Audient EVO 16 User guide

24in/24out Audio Interface

User Manual 1.0

WELCOME

Welcome to your new EVO 16 Audio Interface. EVO 16 has been designed

to remove the technical barriers creatives face when exploring the often

intimidating world of audio and make recording simple for everyone.

We hope you enjoy using EVO 16 and it helps you in your creative

endeavours, whatever they may be!

Work smarter not harder.

WELCOME WELCOME

EVO makes recording easy

01 Declaration of Conformities

08 Software Features

Menu

02 Installation/Setup

03 Registration with ARC

04 Hardware Features

Initial Setup

Mic Preamps & Line Level Inputs

Smartgain

Input Mute

Stereo Linking

Phantom Power (48V)

Instrument Input

Quit

About EVO

Visit EVO Knowledge Base

Check for Updates

Register Product

Input Routing

Show EVO Control

EVO Software Mixer

Overview

Audio Loop-back Mixer

Using Audio Loop-back on EVO 16

Recording/Streaming your Loop-back Channels

05 Analogue Outputs

Headphone Outputs

Line Outputs

Function Button

Talkback

06 EVO 16 Rack Mounting

07 Optical Inputs & Outputs

Clocking

09 Firmware Update Procedure

10 Specications

11 Safety Instructions

12 Warranty Information

Warranty Statement
Warranty Limitations

CONTENTS CONTENTS

DECLARATION OF CONFORMITIES

This apparatus has been tested and found to comply with the limits of

a class-A digital device, pursuant to Part 15B of the FCC Rules. These

limits are designed to provide reasonable protection against harmful

interference in a residential installation.

This equipment generates, uses and can radiate radio frequency

energy and if not installed and used in accordance with the

instructions, may cause harmful interference to radio communications.

If this equipment does cause harmful interference to radio or television

reception, which can be determined by turning the equipment o and

on, the user is encouraged to try to correct the interference by one or

more of the following measures:

Increase the separation between the
equipment and receiver

01

Re-orient or relocate the receiving
antenna

02

We, EVO Audient, Aspect House, Herriard, Hampshire, RG25 2PN, UK,

01256 381944, declare under our sole responsibility that the product EVO 16
complies with Part 15 of FCC Rules.

Operation is subject to the following two conditions:

1. This device may not cause harmful interference,

2. This device must accept any interference received,
including interference that may cause undesired operation

We, EVO Audient, declare that the product, the EVO 16, to which this declaration
relates, is in material conformity with the appropriate CE standards and
directives for an audio product designed for consumer use.

We, EVO Audient, declare that the product, the EVO 16, to which this declaration
relates, is in material conformity with the appropriate UKCA standards and
directives for an audio product designed for consumer use.

Audient Ltd has conformed where applicable, to the European Union’s Directive
EN 63000:2018 on Restrictions of Hazardous Substances (RoHS) as well as the following
sections of California law which refer to RoHS, namely sections 25214.10, 25214.10.2, and 58012,
Health and Safety Code; Section 42475.2, Public Resources

Under an environment with electrostatic discharge, the device may cease to output sound
(EUT could not operate properly). This requires the user reset the device by unplugging & re­connecting to host computer.

03

Connect the equipment into an
outlet on a dierent circuit from that
to which the receiver is connected

DECLARATION DECLARATION

04

As a device that provides power to other equipment power management features are
inappropriate for this product.

Consult the dealer or an experienced
radio/TV technician for help

INSTALLATION / SETUP

On macOS, EVO 16 will work straight away without needing to install

any drivers. However, we do recommend installing the EVO Mixer

application, which gives you advanced control over your EVO 16 and

lets you update your rmware when required.

Head to evo.audio/evo16/downloads to download the latest version

of the application. Once downloaded, simply open the .dmg le and

then drag and drop the EVO application into your applications folder.

Carefully unpack your EVO 16, connect the included power cable and

connect it to a USB port on your Mac. If your computer doesn’t have the

appropriate USB port you may need to use an adaptor, dongle or third

party cable.

You can then set EVO 16 as your main output by going to System

Preferences > Sound and then selecting the EVO 16 as your device for

Input and Output.

System Preferences > Sound Select EVO 16 as input / output

INSTALLATION / SETUP MAC OS

INSTALLATION / SETUP

EVO 16 will require drivers to work on Windows to ensure your computer

and EVO 16 will work together correctly. You can download the drivers

from the EVO website:

evo.audio/evo16/downloads

Once downloaded, run the .exe le to start the installation process.

Follow the instructions on screen to complete the installation.

This process may take a little while so please be patient.

Once complete, click nish. Now carefully unpack your EVO 16, power it

on using the included power lead and connect it to the computer using

the included USB cable.

To set the EVO 16 as your default sound device, go to Control Panel >

Hardware and Sound > Sound. Now select the Playback tab.

In the list of devices, nd EVO 16 Main Output 1+2, click on it and select

Set Default Device.

Any audio played back from your PC will now be played through EVO 16.

Follow the same process for the Recording devices by selecting Inputs

1+2 from the list of input devices.

For more advanced settings such as changing your sample rate or

buer size, please read the Software features section, found later in

this manual.

INSTALLATION / SETUP WINDOWS

REGISTRATION WITH AUDIENT ARC

Compatible with all major audio software, EVO 16 comes bundled with

a collection of professional software and services, giving you everything

you need to start recording.

Go to arc.audient.com and select “register your product” and enter

your details to create an account.

You will then receive a verication email to your inbox, double check

your Spam and Junk folders if you cannot see this. Once you’ve veried

your account, register your EVO 16 by entering the serial number and

the unique 4 digit PIN found on the bottom of the EVO 16.

Once you have registered the product, you can now select from a wide

array of free software and plugins, giving you easy access to powerful

creative tools straight away.

