MIXER
MELANGEUR
MISCHPULTE
MEZCLA
Operation Manual
Manuel d’instructions
Bedienungsanleitung
Manual de Operación
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MIC IN |
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LINE IN |
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SUB IN +4dB TAPE IN –10dBV REC OUT –10dBV |
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ST OUT +4dB |
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L |
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L |
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R |
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R |
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AUX RETURN –10dB |
AUX SEND +4dB |
MONI OUT +4dB |
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LINE IN |
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7L |
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9L |
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11L |
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13L |
1L |
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2L |
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1 |
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L |
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MONO |
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MONO |
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MONO |
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MONO |
MONO |
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MONO |
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1 |
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5 |
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6 |
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8R |
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10R |
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12R |
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14R |
1R |
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2R |
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2 |
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R |
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+4dB |
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–20dB |
+4dB |
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–20dB |
+4dB |
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–20dB |
+4dB |
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–20dB |
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–14 |
GAIN |
–60 |
–14 |
GAIN |
–60 |
–14 |
GAIN |
–60 |
–14 |
GAIN |
–60 |
–14 |
GAIN |
–60 |
–14 |
GAIN |
–60 |
–10dB |
–10dB |
–10dB |
–10dB |
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+10 |
–36 |
+10 |
–36 |
+10 |
–36 |
+10 |
–36 |
+10 |
–36 |
+10 |
–36 |
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L |
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–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
–15 |
HIGH +15 |
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PHANTOM |
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00 –20 –15 –10 –6 –3 |
0 +2 |
+4 |
+6 |
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R |
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STEREO GRAPHIC EQUALIZER |
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PFL |
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–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
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MID |
MID |
MID |
MID |
MID |
MID |
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+12 |
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+12 |
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9 |
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9 |
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6 |
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6 |
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3 |
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3 |
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0 |
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0 |
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3 |
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3 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
–15 |
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+15 |
6 |
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6 |
LOW |
LOW |
LOW |
LOW |
LOW |
LOW |
LOW |
LOW |
LOW |
LOW |
9 |
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9 |
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–12 |
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–12 |
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100 |
400 |
1k |
5k |
10k |
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0 AUX 1 |
10 |
0 AUX 1 |
10 |
0 AUX 1 |
10 |
0 AUX 1 |
10 |
0 AUX 1 |
10 |
0 AUX 1 |
10 |
0 AUX 1 10 |
0 AUX 1 10 |
0 AUX 1 10 |
0 AUX 1 10 |
MIXER |
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0 |
AUX 2 |
10 |
0 |
AUX 2 |
10 |
0 |
AUX 2 |
10 |
0 |
AUX 2 |
10 |
0 |
AUX 2 |
10 |
0 |
AUX 2 |
10 |
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0 |
10 |
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0 |
10 |
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AUX SEND 1 |
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AUX SEND 2 |
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L |
PAN |
R |
L |
PAN |
R |
L |
PAN |
R |
L |
PAN |
R |
L |
PAN |
R |
L |
PAN |
R |
L |
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R |
L |
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R |
L |
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R |
L |
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R |
0 |
10 |
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0 |
10 |
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0 |
10 |
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BALANCE |
BALANCE |
BALANCE |
BALANCE |
AUX RETURN 1 |
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AUX RETURN 2 |
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TAPE IN |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PEAK |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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PFL |
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TO |
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MONI |
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STEREO |
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L |
R |
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7 |
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8 9 |
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10 11 |
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12 13 |
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14 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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10 |
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MONITOR |
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5 |
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5 |
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5 |
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5 |
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5 |
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5 |
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0 |
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5 |
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10 |
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10 |
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10 |
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10 |
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10 |
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0 |
10 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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15 |
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PHONES |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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20 |
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30 |
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30 |
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30 |
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30 |
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30 |
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30 |
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30 |
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30 |
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30 |
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30 |
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30 |
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00 |
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00 |
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00 |
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00 |
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00 |
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00 |
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00 |
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00 |
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FCC INFORMATION (U.S.A.)
1.IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.
2.IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
3.NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by the interference
Utilize power outlets that are on different branch (circuit breaker of fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.
If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America. Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620
*This applies only to products distributed by YAMAHA CORPORATION OF AMERICA
Dette apparat overholder det gaeldende EF-direktiv vedtrørende radiostøj.
Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.
Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG.
This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/ EEC.
Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.
Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.
YAMAHA CORPORATION
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:
GREEN-AND-YELLOW : EARTH
BLUE |
: NEUTRAL |
BROWN |
: LIVE |
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings idenlifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
* This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.)
CANADA
THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS
FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.
LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.
*This applies only to products distributed by YAMAHA CANADA MUSIC LTD.
Litiumbatter!
Bör endast bytas av servicepersonal.
Explosionsfara vid felaktig hantering.
VAROITUS!
Lithiumparisto, Räjähdysvaara.
Pariston saa vaihtaa ainoastaan aian ammattimies.
ADVARSELl!
Lithiumbatter!
Eksplosionsfare. Udskiftning må kun foretages af en sagkyndig, –og som beskrevet i servicemanualen.
LTD.
MIXER
OPERATION MANUAL
Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/ EEG).
AYTH H Σ YΣ KEYH ANTAΠ OKPINETAI Σ TIΣ AΠ AITHΣ EIΣ TΩ N O∆ HΓ IΩ N THΣ EYPΩΠ AIKHΣ OIKONOMIKHΣ KOINOTHTAΣ 82/499/E.O.K..
Este produto está de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC.
Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.
Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.
Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG.
This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/ EEC.
Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.
Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.
YAMAHA CORPORATION
IMPORTANT NOTICE FOR
THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:
BLUE |
: NEUTRAL |
BROWN |
: LIVE |
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the three pin plug.
*This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.
Thank you for purchasing the Yamaha MM1402 mixer. The MM1402 is a mixer that provides 6 MONO IN channels and 4 STEREO IN channels, for a total of 14 inputs. It is a console-type stereo mixer suitable for a wide variety of input sources.
Features
●The six MONO IN channels feature two types of input jack; XLR type MIC IN jacks (continuously variable over –14 ~ –60 dB, balanced) and TRS phone LINE IN jacks (continuously variable over +10 ~ –36 db, balanced). The MIC IN jacks are also able to provide +48 V phantom power for condenser mics.
●Each of the four STEREO IN channels features L/MONO and R phone jacks (switchable – 20/–10/+4 dB, unbalanced), two band equalization, and an AUX SEND (PRE) system, meeting the requirements of a wide variety of sources.
●Two AUX return systems are provided for use as effect unit returns or stereo source inputs. TAPE IN and REC OUT jacks are also provided for recording/playback on a stereo recorder.
●All of the 14 inputs provide a PFL (pre fader listen) switch, allowing you to monitor the signal or input level using headphones or MONITOR OUT.
●A five-band master graphic equalizer is provided in the STEREO OUT stage, allowing equalization of the overall output for sound field compensation or feedback prevention.
Contents |
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Precautions ............................................................................ |
1 |
Control panel ......................................................................... |
2 |
Channel control section |
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(mono input section) .................................................. |
2 |
(Stereo input section) ................................................. |
3 |
Master control section ...................................................... |
4 |
Panel ...................................................................................... |
6 |
Application Example ............................................................. |
7 |
Specifications ........................................................................ |
8 |
General Specifications ..................................................... |
8 |
Input Specifications ......................................................... |
9 |
Output Specifications ....................................................... |
9 |
Dimensions ...................................................................... |
9 |
Block and Level Diagrams ............................................ |
10 |
1.Location
Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage and locations subject to strong electromagnetic fields, such as close to broadcast equipment.
2.Ventilation
The unit has ventilation slots on the side and bottom panels. Do not block these vents.
3.Avoid Physical Shocks
Strong physical shocks to the unit can cause damage. Handle it with care.
4.Do Not Open the Case or Attempt Repairs or Modifications Yourself
This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty.
5.Always power off before making connections
Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.
6.Handle Cables Carefully
Always plug and unplug cables — including the AC power cord — by gripping the connector, not the cord.
7.Clean With a Soft Dry Cloth
Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.
8.Always Use the Correct Power Supply
Make sure that the power supply voltage specified on the rear panel matches your local AC mains supply. Also make sure that the AC mains supply can deliver more than enough current to handle all equipment used in your system.
1
–14
+10
–15
–15
–15
0
0
L
1
–60 GAIN –36
HIGH +15
MID +15
LOW +15
AUX 1 10
AUX 2 10
R
PAN PEAK
PFL
10
5
0
5
10
15
20
30
00
1
2
3
4
5
6
7
1GAIN control
Use this knob to adjust the level of the input signal to the optimal level.
