Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
This device complies with the European R&TTE directive 1999/05/EC.
Operation is subject to the condition that this device does not cause
harmful interference.
Dispose of exhausted batteries in accordance with local/national
regulations. Do not dispose of exhausted batteries in a fire or
incinerate.
Remove outer cover in order to access power rating and model
number information. (handheld transmitter)
Do not use the body-pack if antenna shows any signs of damage.
(body-pack transmitter)
CAUTION! The circuits inside the receiver and transmitter have been
precisely adjusted for optimum performance. Do not attempt to open
the receiver or transmitter. To do so will void the warranty, and may
cause improper operation.
CAUTION: RISK OF ELECTRIC SHOCK DO NOT OPEN
To prevent electric shock, do not remove the cover.
There are no user-serviceable parts inside. Internal
adjustments are for qualified professionals only. Refer all
servicing to qualified service personnel.
AVIS : RISQUE DE CHOC ÉLECTRIQUE NE PAS
OUVRIR
Pour prévenir un choc électrique, ne pas ouvrir le
couvercle. Il n’y aucune pièces de rechanges à l’intérieur.
Tout ajustement interne doit être fait par une personne
qualifié seulement. Référez tout réparation au personnel
qualifié.
WARNING: This apparatus must be grounded.
This product is a safety class 1 product. There must be an
uninterruptible safety earth ground from the main power source to
the product’s AC input. Whenever it is likely that the protection has
been impaired, disconnect the power cord until the ground has been
restored.
ATTENTION: Cet appareil doit être mise à la terre.
Cet appareil est de classe de sûreté 1. Il doit y avoir un
ininterrompable de mise à la terre de sécurité provenant de la source
principale de courant de l’appareil de l’entrée du courant alternatif.
Quand la protection a été affaiblie, débrancher le fil de courant jusqu’à
la mise à terre a bien été réétablie.
WARNING:
This apparatus shall not be exposed to dripping or splashing.
No objects lled with liquids, such as vases, shall be placed on
this apparatus.
Do not install this apparatus in a conned space such as a bookcase or
similar unit.
The apparatus should be placed close enough to the AC outlet so that
you can easily grasp the power cord at any time.
CAUTION! Do not expose batteries to excessive heat, such as direct
sunlight or open res.
WARNING: To prevent fire or shock hazard, do not
expose this appliance to rain or moisture.
ATTENTION: Pour prévenir feu ou choc électrique, ne
pas exposé l’appareil à la pluie ou à l’humidité.
CAUTION: For continued protection against fire hazard, replace only
with same type/rating of fuse.
AVIS: Pour poursuivre la protection contre le feu, replacez la fusible
de même type/cote.
WARNING: There are some sharp edges inside. To reduce the risk of
injury, do not remove cover.
ATTENTION: Bord tranchant à l’intérieur. Pour réduire le risque de
blessure, ne pas ouvir le couvercle.
Notice to individuals with implanted cardiac pacemakers or AICD
devices:
Any source of RF (radio frequency) energy may interfere with normal
functioning of the implanted device. All wireless microphones have
low-power transmitters (less than 0.05 watts output) which are
unlikely to cause difficulty, especially if they are at least a few inches
away. However, since a “body-pack” mic transmitter typically is
placed against the body, we suggest attaching it at the belt, rather than
in a shirt pocket where it may be immediately adjacent to the medical
device. Note also that any medical-device disruption will cease when the RF transmitting source is turned off. Please contact your physician
or medical-device provider if you have any questions, or experience any
problems with the use of this or any other RF equipment.
The systems can be supplied in five frequency bands within the
UHF range. Please note: Frequency usage is different for each
country. Your Audio-Technica agent will have all the necessary details
on the available legal frequencies for your area.
Band C: 541.500 – 566.375 MHz
Band D: 655.500 – 680.375 MHz
Band E: 795.500 – 820.000 MHz
Band F: 840.125 – 864.875 MHz
Band G: 721.500 – 746.375 MHz
For use in China, it is necessary for the user to utilize a CCC certified
power cord.
This device complies with part 15 of the FCC Rules. Operation is
subject to the condition that this device does not cause harmful
interference.
This device complies with INDUSTRY CANADA R.S.S. 210, en
conformité avec IC: RSS-210/CNR210. Operation is subject to
the following conditions: 1) This device may not cause harmful
interference and 2) this device must accept any interference received,
including interference which may cause undesired operation.
CAUTION! The circuits inside the receiver and transmitter have been
precisely adjusted for optimum performance and compliance with
federal regulations. Do not attempt to open the receiver or transmitter.
To do so will void the warranty, and may cause improper operation.
ATTENTION! Ne pas exposer les piles à une chaleur excessive, telle
que la lumière directe du soleil ou le feu.
Artist Elite® 4000 & 5000 Series Statement of Compliance
Usage :-
The AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 are intended to use in:
AT - BE - BG - CY - CZ - DE - DK - EE - ES - FI - FR - GB - GR - HU - IE - IT - LT - LU - LV - MT - NL - PL - PT - RO - SE - SI - SK.
Please note : Frequency usage is different for each country. Your Audio-Technica agent will have all the necessary details on the
available legal frequencies for your area.
3
Statement of Compliance:-
Hereby, Audio-Technica, declares that this AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 are
in compliance with the essential requirements and other relevant provisions of Directive 1999/5/EC.
Audio-Technica vakuuttaa täten että AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 tyyppinen
laite on direktiivin 1999/5/EY oleellisten vaatimusten ja sitä koskevien direktiivin muiden ehtojen mukainen.
Hierbij verklaart Audio-Technica dat het toestel AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
in overeenstemming is met de essentiële eisen en de andere relevante bepalingen van richtlijn 1999/5/EG.
Bij deze verklaart Audio-Technica dat deze AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
voldoet aan de essentiële eisen en aan de overige relevante bepalingen van Richtlijn 1999/5/EC.
Par la présente, Audio-Technica déclare que ce AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEWR5200 est conforme aux exigences essentielles et aux autres dispositions de la directive 1999/5/CE qui lui sont applicables.
Härmed intygar Audio-Technica att denna AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 står I
överensstämmelse med de väsentliga egenskapskrav och övriga relevanta bestämmelser som framgår av direktiv 1999/5/EG.
Undertegnede Audio-Technica erklærer herved, at følgende udstyr AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEWR4100, AEW-R5200 overholder de væsentlige krav og øvrige relevante krav i direktiv 1999/5/EF.
Hiermit erklärt Audio-Technica, dass sich dieser/diese/dieses AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 in
Übereinstimmung mit den grundlegenden Anforderungen und den anderen relevanten Vorschriften der Richtlinie 1999/5/EG befindet. (BMWi)
Hiermit erklärt Audio-Technica die Übereinstimmung des Gerätes AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEWR4100, AEW-R5200 mit den grundlegenden Anforderungen und den anderen relevanten Festlegungen der Richtlinie 1999/5/EG. (Wien)
ΜΕ ΤΗΝ ΠΑΡΟΥΣΑ Audio-Technica ΔΗΛΩΝΕΙ ΟΤΙ AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEWR5200 ΣΥΜΜΟΡΦΩΝΕΤΑΙ ΠΡΟΣ ΤΙΣ ΟΥΣΙΩΔΕΙΣ ΑΠΑΙΤΗΣΕΙΣ ΚΑΙ ΤΙΣ ΛΟΙΠΕΣ ΣΧΕΤΙΚΕΣ ΔΙΑΤΑΞΕΙΣ ΤΗΣ ΟΔΗΓΙΑΣ 1999/5/ΕΚ.
Con la presente Audio-Technica dichiara che questo AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEWR5200 è conforme ai requisiti essenziali ed alle altre disposizioni pertinenti stabilite dalla direttiva 1999/5/CE.
Por medio de la presente Audio-Technica declara que el AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100,
AEW-R5200 cumple con los requisitos esenciales y cualesquiera otras disposiciones aplicables o exigibles de la Directiva 1999/5/CE
Audio-Technica declara que este AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 está
conforme com os requisitos essenciais e outras disposições da Directiva 1999/5/CE.
Společnost Audio-Technica tímto prohlašuje, že AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEWR5200 splňuje základní požadavky a další příslušné ustanovení Direktivy 1999/5/EC.
Sellega kinnitab Audio-Technica, et see AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 vastab
direktiivi 1999/5/EC põhilistele nõudmistele ja muudele asjakohastele määrustele.
Ar šo, Audio-Technica, apstiprina, ka AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 atbilst
Direktīvas 1999/5/EK galvenajām prasībām un citiem tās nosacījumiem.
Šiuo, Audio-Technica, pareiškia, kad šis AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
atitinka pagrindinius Direktyvos 1999/5/EB reikalavimus ir kitas svarbias nuostatas.
Alulírott, Audio-Technica, kijelenti, hogy a jelen AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
megfelel az 1999/5/EC irányelvben meghatározott alapvető követelményeknek és egyéb vonatkozó előírásoknak.
Hawnhekk, Audio-Technica, tiddikjara li AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
josserva l-ħtiġijiet essenzjali u dispożizzjonijiet relevanti oħra tad-Direttiva 1995/5/KE.
Audio-Technica niniejszym oświadcza, że AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
spełnia zasadnicze wymogi oraz inne istotne postanowienia dyrektywy 1999/5/EC.
S tem Audio-Technica izjavlja, da je ta AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200 v skladu
z osnovnimi zahtevami in ostalimi ustreznimi predpisi Direktive 1999/5/EC.
Spoločnosť Audio-Technica týmto vyhlasuje, že AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
spĺňa základné požiadavky a ďalšie príslušné ustanovenia Direktívy 1999/5/EC.
С настоящия документAudio-Technica декларира, че AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100,
AEW-R5200 е в съгласие с основните изисквания и съответните постановления на Директива 1999/5/ЕС.
Prin prezenta, Audio-Technica declară că acest AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200
este conform cu cerinţele principale şi cu celelalte prevederi relevante ale Directivei 1999/5/EC.
İşbu belge ile Audio-Technica, bu AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100, AEW-R5200’in 1999/5/EC
Yönetmeliği esas gereksinimlerine ve diğer şartlarına uygun olduğunu beyan eder.
С настоящият документ Audio-Technica декларира, че AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a, AEW-R4100,
AEW-R5200 е в съгласие с основните изисквания и съответните постановления на Директива 1999/5/ЕС.
Prin prezenta, Audio-Technica, declara ca urmatoarele echipamente AEW-T1000a, AEW-T5400a, AEW-T3300a, AEW-T6100a, AEW-T4100a,
AEW-R4100, AEW-R5200 sunt compatibile cu standardele si prevederile Directivei Europeane 1999/5/EC
0560
!
