Allen&Heath ZED-10FX User Manual

ZED-10FX USER GUIDE
Publication AP7763
CONTENTS
Warranty ......................................................................... 4
Conformity Statement ................................................. 5
Safety Instructions ......................................................... 6
Packed Items Checklist ................................................ 9
Introduction to ZED-10FX & 10 ............................... 10
Specifications .................................................................. 12
Dimensions ..................................................................... 13
Block Diagram ................................................................ 14
Mono Input Channel 1&2 ............................................ 15
Mono Input Channel 3&4 (GTR I/P) ........................ 18
Stereo Input Channel 1................................................ 19
Stereo Input Channel 2................................................ 21
Effects Processor ........................................................... 22
Master Section ............................................................... 24
USB Connection ............................................................ 26
Application Drawing—Live Mixing ........................... 27
Application DrawingStudio Recording ................ 26
Wiring Information ....................................................... 29
Product Support ............................................................ 30
Allen & Heath 3 ZED-10FX User Guide
WARRANTY
Limited One Year Warranty
This product is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner.
To ensure a high level of performance and reliability for which this equipment has been designed and manufactured, read this User Guide before operating. In the event of a failure, notify and return the defective unit to ALLEN & HEATH Limited or its authorised agent as soon as possible for repair under warranty subject to the following conditions
Conditions Of Warranty
The equipment has been installed and operated in accordance with the instructions in this User Guide.
The equipment has not been subject to misuse either intended or accidental, neglect, or alteration other than as described in the User Guide or Service Manual, or approved by ALLEN & HEATH.
Any necessary adjustment, alteration or repair has been carried out by ALLEN & HEATH or its authorised agent.
The defective unit is to be returned carriage prepaid to ALLEN & HEATH or its authorised agent with proof of purchase.
Units returned should be packed to avoid transit damage.
In certain territories the terms may vary.
Check with your ALLEN & HEATH agent for any additional warranty which may apply.
http://www.allen-heath.com
Allen & Heath 4 ZED-10FX User Guide
EMC & SAFETY
This product complies with the European Electro magnetic Compatibility directives 2004/108/EC and the European Low Voltage Directives 2006/95/EC.
This product has been tested to EN55103 Parts 1 & 2 2009 for use in Environments E1, E2, E3, and E4 to demonstrate compliance with the protection requirements in the European EMC directive 2004/108/EC. During some tests the specified performance figures of the product were affected. This is considered permissible and the product has been passed as acceptable for its intended use. Allen & Heath has a strict policy of ensuring all products are tested to the latest safety and EMC standards. Customers requiring more information about EMC and safety issues can contact Allen & Heath.
NOTE: Any changes or modifications to the console not approved by Allen & Heath could void the compliance of the console and therefore the users authority to operate it.
ZED-10FX User Guide AP7763 Issue 2
Copyright © 2009 Allen & Heath Limited. All rights reserved
Allen & Heath Limited
Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
http://www.allen-heath.com
Allen & Heath 5 ZED-10FX User Guide
CAUTION
SAFETY INSTRUCTIONS
WARNING - Read the following before proceeding :
ATTENTION: RISQUE DE CHOC ELECTRIQUE – NE PAS OUVRIR
WARNING: This equipment must be earthed.
!
Read instructions: Retain these safety and operating instructions for future
Do not remove cover: Operate the console with its covers correctly fitted.
Power sources: Connect the console to a mains power unit only of the
Power cord routing: Route the power cord so that it is not likely to be walked
reference. Adhere to all warnings printed here and on the console. Follow the operating instructions printed in this User Guide.
type described in this User Guide and marked on the rear panel. Use the power cord with sealed mains plug appropriate for your local mains supply as provided with the console. If the provided plug does not fit into your outlet consult your service agent for assistance.
on, stretched or pinched by items placed upon or against it.
Grounding: Do not defeat the grounding and polarisation means of
the power cord plug. Do not remove or tamper with the ground connection in the power cord.
Allen & Heath 6 ZED-10FX User Guide
SAFETY INSTRUCTIONS
Water and moisture: To reduce the risk of fire or electric shock do not ex-
pose the console to rain or moisture or use it in damp or wet conditions. Do not place containers of liquids on it which might spill into any openings.
Ventilation: Do not obstruct the ventilation slots or position the con-
sole where the air flow required for ventilation is imped­ed. If the console is to be operated in a rack unit or flightcase ensure that it is constructed to allow ade­quate ventilation.
Heat and vibration: Do not locate the console in a place subject to exces-
sive heat or direct sunlight as this could be a fire haz­ard. Locate the console away from any equipment which produces heat or causes excessive vibration.
Servicing: Switch off the equipment and unplug the power cord
immediately if it is exposed to moisture, spilled liquid, objects fallen into the openings, the power cord or plug become damaged, during lightening storms, or if smoke, odour or noise is noticed. Refer servicing to qualified technical personnel only.
Installation: Install the console in accordance with the instructions
printed in this User Guide. Do not connect the output of
power amplifiers directly to the console. Use audio
connectors and plugs only for their intended purpose.
Important Mains plug wiring instructions
The console is supplied with a moulded mains plug fitted to the AC mains power lead.
Follow the instructions below if the mains plug has to be replaced. The wires in the
mains lead are coloured in accordance with the following code:
TERMINAL WIRE COLOUR
European USA/Canada
LIVE BROWN BLACK
L
NEUTRAL BLUE WHITE
N
EARTH GND GREEN & YELLOW
E
The wire which is coloured Green and Yellow must be connected to the terminal in the plug which is marked with the letter E or with the Earth symbol. This appliance must be earthed. The wire which is coloured Blue must be connected to the terminal in the plug which is marked with the letter N. The wire which is coloured Brown must be connected to the terminal in the plug which is marked with the letter L. Ensure that these colour codes are followed carefully in the event of the plug being changed.
