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XONE DB2
User Manual
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Allen&Heath XONE DB2 User Manual

USER GUIDE
Publication AP8640_2
Allen & Heath XONE:DB2 User Guide AP8640_2
Limited One Year Manufacturers Warranty
This product is warranted to be free from defects in materials or workmanship for period of one year from the date of purchase by the original owner. To ensure a high level of performance and reliability for which this equipment has been designed and manufactured, read this User Guide before operating. In the event of a failure, notify and return the defective unit to the place of purchase. If this is not possible then please contact the authorised ALLEN & HEATH distributor or agent in your country as soon as possible for repair under warranty subject to the following conditions.
Conditions of Warranty
The equipment has been installed and operated in accordance with the instructions in this User Guide. The equipment has not been subject to misuse either intended or accidental, neglect, or alteration other than as described in the User Guide or Service Manual, or approved by ALLEN & HEATH. Any necessary adjustment, alteration or repair has been carried out by an authorised ALLEN & HEATH distributor or agent. This warranty does not cover fader wear and tear. The defective unit is to be returned carriage prepaid to the place of purchase, an authorised ALLEN & HEATH distributor or agent with proof of purchase. Please discuss this with the distributor or the agent before shipping. If the unit is to be repaired in a different country to that of its purchase the repair may take longer than normal, whilst the warranty is confirmed and parts are sourced. Units returned should be packed to avoid transit damage. In certain territories the terms may vary. Check with your ALLEN & HEATH distributor or agent for any additional warranty which may apply.
If further assistance is required please contact Allen & Heath Ltd
.
IMPORTANT- PLEASE READ CAREFULLY:
By using this Allen & Heath product and the software within it, you agree to be bound by the terms of the relevant End User Licence Agreement (EULA), a copy of which can be found on the Allen & Heath website in the product's pages. You agree to be bound by the terms of the EULA by installing, copying, or otherwise using the software.
This product complies with the European Electromagnetic Compatibility directive 2004/108/EC and the European Low Voltage Directive 2006/95/EC.
This product has been tested to EN55103 Parts 1 & 2 1996 for use in Environments E1, E2, E3, and E4 to demonstrate compliance with the protection requirements in the European EMC directive 2004/108/EC. During some tests the specified performance figures of the product were affected. This is considered permissible and the product has been passed as acceptable for its intended use. Allen & Heath has a strict policy of ensuring all products are tested to the latest safety and EMC standards. Customers requiring more information about EMC and safety issues can contact Allen & Heath.
NOTE: Any changes or modifications to the console not approved by Allen & Heath could void the compliance of the console and therefore the users authority to operate it.
XONE:DB2 User Guide AP8640_2
Copyright © 2011 Allen & Heath Limited. All rights reserved
Allen & Heath Limited
Kernick Industrial Estate, Penryn, Cornwall, TR10 9LU, UK
http://www.allen-heath.com http://www.XONE.co.uk
INTRODUCTION TO THE XONE:DB2
Congratulations on the purchase of your new XONE:DB2
The XONE:DB2 is a ground-breaking mixer featuring studio quality effects and performance features that blur the boundary between DJ’ing and live production. Every feature has been meticulously researched with a view to providing you, the DJ, with the ultimate creative tool.
The DB2’s dual FX core is based on the Allen & Heath iLive pro-touring console, but with FX algorithms further developed for BPM conscious parameters and tight spectral control. Many of the FX are new and unique to the DB2, and have been specifically designed to perfectly fit the DJ environment.
With the flexible input matrix, any audio source can be selected on any or all of the channels; this allows for different processing to be applied to the same track on separate channels.
The XONE:DB2 is more than a mixer with an effects unit; many parameters of each effect can be altered and, along with the built in library of effects, this means that the scope for audio manipulation is almost unlimited, allowing you to develop a totally unique sound in your mixes. It is also perfectly at home in your production studio, where it can be used as a stereo multi­channel effects processor, digitally inserted into your chosen DAW, using the flexible routing options available on the built in 16 channel USB2.0 soundcard.