A full copy of the declaration of conformity with directive 1999/5/EC may be obtained from –
Audio-Technica Limited
Old Lane, Leeds, LS11 8AG, UK
www.audio-technica.com
4
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Antenna Power .................................................................................................................................................................................................. 7
Power Connections ...........................................................................................................................................................................................8
Receiver Controls and Functions .......................................................................................................................................... 9
AEW-R5200 Front Panel Controls and Functions..............................................................................................................................................9
AEW-R5200 Rear Panel Controls and Functions.............................................................................................................................................10
AEW-R4100 Front Panel Controls and Functions............................................................................................................................................11
AEW-R4100 Rear Panel Controls and Functions.............................................................................................................................................12
Menu Mode ..................................................................................................................................................................................................... 13
Quitting and Saving Changes ..........................................................................................................................................................................13
Receiver Menu Functions ...............................................................................................................................................................................14
Frequency Selection (manual) .........................................................................................................................................................................14
Frequency Selection (automatic) .....................................................................................................................................................................14
Antenna Power ................................................................................................................................................................................................ 14
Meter Hold ......................................................................................................................................................................................................14
Using “PRESET” Store and Recall ..................................................................................................................................................................14
Battery Selection and Installation ....................................................................................................................................................................16
Power On/Off ..................................................................................................................................................................................................17
System Operation ................................................................................................................................................................ 21
Turning On the Receiver .................................................................................................................................................................................21
Selecting/Setting Receiver Frequency ............................................................................................................................................................21
Setting Receiver Frequency Manually .............................................................................................................................................................21
Setting Receiver Frequency Using IntelliScan™ .............................................................................................................................................22
Turning On the Transmitter .............................................................................................................................................................................23
Setting Transmitter Frequency ........................................................................................................................................................................23
RF Power Adjustment .....................................................................................................................................................................................23
Guide to Illustrations ...............................................................................................................................................................
Receiver Location (Figure A) .............................................................................................................................................................................7
Connecting Linked Receivers (Figure B) ...........................................................................................................................................................8
AEW-R5200 Front Panel Controls and Functions (Figure C) .............................................................................................................................9
AEW-R5200 Rear Panel Controls and Functions (Figure D) ............................................................................................................................ 10
AEW-R4100 Front Panel Controls and Functions (Figure E) ...........................................................................................................................11
AEW-R4100 Rear Panel Controls and Functions (Figure F) ............................................................................................................................12
Installing Batteries in Handheld Transmitter (Figure M) ..................................................................................................................................16
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Introduction
Thank you for choosing an Audio-Technica professional wireless
system. You have joined thousands of other satisfied customers who
have chosen our products because of their quality, performance and
reliability. This Audio-Technica wireless microphone system is the
successful result of years of design and manufacturing experience.
Recent advances in the quality and sophistication of professional
live-sound systems have been nothing short of revolutionary. Tours,
clubs, broadcast events, corporate facilities and worship venues
sound better than ever, utilizing better system design and better
components in the audio chain.
That’s why Audio-Technica has been partnering with industry
professionals on the front line of this revolution — the top touring
companies, award show designers, FOH and monitor engineers,
audio consultants and artists — to learn what it takes to make the
best-sounding, most reliable and consistent microphones for the livesound industry.
We listened carefully. Then, we applied this knowledge to the
creation of the Artist Elite® line of high-performance microphones
and wireless systems. Our ultimate design goal was this: Each
model must extend the performance of a sound system, not limit it.
Artist Elite Systems
Artist Elite 4000 Series and 5000 Series wireless systems by
Audio-Technica share a range of transmitters in common, both
body-pack and handheld types. The difference between the two
series is simply in the choice of receiver:
4000 Series AEW-R4100 half-rack single receiver with multi-unit,
multi-channel control linking.
5000 Series AEW-R5200 full-rack independent dual receiver
with multi-unit, multi-channel control linking, plus
Ethernet computer-control connection, and software
for graphical user interface. In addition a “pass through” AC outlet on each receiver with included
AC jumper cable permits daisy-chaining of an entire
AEW-R5200 receiver stack, freeing AC outlets for
other equipment.
Four handheld mic/transmitters with different Artist Elite microphone
capsules:
• AEW-T3300a Handheld mic/transmitter with AEW-C3300
cardioid condenser capsule
• AEW-T4100a Handheld mic/transmitter with AEW-C4100
cardioid dynamic capsule
• AEW-T5400a Handheld mic/transmitter with AEW-C5400
cardioid condenser capsule
• AEW-T6100a Handheld mic/transmitter with AEW-C6100
hypercardioid dynamic capsule
All components in the 4000/5000 Series may be used together in
a variety of unit combinations and system configurations to create
extremely flexible and powerful solutions for a variety of applications.
4000/5000 Series systems and components operate on up to
996 frequencies in six UHF frequency bands to provide flexible
performance in a wide variety of regions worldwide:
Frequency Range Num. of Freq
Band C: 541.500 to 566.375 MHz 996
Band D: 655.500 to 680.375 MHz 996
Band E: 795.500 to 820.000 MHz 981
Band F: 840.125 to 864.900 MHz 953
Band G: 721.500 to 746.375 MHz 996
For simplicity, model numbers used throughout this manual will
reference only the basic model number without the band indications.
The IntelliScan™ automatic channel assignment system, provided
on both the 4000 and 5000 Series receivers, greatly simplifies the
selection of usable frequencies in both single-channel and multichannel wireless systems. The receivers are first linked together
with included communication cables. The selected “Master” receiver
then “knows” how many total channels it is looking for. It can scan
the available frequencies, checking for local interference sources,
selecting a group of channels that will all work together (using a
built-in frequency plan), and automatically setting the other receivers
accordingly. Once this procedure is completed, it’s just a matter of
setting the transmitter frequencies to match those of the receivers.
Both Artist Elite receiver models feature True Diversity reception.
Two antennas feed two completely independent RF sections on the
same frequency; automatic logic circuitry continuously compares and
selects the superior received signal, providing better sound quality and
reducing the possibility of interference and dropouts. Both receivers
offer a choice of up to 996 operating frequencies in a 25 MHz-wide
UHF frequency range. 25 kHz frequency spacing enables the systems
to easily find an open frequency in crowded RF environments.
Transmitter models in the Artist Elite Series include:
A UniPak® body-pack transmitter:
• AEW-T1000a UniPak body-pack transmitter
Artist Elite® Series components feature an advanced digital
Tone Lock™ squelch system and unique Dual Compander design
(patents pending). As a result, Artist Elite Series transmitters and
receivers must be used together in Tx-Rx pairs and should not
be mixed with components from other Audio-Technica wireless
systems, or with those of other manufacturers.
All Artist Elite Series components feature soft-touch controls for
quick, easy access to a formidable range of functions; a backlit LCD
information display in each unit provides convenient visual indication
of unit settings and operation. Digital data sent by the transmitters is
available for display on the receivers.
Multi-channel Systems
Artist Elite® systems provide extensive monitoring and control
facilities. Transmitter data, in addition to being available at the
transmitter, is conveyed in digital form to and displayed on the
associated receiver.
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
7
Linked systems: Both Artist Elite receivers provide linking jacks and
cables. AEW-R4100 and AEW-R5200 receivers may be combined in
linked multi-channel systems, if desired.
Ethernet-based monitoring and control (AEW-R5200): Some
wireless systems on the market offer remote control/monitoring of
the receiver via a serial interface, but the Audio-Technica AEW-R5200
receiver takes this a significant step further by including control
over IP using standard networking protocol and Ethernet interfacing.
This permits receivers in a system to be integrated, monitored and
controlled from a single computer in real-time. And not only can
an individual channel of an individual receiver be examined and its
settings modified: if the transmitter on that channel is activated,
thanks to the digital data link, data from the associated transmitter
can also be monitored.
Because standard control over IP is used, Ethernet-connected AEW
systems can range from a single laptop controlling a free-standing
multi-channel system, to local area network-based systems, to
systems controlled via the Internet, even from great distances.
Complete setup and operating information for computer-connected
AEW systems will be found in the separate Computer Interface
manual provided with AEW-R5200 receivers and 5000 Series systems.
Transmitters
The versatile AEW-T1000a UniPak® body-pack transmitter features
a metal case and includes field-replaceable helical and flexiblewire antennas. It has both low- and high-impedance inputs plus
a bias connection, for use with dynamic and electret condenser
microphones, as well as Hi-Z instrument pickups. In addition to its
programmable functions, the transmitter includes a three-position
sliding control cover to limit access, if desired, to only the Power/
Mute button, or to no controls at all, as appropriate for the application
and/or user.
The handheld microphone/transmitters feature metal-body
construction. Four models are available, incorporating a variety of
capsules from the Artist Elite wired-microphone series created for
professional live-sound venues.
All Artist Elite Series transmitters use two 1.5V AA batteries for
economical operation and wide availability. The receiver and both
transmitters have “fuel gauge” battery condition indicators with lowbattery warnings.
Please note that in multiple-system applications there must be a
transmitter-receiver combination set to a separate frequency for each
input desired (only one transmitter for each receiver). Because the
wireless frequencies are within UHF TV frequency bands, only certain
operating frequencies may be usable in a particular geographic area.
Also, only certain of the available operating frequencies may be used
together. Operating frequencies and IntelliScan frequency groupings
will be found on page 25. (Use of the IntelliScan channel assignment
system will determine and set appropriate frequencies automatically.)
Receiver Installation
Location
For best operation the receiver should be at least 1 m (3 ft.) above
the ground and at least 1 m (3 ft.) away from a wall or metal surface
to minimize reflections. The transmitter should be at least 1 m (3 ft.)
from the receiver, as shown in Figure A. Keep antennas away from
noise sources such as digital equipment, motors, automobiles and
neon lights, as well as away from large metal objects.
Fig. A
Output Connections
There are two audio outputs on the back panel: an XLR Mic Output
and a 1/4" (6.3 mm) phone jack Instrument Output. The two isolated
audio outputs permit simultaneous feeds to two different inputs.
AEW-R4100: This receiver offers a balanced XLR Mic jack and an
unbalanced Instrument 1/4" TS phone jack. Output levels of both are
adjusted by the rear-panel Attenuator (ATTN) switch.
AEW-R5200: Since there are two independent channels of receiver
in the AEW-R5200, there are two sets of output jacks. All audio
outputs on the AEW-R5200 are transformer-isolated and balanced.
The ground connections of both outputs on each receiver channel
may be interrupted (“lifted”) by use of their associated Ground Lift
switch. This permits feeding mixers with different ground levels
without an additional external splitter. The Instrument output is a
balanced 1/4" TRS jack with “audio +” on the Tip, “audio –” on the
Ring and ground (shield) on the Sleeve. The rear-panel Attenuator
(ATTN) switch for each receiver channel adjusts levels of both
outputs in its channel. Use the appropriate shielded audio cable for
connections between the receiver and the input(s) of the mixer or
other equipment.
Antennas
Attach a pair of UHF antennas to the antenna input jacks. The
antennas are normally positioned in the shape of a “V” (both
45° from vertical) for best reception. In addition to rotating at the
connector, the included half-wave antennas pivot from straight to
right-angle.
Antennas can be remotely located from the receiver. However, due
to signal loss in cables at UHF frequencies, use the lowest-loss RF
cables practical for any cable runs over 25 feet. RG8-type is a good
choice. Use only copper-shielded cable, not CATV-type foil-shielded
wire. Audio-Technica offers auxiliary antennas and quality RF cables
in four lengths.
Antenna Power
The antenna input jacks also can provide +12V DC output on their
center pins to power inline RF devices. A maximum of 20 mA can be
drawn from each of the jacks. While an accidental short-circuit will
8
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
not harm the internal 12V supply, make certain that an antenna cable
shield does not contact the center conductor. Antenna Power (“ANT.
PWR”) is selected (switched on or off) from the LCD menu. (On the
AEW-R5200, Antenna Power will be found in the menu on Channel
1 only.)
Front-mount Antennas
AEW-R4100: Provision has been made to move the antenna jacks
from the rear to the front of the receiver. However, because this
involves opening the receiver case and exposing AC power circuitry,
instructions are not included in this manual. A qualified service
technician must perform this modification.