REGISTRATION REGISTRATION

Next, you can choose which monitoring feature is assigned to the hardware

HARDWARE FEATURES

Initial Setup

The Motion User Interface is a control system designed to change the way

you interact with your audio interface. For the rst time, a stunning high

resolution, full colour screen intelligently displays information as you need

it, transforming EVO 16 into a fully immersive, easy to use experience.

The rst time powering on EVO 16, Motion UI will ask to follow the setup

procedure, allowing you to customise EVO 16’s settings to your liking.

Firstly, you can adjust and set the brightness of all of EVO 16’s hardware

LEDs, including the LED Ring, to suit your studio environment. Use the

Control Wheel to adjust the slider and then press the Control Wheel down

F Button on the front of the unit when pressed:

DIM - Reduces the output level to the speakers by a set value

ALT Speakers - Switches between the Main and ALT Speaker outputs

Talkback - Toggles Talkback on and o

Mono - Sums the Monitor outputs to Mono

to save your settings and then hit ‘Next’.

More detail on the Function Button and its settings can be found later in this

manual.

Once selected, click ‘Finish’ to complete the setup.

HARDWARE HARDWARE

Mic Preamps and Line Level Inputs

When pressing any input button on EVO 16’s front panel, the input screen

will show the Input Status Screen. The status screen will display: the input

EVO 16 includes eight high-quality EVO Mic Preamps, available through the

Combi jacks on the front and rear of the unit.

XLR Cable

Connection

number, the input name assigned via the EVO Software Mixer, the gain

setting in dB, and an independent channel meter for referencing your levels.

50

When an input is selected, the hardware will now control that channel, so

TRS Jack

Connection

EVO 16 can lower the signal level by 8 decibels and boost it by up to 50

decibels allowing you to get the perfect recording level, this is known as the

gain.

you can use the Control Wheel to adjust the input gain with decibel level

accuracy, as well as toggling channel mute, phantom power for condenser

mics, or instrument mode for guitars and basses on channel 1+2.

Input Buttons

Control Wheel

HARDWARE HARDWARE

Smartgain Mode

Smartgain is a powerful feature which helps you get recording as quickly as

possible. It is able to listen to all the activated inputs, and set gain within a

matter of seconds.

To activate Smartgain, press the green Smartgain button, you will then be

prompted to select the channels you want to set the gain for. Select the

channels you want using the channel buttons or press and hold the Smartgain

button to quickly select all 8 channels at once.

If all selected channels are successfully set, you will see the ‘Smartgain

Successful’ screen and you are ready to start recording.

If Smartgain fails for any reason you will see the ‘Issue Detected’ screen

followed by the Smartgain Status screen. The Smartgain Status screen gives

Once you have selected the channels you require, press the Smartgain button

again to start. You will now see a ‘Smartgain Listening’ screen, this is where you

or your artist will need to start performing in order for Smartgain to analyse

your signal.

you an overview of the status of each channel in relation to Smartgain.

HARDWARE HARDWARE

Green - means it was successful

Red - means it failed

Input Mute

Grey - means the channel was not selected

Smartgain will now return you to the ‘Select Channels’ screen with the failed

channels automatically pre-selected, simply press Smartgain to start the

process again.

For the channels that failed, double-check your microphone cables, check

if phantom power is required for that microphone, or move the microphone

closer to the sound source. Then try the Smartgain process again.

Note: there is no need to select the green channels again as they were

already successfully set.

To quickly mute a channel, simply hold down the hardware channel button

until the Mute Feature Toggle screen is shown, and the channel button begins

ashing.

M

When a channel is muted, the gain level is replaced with the Mute icon, this will

remain in place until mute is deactivated, by again holding down the channel

button.

HARDWARE HARDWARE

Stereo Linking

1

2

3

4

5

6

7

8

All of the input channels can be linked as stereo pairs, for example: Channel

1+2, 3+4, 5+6, 7+8. This allows you to match the gain for both channels to make

sure your left and right channels are at the same level.

This would be used when recording an instrument using two microphones,

such as a piano or guitar, or if inputting a stereo line signal like a synth or DJ

decks.

To do this, press down the pair of input buttons (eg. 3 & 4) at the same time.The

channels in the EVO Software Mixer will then automatically change to a stereo

channel to reect this (refer to the Software Mixer section of this manual).

Whilst two channels are linked, selecting one of the channels will automatically

select the linked channel as well.

When two channels are linked, a ‘Link’ icon will appear on the Input Status

Screen and the input name will update.

Input 1

Gain

When on the input metering screen, you will also see a small hyphen

connecting the linked channel numbers.

HARDWARE HARDWARE

Phantom Power (48V)

Some microphones will require phantom power in order to function. This is

+48 volts of power sent via the XLR cable and used to correctly power up

the microphone and allow it to work.

Microphones that require phantom power are typically condenser

microphones.

In rare cases, some microphones that don’t require phantom power can

be damaged by providing phantom power to them so we’d recommend

checking the microphone’s documentation to see if you need to provide

phantom power or not.

To activate phantom power, select the channel, then press the 48V button,

which will then illuminate red as well as activate a temporary popup on

screen.

This is set independently per channel so if you navigate away to a dierent

channel, where phantom power isn’t activated, the 48V button will no

longer be illuminated.

To turn o 48V, press the 48V button again, which will display the feature

toggle screen.

When turning on and o phantom power, EVO 16 will automatically mute

the input to avoid unwanted noises coming through to your speakers or

headphones.

HARDWARE HARDWARE

Instrument Input

EVO 16 includes two instrument inputs to directly connect instruments such

as electric guitars and basses. The instrument input is sometimes also known

as a DI (Direct Injection) and provides a high input impedance, which enables

you to get the best tone from your instruments.

The two instrument inputs are found on the front of EVO 16, and accept

unbalanced TS jacks, just like the ones you’d plug into a guitar amp.