For the best balance of S/N ratio and dynamic range, adjust this knob so that the peak indicator 5 lights occasionally.
For mic inputs connected to the XLR connector, the range is –14dB – –60dB. For line inputs connected to the phone connector, the range is +10 – –36dB.
2HIGH, MID, LOW equalizer (3 band)
These knobs control high, mid and low equalization at the following frequen-
cies.
HIGH: 12kHz, maximum effect ± 15dB MID: 2.5kHz, maximum effect ± 15dB LOW: 80Hz, maximum effect ± 15dB
When the knob is in the center position, the response will be flat.
3AUX 1, 2 controls
These knobs control the level of the signal that is output to the AUX buses. Since AUX1 is placed before the channel fader, it will be unaffected by the position of the channel fader. Since AUX2 is placed after the channel fader, it will be affected by the channel fader level. By outputting a signal only from AUX SEND 1 or AUX SEND 2 and not from the ST OUT jacks, you can also use these as supplementary outputs.
4PAN control (panpot)
This knob assigns the signal of each channel to the STEREO L and R buses, determining the stereo location of the sound.
5PEAK indicator
This indicator detects the level of the signal at a point after the EQ (pre fader). It will light red at 3dB before clipping to warn that the signal is approaching clipping level.
6PFL switch (input channel)
This switch allows you to monitor the signal of the input channel at the pre fader level. You can use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that is having problems.
7Channel fader
This fader controls the output level of the input channel signal, adjusting the volume balance between channels. Faders of channels not in use should be pulled down.
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PHANTOM |
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OFF |
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STEREO |
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PFL CTRL |
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AUX |
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ON |
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(MIC IN) |
PHANTOM |
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L R 1 2 L R PFL |
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PEAK |
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MIC IN |
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HA |
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EQ |
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BA |
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1–6 |
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PAN |
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1–6 |
PAD |
GAIN |
LOW |
MID |
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AUX 2 |
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LINE IN |
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AUX 1 |
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(+V) |
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PFL |
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–15 |
HIGH +15 |
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–15 |
LOW +15 |
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0 AUX 1 10 |
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A |
L |
R |
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BALANCE |
B |
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PEAK |
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PFL |
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5 |
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D |
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8GAIN select switch
Use this switch to adjust the sensitivity of the input as appropriate for the level of the input signal.
For the best balance of S/N ratio and dynamic range, adjust this switch so that the peak indicator B lights occasionally.
9HIGH, LOW equalizer (2 band)
These knobs control high mid and low equalization at the following frequen-
cies.
HIGH: 12kHz, maximum effect ± 15dB LOW: 80Hz, maximum effect ± 15dB
When the knob is in the center position, the response will be flat.
0AUX1 control
This knob controls the level of the signal that is output to the AUX bus. Since AUX1 is placed before the channel fader, it will be unaffected by the position of the channel fader. By outputting a signal only from AUX SEND 1 and not from the ST OUT jacks, you can also use this as a supplementary output.
ABalance control
This knob adjusts the left/right location of the stereo input signal.
BPEAK indicator
This indicator detects the level of the signal at a point after the EQ (pre fader). It will light red at 3dB before clipping to warn that the signal is approaching clipping level.
CPFL switch (input channel)
This switch allows you to monitor the signal of the input channel at the pre fader level. You can use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that is having problems.
D Channel fader
This fader controls the output level of the input channel signal, adjusting the volume balance between channels. Faders of channels not in use should be pulled down.
STEREO |
AUX |
PFL |
CTRL |
L R 1 2 L R |
PFL |
L/MONO |
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EQ |
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BA |
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LOW |
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PEAK |
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BALANCE |
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EQ |
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AUX 1 |
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PFL |
3
EST L, R master control
These faders adjust the final level of all channels, and output the combined signal to the ST OUT jacks. The OUTPUT LEVEL L, R meters allow you to monitor the L and R outputs.