AEW-R5200: BNC-to-BNC connectors and jumper cables are included
with the unit to permit mounting antennas on the front panel.
• BNC-BNC through-panel connectors: Remove the nut and
lock-washer from each connector. Install the connectors from
the front into the two panel holes. Note that the flat on the
threaded section must be aligned with the flat in each panel
hole. Secure each connector from the back with its lock washer and nut, tightening the nut firmly.
• BNC-BNC cable jumpers: Connect the jumpers to the rear
antenna jacks first; then attach them to the BNC connectors on
the front panel. Make certain the bayonet twist-rings are fully
latched on the connectors at both ends.
AEW-R5200: Press and release the Phones Level control knob to
switch headphone monitoring from Channel 1 to Channel 2 and
back again. Small, lighted indicators just above the knob show which
receiver channel is being monitored.
Power Connections
The switching power supply is designed to operate properly from
any AC power source 100–240V, 50/60 Hz without user adjustment.
Simply connect the receiver to a standard AC power outlet, using
only an IEC-type input cordset approved for the country of use.
Power to the unit is controlled by the front-panel Power switch.
AEW-R5200: An auxiliary AC “jumper” (pass-through) outlet is
provided on the rear panel, and a ”jumper” power cordset is included,
to simplify power connections by “daisy-chaining” an array of AEWR5200’s. Maximum output from the auxiliary outlet is 5 Amperes,
which will easily handle a full complement of AEW-R5200 units.
“Link” Connections
Artist Elite Series multi-channel systems can comprise all AEW-R4100,
all AEW-R5200, or combinations of AEW-R4100 and AEW-R5200
receivers. The exclusive IntelliScan™ channel assignment system
provides easy, automatic scanning of the RF spectrum and assignment
of usable, compatible frequencies to all linked AEW receiver channels.
Both AEW receiver models can be interconnected using Link In/Out
jacks and included link cables. In addition, the AEW-R5200 offers a
built-in Ethernet 10 BaseT connection, with interface software provided
on CD-ROM. See the separate AEW Control Interface manual provided
with AEW-R5200 receivers and 5000 Series systems.
All AEW receivers in a linked multi-channel system should be
interconnected with included link cables. When the system is
properly configured, the “slave” units will “link data in” to the
“Master” unit. (See Figure B for an example.)
1. First, decide which receiver will be the “Master” unit. Connect
a link cable to the Link In jack only. (In an AEW-R5200, the
Channel 1 unit is the Master and Channel 2 becomes the first
“slave.”)
2. Connect the free end of the link cable from the Master unit (in
#1 above) to the Link Out jack of the desired “next” unit.
3. Connect one end of a new link cable to the Link In jack of the
unit in #2 above.
4. Connect the free end of the link cable from the unit in #2
above to the Link Out jack of the desired “next” unit.
5. Continue this process of “daisy-chaining” the system’s
receivers together with link cables. The “last” unit in the
system will have a cable connected to its Link Out jack, but no
connection to its Link In jack.
Installing link cables starting with the last slave unit and working
toward the Master unit is also acceptable practice.
The attachment order of link cables establishes the numerical order
of the receivers in the multi-channel system, from the selected
Master unit through all the slave units. (In the case of AEW-R5200
receivers, a unit’s Channel 1 always comes before its Channel 2.)
In a multi-channel system that includes both models of receivers,
it’s common practice to position all the AEW-R5200 units first in the
chain; followed by any AEW-R4100 units.
Note 1: For the receiver linking to work, all receivers in the system
must have AC power applied at the same time, or the Master
receiver must be turned on last.
Note 2: In addition, if AC power is interrupted or a link connection
is broken at any receiver in a linked system, even for an instant,
receivers from that unit onward are no longer linked to the system.
When all power and linking have been restored, the system must
be restarted by turning all the receivers Off, then On (all turned on
simultaneously, or the Master receiver must be turned on last). This
will re-initialize the system and re-establish all the data links.
Fig. B
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R5200
ON
OFF
AEW-R5200
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R5200
ON
OFF
AEW-R5200
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R5200
ON
OFF
AEW-R5200
ON
OFF
AEW-R4100
AEW-R4100SLV 7
PHONES
ON
OFF
PHONES
POWER
POWER
POWER
POWER
MIN–
–MAX
LEVEL
POWER
MIN–
–MAX
LEVEL
PUSH SEL
OUTPUT
LEVEL
PHONES
MIN MAX
PUSH SEL
OUTPUT
LEVEL
PHONES
MIN MAX
PUSH SEL
OUTPUT
LEVEL
PHONES
MIN MAX
ALERT
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R4100
SLV 6
ALERT
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R4100
MODE/SET
RX NAME
MASTERSLV 1
MODE/SET
RX NAME
SLV 2SLV 3
MODE/SET
RX NAME
SLV 4SLV 5
MODE/SET
RX NAME
MODE/SET
RX NAME
MODE/SET
RX NAME
MODE/SET
RX NAME
MODE/SET
RX NAME
LINKS
OUT (N/A)
IN
OUT
IN
OUT
IN
OUT
IN
OUT
OUT (N/A)
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
9
Ethernet connections (AEW-R5200):
An RJ-45 jack on the rear panel of each AEW-R5200 provides an
Ethernet 10 BaseT data/control connection from both of its channels
to an external computer system. Data monitored includes actual, realtime “RF” and “AF” levels for receiver channels with direct Ethernet
connections to the associated computer. All other linked receivers in
a system supply control-function access and all their data – except
for “RF” and “AF” levels – to the computer connected to the Master
receiver.
Multiple AEW-R5200 receivers in a system can each provide realtime “RF” and “AF” levels to the associated computer if each
AEW-R5200 has its own Ethernet connection, through an Ethernet
hub, to the computer.
Receiver Controls and Functions
Fig. C AEW-R5200 Receiver Front Panel
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R5200
ON
POWER
OFF
OUTPUT
PHONES
PUSH SEL
LEVEL
MIN MAX
RX NAME
Other than being able to “see” the “RF” and “AF” levels, all
functions of all receivers in a linked system can be monitored and
controlled from the computer connected to the Master receiver.
Details of the computer setup and operation will be found in a
separate AEW Control Interface manual provided with AEW-R5200
receivers and 5000 Series systems.
MODE/SET
RX NAME
MODE/SET
2
3
13
1
4
58
6
Front Panel Controls and Functions (Fig. C)
1 POWER SWITCH: Press the power switch to turn the receiver
on. After a short power-up sequence, the display shows the
operating frequency and the alert light is illuminated (if no active
transmitters are present on this frequency). The receiver may also
display a system position (i.e., “MASTER”, “SLV-#”) or an
assigned transmitter or receiver name (if this feature has been
set up—the display recalls the setting from the last time power
was applied). Refer to page 13 on setting up receiver names or
page 18 on setting up transmitter names.
2 HEADPHONE OUTPUT: 1/4" (6.3 mm) TRS (“stereo”) phone jack
provides monitoring of the receiver’s output. Plug in either a
mono or "stereo" headphone to monitor receiver signal.
Note: On an operating unit, be careful not to press the Power
switch accidentally when inserting a headphone jack or adjusting
the headphone level. In addition to interrupting receiver operation,
even a momentary loss of power to a single unit within a linked
multi-channel system will cause the loss of linking connection to the
affected receiver and all those “downstream” from it.
3 HEADPHONE LEVEL CONTROL / CHANNEL SWITCH: This
control is used to set a comfortable listening level for the
headphone jack; it does not affect receiver audio output. Turn the
control clockwise to increase the level. Press-and-release the knob
to switch between Channel 1 and Channel 2.
4 HEADPHONE CHANNEL INDICATOR: Shows which receiver
channel is feeding the monitor headphones.
7
9
10
11
12
13
Channel 1 / Channel 2
5 / 9 ALERT INDICATOR: The alert light illuminates to indicate to the
user that something needs attention; for example, the transmitter
batteries are low, or the transmitter is muted or turned off.
The Alert Indicator lights:
(a) When the receiver is in the Mute mode,
(b) When no RF signal is received from the transmitter,
(c) When only one or two RF signal-strength bars are on,
(d) When the transmitter is in the Mute mode,
(e) When audio modulation level from the transmitter is close to
the clipping point (AF +6 bar), or
(f) When the “LOW BAT” warning appears in the LCD
(transmitter battery is weak).
6 / 10 LCD WINDOW: Liquid Crystal Display indicates control settings
and operational readings. It is also used in conjunction with the
Mode/Set and Up/Down arrow buttons to change user-configurable
functions. See Figure G on page 12 for details.
7 / 11 UP/DOWN BUTTONS: Press Up or Down arrow button, in
conjunction with the Mode/Set button, to scroll through the
function menu in Menu mode or through the available choices
for a given function in Edit mode. When the receiver is in
normal operating mode, the Up/Down arrow buttons scroll
through Receiver Address (“MASTER” or “SLV-#”), Receiver
Preset Name, or Transmitter Preset Name.
10
POWER
ON
OFF
MODE/SET
MODE/SET
OUTPUT
PHONES
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R5200
MIN MAX
PUSH SEL
LEVEL
RX NAME
RX NAME
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Receiver Controls and Functions (Continued)
8 / 12 MODE/SET BUTTON: Use in conjunction with the Up/Down
arrow buttons to step through menus, choose operating
frequency and select receiver function options. The Mode/
Set button has different functions depending on the status of the
receiver. Two distinct operations are associated with this button:
Touch: A momentary press of the Mode/Set button. It is used to
enter Menu mode, to enter Edit mode, or to Escape
without making any changes to current settings.
Fig. D AEW-R5200 Receiver Rear Panel
BALANCED
18
MIC OUTPUT
GROUND
LIFT
19
GROUND
NETWORK
INTERFACE
2021
IN
ANT. A
IN
ANT. B
EXTERNAL
MUTE
INSTRUMENT
OUTPUT
3114 15 16
0/-6/-12
ATTN (dB)
(BAL)
17
Rear Panel Controls and Functions (Fig. D)
14 ANTENNA INPUT JACK: BNC-type antenna connector for Tuner
“B.” Attach the antenna directly, or extend it with a low-loss
antenna cable. See the ”Antennas” section on page 7 for more
details. Antenna power at +12 volts is available at both antenna
jacks; select it via the LCD menu on Channel 1.
15 / 22 EXTERNAL MUTE: Permits manual and absolute muting of
the receiver via a 1/4" TS phone jack and a user-provided external
switch. “Shorting” the jack (closing the switch connection) mutes
the receiver channel. When External Mute has been applied, the
only way to un-mute the receiver is to open the External Mute
switch connection.
16 / 23 INSTRUMENT OUTPUT JACK: 1/4" transformer-isolated TRS
balanced phone jack output. Tip: “audio +”; Ring: “audio –”;
Sleeve: ground (shield). Can be connected to an aux-level input
of a mixer, guitar amp or tape recorder. Using the associated
Ground Lift switch permits feeding equipment with different
ground levels.
17 / 24 AF OUTPUT ATTENUATOR: Three-position switch adjusts
audio output level of both audio output jacks, with attenuation of
0 dB, –6 dB or –12 dB.
