The lightning flash with arrowhead
symbol, within an equilateral triangle, is
intended to alert the user to the presence
of uninsulated "dangerous voltage"
within the product's enclosure that may be
of sufficient magnitude to constitute a risk
of electric shock to persons.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT R EMOVE COVER. NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK,
DO NOT EXPOSE THIS APPlIANCE TO RAIN OR MOISTURE.
TO REDUCE THE RISK OF FIRE, REPLACE ONLY WITH
SAME TYPE FUSE. REFER REPLACEMENT TO QUALIFIED
SERVICE PERSONNEL.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING:
THIS APPARATUS MUST BE EARTHED
1. INTRODUCTION
Congratulations on your purchase of an Ashly
MX-406 stereo mic/line mixer , a professional, studio quality solution to everday mixing needs. MX-406 features
include six channels of mic or line inputs with mic input
pad, TRS insert points, and +48V phantom power. Each
channel has up to 60dB input gain, separate treble and
bass controls, an aux send control, level, and a stereo pan
control. An aux input is provided for a stereo program
source such as tape or CD. Outputs include aux master,
stereo line out (pre-master), stereo left and right, transformer balanced mono out, and stereo headphones. A
full 11 segment LED array indicates stereo output level.
Stereo main outputs use 1/4" jacks, stereo aux
input and line out use RCA connectors, and a transformer
isolated 600 ohm mono output uses an XLR connector.
Ashly mixers still use professional quality 16mm metal
shaft potentiometers for greater accuracy and long life
and of course, Ashly products come with a wor ry-free fiv e
year warranty.
The exclamation point within an eqilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance instructions in the literature
accompanying the device.
transportation damage should the unit again require packing and shipping. In the event that damage has occurred,
immediately notify your dealer so that a written claim to
cover the damages can be initiated.
The right to any claim against a public carrier
can be forfeited if the carrier is not notified promptly and
if the shipping carton and packing materials are not available for inspection by the carrier. Save all packing materials until the claim has been settled.
3. AC POWER REQUIREMENTS
The MX-406 mixer will perform normally from
93 to 125 volts AC, 50-60Hz (some export models are
wired for 240 Volts and are labeled accordingly). Use
only properly grounded AC receptacles. To reduce the
risk of ground loop hum, use a central point for system
AC power distri bution. In the event of fuse failure , refer
this unit to a qualified service technician for fuse replacement using only the same type fuse. Power consumption
is less than 20 watts.
2. UNPACKING
As a part of our system of quality control, every
Ashly product is carefully inspected before leaving the
factory to ensure flawless appearance. After unpacking,
please inspect for any physical damage. Save the shipping carton and all packing materials , as they were carefully designed to reduce to minimum the possibility of
3
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Operating Manual -MX-406 Ster eo Microphone/Line Mixer
Treble
Bass
Level
Pan
Channel 1
-60
-40
-20
Input
(d B)
-12+1 2
4
3
Aux
1
010
4
1
Clip
0
5
6
6
RL
Treble
Bass
7
9
7
8
Level
Channel 2
-60
-40
-20
Input
(d B)
-12+1 2
3
Aux
1
Pan
1
Clip
0
5
6
4
010
6
4
RL
4. FRONT PANEL CONTROLS
4.1 Input Gain
This three position switch sets the operating level
of the microphone and line input preamp. The corresponding switch values -20db, -40dB, and -60dB refer not to
the actual gain, but rather to the expected nominal input
signal strength.
Treble
Bass
7
9
7
8
Input
(d B)
Level
Pan
-60
-40
-20
Aux
Channel 3
Clip
0
-12+1 2
5
4
3
1
010
4
1
6
6
RL
Treble
Bass
7
9
7
8
Input
Level
Pan
-60
-40
-20
(d B)
Aux
Channel 4
Clip
0
-12+1 2
5
6
4
3
1
010
6
4
1
RL
Treble
Bass
7
9
7
Level
8
Channel 5
-60
-40
-20
Input
(d B)
-12+1 2
3
Aux
1
Pan
1
4
010
4
4.4 Aux
The aux send is an additional level control used to
send signal from each input channel to monitors, an effect
unit, or another mix.
six channel's aux level signals.
The aux master output combines all
The aux control is factory
set to pre-fader, pre-EQ, but can be interna lly switched to
post-fader, post EQ.
