The MixWizards have been designed with the same commitment to professionalism and detail that has made Allen & Heath a
leading name in larger format mixing consoles for nearly 30 years. Thousands of PA rental companies, touring and recording
artists, systems contractors, houses of worship and clubs are already enjoying the benefits of the MixWizard Series.
Now the series offers even more, with a host of added and upgraded features across the range, further establishing the
MixWizards as the choice in high specification compact mixers. In the way they sound, the way they perform and
in their construction, nothing compares with the MixWizard Series.
series
4 band EQ with 2 sweepable mids
100Hz low-cut filters
Balanced mic/line inputs
6 auxes on individual pots
100mm dust protected smooth
travel faders
QCC connectors for easy rack or
desktop mounting
MSP electronic design for
exceptional audio clarity
range
QCC
Allen & Heath’s unique Quick
Change Connector system
allows reconfiguration of all
MixWizards for desktop, rack or
flightcase mounting. Unlike
many similar systems, QCC is
quick and convenient to use your MixWizard can be changed
from desktop to rackmount
format and back, in just a
couple of minutes.
MSP
Any signal processing will
inevitably change the original
sound - even sending a signal
down a wire will have a minute
influence. The crystal-clear
MixWizard sound is achieved by
Allen & Heath’s MSP (Minimum
Signal Path) electronic design,
wide-band flat response
amplifiers, top-grade low noise
components and solid
grounding. Your ears will know
the difference.
Build Quality
The MixWizards feel professional
because they are professional and they are built to last.
All rotary controls are securely
bolted to the front panel - so the
rugged all-metal chassis takes
the weight of any impact. Each
input and master output has its
own vertically mounted circuit
board for rigidity and ease of
service or modification.
With 8 mono inputs and 2 fully featured
dual stereos, this latest addition to the
range provides all the professionalism of its
sister consoles at a new lower price point.
Like the WZ16:2 DX, the WZ12:2 DX comes
complete with onboard digital effects.
WZ12:2DX
Building on the unprecedented success
of the original WZ16:2, the new model
has the same winning features for the
broadest range of applications, plus a
host of new assets, including onboard
dual effects processor, channel on LEDs
and more.
WZ16:2DX
A truly versatile 4 group console with
mode switching for front of house and/or
monitoring applications, plus extensive
recording capability. New and upgraded
features include a switchable 1kHz
oscillator/pink noise generator and
individual phantom power switching.
WZ14:4:2
+
12 Segment bargraph metering
70dB input ranges
Direct outputs
10U Rack size
Channel ON switches and LEDs
+48V switchable phantom power
AFL/PFL monitoring
Metal jack sockets
MixWizard
When we held the first design meetings for the MixWizard series, we had a very
clear goal in mind - to create a range of compact mixers with big features, great
sound and totally professional build quality. The phenomenal sales that the
MixWizards have enjoyed tell me that we got it right.
Now the best has got even better. We’ve looked at the areas where we could
improve on the existing MixWizard designs, adding useful features such as a Pink
noise generator for the WZ14:4:2+ and onboard FX for the other models. We’ve
listened to your requests for metal jacks and channel on led’s - you’ll now find
these on all MixWizards. Internally, we’ve changed the way the circuit boards are
connected to make servicing even easier, and we’ve created a new universal input
heat reducing power supply.
There’s even a completely new MixWizard, the WZ12:2DX, which offers the same
commitment to quality and attention to detail that have made its sister consoles
such a big hit, but at an even more affordable price point.
I hope that you get as much enjoyment from using the new improved MixWizards as
we have had in designing them.
Carey Davies
R&D Manager
Allen & Heath
WZ14:4:2+
10 Mic/Line Inputs
◆
High gain, low distortion preamps
match all signals, from -60dBu.
distance miking to +10dBu high level
electronic instruments.
◆
Individually selected +48V.
Phantom Power on all mic/line inputs.
◆
Jack inserts on each input provide
easy access for gates, compressors etc.
◆
100Hz low-cut filters.
◆
Exceptional 4 band EQ with 2 mid
sweeps, with overlapping frequency for
complete corrective and creative access
to all frequencies. EQ bypass switches
enable easy in/out comparisons and
eliminate noise on untreated signals.
◆
Peak and PFL warning LED.
◆
6 aux sends on individual controls.
Auxes 1-4 and 5-6 can be set pre or
post fade for monitor feeds or fx
processing. Aux levels provide up to
6dB boost when needed. Sends are
taken post EQ, post on switch, though
internal links can enable changes to the
default settings if required.