Allen & Heath 7 ZED-10FX User Guide
GREEN

SAFETY INSTRUCTIONS
General Precautions:
Damage : To prevent damage to the controls and cosmetics
Environment : Protect from excessive dirt, dust, heat and vibra-
Cleaning : Avoid the use of chemicals, abrasives or solvents.
Transporting : Protect the controls from damage during transit.
avoid placing heavy objects on the control sur­face, scratching the surface with sharp objects, or rough handling and vibration.
tion when operating and storing. Avoid tobacco ash, smoke, drinks spillage, and exposure to rain and moisture. If the console becomes wet, switch off and remove mains power immediately. Allow to dry out thoroughly before using again.
The control panel is best cleaned with a soft brush and dry lint-free cloth. The faders, switches and potentiometers are lubricated for life. The use of electrical lubricants on these parts is not recom­mended. The fader and potentiometer knobs may be removed for cleaning with a warm soapy solu­tion. Rinse and allow to dry fully before refitting them.
Use adequate packing if you need to ship the unit.
Hearing : To avoid damage to your hearing do not operate
any sound system at excessively high volume. This applies particularly to close-to-ear monitoring such as headphones and in-ear systems. Contin­ued exposure to high volume sound can cause frequency selective or wide range hearing loss.
Allen & Heath 8 ZED-10FX User Guide
Line
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40
HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Left
L R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
+10
Record
+10
LEVEL
Record
Bus
MAIN
MIX
+6
AUX
+6
+10
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
168
5
6
7 15
14
13
2
3
4 12
11
10
1 9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TAP
AUX
+10
Phones
MAIN MIX
FX
FX to
Hi Z
+10
+6
Right
Left
Right
Left
LEVEL
PLAYBACK
AUX
PLAYBACK TO
+6
-15 +15
-15 +15
-15 +15
-15 +15
Record Record Record Record Record Record
Right
Left
Right
Left
L R
PHONES SELECT
0
LM
0
0
0
- 10 10204060
40
-15 +15
-15 +15
3k
-15 +15
+10
L R
+6
+6
0
LM
0
0
- 10 10204060
40
-15 +15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
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40
-15 +15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0
0 0
+6
0 0 0
GAIN
+15
0
5
L R
+6
0
L R
+6
0
USB IN L
USB IN R
+10
500
650
200
120
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1k
2k
3k
500
650
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120
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1k
2k
3k
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650
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Listen
Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
BAL BAL
AUXFXAUX
FX
LF
HF HF
LF
LEVEL
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0 0 0 0 0 0
0
0
0
Monitor
Phones
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
OUT
AUX
FOOTSWITCH
FX OUT/
PACKED ITEMS
Check that you have received the following:
ZED-10FX MIXER
Mains Lead
Check that the correct mains plug is fitted.
Allen & Heath 9 ZED-10FX User Guide
This User Guide!
INTRODUCTION TO THE ZED-10FX
Background Overview:
The Allen & Heath ZED series mixers have been carefully and lovingly designed in the beau­tiful county of Cornwall in the UK and are manufactured alongside a wide range of profes­sional audio mixing consoles to the same high standards. Many of the components used in ZED-10FX and ZED-10 are exactly the same as in the larger Allen & Heath products and the construction methods are also very similar utilising individual vertically mounted channel circuit boards with each rotary control fixed with a metal nut to the front panel. This pro­vides a very robust product that will resist damage and give years of reliable use. It also makes servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time. The vertical board construction method is unique in a product at this price point and puts the ZED-10FX and ZED-10 in a truly professional class of their own. The audio circuitry is based on years of continual development and refinement , the perfor­mance of all the elements within the mixer is scrutinised and perfected to ensure the very best sound quality possible.
Multi-application:
ZED’s are great for live mixing! Their layout makes them very easy to use and easy to
achieve a great sound. They are also perfect for recording, either a live show or an audio project at home can be built up track by track using the USB digital audio interface. The flexi­bility and quality of these mixers make them stand out from the crowd. You can plug your guitars or instruments straight into the class A discrete FET high impedance inputs, cater for up to four microphones, two stereo sources with MP3 player compatibility, separate 2-track record outputs and a stereo playback input for 2-track replay or perhaps interval music from a CD player, XLR main stereo outputs with inserts, comprehensive monitoring with head­phones and separate monitor speaker outputs, 48V microphone phantom power, DI level switching for sub mixing, and not least of all, the same digital effects algorithms as those used on our flagship digital consoles costing 150 times as much! All this and the ability to withstand life being gigged night after nightthere is nothing else like it at this price point. ZED mixers are also ideal for teaching establishments, houses of worship, hotels and confer­ence centres where their ease of use and robust qualities make them a top choice.
Mic/Line Pre-amps:
Based on the pre-amps from the MixWizard series, the ZED-10FX & ZED-10 pre-amps use low noise discrete transistor circuitry to achieve high gain (60dB max), low noise and good linearity.
GTR/Hi Z Inputs:
Specially designed for ZED-10FX and ZED-10, two ultra high impedance discrete class A FET (Field Effect Transistor) inputs for plugging any kind of guitar or instrument straight in. A 26dB gain boost switch allows instruments with very low output pickups to be used, and the FET does a great job of approximating the valve/tube input circuitry commonly found on instrument combos or amplifiers.
Allen & Heath 10 ZED-10FX User Guide
INTRODUCTION TO THE ZED-10FX
EQ:
The ZED-10FX and ZED-10 mixers are equipped with a 3-band equaliser circuit on each mono input, with swept mid frequency section, and a 2-band EQ on the stereo channels. The frequency and response of each has been carefully chosen to give the maximum performance when using the EQ on a variety of sources.