To make this change, refer the fol-
lowing procedure to a qualified service technician:
Channel 6
Clip
0
5
-60
-40
-20
Input
(d B)
Treble
Bass
6
7
9
6
7
8
RL
-12+1 2
3
Aux
1
Level
Pan
1
Clip
0
5
6
4
7
8
010
4
9
6
7
8
RL
Best signal to noise ratio is obtained with higher
gain settings. It is therefore desirable to set the gain control as high as possible while still leaving 20dB of headroom for signal peaks. Line level inputs (1/4" jack) will
likely use a setting of -20dB, while mic inputs generally
require a setting of -40dB for close mic applications, and
-60dB for quieter signals. If a channel's clip LED is blinking, first turn down that channel's level control. If the
clip LED is still flashing, turn down the input gain.
4.2 Clip
Input Clip LEDs are peak sensitive and monitor
all critical points within the input channel. The clip LED
turns on whenever any portion of the audio path within
the input channel reaches a level 3 dB below actual clipping. Clipping in the MX-406 occurs at +20dB.
4.3 Treble/Bass
This concentric knob is used for broad EQ
changes to each input channel. Channel EQ consists of a
high shelf control (treble) at 4KHz, and a 250Hz low shelf
control (bass). EQ boost or cut is ±12dB.
Unplug the unit's AC power cord from the outlet.
Remove the bottom cover which is fastened by sev en 6-32
screws. Loca te the 3 pin header labeled AUX at the middle
of the back edge of the front portion of the channel circuit board. Remove the shunt bar from the "Pre" position
indicated on the circuit board legend and place the shunt
on the "Post" position.
4.5 Level and Pan
This concentric knob adjusts the level and stereo
position of each channel. If a channel's level control is
always turned up to 9 or more, try increasing the gain
first. Conv ersely , if the lev el control is consistently turned
down to 1 or less, decrease the gain setting first. Remember that the gain setting should be set as high as possible while still allowing 20dB of headroom.
4.6 Stereo Line Input
This control adjusts the level of the RCA jack
stereo line input. It can be used for tape, CD, or DVD
audio inputs, and can also be used for a stereo effect return. For expanding the channel capacity of the MX-406,
the stereo line input can be used as stacking inputs for
supplementing the MX-406 with another mixer, such as
an Ashly LX-308 stereo line level mixer.
4.7 Aux Master Output
This control adjust the level of the aux master
¼" jack output, which gets it's signal from the six aux
level controls on the input channels. It is used for an
effects unit send, or can drive a power amplifier for monitors or an extra loudspeaker zone.
4.8 Stereo Output Level
These two controls determine the signal level to
the ¼" jack left and right outputs. They are used to drive
power amplifiers for the main loudspeakers, or to connect to a stereo recording device.
4.9 Mono Output Level
This control adjusts the level of the summed mono
output. It is completely independent of the main left and
right master controls. In other words, changes to either
left or right output level will not affect the mono output
level.
-L--R-
Clip
+6
+3
0
-3
-6
-9
-12
-15
-18
-21
Output
VU
MX-4 0 6
Stereo
Six Channel
Mic/Line Mixer
Stereo
Headphones
Phantom
On
Power
4.11 Output Meters
A pair of peak reading 10 segment LED meters
are used to indicate stereo output level in VU. 0 VU is
equivalent to +4 dBu (1.228Vrms).
Green LED's are used below 0 VU, yellow above
0 VU and tw o red LED's indicate clipping. The c lip LED's
turn on 3dB below actual clipping, detecting excessive
signal level on any critical audio path within the master
section. If all outputs are turned down and there is still
clipping, then one or more inputs must be turned down.
4.12 Phantom Power LED
The phantom power switch is on the back panel.
When the switch is pressed in, the LED is lit and +48VDC
is applied to all six mic inputs for use with condenser
microphones. If there is a mix of both condenser and
dynamic microphones, the phantom power will not affect
the operation of the most dynamic mics.
4.10 Headphones Level
This control adjusts the level of the stereo signal
to the headphone jack. Headphones should have an impedance of 600 ohms or greater, or signal distortion may
result.
5
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Operating Manual -MX-406 Ster eo Microphone/Line Mixer
6
u
M
Model MX-406
Mad e In USA
Stereo
Outputs
+48V
CAUTION
RISK OF ELECTRI C SHOCK
DO NOT OPEN
100-120VAC
50-60Hz 15W
Phanto m
Power
Right
Left
Mono
Output
(Transformer
Bala n ced )
Aux
Master
Output
Stereo
Line Out
-L-
-R-
Stereo
Line
Input
Ch.
