Yamaha REV100 User Manual

DIGITAL REVERBERATOR

Operation Manual

Manuel d’instructions

Bedienungsanleitung

Manual de Operación

DELAY

DECAY

LEVEL

POWER

PEAK

1-20

REVERB

MIDI

L

R

21 -40

STEREO REV

41 -50

GATE REV

DIGITAL REVERBERATOR

51 -60

DELAY

STORE

61 -70

DLY/REV

71 -99

MOD/REV

0

10

DRY

WET

INT

PGM CHANGE

MIN

MAX

MIN

MAX

MIN

MAX

MIDI

INPUT LEVEL

MIX BALANCE

PROGRAM

ON

OFF

FCC INFORMATION (U.S.A.)

1.IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2.IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3.NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference

Utilize power outlets that are on different branch (circuit breaker of fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America. Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

*This applies only to products distributed by YAMAHA CORPORATION OF AMERICA

Dette apparat overholder det gaeldende EF-direktiv vedtrørende radiostøj.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG.

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/ EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

GREEN-AND-YELLOW : EARTH

BLUE	: NEUTRAL
BROWN	: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings idenlifying the terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.)

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS

FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

*This applies only to products distributed by YAMAHA CANADA MUSIC LTD.

Litiumbatter!

Bör endast bytas av servicepersonal.

Explosionsfara vid felaktig hantering.

VAROITUS!

Lithiumparisto, Räjähdysvaara.

Pariston saa vaihtaa ainoastaan aian ammattimies.

ADVARSELl!

Lithiumbatter!

Eksplosionsfare. Udskiftning må kun foretages af en sagkyndig, –og som beskrevet i servicemanualen.

LTD.

Precautions

1.Location

Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage and locations subject to strong electromagnetic fields, such as close to broadcast equipment.

2.Avoid Physical Shocks

Strong physical shocks to the unit can cause damage. Handle it with care.

3.Do Not Open the Case or Attempt Repairs or Modifications Yourself

This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty.

4.Always power off before making connections

Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.

5.Handle Cables Carefully

Always plug and unplug cables — including theAC power cord — by gripping the connector, not the cord.

6.Clean With a Soft Dry Cloth

Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.

7.Always Use the Correct Power Supply

The unit should only be powered using the supplied Yamaha AC Adaptor. The use of other adaptors can cause serious damage to the unit. Never use a cascade arrangement for the power supply connection from other equipment.

Introduction

The REV100 is a high-quality, inexpensive, and easy-to-use stereo Digital Reverberator. It can be used for home recording or smaller sound reinforcement applications. It is a true stereo processor with two inputs and two outputs.

Along with a high-quality stereo reverb, the REV100 offers delay-plus-reverb and modulation-plus-reverb effects. The 16-bit A/D and D/A converters provide superb sound quality and a wide frequency response due to the 44.1 kHz sampling rate.

The REV100 is simple to use, with rotary controls for setting levels and editing effect parameters. A MIDI IN connection is provided so that effects programs can also be selected using MIDI messages.

To take full advantage of your REV100, please read this manual thoroughly and keep it for future reference.

Contents

1. Controls . . . . . . . . . . . . . . . . . . . . . . 1

Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . .	1
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . .	1

2. Operation . . . . . . . . . . . . . . . . . . . . 2

Installation and Connections . . . . . . . . . . . . . . 2

Changing Programs . . . . . . . . . . . . . . . . . . . . . 2

3. Edit Mode . . . . . . . . . . . . . . . . . . . . 6

Editing a Program . . . . . . . . . . . . . . . . . . . . . . 6

Storing a Program . . . . . . . . . . . . . . . . . . . . . . 6

Initializing the REV100 . . . . . . . . . . . . . . . . . 6

4. MIDI Mode . . . . . . . . . . . . . . . . . . 7

MIDI Program Change Table . . . . . . . . . . . . . 7 Setting the MIDI Program Change Table . . . . 7 Setting the MIDI Receive Channel . . . . . . . . . 8 Real-time Parameter Change . . . . . . . . . . . . . . 8 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . 9