By default, these inputs are used as line & microphone level inputs but they

can both be changed to Instrument Mode.

If you try and activate phantom power on Channels 1+2 whilst the instrument

input is active, an error screen will show as it is not possible to have both active

at once.

Instrument ButtonInstrument Inputs

To do this, select either channel 1 or 2, then press the Instrument button. The

button will then illuminate as well as display the temporary popup on screen.

To turn o Instrument mode, press the Instrument button again.

When using the instrument inputs set your gain as you would with the Mic/

Line inputs, either using Smartgain or the Control Wheel.

Remember: After you’ve nished recording via the instrument inputs, you’ll

need to switch them back to line & microphone level inputs. To do this, press

HARDWARE

whichever instrument channel button you’re using, then press the Instrument

button. This essentially turns o the DI circuit, allowing you to use line and &

microphone level devices.

HARDWARE

ANALOGUE OUTPUTS

Headphone Outputs

EVO 16 provides you with separate controls for each of the headphone

outputs. Pressing the Headphone 1 or 2 button will allow you to independently

adjust the volume for each output. To adjust the output volume, simply tap

the output you wish to adjust and turn the Control Wheel. The Meter ring will

illuminate to show the current volume level.

Headphone Control Buttons

Connection

Pressing any of the hardware Output buttons will bring up the Output Status

Screen. Similar to the Input Status Screen, with a few key dierences, the Output

Status Screen displays: the output name, the volume level, stereo meters, as

well as a feature status display. With an output selected, the Control Wheel will

now control the volume of that output, ranging from 0 to 100.

TRS Jack

Line Outputs

EVO 16 also provides you with eight dedicated line level outputs, which can

be found at the rear of the unit.

By default, pressing the Speaker button on the front of the unit, then turning

the Control Wheel will change the volume of line outputs 1+2. You can adjust

any of the other line outputs in the EVO Software Mixer.

Speaker Button

To quickly mute an output, hold down the channel button until the Mute

screen is shown, and the channel button begins ashing. When a channel

is muted, the volume level is replaced with the Mute icon, this will remain in

place until mute is deactivated, by again holding down the output button.

HARDWARE

HARDWARE

Function Button

Various monitoring and communication functions of the EVO Software Mixer

can be assigned to the hardware Function Button found on the front panel of

the EVO 16. This enables you to quickly control your monitoring at the click of a

button. To assign a monitor control to the F-Button, refer to either the Software

Mixer or Motion UI Settings section of this manual.

The following functions can be assigned:

Mono

Sums the stereo outputs down to mono. This can be used to quickly check the
mono compatibility of your mix to make sure it’ll sound great almost anywhere!

ALT

ALT allows you to quickly switch your monitor path to a secondary set of speakers
to let you check how your mix translates on various speakers. You can select
which outputs the ALT monitor control ips to in the System Panel.

With the main speaker outputs selected, under the meter, you are able to

see the status of the output functions, Dim, ALT speakers, and Mono.

Whenever these features are toggled, the corresponding screen is displayed,

before reverting back to the output status screen.

Dim

Reduces the output level by a pre-set amount which can be great if you get a
call or need to quickly chat to someone during a session.

TB (Talkback)

Toggles talkback on and o.

HARDWARE HARDWARE

Talkback

The F-button can also be used to activate Talkback, enabling you to stay

in contact with an artist through their headphones. This is congured in the

EVO Mixer App’s Settings Panel.

When Talkback is activated, whether using the F-button or the EVO

Software Mixer, the Talkback screen is breiy shown.

If at any point you navigate to a dierent screen while talkback is still

activated, the Talkback Icon will be visible.

Outputs

Input 1

Gain

HARDWARE HARDWARE

OPTICAL INPUTS & OUTPUTS

EVO 16 features two optical inputs and two optical outputs. Each of these

can be set to operate using optical stereo S/PDIF or 8-channel ADAT using

World Clock Output

The EVO 16 includes a BNC Word Clock output which allows you to clock multiple

digital devices to the EVO 16’s master clock and keep everything in sync.

the EVO Software Mixer. All i/o will operate at up to 96kHz, with ADAT dropping

to 4 channels at sample rates of 88.2kHz or higher.

The Word Clock output will send a clock signal at the same sample rate (44.1,

48, 88.2 or 96kHz) that the EVO 16 is operating at. This will occur regardless of

whether the EVO 16 is being clocked internally or externally.

Clocking Congurations

When connecting external digital devices to the EVO 16, it’s important to ensure

that all devices are synchronised.

To ensure this, one device in the setup must be set as the master clock. The other

devices will then use the master clock signal to stay in sync. There can only ever

be one masterclock present in a chain.

Running in S/PDIF mode, the optical i/o provides the option to integrate

external digital outboard, allowing up to 4 channels of audio in and out of

the EVO 16 at sample rates up to 96KHz.

Running in ADAT mode, the optical i/o provides a great way to expand to 24

inputs for recording via an external mic preamps such as the Audient ASP800.

The ADAT outputs could also be connected to headphone distribution systems

such as a HearbackTM system or to an 8-channel DAC for summing purposes.

When using higher sample rates such as 88.2kHz and 96kHz, you are restricted

to a total of 8 digital inputs and 8 digital outputs due to the limitations of the

ADAT protocol.

The master clock signal can be sent either via an optical cable embedded into

the digital signal data, or through a BNC clock line cable. Please bear in mind

that the clock will only travel in one direction through these connections, from

a device’s output to a device’s input.

Choosing a Master Clock

In a digital setup, there can be a number of options when determining which

device should be your master clock. Quite often the best device to set as the

master is the one that is connected to the computer such as an audio interface.

This way, when you open a project in a DAW, the audio interface should change

automatically to match the project sample rate, and therefore change the

sample rate of all the slave devices. However this depends on the devices being

used.