18 / 25 MIC OUTPUT JACK: XLRM-type connector. Pin 1: ground
(shield); Pin 2: “audio +”; Pin 3: “audio –”. A standard 2-conductor
shielded cable can be used to connect the receiver output to a
balanced microphone-level input on a mixer or integrated
amplifier. This output is transformer-isolated from the 1/4" TRS
Instrument output jack.
19 / 26 GROUND LIFT SWITCH: Disconnects the ground of both the
Mic and Instrument output jacks on the associated receiver
channel. Normally, the switch should be to the right (ground
connected). If hum caused by a ground loop occurs, slide switch
to the left (ground lifted).
Hold: A press and hold (about two seconds) of the Mode/Set
button. It is used to accept a new setting when the
receiver is in Edit mode or to save the current settings to
one of the five user-defined name presets or the internal
memory location (“NAME?”).
13 FRONT-MOUNT ANTENNAS: Cables and panel connectors are
included with the AEW-R5200 to permit attaching antennas at the
front panel.
30
AC
˜
100V-240V
50/60Hz
OUTPUT
5A/500W MAX
WARNING:
THIS APPARATUS
MUST BE EARTHED.
EXTERNAL
MUTE
22
INSTRUMENT
OUTPUT
(BAL)
23
0/-6/-12
ATTN (dB)
24
25
BALANCED
MIC OUTPUT
GROUND
LIFT
26
GROUND
27
IN
LINK
OUT
28
29
20 NETWORK INTERFACE CONNECTOR: An Ethernet connection
on the AEW-R5200 provides full communication and monitor/
control by an associated computer. See the separate AEW Control
Interface manual for computer setup and operation.
21 ANTENNA INPUT JACK: Connector for Tuner “A.” Attach the
antenna directly, or extend it with a low-loss antenna cable.
Antenna power at +12 volts is available at both antenna jacks.
27 LINK IN JACK: Connect the provided cable to this jack with the
index mark on the plug aligned toward the screw head to the right
of the jack. The receiver with a Link In and no Link Out connection
is the “Master” unit. (With an AEW-R5200 in the Master position,
its Channel 1 is the system’s Master and its Channel 2 is the first
“slave.”)
28 LINK OUT JACK: Connect the provided cable to this jack with the
index mark on the plug aligned toward the screw head to the right
of the jack. The receiver with a Link Out and no Link In connection
is the last slave in a multi-unit system.
29 AUXILIARY AC OUTLET: An auxiliary AC pass-through outlet and
included “jumper” power cordset simplify making power
connections to an array of AEW-R5200’s. Maximum output from
the auxiliary AC outlet is 5 Amperes.
30 AC POWER INPUT: IEC-type connector for 100V–240V AC,
50/60 Hz power input. No adjustment for mains voltage/
frequency is necessary.
31 REAR RACK MOUNT: Mounts are provided at the rear of the side
panels to permit attachment to rear rack rails in racks so equipped.
The additional support is especially helpful when equipment is
transported.
31
Fig. E AEW-R4100 Receiver Front Panel
ON
POWER
OFF
ALERT
11
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
MODE/SET
RX NAME
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R4100
–MAX
LEVEL
35
34
36
37
38
39
33
PHONES
32
MIN–
Front Panel Controls and Functions (Fig. E)
32 POWER SWITCH: Press the power switch to turn the receiver
on. After a short power-up sequence, the display shows the
operating frequency and the alert light is illuminated (if no active
transmitters are present on this frequency). The receiver may also
display a system position (i.e., “MASTER”, “SLV-#”) or an
assigned transmitter or receiver name (if this feature has been
set up—the display recalls the setting from the last time power
was applied). Refer to page 13 on setting up receiver names or
page 18 on setting up transmitter names.
33 HEADPHONE OUTPUT: 1/4" (6.3 mm) TRS (“stereo”) phone jack
provides monitoring of the receiver’s output. Plug in either a
mono or "stereo" headphone to monitor receiver signal.
Note: On an operating unit, be careful not to press the Power
switch accidentally when inserting a headphone jack or adjusting
the headphone level. In addition to interrupting receiver operation,
even a momentary loss of power to a single unit within a linked
multi-channel system will cause the loss of linking connection to the
affected receiver and all those “downstream” from it.
34 HEADPHONE LEVEL CONTROL: This control is used to set a
comfortable listening level for the headphone jack; it does not
affect receiver audio output. Turn the control clockwise to
increase the level.
35 ALERT INDICATOR: The alert light illuminates to indicate to the
user that something needs attention; for example, the transmitter
batteries are low, or the transmitter is muted or turned off.
39
37 UP/DOWN BUTTONS: Press Up or Down arrow button, in
conjunction with the Mode/Set button, to scroll through the
function menu in Menu mode or through the available choices
for a given function in Edit mode. When the receiver is in
normal operating mode, the Up/Down arrow buttons scroll
through Receiver Address (“MASTER” or “SLV-#”), Receiver
Preset Name, or Transmitter Preset Name.
38 MODE/SET BUTTON: Use in conjunction with the Up/Down arrow
buttons to step through menus, choose operating frequency and
select receiver function options. The Mode/Set button has
different functions depending on the status of the receiver. Two
distinct operations are associated with this button:
Touch: A momentary press of the Mode/Set button. It is used to
enter Menu mode, to enter Edit mode, or to Escape
without making any changes to current settings.
Hold: A press and hold (about two seconds) of the Mode/Set
button. It is used to accept a new setting when the
receiver is in Edit mode or to save the current settings to
one of the five user-defined name presets or the internal
memory location (“NAME?”).
39 MOUNTING ADAPTERS: For mounting the receiver in any
standard 19" rack. Attach to the receiver with the screws
supplied. (Use an optional AT8628a joining-plate kit to mount two
AEW-R4100 receivers side by side.)
The Alert Indicator lights:
(a) When the receiver is in the Mute mode,
(b) When no RF signal is received from the transmitter,
(c) When only one or two RF signal-strength bars are on,
(d) When the transmitter is in the Mute mode,
(e) When audio modulation level from the transmitter is close to
the clipping point (AF +6 bar), or
(f) When the “LOW BAT” warning appears in the LCD
(transmitter battery is weak).
36 LCD WINDOW: Liquid Crystal Display indicates control settings
and operational readings. It is also used in conjunction with the
Mode/Set and Up/Down arrow buttons to change user configurable functions. See Figure G on page 12 for details.
12
UHF SYNTHESIZED DIVERSITY RECEIVER AEW-R4100
ALERT
MODE/SET
POWER
ON
OFF
PHONES
MIN–
LEVEL
–MAX
RX NAME
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Receiver Controls and Functions (Continued)
Fig. F AEW-R4100 Receiver Rear Panel
Rear Panel Controls and Functions (Fig. F)
40 ANTENNA INPUT JACK: BNC-type antenna connector for Tuner
“B.” Attach the antenna directly, or extend it with a low-loss
antenna cable. See the “Antennas” section on page 7 for more
details.
41 INSTRUMENT OUTPUT JACK: 1/4" phone jack. Can be connected
to an aux-level input of a mixer, guitar amp or tape recorder. On
the AEW-R4100, this is an unbalanced TS phone jack.
42 AF OUTPUT ATTENUATOR: Three-position switch adjusts audio
output level of both audio output jacks with attenuation of 0 dB,
–6 dB or –12 dB.
43 MIC OUTPUT JACK: XLRM-type connector. A standard
2-conductor shielded cable can be used to connect the receiver
output to a balanced microphone-level input on a mixer or
integrated amplifier.
44 GROUND LIFT SWITCH: Disconnects the ground pin of the
balanced output jack (43) from ground. Normally, the switch
should be to the right (ground connected). If hum caused by a
ground loop occurs, slide switch to the left (ground lifted).
43
BALANCED
MIC OUTPUT
GROUND
LIFT
GROUND IN
44
45
–
LINK – OUT
46
IN
ANT. A
WARNING:
THIS APPARATUS MUST BE EARTHED.
47
48
AC
˜
100V-240V
50/60Hz
ANT. B
40
IN
INSTRUMENT
0/-6/-12
ATTN (dB)
OUTPUT
(UNBAL.)
42
41
Fig. G Receiver LCD Window
55
T X LO
T X HI
T X LOCK
RX LOCK
T X NAME
RX NAME
58
57
56
59
4951
5054
53
52
51 TRANSMITTER BATTERY INDICATOR: Displays a maximum of
four bar segments, with four bars indicating full power.
45 LINK IN JACK: Connect provided cable to this jack with the index
mark on the plug aligned toward the screw head above the jack.
The receiver with a Link In and no Link Out connection is the
“Master” unit.
46 LINK OUT JACK: Connect provided cable to this jack with the
index mark on the plug aligned toward the screw head above the
jack. The receiver with a Link Out and no Link In connection is the
last unit in a multi-unit system.
47 ANTENNA INPUT JACK: Connector for Tuner “A.” Attach the
antenna directly, or extend it with a low-loss antenna cable.
48 AC POWER INPUT: IEC-type connector for 100V–240V AC,
50/60 Hz power input. No adjustment for mains voltage/
frequency is necessary.
49 RF SIGNAL LEVEL INDICATOR: Shows the strength of the RF
signal received from the transmitter. Also indicates which Tuner
(A or B) has the better reception and is in operation. When the
METER HOLD function is on, the lowest-level RF signal received
from the transmitter is indicated by a flashing bar.
50 ALPHANUMERIC DISPLAY: Shows Receiver Name (57),
Transmitter Name (57), or Link Address (MASTER, or SLV and the
slave number). The factory setting displays “DEF” in Receiver
Name mode (“RX NAME”). Once the settings have been
changed, the unit will display the last setting and mode selected.
Also flashes the “LOW.BAT” warning when the associated
transmitter’s batteries are weak.
52 FREQUENCY DISPLAY: Indicates the current frequency setting
in MHz.
53 “EDIT”: Appears and flashes when the receiver is in edit mode.
54 TRANSMITTER RF POWER DISPLAY: Indicates either “TX LO”
or “TX HI”.
55 “TX LOCK”: Appears when the transmitter is in one of its three
lock settings (ALL.LOC, MUT.LOC or PWR.LOC).
56 “RX LOCK”: Appears when the receiver is in one of its three lock
settings (ALL.LOC, PC.LOC or RX.LOC).
57 TX/RX NAME: Indicates whether the transmitter name or the
receiver name is displaying in the top line of the LCD display.
58 “MUTE”: Appears when the receiver or transmitter is muted,
when the receiver is not receiving an audio signal, or when the
receiver is externally muted by use of the EXTERNAL MUTE jack.
59 AF LEVEL INDICATOR: Shows the audio modulation level of
the received signal. When the METER HOLD function is on, the
bar corresponding to the highest level reached will stay lit.
13
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Changing receiver settings
Touch: A momentary press of the Mode/Set button. It is used
to enter Menu mode, to enter Edit mode, or to Escape
without making any changes to current settings.
Hold: A press and hold (about two seconds) of the Mode/
Set button. It is used to accept a new setting when
the receiver is in Edit mode or to save the current
settings to one of the five user-defined name
presets or the internal memory location (“NAME?”).
Enter Menu mode
With the receiver in the normal operating mode, touch the Mode/Set
button. The top line of the receiver display shows “FRQ” preceded
by one, two, or three asterisks.
Touch the Up/Down arrow buttons to scroll through the available
functions that may be changed. (See the chart on page 15 for a list
of functions and display indication.) Note that the display’s lower line
indicates the current setting for a given function.