Effects Processor:
Zed 10FX has a professional quality effects processor built in which uses our own effects algorithms developed by our talented engineering staff at Allen & Heath. The effects range from classic reverbs, cascaded delay plus reverbs to shimmering flanger & chorus effects. The different effects types are selected with a simple up/down button interface and the tempo of the delay settings can be set using the TAP button. Holding the TAP button allows the pa­rameters of the effects to be adjusted. The audio signal to the DSP is converted using 24 bit high dynamic range converters running at 48kHz sample rate, ensuring low noise, low distor­tion, transparent effects.
Record Bus:
A separately switched stereo bus can be routed to from any channel creating a selective recording bus, monitoring bus or stereo clean feed output. You can even route just the ef­fects processor output to this bus and use the mixer as a high end effects unit.
USB:
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way we have implemented this on ZED is super-flexible and super
-easy! No longer do you need to fiddle around the back of your computer to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or MAC.
Internal power supply:
Not a “wall wart” - a proper built in power supply specifically designed and based on totally reliable technology.
Allen & Heath 11 ZED-10FX User Guide
SPECIFICATIONS
Operating Levels
Input
Mono channel (XLR) Input -10 to –60dBu for nominal (+11dBu in max)
Mono channel Line Input (Jack socket) +10 to –40dBu (+31dBu maximum)
Stereo Input (Jack or phono sockets) 0dBu nominal (control = Off to +15dB)
Output
L/R Outputs ( XLR) Normal/DI out 0dBu/-30dBu +21dBu/-9dBu maximum.
Aux & FX Outputs (Jack sockets) 0dBu nominal. +21dBu maximum.
Record & Monitor Outputs (phono sockets) 0dBu nominal. +21dBu maximum.
Frequency Response
Mic in to Mix L/R Out, 30dB gain +0.5/-1dB 10Hz to 30kHz.
Line in to Mix L/R out 0dB gain +0.5/-1dB 10Hz to 25kHz
Stereo in to Mix L/R out +0.5/-1dB 10Hz to 30kHz
THD+n
Mic in to Mix L/R Out, 10dB gain 1kHz +10dBu out 0.002%
Mic in to Mix L/R Out, 30dB gain 1kHz 0.01%
Line in to Mix L/R out 0dB gain 0dBu 1kHz 0.003%
Stereo in to Mix L/R out 0dB gain +10dBu 1kHz 0.002%
Gtr Input to Mix L/R Out, 0dBu, Boost OUT 0.015%
Gtr Input to Mix L/R Out, 0dBu, Boost IN 2% Second Harmonic
Headroom
Analogue Headroom from nominal (0Vu) 21dB
USB in & out headroom from nominal (0Vu) 14dB
Noise
Mic Pre EIN @ max gain 150R input Z 22-22kHz -127dBu
Mix L/R out, L/R faders = 0, Levels min, 22-22kHz -96dBu
Mix L/R out, L/R faders = 0, Levels min, 22-22kHz -96dBu
USB Audio CODEC (Coder/Decoder)
USB Audio In/Out USB 1.1 compliant 16bit.
Sample Rate 32, 44.1, or 48kHz
Allen & Heath 12 ZED-10FX User Guide
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40
HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Left
L R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
+10
Record
+10
LEVEL
Record
Bus
MAIN MIX
+6
AUX
+6
+10
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
168
5
6
7 15
14
13
2
3
4 12
11
10
1 9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TAP
AUX
+10
Phones
MAIN MIX
FX
FX to
Hi Z
+10
+6
Right
Left
Right
Left
OUT
AUX
LEVEL
PLAYBACK
AUX
PLAYBACK TO
+6
-15 +15
-15 +15
-15 +15
-15 +15
Record Record Record Record Record Record
Right
Left
Right
Left
OUT
FX
L R
PHONES SELECT
0
LM
0
0
0
- 10 10204060
40
-15 +15
-15 +15
3k
-15 +15
+10
L R
+6
+6
0
LM
0
0
- 10 10204060
40
-15 +15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
- 10 10204060
40
-15 +15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0
0 0
+6
0 0 0
GAIN
+15
0
5
L R
+6
0
L R
+6
0
USB IN L
USB IN R
+10
500
650
200
120
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1k
2k
3k
500
650
200
120
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650
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Listen
Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
BAL BAL
AUXFXAUX
FX
LF
HF HF
LF
LEVEL
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0 0 0 0 0 0
0
0
0
Monitor
Phones
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
DIMENSIONS
336mm (13.2 inches)
95mm (3.7 inches)
275mm (10.8 inches)
Weight
Allen & Heath 13 ZED-10FX User Guide
ZED-10FX
Unpacked 3.3kg (7.3 lb)
Packed 4.5kg (10 lb)
+
-
GAIN
HM HF
3 BAND EQUALISER
MONO CHANNEL
ZED 10FX BLOCK DIAGRAM
100Hz
MIC IN
LEVEL
PFL
FX
AUX
LF
LINE IN
PAN
LEFT INSERT
RIGHT INSERT
LEVEL
L
R
MAIN LR
HPF
PFL
REC R
REC L
AUX
FX
R
L
MAIN OUT
48V To Mics
FX OUT
AUX MIX
MASTER LEVEL
AUX OUT
RECORD BUS
AUX-FX
USB 1 STEREO I/O
RECORD BUS
AUX
PLAYBACK
USB AUDIO
INPUT
USB DEVICE
PFL ACTIVE
PFL ACTIVE
METERS
PHONES
LEVEL
HEADPHONES
PFL/AFL
0dBu NOMINAL
PRIORITY SWITCHING
PRIORITY SWITCHING
Phantom Power
Phantom Power
INSTRUMENT IN
GAIN BOOST
CLASS A
FET
HI-Z DI
MONO CHANNELS 3&4
MONO CHANNELS 1&2
RECORD
R
L
R
L
GAIN
HF
2 BAND EQUALISER
LF
BAL
RECORD
FX
AUX
PFL
USB
AUDIO
INPUT
R
L
R
L
STEREO CHANNEL 1
STEREO CHANNEL 2
R
L
USB
AUDIO
INPUT
R
L
PLAYBACK
ST1-a
ST2
ST1-b
STEREO CHANNEL
PLAYBACK
TO AUX
PLAYBACK
LEVEL
PLAYBACK
PLAYBACK
INPUT
PLAYBACK
INPUT
FOLLOW MIX
R
L
RECORD OUT
OUTPUT
R
L
MONITOR OUTPUT
EFFECTS MIX
DSP
EFFECT TYPE
BANK
SEL UP
SEL DOWN
TAP/PARAMETER
EFFECTS
PROCESSOR
EFFECTS MIX
TO MIX
EFFECTS
FX TO AUX
RECORD
MONITOR LEVEL
PFL
BLOCK DIAGRAM SCHEMATIC
Allen & Heath 14 ZED-10FX User Guide
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HPF
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HF
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4k
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MID
2k
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f
LF
Right
Left
Mic
Hi Z
Right
Left
-15
+15
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+15
0
LM
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LM
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Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
GAIN
HF
MID
f
LF
GAIN
HF
MID
f
LF
GAIN
LF
HF HF
LF
-15
-15
MONO INPUT CHANNEL 1 & 2
Mic Input Socket
Standard 3-Pin XLR socket wired as Pin 1=Chassis, Pin 2=hot (+), Pin 3=Cold (-).