◆
Channel ON switch with LED.
◆
Pan controls with centre detent allow
panning across groups and LR
◆
100mm smooth throw faders for
precision control and up to +10dB extra
boost.
◆
Direct outs are provided post-fade for
multitrack recording and special feeds.
2 Stereo Inputs
◆
Independent A and B sources on
phono and 1/4” jack connectors
respectively.
◆
4 band EQ.
◆
Routing to all 6 auxes, with internal
links allowing selected auxes to be
configured as stereos.
◆
Outputs to busses, with the stereo
image positioned via a balance control.
◆
Peak and PFL led and switch.
4 Stereo Returns
◆
Total of 8 possible fx returns (excluding the 2-
track return) on paired 1/4” jacks.
◆
Returns can be fed to corresponding auxes
(return 1 summed to aux 1, return 2 to aux 2 etc.).
Each return can also be fed to the LR.
◆
PFL switch and warning led.
Dual Functionality
WZ14:4:2+ excels as a F-o-H console,
as a Monitor mixer, or as a
combination of the two.
In F-o-H mode the 4 groups and LR
feed auditorium speaker arrays, delay
systems, dressing rooms, foyers etc,
whilst the aux sends provide local
monitors and fx.
WZ14:4:2+ becomes a dedicated
monitor console by activating
tamperproof mode switches. The aux
and group/LR feeds are swapped
over, giving XLR outs, inserts for
graphic EQ’s and 100mm fader
controls to all 6 aux mixes.
In Dual Mode, as many auxes and
groups are swapped over as
required, allowing all mixing
functions to be provided by a single
engineer and a single console.
Engineer’s Monitoring
LR output is monitored via 12
segment peak reading bargraph
meters, and by the headphone
socket (complete with independent
level control). PFL/AFL selections
override the LR feed, illuminating a
warning LED.
Groups and LR are also monitored
by a bank of six additional 4
segment level meters, allowing
output level monitoring even when
PFL/AFL is selected.
In monitor mode, the 4 segment
meters monitor auxes 1-6, whilst the
main 12 segment bargraph follows
auxes 5 and 6.
2-Track Send and Return
Separate phono connectors and level
trims are provided for 2-track
recording from the LR mix. Selecting
the LR replay button routes this signal
to the LR mix for intermission replay.
Mono Output
The LR mono sum is fed to a
balanced XLR output with level control
for broadcast feeds, F-o-H fills etc.
In monitor mode, the mono out can
be used to feed an engineer’s wedge
with any AFL/PFL signals.
Output Masters
Groups can be panned to the LR as
well as having their own outputs.
Signals are sent to the balanced XLR
outputs via the faders, on and AFL
switches. All XLR outputs have
inserts and peak reading meters.
In monitor mode, signals are sent to
the balanced jack aux send outputs,
via their level controls and AFL,
whilst benefiting from all master
output features.
Talkback to Auxes
A talkback mic can be connected via
a front panel XLR socket, allowing
talkback to auxes in selected pairs.
Oscillator & Pink Noise Generator
A 1kHz signal can be routed through
level controls and meters to 2-track
recorders for level alignments. A
pink noise generator allows checking
of frequency response and phase
connections for speaker arrays.
MF2 SWEEP
-15
+15
0
MF1 SWEEP
-15
+15
0
dB
LF HF
-15
+15
0
Hz
0 100 1K 10K 30K
Inputs
Mono 1-10
Stereo ch 11-14
Stereo returns 1-4
2-track return
Talkback mic
Inserts
Channel 1-10
L-R mix/Groups
Outputs
Direct, ch 1-10
Aux 1-6
2-track send
L,R,M,Groups
Headphones
Mains power inlet
Connector
XLR
TRS jack
TRS jack
RCA phono
TRS jack
RCA phono
XLR
TRS jack
TRS jack
TRS jack
TRS jack
RCA phono
XLR
TRS Jack
Standard IEC
pin2 hot, 3 cold
tip hot, ring cold
tip hot (L for Mono)
tip hot, ring grnd
pin2 hot, 3 grnd
tip send, ring return
tip send, ring return
tip hot, ring cold
tip hot, ring cold
pin2 hot, 3 cold
tip L, ring R, on front panel
balanced } pad out
balanced } pad in
unbalanced
unbalanced
unbalanced
unbalanced
unbalanced
unbalanced
unbalanced
impedance balanced
balanced
unbalanced
balanced
30 to 600 ohm headphones recommended
Impedance
2k ohm
>10k ohm
>10k ohm
>10k ohm
>10k ohm
>10k ohm
2k ohm
<75 ohm, >3k ohm
<75 ohm, >7k ohm
<75 ohm
<75 ohm
<75 ohm
<75 ohm
Level
-60 to -20dBu
-30 to +10dBu
-20 to +10dBu
-20 to +10dBu
-10dBu minimum
-10dBu minimum
-40 to -15dBu
0dBu
-2dBu
-0dBu
+4dBu
-10 dBV minimum
+4dBu
3 pin L,N,E. IEC to moulded plug (country-dependent), internally wired for required worldwide voltage.