Tip=O
PUSH
5. CONNECTORS AND CABLES
The MX-406 mixer is fitted with four types of
audio connectors: 3-pin XLR type male (mono output),
3-pin XLR type female (mic inputs), 1/4" tip-ring-sleeve
(TRS) phone jack, and RCA jack. Certain 1/4" jack connections may use an unbalanced mono plug, which is also
shown.
(Gnd)
Tip (+)
Ring (-)
Sleeve (Gnd)
Tip (+)
Sleeve (Gnd)
(+)
RCA Plug
Stereo Pho ne Plug
used for balanced
Mono Phone Plug
used for unbalanced
Two-conductor (twisted pair) shielded cable is
best for all XLR type connections. Belden No. 8412 or
its equivalent is an excellent cable due to its heavy construction. This type of cable should be used for all portable applications. Snake cables containing multiple
shielded pairs must be handled very carefully because the
leads tend to be fragile, and a broken conductor is difficult to repair.
If low level and high level lines are run parallel
for long distances, crosstalk may occur. In fact, the
crosstalk (signal leakage between cables) can cause an
electronic feedback loop, oscillation, and possibly damage to the equipment. To minimize crosstalk, physically
separate low level (microphone) cables from speaker
cables by the greatest feasible distance. At any point
where cables meet, run low level cables perpendicular to
high level or speaker cables. If low and high level or
speaker cables must be run parallel and in close proximity to one another, they should be bundled se parately. In
a permanent installation, av oid running speaker cables and
mic cable through the same conduit pipe.
6. REAR PANEL FEATURES
XLR p ins are
numbered
on the
connecto r
insert.
2 = (+)
3 = (-)
1 = (gnd)
6
Audio Connect or Types
XLR Male
XLR Fem ale
6.1 Microphone Input
The MX-406 microphone input is an active balanced type with a nominal impedance of 1200 ohms. Its
noise performance is best with a 200 ohm microphone.
The Mic input connector is a standard 3-pin XLR female
with the shield on pin 1, the (+) in-phase connection on
pin 2, and the (-) out-of-phase connection on pin 3.
The input pad is a 20dB attenuation switch on
the rear panel for use with the XLR microphone inputs.
It should normally be left in the "out" position for best
signal to noise ratio and should only be used when the
input is being overdriven with the gain control at its minimum setting.
Ch.2
-20dB Pad
(Mic Only)
Mic/Line Input
PUSH
Ch.2 Insert
Tip=Out Ring=In
Tip=Out Ring=In
Ch.1
-20dB Pad
(Mic Only)
Mic/Line Input
PUSH
Ch.1 Insert
3
2
1
(-)(+)
6.5 Stereo Line Input
The stereo line RCA inputs have a nominal operating level of -10dBu to match most consumer audio
sources. This signal is controlled by the Stereo Line Input dial on the front panel. This input is also used as a
stereo effects return, or as a stacking input for adding
additional mixers.
6.3 Line Input
The line input is a standard 1/4" TRS active balanced type found in the same "combo jack" connector as
the mic input. The line input balanced impedance is
20KΩ. It will accommodate a wide range of input levels.
6.4 Channel TRS Insert
A channel TRS insert patch point allows a device such as a remote level controller, graphic equalizer,
noise gate, compressor/limiter, or direct out recording
device to be used with one or more input channels.
The MX-406 TRS insert jacks use the tip for output and ring for the returning input. These signals will
be unbalanced, so cable length should be at a minimum
to maintain low noise.
To use the TRS insert as a Direct Line Output
(pre EQ) for recording, you must make a special cable
with tip and ring connected at the MX-406 end and a tipsleeve mono plug at the other end. Connecting tip and
ring at the mixer insert jack is necessary for uninterrupted
signal within the mixer when using direct line outputs.
6.6 Stereo Line Out
The stereo line outputs are nominal -10dBu "premaster", so they are not affected by the settings of the
main Left/Right output controls. These outputs would be
used for making a pre-output fader recording off of the
stereo mix, or for stacking the MX-406 stereo output into
another mixer.
6.7 Aux Master Output
The 1/4" jack aux master output is used to drive
a monitor or zone amplifier, effects processor, recording
device, or any function which requires level control independent from the main stereo mix. It is pseudo-balanced,
which means that while it is a single ended signal, it has
balanced impedance for low noise when driving an active
balanced input circuit over a long distance.