The XONE:DB2 is designed to be intuitive and easy to use. However, it is worth spending time reading this manual to ensure you get the maximum from it.
We have had a lot of fun designing the DB2, and we are sure you will have even more fun using it.
The XONE:DB2 design team
For the latest information and firmware for your DB2, please visit our website: www.xone.co.uk/db2
And for the latest product and artist news please visit the Allen & Heath Xone blog: http://xoneblog.allen-heath.com
CONTENTS
To ensure that you get the maximum benefit from your XONE:DB2 please spare a few minutes familiarising yourself with the controls and setup procedures outlined in this user guide. For further information please refer to the additional content available on our web site, or contact our technical support team.
http://www.XONE.co.uk
Warranty ............................................. 2
Introduction to the DB2 .................. 4
Packed Items ....................................... 5
Panel Drawings ................................... 6
Application Diagram .......................... 7
Mic/Line Channel ............................... 8
Music Channels ................................. 10
Master Section .................................... 11
The Input Matrix ................................ 12
Xone Trimodal EQ ............................. 13
The FX Section ................................... 14
Loading alternative FX ...................... 15
The FX Display ................................... 16
BPM Engines ........................................ 18
Setup Menu EQ and XFader ............ 19
Advanced Setup Menu ..................... 20
USB Audio System ............................. 25
PC Driver Installation ....................... 28
Mac Driver Installation...................... 31
MIDI Control ...................................... 34
MIDI Control Messages .................... 35
Digital In/Out and X-Link ................. 37
Specifications ....................................... 38
Notes .................................................... 39
Registration Card ............................... 40
PACKED ITEMS
Check that you have received the following:
XONE:DB2 resource CD-ROM.
XONE:DB2 mixer.
Safety Sheet. Important ! Read this sheet
before starting. Retain for future reference.
X-LINK Blanking Plug.
Ensure the supplied blanking plug is always fitted when not using the X-Link port. This prevents damage to the socket pins which could be caused by accidental insertion of the USB lead.
Mains Lead
Check that the correct mains plug is fitted.
Type A-B USB Lead.
To connect the XONE:DB2 to your computer.
Spare knobs.
PANEL DRAWINGS
APPLICATION DIAGRAM
MIC / LINE CHANNEL
MICROPHONE INPUT CONNECTOR
1
1
2
3
2
4
Balanced XLR. Plug in a DJ, guest or announcement microphone here. Use a good quality low impedance dynamic mic such as those specifically designed for vocals. Do not use high impedance or unbalanced microphones, or condenser types which require phantom power.
Use the best professional grade balanced cables and connectors you can afford, as these are typically subject to intense use and abuse in the club environment.
MIC / LINE SELECTOR SWITCH
Selects either the MONO Microphone or STEREO Line inputs
5
6
3
4
5
6
LINE INPUT CONNECTOR
Dual RCA sockets for connecting an external line level source.
GAIN CONTROL
Adjusts the input sensitivity of the Mic/Line channel to compensate for different source signal levels.
MIC EQ Controls
The MIC equaliser provides a tool to adjust the tonal quality of the sound to correct source problems such as microphone response, proximity effect, noise and feedback, to help the voice cut through the mix, or to adjust the overall ‘feel’. Start with the EQ controls set to their mid (flat) position, then adjust to achieve the desired sound.
CHANNEL PEAK LED
Illuminates if the channel signal is within 3dB of clipping.
If the Peak LED continuously lights turn the Gain control down.
MIC / LINE CHANNEL
CHANEL CUE SWITCH
7
8
9
Press the Cue switch to listen to the channel pre-fade signal in the headphones and view its level on the main meters. The backlit switch lights red when selected. Press the switch again to deselect cue.
CHANNEL LEVEL CONTROL
Sets the level of the channel signal in the main mix.
CHANNEL ON SWITCH
Turns the channel On or Off. This feature is useful if a microphone is being used to switch it in and out of the mix.
