Audio-Technica AE6100 Datasheet

AE6100

Hypercardioid Dynamic Handheld Microphone

Features

• Assertive sound with excellent monitor cut

• High output, fast transients and clean articulation

• Maximum feedback rejection

• The back-cavity assembly “oats” inside the handle shell, providing exceptional isolation from handling noise

• Hypercardioid polar pattern provides maximum feedback rejection and isolation of desired sound source

• Multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity

• Robust all-metal design for enduring dependability on the road

• Quiet-Flex™ stand clamp provides silent, exible microphone positioning

Description

The AE6100 is a dynamic microphone with a hypercardioid polar pattern. It is designed specically for close-up vocal use in professional live-sound applications.

The hypercardioid polar pattern of the microphone is more sensitive to sound originating directly in front of the element, making it useful for controlling feedback, reducing pickup of unwanted sounds and providing isolation between performers.

The output of the microphone is a 3-pin XLRM-type connector.

The microphone is enclosed in a rugged housing. Its multi-stage grille design offers excellent protection against plosives and sibilance without compromising high-frequency clarity. The included AT8470 Quiet-Flex™ stand clamp permits mounting on any microphone stand with 5/8"-27 threads. A soft protective pouch is also included.

Operation and Maintenance

Output is low impedance (Lo-Z) balanced. The signal appears across Pins 2 and 3; Pin 1 is ground (shield). Output phase is “Pin 2 hot”— positive acoustic pressure produces positive voltage at Pin 2.

To avoid phase cancellation and poor sound, all mic cables must be wired consistently: Pin 1-to-Pin 1, etc. For a high-impedance (Hi-Z) mic input, connect a Lo-Z balanced cable to a Hi-Z matching transformer at the equipment input.

artist elite® live sound microphones

possibility of undesired audio feedback.

Take care to keep foreign particles from entering the windscreen. An accumulation of iron or steel lings on the diaphragm, and/or foreign material in the windscreen’s mesh surface, can degrade performance.

Architect’s and Engineer’s Specications

The microphone shall be a moving coil dynamic designed for handheld or stand use. It shall have a hypercardioid polar pattern with a uniform 100° angle of acceptance and a frequency response of 60 Hz to 15,000 Hz. Nominal open-circuit output voltage shall be 1.7 mV at 1V, 1 Pascal. Output shall be low impedance balanced (250 ohms).

The output of the microphone shall be a 3-pin XLRM-type connector.

The microphone shall be 177.0 mm (6.97") long and have a head diameter of 48.0 mm (1.89"). Weight shall be 310 grams (10.9 oz). The microphone shall include a stand clamp and a soft protective pouch.

The Audio-Technica AE6100 is specied.

Specications

Element

Polar pattern

Frequency response

Open circuit sensitivity

Impedance

Weight

Dimensions

Output connector

Audio-Technica case style

Accessories furnished

In the inter est of standards devel opment, A.T.U.S.

offers full details on its test me thods to other industr y

1 Pascal = 1 0 dynes/cm

Specication s are subject to chang e without notice.

professional s on request.

= 10 microb ars = 94 dB SPL

frequency response: 60 –15,000 Hz

100

12" or more on axis

330˚

200

Frequency in Hertz

0˚

180˚

500

30˚

150˚

60˚

120˚

10k

90˚

LEGEND

200 Hz

1 kHz 5 kHz 8 kHz

LEGEND

polar pattern

300˚

270˚

240˚

210˚

SCALE IS 5 DECIBELS PER DIVISION

Dynamic Hypercardioid 60-15,000 Hz –55 dB (1.7 mV) re 1V at 1 Pa 250 ohms 310 g (10.9 oz)

177.0 mm (6.97") long,

48.0 mm (1.89") head diameter Integral 3-pin XLRM-type T4 AT8470 Quiet-Flex™ stand clamp for

/8"-27 threaded stands; 5/8"-27 to 3/8"-16

threaded adapter; soft protective pouch

10 dB

Response in dB

20k

When using the microphone in settings with a stage monitor speaker, the speaker should be located 135° off axis (45° off the rear of the microphone). This placement, in conjunction with the microphone’s uniform hypercardioid pickup pattern, will virtually eliminate the