Line Input Jack Socket
Standard 1/4” (6.25mm) Jack socket for balanced or unbalanced
line level signals. Wired Tip=Hot(+), Ring=cold (-), Sleeve=Chassis. The Line input connects to the XLR input through a circuit, so be aware that the two signals will add together if both inputs are plugged in simultaneously.
Gain Control This adjusts the gain of the input amplifier to match the signal level of the source. The gain is varied from +10dB to +60dB for signals plugged in to the xlr socket (Mic Input) and –10dB to +40dB for signals plugged into the Line input jack.
100Hz Hi-pass Filter The Hi-pass filter is used for reducing pop noise and rumble from microphone signals. It is a single pole (6dB per octave) filter with a corner frequency set at 100Hz. The filter affects signals from both Mic XLR and Line jack sock­et.
Allen & Heath 15 ZED-10FX User Guide
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HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Record
+6
AUX
+6
FX
+10
+6
-15
+15
-15
+15
-15
-15
Record Record Record Record Record Record
0
LM
0
0
0
- 10 10
20
4060
40
-15
+15
-15 +15
3k
-15 +15
+10
L R
+6
+6
0
LM
0
0
- 10 10
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
- 10 10
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0 0
GAIN
+15
0
5
L R
+6
0
L R
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
Listen
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
BAL BAL
AUX
FX
AUX
FX
LF
HF HF
LF
0 0 0 0 0 0
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
-15
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
MONO INPUT CHANNEL 1 & 2
HF EQ
The HF (High Frequency) equaliser affects the frequency re­sponse of the higher audible frequencies. The corner frequen­cy of 12kHz is around 3dB from the maximum cut or boost of the circuit. It has plenty of gain and actually gives slightly more that the +/-15dB legend suggests.
Allen & Heath 16 ZED-10FX User Guide
MF EQ The MF (Mid Frequency) equaliser affects the middle of the audible frequency range. The frequency graduations on the sweep control are the centre frequencies of the EQ. The
range has been carefully chosen to cover “boomy” frequen-
cies around 120Hz to 250Hz which may need cutting back, or a lift at 2 to 3kHz may be required for microphone intelligibil­ity.
LF EQ The LF (Low Frequency) equaliser affects the response at the low end of the audio range. The graph shows the response of the LF EQ at maximum cut and boost. The corner frequency is 80Hz.
- 10 10
20
4060
40
HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Record
+6
AUX
+6
FX
+10
+6
-15
+15
-15
+15
-15
-15
Record Record Record Record Record Record
0
LM
0
0
0
- 10 10
20
4060
40
-15
+15
-15 +15
3k
-15 +15
+10
L R
+6
+6
0
LM
0
0
- 10 10
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
- 10 10
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0 0
GAIN
+15
0
5
L R
+6
0
L R
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
Listen
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
BAL BAL
AUX
FX
AUX
FX
LF
HF HF
LF
0 0 0 0 0 0
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
-15
MONO INPUT CHANNEL 1 & 2
FX send
This controls the level of signal that is sent to the effects processor from the channel. The signal is post-level which means it is affected by the channel Level control (so it stays in proportion to the signal going to Mix) and the send con­trol has 6dB gain fully clockwise. There is no master level control for the FX bus.
AUX send Controls the level of signal sent to the Auxiliary output from the channel. The signal is sourced pre-Level so is independent of the level being sent to the main L-R Mix. The send control has +6dB gain fully clockwise and unlike the FX bus, there is a master level control for the Aux output.
PAN The pan control adjusts how the signal from the mono input channel is shared between the left and right stereo buses and subsequently the main stereo outputs. Set to the mid position, equal amounts of signal are fed to left and right, with pan set to L, none is sent to the Right bus.
LEVEL The rotary Level or fader controls the amount of signal to the left & right buses, Record bus and to the FX send con­trol. There is 10dB of gain fully clockwise and the unity gain position is marked by “0”.
Record Switches the channel signal to a separate stereo bus called Record. The Pan and Level controls affect the Record signal and the channel Mix L-R signal remains unaffected by this switch.
