ATI ATP8700 User Manual
Please Read First
CAUTION: To reduce the risk of electrical shock, do not
remove the cover (or back). No user serviceable parts inside.
Refer servicing to qualified service personnel.
Safety Instructions
WARNING: TO REDUCE THE RISK OF FIRE OR
ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO
RAIN OR MOISTURE.
ead all the safety and operating instructions before
R
connecting or using this unit.
All warnings on the unit and in this operating manual should
be adhered to.
WARNING: To reduce the risk of fire or electric shock, do
not expose this appliance to rain or moisture.
The lightning flash with arrowhead, within an
equilateral triangle, is intended to alert the
user to the presence of uninsulated “dangerous
voltage” within the product’s enclosure that
may be of sufficient magnitude to constitute a
risk of electrical shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operation maintenance
(servicing) instructions in the literature
accompanying the appliance.
PRECAUTIONS:
Certain precautions must be taken in order to ensure proper
operation of your preamplifier-processor.
1. Never expose the unit to rain or moisture.
2. Never plug an input cable into the A/V PROCESSOR while
the unit is turned on.
3. Never apply the “thumb test” (touching the “hot” lead of
he input cable with your finger) to the tip of the input
t
cable or in
and/or hum may be created and could cause damage to the
loudspeak
he loudspeakers, amplifiers or other related equipment
t
due to improper use of the equipment.
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4. A
airflow is necessary to help ensure proper operation.
Do no
5.
materials directly on top of the unit. The heat dissipating
system of the preamplifier depends on free flowing air
ound t
ar
put jack of t
ers. ATI will not be responsible for damage to
estricting the airflow around the unit. Good
ack other system components or any other
t
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hassis.
he c
he preamplifier. RF rectification
All operating and use instructions should be followed.
Do not use this unit near water: for example, near a bathtub,
washbowl, kitchen sink, laundry tub, in a wet basement, or
near a swimming pool.
This unit should be installed so that its location or position
does not interfere with its proper ventilation. For example,
it should not be situated on a bed, sofa, rug, or similar surface
that may block the ventilation openings: or placed in a built-in
installation, such as bookcase or cabinet, that may impede
the flow of air through its ventilation openings.
The unit should be situated away from heat sources such as
radiators, heat registers, stoves, or other devices (including
amplifiers) that produce heat.
The unit should be connected to a power-supply outlet only of
the voltage and frequency marked on its rear panel.
The power-supply cord should be routed so that it is not likely to
be walked on or pinched, especially near the plug, convenience
receptacles, or where the cord exits from the unit.
Clean unit onl
The po
he wall outlet when it’
t
e should be taken so that objects do not fall, and liquids
Car
are not spilled, into t
The unit should be serviced by qualified service personnel when:
The pow
.
A
B. Objects have fallen, or liquid has been spilled, into the
unit; or
The unit has been e
C.
D. The unit does not appear to operate normally, or exhibits a
marked change in performance; or
The de
E.
y as recommended in this instruction manual.
wer-supply cord of the unit should be unplugged from
s to be unused for a long period of time.
he enclosure through any openings.
er cord or the plug has been damaged; or
ain, or liquids of any kind; or
xposed t
vice has been dr
o r
opped, or the enclosure damaged.
Page 2
To prevent electric shock, do not use the polarized plug with
eceptacle or other outlet unless the
xtension cor
an e
blades can be full
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xposure.
