Aphex 188 User Manual

188
Remote Controlled 8 Channel Microphone
Preamplier
Instruction Manual
P/N 188-3200
Preliminary Rev 1
Released 01/23/09
Aphex
3500 N San Fernando Blvd
Burbank, CA 91505
USA
Copyright 2009 Aphex. All rights reserved.
Page 1Aphex Model 188
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Safety Declarations
CAUTION: For protection against electric shock, do not remove the cover. No user serviceable parts inside.
WARNING: This equipment has been tested and found to comply with the limits for a Class A digital device pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the operating guide, may cause interference to radio communications. Operation of this equipment in a residential area is likely to cause interference in which case the user will be required to correct the interference at his own expense.
The user is cautioned that changes and modifications made to the equipment without approval of the manufacturer could void the user’s authority to operate this equipment.
It is suggested that the user use only shielded and grounded cables to ensure compliance with FCC Rules.
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Page 2Aphex Model 188
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Table of Contents
1.Introduction
2.Quick Start Front Panel LCD Display and Rotary Encoder/Switch Front Panel Screens
3. Rear Panel
4. Model 188 block diagram and signal flow
5. Installation
6. Functions in Detail
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Introduction
Why remote controlled preamplifiers? Locating the mic preamplifier as close as possible to the microphone eliminates the long cable runs at mic level. Induced noise would be amplified. In addition, capacitance and resistance in that long cable run would affect the performance of the microphone.
Transformer splitters are only eective in isolating ground. The impedance from all the preamplifiers connected to the system as well as the cabling combine to load down the output of the microphone. For example- most microphones are designed to drive between 1200 and 1500Ω loads. If a microphone is connected to three pre­amplifiers, the input impedance is 500Ω. The sonic eects are reduced frequency and transient response, and higher noise. The increase in audio quality when the microphone is driving an ideal load is dramatic. The 188 acts like an active splitter with one analog and two digital outputs..
Once you have line level signal from the remote preamplifier make sure that you do not put that signal through another preamplifier. Almost all consoles switch in a pad in front of their preamplifiers and label the input as ‘line’. If the trim pot still controls level, you are going through a preamplifier. It is best to use an insert return for an analog line level signal. You will be amazed at how much better everything sounds!
If you are using a digital console without any analog input other than a preamplifier, we strongly recommend converting the output of the remote preamplifier to digital. We designed a high quality A/D into the Model 188 for that purpose.
The Model 188 and its big brother the Model 1788A fulfill all the requirements for a remote controlled pream­plifier- great audio, easy to control, no glitches, pops or zipper noise, and multiple outputs.
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Quick Start
Rotary Encoder and Switch
Rotate the encoder clockwise or counterclockwise to scroll between screens. Press the en­coder to make the cursor appear within a screen. Rotate the encoder to move the cursor to the value or status to be changed and press to select, the cursor will start blinking. Rotate the encoder to change the value or status. Press the encoder to save the value or status.
Start Up
The first screen shows the firmware version that is loaded into the Model 188. It is a good idea to check the Aphex website occasion­ally to see if there are any updates. Updating the firmware is cov­ered in section----
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Metering
This screen shows a twelve segment peak level meter for each channel. When there is an overload the clip on that channel is indicated with a “!”. When the unit receives a command from a remote controller, “RC” will light for half a second. We recommend that this screen be selected when set up is complete.
Channel Status and Input Gain
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There is one screen for each of the eight channels. Each screen indicates Channel number, gain, status for Polarity Reverse, Pad, Low Cut Filter, and Phantom Power functions. A check mark under the function indicates that it is active. A dash indicates that it is not active. The Input Gain is adjustable from 26 to 65dB.
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