HARDWARE HARDWARE

EVO 16 as the Master Clock

EVO 16 with daisy chained BNC connection

With the EVO 16 set as the master clock the other devices in the chain can be

clocked by either the optical output port or the BNC word clock output.

If you are using multiple devices then it is recommended to use the BNC word

clock output and then use T-connectors to daisy chain the devices together.

It is important to note that the nal device in the chain should have its BNC

connector terminated with 75 Ohms to stop reections of the clock signal. This

should be a switchable option on most devices.

Key:

Optical TOSlink Cable BNC Word Clock Cable

BNC T Connector

Unterminated

75 Ohm Terminated

EVO 16 as the Slave Clock

The EVO 16 can also act as the slave to an external master clock via it’s optical

inputs. In this case, you would connect the optical output of a device to the EVO

EVO 16 with single BNC connection

75 Ohm Terminated

16’s optical input. Then, in the EVO mixer application, select the optical input

you wish to be used as the clock source. You would also need to set the inputs

to either ADAT or S/PDIF depending on the specication of the external device.

EVO 16 clocked via the optical port

HARDWARE

HARDWARE

Motion UI MenuMetering

When not adjusting settings or pressing buttons on EVO 16 for more than 5

seconds, the screen will default to display either the input or output meters,

depending on whether you last pressed an input or output button.

The input meters display the levels of all 8 channels at the same time,

enabling you to keep track of your recording levels. If you are using the

digital inputs, you can quickly cycle through the input meter screens to

view their levels by pressing the Control Wheel.

In the Motion UI menu, you will nd the options to power the unit down,

customise the brightness levels of the LEDs, assign any of the monitoring

functions to the hardware F-button, check the audio status of your unit,

and reset the unit to the factory settings.

To open the Motion UI menu, momentarily hold the Control Wheel down.

The output meters display the levels coming out of your main speaker

outputs and both headphone outputs. Similar to the inputs, you can

navigate to view the level of your line outputs and digital outputs by tapping

the Control Wheel.

HARDWARE HARDWARE

Power Function Button

To power o the unit, rotate the Control Wheel until Power is selected, and

then press the Control Wheel down to select. You will then be prompted

to conrm if you want to turn o EVO 16, select Yes, and press the Control

Wheel to conrm.

This allows you to choose what the F-button on the front panel controls.

Here, rotate the Control Wheel between the dierent options, and press

the Control Wheel to select it. Then press OK to conrm your selection.

This will put EVO 16 in a low-power standby mode. To turn the unit back on,

hold down the Control Wheel until the screen illuminates.

You can also turn o EVO 16 without navigating to the settings menu by

simply holding the Control Wheel down for 5 seconds.

Brightness

The brightness option allows you to adjust the brightness of the LEDs to

reduce glare in darker studios.

HARDWARE HARDWARE

Status Menu Screen Factory Reset

The status screen displays the sample rate EVO 16 is currently set to via the

EVO Mixer as well as showing what protocol both the digital inputs are set

to and whether they have been successfully clocked.

Digital Inputs

If the light is green, this means that the unit has been successfully clocked,

To reset EVO 16 to its factory settings, select the factory reset button and

select Yes to start the process.

Note: Be aware this will remove any of your currently saved settings.

if amber the unit is receiving a signal but in the wrong sample rate, and if

red, no signal is detected. To dismiss the screen, press the Control Wheel.

Note: the sample rate and clock settings cannot be edited from this

screen.

HARDWARE HARDWARE

EVO 16 RACK MOUNTING

EVO 16 has optional rack ears that can be claimed via arc.audient.com. These

can be attached to the sides of the unit with the contained screws.

How to install the rack mount ears

1. Use a 3mm hex driver to remove the two screws either side near the front

of the unit.

2. Position rack ear so that the four screw holes are inline with the four

holes found on the side of the EVO 16. Refer to the image above for correct

positioning. Insert the x4 M4 screws into the holes, and tighten until rm.

Repeat proccess again for other rack ear.

Required:

3mm hex driver/key

Pozidriv screwdriver

Caution regarding placement

It is not advised to run the unit in a rack above or below hot units such as valve

outboard and multichannel AD/DA converters without suitable ventilation space

around the unit.

We would suggest a space of at least one rack unit above and below the unit.

Ensure side air vents are not covered. Additionally, do not install near any heat

sources such as radiators, heat registers, stoves, or other apparatus (including

3. Remove the rubber feet which are located on the bottom of the EVO 16

using a Pozidriv screwdriver.

RACK MOUNTING RACK MOUNTING

ampliers) that produce heat.

SOFTWARE FEATURES

The Menu gives you the following options:

EVO 16 includes a powerful software mixer giving you complete control over

your monitoring and audio loop-back. On MacOS, the EVO Software Mixer

will open in the Menu Bar in the top right hand corner of the screen.

On Windows It will open in the system tray found in the bottom right hand

Show Mixer

This menu item opens the Software Mixer Window. More information about the

mixer can be found in the EVO Mixer section.

Quit

This fully quits the application and stops it from running in the background.

About EVO

The About EVO option allows you to check your current software and rmware
versions and provides further information about the software.

Visit EVO Knowledge Base

This option will open a browser window allowing you to access technical support
and FAQ’s for EVO 16.

corner of the screen.

Register Product

This will open a browser window for the Audient ARC website where you can
register your interface to access free promotions and software. More information

about ARC can be found on page 12.

Check for Updates

This option will check if any updates are available for your EVO 16 to add new
features or support for future operating systems. If any updates are available
then you’ll be prompted to install them.

Input Routing

This allows you to select which channels are sent to your loopback inputs. More

information about loopback can be found on page 63.

SOFTWARE SOFTWARE

EVO SOFTWARE MIXER

The EVO Software Mixer allows you to completely control your monitoring for

recording, mixing or content creation.

Each fader has the following functions:

Pan Control

This allows you to monitor the audio on either the left speaker, the right speaker
or anywhere in between.

