Australian Monitor Zone Mix 3 User Manual

Page 1
Australian Monitor
INSTALLATION SERIES
Clever Features, Contractor Friendly
ZoneMix3
3 Zone Stereo Mixer/Matrix
PAGEMIC
TREBLEBASSGAIN
MIC/LINE 1 MIC/LINE 2
TREBLE TREBLEBASS BASSGAIN GAIN
PROGTRIM
PROG 1 PROG 2
Installation
Operation
Manual
ZONE 1 ZONE 2
300Hz 300Hz 300Hz
100Hz 100Hz 100Hz
PROG 3
PROG 4
Remote Remote Remote
Status Status Status
3 3 3
2 2 2
1 1 1
1 1 12 2 2
MIC/LINE MIC/LINE MIC/LINE
3kHz 3kHz 3kHz
10kHz 10kHz 10kHz
1kHz 1kHz 1kHz
5 5 5
5 5 5
2 2 2
6 6 6
4 4 4
4 4 4
3 3 3
7 7 7
8 8 8
2 2 2
9 9 9
1 1 1
0 0 0
10 10 10
0 0 0
LEVEL LEVEL LEVELLEVEL LEVEL LEVEL
3 3 3
6 6 6
1 1 1
7 7 7
4 4 4
Off Off Off
8 8 8
9 9 9
10 10 10
SELECT SELECT SELECT
PROGRAM PROGRAM PROGRAM
ZONE 3
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INSTALLATION SERIES
POWER
ZoneMix3
Page 2
AUS, EUR, USA Copyright 9th Mar 2004 Rev A: 9th Mar 2004
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
Internal Revision Info Rev 1 10/12/03 Rev 2 05/02/04 Rev 3 09/03/04
This symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
This symbol is intended to alert the user to the presence of important operation and main­tenance (servicing) instructions in the literature accompanying the appliance.
WARNING !
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK. DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE.
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Caution:
To prevent electric shock do not use this (polarized) plug with an extension cord, receptacle or other outlet unless the blades can be fully inserted to prevent blade ex­posure.
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
Page 3
CONTENTS
Page
1. Introduction 4
2. Front Panel 5
3. Back Panel 7
4. Functional Notes 9
5. Internal Adjustments 10
6. Installation 13
7. SetUp (Step by Step) 15
8. ZM3M - Paging Station 16
9. ZM3R - Remote Control Panel 18
10. Dimensions 21
11. Block Diagram 22
12. Specifications 23
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1. INTRODUCTION
The Australian Monitor Zone Mix 3 is an extremely versatile & innovative mixer & signal router. Featuring a broadcast quality audio spec, the Zone Mix 3 allows selection of 4 stereo sources to 3 stereo zones either at the ZoneMix3 or remotely. One stereo source can have selectable priority per zone & each stereo zone boasts 5 stage equalization. The Zone Mix 3 also has the ability to route two independent mic or line signals to any zone or combination of zones. Add to this remote volume controls in each zone & the ZM3M 3 zone paging microphone (both running via inexpensive CAT5 cabling) and you have an extremely high quality Zone selecting mixer at a fraction of the cost of other products in this market.
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2. FRONT PANEL
PAGEMIC
TREBLEBASSGAIN
MIC/LINE 1 MIC/LINE 2
TREBLE TREBLEBASS BASSGAIN GAIN
PROGTRIM
PROG 1 PROG 2
5
ZONE 1 ZONE 2
300Hz 300Hz 300Hz
100Hz 100Hz 100Hz
PROG 3
PROG 4
Remote Remote Remote
Status Status Status
3 3 3
2 2 2
1 1 1
1 1 12 2 2
MIC/LINE MIC/LINE MIC/LINE
3kHz 3kHz 3kHz
10kHz 10kHz 10kHz
1kHz 1kHz 1kHz
5 5 5
5 5 5
2 2 2
6 6 6
4 4 4
4 4 4
3 3 3
7 7 7
8 8 8
2 2 2
9 9 9
1 1 1
10 10 10
0 0 0
0 0 0 LEVEL LEVEL LEVELLEVEL LEVEL LEVEL
3 3 3
6 6 6
1 1 1
7 7 7
4 4 4
Off Off Off
8 8 8
9 9 9
10 10 10
SELECT SELECT SELECT
PROGRAM PROGRAM PROGRAM
1 2
PAGE MIC
TREBLEBASSGAIN
PROG 1 PROG 2
MIC/LINE 1 MIC/LINE 2
TREBLE TREBLEBASS BASSGAIN GAIN
3
4
ZONE 2
300Hz
100Hz
1kHz
3kHz
PROG TRIM
PROG 3
10kHz
PROG 4
ZONE 3
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INSTALLATION SERIES
POWER
ZoneMix3
9
6
Remote
12
7a
Status
MIC/LINE
5
6
4
3
7
2
1
8
9
10
0
LEVEL LEVEL
7b
5
6
4
3
7
2
1
8
9
0
10
PROGRAM
8a
Off
2
1
SELECT
8b
3
4
INPUT CONTROL SECTION
Note that there are security panels covering the input section and zone EQ section when first removed from the box. These should be used to prevent incidental tampering.