Apart from the headphone and talkback plugs on the front panel, all connections are made to the QCC panel which can be swung and fixed for rear or back orientation.
WZ14:4:2+ CONNECTIONS
WZ16:2DX & WZ12:2DX
16 Mic/Line Inputs
◆
XLR and TRS Jack balanced inputs on all
channels, with switchable 30dB pad.
◆
+48V Phantom Power globally selected.
Individual channels can be disabled via internal links.
◆
Low noise, low distortion preamps handling
input levels from -60dBu to +10dBu.
◆
Jack insert points for compressors, gates etc.
◆
100Hz low-cut filters for eliminating unwanted
noise.
◆
4 band EQ with 2 parametric mids for precise
colouring and correction. All bands offer up to 15dB
cut or boost, plus centre detents for EQ lockout.
◆
6 aux sends on individual controls, giving up to
+6dB boost. Auxes 1-2 are set pre fader for cues
and monitors, 3-4 are switchable pre/post and 5-6
are post fader for FX. Aux sends are taken post EQ
and post ON switch, although these configurations
can be reversed using internal links.
◆
Constant power Pan controls give smooth
balancing across the L-R buss.
◆
Channel on switches are marked by a warning
led for instant recognition.
◆
Peak levels and PFL are indicated by a large red
led.
◆
100mm travel, long-life faders give maximum
control and up to +10dB of boost.
◆
Direct outs on impedance balanced TRS jacks
facilitate hands-free multitrack recording.
2 Stereo Returns
◆
Separate balanced L+R jacks on each channel
pair.
◆
ST1 has feeds to both aux 1 and aux 2.
◆
ST1 has ON switching for easy FX muting.
Masters + Monitors
L-R
The main L-R outputs are on separate full 100mm
faders. For graphic EQ’s and other signal
processing, global insert jacks are provided for
signal takeout/injection on the master L-R buss.
Aux Master Sends
Each of the 6 aux mixes has its own master level
control. Up to 4dB boost is available to the
impedance balanced output jacks.
Mono and Stereo Aux
Monitoring
WZ16:2DX and WZ12.2DX’s unique monitoring
system allows headphone monitoring of a single
aux or to a pair of auxes in stereo for stereo
monitors and recording feeds.
Bargraph Meters
Twin 3 colour, 12 segment bargraph
meters follow the selected monitor
source.
PFL
A red LED lights when PFL is
selected, as PFL overrides all other
monitor sources.
Headphones
Monitor source signals are fed to the
stereo headphone jack via an
independent phones level control.
Monitor Select Switchbank
A column of switches gives quick
selection of monitor and meter
sources. Fed post-master level, the
aux signals can be selected individually
for mono listening or in pairs for
stereo and balance checks. Stereo
returns are selected in stereo pairs.
AB Out
WZ16:2DX and WZ12.2DX features
an innovative independent stereo or
monoed output. The AB out can be
fed from the L-R mix pre or post
fader, or from the selected monitor
source. As it offers its own level
control, this versatile output can be
used to feed a 2-track recorder,
broadcast line, speaker fill, studio
monitors, engineer’s wedge or
employed for any number of other
special applications.
When you need effects, the WZ16:2DX and
WZ12:DX offer a quantum leap of
performance. The dedicated on-board digital
effects processor can be configured as a
single stereo effect or two independent stereo
effects, allowing you to select from 32 (yes,
thirty two!) effects. Combined with the two
stereo effects returns channels, this gives you
up to four stereo effects in your mix without
tying up valuable channels as effects returns.
Allen & Heath has carefully selected the
algorithms for the effects processor. In Single
Mode, the processor is driven from Aux 5 with
16 different effects programs available. In
Dual Mode, processing is provided on both
Auxes 5 and 6, with 8 independent programs
available on each. Whichever mode you
choose, the effect returns to the mix via FX
return channel ST1. External effects can also
be mixed into this channel via the dedicated
jack connectors. Auxes 5 and 6, can still be
used as conventional aux sends to drive
external processors or foldback amplifiers.