6.8 Mono Output
The XLR mono output combines the left and right
stereo signals (pre output fader), and uses an isolation
transformer capable of driving 600 ohm lines. Pin 1 is
7
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Operating Manual -MX-406 Ster eo Microphone/Line Mixer
ground, pin 2 is (+), and pin 3 is (-). This signal is determined by the mono output level control, with a nominal
operating level of +4dBu.
Note: The mono transformer-balanced output is designed to dri v e up to +24dBu into 600 ohm loads. Because
of the nature of an output transformer, the output level increases as the impedance of the terminating load becomes
higher than 600 ohms. Whereas a "direct-coupled" output stage like that of the right and left outputs will not change
as the load changes, any transformer used in an audio path is affected by its termination impedance. Since line level
inputs on audio devices are typically 10K
conventional active 10KΩ inputs with the transformer outputs.
6.9 Stereo Outputs
The 1/4" jack stereo right and left outputs are controlled by the left and right master. They are pseudobalanced TRS jacks with a nominal operating level of +4dBu into any load, and are capable of driving long lines.
6.10 +48V Phantom Power Switch
This switch applies +48VDC to all six XLR mic inputs to power condenser microphones. Phantom power will
not affect most dynamic mics, which may be used along with condenser mics.
Ω
or higher, expect a slight increase (2.5dB) in output level when driving
7. TYPICAL APPLICATIONS:
7.1 Small Sound Reinforcement System:
In the setup shown here, the MX-406
is used to mix typical sound sources
that might be found in a church, small
club, school theater or similar environment. Four of the input channels are
used for vocal microphones, while the
remaining two channels are used for
stereo accompaniment tracks. The stereo line input is used for additional
pre-recorded music such as that of a
movie soundtrack or CD player. Stereo line output RCA jacks are used to
record the event to a cassette, video
camera, or even a PC with recording
capabilities.
Stage monitors are fed using the aux
mix to the master aux output, and left
and right outputs drive the main speakers. The mono output drives a 70 Volt
distributed sound system amplifier,
used for plenum (ceiling) speaker installations.
7.2 Meeting Room, Board Room, or Church Mixer Using Remote Control:
In this illustration, the MX-406 is interfaced with an Ashly VCM-88 eight channel remote level controller,
allowing the mixer to be operated from a distance by a non-technical person. Remote control of the VCM-88 is
achieved through the use of Ashly's RD-8 desk-top remote controller, RW-8 wall-plate version, or PC control using
Protea System Software. The RD-8 and RW-8 use a single mic ca ble for control data, while PC control uses RS-232
serial communications. Remote control can be located up to 1,300 feet from the main audio equipment rack.
Up To
Six Mic/Line
Inputs
RD-8 Re mote Con trol l e r
With 3-Pin XLR D ata C able
3
2
1
XLR Data Connector
On Top or Back.
Do Not Use
Transformers.
Data
Ch.1OnCh.2Ch.3 Ch.4 Ch.5 Ch.6 Ch.7 Ch.8Master
+10
+5
0
-5
-10
-15
-20
-30
-50
-70
∞
-
V+
RD-8
Remo te Level Con trol
Gain (dB)Gain (dB)
Ch.6
Ch.5
Ch.4
Ch.3
Ch.2
Remote
Disabled
On
+10
+5
0
-5
-10
-15
-20
-30
-50
-70
-
∞
CAUTION
RISK O F ELECTRIC SHOCK
DO NOT OPEN
Model MX- 4 0 6
Made I n USA
100-120VAC
50-60Hz 15W
Mon o
Output
(Tra n sf o r m e r
Stereo
Bal an ce d)
Output s
+48V
Phant om
Power
Aux
Mast e r
Le ft
Output
Right
-20dB Pad
-20dB Pad
-20dB Pad
(Mic Only)
(Mic Only)
Mic/Li ne Input
Mic/Li ne Input
Stereo
PUSH
PUSH
Aux
Stereo
Input
Line Out
-L-
Ch.6 In ser t
Ch.5 Inse rt
Tip =O ut Ri n g=I n
Tip =O ut Ri n g=I n
-R-
(Mic Only)
Mic/Li ne Input
PUSH
Ch.4 Inser t
Tip =O ut Ri n g=I n
-20dB Pad
(Mic Only)
Mic/Li ne Input
PUSH
Ch.3 In ser t
Tip =O ut Ri ng=I n
-20dB Pad
(Mic Only)
Mic/Li ne Input
PUSH
Ch.2 In ser t
Tip =O ut Ri n g=I n
-20dB Pad
(Mic Only)
Mic/Li ne Input
PUSH
Ch.1 Inser t
Tip =O ut Ri n g=I n
Ch.1
231
(-)(+)
(L)(R)
MX-406
Microphone
Mixer
(Single Jack
TRS Inserts Use d)
Speaker
Zone 1
(L)
(R)
EQ,
Limiter,
Crossover,
Amplifier,
etc.