7
8
9
10
10
XFADE / FX SWITCH
Selects where the channel output will be routed:
MIX (Centre) - Routes the signal directly to the mix
X - Routes the signal to the input of FX-X or to X xfader
Y - Routes the signal to the input of FX-Y or to Y xfader
MUSIC CHANNEL
1
1
2
3
4
1
2
3
4
5
MATRIX INPUT SELECTOR
Please refer to Page 12 for further information on how to use this feature.
INPUT TRIM
Amplifies or attenuates the input signal by up to ±10 dB.
INPUT PEAK LED
Illuminates if input signal is within 3dB of clipping. If this happens lower the Trim level. This Peak indicator is separate from the channel meter and displays peak input level, not output.
EQ SECTION
Configured as either Three band EQ or High-Pass/ Low-Pass filter depending on menu setting. Please refer to Page 13 for further details on this feature.
XFADE / FX ASSIGN
Selects where the channel output will be routed:
MIX (Centre) - Routes the signal directly to the mix
6
7
5
6
7
8
X - Routes the signal to the input of FX-X and to Xfader X
Y - Routes the signal to the input of FX-Y and to Xfader Y
CHANNEL CUE SWITCH
6
Press the cue switch to listen to the channel pre-fade signal in the headphones and see its level on the main meters. The button will illuminate when selected.
The channel cue can operate in several modes. For more information please refer to “HP Setup” on page 20.
CHANNEL METER
7
Displays the channel signal level. It is post-EQ and pre-fader.
The channel level control should be set so that the channel meter averages around ‘0’, with loudest peaks no higher than ‘+6’. Turn down the Trim control if the PK! indicator lights.
CHANNEL FADER
8
Allen & Heath XONE:DB2 User Guide 10 AP8640_2
A high quality, smooth travel fader adjusts the channel signal level from fully off to fully on.
MASTER SECTION
MIX MASTER LEVEL CONTROL
1
1
A rotary master control adjusts the level of the main mix XLR outputs feeding the house sound system. This does not affect the monitor output or the meter reading.
2
3
4
5
MIX / MONITOR METERS
2
The main meters follow the selected monitor source. The meter reads ‘0’ for an XLR output of +4dBu. The mixer should be operated with these meters averaging around ‘0’ with loudest peaks no higher than ‘+6’.
In SPLIT CUE mode, whilst a channel cue button is pressed, the left meter will display the CUE level and the right meter will display the PROGRAM (PRG) level. For more about CUE modes please see “HP Setup” on Page 22.
BOOTH MASTER LEVEL CONTROL
3
Adjusts the level of the signal to the stereo monitor RCA output. This does not affect the headphones. The monitor output could be used for a booth monitor, recording or an additional zone feed.
CUE / ADD MIX CONTROL
4
Pans between Cue signal and the Main Mix output. Turned fully anti-clockwise, only the active Cue signal is heard through the headphones when a Cue is selected. Gradually turning clockwise introduces the Main Mix output to the Cue signal until, fully clockwise, only the Mix is heard. This does not affect the meters. Split Mode pans Left (Cue) to Right (Mix), see Page 22.
MONTOR LEVEL CONTROL
6
!
Allen & Heath XONE:DB2 User Guide 11 AP8640_2
5
Adjusts the level of the headphone signal. The head­phone level can be further trimmed up or down in level in the Advanced Setup Menu: see Page 22.
HEADPHONES OUTPUTS
6
Stereo 1/4” TRS jack and 3.5mm mini-jack. Plug in good quali­ty stereo headphones intended for DJ monitoring. Use closed­ear headphones that provide maximum acoustic isolation when cueing your sources. We recommend that you use high quality headphones rated between 30 to 100 ohms impedance. 8 ohm headphones are not recommended as their very low impedance may cause damage to the headphone amplifier.
Warning ! To avoid damage to your hearing do not operate the headphones or sound system at excessively high volume. Continued exposure to high volume sound can cause frequency selective or wide range hearing loss.