Stereo/Mono

Adjacent tracks can be stereo linked for when you are recording a stereo source,
such as a synth or when using stereo mic techniques.

Solo (S)

Solo will mute every other input apart from the channels that have the solo
button selected.

Mute (M)

This will mute the track so it is no longer being monitored.

Meter

This shows the current input level of a particular channel. If the signal level is
too high, a red “Clip” indicator will show at the top of the meter. In this instance,
you may need to adjust the gain of your inputs or the volumes in your recording
software.

Phase Flip

Inverts the polarity of the signal by 180° to stop phase cancellation. This is useful
if you are micing the rear of a guitar amplier or the underside of a snare drum.

SOFTWARE SOFTWARE

Faders

The fader determines how much signal is sent to the outputs. The faders have an

additional 6dB of monitoring gain available allowing you to boost a quiet signal,

this is done by pulling up the fader to the +6dB point.

In the mixer there are multiple channels from dierent sources. These dierent

channels are explained below:

Mic 1, 2, 3, 4, 5, 6, 7 & 8

These are the eight microphone inputs of the EVO 16. Pulling up the faders for
these channels allows you to listen to the eight inputs through your speakers or
headphones with very low latency.

SOFTWARE SOFTWARE

DAW 1+2, 3+4, 5+6, 7+8

On the far right side of the mixer is the master section. From here you can adjust

the output levels of the line outputs 1+2, 3+4, 5+6, 7+8, which are found at the rear

of the unit.

The EVO 16 Software Mixer has 8 DAW Return Channels allowing you to set

up multiple cue mixes or sends to hardware outboard gear. Using these three

channel types, you can build up your main monitor mix and up to four additional

cue mixes. Its important to note that the EVO Software Mixer only controls the

monitoring of the EVO 16. Changes made to the EVO Software Mixer won’t aect

the level present in your DAW or audio software.

Digital Inputs

These are the inputs from the EVO’s optical inputs. The number of digital inputs
present on the EVO mixer application depends on the digital input type (S/PDIF
or ADAT) and the sample rate being used.

Master Section

Clicking on one of the mixes allows you to make changes to that mix. When a mix
is selected, it expands to reveal additional controls for that mix.

This is your playback from your computer, such as playing back recordings or

instruments from your DAW, or just playback from media players or web browsers.

Pulling up the fader for these channels allows you to play this back through your

EVO 16.

Mix Selection Channel Views

Cue Mix
Name

Cue Mix
Level

Chronometer

Mix Solo

Mix Meters

Monitor Controls

SOFTWARE SOFTWARE

Cue Mix Name

Double clicking on a Cue Mix’s name allows you to rename it. If for example you
were creating mixes for four separate band members, you could name them
‘Drummer’, ‘Guitarist’, ‘Bassist’... etc.

Mono

The mono button sums the stereo outputs down to mono. This can be used to
quickly check the mono compatibility of your mix to make sure it’ll sound great
almost anywhere!

Mix Solo

The Solo button allows you to audition each of the Cue Mixes through your
speakers.

Mix Level

The Mix level allows you to control the overall level of the Cue Mix that is sent to
the outputs.

Mix Meters

The Mix meters show the master signal level of the selected Mix.

Channel Views

These three buttons allow you control which of the three channel types are shown
in the mixer. If for example you weren’t using the digital inputs for a particular
project, you can simply hide the optical channels by clicking on the OPT control.

Monitor Controls

These ve buttons control various aspects of the EVO 16 monitor controller
capability:

ALT

Alt allows you to quickly switch your monitor path to a secondary set of speakers
to let you check how your mix translates on various speakers. You can select
which outputs the ALT. monitor control ips to in the System Panel.

Dim

Reduces the output level by a pre-set amount which can be great if you get a
call or need to quickly chat to someone during a session.

Cut

The cut button cuts the signal to the speakers. All these controls can be controlled
from the EVO 16 itself, either by assigning them to an F-Key, or using the dedicated
Dim and Cut controls..

Assigning the F-Button

Various functions of the EVO Software Mixer can be assigned to the Function
Key of the EVO 16 to allow you to quickly control your monitoring at the click of
a button. To assign a monitor control to an F-Button, simply right click on the
control and select the F-Button.

TB (Talkback)

The talkback button switches talkback on and o. More information regarding
talkback and its various settings can be found in the ‘System Panel’ section of
this manual.

SOFTWARE SOFTWARE

System Panel Features

The system panel can be accessed via the menu or simply by pressing the
‘Settings’ shortcut on the mixer front panel.

Mono Mode

When the EVO 16 Mono feature is engaged this option controls whether the
mono signal is sent to the left, right or both speakers.

Dim Level

When the EVO 16 dim button is pressed, this control denes how much the level
is reduced by.

ALT Speaker Trim

This control denes the level drop/boost when the EVO 16 is switched to ALT
speaker mode. This is used to balance levels between dierent speaker brands
or types.

Output Routing Selection

Opens the routing matrix for either the Analogue Outputs, Digital Output 1,
Digital Output 2 or the Talkback channel.

Digital Inputs/Outputs

Allows you to select whether each optical input or output uses ADAT or S/PDIF
digital format.

Default Clock Source

The Clock source can be selected from either the internal clock or one of the two
optical inputs. More information about choosing a clock source can be found
in the clocking section of this manual. When using an external clock source the
indicator beside the selector shows the current status of the clock on that input.

• Red - No clock signal detected on input

• Amber - A clock signal is detected but at a dierent sample rate to EVO 16

• Green - A clock signal is detected and is at the correct sample rate.

For an external clock source to be working correctly you would want the indicator
to be green. If the indicator isn’t green, EVO 16 will default back to the internal
clock until it detects a valid clock input.