5. Specifications . . . . . . . . . . . . . . . . 10

General specifications . . . . . . . . . . . . . . . . . . 10

Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . 10

MIDI Implementation Chart

Controls

1. Controls

Front Panel

1 2 3

4

5

6

7

DELAY

DECAY

LEVEL

POWER

PEAK

1-20

REVERB

MIDI

L

R

21-40

STEREO REV

41-50

GATE REV

DIGITAL REVERBERATOR

51-60

DELAY

STORE

61-70

DLY/REV

71-99

MOD/REV

0

10

DRY

WET

INT

PGM CHANGE

MIN

MAX

MIN

MAX

MIN

MAX

MIDI

INPUT LEVEL

MIX BALANCE

PROGRAM

ON

OFF

1 INPUT LEVEL control

This rotary control sets the input level. You should set the level so that the PEAK (L/R) indicators only flash occasionally.

2 PEAK (L/R) indicators

These LEDs will light when the REV100 is receiving a peak level signal.

3 MIX BALANCE (DRY/WET) control

bers. When you select the MIDI Program Change table, the MIDI indicator will light, and when you select the internal programs, the INT indicator will light. Refer to “Setting the MIDI Program Change Table” on page 7.

5 PROGRAM ( , , MIDI, STORE) keys

These keys allow you to select the different programs, edit the MIDI Program Change table, and store modified programs.

6 Edit (DELAY, DECAY, LEVEL) controls

This rotary control sets the balance of wet (effect) and dry (no effect) sounds.

4LED display (7-segment LED, MIDI indicator, INT indicator)

This 7-segment display indicates the current program in Program Mode. It shows the value of parameters when the REV100 is in Edit Mode and it shows MIDI program num-

These rotary controls edit the amount of parameters of the current effect. When the edited value of a parameter is the same as the currently saved value, the LED to the left of the control will light. Refer to “Editing a Program” on page 6.

7POWER switch

Press this switch ON to turn on the power.

Rear Panel

12

DC 12V IN

MIDI IN

34

	OUTPUT		INPUT
R	L(MONO)	R	L(MONO)

1DC 12V IN inlet

The supplied AC Adapter is plugged into this connector.

2MIDI IN connector

The REV100 receives MIDI data via this connection.

3 OUTPUT connectors

4INPUT connectors

These 1/4" phone connectors are used to plug a sound source into the REV100. If the source is monophonic, plug the jack into the L-MONO connection only.

These 1/4" phone connectors are used to output the processed sound from the REV100. If you are using it monophonically, plug a jack into the L-MONO connection only.

1

Operation

2. Operation

Installation and Connections

Install the REV100 in a rack or place it in a location where it is safe and stable. Connect the AC Adapter to the DC 12V IN inlet, then plug the Adapter into a mains supply. To prevent the power from being accidentally disconnected, hook the cable around the anchor.

Press the POWER switch to turn the REV100 on.

Changing Programs

Select the different programs by pressing the and keys. The REV100 has 99 programs for you to select from.

REVERB

DC 12V IN

MODEL		DIGITAL
MADE		REV100
	IN
		JAPAN

	No	Name	Type	Description
	1	Vocal Rev 1	Vocal	Reverberation suitable for vocals
	2	Vocal Rev 2	Hall	No.3 has a longer pre-delay and shorter reverb time
	3	Vocal Rev 3	Vocal
	4	Room Ambience 1
	5	Room Ambience 2	Plate	These are mainly for drums and percussions. You can use them for
	6	Room Ambience 3		the entire drum kit or a single drum sound such as snare, bass drum,
				etc.
	7	Wood Booth 1
	8	Wood Booth 2	Vocal
	9	Acoustic Piano Plate		Reverberation for acoustic piano
	10	Club Piano	Hall
	11	Booming Kick 1		Reverberation for bass drum, with an emphasized low range
	12	Booming Kick 2	Room
	13	Loud Snare		Reverberation for louder snare
	14	Acoustic Steel Guitar 1		Reverberation for steel-string acoustic guitar
	15	Acoustic Steel Guitar 2	Plate
	16	String Plate		Reverberation mainly used for strings
	17	Acoustic Gut Guitar 1	Vocal	Reverberation for nylon-string acoustic guitar
	18	Acoustic Gut Guitar 2
	19	Brass Room 1	Room	Brighter and shorter reverb for brass section
	20	Brass Room 2

