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MINIATURE CONDENSER MICROPHONE
The Micros
®
Series
M1280
M1280
OVERVIEW:
The M1280, a miniaturized condenser microphone with a fully integrated
preamp and detachable cable, has complete immunity from RF
interference caused by cell phones and GSM devices. The M1280, which
is equipped with a cardioid capsule, is also available with hypercardioid,
omni or shotgun capsules, giving the microphone the unique ability to be
used in a wide variety of live, studio and broadcast applications.
The M1280 is available with a wide array of clips and
accessories allowing the microphone to be used for drums, percussion,
musical instruments, overhead stage miking, podiums, conferences and
presentations.
SUPPLIED ACCESSORIES:
25’ cable with mini-XLRf - XLRm connectors (CBL-M25)
Mic stand adapter (MC-MICRO)
Hanging clip (MC-HANGER)
External foam windscreen (WS1218)
Carrying pouch (P1)
OPTIONAL ACCESSORIES:
MICROBOOM - 50-inch carbon fiber boom arm with clutch assembly
SMT-MICRO - Stand adapter with rubber insulated shockmount
DCLAMP-MICRO - Lug mount adapted for hand percussion
instruments with shockmount ring
DFLEX-MICRO - Wide jaw butterfly clip with shockmount ring
DVICE-MICRO - Drum rim mount attachment with shockmount ring
MC20i - Clamp on clip for saxophone with shockmount ring
MGN-6 - 6-inch gooseneck with base terminating in standard XLRm
MGN-12 - Same as MGN-6 in 12 inch length
MGN-18 - Same as MGN-6 in 18 inch length
MODEL VARIATIONS:
M1280-HC - Same as M1280 with hypercardioid capsule
M1280-O - Same as above with omni-directional capsule
M1280-S - Same as above with supercardioid (shotgun) capsule
*with RFI immunity*
FEATURES:
Small, lightweight, low profile
Miniaturized integrated preamp circuitry
No external power adapter needed
12 mm gold vapor diaphragm
Immune to RF interference
Extremely low noise, high SPL handling
Available with a cardioid, hypercardioid, omni
or shotgun capsule
APPLICATIONS:
Overhead mic for choir, group vocal
Acoustic instruments
Ambient room miking
Symphonic area miking
Speech / Presentation
Cymbals / Percussion
M1280 on DFLEX MC-MICRO M1280 on MC-HANGER MICROBOOM
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SPECIFICATIONS: ARCHITECTS AND ENGINEERS SPECIFICATIONS:
M1280
Transducer Type Condenser
Frequency Response 40 Hz - 20 kHz
Polar Pattern Cardioid
Hypercardioid
Omni
Supercardioid
Output Impedance 150 ohms
Sensitivity 10.4 mV / Pa (C) @ 1k
9.8 mV / Pa (HC) @ 1k
12 mV / Pa (O) @ 1k
18.3 mV / Pa (S)
Signal/Noise Ratio (A-weighted) 73 dB
Equivalent Noise Level (A-weighted 21 dB
Maximum SPL @ .5% THD ≥150 dB
Dynamic Range 129 dB
Power Requirements 48 – 52 V
Connector 3 pin mini-XLRm
Polarity Positive pressure on
diaphragm produces
positive voltage on pin
2 relative to pin 3
Housing / Finish Machined brass /
Powder coat
Weight 28 g / 1 ounce
Length 90 mm / 3.5 inches
The microphone shall be of the condenser type with a modular threaded capsule available in cardioid,
hypercardioid, omni-directional and supercardioid polar patterns. The microphone shall be protected
from RF interference. The microphone shall have a fully integrated preamp circuitry thereby eliminating
the need for a remote preamplier module. The microphone shall operate on 48 - 52 Volts DC and the
nominal output impedance shall be equal to 150 ohms at 1 kHz. The microphone shall have a sensitivity
at 1 kHz of 10.4 mV / Pa in cardioid, 9.8 mV / Pa in hypercardioid, 12 mV / Pa in omni and 18.3 mV / Pa
in supercardioid. The microphone shall have a maximum SPL level of 150 dB with THD of .5% and the
microphone shall be machined out of brass and the dimensions shall be 12 mm in diameter by 90 mm
in length. The microphone shall be the Audix M1280.