Routing Matrix

The Routing Matrix allows you to control the audio source for each of the EVO 16
outputs from the following options:

• Main Mix - This takes signal from the Master Mix of the EVO Software Mixer.
This is what is usually used for most standard playback.

• ALT - This takes signal the Master Mix but only when the ALT speaker mode is
active.

• Cue A, B , C, D - This takes signal from the four cue mixes which can be
created using the iD mixer.

Please note that the hardware volume control does not aect these mixes
and the Cue’s have seperate trims which can be adjusted when the Cue Mix is
selected in the Main Mixer Window.

SOFTWARE SOFTWARE

• DAW THRU - This allows you to route to outputs exactly as they would appear
in your DAW. For example, if you set Analogue out 1+2 to DAW THRU, anything
your DAW sends out to Outputs 1+2 will be sent directly to Analogue outputs
1+2.

This can also be applicable for the digital outputs meaning you can have
numerous sends direct from your DAW out via the optical outputs for adding
outboard gear or for extensive fold-back solutions. As an example, setting
digital outputs 1+2 to DAW THRU would allow you to directly send audio to this
output from your DAW by setting channels in your DAW to playback via outputs
9+10 (outputs 1-8 would be your analogue outputs). Digital outputs 3+4 would be
outputs 11+12... and so on.

Please note that in DAW THRU, the channel in question will bypass any volume
control and audio will be passed at full scale. If this output is sent to a set of
speakers without inline attenuation, this may be very loud. The DAW THRU
function is not available on the headphone outputs.

Talkback Device

If an external device is selected then this allows you to select which connected
device is used.

Talkback Source

The Talkback source allows the talkback input to be taken from one of the EVO
16 internal inputs or from a device connected to the host computer (such as a
built-in microphone or USB microphone).

When you select an input as your Talkback channel, the channel strip in the
EVO Software Mixer will be changed to a talkback channel which will have a TB
button in the centre. If using an external device, the talkback signal will appear
on channel DAW 10. Faders will only appear for these channels on the Cue Mixes,
not on the Main Mix.

SOFTWARE SOFTWARE

ADVANCED FEATURES

Saving and Opening EVO Congurations

If you have a conguration you want to use again in the future then you can save
it as a preset. EVO 16 will save all your settings to allow for speedy recall.

Mic Preamp Controls

The Mic preamps on EVO 16 can be remotely controlled from the EVO Software
Mixer. To enable this go to the “View” menu and select “Show Mic Pre Controls”.

Once this is enabled, on the bottom of each channel, you’ll see a gain control
and a +48v button.

To Save a conguration, go to File > Save.

You can then give the conguration a name and click Save. If you’d like to send
your settings to another computer or EVO 16 user, you can click ‘Export Mixer
Setting to File’ and you can save this to your documents.

The +48v button will enable phantom power on this channel and the Gain control
will adjust the gains on the EVO 16 itself. Allowing you to make quick changes to
your setup without having to look away from the computer during a busy session.

SOFTWARE SOFTWARE

To open a previously saved conguration, Go to File > Open and select the
conguration from the list..

Using Audio Loop-back on EVO 16

EVO 16 includes Loop-back channels that allow you to take audio from

applications on your computer and feed it to another application, great for

recording video interviews or for setting up gaming streams. You can think of

it as a virtual cable that runs from your outputs and back to the inputs.

Selecting the Loop-back Source

You can also delete a previously saved conguration by clicking the red ‘X’ next
to it.

If you’d like to open an EVO 16 conguration from your documents, simply click
‘Load From File’ and then use the le explorer to nd the setting you wish to load.

Standalone Operation

If you would like to use EVO 16 without a host computer, EVO 16 can be congured
to operate in standalone mode. This is great for setting up complex tracking setups
in remote locations.

To setup Standalone mode, rst setup the iD mixer in the way that you wish to
be saved onto your EVO 16. This includes your digital I/O settings, output routings
and talkback settings in the System panel.

Firstly, you would need to select which output of the EVO 16 you wish to use

as your source for the Loop-back channels. This is done by going to ‘Setup >

Input Routing’:

Now navigate to the Setup menu and select Store Standalone State. The EVO
Software Mixers current conguration will then be saved onto the EVO 16 itself,
ready to be recalled when the EVO 16 is next powered on.

SOFTWARE SOFTWARE

Below is a breakdown of each source and where it takes audio from:

Recording/Streaming your

DAW 1+2 - Any audio being sent to outputs 1+2 of the EVO16

DAW 3+4 - Any audio being sent to outputs 3+4 of the EVO16

DAW 5+6 - Any audio being sent to outputs 5+6 of the EVO16

DAW 7+8 - Any audio being sent to outputs 7+8 of the EVO16

DAW 9+10 - Any audio being sent to outputs 9+10 of the EVO16

Master Mix - The audio mix created in the EVO mixer on the Main Mix panel

Cue A - The audio mix created in the EVO mixer on the CUE A panel

Cue B - The audio mix created in the EVO mixer on the CUE B panel

Cue C - The audio mix created in the EVO mixer on the CUE C panel

Cue D - The audio mix created in the EVO mixer on the CUE D panel

Loop-back Channels

Once you have selected your source, set up your recording/streaming

software to capture audio from the EVO 16’s Loop-back channels. The Loop-

back channels will appear on Channels 23-24.

For example, when using a DAW, create a new stereo track that takes the

signal from Input 23-24. When you hit record, this will record any audio present

on the selected Loop-back source at that time.

Similarly, in a streaming application such as OBS or Zoom, you’d set your input

device to EVO 16 channels 23-24. (Please note that not all applications will

allow you to access channels 23 and 24, which may mean you are unable to

use loop-back with this application).

Tip - Using the Master or Cue Mixes is a great way of combining audio from a

number of sources (Mic Inputs, Digital inputs, DAW Channel…etc) into one stereo

feed, which is great for streaming apps where you can only use a single stereo

input. See earlier in the manual for how to adjust the Main and Cue Mixes.