Table of Contents
Congratulations
A/V Processor Features....................................................... Page 4
A/V Processor Front Panel.................................................. Page 4
A/V Processor Rear Panel................................................... Page 6
Remote Control.................................................................... Page 8
M-FM Tuner Operation...................................................... Page 9
A
Surround Format Information......................................... Page 10
Stereo Listening Modes...................................................... Page 11
Connecting Your A/V Processor....................................... Page 12
Connecting Audio Components .......................................Page 12
Connecting Video Components........................................ Page 14
Video Display Connections ...............................................Page 16
Antenna Connections......................................................... Page 17
Using the AM/FM Tuner .................................................... Page 17
Other Connections .............................................................Page 17
Power Connections.............................................................Page 17
Amplifier Connections.......................................................Page 18
Second Zone Connections ................................................Page 20
Connection Record Chart ................................................. Page 21
System Setup...................................................................... Page 22
On-Screen Message On/Off............................................... Page 22
Speaker Placement............................................................ Page 22
Subwoofer........................................................................... Page 22
Speaker Size Selection ...................................................... Page 23
Speaker Distance ............................................................... Page 23
Compression ...................................................................... Page 24
Input Assignment .............................................................. Page 24
Renaming Video Inputs .................................................... Page 24
Tuner/PAL/NTSC Settings ................................................ Page 24
Bass Trim ............................................................................ Page 25
Channel Level Calibration ............................................... Page 25
DVD Audio Full Range....................................................... Page 25
Reset to Defaults................................................................ Page 25
Operation ........................................................................... Page 26
Multi-Zone Operation ....................................................... Page 26
emote Control Setup & Operation................................ Page 27
R
Using Programmed Codes................................................ Page 28
tup Codes........................................................................ Page 29
Se
e and Maintenance ...................................................... Page 3
Car
Troubleshooting ................................................................ Page 34
ications ..................................................................... Page 35
Specif
anty Terms and Conditions..................................... Page 36
arr
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Product Warranty Registration
Thank you for purchasing the ATI A/V PROCESSOR. This
A/V PROCESSOR uses the very latest audio processing
technologies along with crystal clear video reproduction.
Its unique design and intuitive controls make it one of the
asiest surround processors to use.
e
We know you are anxious to begin enjoying your new A/V
Processor, but we urge you to read this manual thoroughly
before attempting to make any connections. This could save
time and will answer many of the questions you might have,
thus ensuring maximum performance as well as enjoyability.
You’ll learn how to make your A/V PROCESSOR work with all
of the other components in your system, and how to adjust its
settings for the best possible performance.
If you have any questions about your A/V PROCESSOR, its
installation or operation, please contact us via e-mail at
sales@ati-amp.com or call 818-343-4777.
Unpacking
Your A/V PROCESSOR comes in a carton and packing materials
designed to cushion it from the possible shock and vibration
of shipping. We strongly suggest you save the carton and
packing materials to use if you move, or if the unit ever needs
to be shipped back to us for any reason.
In the unlikely event that the A/V PROCESSOR was damaged
in shipment, be sure to save the carton and all packing
material as evidence for the freight carrier’s inspection.
Should you discover that your unit has been damaged during
shipping, please contact your dealer or ATI immediately and
request the carrier’s name so a written claim can be made.
THE RIGHT TO A CLAIM AGAINST A PUBLIC CARRIER CAN BE
ORFEITED IF THE CARRIER IS NOT NOTIFIED PROMPTLY IN
F
G AND IF THE SHIPPING C
4
WRITIN
ARE NOT AVAILABLE FOR INSPECTION BY THE CARRIER.
AVE ALL PACKING MATERIALS UNTIL THE CLAIM IS SETTLED.
S
CAUTION: NEVER SHIP THIS PRODUCT WITHOUT
THE ORIGINAL BOX AND PACKING.
ARTON & PACKING MATERIALS
Complete and return your Product Warranty Registration
. This will entitle you to warranty coverage
d immediatel
Car
as outlined in the Warranty section at the end of this manual.
PLEASE N
THE A
FEATURES ARE COMMON TO ALL THREE MODELS.
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Accessories
After unpacking the A/V PROCESSOR, please check that the
following accessories are in the box:
h Batter
s Manual
’
ol wit
d
te Contr
emo
■ R
■ AC Power Cord
■ Owner
anty Car
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ar
■ W
■ AM and FM Antennas (ATP8700 and ATP7700)
ies
Page 3
A/V Processor Features
Your new A/V PROCESSOR is built with top-quality
components for state-of-the-art audio performance, and
ffers flexible video processing to meet the needs of any
o
home theater system. No matter what source material you
want to play, the A/V PROCESSOR provides the best
surround-sound processing technology—as well as other
options to heighten your enjoyment of movies and music.
