3 SIGNAL CONNECTIONS.......................................................................................................................................... 3
5 MOVEABLE REAR PANEL ON THE 3308A MIXER .......................................................................................... 11
6 WRITE-ON LABELS..................
7 SYSTEM SPECIFICATIONS
. 11
. 12
8 SERVICE INFORMATION........................................................................................................................................... 16
8.2 Factory Service .................................................................................................................................................. 16
Signal Flow Diagram......................................................................................................................................................... 13
Sub Board Schematic......................................................................................................................................................... 19
Main Board Schematic....................................................................................................................................................... 20
Power Supply Board Schematic......................................................................................................................................- 22
Operating Instructions for the Altec Lansing 3300A Series Mixing Consoles
1 ELECTRICAL
1.1 115 Vac 50/60 Hz Operation
Tlie mixing console is provided with
the voltage select switch in the 115
Vac position. Its power supply design
allows it to be powered from 100 Vac
to 120 Vac lines in this switch posi
tion.
1.2 230 Vac 50/60 Hz Operation
The mixing console may be powered
by line volta^s from 220 Vac to 240
Vac by switching the voltage select
switch to tlie 230 Vac position. How
ever, the ac line fuse must be
changed. Refer to Table I for proper
fiise value.
WARNING: Veri^ that the voltage
select switch is in the desired
position, and the proper fuse is in
place for the intended ac line voltage
BEFORE applying power to the
mixing console.
2 INSTALLATION
2.1 Rack Mounting
The 3308A mixer may be placed in a
standard 19 inch equipment rack. It
requires 17,5 inches of vertical speice
(10 standard EIA vertical rack
spaces). For more information on
rack-mount installation, refer to
Section 5 and Figitre 9 of this
manual.
2.2 Ventilation
The 3300A series mixii^ consoles
should not be used in areas where
the ambient temperature exceeds
eO^C (140°F).
Table I. Fuse Selection Chart
I
iOO niA/250 V
300 mA)2M> V
230 niA)250 V
AC LINE
FUSE
AC LINE
VOLTAGE
100 V— 120 V
(8 anii 16 ch only)
100 V — 120 V
eh only)
220 V — 2<I0 V
3 SIGNAL CONN liCTIONS
3.1 Input Connections
Balanced microphc -ne inputs may hi
made to the 3-pin XLR-^jqje con
nector. Balanced line inputs may hi
made to the Vi-inch phone (TRS
connector. For single-ended inputs
strap the low (—) input (pin 3 oi
XLR or Ring on %-inch phone) h
ground. Otherwise;, the electronically
balanced input stage will see 5 dl
less input signal level than with i
balanced input. Refer to Figure 1 fo:
typical input connect ions.
BALANCED
LO-Z
MIC
UNBALANCED
LO-Z
MIC
BAUINCED
LINE
LEVEL
SOURCE
UNeALANCED
LINE
LEVEL
SOURCE
m
UNBALANCED
LINE
LEVEL
SOURCE
UNBALANCED
LINE
LEVEL
SOURCE
M 1*1
J LA
HOT
HI 1+1 p
1
LC H
Y V 1
NC
jjCEL
Not recoABendfid foi* rtm? over 6 feet.
HOT
Not rocoauendeit for runs over B feet.
HPT
-e-r&
J
NC
p---------------—
J
----------------------------
-----------------
^ HI-Z
—UNBALANCED
r^LINE
J INPUT
LO-Z
MIC
INPUT
LO-Z
MIC
INPUT
HI-Z
BALANCED
LINE
INPUT
HI-Z
BALANCED
LINE
INPUT
1 HI-Z
BALANCED
LINE
INPUT
NC
1
1 balanced
Í load
:;);B ALANCEO
__
:.::3AUNCED
__
BALANCED
—1 LOAD
BALANCED
—^ LOAD
UNBALANCED
___
SERVOBALANCED
OUTPUT
SERVOBALANCED
OUTPUT
Mot reconaentfea for runs over 6 feet.