1. PAGING MIC CONTROL Gain
This controls the gain of the optional Paging Station microphone. See Paging Station on page 16 for more information on the Paging Station and its use.
Bass
There is +/-12dB of cut and boost at 100Hz. This eq is shelving type.
Treble
There is +/-10dB of cut and boost at 10kHz. This eq is shelving type.
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2. PROG TRIM
These four pots control the input trim of the corresponding program inputs. There is no gain from these pots.
3. MIC/LINE CONTROLS
There are two Mic/Line inputs. The following controls are duplicated for each input.
Gain
This controls the gain of the Mic (on the XLR) or Line (on the RCA) input.
Bass
There is +/-12dB of cut and boost at 100Hz. This eq is shelving type.
Treble
There is +/-10dB of cut and boost at 10kHz. This eq is shelving type.
ZONE OUTPUT SECTION
4. EQ
The zone eq is 5 band with frequency centres at 100Hz, 300Hz, 1kHz, 3kHz and 10kHz. There is +/- 9dB of cut and boost. The eq is internally defeatable, see Internal Adjustments on page 10.
5. STATUS
This LED gives an indication of OUTPUT signal . It glows green at -30dB and red at 0dBV (1V). This is meant
indicate clip within the ZoneMix3. When used with Australian Monitor Synergy
than
to indicate clip within the system (ie when the amplifier is clipping) rather
amplifiers, both LEDS on the ZoneMix3 and the Synergy amplifier will go red simultaneous indicating system clip (with pot at full on amplifier).
6. REMOTE
This LED indicates that the zone is in remote control mode. The program select and volume on the front panel are disabled and are now controlled by the optional remote control panel ZM3R, see Remote Control Panel on page 18.
7. MIC/LINE Control
7a.SELECT
These two push button switches are used to select either or both of the two MIC/LINE inputs to this zone.
7b.LEVEL
This pot controls the mixed level of the two MIC/LINE inputs in this zone.
8. PROGRAM Control
8a.SELECT
This rotary 5 way switch is used to select which program input is selected to this zone.
8b.LEVEL
This controls the level of the program in this zone.
9. POWER Led
This LED indicates there is power to the unit.
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3. BACK PANEL
9
EARTH
ACPOWER
LINK
10
LEFT RIGHT
ZONE 3
REMOTE
ENABLE
LEFT RIGHT
5
ZONE 2
REMOTE
ENABLE
LEFT RIGHT
ZONE 1
REMOTE
ENABLE
LINE 4
4
PROGRAM SOURCE
LINE 3
LINE 2 LINE 1
3
MIC/LINE 2
MIC2 MIC1
MIC/LINE 1
LINE2 LINE1
6 78
PIN 2
HOT
+
PIN 3
COLD
-
FEMALE XLR
PIN 1 GND
PIN 1 GND
MALE XLR
1. SUM INPUT
This RCA line level input is an all zone priority input. See Functional Notes on page 9. The volume control is presetinternally and can be adjusted. See Internal Adjustments on page
10. It can be used to receive an emergency evacuation tone or similar signal.
2. PAGE INPUT
This RJ45 connector accepts a CAT5 cable from the optional ZM3M Paging Station. See Paging Station on page 16 for more details.
PIN 2
HOT
+
PIN 3
COLD
-
1
SUM IN
PAGEMIC
2
NOTE: These are Ethernet connections.NOT
3. MIC/LINE INPUTS
There are two MIC/LINE inputs. The balanced XLR inputs accepts mic level signals. The dual RCA inputs accept line level inputs and are summed to mono internally. Gain and EQ are controlled from the front panel.
These inputs supply 15V phantom power, unless internally disabled. See Internal Adjustments on page 10.
These inputs may have priority over program inputs, if this feature is enabled. See Internal Adjustments on page 10 and Functional Notes on page 9.
4. PROG INPUTS
There are four program inputs. These are stereo RCA line level inputs. Trim is controlled from the front panel. LINE4 is a priority input, if this feature is enabled. See Internal Adjustments on page 10 and Functional Notes on page 9
5. ZONE OUTPUTS
The zone outputs are configured as stereo left and right as default but can be internally changed to mono.
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6. REMOTE PORT
This CAT5 socket is used to connect the optional ZM3R remote control panel for each zone. See Installation Section on page 13 and Remote Control Panel Section on page 18.