■ Digital Inputs (varies by model)
Each input is assignable, it can be used for any source device.
■ 1 Digital Output
For use with digital recorders or distribution systems.
■ Composite and S-Video Inputs (varies by model)
High-quality video circuitry for connection to video sources.
■ Component Video Switching (varies by model)
Component video switching means you can send high
definition video signals from different sources to this
preamp/processor and select the one you want to watch
without changing inputs on your TV.
■ Multi-room Capability with Zone 2
Video and audio from a source device connected to the
analog audio and video inputs can be routed to a
second room.
■ Three Low-Voltage Triggers
One trigger turns on and off whenever the A/V
ROCESSOR does; this trigger is useful for automatic
P
on/off of compatible power amplifiers (including all ATI
models). A separate trigger can be assigned to activate or
deactivate depending on which input is selected, and is
especially appropriate for use with relay-controlled
products such as projection screens, blinds and lighting
systems. A third trigger is for second-zone operation.
■ AM/FM Tuner (ATP8700 and ATP7700)
This feature is found on very few high-end A/V processors.
■ Balanced Audio Outputs (ATP8700)
Balanced XLR-type outputs for every channel provide the
best audio quality and make the ATP8700 ideal for use
with ATI’s AT3000 and AT2000 Series Pure Balance
amplif
iers as well as professional audio gear.
®
■ 7 Analog Audio Inputs with Bypass Capability
All analog audio inputs may be switched to bypass mode
for pure analog sound, or used with surround-sound
processing.
■ Audiophile-Quality Digital-to-Analog and
Preamplifier Stages
Provide maximum performance for critical music listening.
■ Dolby Digital EX®and Pro Logic IIx®*
Dolby Digital decoding delivers 5.1-channel digital surround
sound from DVD, satellite, cable and digital TV sources.
EX adds an additional rear-surround channel. Pro Logic IIx
converts stereo sound to 5.1, 6.1 or 7.1 channels, and also
converts 5.1 sources to 7.1.
■ DTS®, DTS-ES®and Neo:6®**
The full suite of DTS decoding and processing is available
to provide up to 6.1 channels of sound from virtually any
analog source as well as DTS-encoded programs.
■ 7.1-Channel Analog Input
For connection of multi-channel source devices, such as
Super Audio CD and DVD-Audio players, as well as future
high definition DVD players.
■ RS-232 Port
Allows control through compatible computer products and
keypad systems.
A/V Processor Front Panel
One of the first things you will notice after unpacking the
A/V PROCESSOR is the simplicity of the front panel design.
The ATP's initial design concept was to produce a unit that
was elegant in appearance while not sacrificing any
functionality. The A/V PROCESSOR has achieved that concept.
IMPORTANT NOTE: THE UNIT IS PUT IN
STANDBY MODE BY ACTIVATING THE REAR
PANEL POWER SWITCH. TO ACTIVATE THE
UNIT, A SOURCE MUST BE SELECTED.
1 Front Panel Display
This TFT video screen indicates selected input, assigned
audio input, volume level, mute. The TFT monitor is also
helpful in the initial set up or subsequent changes made to
the menu system.
2 Source Selection Buttons (ATP8700 and ATP7700)
The buttons labeled SAT, CABLE, AV1, AV2, AV3, AUX, DVD,
7.1, VCR, TAPE, CD and TUNER can be used to directly access
the audio and video sources. You can access all sources
directly from these keys. For example, when you press the
DVD key, DVD audio and video signals are selected and
they are then processed and fed to the appropriate outputs
for listening/viewing. Each of these inputs can be assigned
to access whatever sources are connected.
Page 4
3 Seek ▲ and ▼ Buttons (ATP8700 and ATP7700)
These buttons are used to seek up and down for AM or FM
stations when listening to the tuner.
