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AT8024
Stereo/Mono Camera-Mount Condenser Microphone
With its lightweight yet feature-rich design, Audio-Technica’s Stereo/Mono Camera-Mount Microphone offers a simple,
powerful solution for capturing high-resolution audio for video. The microphone’s selectable line-cardioid mono and
internally matrixed mid-side stereo modes provide the exibility for recording highly focused or wide, lifelike sound.
A three-position adjustable input pad (-20 dB, -10 dB, 0 dB) accommodates even the loudest sound sources without
distortion, while a switchable low-frequency roll-off helps reduce the pickup of undesired noise. The microphone features
an integral camera shoe mount that attaches quickly to DSLRs and shoe-equipped camcorders.
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AT8024 Stereo/Mono Camera-Mount Condenser Microphone
foam windscreen
• Designed for use with DSLR and other video cameras,
delivering dramatically better sound quality than the
camera’s internal microphone
• Selectable line-cardioid mono or mid-side stereo
modes provide the exibility to capture high resolution audio in any environment
• Handles loud sound sources without distortion
• Three-position adjustable input pad and switchable
low-frequency roll-off
• Integral rubber shock mounts isolate the microphone
from vibration and mechanical camera noise
• Compact, lightweight design with integral shoe mount
• Red/green LED power indicator
• Powered by a single AA battery for optimal
performance with high max SPL
• Includes windscreen and fuzzy windscreen
Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, Ohio 44224
(330) 686-2600 E-mail: pro
©2014 Audio-Technica U.S., Inc. Form No.0306-2415-00
@atus.com audio-technica.com
Specications
Polar patterns
Frequency response
Low frequency roll-off
Open circuit sensitivity
(Mono & LR Stereo)
Maximum input sound level
(Mono & LR Stereo)
Dynamic range (typical)
Signal-to-noise ratio
Battery (included)
Output connector
Accessories furnished
LR stereo
0˚
330˚
300˚
270˚
240˚
210˚
SCALE IS 5 DECIBELS PER DIVISION
LEGEND
Left
30˚
60˚
90˚
120˚
150˚
180˚
Right
Elements
Impedance
1
Switches
Weight
Dimensions
Cable
Mono
30˚
330˚
00˚
300˚
˚
270˚
˚
240˚
˚
210˚
SCALE IS 5 DECIBELS PER DIVISION
LEGEND
1 kHz
fuzzy windscreen
Fixed-charge back plate,
permanently polarized condenser
Line-cardioid, LR stereo
40-15,000 Hz
80 Hz, 12 dB/octave
–37 dB (14.1 mV) re 1V at 1 Pa
50 ohms
128 dB SPL, 1 kHz at 1% T.H.D.; 148 dB SPL,
with 20 dB pad
Mono: 106 dB, 1 kHz at Max SPL; Stereo: 104 dB, 1 kHz
at Max SPL
Mono: 72 dB, 1 kHz at 1 Pa; Stereo: 70 dB, 1 kHz at 1 Pa
Type: One 1.5V AA; Life: 100 hours typical
Mono, M-S Stereo; Three-position input pad; Flat, roll-off
114 g (4.0 oz)
172.0 mm (6.77") long, 24.0 mm (0.94") maximum
body diameter
3.5 mm stereo mini-plug on cable
Permanently attached 0.2 m -1 m (7.8"-39.3") coiled
cable with right-angle molded 3.5 mm stereo mini-plug
at output end
Windscreen; Fuzzy windscreen
Frequency Response: 40–15,000 HzPolar Patterns
0˚
30˚
0˚
60˚
200
100
12" or more on axis
Roll-off
Frequency in Hertz
500
2
= 10 microbars = 94 dB SPL
5k
2k
1k
10k
90˚
˚
120˚
150˚
50˚
˚
180˚
50
LEGEND
In the interest of standards development, A.T.U.S. offers full
details on its test methods to other industry professionals
on request.
1 Pascal = 10 dynes/cm
1
Typical, A-weighted, using Audio Precision System One.
Specications are subject to change without notice.
10 dB
20k