7. REMOTE ENABLE
This button puts the zone into remote mode and must be pressed in when using the remote control panel ZM3R. When pressed, the front panel program controls (SELECT and LEVEL) will be disable. Control is handed over to the remote control panel. If no remote control panel is connected, the program inputs will be off.
8. LINK
This 15 pin high density connector is used to connect two ZoneMix3 units together. When connected together the program sources and the mic/line inputs are linked to the slave unit. The unit needs to be internally configured as master or slave. This is done by moving the link cable. See Internal Adjustments on page 10.
9. EARTH
In some circumstances it may be necessary to ground the unit to eliminate noise in the system. This can be done by using this earth stud.
NOTE: This stud provides a connection to chassis ground. Audio ground is internally
tied to chassis ground.
10. AC POWER
This 2.1mm connector accepts power from the provided 20VAC power supply.
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4. FUNCTIONALNOTES
There are many features hidden in this product that greatly enhance its value. However, it’s important to understand how these features work inorder to get thebest out ofthe product.
PRIORITY INPUTS Sum in
Signal on this input will mute program in ALL zones. Level is preset internally and can be adjusted. See Internal Adjustments on page 10. This input can be used to receivean emergency evacuation tone or similar signal.
Page mic
If the optional ZM3M Paging Station is connected to the system, paging signals will mute program in the zones selected on the ZM3M only.
Mic/Line 1,2
These inputs are set up to mute program. This will only occur if the input is selected into the zone on the front panel. Priority can be disabled for each input, on a per-zone basis (See Internal Adjustments on page 10). If disabled these inputs are mixed with the program sources into the zone outputs, as selected on the front panel. For example, if Zone 2 is a Bistro and a microphone in the servery is connected to MIC/LINE 1 input and selected in Zone 2, the program would duck in this zone ( default) selected in Zone 3, MIC2 priority should be disabled in Zone 3 so that the microphone will mix with the program source .
Release time
All of the above priority inputs (Sum, Page, Mic/Line) share a common priority level. The release time (for program to come back up) may be selected on a per-zone basis. See Internal Adjustments on page 10.
Prog 4
In venues with a Juke box, the Jukebox should over-ride (mute) any other background music sources that are selected. The LINE4 input is used for this. With this feature enabled, when signal appears on LINE4 it will automatically be selected even if not selected on the front panel or remote control panel. PROG4 priority may be enabled on aper-zone basis. See Internal Adjustments on page 10. It is undesirable to cut back to other BGM between tracks, so a separate release time adjustment is available for PROG4, with a range of 1-25 seconds (common to all zones). See Internal Adjustments on page 10.
. However if Zone 3 is a bar and a karioke microphone is connected to MIC/LINE 2 input and
MIC1 priority is enabled in Zone 2 by
LINKING
If 3 zones is not enough, two ZM3s can be connected together using a single cable in a Master-Slave configuration and enabling this feature. See Internal Adjustments on page 10. The Master unit will accept all the input sources (both Mic/Line inputs and program inputs), and these will be passed to the Slave unit. Input gain or trim controls on the master unit are used (see Setup on page 15). The input controls on the slave unit will have no effect. Use high density 15pin male to male cable wired straight through (pin1 to pin1, pin2 to pin2, etc). A VGA monitor cable may be suitable. This cable should be kept as short as possible. When operating a system that incorporates two linked ZM3’s, a ZM3M connected to the master ZM3 will page into the zones assigned to the master ZM3 only. Similarly, a ZM3M connected to the slave ZM3 will page into the zones assigned to the slave ZM3 only. It is not possible to page ‘across’ linked ZM3’s. If a more sophisticated paging and program distribution matrix is required, then we have available a range of products ideally suited to the purpose. Our DigiPage and DigiPageJr family of products allow for comprehensive paging and program distribution into up to 16 zones. Please contact your local AMIS dealer for moredetails.
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5. INTERNAL ADJUSTMENT
NOTE: To avoid frustration, check this section BEFORE installing your ZM3 in the rack!
NOTE: The following adjustments involve access to the inside of the ZM3 and should
only be attempted by a qualified technician. All internal adjustments are accessible by removing the lid of the ZM3. Always turn off the AC power and remove the power cord before accessing the inside of the ZM3.
