ATI MLA400-1 User Manual

Audio Technologies Inc. ■ 856-719-9900 sales@atiaudio.com www.
audio.com
© Copyright 2008, Audio Technologies Inc.
MLA400-800 MMA400-
800
LINE AND MICROPHONE AMPLIFIERS
OPERATING AND MAINTENANCE MANUAL
Audio Technologies Inc. ■ 856-719-9900 sales@atiaudio.com www.
audio.com
DESCRIPTION
Our engineers insist on including this section in all of our instruction books. We know it is really just an excuse to blow their own horns by telling you about all the clever things they have done inside your Multiple Amplifier Array. If they have really been clever, you will never have to even think about what's inside the box and this whole section will be superfluous.
Multiple Amplifier Arrays provide you with either four or eight identical Line or Microphone Amplifier channels depending on the model selected. These channels may be used as individual independent and isolated amplifiers or they may be combined at internal summing points brought out to the rear connector to form mixers, summing amplifiers, distribution amplifiers etc.
Multiple Line Amplifier Arrays (MLA) apply balanced or unbalanced line level input signals directly to a differential input stage with good common mode rejection and RC bypassing of any RF signals picked up on the inputs. This stage will accept line levels up to +22dBm (10Vrms) without clipping and has a typical equivalent input noise (EIN) of only -96dBm thus yielding a 118dB dynamic range. More to the point, even with line inputs as low as -20dBm, you will maintain a 76dB S/N ratio. An input impedance greater than 30,000 ohms is high enough to avoid loading of even IHF (phono jack output) lines. A bi-fet input IC (LF347) provides fast and symmetrical slew rate performance along with high loop gain for minimum transient and harmonic distortion generation.
Additional gain of 41dB and improved noise performance for low-level signals is provided in the Multiple Microphone Amplifier Arrays (MMA). A dual, low noise IC (OPA2227) is interposed ahead of the differential stage in an instrumentation amplifier configuration. EIN of -120dBrn allows good S/N performance with typical microphone input levels. A very high input impedance of 20,000 ohms for balanced inputs avoids all loading effects on the microphone. Input DC blocking capacitors allow use of external phantom power supplies with no fear of input overload. MMA inputs will accept levels up to -20dBu. As a convenience when mixing high and low level inputs into the MMA, removing jumper wires J3, J6, J9 or J12 will convert the selected channel into a unity gain, high-level input, and avoid the necessity for external attenuator pads.
An adjustable gain stage follows the input networks in all models. This stage utilizes a unique circuit arrangement that allows us to provide a smooth, full range logarithmic gain control in each channel using an inexpensive (but good) linear cermet potentiometer. This circuit provides an additional 20dB gain at full clockwise rotation, unity gain in the 12 o'clock position and tapers smoothly to full off at the full CCW position. Since we actually vary the gain of the stage rather than attenuating the input to a fixed gain stage, we can use the channel at low output levels with very little noise penalty. You can easily match channel outputs
Audio Technologies Inc. ■ 856-719-9900 sales@atiaudio.com www.
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to console medium level inputs (-20dBm) or to drive IHF inputs (single ended at .10Vrms) without requiring outboard attenuator pads.
A summing junction, isolated from the adjustable gain stage output by a 1K ohm build out resistor, is brought out to the rear connector to allow channel inputs to be added together and single inputs to drive multiple outputs. Any channel may be interconnected with any or all other channels. Unused inputs should have their pots turned to off (full CCW). Each summed channel is attenuated in proportion to the number of connected channels, e.g. 2 ch = 6dB, 3ch 10dB, 4ch = 12dB, 8ch = 18dB.
The summing junction is also the input terminal of the channel’s output line driver. The output stage is a balanced driver, which is either transformer or resistively coupled to the output line. Each channel is programmable for different output stage gains with a jumper plug connector. The basic stage gain is 6dB with the plug in the center position; additional gain of 10 or 20dB is selected by moving the plug. Units are generally shipped set up for +10dB (16dB total stage gain).
Transformer coupled outputs (-1 models) are recommended when driving long lines since the low source impedance will minimize high frequency roll off due to cable capacity and the total primary to secondary isolation prevents AC power line ground system voltage differentials from adding in with the audio at the receiving end. Transformer outputs are also best for driving both balanced and unbalanced lines. The output transformer is a low leakage reactance design and it is loaded with an RC network to maintain smooth high frequency response and excellent square wave performance whether it is resistively terminated with 600 ohms or left unloaded.
Active balanced outputs (-2 models) are more economical and are preferred for short cable runs driving known loads. Avoid driving an active output into a device with a single ended, unbalanced, one side grounded input since this condition effectively shorts out the amplifier driving the low output. These inputs, of which lHF phono jacks are typical, can be driven from an active balanced output by connecting the load between a HI output terminal and a GND (rather than HI and LO terminals). Each active output is isolated from the output terminals by DC blocking capacitors and 150 ohms of build-out resistance. The build-out resistors are split and bypassed to prevent any RF signals that might be picked up on an output line from feeding back into the amplifier.
The Multiple Amplifier Arrays operate from an internal bipolar 15VDC regulated supply. The power supply is designed for minimum susceptibility to power line transients and conducted RFI using ferrite beads, double capacitive bypasses and a non-concentric wound semi-toroidal power transformer with a mu-metal shield.
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