2

Operation

STEREO REVERB

	No	Name	Type	Description
	21	Large Hall 1
	22	Large Hall 2	Hall	These are hall-type reverb variations.”Stage” reverbs are brighter than
	23	Stage 1		“Hall” reverbs
	24	Stage 2
	25	Chamber 1	Vocal
	26	Chamber 2	Hall	Image of a large chamber with a high ceiling
	27	Church 1	Room
	28	Church 2	Hall
	29	Old Tunnel	Hall	Simulates sound inside a long tunnel. “Old” is dark and “New” is bright
	30	New Tunnel	Vocal
	31	Large Room 1		Room-type simulation. No.32 contains more low range than No.31
	32	Large Room 2
	33	Slide Reverb	Room	Reverb sound is panned to right
	34	Huge Room 1		More dynamic than a room-type reverberation
	35	Huge Room 2
	36	Bathroom	Plate	Very short stereo reverb
	37	String Ensemble		Spacious reverb suitable for strings
	38	Rude Reverb 1		Rough reverberation
	39	Rude Reverb 2	Vocal
	40	Concert Grand Piano		Suitable for an acoustic piano
	GATE REVERB
	No	Name	Type	Description
	41	Small Ambience 1	Hall	Simulates a room with smaller reflections. No.42 has been made by
	42	Small Ambience 2		cutting the low range of No.41
	43	Tight Room 1	Room	Simulates a room smaller than “Small Ambience” reverbs
	44	Tight Room 2	Hall
	45	Gate Reverb 1	Plate
	46	Gate Reverb 2	Vocal	Gate reverb variations
	47	Gate Reverb 3	Hall
	48	Gate Reverb 4
	49	Stone Room	Room	Simulates a room made of stone
	50	Big Curve	Vocal	The longest reverb in the gate reverbs

3

Operation

DELAY

	No	Name	Description
	51	Analog Delay 1	Soft delay sound
	52	Ping Pong Delay	Delay sound is panned between left and right
	53	Eighth Note Triplet	Ping-pong delay that sounds like eight note triplets
	54	Karaoke	Echo used for Karaoke
	55	Short Delay Doubler	Very short, one-time delay
	56	Stereo Long Delay	Stereo delay with the same length for the left and right channels
	57	Stereo Medium Delay	Stereo delay with different length channels
	58	Stereo Short Delay	Short delay with the same length channels
	59	Mono Long Delay	Repeat delay with mono output
	60	Mono Short Delay

DELAY/REVERB

	No	Name		Type	Description
	61	Electric Piano	DLY+Hall		Mainly used for electric pianos
	62	String Pad	DLY→	Hall	Suitable for pad-type sound
	63	Synth	DLY→	Vocal	Suitable for pad strings
	64	Vocal 1
					Preset No.64 and No.65 are longer reverbs with a slight delay, suit-
	65	Vocal 2	DLY→	Hall
					able for vocal. Preset No.66 is a short reverb, with delay emphasized
	66	Vocal 3	DLY+	Room
	67	Bright Vocal	DLY→	Plate	Bright reverb, with very subtle delay
	68	Chorus	DLY+Plate		50% of delay and 50% of reverb are combined
	69	Drum Kit 1	DLY+Room		Ambience effect for drums and percussion
	70	Drum Kit 2	DLY→	Plate