The Loop-back icon as a visual aid will appear on the source

you have selected.

SOFTWARE SOFTWARE

Firmware Update Procedure

To update your rmware, go to the EVO Application Menu and select ‘Check

for Updates’.

Provided you have an internet connection, the EVO App will now check with

our update service to see if there are any new rmware updates for your EVO

16.

If a rmware update is available, you’ll be prompted to install it directly

from our update service. This should take no longer than a minute or so. We

recommended that all speakers are switched o before updating.

During the update procedure, the unit will restart multiple times.

FIRMWARE UPDATE

ANALOGUE TO DIGITAL CONVERTER

SPECIFICATIONS

MICROPHONE PREAMPLIFIER:

Mic Gain Range: 58 dB
Line Gain Range: 58dB with -10dB Pad

Phantom Power:
CMRR:

Maximum Input Level: +16dBu

Input Impedance (Mic): >3kΩ Balanced

Input Impedance (Line):
Frequency Response: +/-0.5dB 10Hz to 40kHz

Crosstalk: <-105dBu @ 1kHz <-103 @ 10kHz

THD+N @ 0dBu (1kHz): <0.0015%

48v +/-4v @ 10mA/Channel
>80dB @ 1kHz

>10kΩ Balanced

Digital Reference Level:

Frequency Response:

Crosstalk:

THD+N @ -1dBFS (1kHz):

Dynamic Range:

DIGITAL TO ANALOGUE CONVERTER

Maximum Output Level:

Digital Reference Level:

Output Impedance:

Frequency Response:

Crosstalk:

THD+N @ -1dBFS (1kHz): <0.001%

0dBFS = +10.5dBu

+/-0.5dB 10Hz to Fs/2

-125dBu @ 1kHz & 10kHz

<0.001%

112.5dB A-Weighted

12dBu

0dBFS = +12dBu

<50Ω

+/-0.5dB 10Hz to Fs/2

<-110dBu @ 1kHz

SNR: 100dB

Mic EIN: <-127.5dBu

XLR:

1/4” Jack:

D.I:

D.I Gain Range:
MAXIMUM INPUT LEVEL:

INPUT IMPEDANCE:
THD+N @ 0dBu (1kHz):
SNR:

FREQUENCY RESPONSE:

1/4” JACK: TIP (Hot) & SLEEVE (Shield)

Pin 2 (Hot), Pin 3 (Cold) & Pin 1 (Shield)

TIP (Hot), RING (Cold) & SLEEVE (Shield)

58dB
+10dBu

500k
<0.1%

100dB

+/-0.5dB 10Hz to 20kHz

Dynamic Range: 121dB A-weighted

1/4” Jack: TIP (Hot), RING (Cold) & SLEEVE (Shield)

HEADPHONE OUTPUT:

Max Output Level: 11.25dBu

Output Impedance: <50Ω

Frequency Response: +/-0.5dB 10Hz to Fs/2

Crosstalk: -108dBu @ 1kHz

THD+N @ -1dBFS (1kHz): <0.001%

Dynamic Range: 118dB A-weighted

Max Level Into 30ohms: +8.5 dBu, 0.00094% THD+N,

1.66Vpk Power: 86mW

Max Level Into 60ohms:

Max Level Into 600ohms:

10 dBu, 0.00079% THD+N,

2.55Vpk Power: 104mW

11.2 dBu, 0.00057%THD+N,

3.83Vpk Power: 24mW

SPECIFICATIONS

1/4” Jack: TIP (Left), RING (Right) & SLEEVE (Shield)

SPECIFICATIONS

WARRANTY INFORMATION

Warranty Statement

Your EVO 16 comes with a manufacturer’s warranty for three years (36 months)

from the date of despatch to the end user.

The warranty covers faults due to defective materials used in manufacture and

faulty workmanship only.

During the warranty period Audient will repair at its discretion or replace the faulty

unit provided it is returned carriage paid to an authorised Audient service centre.

We will not provide warranty repair if in our opinion the fault has resulted from

unauthorised modication, misuse, negligence or accident.

We accept liability to repair or replace your EVO 16 as described above. We do not

accept any additional liability. This warranty does not aect any legal rights you

may have against the person who supplied this product - it is additional to those

rights.

Tel: [phone]

IMPORTANT SAFETY INSTRUCTIONS

• Read instructions - All the safety and operating instructions should be read

before the product is operated.

• Retain instructions - The safety and operating instructions should be retained

for future reference.

• Heed Warnings - All warnings on the product and in the operating instructions

should be adhered to.

• Follow Instructions - All operating and use instructions should be followed.

• Cleaning - Unplug this product from the wall outlet before cleaning. Do not

use liquid cleaners or aerosol cleaners. Use a dry cloth for cleaning.

Warranty Limitations

This warranty does not cover damage resulting from accident or misuse.

The warranty is void unless repairs are carried out by an authorised service centre.

The warranty is void if the unit has been modied other than at the manufacturer’s

instruction.

The warranty does not cover components which have a limited life, and which are

expected to be periodically replaced for optimal performance.

We do not warrant that the unit shall operate in any other way than as described

in this manual.

• Attachments - Do not use attachments not recommended by the product

manufacturer as they may cause hazards.

• Water and Moisture - Do not use this product near water-for example, near a

bath tub, wash bowl, kitchen sink, or laundry tub; in a wet basement; or near a

swimming pool; and the like.

• Accessories - Do not place this product on an unstable cart, stand, tripod,

bracket, or table. The product may fall, causing serious injury to a child or adult

and serious damage to the product. Any mounting of the product should

follow the manufacturer’s instructions, and should use a mounting accessory

recommended by the manufacturer.

• Flame Sources - No naked ame sources, such as lighted candles, should be

placed on the product.