VOLUME Knob
4
Adjust volume level for main room or second zone.
Numeric Buttons (ATP8700)
5
Press the numeric buttons to select menu features.
6 Exit Button (ATP8700)
This key exits the setup mode without saving the settings.
Use it if you have adjusted the setup menu by accident.
7 Select Button (ATP8700)
This is the enter button in setup mode. You can us it to
access sub-menus or to activate special menu items.
8 Menu Button (ATP8700)
When you press this key, the ATP8700 goes to setup mode.
Use the up/down/left/right keys to navigate the menus.
The ATP8700 escapes from setup mode when you either
select EXIT from t
9 Display Button (ATP8700 and ATP7700)
This button is used to turn the display on and off.
he OSD or press the MENU button again.
10 Zone 2 Button (ATP8700 and ATP7700)
Press the ZONE 2 button. Quickly, while the Zone 2 LED
on the front panel is on, press a source button (DVD for
example), then adjust the volume level. Now don’t touch
nything until the Zone 2 LED goes off. You’ve now set a
a
different source (or the same source if you prefer) AND
volume level for a second zone.
11 AM/FM Button (ATP8700 and ATP7700)
Use this button to select either AM or FM mode.
12 IR Sensor
The IR sensor receives commands from the remote
control. Do not block or cover it. If the unit is inside a
cabinet or behind tinted glass doors you may need to use
an optional external IR sensor.
13 MUTE Button
Mutes the volume. Pushing the button again restores
the sound.
14 STBY Button
When the MAIN PO
ON position, pressing this button turns the unit on.
15 STBY/On Indicator
Glows when the unit is in standby or on mode.
WER switch on the rear panel is in the
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1
1
1
1
4
3
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5
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Page 5
A/V Processor Rear Panel
1 AC Input
Connect the supplied AC power cord here. Do not use
standard IEC type power cords.
MAIN POWER Switch
2
Connects and disconnects the A/V PROCESSOR from AC
power. When this switch is on, the Standby/On indicator
on the front panel illuminates. When it is off, all power is
cut and the front STANDBY/ON switch will not function.
3 Antenna Inputs (ATP8700 and ATP7700)
FM and AM inputs for the built-in AM/FM Stereo tuner.
12 Composite Video Record Outputs
onnect these video jacks to the input of a VCR
C
or DVD recorder, so you can record whatever source is being
played in the main room. If the recorder has an S-Video
input, use that connection instead of composite video.
13 Composite Video Outputs
Connect this output to the composite video input of your
video display. Use this only if the display does not have
S-Video or component video inputs.
14 Component Video Outputs
Use this output to connect to a video display that accepts
component video.
4 Main Zone Trigger Output
This jack provides a 12-volt DC output whenever the
A/V PROCESSOR is switched on. Usually, this jack is used
for automatic turn-on of a compatible amplifier equipped
with a DC trigger input.
5 Zone 2 Trigger Output
This jack provides a 12-volt DC output whenever the
2nd Zone is switched on.
6 12 Volt Trigger Output (ATP8700 and ATP7700)
This jack provides a 12-volt DC output whenever the
A/V PROCESSOR is switched on.
7 IR Input
Connect an external infrared sensor to this inputs. This
allows remote control of the A/V PROCESSOR even
if it is installed in a cabinet with solid doors. It also allows
control of the A/V PROCESSOR from a second room.
8 Balanced XLR Stereo Inputs (ATP8700)
hese inputs to hook up any stereo analog audio
Use t
source with balanced XLR-type connectors.
ideo Inputs
S-V
9
Use these inputs to connect S-Video-equipped devices
h as DVD players, satellite receivers, and S-VHS VCRs.
suc
10 Component Video Inputs
Use these jacks to connect devices with component video
outputs, such as a DVD play
11 Composite Video Inputs
o connect older video devices, such as
puts t
hese in
Use t
a VCR, a cable box or a laserdisc player. If the device and
your video display have S-Video or component video
connections, use t
hose ins
er or a digital TV tuner.
tead.
