Aga TCDCNGMAQU, ATC3BRG, ADC3GAQU, TCDCLPMAQU, AHCAQU User Manual

...
HOW THE
AGA
COOKER
HOW THE AGA COOKER BECAME AN ICON
BECAME AN
ICON
who helped shape the future
of life in the British home
PLUS
perfect for 21st century living
why the modern AGA is
TEN dEcadEs of hEriTagE
and still at the cutting edge today
When the AGA cooker was introduced to the UK in 1929, seven years after its invention, it was an instant success. It is now in its tenth decade and it continues to innovate. The very latest technology has been employed to continue the kitchen revolution. There is the ultra-modern AGA Total Control. From the outside, the AGA Total Control looks exactly like a classic AGA cooker. But beneath its cast-iron exterior lies a state-of-the-art touchscreen control panel that enables owners to operate the cooker in a way that suits them. The AGA iTotal Control takes this a stage further, with oven programmability made possible by remote control, even via the web or a smartphone. The AGA, then, is not resting on its laurels. It remains steeped in heritage, but keen to continue to innovate to ensure it is as relevant for the 21st century as it was in the 1930s when a team of brilliance made it a British icon.
How e AGA Became An Icon 3
forEWord
he AGA cooker is a way of life. It commands levels of adulation more oen associated
T
similar loyalties. One woman taking part in an AGA demonstration went so far as to insist it was warmer, more reliable and infinitely better looking than most men and that, given the choice between her husband and her AGA, she’d waste no time packing his bags!
e inventor of the AGA cooker in 1922 was Dr Gustaf Dalén, could have imagined the heady heights of fame that his creation would go on to reach. Dalén, an entrepreneur and a Nobel Prize­winning engineer and devoted husband. Intellectually and commercially, he wanted to create an efficient stove that would free his wife from domestic drudgery and address the engineering question of how best to get heat from its source into the food. Radiant heat from the cast-iron walls of the AGA cooker’s ovens provided the answer.
Now, the AGA cooker once most associated with rambling country piles and farmhouse kitchens complete with orphan lambs and sodden spaniels is
with the latest boy band and generates
just at home in an über-hip metropolitan environment. e modern version is setting out to be a world class cooker, able to take on all cookery styles whatever their origins.
For the world’s most famous cooker is now also the globe’s coolest cooker. Its enduring good looks are seducing yet another new audience. Today, it finds itself dancing chic-to-chic with a more independently minded, more metropolitan consumer and wherever you are in the world you can have an AGA cooker that works for you.
e AGA boasts a peerless pedigree and is today cast in iron at the historic Coalbrookdale foundry in the Shropshire hills that is a World Heritage Site and was at the very birthplace of the Industrial Revolution when, in 1709, Abraham Darby first smelted iron ore with coke to make cooking pots.
Its design has been allowed to evolve with care to the point where the cooker’s look has now achieved icon status. e special place it occupies in the hearts and minds of owners is unique and undeniable.
q
How e AGA Became An Icon
4
Inventor of the AGA cooker, Dr Gustaf Dalén, a Nobel Prize-winning physicist
How e AGA Became An Icon 5
SALUTING the individuals whose
vision created one of the world’s most respected brands…
Mention the word AGA to anyone and you’ll get an immediate and emotional response. It is quite simply the most famous cooker and one that is loved by millions the world over.
While the AGA is well-known for its brilliant cooking performance and iconic good looks, there is also a remarkable story behind the emergence of the AGA cooker as an icon.
Between 1933 and 1946 an extraordinary team of people came together and had a lasting impact on the way we cook and the way we live.
When we launched the AGA Total Control in 2011, themes from the 1930s still resonated today. We investigated further.
A role such as mine within AGA is many faceted, with one distinct element being that of brand custodian. It was with this in mind that we took on a project to research and collate our archives with a view to understanding the origins of the power and unique appeal of the AGA cooker.
Over the course of our investigations it became clear that one man, W.T. Wren, was responsible for bringing together a team of such talent and prescience that they quite simply changed the way Britain lived.
These changes, which centered on the launch of the New Standard AGA, were not short lived and even now the impact that they had on the shape of our homes and our lives remain.
That’s why we have created this publication to provide an insight into a fascinating social history, to celebrate the company’s rich and varied heritage and, of course, to bring the archives to life.