WARRANTY

SAFETY INSTUCTIONS

• Ventilation - Slots and openings in the cabinet are provided for ventilation

• Object and Liquid Entry - Never push objects of any kind into this product

to ensure reliable operation of the product and to protect it from overheating.

These openings must not be blocked or covered. The openings should never

be blocked by placing the product on a bed, sofa, rug, or other similar surface.

This product should not be placed in a built-in installation such as a bookcase

or rack unless proper ventilation is provided or the manufacturer’s instructions

have been adhered to.

• Power Sources - This product should be operated only from the type of power

source indicated on the marking label and connected to a MAINS socket outlet

with a protective earthing connection. If you are not sure of the type of power

supply to your home, consult your product dealer or local power company.

• Power-Cord Protection - Power-supply cords should be routed so that they

are not likely to be walked on or pinched by items placed upon or against them,

paying particular attention to cords at plugs, convenience receptacles, and

through openings as they may touch dangerous voltage points or short-out

parts that could result in a re or electric shock. Never spill liquid of any kind on

the product.

• Headphones - Excessive sound pressure form earphones and headphones

can cause hearing loss.

• Damage Requiring Service - Unplug this product from the wall outlet and

refer servicing to qualied service personnel under the following conditions:

– When the power-supply cord or plug is damaged.

– If liquid has been spilled, or objects have fallen into the product.

– If the product has been exposed to rain or water.

– If the product does not operate normally by following the operating

instructions. Adjust only those controls that are covered by the operating

the point where they exit from the product.

• Mains Plug - Where the mains plug or an appliance coupler is used as the

disconnect device, the disconnect device shall remain readily operable.

• Lightning - For added protection for this product during a lightning storm, or

when it is left unattended and unused for long periods of time, unplug it from

the wall outlet and disconnect the antenna or cable system. This will prevent

damage to the product due to lightning and power-line surges.

• Power Lines - An outside antenna system should not be located in the vicinity

of overhead power lines or other electric light or power circuits, or where it can

fall into such power lines or circuits. When installing an outside antenna system,

extreme care should be taken to keep from touching such power lines or circuits

as contact with them might be fatal.

instructions as an improper adjustment of other controls may result in

damage and will often require extensive work by a qualied technician to

restore the product to its normal operation.

– If the product has been dropped or damaged in any way.

– When the product exhibits a distinct change in performance-this indicates a

need for service.

• Replacement Parts - When replacement parts are required, be sure the

service technician has used replacement parts specied by the manufacturer

or have the same characteristics as the original part. Unauthorized substitutions

may result in re, electric shock, or other hazards.

• Battery Disposal - When disposing of used batteries, please comply with

governmental regulations or environmental public instruction’s rules that apply

in your country or area.

• Overloading - Do not overload wall outlets, extension cords, or integral

convenience receptacles as this can result in a risk of re or electric shock.

SAFETY INSTUCTIONS SAFETY INSTUCTIONS

• Safety Check - Upon completion of any service or repairs to this product, ask

the service technician to perform safety checks to determine that the product

is in proper operating condition.

WARNING

CAUTION REGARDING PLACEMENT

THE LIGHTNING FLASH WITH ARROWHEAD SYMBOL, WITHIN

AN EQUILATERAL TRIANGLE, IS INTENDED TO ALERT THE

USER TO THE PRESENCE OF UNINSULATED “DANGEROUS

VOLTAGE” WITHIN THE PRODUCT’S ENCLOSURE THAT MAY

BE OF SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OF

ELECTRIC SHOCK TO PERSONS.

THE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE

IS INTENDED TO ALERT THE USER TO THE PRESENCE OF

IMPORTANT OPERATING AND MAINTENANCE (SERVICING)

INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THE

APPLIANCE.

To maintain proper ventilation, be sure to leave a space around the unit (from

the largest outer dimensions including projections) than is equal to, or greater

than shown below.

It is not advised to run the unit in a rack above hot units such as valve outboard

and multichannel AD/DA converters without suitable ventilation space around

the unit. Ensure side air vents are not covered.

Left and Right Panels: 10 cm

Rear Panel: 10 cm

Top Panel: 10 cm

DO NOT install near any heat sources such as radiators, heat registers, stoves,

or other apparatus (including ampliers) that produce heat.

DO NOT defeat the safety purpose of the polarized or grounding - type plug. A

polarized plug has two blades with one wider than the other. A grounding type

plughas two blades and a third grounding prong. The wide blade or the third

prong is provided for your safety. When the provided plug does not t into your

outlet, consult an electrician for replacement of the obsolete outlet.

Tel: [phone] [e-mail] support.audient.com

SAFETY INSTUCTIONS SAFETY INSTUCTIONS

FCC STATEMENT

This equipment has been tested and found to comply with the limits for Class

B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed

to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency

energy and, if not installed and used in accordance with the instructions, may

cause harmful interference to radio communications. However, there is no

guarantee that interference will not occur in a particular installation. If this

equipment does cause harmful interference to radio or television reception,

which can be determined by turning the equipment o and on, the user is

encouraged to try to correct the interference by one or more of the following

measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit dierent from that to

which the receiver is connected.

• Consult the dealer or an experienced radio TV technician for help.

• This device complies with Part 15 of the FCC Rules. Operation is subject to the

following two conditions:

1 this device may not cause harmful interference, and

2 this device must accept any interference received, including interference

that may cause undesired operation.

• To prevent electric shock, match wide blade of plug to wide slot, fully insert

(Applies only to devices that uses plug with wide blade).

• For the appliance provided with a protective earth terminal should be

connected

to a mains outlet with a protective earth connection.

• Mains plug is used as disconnect device and it should remain readily operable

during intended use. In order to disconnect the apparatus from the mains

completely, the mains plug should be disconnected form the mains socket

outlet completely.

• Marking and rating plate are located at the back or bottom of the apparatus.