Enter Edit mode
When the function to be edited is displayed, touch the Mode/Set
button. The small word “EDIT” flashes in the bottom of the display,
indicating Edit mode.
Touch the Up/Down arrow buttons to scroll through the available
choices for the function, stopping on the desired choice.
Saving updated settings to the currently loaded user
“PRESET#” location
To update the receiver settings in the currently loaded user preset
that is already named, hold the Mode/Set button. The display shows
“STORE XXXXXX” (where XXXXXX indicates the preset’s name).
Hold the Mode/Set button a second time. The first character of the
name flashes.
Hold the Mode/Set button a third time. The display briefly shows
“STORED”, and the receiver reverts to normal operation.
Saving to a different user PRESET# location
To store settings to a different user preset location, hold the Mode/
Set button. The receiver shows “STORE XXXXXX” (where XXXXXX
indicates the loaded preset’s name).
Touch the Up/Down buttons to scroll to another preset location
(the display shows the user-defined name for each location, or
“PRESET#” if no name has been assigned).
At the desired preset location, hold the Mode/Set button. The first
character of the name becomes the cursor and flashes.
Touch the Up/Down arrow buttons to scroll through the characters
until the desired character is displayed. Touch the Mode/Set button
to accept the character and advance to the next character. To
advance the cursor without changing the character, touch the Mode/
Set button.
Hold the Mode/Set button to accept the new choice. “STORED”
appears in the display when the choice is accepted. The receiver
then reverts to Menu mode.
Continue this process until all desired function-setting changes are
complete.
Note: To escape from Edit mode without making any changes, touch
the Mode/Set button. “ESCAPE” appears briefly in the display, and
the receiver reverts to Menu mode.
Quitting and saving changes
The receiver has several methods of saving function settings. Each
receiver has five loadable user presets that may be given individual
names (up to six characters), along with a special, non-loadable
memory location called “NAME?” that can store the most recent
settings until they are changed.
To save a set of receiver function settings, use the Up/Down arrow
buttons to scroll until the display shows “QUIT.” The procedure for
saving the current settings depends upon the desired location:
Saving to the “NAME?” location
If the current receiver settings do not need to be identified with a
name, the special “NAME?” location may be used to store them. As
with the “last number redial” function on a telephone, these settings
remain stored in the receiver even if power is turned off. They
disappear only if one of the settings is modified.
After setting the last character, hold the Mode/Set button to store the
name and revert to normal operation. Holding the Mode/Set button at
any time during the naming process while the cursor is flashing will
store the setting and return the receiver to normal operation.
Note: To escape the naming process, touch the Mode/Set button
repeatedly until the last character is flashing, and then touch the
Mode/Set button again to escape. At the flashing “ESCAPE” display,
touch the Mode/Set button to go back to the beginning of the name,
or hold the Mode/Set button to return to “QUIT.”
Note: While the receiver is in Edit mode, no action (no buttons
pressed) for approximately 30 seconds causes the receiver to revert
to Menu mode.
While the receiver is in Menu mode, no action for approximately 30
seconds causes the receiver to revert to normal operating mode. Any
setting changes stored will remain in the “NAME?” memory location,
and the receiver will display “NAME?” because the settings were
not saved to a user preset. This will occur even if a user preset was
previously loaded.
To store settings in the “NAME?” location, touch the Mode/Set
button. The display shows “NAME?” for the receiver name.
14
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Receiver Controls and Functions (Continued)
Receiver Menu Functions
Frequency Selection (manual)
See “Setting Receiver Frequency Manually” on page 21.
Frequency Selection (automatic)
See “Setting Receiver Frequency Using IntelliScan™” on page 22.
Lock
Programmable locks restrict the ability to change receiver settings,
reducing the possibility of unauthorized access or unintended
changes during performances.
Setting Description
NO.LOCReceiver functions and frequency settings can
be edited from the receiver’s front panel or from
an associated computer via an Ethernet connection
to a linked AEW-R5200.
ALL.LOCReceiver functions and frequency settings cannot
be edited from the front panel or from a computer
via an Ethernet connection to a linked AEW-R5200.
ALL.LOC must be changed via the receiver’s Menu
before other settings can be changed.
PC.LOCReceiver functions and frequency settings can be
edited from the receiver’s front panel, but they
cannot be edited from an associated computer (via
an Ethernet connection to a linked AEW-R5200).
RX.LOCReceiver functions and frequency settings can be
edited from an associated computer (via an Ethernet
connection to a linked AEW-R5200), but they cannot
be edited from the receiver’s front panel.
When any lock condition is applied to a receiver (ALL., RX. or PC.),
the LCD window displays a small “RX LOCK” just to the right of
the frequency. If an action is attempted that currently is locked out,
the LCD will briefly display “LOCKED”, then return to its previously
displayed contents.
Note: Locks remain in place even when receiver power is turned off.
However, locks may be removed by using the Menu.
Antenna Power
This function turns on the 12V AC antenna power for use with
powered antennas or accessories.
Squelch
The Artist Elite Series employs a unique digital Tone Lock™
squelch system that provides enhanced rejection of interference. In
addition to providing highly effective control of unwanted noise, the
Tone Lock signal from the transmitter also conveys data with the
transmitter’s name (Tx Name), battery condition, mute status and
lock status back to the receiver for display. In addition to displaying
in the receiver’s LCD window, the data are also displayed on an
Ethernet-connected computer.
The squelch level is adjustable in fifteen 2 dB steps, providing a 30
dB range. Increasing the squelch level – also called “tightening the
squelch” – can cause a reduction in usable range of the wireless
transmitter, so use the lowest value that reliably mutes the unwanted
RF signals. (If interference is a problem, first consider trying a
different frequency, either manually or by scanning.)
Meter Hold
When activated (“METER HOLD”), this function permits the bar
meters in the LCD window to capture and display the highest-level
“AF” audio modulation (a solid bar) and the lowest-level “RF” signal
(a flashing bar) received from the transmitter. This is particularly
useful when setting up the system initially, performing a soundcheck, or diagnosing operating problems. The default setting is Off
(“METER NORMAL”).
When the Meter Hold is On, it is possible to reset it – to obtain a
new set of RF and AF readings – without turning it off-and-on using
the Menu/Edit functions. Simply press the transmitter’s Power/
Mute button once (to mute the transmitter) and wait until the
receiver’s Alert light comes on, indicating the Mute condition. Then
press the transmitter’s Power/Mute button once again, to un-mute
the transmitter. After the Alert light goes out, a new set of min/
max RF/AF readings will be indicated on the bar meters. (Note that,
depending upon the digital updating-and-confirming sequence of the
Mute condition data from the transmitter, it can take from a few to
many seconds for the Alert light condition to change. The Meter Hold
readings are not reset until the Alert light has turned on, then off.)
Note: Any or all of these receiver functions may be stored to, or
loaded from, one of the five user presets.
Using "PRESET" Store and Recall
There are two aspects to Preset operation: Storing a particular
collection of settings for future use (“STORE”), and recalling a
stored collection of settings (“LOAD”). All Artist Elite receivers and
transmitters permit the storing and recalling of up to five user-defined
Preset combinations—with customized names, if desired—plus the
recalling of the factory-defined Default (“DEF”) settings.
While the standard Preset names (“PRSET1” – “PRSET5”) can be
used, customized receiver and transmitter identification can simplify
system operation, especially in larger systems. For example, a guitar
channel’s Rx Name could be “GUITAR”, while the transmitters for
the performer’s two different guitars could be named “GTR-1” and
“GTR-2”.
To store Preset configurations:
1. Touch the Mode/Set button once to move to Menu mode.
2. Touch the Up arrow twice to move to “PRESET” in the LCD
window. (The second line of LCD will show currently
loaded presets.)
3. Touch the Mode/Set button once. “LOAD” (or “STORE”)
appears in the LCD.
4. Touch the Up or Down arrow once, if needed, to change the
selection to “STORE.”
5. Hold the Mode/Set button until “PRSET1” (or the name of the
currently loaded Preset) appears on the second line of the LCD.
6. If desired, touch the Up or Down arrow to cycle through the
available choices: “PRSET1” through “PRSET5” (or their
previously changed names).
7. Accept or enter a name for the Preset:
a. To accept the standard name “PRSET1“ – “PRSET5” (or
previously stored name) for a new Preset configuration and to
update (overwrite) any previously stored configuration choices:
a1. At the desired choice, hold Mode/Set until the first character
blinks, giving an opportunity to change the name.
a2. To accept the standard (or existing) name, hold the Mode/
Set button again until “STORED” appears in the window.
This stores the standard or existing Preset name with the
associated function choices and returns the unit to normal
operation. The name of the stored preset will appear in the
top line of the display.
15
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
b. To enter a custom name for a Preset:
b1. At the desired choice, hold the Mode/Set button. The first
character blinks.
b2. Using the Up or Down arrow, move through the available
characters (see box below) until the desired character is
reached. Touch an arrow button for single steps, or hold it
down to scroll through the characters at increasing speed.
b3. Touch the Mode/Set button once to accept the first
character and move to the second character, which now is
blinking. Use an Up/Down arrow button to find the desired
second character; touch the Mode/Set button once to
accept it and move to the third position. Repeat this
selection process until the character for the sixth position
has been selected.
b4. Once the sixth character has been selected as desired,
hold the Mode/Set button until “STORED” appears in the
window. This stores the custom Name with the associated
function choices and returns the unit to normal operation.
The display shows the custom name in the top line.
Note: If a correction or change is desired while entering characters,
simply touch the Mode/Set button once when the sixth (last)
character has been reached. The window will flash “ESCAPE.” Touch
the Mode/Set button once more to start the name-entry process over
at the first character. (To leave any characters as they are, simply
touch Mode/Set once to skip over them.)
Available receiver Name character choices:
A …through… Z,
__ (underscore) … (space) …
[ (left bracket) … ] (right bracket),
* … + … -- … / ,
0 …through… 9,
| … < … > … ?
To load (recall) a Preset:
1. Touch the Mode/Set button once to move to Menu mode.
2. Touch the Up arrow twice. LCD top line shows “PRESET.”
3. Touch the Mode/Set button once. “LOAD” (or “STORE”) appears
in the LCD.
4. If needed, touch the Up arrow once to change the selection
to “LOAD.”
5. Hold the Mode/Set button. The name of the currently loaded
Preset appears on the second line of the LCD.
6. Touch the Up or Down arrow to cycle through the available
choices, stopping on the desired choice.
7. Hold the Mode/Set button until “LOADED” appears briefly in
the LCD. The receiver reverts to normal operation with the
selected preset’s functions loaded. The top display line indicates
the loaded preset and the bottom line the current frequency.
5. Hold the Mode/Set button. The name of the currently loaded
Preset appears on the second line of the LCD.
6. Touch the Up/Down arrow buttons to cycle through the available
choices until “DEF” appears in the display.
7. Hold the Mode/Set button to load the factory default settings.
“LOADED” appears briefly in the LCD. The receiver then reverts
to normal operation at factory-default values. “DEF” appears in
the upper line of the LCD.
Note: Loading the default setting will also revert the receiver
frequency to the lowest frequency in the band.
Table 1 Receiver Functions
Function
Menu
▲▼
Frequency Lowest in band up to 996
▲▼
Scan**/***
▲▼
Lock
▲▼
Antenna**
Power
▲▼
Squelch- (one bar)
▲▼
Meter
▲▼
Preset
▲▼
LOAD:
▲▼
STORE:
▲▼
Quit
(exit Menu)
* Continue in the same Up/Down direction and choices
“wrap around” to the other end of the range.