OPERATION:
The M1280 is a low impedance microphone and should be plugged into a “mic level” input on your
console, mixer or recording device. The M1280 requires phantom power and will NOT operate without
phantom power voltage (48 Volts recommended) which is available on most professional mic preamps
and mixing devices. If phantom power is not available on your equipment, you will have to procure a
phantom power supply (such as the Audix APS2).
Avoid plugging or unplugging the microphone from a PA system unless the channel is muted or the
volume of the system turned down. Failure to do so may result in a loud “popping” noise which could
seriously damage the speakers in the PA system.
USER TIPS:
The M1280, despite its size, has all the attributes of a world class recording microphone. Low noise
integrated electronics allows the microphone to function in the close eld as well as in the far eld. It can
be used on a wide variety of acoustics instruments as well as on voice and vocal ensembles.
Polar patterns: The M1280 is offered in 4 different polar patterns to help you achieve optimum results.
Cardioid (M1280): In general, the cardioid pattern is the most widely used as it offers a good balance
between the sound of the instrument or voice within the context of the room or venue. The cardioid
pattern is also helpful with resistance to feedback. For acoustic instruments, in general, the working
range will depend on the sound pressure levels produced by the instrument. For percussion, as an
example, the M1280 could be used 1 - 2 feet above the cymbals, or because of its small size, could
also be used in hard to reach areas auch as beneath the cymbals. For orchestral instruments, the
M1280 may be positioned anywhere from 3 - 12 inches depending on instrument and room acoustics.
For speech or singe voice the typical working distance is 8 - 10 inches. For area miking or group vocals
the working distance can be between 2 - 3 feet from the sound source (see ADX40 and MB1250 for
choir miking).
Hypercardioid (M1280-HC): In situations where the volume is loud on stage or there are many open
microphones, this pattern is helpful in further isolating the instrument or vocal from the rest of the
instruments on stage. The microphone can be worked at ½ the distance of cardioid if necessary.
Supercardioid (M1280-S): This polar pattern, also known as a shotgun pick up pattern, has a longer
reach and more narrow pattern than the other cardioid patterns. This pattern is best for podium
applications. It is helpful in pin-pointing hard to reach areas, especially for recording outdoors, and
with video.
Omni-Directional (M1280-O): This pattern picks up from all directions, offering very little in the way
of isolation or feedback control. However, the Omni pattern offers the most accurate and natural
sound reproduction of all the patterns. It is ideal for recording, live broadcasts or video, where sound
reinforcement speakers are not an issue.
*Further miking techniques may be found on our website at www.audixusa.com
FREQUENCY / POLARS:
Cardioid
***All specications subject to change without notice.
SERVICE AND WARRANTY:
This microphone is under warranty for
a period of 3 years from any and all
manufacturing defects. Should your
microphone fail in any way, please
contact the Audix Service department at
503-682-6933. A Return Authorization
number is required before returning
any products.
CARE AND MAINTENANCE:
The M1280 is manufactured to exacting specs
with roadworthy construction. However, the
capsule is highly sensitive and should be
handled with care. Avoid extreme temperatures
and be sure to store your microphone in the
pouch provided when not in use. Moisture of
any kind can adversely affect the sound and
performance of your microphone.
Hypercardioid
Omni
To register your
microphone, please visit
www.audixusa.com
Shotgun
DIMENSIONS (mm):
www.audixusa.com Call: 503-682-6933 Fax: 503-682-7114
Audix Corporation 9400 SW Barber Street, Wilsonville, OR 97070
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