HL-Vl-
^RVO-
BALANCED
OUTPUT
Not recommeniied for runs over ipo feet. BALANCED
UNBALANCED
OUTPUT
Not reconnenoed for runs dver 6 feet.
UN8AU1NCED r
OUTPUT ^
Not recoradended (or runs over 5 feet
UNBALANreO 1
1
--------
____________-
-------
— —
3"
CGH
OUTPUT <dll|^H!i
“i
LOAD
LOAD
^ LOAD
-
Figure 1. Typical input connections.
ALTEC LAVS/VG* CORBORATJOti • a Mark IV Company
Figure 2- Typical output connections.
Operating Instructions for the Altec Lansing 3300A Series Mixing Consoles
3.2 Output Connections
The main outputs of the mixing con
sole are electronically servohalanced. Bzilanced output connec
tions may be made to the male 3-pin
XLR-type connectors. For singleended outputs, strap the low (—)
output (pin 3 on XLR or Ring on ‘/cl
inch phone) to ground. Otherwise,
the electronically servo-balanced
output stage will produce 6 dB less
output signal level than with a
balanced output connection.
Unbalanced connections may be
made to the other Vi-inch phone
(TRS) connectors. Refer to Figure 2
for typical output connections.
3.3 Insert Connections
Signal processing equipment may
easily be inserted in the signal path
by using the Vi-inch phone (TRS) in
sert connectors. The external device
must have line level unbalanced in
puts and outputs. The output signal
from the mixing console is on the
Tip and the input signal is on the
Ring. Tlie Sleeve is ground. Refer to
Figure 3 for a typical insert
connection.
4 OPERATION
4.1 Input Channel Controls
(Refer to Figure 4.)
The input channel is the beginning
of the signal amplification chain of
the mixer. Each input channel will
accept one signal source which may
be equalized, have effects added and
sent to the monitor and main ^stem
for the audience to hear. Each input
hcis a low-impedance microphone in
put (the 8-pin XLR connector) and a
high-impedance microphone or line
input (V«-inch phone jack). The line
input will accept signals from an
instrument, high-impedance micro
phone, tape/CD player, keyboard or
electronic drums or eilmost any other
audio source. Always make sure that
the channel fader (see Figure 4)
I IMUU.ANCCO
j 1 IWVT
1 wjtS/t
EXTEBNiL
EFFECTS
PROCESSOR
^
____
pL.
CHANNEL
“X
h
Y
Aid SUB
•^IS
Figure 3. Typical insert coimection.
and/or master faders (see Figure 5)
are down before plugging or unplug
ging input sources.
1. TRIM Control:This control
adjusts the gain of the input
amplifier to accommoriaie the
wide variation in signal
strength presented to the mixer
by the endless variety of signal
sources.
1110 TRIM control
allows the amplification of each
individual input source to be
optimized. Correct setting of the
TRIM control results in the best
signal-to-noise ratio (no iiiss),
the greatest dynamic range, and
the freedom from overload dis
tortion.
To set the TRIM control
correctly, first set the channel
fader at minimum and depress
the channel PFL switch. Make
sure the source (mic,
instrument) that is plugged into
the channel is used at its
nominal performance level.
Increase the TRIM level until
the level of the PFL meter
reaches 0 VU. Gradually bring
the channel fader up to Uie
desired listening level, 'iliis
insures that nominal level is
maintained throughout the
input channel.
If the level is too low in :e
trim’s gain circuit, hiss . ill
occur. If the level is too high in
the TRIM circuit, overloac' istortion will occur. Keeping ‘-e
channel faders at nominal 1( el
with proper setting of the TT ; ' T
control will keep the sy^’- n
sounding its best and Is
quietest.
ALTEC LANSING^ CORPORATION • a Mark IV Company
Operating Instructions for the Altec Lansing 3300A Series Mixing Consoles
2. EQ Controls: Equalization can
be more simply described as so
phisticated tone control. The
EQ circuits used in the 3300A
series have a substantial
amount of sound shaping
capability.