15 S-Video Output
Connect this output to the S-Video input of your video
display. Use this only if the display does not have a
component video input.
16 7.1-Channel Balanced XLR Outputs (ATP8700)
These 3-pin XLR type output jacks are provided to
interconnect with an amplifier utilizing this type of
connection. Please note the "polarity" diagram on the
rear panel and ensure that this configuration matches
the polarity of the XLR connectors on your amplifier.
The ATI ATP8700 is completely compatible with ATI
"Pure Balance" amplifiers.
17 Coaxial and Optical Digital Audio Inputs
Use these inputs to connect digital audio devices such as
DVD players, CD players, and digital TV tuners. These
inputs are assignable to any video or audio source.
18 RS-232 Port
This connector can be used either for control of the
A/V PROCESSOR by a laptop or touchscreen such as an
AMX or Crestron product.
19 Optical Digital Audio Output
Connect to a CD recorder, MiniDisc recorder, a computer
or any other audio recording device that accepts optical
digital inputs.
20 Zone 2 Aux Audio Input and Audio/Video Output
This is a dedicated input accessible only from the second
zone. Use the variable output or fixed output jacks to feed
stereo analog audio
21 Analog Audio Stereo Tape Input
This input is for analog audio devices, such as cassette
tape decks or CD players.
to an audio system in a second zone.
Page 6
22 Analog Audio Stereo CD Input
This input is for analog audio devices, such as cassette
tape decks or CD players.
23 7.1-Channel Audio
se this input group to connect a device with analog
U
multi-channel outputs, such as a DVD player, DVD-Audio
or Super Audio CD player.
27 DVI Video Outputs (ATP8700)
hese jacks may be used to connect the ATP8700 to a
T
television with a digital video connection. With an
adapter, you can connect these outputs to HDMI inputs.
24 DVI Video Inputs (ATP8700)
hese jacks may be used to connect the ATP8700 to a
T
source requiring a digital video connection such as a
DVD player, digital cable box or satellite receiver box.
25 Analog Audio Inputs
Use these inputs to connect analog audio from video
devices, such as a VCR, a cable box or a laserdisc player.
26 Analog Audio Record Outputs
Connect these audio jacks to the input of a VCR
or DVD recorder, so you can record whatever source is being
yed in the main room.
pla
28 Preamp Audio Outputs and Subwoofer Output
These outputs carry 7.1-channel audio from the A/V
PROCESSOR to an external amplifier or amplifiers.
Connect the subwoofer output to the input of a powered
subwoofer or to an amplifier that feeds a passive
(non-powered) sub-woofer.
11 14 15 1612 131 2 7 10983 5 64
27 2826252421 22 2317 18 19 20
Page 7
1
1 17
2
3
4
18
5
19
6
Remote Control
The remote control for the A/V PROCESSOR is a preprogrammed
universal remote that is the primary control system for the
/V PROCESSOR. This remote also controls as many as seven
A
other devices in your system. It contains an extensive library
of IR codes for other devices. Touching any button activates
the remote’s backlighting for five seconds.
1 SETUP Button
Holding down this button for three seconds causes the
remote to enter setup mode. In this mode, you can enter
an entire set of codes for another device to be controlled,
or learn codes directly from another remote.
2 Device Control Selector Buttons
These buttons select the device that the remote will control.
Push the AVC button to control the A/V PROCESSOR.
3 Numerical Keypad Buttons
Use these buttons for control functions requiring you to
enter numbers.
10
11
1
14
15
6
7
8
9
2
3
1
20
21
22
23
24
25
26
4 Mute Button
This button mutes the ATP's sound in the main room. It
does not affect the second zone output unless Zone 2 is
selected. Mute status isshown on the front panel.
5 VOLUME UP and DOWN Buttons
These buttons control the A/V PROCESSOR’s volume in the
main room. They do not affect the second one output.
