Aphex CX 500 User Manual

Page 1
PROJECT 500
CLASS A MIC PRE, OPTICAL COMPRESSOR,
500 SERIES CHANNEL STRIP MODULE
Owner’s Manual
DUAL BAND EQ
Page 2
SAFETY DECLARATIONS SAFETY DECLARATIONS
WARNING: Do not place objects containing liquid on this unit as
it is not designed to protect against spillage. Do not expose this unit to dripping or splashing of liquids as the unit is not designed to protect against these occurrences.
WARNING: The PROJECT 500 has been tested and meets the FCC, CE and European Union rules, regulations, and guidelines for use. Do not attempt to modify or change the PROJECT 500, as this could void the regulatory compliance, which would place you at risk of losing your authority to operate the PROJECT 500.
WARNING: Do not place objects on top of this unit if they weigh more than 10 pounds.
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular instal­lation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures.
1. Reorient or relocate the receiving antenna.
2. Increase the separation between the equipment and receiver.
3. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
4. Consult the dealer or an experienced radio/TV technician for help.
Page 3
Page 3
TABLE OF CONTENTS
1.0 INSTALLATION 5
2.0 INTRODUCTION 6
3.0 CONTROLS & INDICATORS 6
3.1 Trim Control 6
3.2 Compressor On/Off Button 6
3.3 Gain Reduction LED 7
3.4 Ratio Control 7
3.5 Post Button 7
3.6 Cut/Boost Knobs 8
3.7 Frequency Knobs 8
3.8 Output Knob 8
3.9 Phase Reverse Button 8
3.10 High Pass Filter 8
3.11 Phantom Power Button 8
3.12 Instrument Input 8
4.0 SERVICE & WARRANTY 9
4.1 Service Information 9
4.2 Service Information 10
5.0 SPECIFICATIONS 10
1.0 INSTALLATION
1. Turn off and unplug your 500 series rack frame. Inspect the card slot you intend to use to make sure that it is clean and free of any debris.
2. Before removing your Project 500 from its box, discharge any static electricity buildup you may have by touching your 500 series rack.
3. Pull your Project 500 module out of its box and carefully slide it into place in the designated opening. Sight down the back of the module (use a flashlight if necessary) and ensure the card edge connector is aligned to seat into the card slot of the frame.
4. Firmly and evenly push the Project 500 module into place until it is positively seated in the card slot.
5. Use the 2 thumb screws in the module to mount the Project 500 front panel to the 500 series rack. These screws have a pretty tight fit; please be careful not to cross thread.
6. Plug your 500 series rack back into the AC source and power up your rack. Your Project 500 will automatically power up with your 500 series rack.
Page 4
Page 5
Page 4
2.0 INTRODUCTION
The Project 500 is a 500 Series channel strip module that includes a Class-A mic pre, an optical compressor and a two-band equal­izer. The optocoupler was designed to be as fast as possible and is produced exclusively for Aphex. The inputs and outputs are elec­tronically balanced.
• Class-A mic pre design from the popular
Aphex Project Channel.
• The optical compressor is extremely trans-
parent and can be assigned to come before or after the EQ.
• Two bands of semi-parametric EQ with
overlapping frequencies.
• 10Mohm instrument input.
• 48V phantom power, 75Hz HPF and Phase
reverse buttons are provided.
3.0 CONTROLS & INDICATORS
3.1 TRIM CONTROL
The Trim knob controls the amount of input gain to the mic pre. The Signal LED will light green when an input signal is detected. It will turn yellow as the input signal increases and will turn red when the input is being clipped.
3.2 COMPRESSOR ON/OFF BUTTON
The Compressor on/off button activates or deactivates the compressor function.
3.3 GAIN REDUCTION LED
The Gain Reduction LED provides visual feed- back as to the amount of gain reduction. The LED will glow yellow when gain reduction occurs. The brighter it glows, the more gain reduction is taking place.
3.4 RATIO CONTROL
The Ratio knob controls the decibel relation- ship between the amount of increase in input signal vs. the amount of increase in output signal. All the way to the left, the output will increase approximately 1dB for every 1.5dB increase in input, providing a very light and smooth compression. All the way to the right, the output will increase approximately 1dB for every 6dB increase in input, providing a more heavily compressed sound.
3.5 POST BUTTON
The Post button determines if the compressor function comes before or after the equalizer function. When the button is not lighted the compressor comes before the equalizer. When the button is lighted the compressor comes after the equalizer.
Page 6
Page 7
Page 5
EQUALIZER CONTROLS
3.6 CUT/BOOST KNOBS
Each EQ band can be cut or boosted by 15dB.