** AEW-R5200: Scan and Antenna Power selections in LCD
menu on Channel 1 only.
***Scan selection is not available when the receiver has been
linked as a slave unit.
Default
Value
Choices
▲▼
(Edit)
discrete
frequencies
No value
Scan start–
NO.LOCNO.LOC ALL.
LOC PC.LOC
RX.LOC
OFF OFF
ON
15 steps,
2 dB each
NORMALNORMAL
HOLD
PRESETPress once,
then select
LOAD or
STORE
DEFDEF (default),
PRSET1
through
PRSET5
PRSET1PRSET1
through
PRSET5
QUITPress Mode/
Set once to
exit
Wraparound*
Yes
Yes
Yes
No
Yes
Yes
Yes
Yes
–
To revert to factory-default values:
1. Touch the Mode/Set button once to move to Menu mode.
2. Touch the Up arrow twice. “PRESET” shows in the LCD window.
3. Touch the Mode/Set button once. “LOAD” (or “STORE”) appears
in the LCD.
4. Touch the Up arrow once, if needed, to change the selection
to “LOAD.”
16
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Transmitter Setup
Battery Selection and Installation
Each transmitter uses two 1.5V AA batteries, not included. Alkaline
type is recommended. Always replace both batteries. Make certain
the transmitter power is Off before replacing batteries.
UniPak® Transmitter Battery Installation
1. Open the battery compartment door as follows: Slide door lock
down to the unlocked position. Pinch the release arrows together
to open the compartment. (Figure H)
2. Observe correct polarity as marked on the metal contacts on the
door and carefully insert two fresh 1.5V AA alkaline batteries
(Figure J).
3. Close the door, making certain the latch clicks securely in place.
4. Slide the door lock up to the locked position.
Fig. H
Door Lock
Fig. J
Release
Arrows
Handheld Transmitter Battery Installation
1. While holding the lower body cover (near the LCD window),
grasp the upper part of the transmitter body just below the grille
and unscrew it at least four complete turns (Figure K); then slide
the lower body cover down until it stops (Figure L). Once the
cover has been lowered, turn the transmitter over to reveal the
battery compartment on the side opposite the LCD window.
2. Observe correct polarity as marked inside the battery
compartment and carefully insert two fresh 1.5V AA alkaline
batteries (Figure M). Insert the first battery and slide it down.
Then insert the second battery, bottom first, into the space
remaining. Make certain the batteries are fully seated in the
battery compartment.
3. Slide the lower body cover back up the body, then screw the
housing together. Do not overtighten.
Note: Remove batteries from the handheld transmitter starting at the
bottom (– end) of the top battery (Figure M). The top (+ end) of the
top battery is captured in a recess and will not come straight out.
Battery Condition Indicator
After the batteries are installed, turn the power on by pressing and
holding the Power/Mute button. The small dual-color Power/Mute
LED (see Figure P/Q on page 17/18.) should light and the LCD
window should come on. If this does not happen, the batteries are
installed incorrectly or they are dead. The transmitter’s “fuel gauge”
battery indicator displays a maximum of four bar segments. When
the LCD flashes “LOW.BAT”, the batteries should be replaced
immediately to ensure continued operation. (The receiver also
displays the transmitter’s battery condition in the LCD window with
bar segments; the Alert indicator and a flashing “LOW.BAT” come
on to warn of a low-battery condition.)
Fig. K
Fig. L
Fig. M
LCD Window
Serial Number
Up/Down Arrows
Set Button
SET
Power/Mute LED
Start from this end
to remove batteries
UniPak Transmitter Input Connection
Connect an audio input device (microphone or guitar cable) to the
audio input jack on the transmitter. A number of Audio-Technica
professional microphones and cables are available separately, preterminated with a UniPak input connector. The cable connector
latches automatically when inserted into the transmitter jack. To
unlatch and remove the connector, simply pull up on the connector’s
knurled metal collar.
UniPak Transmitter Antenna
The AEW-T1000a transmitter includes two field-replaceable antennas.
A flexible-wire antenna is supplied mounted on the transmitter, while
a separate short, helical antenna is supplied with the accessories.
Either antenna simply screws into the transmitter’s antenna fitting.
Check the installed antenna occasionally to make certain it is snugly
attached (only finger-tight). The helical antenna is more convenient
physically but may not have the operating range of the wire
antenna. The wire antenna should extend, at its full length, from
the transmitter. If the received signal is marginal, experiment with
different transmitter positions on your body or instrument; try the
wire antenna; or try repositioning the receiver. Do not attempt to
modify either transmitting antenna. Replace them only with the same
parts, available from the Audio-Technica Service Department.
17
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Handheld Transmitter Antenna
The antenna for the handheld mic/transmitter is in the black, nonmetallic section at the bottom of the unit (see Figure Q on page 18).
Note: For best results, hold the mic/transmitter naturally, around
its painted metal case. Holding or otherwise covering the antenna
housing may reduce operating range.
Transmitter Controls and Functions
Refer to Figures H through Q for an overview of transmitter
functions and controls.
Touch: A momentary press of the Set button.
Hold: A press and hold (about two seconds) of the Set button.
LCD Window
The backlit Liquid Crystal Display presents a great deal of setup and
operating information clearly and conveniently (Figure N). The LCD
in the transmitters is designed for greatest contrast and best viewing
with the window rotated somewhat away from the viewer (about
30 degrees), not straight-on, for a more convenient holding/viewing
position.
Power/Mute Button
The transmitters have a combination Power and Mute switch (Figure
P/Q). When used in combination with the programmed choices
explained below, the various functions available to the transmitter
user may be tailored to fit personal preferences or particular
situations.
UniPak Transmitter Mounting Clip
The UniPak transmitter’s mounting clip may be installed with the
case positioned either “up” or “down,” depending upon which
is preferred for the particular application. To turn the clip around,
spring the ends of the clip out of the two holes on the sides of the
transmitter case (Figure P) and reinstall it facing in the opposite
direction.
Fig. N
t
*
N-1. Normal Operation
* AEW-T1000a only: “INST”
t
N-3. Menu Mode (Frequency)
N-2. Operation with Mute On
Flashing
t
N-4. Edit Mode (Frequency)
Power On/Off
To turn the transmitter on, hold the Power/Mute button until the
dual-color Power/Mute LED lights green and the backlit LCD window
comes on (about 1–2 seconds). The operating frequency shows in
the window after the power-up sequence.
To turn the transmitter off, hold the Power/Mute button again,
until the dual-color Power/Mute LED and the LCD window are
extinguished (about 1–2 seconds). The LCD window shows “PWR.OFF” before shutdown.
Mute On/Off
When the transmitter is muted, it produces RF with no audio signal
modulation. When the transmitter is un-muted, it produces both RF
and audio.
To mute the transmitter (cut off the audio, but continue the RF
output), touch the Power/Mute button once. The Power/Mute LED
turns red, and a small “MUTE” appears in the LCD window, just
below the frequency (Figure N-2).
To un-mute the transmitter (restore the audio), touch the Power/
Mute button once again. The Power/Mute LED turns green, and the
“MUTE” disappears from the LCD window.
Fig. P
LCD Window
Power/Mute
Button
Up/Down
Arrows
Sliding
Control Cover
(3-position)
Antenna
Power/Mute LED
Audio Input Jack
Mounting Clip
Set Button
AEW-T10 00a UHF TR ANSMITTER
Battery Door
18
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Fig. Q
Power/Mute Button
Antenna
Housing
LCD Window
Power/Mute LED
Power/Mute Locks
Setting Description
NO.LOC The normal Power and Mute functions are
fully operational.
ALL.LOC Power is locked On and Mute is locked Off when “ALL.LOC” is applied. When in the ALL.LOC mode,
the transmitter may be turned off by (1)
re-accessing the .LOC Menu and changing the
setting, (2) pressing and holding the Up arrow
button and the Set button at the same time, until
the power goes off, or (3) removing and re-installing
the batteries. When the transmitter is turned on
again, it will power up in the NO.LOC mode.
MUT.LOCIn this mode, the audio cannot be muted (Mute function is locked Off). The Power functioning is
unaffected.
“Mute” Note: If ALL.LOC or MUT.LOC is applied
while the transmitter is muted, pressing the Power/
Mute button once will return the transmitter to
un-muted operation; thereafter the Mute function is
disabled (Mute Off) until the .LOC setting is
changed again.
PWR.LOC Power is locked On when “PWR.LOC” is applied.
The Mute functioning is unaffected. When in
the PWR.LOC mode, the transmitter may be turned
off by: (1) Re-accessing the .LOC Menu and
changing the setting, (2) Pressing and holding the
Up arrow button and the Set button at the same
time, until the power goes off, or (3) Removing and
re-installing the batteries. When the transmitter is
turned on again, it will power up in the NO.LOC
mode.
Note: Only the ALL.LOC or PWR.LOC Power
function will change when batteries are removed;
NO.LOC and MUT.LOC settings remain stored in
memory.
Audio Input Selector
The UniPak® body-pack transmitter provides input connections for
both low-impedance (Lo-Z) microphones and high-impedance (Hi-Z)
instruments. A wide range of Audio-Technica Wireless Essentials®
microphones and cables is available pre-terminated with the
appropriate professional latching connector.
Selection of the desired input – microphone or instrument – is made
through the function menu. Depending upon the input selected, a
small “MIC” or “INST” will continue to show in the LCD window,
just below the frequency. (In the handheld transmitters, “MIC” will
always show in the LCD window.)
Setting Audio Input Level
AEW-T1000a UniPak®: A 10-position audio input gain setting,
selected through the function menu, serves to match the audio input
level to the transmitter for best modulation with minimum distortion.
Available choices are +12 dB to –6 dB in 2 dB steps. The default
value is +6 dB.
AEW-T4100a and AEW-T6100a Dynamic Handhelds: A 4-position
audio input gain setting, selected through the function menu, serves
to match the audio input level to the transmitter for best modulation
with minimum distortion. Available choices are +12 dB to –6 dB in 6
dB steps. The default value is +6 dB.
AEW-T3300a and AEW-T5400a Condenser Handhelds: A 3-position
audio input gain setting, selected through the function menu, serves
to match the audio input level to the transmitter for best modulation
with minimum distortion. Available choices are +12 dB, +6 dB and 0
dB. The default value is +6 dB. In addition, a mechanical pad switch
on the condenser capsule (inside the screw-on wire mesh grille) can
provide another 6 dB of attenuation. For best performance, adjust the
input level using the function menu choices, keeping the capsule’s
mechanical switch at 0 dB. If more audio attenuation is needed than
the menu provides, then set the capsule’s pad switch to –6 dB.
For all transmitters: Select the highest audio level setting that does
not result in over-modulation with the highest audio/ instrument input
levels (an AF indication on the receiver no higher than “+3”); watch
the receiver’s “AF” meter “+6” indication and the Alert light to make
certain they are not triggered often by the highest audio levels.
The transmitter’s dual-color Power/Mute LED, which is on during
normal operation, will blink off if the peak audio input reaches
overload level.
If an action is attempted that currently is locked out, the transmitter
LCD will briefly display “LOCKED”, then return to its previously
displayed contents.
Whenever any lock condition is applied to a transmitter, its
associated receiver will display a small “TX LOCK” in the LCD
window, just to the right of the frequency.
