Ashdown RETROGLIDE-800 User Manual

Retroglide 800H - Front Panel Facilities
THANK YOU
Thank you for purchasing your Ashdown Engineering Amplier and welcome to the family!
We really think you’ve made the right choice and know that this amplier will give you years
of great tone and service. It is a machine though and needs to be looked after, please read through this user manual which will help you get the most out of your new Amp and keep it
running as long as some of our happiest and very famous customers.
REGISTER ONLINE
Please register this product online so we can make sure we give you years of customer
Here is where you need to visit to register your product:
http://www.ashdownmusic.com/register
INPUTS - There are two instrument inputs
provided for PASSIVE/ACTIVE instruments. The Passive input is high sensitivity and also high impedance to suit the output from PASSIVE basses. The Active input is low sensitivity and lower impedance to suit the output from ACTIVE basses.
INPUT CONTROL - The INPUT control sets the signal level through the preamp. Please note that the setting of this may have to be re-adjusted af­ter modication of the EQ controls. Clip light and Mute switch/light provided for visual monitoring.
GRAPHIC EQUALISER
The GRAPHIC EQUALISER section operates by boosting or cutting the level of signal at various frequency points throughout the frequency range. With the sliders set on 0dB (in their centre ‘click’ position ) no alteration is made to the signal. Moving any one of the sliders up will increase or ‘boost’ the signal at the frequency marked below the slider. Moving the slider down will decrease or ‘cut’ the signal at that frequency.
A carefully designed GRAPHIC EQUALISER is a very exible way of varying the sound of a bass guitar and if properly used will provide an extremely powerful method of tone shaping for your instrument.
Because of the exibility and massive BOOST and CUT potential of this particular GRAPHIC it is important to know how to get the best from it. Firstly a few things not to do and the reasons why:
1. Do not boost or cut all frequency bands as this will have the same effect as increasing or decreasing the overall volume level without affecting the tonal characteristic of the sound.
2. Do not use excessive bottom (30 to 40Hz) boost on the graphic unless your speakers can handle it. Very few speaker systems are capable of handling frequencies as low as 30 and 40Hz with any degree of efciency. N.B. Boosting at 30Hz for instance will not add to the perceived amount of bottom end in the sound, it will only make your speakers ap to no useful effect. In fact boosting at 100Hz or 180Hz will have the apparent effect of adding far more bottom end than boosting at 30, 40 or even 60Hz.
3. Do not use excessive top (10 to 15kHz) boost, this will add mostly hiss to the sound as there is very little signal output at this frequency from a bass.
The 30Hz slider has been provided to allow precise tailoring at very low frequencies. This slider should be used to CUT (not Boost) the 30Hz to a level that allows the speaker system to work at its maximum efciency.
OUTPUT LEVEL
The OUTPUT LEVEL control is used to set the stage volume of the amplier. Use this control to adjust for increases or decreases in your playing volume and not the INPUT GAIN control, this should always be left set to the optimum for your instrument.
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