Listen Switches the channel signal to the headphones or monitor output circuit for checking the channel signal. Takes the signal after the EQ but before the Level control (so you can
Allen & Heath 17 ZED-10FX User Guide
check the signal before adding it to Mix or Record)
Right
Left
Dly+verb (level)
Plate (decay)
Hi Z
Right
Left
Right
Left
Right
Left
Right
Left
- 10 10
20
4060
40
0
GM
- 10 10
20
4060
40
0
GM
USB IN L
USB IN R
GTR 1
Hi Z
GTR 2
GAIN
GAIN
AC MAINS IN ~
100 - 240V~ 47-63Hz 15W
ALLEN&HEATH
OFF
0
I
ON
Serial No.
ENGINEERED IN ENGLAND BY ALLEN & HEATH LIMITED. MADE IN CHINA
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
DO NOT OPEN
CAUTION
RISK OF ELECTRIC SHOCK
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
WARNING: THIS APPARATUS MUST BE EARTHED
(2) this device must accept any interference received,
This device complies with Part 15 of the FCC Rules.
(1) this device may not cause harmful interference, and
Operation is subject to the following two conditions:
including interference that may cause undesired operation.
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Guitar input gain switches
Unity gain High gain (+26dB)
Main Output Level
0dBu
-30dBu
MONO INPUT CHANNEL 3 & 4
Hi Z input
The only difference between mono inputs 1-2 and 3-4 is the Hi Z inputs for guitars or other instruments.
Standard 1/4” (6.25mm) Jack socket for unbalanced line
level signals or instrument pickups. Wired Tip=Hot(+), Ring=cold (-), Sleeve=Chassis. The Hi Z input connects to the XLR input through a cir­cuit, so be aware that the two signals will add together if both inputs are plugged in simultaneously. The Hi Z input can be used with normal line level signals but is designed specifically to match signals from instrument pickups. The input impedance is extremely high (10Mohms) and a FET (Field Effect Transistor) running in Class A mode emulates the type of circuits used in valve guitar combos or head amplifiers. The input circuit has soft asymmetric over­drive characteristics, giving a warm 2nd harmonic character to the sound if required.
Hi Z Input GAIN BOOST OUT Hi Z Input GAIN BOOST IN
Gain Boost
A recessed switch on the rear panel allows the HI Z input to be boosted by 26dB, useful for instruments with weak pickups or where more overdrive is required. When the XLR is being used or for normal line level signals (like keyboards)make sure the switch is in the OUT position.
Allen & Heath 18 ZED-10FX User Guide
Right
Left
Right
Left
-15
+15
-15
+15
+15
0
5
LF
HF
-15
10.00 Hz 100.00 1000.00 10000.00 30000.00
-20.00
-15.00
-10.00
-5.00
0.00
5.00
10.00
15.00
20.00
dBr
STEREO INPUT CHANNEL 1
ST-1b Inputs
Standard RCA Phono sockets for unbalanced line level stereo signal sources from equipment such as CD players, sound modules or MP3 players. If your MP3 player has a mini jack socket (most common) use a stereo mini jack plug to 2 x RCA Phono lead.
ST-1a Inputs Standard 1/4” jack sockets for line level stereo signals. The ST1b inputs (RCA Phono) are connected through the break contacts of these jack sockets so plugging into ST1a will override the signals from ST1b.
ST-1 Gain
Adjusts the input level to the ST1 channel from off (maximum attenuation) to +15dB gain. For low level inputs from MP3 players, turn it fully clockwise.
Stereo EQ
High frequency and low frequency equaliser with cor­ner frequencies of 12kHz for the HF and 80Hz for the LF and maximum cut & boost of 15dB.
Allen & Heath 19 ZED-10FX User Guide
Stereo channel EQ
Right
Left
+10
+6
-15
+15
-15
+15
Record
0
+15
0
5
L R
+6
0
Listen
BAL
AUX
FX
LF
HF
0
LEVEL
-15
STEREO INPUT CHANNEL 1
FX send
This controls the level of signal that is sent to the effects processor from the stereo channel. The signal is post-level which means it is affected by the channel Level control (so it stays in proportion to the signal going to Mix) and the send control has 6dB gain fully clockwise. There is no master level control for the FX bus.
AUX send Controls the level of signal sent to the Auxiliary output from the stereo channel. The signal is sourced pre-Level so is independent of the level being sent to the main L-R Mix. The send control has +6dB gain fully clockwise and unlike the FX bus, there is a master level control for the Aux output.
Balance The balance control adjusts the relative level between the left and right stereo signals as they are sent to the stereo buses and subsequently the main stereo outputs. Set to the mid position, equal amounts of signal are fed to left and right, with Bal set to L, none is sent to the Right bus.
LEVEL The rotary Level or fader controls the amount of signal to the left & right buses, Record bus and to the FX send con­trol. There is 10dB of gain fully clockwise and the unity gain position is marked by “0”.
Record Switches the channel signal to a separate stereo bus called Record. The Bal and Level controls affect the Record signal and the channel Mix L-R signal remains unaffected by this switch.
Listen Switches the channel signal to the headphones or monitor output circuit for checking the channel signal. Takes the signal after the EQ but before the Level control (so you can check the signal before adding it to Mix or Record)
Allen & Heath 20 ZED-10FX User Guide
Record
Bus
MAIN
MIX
USB
Aux-FX
Right
Left
Right
Left
L R
USB IN L
USB IN R
Right
Left
+15
0
5
-15
STEREO INPUT CHANNEL 2
ST-2 Input
The USB audio input is connected through the
break contacts of the standard 1/4” (6.25mm) jack
sockets. Plugging into the jacks will override the USB input, so if you want to use the ST-2 channel for the USB input signal, make sure nothing is plugged into the jack sockets.