19
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Preset/Default Settings
A “PRESET” selection in the menu permits the storing of up to five
different user-definable configurations. Customized names, using
letters, numbers and symbols, can also be created and stored for
Presets 1–5. In addition, a Default (“DEF”) choice permits returning
all transmitter functions to their factory-default settings.
To store Preset configurations:
1. Touch the Set button once to move to Menu mode.
2. Touch the Up arrow twice to move to “PRESET” in the
LCD window.
3. Touch the Set button once and “LOAD” (or “STORE”) will appear
in the LCD.
4. Touch the Up or Down arrow once, if needed, to change the
selection to “STORE.”
5. Hold the Set button until “STORE” changes to “PRSET1” (or the
name of the currently loaded Preset).
6. If desired, touch the Up or Down arrow to cycle through the
available choices: “PRSET1” through “PRSET5” (or their
previously changed names).
7. Accept or enter a name for the Preset:
a. To accept the standard name (PRSET1 – PRSET5, or the
previously stored name) for a new Preset configuration and to
update (overwrite) any previously stored configuration choices:
a1. At the desired Preset, hold the Set button until the first
character blinks.
a2. Hold the Set button again until “STORED” appears in the
window. This stores the standard Preset name with the
associated function choices and returns the transmitter to
normal operation.
b. To enter a custom name for a Preset:
b1. At the desired Preset, hold the Set button until the first
character blinks.
b2. Using the Up or Down arrow, move through the available
characters (see box below) until the desired character is
reached. Touch an arrow button for single steps, or hold it
down to scroll through the characters at increasing speed.
b3. Touch the Set button once to accept the first character
and move to the second character, which now is blinking.
Use an Up/Down arrow to find the desired second
character; touch the Set button once to accept it and move
to the third position. Repeat this selection process until the
character for the sixth position has been selected. (It is not
necessary to change or step through all six characters
before storing the result. At any point in the process,
simply hold the Set button until “STORED” appears in
the window.)
b4. Once the sixth character has been selected as desired, hold
the Set button until “STORED” appears in the window.
This stores the custom Name with the associated function
choices and returns the transmitter to normal operation.
Available transmitter Name character choices (listed in the Up-arrow
direction):
A …through… Z,
__ (underscore) … (space),
[ (left bracket) … ] (right bracket),
* … + … -- … /,
0 …through… 9,
| … < … > … ?
To load (recall) a Preset:
1. Touch the Set button once to move to Menu mode. (The window
changes to frequency, if Name had been displayed.)
2. Touch the Up arrow twice to move to “PRESET” in the LCD
window.
3. Touch the Set button once. “LOAD” (or “STORE”) appears in
the LCD.
4. If needed, touch the Up or Down arrow once, to change the
selection to “LOAD.”
5. Hold the Set button until “LOAD xxxxxx” (the current Preset)
appears in the LCD.
6. Touch the Up or Down arrow to change the selection from
“xxxxxx” to the desired Preset.
7. Hold the Set button until “LOADED” appears briefly in the
LCD. The transmitter reverts to normal operation with the
selected preset’s settings loaded. To toggle between transmitter
name and frequency, touch an Up or Down arrow button.
To revert to factory-default values:
1. Touch the Set button once to move to Menu mode.
2. Touch the Up arrow twice. “PRESET” shows in the LCD window.
3. Touch the Set button once. “LOAD” (or “STORE”) appears in
the LCD.
4. Touch the Up or Down arrow once, if needed, to change the
selection to “LOAD.”
5. Hold the Set button. The current Preset appears in the LCD.
6. Touch the Up or Down arrow buttons to cycle through the
available choices until “DEF” appears in the display.
7. Hold the Set button to load the factory default settings.
“LOADED” appears briefly in the LCD. The transmitter reverts to
normal operation at the default settings.
Note: Loading the default settings resets the transmitter frequency
to the lowest frequency in the band.
Note: If a correction or change is desired while entering characters,
simply touch the Set button once when the sixth (last) character has
been reached. The window will flash “ESCAPE.” Touching the Set
button once more will start the name-entry process over at the first
character. (To leave any characters as they are, simply touch the Set
button once to skip over them.)
20
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Table 2 UniPak Transmitter Functions
Function
Menu
▲▼
Frequency Lowest in band up to 996
▲▼
RF Power
▲▼
Audio Input
Level
▲▼
Power/
Mute Locks
▲▼
Input Select MIC
▲▼
Preset
Configurations
▲▼
LOAD:
▲▼
STORE:
▲▼
Quit
(exit Menu)
* Continue in the same Up/Down direction and choices
“wrap around” to the other end of the range.
Default
Value
Choices
▲▼
(Edit)
Wraparound*
Yes
discrete
frequencies
RF LOW RF LOW
Yes
RF HI
+6 dB –6 dB to +12
No
dB in 2 dB
steps
NO.LOC NO.LOC ALL.
Yes
LOC MUT.
LOC PWR.
LOC
15 steps,
No
2 dB each
PRESET LOAD STORE Yes
DEFDEF (default),
Yes
PRSET1
through
PRSET5
PRSET1PRSET1
Yes
through
PRSET5
QUITPress Set once
–
to exit
Table 3 Handheld Transmitter Functions
Function
Menu
▲▼
Frequency Lowest in band up to 996
▲▼
RF Power
▲▼
Audio Input
Level
Dynamic
Condenser**
▲▼
Power/
Mute Locks
▲▼
Input Select MIC
▲▼
Preset
Configurations
▲▼
LOAD:
▲▼
STORE:
▲▼
Quit
(exit Menu)
Default
Value
Choices
▲▼
(Edit)
discrete
frequencies
RF LOW RF LOW
RF HI
+6 dB
–6 dB 0 dB
+6 dB +12 dB
+6 dB
0 dB +6 dB
+12 dB
NO.LOC NO.LOC ALL.
LOC MUT.
LOC PWR.
LOC
15 steps,
2 dB each
PRESET LOAD STORE Yes
DEFDEF (default),
PRSET1
through
PRSET5
PRSET1PRSET1
through
PRSET5
QUITPress Set once
to exit
Wraparound*
Yes
Yes
No
No
Yes
No
Yes
Yes
–
* Continue in the same Up/Down direction and choices
“wrap around” to the other end of the range.
** A mechanical switch on the condenser handheld transmitter can
provide an additional 6 dB of attenuation. See page 18.
System Operation
21
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Artist Elite® wireless receivers and transmitters are extremely
versatile components with many operating features and functions,
some of which are not obvious. As a result, we suggest the following
approaches to assure a “comfort level” with any new equipment:
1. Begin using a single receiver/transmitter pair at their Default
(“DEF”) settings, to become familiar with equipment functions
and operation before doing any customizing. (If the Default
frequency is not usable in your area, change the frequency to one
that is suitable.)
2. Before installing/starting up a large multi-channel system, explore
the functions and operation of only two or three receiver/
transmitter pairs together.
The details of setting up and operating a multi-channel system vary
greatly in complexity, depending upon the number of receivers and
nature of the system. Because the feature-rich nature of AEW units
can greatly increase this complexity, we suggest starting with a
simpler, straightforward setup and use to become familiar with the
equipment and its capabilities.
Single AEW-R4100 receiver system: Begin using a receiver and
transmitter at their Default (“DEF”) settings, to become familiar with
equipment functions and operation before doing any customizing.
(If the Default frequency is not usable in your area, manually change
only the frequency to one that is suitable.)
Single AEW-R5200 receiver system (two channels): Start out
using only Channel 1, treating this the same as the single
AEW-R4100 above.
Multiple-receiver system with link cables only: The link cables
provide data and control between receivers. The IntelliScan™ feature
scans for clear channels and assigns non-conflicting frequencies to all
linked receivers. (If IntelliScan is not used, the receiver frequencies
may all be set individually/manually, as with any standard receiver,
selecting frequencies that are within the same IntelliScan groups
listed on page 25.)
Multiple-receiver system with Ethernet-connected computer
interface: Refer to the separate Artist Elite Wireless Control Interface
manual for setup and operation of a computer-based system; the
Artist Elite Wireless Control Interface manual is furnished with
5000 Series wireless systems both as a printed document and on
CD in PDF form. Basic hardware aspects of the receivers, and all
transmitter setup/operating information, are in the manual you are
now reading.
Turning on the Receiver
Turn down the AF Level of the mixer or amplifier. Switch on the
receiver. Do not switch on the transmitter yet. The Alert indicator and
the LCD window lights up; the normal operation LCD display appears
after 1–2 seconds. If any of the bars show in the “RF” bar-graph
meters, there may be RF interference in the area. If this occurs, select
another frequency as explained below. (If the Meter Hold function has
been selected, one of the RF bars in each column will be flashing,
indicating the lowest RF levels received.)
Selecting/Setting Receiver Frequency
Selection of the desired operating frequency is made through
the function menus. There must be no local interference on that
frequency. If the Default frequency (lowest in band) happens not to
be usable, the receiver frequency may be set manually, or by using
the IntelliScan function.
• Manual frequency selection: Adjust the receiver frequency as
detailed in the next section.
• IntelliScan™ frequency selection: The receiver’s IntelliScan
function may be employed to select a usable operating
frequency automatically, as detailed in the section following
on page 22.
Note: Once the receiver frequency is set, the associated transmitter
must be set manually to the receiver’s exact frequency. See page 23
for the correct procedure.
Setting Receiver Frequency Manually
Touch: A momentary press of the Mode/Set button. It is used
to enter Menu mode, to enter Edit mode, or to Escape
without making any changes to current settings.
Hold: A press and hold (about two seconds) of the Mode/
Set button. It is used to accept a new setting when
the receiver is in Edit mode or to save the current
settings to one of the five user-defined name
presets or the internal memory location (“NAME?”).
1. Touch the Mode/Set button once. “FRQ” appears on the first line
of the LCD window with the current frequency setting on the
second line. (The receiver is now in Menu mode.)
2. Touch the Mode/Set button again. The small flashing word
“EDIT” appears at the bottom of the window. (The receiver is
now in Edit mode.)
3. Use the Up/Down arrow buttons to change the first three digits
(MHz) to the desired frequency. Choose a frequency appropriate
for your area, avoiding frequencies with active TV channels. Press
either arrow for single steps, or hold down either arrow for rapid
cycling through the band. Frequencies “wrap around” to the other
end of the range when the top or bottom of the band is reached.
4. Touch the Mode/Set button once to set the first three digits to
the desired frequency.
5. Use the Up/Down arrow buttons to change the second three
digits (kHz) to the desired frequency. Again, be certain to choose
a frequency appropriate for your area, avoiding frequencies with
active TV channels.
6. To activate this frequency selection, hold the Mode/Set button
until the word “STORED” appears in the receiver’s window. (If
you do not wish to complete this particular selection, just touch
the Mode/Set button once. The word “ESCAPE” will appear
briefly in the window and the receiver will return to the
Menu mode.)
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Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Note: The top line of the LCD indicates when frequencies belong to
IntelliScan groups. Asterisks (*) are displayed in front of “FRQ” to
indicate membership in one of more of the three groups (Figure R).
See page 25 for frequency group listings.
7. When finished entering a frequency, press the Up arrow button
once. The display reads “QUIT.”
There are several ways to quit, depending on whether the current
Name is to be retained or the frequency stored to a user preset.
See page 13 for help with Quitting and saving changes.
