies
must be the same at the output of the amplifier as at the input. Any deviation introduces colouration of the original.
A frequency response of this magnitude brings difficulties in its wake. Great care has to be taken with hum and
noise. For high fidelity reproduction, these must be at least 60db belo w maximum output.

Finally, there is transient response. Transients are sound waves produced by percussion instruments including
plucked strings. The waveform is of a special character very rich in harmonics and the waves are of short duration
giving a shock effect to the loudspeaker. The effect of this is to cause the loudspeaker cone to continue oscillating
after the transient wave has passed. To eliminate this effect the loudspeaker must be heavily damped. This can
be done by causing the internal resistance of the amplifier to be very much lower than the loudspeaker
impedance. This is known as damping and the damping factor is a measure of the transient response of an
amplifier.

SUMMARY OF PERFORMANCE:

Power output:

20 watts at less than 0.05% total distortion
27 watts at 0.1% total distortion
Instantaneous peak power output: 45/60 watts.
Intermodulation distortion measured with a carrier frequency of 10K c/s and a modulating frequency of 40 c/s in
the ratio of 1:4:- 0.7% at 20 watts output, 1% at 29 watts output.

Frequency response:
+/- 0db from 5 c/s to 30 K c/s; +/- 1db from 2 c/s to 100 k c/s
(Reference level 1 k c/s)

Hum and noise: -89db relative to 20 watts output with 10k ohms source resistance
Input/output voltage characteristic: linear to 35 watts output.
Damping factor: 50 - equivalent to an internal resistance of 0.3 ohms with a loudspeaker impedance of 15 ohms
Sensitivity:

220mV for 20 watts output
240mV for 25 watts output
270mV for 30 watts output
Output impedance: 4 ohms, 8 ohms and 16 ohms may be selected by a switch which automatically adjusts the
negative feedback to the output impedance.

CIRCUIT DESCRIPTION

To achieve these objectives, the Mullard EL34 valve is used in the DL7-35 amplifier. This is a pentode output
valve capable of a dissipation of 25 watts. A pair of these are used in the output stage under distributed load
conditions. Sometimes known as "ultra linear" working, this type of circuit produces the highest output at the
lowest possible distortion under conditions of the highest efficiency. Driving these valves is a Mullard ECC83
double triode used as a cathode coupled phase splitter. The first stage of the amplifier is a Mullard EF86 low­noise pentode, d.c. coupled to the phase splitter stage to reduce the overall phase shift to a minimum. High
stability resistors are used in the input stage in the interests of low noise. Overall feedback of 30 db is used.

External services provided by the octal socket on the amplifier chassis are as follo ws:

Pins 1 and 8 For switching mains externally
Pins 2 and 3 6.3V. A supply (heaters)
Pin 4 410V. DC Decoupled B Supply (H.T.)
Pin 5 440V. DC B supply (H.T.)
Pins 6 and 7 6.3V., 2.5A, A supply (heaters)
The two, two-pin sockets are mains outlets.

INSTALLATION

A unique method of ventilation (patent pending) is used on the DL7-35 amplifier. However, this can only operate
satisfactorily if adequate room is allowed for the air to circulate around it. When mounting the amplifier in a
cabinet, make sure that cold air can enter the cabinet and hot air escape from it.

OPERATING INSTRUCTIONS

1. Adjust Mains Voltage Selector to correct line voltage. Make sure that the amplifier is set for the correct voltage

range. This can be ascertained by examining the underside of the power amplifier. Through one of the apertures
will be seen a coloured plug. According to the colour of this plug, the appropriate voltage can be selected.

2. Connect loudspeaker unit to appropriate terminals and adjust impedance matching to suit by switch provided.

3. Connect ancillary equipment to the appropriate sockets at the rear of the preamplifier taking care to select

those that give the appropriate sensitivity.

4. Connect DL7-35 unit to mains (or Line Socket) and switch on with Volume Control Knob.

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