The MIDI IN socket on the rear panel provides
program change capability via MIDI and also
enables presets to be edited using an external
computer.
effects
Inputs
Mono ch
pad out
pad in
Stereo ch ST1-2
Stereo ch 11-14 (12 only)
Inserts
Ch 1-16
L-R
Outputs
Direct, ch 1-16
Auxes 1-6
A-B
L-R
Headphones
Mains power inlet
Connector
XLR
TRS jack
TRS jack
RCA phono
TRS jack
TRS jack
TRS jack
TRS jack
TRS jack
XLR
TRS jack
Standard IEC
pin2 hot
tip hot
tip hot
tip hot (L for Mono)
tip send, ring return
tip send, ring return
tip hot
tip hot
tip hot
pin 2 hot
tip L, ring R
balanced
balanced
balanced
unbalanced
unbalanced
unbalanced
unbalanced
impedance balanced
impedance balanced
impedance balanced
balanced
Impedance
2k ohm
>10k ohm
>10k ohm
>10k ohm
>10k ohm
<75 ohm, >10k ohm
<75 ohm, >10k ohm
<75 ohm
<75 ohm
<75 ohm
<75 ohm
30 to 600 ohm headphones recommended
Level
-60 to -20dBu
-30 to +10dBu
-10dBV (+4dBu option)
-20 to +10dBu
-20 to +10dBu
0dBu
-2dBu
0dBu
-2dBu (+4dBu bal. option)
-2dBu (+4dBu bal. option)
+4dBu
3 pin L,N,E.
Apart from the headphone jack on the front panel, all connections are made to the QCC panel which can be swung and fixed for rear or back orientation.
WZ16:2:DX & WZ12:2:DX CONNECTIONS
AUX 5
AUX 6
EXT. INPUT
SINGLE
EFFECT
1-16
DUAL
EFFECT
1-8
EFFECT
9-16
L
R
RETURNSEND
ST1
MIX
L
R
WZ12:2DX unique features
2 Dual Stereo
Inputs
◆
Separate A and B
sources on phono and 1/4”
jack connectors.
◆
4 band EQ.
◆
Routing to all auxes,
plus internal links to
configure selected auxes as
stereos.
◆
Outputs to busses, with
stereo image determined
by a balance control.
◆
Peak and PFL led and
switch.
5
5
L
MONOLEFT RIGHT
12M34R
12 34 56
REC
PLAY
2 TRACK
FX 4
FX 3
FX 1
FX 2
FX RETURNS
AUXES
FOLDBACK
SPEAKERS
5
5
5
5
5
5
5
123456
INSERTS
AUX SENDS
STAGE MONITORS
MONO
LISTEN WEDGE
INSERTS
5
5
5
5
MONOLEFT RIGHT
LMR
FX1 FX2 6 5
FX 2
INSERTS
INSERTS
FX 1
1
2
3
4
STAGE MONITORS
INSERTS
INSERTS
ST1 ST2
Auxes
5
LEFT RIGHT
CD REPLAY
AUX 1-2
LABR
FX
AUX 6
ST1
ST2
DELAY
STAGE MONITOR
DELAY FILL SPEAKERS
PIT MONITOR
2 TRK RECORD
AUX 3-4
2
1
4
3
LEFT RIGHT
TAPE RELAY
AUX 1-4
LABR
FX
AUX 6
ST1
ST2
DELAY
CHOIR
MONITORS
ORCHESTRA MONITORS
CHOIR/ORCHESTRA SPEAKERS
CONGREGATION FRONT
CONGREGATION DELAY 1
CONGREGATION DELAY 2
2
1
3
4
W
L-R
AUX 1-4
A
MONITOR
LR
FX 1
AUX 5
CH
ENGINEERS LISTEN WEDGE
STAGE MONITORS
FX 2
STEREO IN-EAR MONITOR
AUX 6
ST1
example applications example applications
WZ16:2DX
&
WZ12:2DXWZ14:4:2+
Front-of-House
Small Theatre
House of Worship
Dual Mode Stage Monitor
Stage Monitor
Typical amateur dramatics set-up with delay speakers
compensating for acoustic delay and improving
clarity to the rear of the hall. CD intermission replay,
2-track recording for the performers.
This example shows 4 floor wedges for the musicians and a stereo
in-ear monitor for the lead performer. The engineer monitors the signals
using a floor wedge similar to the stage monitors.