The rest of the features of the ST-2 channel are as described for ST-1
Important Note:
If the ST-2 channel is not being used for USB play­back or stereo input it is best to keep the level
!
controls turned down so that unwanted noise from the inactive USB device is not passed to the mix.
Record OUT
Standard RCA phono sockets for the stereo line level Record outputs sourced from the USB out selector switches. Useful for connecting to stereo recording devices, stereo mix feeds, or where se­lective channels are required to feed other equip­ment.
Allen & Heath 21 ZED-10FX User Guide
Playback Input
Standard 1/4” (6.25mm) jack sockets for unbalanced
line level inputs. Can be used for additional stereo sources such as CD players for background music, or playing back a final mix from a recording device. The USB audio input is connected through the break contacts of these inputs, plugging into the jack sockets overrides the USB input.
USB OUT Source selector switches
Select the signal source for the USB audio output and the Record output. With both switches up the main Mix is selected. The Record Bus switch will override the Aux-FX switch if both are pressed.
PARAMETER (HOLD)
TAP
SEL
168
5
6
7 15
14
13
2
3
4 12
11
10
1 9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TAP
AUX
+10
FX
FX to
Record
+6
0
Listen
LEVEL
0
ZED-FX EFFECTS PROCESSOR
Effects Type Selection LED.
8 Green LED’s show one of 16 effects types available. If the Bank LED is off the green LED’s will show one of 1 to 8 on the effects list (or off if no LED’s are lit), if the Bank LED is on the green LED’s will show which of effects types 9 to 16
is selected. For effects types 1 to 5, the green LED will blink in time with the tempo of the delay time.
The green LED’s also display the level of the parameter
adjustment when the TAP button is held down. The more
LED’s that illuminate, the more the parameter is increased
in value or intensity.
Bank LED. The Bank LED illuminates when one of the effects type 9 to 16 is selected. If the Bank LED is on, then the green LED will show which effect is selected from the list.
SEL Buttons. The SEL buttons select the type of effect. They also adjust the pa­rameter of the selected effect when the TAP button is held down.
TAP Button. The TAP button is used in two ways. If one of effects types 1 to 5 are selected then the TAP button can be used for adjusting the frequency or tempo of the delay parameter. If the TAP button is held down, the SEL buttons then become pa­rameter adjust buttons to increase or decrease the level of the parameter assigned to the selected effect.
FX to AUX Send control.
This adds some of the effect to the Aux bus, so if the Aux is being used for a monitor for a singer for example, the performer will be able to hear their voice with some reverb added.
Effects Level.
Controls the volume of the effects (wet) signal to the main stereo Mix and the Record bus.
Record Switches the Effects (wet) signal to the stereo Record bus.
Listen
Allen & Heath 22 ZED-10FX User Guide
Switches the Effects (wet) signal to the headphones or monitor output circuit for checking the effect.
ZED-FX EFFECTS PROCESSOR
Effects Type List & Description.
There are 16 different effects presets in the ZED Effects Processor. Each is fed with a mono signal from the FX bus, and the output from the effects processor is in stereo. Each preset has a parameter adjust control which is matched to the preset. This control may morph several parameters all at once, for example the parameter control for the Chorus effect will adjust not only the depth, but the response of the filters in software to create a
more or less intense effect. In general, when adjusting the effect parameter, the more LED’s
that are illuminated, the more intense the effect or higher the parameter value.
To restore the parameter settings to the factory defaults, hold down both SEL buttons whilst switching on the power to your ZED.
Effects Type Table with description.
Effect Preset Name Effect Description & Parameter adjustment.
1 Dly+verb(level) Delay with Reverb. Delay feeds reverb (Classic Plate).
2 Dly+verb(size) Delay with Reverb. Delay feeds reverb (Classic Plate). TAP for delay time
3 Dly+verb(regen) Delay with Reverb. Delay feeds reverb (Classic Plate). TAP for delay time
4 PingPong(regen) Ping Pong delay (left then right) in parallel with Plate reverb. TAP for left delay time
5 BeatDly(regen) As (4) but right delay is set for 1/4 beat of left. Good for off beat 4/4 delay sound.
6 Ambient(echo) Echo Delay with Reverb. PARAMETER adjusts the echo time.
7 SlapVerb(size) Reverb with echo reflections creating classic slapback reverb sound.
8 DoubleZED(size) Classic stereo doubler.
9 Plate(decay) Classic plate reverb. PARAMETER adjusts decay time.
10 Plate(predly) Plate reverb with pre-delay. Good for vocals/percussion.
11 Plate(colour) Classic plate reverb. PARAMETER adjusts tonal texture from dark to bright.
12 Hall1(size) Smooth classic hall reverb. PARAMETER adjusts size of hall.
13 Hall2(size) Brighter hall reverb. PARAMETER adjusts size of hall.
14 Arena(size) Arena reverb. PARAMETER adjusts size of arena.
15 Flanger(dpth) Classic flanger effect. PARAMETER adjusts depth and tonality.
16 Chorus(dpth) Chorus effect. PARAMETER adjusts depth and tonality.
TAP for delay time Min = 70mS Max = 1.35S, Adjust the level of reverb.
Min = Min = 70mS Max = 1.35S, PARAMETER Adjusts the size of reverb.
Min = 70mS Max = 1.35S, PARAMETER adjusts the regeneration of the delay.
Min = 70mS Max = 1.35S, PARAMETER adjusts the delay regeneration.
TAP for left delay time & PARAMETER adjusts the delay regeneration.
PARAMETER adjusts the slapback size (more slap echo).
PARAMETER adjusts delay and size.
PARAMETER adjusts pre-delay time (for increased intelligibility).