William McGrath
CEO AGA Rangemaster Group
12 visionaries
The individuals who made it all happen
W. T. Wren
l Head of AGA Heat
and Allied Ironfounders
l Innovator
l Visionary
l Second World
War spy
David Ogilvy
l First AGA salesman
and marketing consultant
l Advertising genius
l The inspiration for
TV’s Mad Men
l Second World War spy
Sometimes, when a group
of people gell, there is an
alchemy that ensures
something extraordinary will
happen. This was the case
when the team below came
together to ensure the AGA
Ambrose Heath
l Gastronome
l Food writer
l First celebrity cook
l Author of the early
AGA cookbooks
cooker was to become an icon. They showed the world the importance of
great design, perfectly cooked food, economy and ergonomics – all within
the kind of modern kitchen setting that had never been seen before. In
fact, from 1935 – in developing and launching the New Standard AGA
cooker – they shaped the future and changed the way people lived. It
was their influence that made the kitchen the most important room in the
house and made good food and cooking a new national interest…
Raymond Loewy
l US industrial design guru
l Head of Raymond Loewy
Associates
l Oversaw re-design of
the AGA cooker through London offices
l Styled the Rayburn
Douglas Scott
l Industrial designer
l Re-designed the AGA
cooker
l Introduced the
Standard Model C AGA cooker
l Designed the Rayburn
How e AGA Became An Icon
8
Francis Ogilvy
l Head of ad agency
Mather & Crowther
l Second World
War writer for Prime Minister Winston Churchill
Charles Ludovic Scott
l AGA Heat Ltd’s
Technical Research Officer
l Responsible for the
technology behind the new Standard Model C AGA cooker
Dorothy Braddell
l Redefined how Britain
saw the kitchen
l Designed AGA kitchen
roomsets in 1930s and 40s
Lawrence Wright
l Pioneering perspective artist
l Illustrated AGA Heat’s roomset designs
Mabel Collins
l 1935, head of AGA Heat Ltd’s
new Cookery Advisory Department
Carl Otto
l Industrial designer
l Designer of the Otto
stove
l Head of the London
office of Raymond Loewy Associates
Edward Bawden
l Artist and illustrator
l Illustrated many
iconic AGA brochures and recipe sheets
How e AGA Became An Icon 9
W T WREN
AGA Heat Ltd managing director
Leader and innovator Second World War
agent
Managing Director of AGA Heat Ltd from early 1930s to 1950s, also becoming Managing Director and Chairman of parent company Allied Ironfounders. Through the 1930s W.T. Wren pushed the AGA cooker, recognising its potential impact. He said: “Owners come to talk about and regard their AGA as though it were almost a member of the household – a fond personality which has won their affection. Servants love it…so do I” He felt so passionately about the AGA that he formed one of the greatest cross-disciplinary teams in UK industrial history and expanded across the country by building a strong group of registered distributers, largely family concerns and some with long and important histories of their own.
Every now and then someone captures the zeitgeist so perfectly they become the centre of something truly extraordinary. W. T. Wren – or ‘Freckles’ as he was known – was one such man…
shaPiNg ThE fUTUrE
. T. WREN’s ability to see how the future was shaping up and his skill in spotting
W
simply changed the way people lived and –perhaps even more surprisingly – the eect can still be felt today.
Wren was born at the turn of the century into a poor, working class family, a fact he never forgot. He joined the Chubb & Sons Lock and Safe Company as an oce boy, but graduated to act as a representative in India. From Chubb he went to Bell's Engineering Supplies where, in 1929, he was put in charge of selling the rst AGA cookers in Britain.
Such was his success that in 1932, when Bell’s became AGA Heat Ltd, Wren was its MD, a role he still held in the 1950s. By then, via a time as sales director, he had become Managing Director and later Chairman of the parent company, Allied Ironfounders Ltd.
He was a member of the Council of Industrial Design (later to become the Design Council) and his obituarist noted his unusual ability to see the importance of design: “He was a man who saw the value of high standards of industrial design linked to expert salesmanship and social purpose at a time when such attitudes were rarely held, let alone applied to a large commercial undertaking.”
As well as realising the importance of great design, Wren also understood the value of approaching mar­keting from an entirely new angle and this, combined with his ability to bring together interesting people, really were at the forefront of the success of the AGA cooker, turning it from a simple domestic appliance
talent was so nely honed that he quite
1
into the icon it remains today.
In a strategy paper from 1933, Wren demonstrates his innovative approach to marketing. He wrote…
“Words are sickeningly inept instruments of enthusiasm. But perhaps, helped out by the photographs, I have given you a fairly complete picture of this cray cooker.