Section A
X2/1
X1/1
P/P
OFF
ON
OFF
ON
HP-160Hz
MIC1
SumGain Adjust
P/P
X4/1
X3/1
ON
OFF
OFF
ON HP-160Hz
MIC2
RELEASETIME
25sec
1sec
STEREO STEREO STEREO
MONO MONO MONO
Section E
X20/1
X19/1
LINK- MASTER
LINK- SLAVE
5
EN EN EN
EN EN EN
15
0.5
X9/1
X8/1
secs secs secs
MIC1 MIC1 MIC1
MIC2 MIC2 MIC2
X10/1
MUTE
PRIORITY PRIORITY PRIORITY
PROG4
PRIORITY
X5/1
EN EN EN
RELAESE
PROG4
PRIORITY
ZONE1 ZONE2 ZONE3
X6/1
5
15
0.5
X11/1
X12/1
X13/1
MUTE
RELAESE
PROG4
PRIORITY
X7/1
5
15
0.5
X14/1
X15/1
X16/1
MUTE
RELAESE
Section D (repeated 3 times)
Section B
R137
ChimeLevel
Adjust
Section C (repeated 3 times)
SW7
SW8
SW9
There are many internal adjustments that can be made to configure the ZoneMix3 to perform exactly as you want it. Use the diagram above to locate various controls and refer to the section indicated for a more detailed view and information on that control. Controls are clearly marked on the printed circuit board.
Section A Section B Mic/Line 1 - Phantom Power
Paging Chime level Mic/Line1-HPF Mic/Line 2 - Phantom Power Mic/Line2-HPF
Section C
Zone Eq Bypass Prog 4 Priority release time
Section D Mic/Line 1 Priority Mic/Line 2 Priority Priority Release Time Program 4 Priority Output Mono/Steroe Mode
Sum Input level
Section E Unit Link Setting
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SECTION A
MIC 1, 2
NOTE: PCB markings should be noted carefully as MIC2 is a mirror image of MIC1.
MIC1 refers to MIC/LINE 1 input, and MIC2 refers to MIC/LINE 2 input.
P/P
Phantom Power +15VDC. Default is ON.
HPF - 160Hz
The high pass filter has a crossover at 160Hz and a slope of -6dB/oct. Default is OFF.
RELEASE TIME
Prog 4 Priority release time trimpot 1sec-25sec - Default is 10sec. See Functional Notes on page 9.
Sum Gain Adjust
Sum Input level 0dB to Off - Default is -6dB.
SECTION B
Chime Level Adjust
This pot is for the chime that sounds when a page is made using the Paging Station. Paging Chime level 0dB to Off - Defaults is -6dB.
SECTION C
This section is repeated 3 times (one per zone).
EQ IN
EQ OUT
Zone Eq Bypass switch - Eq In/Eq Out. Default is Eq In.
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SECTION D
This section is repeated 3 times (one per zone).
MIC1 refers to MIC/LINE1 input, and MIC2 refers to MIC/LINE2 input. See Functional Notes on page 9 for explanation of priority functions.
PRIORITY MIC1, 2
Default is EN (enabled).
MUTE RELEASE
Priority Release Time jumper socket - 0.5,5,15 sec. Default is 5sec.
PROG 4 PRIORITY
Program 4 Priority jumper socket - Default is EN (enabled).
MONO-STEREO
Output Mode switch - Mono/Stereo. Default is Stereo.
SECTION E
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These two sockets are used when linking two ZoneMix3 units. See Functional Notes on page 9 for explanation of linking. All input sources are connected to the Master unit. In this unit the linking header should be plugged into the connector labelled LINK-MASTER. In the other (Slave) unit, the linking header should be moved to the connector labelled LINK-SLAVE. By default, all units ship as Masters.
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6. INSTALLATION
In its basic form, installation of the ZM3 is simply a matter of mounting the unit in a rack, connecting sources to the appropriate inputs and connecting zone outputs to power amplifiers.
The power supply should be securely mounted, and connected to the ZM3.
NOTE: XLR CONFIGURATION
PIN 2
HOT
+
PIN 3 COLD
-
FEMALE XLR
PIN 1 GND
PIN 1 GND
PIN 2
COLD
MALE XLR
When wiring the outputs on the ZM3 as unbalanced,
HOT
Pin2 should be wired as hot and Pin1 and Pin3
+
PIN 3
should be connected together and wired as
-
ground/shield.
REMOTE CONTROLS
The remote control options on the ZoneMix3 are quite extensive and permit many possible situations to be accommodated. Remote control is achieved via the rear panel RJ45 (CAT5) socket. Below is a diagram of the pin out on the CAT5 cable.
PIN
Shown with
locking clip
facing
White/Green 1
Green 2
White/Orange 3
Blue 4
White/Blue 5
Orange 6
White/Brown 7
Brown 8
568A configuration
CABLE
1 Prog Select control Voltage 2 Prog Select control Bit 1 3 Prog Select control Enable 4 Prog Select control Bit 0 5 Volume control Ref Voltage 6 Program Volume control 7 Output Right Volume control 8 Output Left Volume control
ZM3R
The simplest and most common use of the remote control features on the ZM3 is with the ZM3R Program Source select and level remote control panel (See page 18).
!
A straight through wired Cat5 cable (not a crossover cable) should be used (wired pin1 to pin1, pin2 to pin2 etc, following the colour system as indicated above)
!
!