REVERB/MODULATION

	No	Name	Type		Description
	71	Soft Flange 1	Hall+FLG		This effect combines thin flanging effect with a small pitch variation,
	72	Soft Flange 2			and reverberation, suitable for pad-type synth sounds
	73	Ambience Flange 1			Flanging effect has been added to a short reverb
	74	Ambience Flange 2	Room→	FLG
	75	Short Reverb Flange			A very short reverb has been added to the flange effect with a larger
					pitch variation
	76	Organ Cabinet 1	Plate→	FLG	Flange effect suitable for organ sounds
	77	Organ Cabinet 2	Room→	SYM
	78	Symphonic Reverb 1	Hall+SYM		Elegant effect mainly based on reverberation
	79	Symphonic Reverb 2	Vocal+SYM

4

Operation

REVERB/MODULATION

	No	Name	Type	Description
	80	Flange Room 1	Vocal→ FLG	Use these effects to make your drum or percussion sound very
	81	Flange Room 2	Room+FLG	unique and strange
	82	Rolling Flange 1	Plate+FLG	Use these effects to make your drum or percussion sound rather
	83	Rolling Flange 2		strange
	84	Big Flange	Vocal→ FLG	Jet machine effects
	85	Chorus Reverb 1	Hall+CHO
	86	Chorus Reverb 2	Plate+CHO	Preset No.85 and No.86 are normal chorus/reverb, and can be used
	87	Chorus Reverb 3	Hall+CHO	for many applications such as electric piano
	88	Chorus Reverb 4	Vocal+CHO
	89	Tremolo Reverb 1	Hall+TRM
	90	Tremolo Reverb 2	Room→ TRM
	91	Tremolo Reverb 3	Plate+TRM
				Tremolo and Reverb variation that has a tremolo effect of panning
	92	Tremolo Reverb 4
			Vocal+TRM	sound
	93	Tremolo Reverb 5
	94	Tremolo Reverb 6
	95	Tremolo Reverb 7	Hall+TRM
	96	Ambient Slow Pan 1		Sound with a short reverb is panned between left and right
	97	Ambient Slow Pan 2
	98	Sequence Pan 1	Room+TRM	You can add panning effects to a song with a tempo of around 120.
	99	Sequence Pan 2		Adjust the speed according to the tempo

5

Edit Mode

3. Edit Mode

Each of the effects in the REV100 has several parameters. Three of the most effective parameters can be edited using the rotary controls for quick, versatile, and simple operation.

Editing a Program

1.Press the and keys until the desired program number is displayed on the 7-segment LED.

2.Select one of the Edit controls, for example, the DELAY rotary control.

3.Rotate the control. The value on the 7-segment LED changes to reflect the adjustment you are making to the parameter. When the parameter value you are editing matches the preset value, the LED beside the control lights up:

DELAY

DECAY

LEVEL

MIDI	MIN	MAX	MIN	MAX	MIN	MAX
	INT

4.Listen to the modified effect.

The following table lists the values that you can edit with the front panel controls:

No.	Effect Type	Delay		Decay		Level
1 - 20	REVERB	Pre Delay (msec)		Reverb Time (×	0.1sec)	Effect Level
21 - 40	STEREO REVERB	Pre Delay (msec)		Reverb Time (×	0.1sec)	Effect Level
41 - 50	GATE REVERB	Pre Delay (msec)		Noise Gate Level		Effect Level
51 - 60	DELAY	Delay Time (×	10msec)	Feedback Level		Effect Level
61 - 70	DELAY/REVERB	Delay Time (×	10msec)	Feedback Level		Reverb Level
71 - 99	REVERB/MODULATION	Modulation Depth		Modulation Speed		Reverb Level

Storing a Program

1.Press the STORE key. The program number will flash on the 7-segment LED.

2.Press the STORE key again to confirm the operation.

Note that you cannot select a different program number to store your changes in.

Initializing the REV100

The following procedure is used to initialize the programs 1 to 99 (one selected program or all the programs) to the factory default condition:

1.Turn on the power to the REV100 while holding down the STORE key.