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F AUX RETURN 1-2 controls |
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The knobs control the input levels from the effect units |
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etc. connected to AUX RETURN. Since the signals input |
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J |
at AUX RETURN pass through this control and are then |
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PHANTOM |
output from the ST OUT jacks, AUX RETURN can be |
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00 –20 –15 –10 –6 |
–3 |
0 |
+2 |
+4 |
+6 |
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used not only to input the signals from effect units but also |
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R |
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PFL |
I |
as supplementary inputs. |
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STEREO GRAPHIC EQUALIZER |
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L/MONO |
HA |
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9 |
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6 |
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6 |
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AUX RETURN |
AUX RETURN 1,2 |
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1,2 |
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–10dB |
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9 |
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9 |
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–12 |
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–12 |
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100 |
400 |
1k |
5k |
10k |
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MIXER |
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G AUX SEND 1, 2 controls |
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These knobs adjust the level of the signals that are output |
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G |
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to AUX SEND 1 and 2. |
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10 |
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H Graphic equalizer (5 band) |
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AUX SEND 1 |
AUX SEND 2 |
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Since this equalizer is placed before ST OUT, it allows |
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F |
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you to make fine adjustments in equalization to the overall |
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10 |
0 |
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10 |
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output, for |
sound field compensation or to prevent |
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AUX RETURN 1 |
AUX RETURN 2 |
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TAPE IN |
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feedback. |
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I PFL indicator |
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STEREO |
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MONI |
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L |
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This indicator will light when a PFL switch is turned ON. |
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N |
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J PHANTOM indicator |
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10 |
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10 |
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This indicator will light when the PHANTOM switch is |
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MONITOR |
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ON. |
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5 |
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K OUTPUT LEVEL L, R meters |
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5 |
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O |
These meters indicate the output level to the ST OUT |
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10 |
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0 |
10 |
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jacks. |
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15 |
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PHONES |
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20 |
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L TAPE input control |
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30 |
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00 |
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This knob controls the input signal of the tape deck etc. |
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P |
that is connected to the TAPE IN jacks. |
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M TAPE INPUT select switch |
This switch selects the destination of the input signal of the tape deck etc. that is connected to the TAPE IN jacks. OFF: sent to the stereo bus
ON: sent to MONI OUT (L, R)
N MONITOR control
This knob adjusts the output level from the MONI OUT jacks.
O PHONES control
This knob adjusts the volume of the headphones connected to the headphone jack.
4
PPHONE jack
A set of stereo headphones can be connected to this jack. Normally, the headphones will monitor the same signal as the STEREO OUT jacks, but the following two signals can also be monitored.
1.When a 8 PFL switch is turned on, the signal of the input channel after the equalizer will be monitored.
2.When the M TAPE input select switch is turned on, the signal input to the TAPE IN jacks will be monitored.
L
TAPE IN –10dBV
R
L/MONO AUX RETURN
1,2
–10dB
R
L
SUB IN +4dB
R
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STEREO |
AUX |
PFL |
CTRL |
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L R 1 2 L R |
PFL |
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METER |
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SUM |
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GEQ |
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INV |
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100 |
400 |
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1k |
5k |
10k |
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METER |
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SUM |
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GEQ |
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INV |
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PAD |
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PAD |
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SUM |
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AUX SEND 1 |
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SUM |
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AUX SEND 2 |
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PFL |
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HA |
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TAPE IN |
TO MONI |
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MONITOR |
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HA |
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SUM |
INV |
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AUX RETURN 1,2 |
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SUM |
INV |
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L
ST OUT +4dB
R
L
REC OUT –10dBV
R
1
AUX SEND +4dB
2
L
MONI OUT +4dB
R
5
1 |
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9 8 |
7 |
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MIC IN |
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LINE IN |
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SUB IN +4dB |
TAPE IN –10dBV REC OUT –10dBV |
ST OUT +4dB |
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L |
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R |
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AUX RETURN –10dB |
AUX SEND +4dB |
MONI OUT +4dB |
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LINE IN |
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7L |
9L |
11L |
13L |
1L |
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MONO |
MONO |
MONO |
MONO |
MONO |
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1 |
2 |
3 |
4 |
5 |
6 |
8R |
10R |
12R |
14R |
1R |
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6 |
1MIC IN
These are XLR type connectors to which microphones can
be connected (1: GND, 2: hot, 3: cold). The nominal impedance is 50–600Ω .
Turn the PHANTOM switch ON to apply +48V DC to Pin 2 and 3 of MIC IN connectors 1–6.
Phantom Power Warning
To prevent hazard or damage, connect only microphones and cables that conform to the IEC288-15A standard.
