Applied Research and Technology (ART) 416 Specification

400 SERIES
416
SIX CHANNEL PERSONAL MIXER WITH EQ AND EFX
The ART Model 416 Six Channel Personal Mixer quickly and easily combines six sources – three microphones (or balanced line inputs) and three stereo line inputs into a single stereo line-level mix. It has effects patching and phantom power (included to activate condenser microphones or active DI boxes).
Usage
a) Connect the AC cord to a grounded 120VAC socket. b) Connect mics or balanced line inputs to the XLR
sockets.
c) For mic channels requiring phantom power (for
condenser mics), press the DIP switch down to activate phantom power to the appropriate XLR jack.
d) Set the MIC/LINE buttons as required for each type
of input signal.
e) Connect stereo signal sources (tape deck,CD, etc.)
to the SOURCE INPUTS using RCA-tipped unbalanced cables.
f) To patch-in effects,using three shielded TS (unbal-
anced) cables, connect the EFX LOOP SEND jack to the input of the effects unit and the unit’s stereo
Input Impedance: Mic 600 ohms / XLR LIN E 22K ohms
FX LOOP L and R RETU R N 22K Ohms (unbalanced) Max. Input Level: XLR -10dBV MIC level/+20dBV LI N E level,
Phantom Power: 12VDC Output Level: +17dBV Output Impedance: 51 ohms Max. Gain: 55dB MIC, 26dB SOU RCE EQ: +/- 12dB Dynamic Range: 82dB Dimensions: 19” x 1.75” x 6” (482mm x 44.5mm x 152mm) Weight: 6.1 lb. (2.8kg)
416 SPECIFICATIONS
outputs to the LEFT and RIGHT EFX LOOP RETURN jacks. Once the 416 is connected to the main mixer, tape deck or computer sound card and you are running a test, set the EFX LOOP IN/OUT button on the front panel to the IN position and adjust the LEVEL control for the desired effects intensity.
g) The L and R EFX LOOP RETURN jacks may alternately
be used as a stereo line input with its own level control and in/out button.
h) Connect either the 1/4 inch LEFT and RIGHT OUT
jacks or the RCA REC OUT jacks to the input of the mixer, tape deck or computer with the appropriate unbalanced, shielded cables.
i) Switch on the power and set the MASTER LEVEL
to the 1/2 way setting,then adjust the channel LEVEL controls as required for the best mix and level while checking the MICROPHONE channel CLIP LEDs for activity. Turn down any channel with CLIP activity until it stops.
j) Adjust BASS and TREBLE controls for the desired
balance. Center setting is neutral.
k) Re-adjust the MASTER LEVEL as required for best
signal level.
SOURCE RCA IN P UTS 22K ohms
SOURCE RCAs 24dBV
416 FEATURES:
Three XLR MIC/line inputs
each with its own LEVEL control and CLIP LED
Three MIC/LINE input level
selector buttons, one for each XLR input
Three PHANTOM POWER DIP
switch selectors, one for each XLR input
Three sets of L and R RCA
SOURCE INPUTS each with its own LEVEL control
BASS and TREBLE master
controls
LEVEL MASTER 1/4 inch EFFECTS SEND and
L and R RETURN jacks
EFX LOOP LEVEL control and
IN/OUT push button
APPLICATIONS:
Live Sound Systems / PA
Permanent/ Fixed Installations
Church, Club, and Practice PA Systems
DJ Sound Systems
Monitor Systems
Home and Project Recording Studios
From the innovative minds at ART.
From the innovative minds at ART.
Applied Research & Technology 215 Tremont St., Rochester, NY 14608 USA 585.436.2720 tel 585.436.3942 fax www.artproaudio.com
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