2.Press the and keys to select the program number you wish to initialize.

When the 7-segment LED displays “ ”, all the programs 1 to 99 will be initialized.

3.Press the STORE key to execute the initialization.

6

MIDI Mode

4. MIDI Mode

A MIDI IN connection is provided so that the REV100 effects programs can be selected and modified using MIDI messages.

MIDI Program Change Table

The REV100 has a MIDI Program Change table in memory which you can edit to re-order the effects programs. You can create a table of program numbers which correspond to MIDI Program Change numbers 1 to 99. When the REV100 receives a MIDI Program Change message, it will select the internal program number that corresponds to the MIDI number in the message. The REV100 will ignore MIDI Program Change numbers 100 or greater.

The following table illustrates the correspondence between the MIDI Program Change numbers and the internal program numbers:

MIDI Program Number	REV100 Program Number
1	10
2	5
3	22
...	...
99	1
100
...	ignored
128

Setting the MIDI Program Change Table

1. Press the MIDI key. The MIDI indicator dot will light up on the 7-segment LED:

INT indicator dot

MIDI indicator dot

MIDI INT

When the MIDI indicator is lit, the 7-segment LED displays the current MIDI Program Change number.

2.Select another MIDI Program Change number by pressing the or keys.

3.To select the internal program numbers, press the MIDI key again. The MIDI indicator dot is switched off and the INT indicator dot will light up.

4.Modify the internal program number for the selected MIDI Program Change number by pressing the or keys.

5.To quit this mode, press and hold the MIDI key for approximately one second. The current indicator, either the MIDI indicator or the INT indicator will switch off and the 7-segment LED will display the currently selected program number.

7

MIDI Mode

Setting the MIDI Receive Channel

By default, the REV100 is set to receive MIDI on all channels (OMNI mode). You can change this default with the following procedure:

1.Press and hold the MIDI key as you switch on the power to the REV100.

The 7-segment LED will display “ ” and the current MIDI channel number alternately.

2.Select another MIDI channel number by pressing the or keys.

You can select “ ” (OMNI), “ ” to “ ”, or “ ” (OFF).

3.Press the MIDI key again to return to normal operational mode.

Real-time Parameter Change

You can send MIDI Control Change messages to the REV100. Some of these messages perform the same function as the front panel Edit controls, others allow you access to additional parameters:

	Effect Type	Parameter Name	Controller Number
		Pre Delay	20
		Reverb Time	21
	REVERB	Effect Level	22
		High Damp	23
		Filter Type (LPF/HPF)	24
		Cut-off Frequency	25
		Pre Delay	20
	STEREO REVERB	Reverb Time	21
		Effect Level	22
		High Damp	23
		Pre Delay	20
		Gate Level	21
		Effect Level	22
	GATE REVERB	Reverb Time	23
		High Damp	24
		Release Time	25
		Filter Type (LPF/HPF)	26
		Cut-off Frequency	27
		Delay Time	20
		Feedback Level	21
	DELAY	Effect Level	22
		High Damp	23
		Filter Type (LPF/HPF)	24
		Cut-off Frequency	25
		Delay Time	20
		Feedback Level	21
		Reverb Level	22
	DELAY/REVERB	Reverb Time	23
		Reverb High Damp	24
		Delay High Damp	25
		Filter Type (LPF/HPF)	26
		Cut-off Frequency	27

8

MIDI Mode

	Effect Type		Parameter Name	Controller Number
			Modulation Depth	20
			Modulation Speed	21
			Reverb Level	22
		Flanger	Reverb Time	23
			Reverb High Damp	24
			Resonance	25
			Filter Type (LPF/HPF)	26
			Cut-off Frequency	27
			Modulation Depth	20
			Modulation Speed	21
	REVERB/	Chorus	Reverb Level	22
		and	Reverb Time	23
	MODULATION
		Symphonic
			Reverb High Damp	24
			Filter Type (LPF/HPF)	25
			Cut-off Frequency	26
			Modulation Depth	20
			Modulation Speed	21
			Reverb Level	22
		Tremolo	Reverb Time	23
			Reverb High Damp	24
			Phase	25
			Filter Type (LPF/HPF)	26
			Cut-off Frequency	27

Control Change Value 00H = MIN parameter value

Control Change Value 7FH = MAX parameter value

If you require the system exclusive message format for the REV100, please contact your local Yamaha Sales Centre.