2LINE IN (1–6)
These are balanced phone connectors to which line-level
equipment can be connected (T: hot, R: cold, S: GND). The nominal impedance is 600Ω .
3LINE IN (7L–14R)
These are unbalanced phone jacks to which line level devices can be connected. They are used as four sets of stereo inputs (7L, 8R)–(13L, 14R). If only the L jack is used, the input signal will be mono and the same signal will be input to the R jack as well.
8REC OUT (L, R)
These jacks output the signal from before the ST OUT (L, R) faders.
9TAPE IN (L, R)
These jacks are used as inputs for a sound source such as a tape recorder.
0SUB IN (L, R)
These are supplementary inputs. The signal input here is sent to the stereo bus.
4AUX SEND (1, 2)
These are unbalanced phone jacks.
The nominal output level and nominal impedance are +4dB/600Ω .
5AUX RTN (1, 2)
These are unbalanced phone jacks.
The nominal output level and nominal impedance are – 10dB/600Ω . They are used as two sets of stereo inputs
(1L, 1R)–(2L, 2R). If only the L jack is used, the input signal will be mono and the same signal will be input to the R jack as well.
6MONI OUT (L, R)
These are unbalanced phone jacks to which the power amp driving your monitor speakers can be connected. They output the same signal as the PHONE jack located on the control panel.
7ST OUT (L, R)
These are unbalanced phone jacks to which the power amp driving your main speakers can be connected.
AB
POWER |
PHANTOM |
ON |
ON |
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APOWER switch
This switch turns the power on.
BPHANTOM switch
This switch turns the phantom power on/off for all channels.
Use this when you are using condenser microphones. When this switch is turned on, DC +48 V will be supplied to pins 2 and 3 of each input MIC IN 1–6.
If your microphones do not require phantom power, be sure to turn this switch off.
*Although it is safe to connect balanced dynamic microphones or line level devices when the PHANTOM switch is on, connecting unbalanced devices or devices whose transformer is center grounded will cause hum or malfunctions.
6
Front of House
Main Speakers
Stage Monitors
Power Amp
Graphic EQ |
Power Amp |
Effects Processor
AUX SEND1 |
AUX SEND2 |
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AUX RETURN L/R |
STEREO OUT |
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Cassette Recorder |
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REC OUT L/R |
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CD Player |
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TAPE IN L/R |
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MIXER |
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Headphones |
MIC IN |
LINE IN |
LINE IN |
HEAD PHONES |
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Line Level Sources
Mics
Guitar Effect Processor
7
Maximum output level |
+20dB* (ST OUT L/R) |
@600Ω , 0.5% THD at 1kHz |
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+20dB* (AUX SEND 1–2) |
@600Ω , 0.5% THD at 1kHz |
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Total harmonic distortion |
< 0.1% @+14dB* 20Hz–20kHz (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω ) |
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Frequency response |
20Hz–20kHz +1dB, –2dB @+4dB* (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω ) |
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Hum and noise |
–127dB* |
Equivalent input noise (INPUT 1–6) |
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(Average, Rs=150Ω ) |
–95dB* |
Residual output noise (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω ) |
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–78dB*(ST OUT L/R) |
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Master fader: |
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All channel fader: |
minimum |
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–63dB*(67dB S/N)(ST OUT L/R) |
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Master fader: |
nominal |
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One channel fader: |
nominal |
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–78dB*(AUX SEND 1–2) |
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Master level control: |
nominal |
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All channel AUX level control: minimum |
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–63dB*(67dB S/N)(AUX SEND 1–2) |
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Master level control: |
nominal |
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One channel fader: |
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One channel AUX control: |
nominal |
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Maximum voltage gain |
84dB |
INPUT (1–6) |
→ |
ST OUT |
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44dB |
INPUT (7L–14R) → |
ST OUT |
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76dB |
INPUT (1–6) |
→ |
AUX SEND1 |
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86dB |
INPUT (1–6) |
→ |
AUX SEND2 |
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|||
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62dB |
INPUT (1–6) |
→ |
REC OUT |
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70dB |
INPUT (1–6) |
→ |
MONITOR OUT (PFL SW ON) |
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30dB |
AUX RETURN |
→ |
ST OUT |
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10dB |
SUB IN → |
ST OUT |
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28dB |
TAPE IN → |
ST OUT |
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Crosstalk |
–70dB |
@ 1kHz adjacent input channels |
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–70dB |
@ 1kHz adjacent output channels |
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Gain control (1–6) |
46dB |
variable range |
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INPUT (7L–14R) Input Level Selector |
+4/–10/–20dB* |
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INPUT (1–6) |
± 15dB maximum boost or cut |
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Channel equalization |
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HIGH 12kHz shelving |