Allen & Heath 23 ZED-10FX User Guide
L R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
+10
LEVEL
+10
+6
Source
Playback
Mix
Phones
MAIN MIX
PHONES SELECT
0
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0
0
Monitor
Phones
O/P Level
Switch
OUT
AUX
FOOTSWITCH
FX OUT/
MASTER SECTION
Main Mix Out XLR connectors
Standard XLR output connectors for the main ste­reo mix. Impedance balanced to aid interference rejection. A recessed switch on the rear panel re­duces the level by 30dB if it is required to submix these outputs into the XLR inputs of another mixer.
Main Mix Insert jack sockets Standard 1/4” (6.25mm) jack sockets wired: Tip = send, Ring = return, Sleeve = Chassis. Nominal
Effects & Aux bus Outputs Standard 1/4” (6.25mm) jack sockets wired: Tip=hot, Ring=cold, Sleeve=Chassis. 0dBu. The FX out is the Effects bus output, and can be used for connecting to external equipment such as an effects processor. OR a latching footswitch can be connected (wired between Tip & Sleeve) and used to mute the on-board FX. The AUX out is taken from after the AUX MIX master level control.
48v to Microphones Switches industry standard 48v (phantom power) to all 4 microphone inputs for use with condenser microphones.
Monitor Level Controls the volume of the stereo monitor outputs from off (fully attenuated) to +10dB of gain.
Monitor Source switch This allows the stereo monitor outputs (RCA phonos) to be sourced either from the headphone monitor selection, or from the main stereo mix. Useful for splitting the functions of the stereo monitor outputs from the headphones.
Aux Mix Level control The master volume control for the Aux mix bus. Adjusts the level from off (fully attenuated) to +6dB gain.
Main Mix Level This is the master volume control for the main stereo mix. Range is from off (fully attenuated) to +10dB of gain.
Allen & Heath 24 ZED-10FX User Guide
L R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
+10
LEVEL
+10
+6
Source
Playback
Mix
Phones
MAIN MIX
OUT
AUX
OUT
FX
PHONES SELECT
0
0
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0
0
Monitor
Phones
O/P Level
Switch
MASTER SECTION
Stereo Meters
12 Segment LED meters with fast attack (4mS) and medium decay (1S). The meters display the signals selected by the Phones Select switches, or the mono Listen signal (PFL) if activated by any of the Listen switches.
PFL (Pre-Fade Listen) active LED A red LED to indicate a Listen switch has been pressed on one of the channels. Doing this will override the Phones select source to the headphones and send the Listen signal to the meters.
Headphones level Controls the volume of signal to the headphones.
Warning ! To avoid damage to
your hearing do not operate the
headphones or sound system at
e x c ess i v e ly h i g h vo l u me .
Continued exposure to high
volume sound can cause frequency
selective or wide range hearing
loss.
!
Phones Source Selector switches These switches allow you to choose what you hear on the headphones. With all switches up the default is the main stereo Mix, then you can choose be­tween the Playback input (USB Input if nothing is plugged into the jacks), the Aux bus output, or the Record bus output. Pressing any Listen switch will override the selection and allow you to monitor individual channels.
Headphones Output
Standard 1/4” (6.25mm) jack socket wired Tip=Left,
Ring=Right, Sleeve=Ground.
Allen & Heath 25 ZED-10FX User Guide
Line
- 1010204060
40
HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Left
L R
+16
-6
-9
-20
-30
-16
-12
-3
0
+3
+6
+9
Aux
+10
Record
+10
LEVEL
Record
Bus
MAIN MIX
+6
AUX
+6
+10
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
168
5
6
7 15
14
13
2
3
4 12
11
10
1 9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TAP
AUX
+10
Phones
MAIN MIX
FX
FX to
Hi Z
+10
+6
Right
Left
Right
Left
OUT
AUX
LEVEL
PLAYBACK
AUX
PLAYBACK TO
+6
-15 +15
-15 +15
-15 +15
-15 +15
Record Record Record Record Record Record
Right
Left
Right
Left
OUT
FX
L R
PHONES SELECT
0
LM
0
0
0
- 1010204060
40
-15 +15
-15 +15
3k
-15 +15
+10
L R
+6
+6
0
LM
0
0
- 1010204060
40
-15 +15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
- 1010204060
40
-15 +15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0
0 0
+6
0 0 0
GAIN
+15
0
5
L R
+6
0
L R
+6
0
USB IN L
USB IN R
+10
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
Listen
Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
BAL BAL
AUXFXAUX
FX
LF
HF HF
LF
LEVEL
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0 0 0 0 0 0
0
0
0
Monitor
Phones
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
CONNECTING TO A COMPUTER
USB lead type A to B
USB Audio Interface
The ZED is equipped with a stereo bi-directional USB 1.1 compliant audio CODEC. It is fully compliant with USB 2 ports and uses standard Windows and MAC Core Audio Drivers. In other words, plug it in and your computer will find it and be able to transfer audio to and from the ZED USB device. You will need some form of audio software running on your computer to be able to store and play back what you record, but on a basic level, you can use your computers media play­er to play straight to the ZED device.
Important Note:
If there seems to be no audio transfer between the computer and your ZED, or the level is
very low, please check the volume level setting of the Audio Device in your computers’ op-
erating system. This may need to be set to the Max position.