MIDI Data Format

Reception format

Progaram Change

status	1100	nnnn(CnH)nnnn = channel No. *1
1st data	0ppp	pppp	ppppppp = program No. *2

Control Change

You can control the parameters using Control Change messages. Refer to page 8 “Real time parameter change” for the Control numbers.

status	1011	nnnn(BnH) nnnn = channel No. *1
1st data	000c	cccc	ccccc = control No. *3
2nd data	0vvv	vvvv	vvvvvvv = control Value
*4
Parameter Change
status	1111	0000(Foh) System exclusive
ID No.	0100	0011(43h) YAMAHA

substatus	0001	nnnn	nnnn = channel No. *1
group No.	0001	1110(1Eh) PA group
device code	0000	0004(04h) REV100
parameter No. 0000		pppp	parameter No. *5
	0000	pppp	1st byte *6
data	0000	aaaa
	0000	bbbb	2nd byte
EOX	1111	0111(F7h) End of exclusive

*1 nnnn = 0 (channel 1) –15 (channel 16)

*2 ppppppp = 0 (program 1) – 98 (program 99) Program numbers after 99 will be ignored.

*3 ccccc = 20 – 27 Depends on the effect type. (See page 8)

*4 vvvvvvv = 0 – 127

*5, *6 Depends on the effect type and parameter. (Please consult your local Yamaha Sales Centre.)

9

Specifications

5. Specifications

General specifications

ELECTRICAL CHARACTERISTICS

Frequency Response	20 Hz ~ 20 kHz
Dynamic Range	80 dB (typical)
Distortion	less than 0.1% (1 kHz, max.
	level)

INPUT

Number of Channels	2 (phone jack)
Nominal Level	–10 dB
Impedance	20 kΩ	(STEREO)
	10 kΩ	(L-MONO)

OUTPUT

Number of Channels	2 (phone jack)
Nominal Level	–10 dB
Impedance	2 kΩ	(STEREO)
	1 kΩ	(L-MONO)

AD / DA CONVERSION

AD Conversion	16 bit
DA Conversion	16 bit
Sampling Frequency	44.1 kHz

PROGRAM

Program Number

99

FRONT PANEL

Switches	, , MIDI, STORE, POWER
Rotary Controls	INPUT LEVEL, MIX BALANCE,
	DELAY, DECAY, LEVEL
Display	7-segment LED × 2
	PEAK L R
	DELAY, DECAY, LEVEL

REAR PANEL

Jacks	INPUT L (MONO), R
	OUTPUT L (MONO), R
	MIDI IN (DIN 5P), DC 12V IN

POWER SUPPLY	DC 12V
DIMENSIONS (W × H × D)	480 mm × 45 mm × 232 mm
WEIGHT	2.5 kg
ACCESSORY	AC Adapter

*Dynamic range is measured with a 6 dB/octave LPF at 12.7 kHz — equivalent to a 20 kHz LPF with infinite dB/octave attenuation.

*0 dB = 0.775V RMS

*Specifications and appearance are subject to change without notice.

Dimensions

440
7
		26
203	D: 232	151.5
2.6
19.4		47.5
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Français

APPAREIL DE RÉVERBÉRATION NUMÉRIQUE

MANUEL D’INSTRUCTIONS

Introduction

Le REV100 est un appareil de réverbération de qualité, abordable et simple à utiliser. Il vous rendra de grands services aussi bien dans votre studio personnel qu’avec un petit système d’amplification. Il s’agit s’un véritable processeur stéréo doté de deux e ntrées et deux sorties.