Connect to the ZM3R which has a RJ45 socket on the back. Connect cable from remote panel(s) to REMOTE connector in relevant zone section of the ZM3.
!
Press the remote enable switch on the rear panel of the ZM3. Now the ZM3R has control of the program sources and the front panel controls do not effect the unit.
Simple Zone Masters
For volume control within the zone, an RC1 can be used. This will provide control over a stereo
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zone or individual sends on a mono zone.
There is no need to enable the rear panel remote
switch unless an ZM3R is also being used.
For Stereo the RC1 should be wired between pin 5 and pins 7 and 8 shorted together.
If each output is being used as an individual sub zone send then one RC1 can be wired between pin 5 and pin7 (for Right sub zone send) and another RC1between pin 5 and pin 8 (for Left sub zone send). The zone should be set to MONO, see Internal Adjustments on page
10.
PAGING STATION
See Paging Station on page 16 for more inforamtion. Connect cable from ZM3M to PAGE MIC connector on the ZM3.
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7. STEP BY STEP SETUP
NOTE: To avoid frustration, check the Internal Adjustments section BEFORE
beginning setup!
The inputs of the ZM3 can accommodate a wide range of sources including active paging stations, dynamic microphones, DVD, CD players & DJ mixers. The zone outputs may be used to drive stereo power amplifiers, mixers, or mixer amplifiers.
Each installation will require setting the appropriate relative mix of levels between paging, program sources and mic/line inputs for each zone and balancing between the zones.
Because of the variation in levels between the possible sources, ZM3 offers a number of gain stage adjustments so you can set the correct levels for your application.
Also consider what the outputs are driving….
Setting up correct gain structure through the whole system is important to achieve optimal results.
The following step by step procedure has been devised to assist during the setup process.
Step by step setup Ensure all gain adjustments on the ZM3 are at minimum. Choose a zone that is conveniently located near to the ZM3 or further away if you feel you need the exercise.
This will be the referred to as the “TEST ZONE”. Ensure that all amplifiers connected to the ZM3 are set to provide required sound levels with a line level input signal.
1. Select PROG1 in the TEST ZONE. Adjust the PROG TRIM until sufficient level is achieved in the
TEST ZONE.
2. Repeat this process for Programs 2-4. The level of each program source should be of
similar volume so no great variation in level apparent when selecting between program inputs
3. Check program level in the other 2 zones to confirm that the gain structure is appropriate
for all amplifiers.
4. Do a test page in the TEST ZONE and check the level relative to the program level.
5. Adjust the page level as desired [front panel PAGE MIC].
6. EQ the paging mic as required
7. Set the Mic/Line input levels remembering these inputs are selectable to each zone
from the front panel.
8. EQ the Mic/Line inputs.
9. Select the REMOTE ENABLE switch (rear panel) if the ZM3R is being used in each zone.
This will allow remote source selection & zone volume adjustment.
10. The ZM3 features 5 band equalization to achieve precise equalization of high quality
audio systems in demanding environments.
11.
Repeat this process for the other 2 zones.
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8. PAGING STATION
Introduction
The ZM3M is a slim line paging microphone that provides the user the ability to page into any combination of zones from a remote location. Running both audio & data down inexpensive & industry standard CAT5 cable the ZM3M is simple to install.
Controls
1 ZONE select
ZM3M
115.0mm
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INSTALLATIONSERIES
These buttons, when pressed, will page to that zone. With the button held down, talk into the microphone. There is a label space to the right of the button to allow labelling of the zone.
178.0mm
1
1
2
3
Base Plate
section
3
2
2. ALL page
This button allows paging to all zones. Hold down the button to talk.
3 GAIN
To accommodate different speech levels, there is a gain control on the base of the ZM3M. This ships set to minimum and may be adjusted to suit. Increasing this control too far may cause the paging station to distort if loud or close speech levels are encountered. Caution should be used if trying to achieve high gain levels for distant or lectern speech styles as feedback may occur.
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Installation and Setup
The CAT5 cable connects to the RJ45 socket on the rear panel of the paging station. This socket is a NEUTRIK connector designed to be used with the XLR style housing (model NE8MC) to improve reliability. Normal RJ45 connectors can also be used.
CABLE INSTALLATION FOR PAGING STATION
The RJ45 port (labelled Page Mic) on the rear of the ZoneMix3 is provided for connection to a ZoneMix3 Zone Paging Station, ZM3M. routed as best as possible away from sources of high electromagnetic radiation (such as motors and dimmers).
NOTE: These are Ethernet connections.NOT
NOTE: If installing and terminating CAT5 cable is new to you, please take note of the
various points that follow. As the CAT5 cabling for the DigiPageJr carries voltage, damage could occur if your pin-pin connections are not made correctly.