6 ALT Button
This button selects an alternate mode.
7 GUIDE Button
Activates the status screen displaying the source, input,
volume setting, and audio output type. Pressing the
put Assignment Menu will
he In
yers and other devices,
VD pla
he on-scr
ter
on while in t
een menus of D
he A/V PROCESSOR.
s of t
GUIDE butt
bring up the Rename Menu (after selecting a source).
This allows the user to rename a source device If desired.
8 Cursor Control Buttons
These buttons navigate the ATP's on-screen menus, as well
as t
which the remote is programmed to control. The cursor
up and down buttons are also used to adjust certain
ame
par
Page 8
9 INFO Button
on t
his butt
Use t
you’re watching.
et more information about whatever
o g
10 Source Control Buttons
Operate DVD players, CD players, DVRs, VCRs or other
source component features such as play, record, pause,
stop, fast forward, fast reverse.
22 MENU Button
This activates the A/V PROCESSOR’s on-screen menu.
It also serves as enter button for numeric keypad when
controlling other devices.
11 Source Selector Buttons
These buttons select which input is active in the main
oom. The selected source appears on the front panel and
r
the on-screen display.
12 7.1 Button
The 7.1 key selects the 7.1 audio input and DVD video input.
This operates in the same way as the 7.1 button on the
front panel. It gives you instant access to select the 7.1
CHANNEL
changed by using either the remote control handset or the
front panel SOURCE SELECT buttons or by pressing the
7.1 key again.
13 Mode Button
This button toggles between Dolby Surround Pro Logic®II
Music, Dolby Surround Pro Logic®II Movie, DTS Neo:6
Music and DTS Neo:6®Cinema modes.
14 MUSIC 7 Button
This button places the processor into “7.1 Music” mode.
15 BASS Button
This sets the bass trim for the currently selected input.
16 Status LED Indicator
Indicates when the remote control is in Programming or
Learning mode and flashes to indicate success or failure
of these functions.
7 POWER Button
1
Turns off the A/V PROCESSOR. Also turns other components
controlled by the remote on and off.
18 PRE CH Button
Changes back to the previously tuned channel.
INPUT, which is deselected when the source is
23 STEREO Button
This places the A/V PROCESSOR into “Music” mode.
24 SUR Button
This places the A/V PROCESSOR into “Surround” mode.
24 ZONE Button
Activate remote for “Zone 2” function control (i.e. volume,
seek, input source selection, mute and off).
24 SHIFT/EX Button
This key allows you to toggle between AM and FM on the
tuner input (ATP8700 and ATP7700) and toggles between
Dolby EX ON and OFF.
®
AM/FM Tuner Operation
The high quality built-in AM/FM tuner (A
has an auto-tune feature and may be programmed with up to
10 presets. When using presets, it is not necessary to switch
bands manually. You can save AM and FM station presets
randomly. Your presets will not be lost in the event of a
power failure.
To use the the tuner, press the tuner button on the front
panel or on the remote control. Choose the AM or FM band
by pressing the AM/FM toggle button. To auto-tune up or
down the band, momentarily press the seek-up or seek-down
button on the front panel or the CH up or CH down buttons
on the remote control. The tuner will begin to scan and will
k on to the next useable station received. To set a station
loc
as a preset, hold one of the 10 preset buttons on the remote
control until you hear the station mute momentarily. The
station is now saved as that preset number.
TP8700 and ATP7700)
19 CHANNEL UP and DOWN Buttons
Adjusts the AM/FM radio tuning frequency (ATP8700 and
ATP7700). Frequency appears on both the front panel and
on-screen. Also serves as channel selector when
controlling other devices.
20 TV Button
Toggles between NTSC and PAL video system (for OSD only).
21 EXIT Button
This key exits the setup mode and saves the new settings.
Use it if you have adjusted the setup menu by accident.
