Audio-Technica AT4050 User Manual

Frequency Response (Cardioid)
Response in dB
10 dB
50
200100
500
2k
1k
5k
• Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest quality
• Dual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphone
• Transformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transients
• Open acoustical environment of the symmetrical housing assembly minimizes unwanted internal reflections
• State-of-the-art surface-mount electronics ensure compliance with A-T’s stringent consistency and reliability standards
The AT4050 is intended for use in professional applications where remote power is available. It requires 48V DC phantom power, which may be provided by a mixer or console, or by a separate, in-line source such as the Audio-Technica AT8801 single­channel and CP8506 four-channel phantom power supplies.
Output from the microphone’s XLRM-type connector is low impedance (Lo-Z) balanced. The signal appears across Pins 2 and 3; Pin 1 is ground (shield). Output phase is “Pin 2 hot” – positive acoustic pressure produces positive voltage at Pin 2.
To avoid phase cancellation and poor sound, all mic cables must be wired consistently: Pin 1-to-Pin 1, etc.
An integral 80 Hz high-pass filter provides easy switching from a flat frequency response to a low-end roll-off. The high-pass position reduces the microphone’s sensitivity to popping in close vocal use. It also reduces the pickup of low-frequency ambient noise (such as traffic, air-handling systems, etc.), room reverberation and mechanically coupled vibrations.
In use, secure the cable to the mic stand or boom, leaving a slack loop at the mic. This will ensure the most effective shock isolation and reduce the possibility of accidentally pulling the microphone out of its mount.
Avoid leaving the microphone in the open sun or in areas where temperatures exceed 110° F (43° C) for extended periods. Extremely high humidity should also be avoided.
Audio-Technica U.S., Inc., 1221 Commerce Drive, Stow, Ohio 44224
Audio-Technica Limited, Old Lane, Leeds LS11 8AG England
www.audio-technica.com
P51460-EN ©2002 Audio-Technica U.S., Inc. Printed in U.S.A.
AT4050
MULTI-PATTERN CONDENSER MICROPHONE
AT4050 SPECIFICATIONS
ELEMENT Externally polarized (DC bias)
condenser
POLAR PATTERN Cardioid, Omnidirectional,
Figure-of-eight
FREQUENCY RESPONSE 20-18,000 Hz LOW FREQUENCY ROLL-OFF 80 Hz, 12 dB/octave OPEN CIRCUIT SENSITIVITY –36 dB (15.8 mV) re 1V at 1 Pa* IMPEDANCE 100 ohms MAXIMUM INPUT SOUND LEVEL 149 dB SPL,1kHzat1%T.H.D.;
159 dB SPL, with 10 dB pad (nominal)
NOISE
1
17 dB SPL
DYNAMIC RANGE (typical) 132 dB, 1 kHz at Max SPL SIGNAL-TO-NOISE RATIO
1
77 dB, 1 kHz at 1 Pa*
PHANTOM POWER 48V DC, 4.2 mA typical REQUIREMENTS
SWITCHES Pattern selection; flat, roll-off;
10 dB pad (nominal)
WEIGHT (less accessories) 18.0 oz (510 g) DIMENSIONS 7.40" (188.0 mm) long, 2.10"
(53.4 mm) maximum body diameter
OUTPUT CONNECTOR Integral 3-pin XLRM-type ACCESSORIES FURNISHED AT8449 shock mount for 5/8"-27
threaded stands; microphone dust cover; protective carrying case
In the interest of standards development, A.T.U.S.offers full details on its test methods to other industry professionals on request.
*1 Pascal = 10 dynes/cm
2
= 10 microbars = 94 dB SPL
1
Typical, A-weighted, using Audio Precision System One.
Specifications are subject to change without notice.
Polar Pattern (Cardioid)
180
270
240
210
300
330
0
150
120
90
30
60
SCALE IS 5 DECIBELS PER DIVISION
1 kHz
LEGEND
8 kHz
5 kHz
240
210
180
150
120
330
270
300
30
Polar Pattern (Omni)
0
90
60
200 Hz
same as 1 kHz
SCALE IS 5 DECIBELS PER DIVISION
1 kHz
200 Hz
LEGEND
8 kHz
5 kHz
240
210
180
150
120
330
270
300
30
Polar Pattern (Fig. Eight)
0
90
60
same as 1 kHz same as 1 kHz
same as 1 kHz
Response in dB
10 dB
Frequency Response (Omni)
100
50
1k
500
200
5k
2k
10k
20k
12" or more on axis Roll-off
LEGEND
Response in dB
10 dB
Frequency Response (Fig. Eight)
50
Frequency in Hertz
100 200
500
1k
2k
5k
20k
10k
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