Outre une réverbération stéréo de haute qualité, le REV100 vous propose des effets de réverbération & delay ainsi que de modula - tion & réverbération. Le convertisseur 16 bits A/N et N/A offre une qualité de son exceptionnelle ainsi qu’une large réponse en fréquence grâce à la vitesse d’échantillonnage de 44,1kHz.

Le REV100 est un appareil facile à manier, pourvu de commandes rotatives pour régler les niveaux et éditer des paramètres. Une connexion MIDI IN est comprise de sorte que les programmes d’effet peuvent également être sélectionnés au moyen de messages MIDI.

Pour profiter au maximum des atouts que vous offre votre REV100, veuillez lire attentivement ce manuel et le ranger soigneusement afin de pouvoir le consulter ultérieurement.

Table des matières

1. Commandes . . . . . . . . . . . . . . . . . 1

Panneau avant . . . . . . . . . . . . . . . . . . . . . . . . . 1 Panneau arrière . . . . . . . . . . . . . . . . . . . . . . . . . 1

2. Fonctionnement . . . . . . . . . . . . . . 2

Installation et connexions . . . . . . . . . . . . . . . . 2 Changement de programmes . . . . . . . . . . . . . . 2

4. Mode MIDI . . . . . . . . . . . . . . . . . . 7

Tableau de changement de programme MIDI . 7 Réglage du tableau de changement de programme MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Réglage du canal de réception MIDI . . . . . . . . 8 Contrô le des paramètres en temps réel . . . . . . 8 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . 9

3. Mode Edit . . . . . . . . . . . . . . . . . . . 6

Edition d’un programme . . . . . . . . . . . . . . . . . 6 Sauvegarde d’un programme . . . . . . . . . . . . . . 6 Initialisation du REV100 . . . . . . . . . . . . . . . . . 6

5. Fiche technique . . . . . . . . . . . . . . 10

Caractéristiques générales . . . . . . . . . . . . . . . 10 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . 10

MIDI Implementation Chart

Précautions

1.Emplacement

Ne placez pas l’appareil dans un endroit où il risque d’être exposé à des températures élevées ou une forte humidité (évitez la proximité de radiateurs, poêles, etc). Evitez également les endroits poussiéreux ou soumis à des vibrations qui peuvent être à l’origine de dommages mécaniques ainsi que les endroits sujets à des champs magnétiques importants, tels que la proximité de matériel de transmission.

2.Evitez tout choc

Un choc relativement important peut endommager l’appareil. Maniez-le donc avec soin.

3.N’ouvrez pas le boîtier et n’essayez pas d’effectuer des réparations vous-même

Cet appareil ne contient pas d’élément pouvant être réparé par l’utilisateur. Veuillez donc confier toute réparation à un technicienYamaha qualifié. Toute tentative d’ouverture du boîtier et de manipulation des circuits internes se soldera par la perte du bénéfice de la garantie.

4.Coupez toujours l’alimentation avant de procéder à des branchements

N’oubliez jamais de mettre les appareils hors tension avant de brancher ou de débrancher des câbles afin de ne pas endommager l’appareil lui-même ainsi que le matériel qui y est branché.

5.Manipulez les câbles avec soin

Pour brancher et débrancher des câbles (y compris le câble d’alimentation), prenez-le toujours par la prise et non par le câble.

6.Nettoyez avec un chiffon doux et sec

N’utilisez jamais de solvants, tels que du benzène ou un diluant pour nettoyer l’appareil. Prenez les poussières avec un chiffon doux et sec.

7.Utilisez toujours une source d’alimentation adéquate

N’utilisez que l’adaptateur fourni parYamaha pour mettre l’appareil sous tension. Le recours à un autre adaptateur risque d’endommager sérieusement l’appareil. Ne branchez jamais l’appareil à un circuit de plusieurs appareils branchés en cascade.