Remote Control
Data Input
231
V+
Data
100-120VAC
50-60Hz 15W
Ashly Audio Inc.
Model VCX-8 0
Made In USA
AVIS:
CHOC ELECTRIQUE.
NE PAS OUVRIR.
INPUTS are Active Balanced (Tip is +, Ring is -).
OUTPU TS May Be Wired Balanc ed or Unbal anced .
**TRS Insertion Is Available - See Owner's Manual**
RISQUE DE
Ch.8Ch.7Ch.6 Ch.5Ch.4Ch.3
**************
Master Outp ut
InIn Out I n Out In Out In OutOut In Out In Out
DC Control
1 - Ch.1
1210
CW
10K
Pin 1- 9
8 - Ch.8
2 - Ch.2
9 - Mas ter
1
3 - Ch.3
10 - Control CCW
4 - Ch.4
11 - (Aux Ground)
5 - Ch.5
12 - Control CW
9
6 - Ch.6
13-14 - (Aux Data In)
7 - Ch.7
15 - NC
Ch.2
**
In Out
Ch.1
(L)
(R)
VCM-88
Channels 1-6
Patc h ed Into
MX-406 Channel
Insert Points
Channels 7-8
Used For Mixer
Output Control
Speaker
Zone 2
Typical Application of MX-406 with VCM-88/RD-8 Remote Control
8. TROUBLESHOOTING TIPS
8.1 No Sound
Check the AC power. Is the power switch on? Check the level meters. If they are operating, the problem is
between the mixer and the later components in the system. If there is no meter activity, check to see that you really
have an input signal and that it is on the desired channel.
8.2 Distorted Sound
Something is being overdriven in the signal path. If the clip indicators are active, reduce the channel gain
and/or press in the pad switch on the rear panel. There are many gain adjustments in the mixer itself and probably
several others in other system components which makes it possible to ove rdrive an input section and then incorrectly
try to reduce the gain of the output section. The best way to approach setting gains is to establish the operating level
of input stages first by setting their gain as high as possible but leaving about 20dB of headroom for loud peaks, then
move on to set the master gain to produce a good meter reading. Proceed to set the gain of equalizers, limiters,
crossovers, and amplifiers following the mixer in the same manner, always working toward the later stages of the
system.
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Operating Manual -MX-406 Ster eo Microphone/Line Mixer
8.3 Excessive Noise
If the noise is in the form of hiss, the problem is
usually due to an input stage set for insufficient gain and
then compensating for it by increasing the level. Try increasing gain and reducing level. Also, check that the 20dB rear panel pad switch is not unnecessarily enabled.
8.4 Excessive hum
This is usually caused by "ground loops" in the
system wiring. A complex sound system with many
sources separated by significant distance and using several power outlets has many opportunities for this problem to occur. If possible, feed everything in the system
from one power source with a common ground. Use balanced input and output connections between widely separated components.
If you need help, get in touch with your Ashly
dealer or call an Ashly technical ser vice representative.
Thank you for your expression of confidence in
Ashly products. The unit you have just purchased is protected by a five-year warranty. To establish the warranty,
be sure to fill out and mail the warranty card attached to
your product. Fill out the information below for your
records.
Peak Clip indicator on each input channel and left and right
outputs, illuminates 3dB below clipping
PHANTOM POWER
+48 VDC applied to all Mic Inputs, switchable on rear panel.
Maximum total current draw = 80mA. Maximum single channel current draw = 14mA. Gradual power-up and down to eliminate "pops".
*unless otherwise stated, specification conditions are:
150Ω source, Input Level set a t "-60", all other controls
set at nominal, XLR output into 600Ω or greater.
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Operating Manual -MX-406 Ster eo Microphone/Line Mixer