Page 9
Surround Format Information
The A/V PROCESSOR incorporates today’s most advanced
surround-sound technologies, including variants of Dolby
and DTS surround sound. Available processing technologies
include Dolby Digital, Dolby Digital EX, Dolby Pro Logic IIx
ovie and Music modes, DTS, DTS ES-Matrix and ES Discrete,
M
DTS Neo:6, It also offers 5-Channel Stereo and 7-Channel
Stereo modes.
You may note that the A/V PROCESSOR includes fewer
surround-sound modes than many other surround processors,
such as “stadium,” “concert hall,” “jazz club,” etc. This was a
conscious omission on our part—we consider such modes
artificial-sounding and useless. Our customers have told us
they don’t use them, either, and would rather not have to
scroll past them when selecting surround-sound modes.
If you want to hear surround sound from stereo sources, you
will achieve the best results by using Dolby Pro Logic II or
DTS Neo:6.
The table on the next page lists the surround processing
choices available within each mode. Depending on the selected
source (analog or digital) and your loudspeaker configuration,
certain processing options may not appear or operate.
IMPORTANT NOTE:
THE A/V PROCESSOR AUTOMATICALLY SENSES
AND SETS THE SURROUND MODE OF THE
SELECTED SOURCE. ANY DESIRED CHANGES,
FOR EXAMPLE: DOLBY DIGITAL SURROUND TO DTS-ES
MUST BE MADE AT THE SOURCE DEVICE (IF AVAILABLE).
Dolby Digital
This digit
sound Dolby Digital source material includes DVDs, digital TV
br
video g
cable programming, and D-VHS tapes.
Dolby Digital EX
Movie soundtracks encoded with Dolby Digital Surround EX
contain an extra back surround channel, added to the
soundtrack during mixing, whic
listener. This additional channel provides more detailed
imaging behind the listener, enhancing depth, ambience, and
sound localization. One or tw
may be used. A list of movies EX-encoded movies can be
found on the Dolby web site, www.dolby.com.
al audio format provides 5.1-channel surround
oadcasts, many PlayStation 2™ video games, all XBox™
ames, laserdiscs, some satellite-delivered and digital
h places audio behind the
ound speakers
o additional sur
r
Dolby Pro Logic IIx
olby Pro logic IIx is the latest version of Dolby’s Pro Logic
D
technology. Pro Logic II is a substantial improvement over the
original Pro Logic process; Pro Logic IIx is a new 7.1-channel
version of Pro Logic II. It can be employed only when back
surround speakers are connected. Otherwise, the A/V PROCESSOR
will provide only standard Pro Logic II processing.
The Pro Logic IIx Movie mode is intended for Dolby
Surround-encoded movie and TV soundtracks. It also works
well for video games, especially those encoded in Pro Logic II.
Use this mode for VHS tapes, standard TV broadcasts, and
DVDs encoded in Dolby Digital 2.0.
The Pro Logic IIx Music mode converts stereo music into
surround sound. Use it with any stereo music source,
including CDs, FM radio, and MP3 players.
Pro Logic IIx processing can also be applied to 5.1-channel
material, either Dolby Digital or DTS, to create 7.1-channel
sur
round sound.
DTS
This format is similar to Dolby Digital, but uses a higher
sampling rate. In its standard form, DTS provides 5.1-channel
surround sound. It is available on CD, DVD, laserdiscs,
PlayStation 2 video games, and D-VHS tapes. Audio-only DTS
discs may be used with any CD, DVD, or laserdisc player with
a digital audio output, but DVD discs with DTS audio must be
used on players with the “DTS Digital Out” logo.
DTS-ES
DTS-ES is an extension of the original DTS format that adds
an additional back surround channel to a soundtrack. DTS
ES-Matrix titles provide the sixth channel by a matrix process,
while DTS ES-Discrete media delivers a true, discrete back
surround channel. Both DTS ES formats are backward
compatible with the original DTS process, and will deliver a
5.1-channel output when no center or back surround speakers
are available.
The A/V PROCESSOR will automatically sense the availability
of either DTS ES format and automatically switch the
processing mode when required.