Allen & Heath 26 ZED-10FX User Guide
Line
- 1010
20
4060
40
HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Left
L R
+16
-6
-9
-20
-30
-16
-12
-3 0
+3+6+9
Aux
+10
Record
+10
LEVEL
Record
Bus
MAIN
MIX
+6
AUX
+6
+10
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
168
567 15
14
13
234 12
11
10
1 9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TAP
AUX
+10
Phones
MAIN MIX
FX
FX to
Hi Z
+10
+6
Right
Left
Right
Left
OUT
AUX
LEVEL
PLAYBACK
AUX
PLAYBACK TO
+6
-15
+15
-15
+15
-15
+15
-15
+15
Record Record Record Record Record Record
Right
Left
Right
Left
OUT
FX
LR
PHONES SELECT
0
LM
000
- 1010
20
4060
40
-15
+15
-15 +153k-15 +15
+10
L R
+6
+6
0
LM
0
0
- 1010
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
- 1010
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0
0 0
+6
0 0 0
GAIN
+15
0
5
L R
+6
0
L R
+6
0
USB IN L
USB IN R
+10
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
Listen
Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
PAN PAN
AUX
FX
AUX
FX
LF
HF HF
LF
LEVEL
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0 0 0 0 0 0 0
0
0
Monitor
Phones
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
APPLICATION DRAWINGLIVE MIXING
Allen & Heath 27 ZED-10FX User Guide
Line
- 1010
20
4060
40
HPF
-15
HF
+15
-15 +15
650
200
120
4k
1k
MID
2k
-15 +15
f
LF
+10
L R
PAN
LEVEL
Right
Left
L R
+16
-6
-9
-20
-30
-16
-12
-3 0
+3+6+9
Aux
+10
Record
+10
LEVEL
Record
Bus
MAIN
MIX
+6
AUX
+6
+10
+6
Mic
USB
Source
Aux-FX
Playback
Mix
+6
FX
PARAMETER (HOLD)
TAP
SEL
168
567 15
14
13
234 12
11
10
1 9
Dly+verb (level)
Dly+verb (size)
Dly+verb (regen)
PingPong(regen)
BeatDly (regen)
Ambient (echo)
SlapVerb (size)
DoubleZED(size)
Plate (decay)
Plate (predly)
Plate (colour)
Hall1 (size)
Hall2 (size)
Arena (size)
Flanger (dpth)
Chorus (dpth)
Bank 9-16
TAP
AUX
+10
Phones
MAIN MIX
FX
FX to
Hi Z
+10
+6
Right
Left
Right
Left
OUT
AUX
LEVEL
PLAYBACK
AUX
PLAYBACK TO
+6
-15
+15
-15
+15
-15
+15
-15
+15
Record Record Record Record Record Record
Right
Left
Right
Left
OUT
FX
LR
PHONES SELECT
0
LM
000
- 1010
20
4060
40
-15
+15
-15 +153k-15 +15
+10
L R
+6
+6
0
LM
0
0
- 1010
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
- 1010
20
4060
40
-15
+15
-15 +15
-15 +15
+10
L R
+6
+6
0
GM
0
0
0
0 0
+6
0 0 0
GAIN
+15
0
5
L R
+6
0
L R
+6
0
USB IN L
USB IN R
+10
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
650
200
120
4k
1k
2k
3k
500
Listen
Line
Mic Mic Mic
GTR 1
Hi Z
GTR 2
HPF HPF HPF
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen
HF
MID
f
LF
PAN
AUX
FX
GAIN
Listen Listen Listen Listen
PAN PAN
AUX
FX
AUX
FX
LF
HF HF
LF
LEVEL
LEVEL
AUX MIX
LEVEL
LEVEL
Record
+10
0 0 0 0 0 0
0
0
0
Monitor
Phones
LEVEL LEVEL LEVEL LEVEL LEVEL
-15
+15
0
5
-15
Left
Right
O/P Level
Switch
APPLICATION DRAWINGSTUDIO RECORDING
Allen & Heath 28 ZED-10FX User Guide
GROUND
RETURN
SEND
RETURN
OUT
IN
SEND
INSERT
PROCESSOR
LINK RING TO SLEEVE TO UNBALANCE
T
R
S
T
R
S
T
R
S
1=ground
2=hot (+)
3=cold (-)
BALANCED
XLR FEMALE
RCA phono jacks
XLR MALE
2=hot (+)
1=ground
3=cold (-)
RCA PHONO CABLE
Sleeve=ground
Ring=cold (-)
Tip=hot (+)
BALANCED
1=ground
2=hot (+)
3=cold (-)
2=hot (+)
1=ground
3=cold (-)
Sleeve=ground
Ring=cold (-)
Tip=hot (+)
BALANCED
BALANCED
BALANCED
XLR FEMALE
XLR MALE
BALANCED
UNBALANCED
Sleeve=ground
Ring=cold (-)
Tip=hot (+)
BALANCED
Sleeve=ground
Ring=cold (-)
Tip=hot (+)
BALANCED
UNBALANCED
adapter
UNBALANCED
INSTRUMENT CABLE
TRS JACK CABLE
MIC CABLE
TRS to XLR-F CABLE
TRS to XLR-M CABLE
TO
FROM
INPUT
OUTPUT
2 Outputs to 1 Input
Y-Adapter
No !
1 Output to 2 Inputs
Y-Adapter
Yes
WIRING INFORMATION
Insert cable wiring
General Wiring Information
Allen & Heath 29 ZED-10FX User Guide
See more products from ALLEN & HEATH at: www.allen-heath.com
Large Live Sound mixers iLive digital, ML and GL Series
Small Format Live Sound mixers ZED, MixWizards and PA Series
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Registering your product
Thank you for buying the Allen & Heath ZED-10FX mixer. We hope that you are happy with it and that you enjoy many years of faithful service with it.
Please go to www.allen-heath.com/register.asp and register your product’s serial number and your details. By registering with us and becoming an official Registered User, you will ensure that any warranty claim you might make is actioned quickly and with the minimum delay.
Alternatively, you may either copy or cut off this section of the page, fill in the details, and return it by mail to: Allen & Heath Ltd, Kernick Industrial Estate, Penryn, Cornwall TR10 9LU, UK
Allen & Heath 30 ZED-10FX User Guide
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