CAT5 CABLE
CAT5 cable is the blue cable commonly used for data installations (other colours do exist). It consists of four twisted pairs of wires: this is why it is often referred to as UTP (Unshielded Twisted Pair). The most readily available cable uses solid conductors, like telephone wire. Cable with stranded conductors is available, and is more flexible.
TM
The CAT5 cable can be up to 30m long and should be
CAT5 TERMINATION
Pre-wired CAT5 cable comes in two configuration standards, 568A and 568B. It is advisable to carry a good pre-wired cable for fault-finding. Both configurations will work with the DigiPageJr provided both ends have the same configuration. Be careful not to use a crossover cable which has one configuration at one end and the other configuration at the other end.
White/Green 1
Green 2
Shown with
locking clip
facing
White/Orange 3
Blue 4
White/Blue 5
Orange 6
White/Brown 7
Brown 8
568A configuration
CABLE
Ensure that the RJ45 connectors are suited to the cable used (solid or stranded) and that the correct crimp tool is used.
NOTE: CAT5 cable consists of four pairs of wires: it is not sufficient to simply wire the two
ends pin for pin, ignoring pairing.
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9. ZM3R REMOTE CONTROL PANEL
2
1
3
OFF
PROGRAM SELECT
2
3
1
VOLUME
4
5
4
6
7
8
9
10
0
ZM3R
RJ45 CAT5 Socket
Introduction
The ZM3R is a simple yet stylish accessory for the Zonemix 3 that allows for source selection & volume control from a remote zone. It features ample label space and a contemporary black decor. Running via industry standard CAT5 cable, the ZM3R is another product from Australian Monitor Installation Series that provides a simple yet elegant solution to a complex zoning application.
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Installation
Remote control is achieved via the rear panel RJ45 (CAT5) socket. Connection is via CAT5 cable and a distance of up to 1000m is guaranteed.
A straight through wired Cat5 cable (not a crossover cable) should be used (wired pin1 to pin1, pin2 to pin2 etc)
!
!
Now the ZM3R has control of the program sources and the front panel controls do not effect the unit.
Below is a diagram of the pin out on the CAT5 cable.
Connect to the ZM3R RJ45 socket on the back and to the zone remote RJ45 on the rear of the ZM3. Press the remote enable switch on the rear panel of the ZM3.
Shown with
locking clip
facing
White/Green 1
Green 2
White/Orange 3
Blue 4
White/Blue 5
Orange 6
White/Brown 7
Brown 8
568A configuration
CABLE
Prog Select control Voltage Prog Select control Bit 1 Prog Select control Enable Prog Select control Bit 0 Volume control Ref Voltage Program Volume control N/C N/C
NOTE: CAT5 cable consists of four pairs of wires: it is not sufficient to simply wire the two
ends pin for pin, ignoring pairing.
NOTE: If installing and terminating CAT5 cable is new to you, please take note of the
various points that follow. As the CAT5 cabling for the DigiPageJr carries voltage, damage could occur if your pin-pin connections are not made correctly.
CAT5 CABLE
CAT5 cable is the blue cable commonly used for data installations (other colours do exist). It consists of four twisted pairs of wires: this is why it is often referred to as UTP (Unshielded Twisted Pair). The most readily available cable uses solid conductors, like telephone wire. Cable with stranded conductors is available, and is more flexible.
CAT5 TERMINATION
Pre-wired CAT5 cable comes in two configuration standards, 568A and 568B. It is advisable to carry a good pre-wired cable for fault-finding. Both configurations will work with the DigiPageJr provided both ends have the same configuration. Be careful not to use a crossover cable which has one configuration at one end and the other configuration at the other end.
Ensure that the RJ45 connectors are suited to the cable used (solid or stranded) and that the correct crimp tool is used.