“If you visit an AGA Showroom anywhere you will find out a lot more and, more important still, you will get what I cannot give you, the spirit of the AGA.”
Fieen years aer the introduction of the AGA to Britain, Wren – who would be driven everywhere in his Rolls-Royce with the licence plate AGA 1 – was clearly aware he and his team had achieved something special and signicant. He recognised that the cooker had achieved a “unique place in the sun” and had become a household name, an eponym for all range cookers.
Wren returned from the war in 1945. In a report written for the Executive Board, A Wider Base for AGA, he described the progress the AGA cooker had made during his time at the helm:
“It is now 15 years since the AGA was rst introduced to this country...it has gained a unique place in the sun and, in a certain eld, is a household word. No other domestic appliance in the generation has achieved so well a foothold. ose engaged in launching it were...of the ‘traditional’ trade approach for a product of this type; and probably just as well, for had they followed the traditional line, it is doubtful if AGA would have survived the course. But it did survive and made so serious an
s
How e AGA Became An Icon 11
W T WREN
impression on the trade that [others] have followed AGA almost slavishly in marketing methods.
“All this, to my mind, shows that there is something new in the AGA way of marketing a domestic appliance which is regarded as both successful and necessary by our competitors.”
In Wren’s obituary in Design, the journal of the Council of Industrial Design, Richard Carr wrote: “He [Wren] already believed in the value of selling an appliance which used
1
only 3
/2 tons of coke a year instead of the 24 tons of coal consumed by the average kitchen boiler.
“A meeting with Francis Ogilvy of Mather and Crowther encouraged him to improve the AGA still further by calling in Raymond Loewy as the company’s design consultant [see page 18]. is led to the development of a complete range of well designed appliances, including the Otto stove, named aer Carl Otto who worked in Loewy’s oce, the Rayburn and the AGAmatic domestic water heater.
“e association with Mather and Crowther also led to the adoption of outstandingly high standards of writing, illustration and printing for the company's literature, while Wren followed his own clear policy on salesman­ship, cutting down retail outlets and appointing as agents only those builders' merchants, ironmongers and even individuals whom he could rely on to give expert service.
“He also introduced such ideas as a circular on AGAs in Latin, and then in Greek, for distribution to schools, and an exhibition in two air conditioned railway coaches which toured Britain in the 1950s to display the company products.”
Wren also became an animated commentator on social issues and, in combination with organising travelling exhibitions, he commissioned lms during the 1950s to make local authorities aware of the need to modernise Victorian slums and war-damaged properties.
But perhaps Wren’s lasting legacy stemmed from a remarkable ability to see design, marketing and engineering ability and to then assemble the right team for the times. He knew by the late 1930s that the original AGA cooker – introduced to Britain in the late 1920s – needed to be re-designed and updated.
For this, he called in renowned American industrial designer Raymond Loewy, who was to go on to design the interiors of Concorde for Air France and Air Force One for the US government.
Wren was aware that the AGA cooker’s unique selling points needed a unique sales force. For this job, he turned to David Ogilvy, who was to go on to revolutionise advertising as the so-called King of Madison Avenue and later to be the inspiration for TV’s Mad Men.
He was aware the times were changing and, as domestic service in Britain declined, he asked designer and domestic planning advocate Dorothy Braddell to come up with a functional new look for British kitchens. He commissioned a series of cookbooks from the celebrity chef of the day, Ambrose Heath, which were illustrated by Edward Bawden, who was to go on to become an artist of major repute.
Over the coming pages we look at the visionaries who made up Wren’s team, talented individuals who succeeded in embedding the AGA cooker in the British psyche.
q
W. T. Wren frequently hosted lavish dinners at the Dorchester for AGA distributors (above). The famous London hotel was also used for company meetings, as illustrated by the extract (left) of the minutes from a board meeting in 1945, when it was agreed the discussion should be “adjourned for lunch and the meeting continued at the Dorchester Hotel”
At the same meeting, the board reviewed how the AGA cooker had been launched in the UK and concluded (left) that it would not have been the immediate success it had been if those behind the project had been prejudiced by accepted selling practices of the time
A silver inkwell fashioned in the form of an AGA cooker and presented to W. T. Wren by his colleagues in 1937
12 How e AGA Became An Icon
How e AGA Became An Icon 13
Loading...
+ 14 hidden pages