This wide range ceui be a bonus
when dealing with widelyvarying instrument signals, poor
acoustics or other problems. The
EQ should be used sparingly,
however, for the best results.
Too liberal use of the EQ can
cause phasing problems, add
noise, and use up a lot of ampli
fier power.
2A- HIGH EQ: The high EQ
circuit is a shelving type
filter at 10 kHz with a ±15
dB rzuige. It controls the
treble content of the input
signal Turning the control
counterclockwise decreases
the amount of treble,
clockwise increases it.
2B. MID EQ: The mid EQ cir
cuit is a peaking type filter
with a ±15 dB range. It
controls the midrange con
tent of the input signal.
Turning the control coun
terclockwise decreases the
amount of midrange, clock
wise increases it.
2C. MID Frequency: The mid
frequency circuit controls
the frequency range from
300 Hz to 5 kHz of the
MID EQ control. By vary
ing the FREQUENCY, dif
ferent tonal perspectives
can be created. The sweepable frequency gives much
more control flexibility.
2D. LOWEQ: The low EQ cir
cuit is a shelving type filter
at 100 Hz with a ±15 dB
range. It controls the bass
content of the input signal.
Turning the control coun
terclockwise decreases the
amount of bass, clockwise
increases it.
8. MONITOR Send: The monitor
send control sets the level of
that input signal in the monitor
mix. It is independent of all
input channel controls except
the TRIM control. It is not
affected by the channel EQ
controls or slide fader. Thus, it
is independent of, zmd not
affected by, changes in the main
or house mix.
4. AJJX Sends: Ilie AUX 1 send
control sets the level of that
signal in the AUX 1 mix and is
{x>st-fader, which means that it
is affected by the gain setting of
the fader. The AUX 1 send may
also be used as a mono send for
recording.
The AUX 2 send control sets the
level of that input signal in the
AUX 2 mix and is switchable
PRE or POST fader. In the PRE
position, it serves as another
MONITOR OUT, and in the
POST position, another
EFFECTS OUT.
5. PAN Control: Short for "pan
oramic potentiometer", this con
trol allows the channel’s input
signal to be placed within the
stereo image by assigning more
or less of the signal to the left or
right subgroup controls. Turn
ing the panpot to the left of
center moves the apparent
source toward the left channel.
Turning the panpot to the right
of center moves the apparent
source towzird the right channel.
Centering the control makes the
apparent source centered be
tween the channels. If all inputs
are panned center, the result is
mono.
Some users p>an all the instru
ments to one side and the vocals
to the other and use the sub
group controls to valance them.
6. PFL:PFL(pre-fader listen)
allows the open : to preview
any pre-fader sij, individually
or in combinaLi- through the
headphone out . To activate
the PFL simply ' >press the ap
propriate switcl: The status
indicator will . iit indicating
which pre-fader signals are be
ing monitored. hen the PFL
circuit is engag ' by depressing
a PFL switch, ^ th the right
meter and the headphone circuit
will monitor the audio level of
the selected cha;:ael(s).
In the normal position (all PFL
switches off), tile right meter
monitors the METER switched
bus, and the headphone circuit
monitors the out put of the SUB
L and SUB outputs. The
audio level of ,.he headphone
jack is controlled by the
PHONES conlrri.
7. Channel PEA^ LED:The
channel PEAK IjED monitors
the input channel circuit for
clipping or overload (both before
and after the EQ section). If it
lights, the sign;:, is bordering on
distortion. 'Ihis will be heard in
the output as aarsh, blaring
sound on voiame peaks. This
might be caused by excessive
boost in he channel
equalization controls, or a TRIM
control setting that is too high
for the input signal Generally,
readjusting the TRIM control
will cure '.is undesired
condition.
8. Channel Fader:The slide
fader controls the output level of
the channel as it is fed to the
subgroups. Tl.;: control should
be normally set around the "0"
mark (nomiiia. level). At this
point, the signal level is high
enough to K.eep noise from
creeping in and low enough to
insure plenty of headroom and
ALTEC LANSING* CORPORATION • a Mark IV Company
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