NOTE: These are Ethernet connections.NOT
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Page 20
Dimensions
Panel (ZM3R)
51 mm
96 mm
Surface Mount Box
84 mm
75 mm
35 mm
44 mm
100 mm
116 mm
Australian Monitor
INSTALLATION SERIES
122 mm
88 mm
18 mm
80 mm
20
Page 21
10. DIMENSIONS
482.0 mm
32.0 mm
PAGEMIC
TREBLEBASSGAIN
PROG1 PROG 2
MIC/LINE1 MIC/LINE2
TREBLE TREBLEBASS BASSGAIN GAIN
16VACEARTH
LINK
LEFT RIGHT
PROGTRIM
ZONE3
467.0 mm
ZONE 1 ZONE 2
300Hz 300Hz 300Hz
PROG3
PROG4
100Hz 100Hz 100Hz
Remote Remote Remote
Status Status Status
1 1 12 2 2
MIC/LINE MIC/LINE MIC/LINE
3kHz 3kHz 3kHz
10kHz 10kHz 10kHz
1kHz 1kHz 1kHz
5 5 5
5 5 5
2 2 2
6 6 6
4 4 4
3 3 3
3 3 3
7 7 7
8 8 8
2 2 2
2 2 2
9 9 9
1 1 1
1 1 1
0 0 0
10 10 10
LEVEL LEVEL LEVELLEVEL LEVEL LEVEL
3 3 3
6 6 6
4 4 4
1 1 1
7 7 7
4 4 4
Off Off Off
8 8 8
9 9 9
0 0 0
10 10 10
SELECT SELECT SELECT
PROGRAM PROGRAM PROGRAM
443.0 mm
REMOTE
ENABLE
ZONE2
LEFT RIGHT
REMOTE
ENABLE
ZONE1
LEFT RIGHT
268.5 mm
REMOTE
ENABLE
LINE4
PROGRAMSOURCE
LINE3
LINE2 LINE 1
ZONE 3
MIC/LINE2
MIC2 MIC1
MIC/LINE1
LINE2 LINE1
Australian Monitor
INSTALLATIONSERIES
POWER
ZoneMix3
SUMIN
PAGEMIC
44.0 mm
18.0 mm
21
Australian Monitor
INSTALLATION SERIES
Page 22
11. BLOCK DIAGRAM
L
REMOTE PAGING
INPUT
LINE 1
R
L
LINE 2
R
L
LINE 3
R
L
LINE 4
R
HPF EQ
12dB
HPF EQ
12dB
REMOTE
PAGELEVEL
Off
0dB
TONE IC
+12dB
+12dB
+12dB
+12dB
+12dB
+12dB
+12dB
+12dB
PROGRAM
LINK
IN/OUT
-23dB CONNECTOR
-23dB
-23dB
-23dB
0dB 37dB
0dB
EQ
CHIME
LEVEL
PROG4 DET
MIC1 DET
MIC2 DET
SUM DET
SIG
MIC1 DET
DETECT
37dB0dB
SIG
MIC2 DET
DETECT
PAGING
MIC
ZONE
SELECT
PROG 4 PRIORITY
PROG 4 PRIORITY
PROG 4 PRIORITY
ZONE 1
PROG SELECT
OFF,1,2,3,4
ZONE 2
PROG SELECT
OFF,1,2,3,4
ZONE 3
PROG SELECT
OFF,1,2,3,4
1sec
Z1 PROG SEL
Z2 PROG SEL
RELEASE TIME
SIG
DETECT
MIC1 SELECT
MIC2 SELECT
MIC1 SELECT
MIC2 SELECT
MIC1 SELECT
MIC2 SELECT
REMOTE ENABLED
REMOTE ENABLED
REMOTE ENABLED
ZONE1
ZONE2
ZONE3
25sec
PROG4 DET
ZONE 1
PROG
SELECT
ZONE 2
PROG
SELECT
ZONE 3
PROG
SELECT
CONTROL
CONTROL
CONTROL
ZONE 1
SELECT
ZONE 2
SELECT
ZONE 3
SELECT
Z1 MIC
Z2 MIC
Z3 MIC
LEVEL
LEVEL
LEVEL
Z3 PROG SEL
Z1 PROG SEL
Z2 PROG SEL
Z3 PROG SEL
Z1 PROG VOL
Z2 PROG VOL
Z3 PROG VOL
5-BAND
EQ
ZONEVOLUME
CONTROLUSING RV-1
IN/OUT
EQ
IN/OUT
EQ
IN/OUT
ZONE 1 REMOTE
ZONE 1
INPUT
REMOTE /LOCAL
SELECT
5V
ZONE 1 PROG
LEVEL
MIC1
DET
MIC1 SELECT
MIC2
DET
MIC2 SELECT
SUM
DET
5V
ZONE 2 PROG
LEVEL
MIC1
DET
MIC1 SELECT
MIC2
DET
MIC2 SELECT
SUM
DET
5V
ZONE 3 PROG
LEVEL
MIC1
DET
MIC1 SELECT
MIC2
DET
MIC2 SELECT
SUM
DET
ZONE 2 REMOTE
INPUT
ZONE 3 REMOTE
INPUT
ZONE 2 REMOTE LOCAL SELECT
ZONE 3 REMOTE LOCAL SELECT
ZONE 1
MUTE
CONTROL
PIC
ZONE 2
MUTE
CONTROL
PIC
ZONE 3
MUTE
CONTROL
PIC
5-BAND
5-BAND
5-BAND
5-BAND
5-BAND
EQ
EQ
EQ
EQ
EQ
ZONE 1
VOLUME CONTROL CIRCUITRY
5 SEC
0.5 SEC
ZONE 2
VOLUME CONTROL CIRCUITRY
5 SEC
0.5 SEC
ZONE 3
VOLUME CONTROL CIRCUITRY
5 SEC
0.5 SEC
SIG/OL
SIG/OL
-6dB
-6dB
-6dB
-6dB
-6dB