THE INPUT MATRIX
Each music channel on the XONE:DB2 features an input matrix system, making it possible to select from any of the ten available sources no matter which input socket they are physically connected to.
Each channel can accept inputs in three formats:
ANALOGUE Channel 1 - Line only Channel 2 - Line or Phono (Selector switch on rear panel) Channel 3 - Line or Phono (Selector switch on rear panel) Channel 4 - Line only
USB Channel 1 - ASIO Soundcard Output 1-2 Channel 2 - ASIO Soundcard Output 3-4 Channel 3 - ASIO Soundcard Output 5-6 Channel 4 - ASIO Soundcard Output 7-8
DIGITAL S/PDIF Input 1 and 2 via RCA on rear panel.
Example Usage
Using the matrix, a CD player plugged into Analogue Input 4 of your mixer can be routed to Channel 1 by setting the Toggle Switch to ‘ANA’ and the Input Select Rotary to ‘4’, or can be assigned to all four channels simultaneously by repeating the process on all input channels. Alternatively, if you wish to select your source to be DAW Soundcard Outputs 5-6, set the Toggle Switch to ’USB’ and the Input Select Rotary to ’3’.
NOTE: When “DIG” is selected, only the first two LEDs will light. Rotating the input select rotary past 2 will leave 2 selected and have no other effect.
INPUT SELECTION
1
2
Allen & Heath XONE:DB2 User Guide 12 AP8640_2
Turn the 4-position rotary switch to select one of the four available input sources.
The green LED will illuminate to show which is the currently selected source.
INPUT SOURCE SELECT SWITCH
Toggle switch allowing selection between Analogue (ANA), USB and DIGITAL (DIG) sources.
XONE TRIMODAL EQ
The Trimodal EQ on the XONE:DB2 can operate in any one of three different modes:
ISOLATOR MODE
In this mode, the EQ provides full attenuation when fully anti-clockwise and a safe +6dB of boost when fully clockwise. This EQ offers a steep 24dB/octave slope for tight frequency isolation.
EQ MODE
In this mode, the EQ provides –26dB of attenuation and +6dB of boost. This EQ has a gentler 12dB/ octave slope better suited to certain styles of music.
FILTER MODE
In FILTER MODE, the EQ section becomes a high and low pass filter system with adjustable resonance, offering precise control over the frequency spectrum. The filters haver a 12dB/octave slope. The MF pot controls the resonance, or “sharpness” (Q) of the filter.
1
3
HF CONTROL
1
Adjusts the high frequency content of the channel audio. In ISO or EQ mode the centre-detent position will give a flat frequency response, fully clockwise will boost the high frequencies by 6dB, and anticlockwise will attenuate them.
In FILTER mode this control becomes a low-pass filter, and must be rotated fully clockwise for a flat frequency response. Rotating anticlockwise will progressively lower the cut-off frequency of the filter.
2
MF/RES CONTROL
2
Adjusts the mid range frequency content of the channel audio. In ISO or EQ mode the centre-detent position will give a flat frequency response, fully clockwise will boost the mid frequencies by 6dB, and anticlockwise will attenuate them.
In FILTER mode this control sets the sharpness (Q) or resonance of the two filters. Rotate fully anticlockwise for low resonance, and fully clockwise for high resonance. Use this control with care as a high resonance will boost the signal level at the Filter cut-off point which could cause the signal to clip.
LF CONTROL
3
SWITCHING EQ MODES
The Trimodal EQ is switched globally and is described in further detail on Page 19
Allen & Heath XONE:DB2 User Guide 13 AP8640_2
Adjusts the low frequency content of the channel audio. In ISO or EQ mode the centre-detent position will give a flat frequency response, fully clockwise will boost the low frequencies by 6dB, and anticlockwise will attenuate them.
In FILTER mode this control becomes a high-pass filter, and must be rotated fully anticlockwise for a flat frequency response. Rotating clockwise will progressively raise the cut-off frequency of the filter.
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