To quickly store the new frequency into the “NAME?” location,
touch the Mode/Set button. The receiver shows “NAME?” in the
top line and the new frequency in the bottom line.
Note: You must now set the transmitter to the exact same frequency
for the system to operate (see page 23).
FIG. R
Group 1
Group 2
b. To accept and use this frequency and store it in the special
“NAME?” location, hold the Mode/Set button. The LCD
displays “NAME?” on the top line. (Note: Doing this allows
a new frequency to be used without affecting previously
stored preset data. However, the receiver shows “NAME?”
instead of the preset’s name.) To store this frequency
along with other settings into one of the user presets, refer
to the instructions on page 13.
IMPORTANT! If one of the above steps (a or b) is not completed,
the receiver will remain in the “RESET NAMES” state indefinitely
(system is muted), and it will not automatically back out to normal
operating mode.
Multiple-receiver systems: Turn down the AF level of the associated
mixer or amplifier. Make certain that any AEW transmitters are turned
off. (Other RF-generating devices in the area should be turned on,
if possible.)
1. Make certain all the receivers are connected (daisy-chained) with
link cables. The receiver with only a Link In (no Link Out
connection) becomes the Master receiver. (See “Link
connections” on page 8.)
2. Switch on all the slave receivers first; switch on the Master
receiver last. Alternatively, all receivers can be turned on
simultaneously, as when using AC power plug strips controlled by
a single AC switch. (If an AC power or link connection is
interrupted, even briefly, all receivers must be turned off and the
power-up sequence repeated to assure complete system control.)
Group 3
Note: An asterisk in two or more locations indicates this frequency is
in more than one group.
Setting Receiver Frequency Using IntelliScan™
Single-receiver systems (either an AEW-R4100 or
an AEW-R5200): Turn down the AF level of the associated mixer
or amplifier.
Make certain that any AEW transmitters are turned off. (Other
RF-generating devices in the area should be turned on, if possible.)
1. Touch the Mode/Set button once to enter the Menu mode. (On
an AEW-R5200, use Channel 1 to perform the IntelliScan for
both channels.)
2. Touch the Down arrow once. The display shows “SCAN.”
3. Hold the Mode/Set button to start the scan. The second line
displays “------” during the scan and then briefly displays “SCAN
OK” when the scan is successfully completed.
4. The display on the receiver then shows “RESET NAMES.” The
receiver remains in this state (system is muted) until one of the
following steps is completed:
a. To accept and use this frequency with the currently loaded/
named preset, touch the Mode/Set button. The LCD briefly
displays “STORED” and reverts to normal operation. At this
point, the display shows the receiver name/preset currently
loaded. (Note: This frequency is now stored with the
associated named preset and is recalled when that preset
is reloaded.)
3. Using controls on the Master receiver, follow all the steps listed
for single-receiver systems to assign compatible frequencies for
all receivers by using IntelliScan.
4. The display on the Master shows “RESET NAMES”, and the
display on each slave shows “SCAN” and the new frequency.
The receivers remain in this state (system is muted) until one of
the following steps is completed to accept the new frequency plan:
a. To accept and use this frequency plan with the currently
loaded/named presets, touch the Mode/Set button. If a user
preset was previously loaded on the receiver, the LCD briefly
displays “STORED” and reverts to normal operation. The LCD
then displays the previously loaded user preset or receiver
name and the new frequency. (Note: This frequency is now
stored with the associated named preset and is recalled when
that preset is reloaded.) If no user preset was loaded (i.e., the
default settings were in effect), the LCD shows “NAME?” and
the new frequency.
b. To accept and use this frequency and store it in the special
“NAME?” location, hold the Mode/Set button. The LCD
displays “NAME?” on the top line. (Note: Doing this allows a
new frequency to be used without affecting previously stored
preset data. However, the receiver shows “NAME?” instead of
the preset’s name.)
To store this frequency along with other settings into one of the user
presets, refer to the instructions on page 13.
Note: These changes affect all linked receivers.
IMPORTANT! If one of the above steps (a or b) is not completed,
the Master and all linked slave receivers will remain in the
“RESET NAMES” state indefinitely (system is muted) and will not
automatically back out to normal operating mode.
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Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Note: A “SCAN ERROR” message may be attributable to one or
more of the following:
• The link connection was broken somewhere in the chain.
• The power to one or more of the linked receivers was
turned off.
• Not enough available frequencies existed for IntelliScan to
assign all receivers a frequency. If IntelliScan cannot locate
enough available frequencies, it will set as many as it can on
the linked receivers.
Turning on the Transmitter
Turn on the transmitter by holding the Power/Mute button (see Figure
P/Q on page 17 /18) for a second or two, until the dual-color Power/
Mute indicator lights green and the backlit LCD display comes on.
Setting Transmitter Frequency
Touch: A momentary press of the Set button.
Hold: A press and hold (about two seconds) of the Set button.
Note: When setting frequencies on a handheld transmitter, unscrew
and slide down the lower body cover, as shown in Figures K/L on
page 16.
1. Touch the Set button once. The small word “MENU” appears
above the frequency. Touch the Set button again and the small
flashing word “EDIT” appears to the right of “MENU.”
2. Use the Up/Down arrow buttons to change the first three digits
(MHz) to the desired frequency.
3. Touch the Set button once to set the first three digits to the
desired frequency.
4. Use the Up/Down arrow buttons to change the second three
digits (kHz) to the desired frequency.
5. To activate this frequency selection, press and hold the Set button
until the word “STORED” appears in the transmitter’s window.
(If you do not wish to complete this particular selection, just touch
the Set button once. The word “ESCAPE” will appear briefly in
the window and the transmitter will return to the Menu mode.)
6. When finished entering a frequency, press the Up arrow button
once to move to “QUIT.” Then touch the Set button once to exit
the menu. The word “MENU” in the transmitter window
disappears, indicating the return to normal operation.
7. If desired, assign a standard or custom Preset Name at this
time as described on page 18 (to store Preset configurations),
so this particular configuration can be recalled in the future. If a
new name is not assigned, the transmitter will continue to
operate on this frequency (and with these settings) until some
other change in settings is made.
Setting Transmitter Audio Input Level
Correct adjustment of transmitter audio input, receiver audio output,
and mixer/amplifier input and output levels is important for optimum
system performance. Multiple-position audio input gain settings,
selected through the function menu, serve to match the audio input
level to the transmitter for best modulation and highest signal-tonoise ratio with minimum distortion.
Select the highest setting that does not result in over-modulation
with the highest audio/instrument input levels (an AF indication on
the receiver no higher than “+3”); watch the receiver’s “AF” bargraph “+6” indication and the Alert light to make certain that they are
not triggered by the highest audio levels.
Also, the transmitter’s dual-color LED Power/Mute indicator, which
is on during normal operation, will blink off if the peak audio input
reaches overload level.
Available Level Settings
AEW-T1000a UniPak®: Choices are +12 dB to –6 dB in 2 dB steps.
The default setting is +6 dB.
AEW-T4100a/6100a Dynamic Handhelds: Choices are +12 dB, +6
dB, 0 dB and –6 dB. The default setting is +6 dB.
AEW-T3300a/5400a Condenser Handhelds: Choices are +12
dB, +6 dB and 0 dB. The default setting is +6 dB. A mechanical
switch on the condenser capsule activates a 6 dB pad. For best
performance, adjust the input level using the function menu choices
first, keeping the capsule’s pad switch at 0 dB. If more audio
attenuation is needed, set the capsule’s switch to –6 dB.
RF Power Adjustment
RF power may be set to “RF HI” (35 mW nominal) or “RF LOW” (10
mW nominal) through the function menu. The default setting is “RF
LOW.” While the Hi setting normally provides maximum operating
range, the Low setting will help extend battery life. The Low setting
may also be preferred when using multi-channel systems, or when
operating very close to the receiver, to reduce the possibility of
interference or overload.
RF Interference
Wireless frequencies are shared with other radio services. According
to Federal Communications Commission regulations, “Wireless
microphone operations are unprotected from interference from other
licensed operations in the band. If any interference is received by any
Government or non-Government operation, the wireless microphone
must cease operation....” If you need assistance with operation or
frequency selection, please contact your regional Audio-Technica
customer service representative.
When the transmitter is switched on and in normal operation, the
receiver’s two “RF” signal-level bar meters will display from
bottom to top, with more bars indicating increased signal
reception. For optimum performance, at least four bars, and
preferably five or more bars, on at least one of the RF indicators
should be displayed at all times.
24
Artist Elite® 4000 & 5000 Series Professional UHF Wireless Systems
Overall System Specications
UHF Operating Frequencies
Frequency Range Num of Freq
Band C: 541.500 to 566.375 MHz 996
Band
D: 655.500 to 680.375 MHz 996
Band E: 795.500 to 820.000 MHz 981
Band F: 840.125 to 864.900 MHz 953
Band G: 721.500 to 746.375 MHz 996
Not all frequencies are available in all areas. Please check with local regulations.
Minimum Frequency Step 25 kHz
Modulation Mode FM
Maximum Deviation ±40 kHz
Dynamic Range 115 dB (A-weighted), typical
Total Harmonic Distortion < 1% (at 1 kHz, ±20 kHz deviation)
Operating Range 100 m (300'), typical
Open range environment with no interfering signals.
Operating Temperature Range -5º C to +45º C
23º F to 113º F
low temperatures.
Battery and LCD performance may be reduced at very
Frequency Response 70 Hz to 15 kHz
Simultaneous Use (recommended) 21 channels per band
For assistance with multi-band operation or other frequency coordination issues, please contact your regional
Audio-Technica customer service representitive.
AEW-R5200 Dual Receiver
Receiving System True Diversity
Image Rejection 60 dB typical
RF Sensitivity 20 dBuV at 70 dB S/N ratio
Power Supply 100-240V AC 50/60 Hz, 15W
Pass-through AC Power Outlet 100-240V AC 50/60 Hz, 5A maximum
Dimensions 482.0 mm (18.98") W x 275.5 mm
(10.85") D x 44.0 mm (1.74") H
Not including BNC connectors or feet.
Net Weight 4.0 kg (8.8 lbs), without accessories
Accessories Included Detachable IEC-type AC power cable;
two flexible UHF half wave antennas;
link cable; IEC-type AC pass-through
cable; front-mount antenna cables and
connectors; CD-ROM with computer
control interface software
AEW-R4100 Receiver
Receiving System True Diversity
Image Rejection 60 dB typical
RF Sensitivity 20 dBuV at 70 dB S/N ratio
Batteries Two 1.5V AA, not included
Battery Life High: 6 hours (alkaline)
Low: 8 hours (alkaline)
Depending on battery type and use pattern.
Dimensions
AEW-T3300a 239.0 mm (9.41") long, 50.0 mm
(1.97") diameter
AEW-T4100a 237.0 mm (9.33") long, 48.0 mm
(1.89") diameter
AEW-T5400a 239.0 mm (9.41") long, 50.0 mm
(1.97") diameter
AEW-T6100a 237.0 mm (9.33") long, 48.0 mm
(1.89") diameter
Net Weight
AEW-T3300a 270 g (9.5 oz), without batteries
AEW-T4100a 276 g (9.7 oz), without batteries
AEW-T5400a 285 g (10.0 oz), without batteries
AEW-T6100a 275 g (9.7 oz), without batteries
Accessories Included AT8456a Quiet-Flex™ stand clamp;
soft protective pouch