3.7 FREQUENCY KNOBS
The low frequency band knob allows set­tings from 20Hz to 2kHz. The high frequency band knob allows set­tings from 1kHz to 20kHz.
3.8 OUTPUT KNOB
The Output level knob determines the over­all output level of the module.
3.9 PHASE REVERSE BUTTON
The Phase Reverse Button shifts the input signals phase by 180 degrees.
3.10 HIGH PASS FILTER
The HPF rolls of frequencies below 75Hz at 12dB per octave. This function comes before the compressor and equalizer func­tions.
3.11 PHANTOM POWER
The phantom power button supplies 48V to condenser micro­phones.
3.12 INSTRUMENT INPUT
The 10Mohm instrument input allows a direct input to the Project
500 from an electric guitar or bass. This input overrides the XLR input on your 500 series receiving frame.
4.0 SERVICE & WARRANTY
4.1 LIMITED WARRANTY
PERIOD
One year from date of purchase.
SCOPE
All defects in workmanship and materials. The following are not covered: a. Voltage conversions. b. Units on which the serial number has been defaced, modified, or removed c. Damage or deterioration:
1. Resulting from installation and/or removal of the unit.
2. Resulting from accident, misuse, abuse, neglect, unauthorized product modification or failure to follow instructions contained
in the User’s Manual.
3. Resulting from repair or attempted repair by anyone not authorized by Aphex.
4. Occurring fr om shipping (claims must be presented to shipper).
WHO IS PROTECTED
This warranty will be enforceable by the original purchaser and by any subsequent owner(s) during the warranty period, so long as a copy of the original Bill of Sale is submitted whenever warranty service is required.
WHAT WE WILL PAY FOR
We will pay for all labor and material expenses for covered items. We will pay return shipping charges if the repairs are covered by the warranty.
LIMITATION OF WARRANTY
No warranty is made, either expressed or implied, as to the merchantability and fitness for any particular purpose. Any and all warranties are limited to the duration of the warranty stated above.
EXCLUSION OF CERTAIN DAMAGES
Aphex’s liability for any defective unit is limited to the repair or replacement of said unit, at our option, and shall not include damages of any other kind, whether incidental, consequential, or otherwise.
Some States do not allow limitations on how long an implied warranty lasts and/or do not allow the exclusion or limitation of incidental or consequential damages, so the above limitations and exclusions may not apply to you.
This warranty gives you specific legal rights, and you may also have other rights which vary from State to State.
Page 8
Page 9
Page 6
4.2 SERVICE INFORMATION
If it becomes necessary to return this unit for repair, you must first contact
Aphex for a Return Authorization (RMA number), which will need to be
included with your shipment for proper identification. If available, repack this unit in its original carton and packing material. Otherwise, pack the equipment in a strong carton containing at least 2 inches of padding on all sides. Be sure the unit cannot shift around inside the carton. Include a letter explaining the symptoms and/or defect(s). Be sure to reference the
RMA number in your letter and mark the RMA number on the outside of the
carton. If you believe the problem should be covered under the terms of the warranty, you must also include proof of purchase. Insure your shipment and
send it to APHEX at the address provided with the RMA.
5.0 SPECIFICATIONS
OPERATING LEVEL
Switch Setting:
INPUT
Impedance:
Unbalanced:
Nominal Level: Maximum
OUTPUT
AUDIO
Page 10
Impedance:
Nominal Level:
Maximum Level:
Frequency Response:
Dynamic Range:
Transformerless, active balanced
Type:
40KΩ 20KΩ +4dBu +24dBu
Level:
>40dB
CMRR:
110Ω +4dBu +24dBu Unloaded
+0.5dB 10Hz-38KHz 120dB 10Hz - 22kHz @ max output
THD:
.0003%
IMD:
10Hz - 22kHz 0 max output, .0007%
+4dBu
CONNECTOR PINOUT
1 CHASSIS GROUND
2 OUTPUT + (+4 LEVEL)
3 (unused)
4 OUTPUT - (+4 LEVEL)
5 COMMON
6 LINK
7 (unused)
8 INPUT- (+4 LEVEL)
9 (unused)
10 INPUT+ (+4 LEVEL)
11 (unused)
12 +16VDC
13 POWER SUPPLY COMMON
14 -16VDC
15 (unused)
Page 11
Page 7
Page 12
PO Box 711674 Salt Lake City, Utah 84171 USA
PHONE: 801.699.2272 FAX: 435.604.7409
www.APHEX.com
Loading...