Multi-speaker system utilises the
Left, Mono and Right outputs in
conjunction with group outputs. Aux
capability provides for FX and
foldback requirements.
6 unique on-stage mixes are created. Insets allow
graphic EQ’s to control each mix. The engineer
uses the mono output to check on-stage sound.
Increasingly
sophisticated
sound control is
required. Here, a
music PA is
controlled using
L-R, and the
congregation PA
with delay
compensation
controlled
using A-B.
Left, Mono, Right and
Aux outputs are split
between FoH, Monitor
and FX duties.
Monitors have inserts
and long faders
allowing professional
monitor mixing from
the FoH position.
WZ16:2DX & WZ12:2DX BLOCK DIAGRAM
WZ14:4:2+ BLOCK DIAGRAM
The WZ14:4:2+, WZ16:2DX &
WZ12:2DX complies with the
European Directives for
Electromagnetic Compatibility
89/336/EEC & 92/31/EEC
1995
ALLEN & HEATH
Kernick Industrial Estate,
Penryn, Cor nwall TR10 9LU.
Tel: +44 (0)1326 372070
Fax: +44(0)1326 377097
http://www.allen-heath.com
Allen & Heath reser ve the right to improve or other wise alter any information supplied in this document or any other documentation supplied hereafter
AP3510
0dBu = 0.775 Volts rms 0dBV = 1 Volt rms
Maximum output level
XLR and jack +25dBu
into 2k ohm load
Internal headroom
Mix to output +23dB
Channels +21dB
Peak LEDs Turn on 5dB before clipping
Meters
L,R: Peak reading 12 segment, 3 colour, led bars
Auxes/Groups+L,R (6 meters): 4 segment led
WZ14:4:4+ Options
Sys-Link™ Expander System : WZ1442+ - SL1
Dual Sys-Link™ Expander System : WZ1442+ - SL1
RIAA Equalisation : WZ1442 - RIAA
MixWizard Wooden Surround Option : WZ-DSR
Frequency response
20Hz to 50kHz +0/-1dB
Total harmonic distortion
THD+noise measured at +14dBu 1kHz
Channel to mix output < 0.006%
Crosstalk measured at 1kHz, ref driven channel
Channel fader down < -90dB
Channel off < -90dB
Noise measured rms 22Hz to 22kHz
Mic EIN referred to 150 ohm source <-128dB
L-R residual output noise <-97dBu (101dB S/N)
L-R faders unity mix noise <-87dBu (-91dB S/N)
Mains power Internal unit, linear regulated
AC mains input 100 to 240V AC @ 50/60Hz
Switch mode power supply with autosensing
Power consumption 35W max
Mains fuse rating
100-120V AC use T630mA 20mm
220-240V AC use T315mA 20mm
Mechanical specifications
Dimensions (mm) Width Height Depth
Desk mounted 483mm 195mm 530mm
Rack mounted 483(19") 444(10U) 135
Packed 590 260 610
Unpacked Packed
Weight 10kg 13kg
0dBu = 0.775 Volts rms 0dBV = 1 Volt rms
Maximum output level
L-R +27dBu into 600 ohm
max load
All other outputs +21dBu into 2k ohm
max load
Internal headroom
Mix to output +23dB
Channels +21dB
Peak LEDs Turns on 5dB before clipping
Meters
Peak reading 12 segment 3 colour led bargraph
0VU = +4dBu at L-R output
Frequency response
20Hz to 50kHz +0/-1dB
Total harmonic distortion
measured at +14dBu 1kHz
Channel to mix out < 0.008%
Crosstalk measured at 1kHz
Channel fader down < -90dB
Channel off < -90dB
Noise measured rms 22Hz to 22kHz
Mic EIN referred to 150 ohm source -128dB
L-R residual output noise < -90dBu (-94dB S/N)
L-R faders unity mix noise < -84dBu (-88dB S/N)
Mains power Internal unit
AC mains input 100 to 240V AC @ 50/60Hz
Switch mode power supply with autosensing
Power consumption 30W max
Mains fuse rating
100-120V AC use T315mA 20mm
220-240V AC use T630mA 20mm
Mechanical specifications
Dimensions (mm) Width Height Depth
Desk mounted 483mm 195mm 530mm
Rack mounted 483(19") 444(10U) 135
Packed 590 260
Unpacked Packed
Weight 10kg 13kg
WZ14:4:2+ SPECIFICATIONS
WZ16:2DX & WZ12:2DX SPECIFICATIONS
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