DTS Neo:6
This processing mode can create up to six full-bandwidth
channels from any matrix-encoded 2-channel source. It offers
two modes, Cinema and Music. Use the Cinema mode for
movie soundtracks, the Music mode for stereo music.
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Stereo Listening Modes
speakers, and to your subwoofer if one is connected.
The A/V PROCESSOR also offers advanced technology for
stereo listening(available In analog only). Not only does it
offer a stereo mode, it also offers additional modes that
enhance fidelity.
Stereo
This mode routes sound only to your front left and right
D A Display Text Name Description
• • PL IIx MOVIE Pro Logic IIx Movie Use for 7.1-channel surround-sound playback for movies
• • PL IIx MOVIE + Pro Logic IIx Movie + Dolby As above, but used to expand the soundfield when front
DOLBY VS 5-SP WIDE Virtual Surround 5-Speaker Wide left and right speakers are positioned close to TV
• • PL IIx MUSIC Pro Logic IIx Music Use for 7.1-channel surround-sound playback for movies
• • PL II MOVIE Pro Logic II Movie Use for 5.1-channel surround-sound playback for movies
• • PL II MOVIE + Pro Logic II Movie + Dolby As above, but used to expand the soundfield when front
DOLBY VS 5-SP WIDE Virtual Surround 5-Speaker Wide left and right speakers are positioned close to TV
• • PL II MUSIC Pro Logic II Music Use for 5.1-channel surround-sound playback for movies
7-Channel Stereo/5-Channel Stereo
These modes expand the sound from a stereo recording into
all channels of your surround-sound system. Because they
process the sound only minimally, these modes are popular
for piping music through the room for a party–you’ll get
fairly consistent sound all around the room.
or videogames from any 2-channel source
from any 2-channel source
or videogames from any 2-channel source
from any 2-channel source
• • DTS NEO:6 CINEMA DTS Neo:6 Cinema Creates 6.1-channel sound for stereo movie or TV soundtracks
• • DTS NEO:6 MUSIC DTS Neo:6 Music Creates 6.1-channel sound for stereo music
• • 7-CH STEREO 7-Channel Stereo Creates a 7-channel program from any stereo source
• • 5-CH STEREO 5-Channel Stereo Creates a 5-channel program from any stereo source
• DOLBY DIGITAL Dolby Digital 5.1-channel processing for all Dolby Digital-encoded sources
• DOLBY DIGITAL + Dolby Digital + Dolby Virtual As above, but use to expand the soundfield when front left
DOLBY VS 5-SP WIDE Surround 5-Speaker Wide and right speakers are positioned close to TV
• DOLBY DIGITAL EX Dolby Digital EX 6.1-channel processing for Dolby Digital soundtracks encoded
round EX
h Sur
wit
Y DIGITAL + Dolby Digital + Pro Logic IIx Movie 7.1-channel processing for 5.1-channel Dolby Digital
DOLB
•
PL IIx MOVIE movie soundtracks
• DOLBY DIGITAL + Dolby Digital + Pro Logic IIx Music 7.1-channel processing for 5.1-channel Dolby Digital
PL IIx MUSIC music video soundtracks
• DTS DTS 5.1-channel processing for all DTS-encoded sources
• DTS ES-MATRIX DTS 6.1-channel processing 5.1-channel ES-Matrix-encoded DTS sources
• DTS ES-DISCRETE DTS 6.1-channel processing ES-Discrete-encoded DTS sources
• DTS + DOLBY VS DTS + Dolby Virtual Surround Same as standard DTS, but used to expand the soundfield
5-SP WIDE
5-Speaker Wide when front left and right speakers are positioned close to TV
DTS + PL IIx MOVIE DTS + Pro Logic IIx Movie 7.1-channel processing 5.1-channel DTS movie soundtracks
•
DTS + PL IIx MUSIC DTS + Pro Logic IIx Music 7.1-channel processing 5.1-channel DTS music video soundtracks
•
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