Z1 PROG VOL
ZONE 1
MUTE RELEASE TIME
15 SEC
Z2 PROG VOL
ZONE 2
MUTE RELEASE TIME
15 SEC
Z3 PROG VOL
ZONE 3
MUTE RELEASE TIME
15 SEC
-6dB
SIG/OL
EQ
SUM INPUT
(OPTIONAL)
STEREO/MONO
ZONEVOLUME
CONTROLUSING RV-1
(OPTIONAL)
ZONEVOLUME
CONTROLUSING RV-1
(OPTIONAL)
STEREO/MONO
ZONEVOLUME
CONTROLUSING RV-1
(OPTIONAL)
ZONEVOLUME
CONTROLUSING RV-1
(OPTIONAL)
STEREO/MONO
ZONEVOLUME
CONTROLUSING RV-1
(OPTIONAL)
0dB
SUM
LEVEL
DETECT
6dB
6dB
6dB
6dB
6dB
6dB
SIG
L
ZONE 1
R
L
ZONE 2
R
L
ZONE 3
R
SUM DET
Australian Monitor
INSTALLATION SERIES
22
Page 23
12. SPECIFICATIONS
-Dimensions:
-Weight:
-Power Input:
-Sensitivity (for 0dB out)
-Max Level Out:
-Frequency Response: (0dB/-3dB)
44.0 x 482.0 x 286.5 (HxWxD) mm
Net 2.5kg Shipping 3.0kg Net 5.5lb Shipping 6.6lb
20VAC 30VA max
:
Mic/Line Input (RCA)
86mV (-19dB)
Mic/Line Input (XLR)
1.55mV (-54dB)
Prog Input (RCA)
190mV (-12dB)
10Vrms (+22dB)
20Hz - 20kHz
-THD:
-Noise:
-Crosstalk:
-Phantom Power:
All measurements referenced to 0dBu (0.775mV) All measurements done with levels set to max
less than 0.1%
-80dB
Better than 65dB
15VDC
23
Australian Monitor
INSTALLATION SERIES
Page 24
AUSTRALIA and NEW ZEALAND
www.australianmonitor.com.au
Sydney (NSW & ACT Sales)
Private Bag 149, Silverwater NSW 1811 149 Beaconsfield Street, Silverwater NSW 2128 Ph: (02) 9647 1411 Fax: (02) 9648 3698 E-mail: nsw@audiotelex.com.au
Melbourne (Vic & Tas Sales)
P.O. Box 151, Blackburn South VIC 3130 22/277 Middleborough Road, Box Hill VIC 3128 Ph: (03) 9890 7477 Fax: (03) 9890 7977 E-mail: vic@audiotelex.com.au
Brisbane (Qld Sales)
P.O. Box 871, Fortitude Valley QLD 4006 42 Commerical Road, Fortitude Valley QLD 4006 Ph: (07) 3852 1312 Fax: (07) 3252 1237 E-mail: qld@audiotelex.com.au
Adelaide (SA & NT Sales)
P.O. Box 157, Hindmarsh SA 5001 31 Walsh Street, Thebarton SA 5031 Ph: (08) 8352 4444 Fax: (08) 8352 4488 E-mail: sa@audiotelex.com.au
EUROPE/ASIA/MIDDLE EAST
www.australianmonitor.com.au
International Sales
Private Bag 149, Silverwater NSW 1811 149 Beaconsfield Street, Silverwater NSW 2128 Australia Ph: 61-2- 9647 1411 Fax: 61-2-9748 2537 E-mail: international@audiotelex.com.au
Perth (WA Sales)
P.O. Box 404, North Perth WA 6906 299 Fitzgerald Street, West Perth WA 6005 Ph: (08) 9228 4222 Fax: (08) 9228 4233 E-mail: wa@audiotelex.com.au
Auckland (NZ Sales)
P.O. Box 512, Albany 1331 Unit B, 11 Piermark Drive, Albany 1331 Ph: (09) 415 9426 Fax: (09) 415 9894 E-mail: audiotlx@nznet.gen.nz
USA/CANADA/SOUTH AMERICA
www.australianmonitor.com
Australian Monitor Audio Inc.
PO Box 3126, Lynnwood, WA 98046 Ph: 425 673 5175 Fax: 425 673 7825 E-mail: sales@australianmonitor.com
EARTH
ACPOWER
LINK
ZONE 3
LEFT RIGHT
REMOTE
ENABLE
LEFT RIGHT
ZONE 2
REMOTE
ENABLE
LEFT RIGHT
ZONE 1
REMOTE
ENABLE
LINE 4
PROGRAM SOURCE
LINE 3
LINE 2 LINE 1
MIC/LINE 2
MIC2 MIC1
MIC/LINE 1
LINE2 LINE1
SUM IN
PAGEMIC
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