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MID |
2.5kHz peaking |
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LOW 80Hz shelving |
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INPUT (7L–14R) |
± 15dB maximum boost or cut |
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Channel equalization |
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HIGH 12kHz shelving |
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LOW 80Hz shelving |
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ST OUT Graphic EQ |
± 12dB at 100, 400, 1k, 5k, 10kHz |
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LED meters |
0dB=+4dB* Output level |
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Channel PEAK indicators |
Red LED on each channel lights when post-EQ signal reaches 3dB below clip level. |
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Phantom power |
+48V, DC |
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||||
Power requirements |
US & Canadian Models: |
AC 120V, 60Hz |
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General Model: |
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AC 230V, 50Hz |
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|||
Power consumption |
US & Canadian Models: |
40W |
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||||
|
General Model: |
|
40W |
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|||
Dimensions (W × H × D) |
430 × 104.9 × 360.1 mm |
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Weight |
6.5kg |
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* 0dB=0.775Vrms.
8
|
Gain |
Input |
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Nominal |
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Input level |
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Input |
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Connector type |
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Trim |
impedance |
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impedance |
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Sensitivity |
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Nominal level |
Maximum non- |
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clipping level |
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MAX |
2.5kΩ |
|
50–600Ω |
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–80dB |
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–60dB |
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–40dB |
XLR-3-31 type |
|||||
MIC IN |
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microphone |
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(77.5µ V) |
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(775µ V) |
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(7.75mV) |
Balanced |
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1=GND |
(1–6) |
MIN |
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–34dB |
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–14dB |
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+6dB |
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2=hot |
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(15.5mV) |
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(0.155V) |
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(1.55V) |
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3=cold |
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MAX |
47kΩ |
|
600Ω |
line |
|
–56dB |
|
–36dB |
|
–16dB |
Phone jack |
|||||
LINE IN |
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(1.23mV) |
|
(12.3mV) |
|
(0.123V) |
Balanced |
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T=hot |
(1–6) |
MIN |
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–10dB |
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+10dB |
|
+30dB |
|||||
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R=cold |
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(0.245V) |
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(2.45V) |
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(24.5V) |
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S=GND |
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–20 |
10kΩ |
|
600Ω |
line |
|
–40dB |
|
–20dB |
|
0dB |
Phone jack |
|||||
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(7.75mV) |
|
(77.5mV) |
|
(0.775V) |
Unbalanced |
|||
INPUT |
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–10 |
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–30dB |
|
–10dB |
|
+10dB |
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||||||||
(7L–14R) |
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(24.5mV) |
|
(0.245V) |
|
(2.45V) |
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+4 |
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–16dB |
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+4dB |
|
+24dB |
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(0.123V) |
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(1.23V) |
|
(12.3V) |
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AUX RETURN |
— |
10kΩ |
|
600Ω |
line |
|
–26dB |
|
–10dB |
|
+20dB |
Phone jack |
|||||
(1L–2R) |
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(38.8V) |
|
(0.245V) |
|
(7.75V) |
Unbalanced |
|||||
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SUB IN |
— |
10kΩ |
|
600Ω |
line |
|
–6dB |
|
+4dB |
|
+24dB |
Phone jack |
|||||
(L/R) |
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(0.388V) |
|
(1.23V) |
|
(12.3V) |
Unbalanced |
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TAPE IN |
— |
10kΩ |
|
600Ω |
line |
|
–26dBV |
|
–10dBV |
|
+18dBV |
RCA pin jack |
|||||
(L/R) |
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(50.1mV) |
|
(316mV) |
|
(7.75V) |
Unbalanced |
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0dB=0.775Vrms., 0dBV=1Vrms |
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||||
■ Output Specifications |
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Output |
|
Nominal |
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Output level |
|
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Connector type |
|||||
Output |
|
|
impedance |
|
impedance |
|
Nominal level |
|
Maximum non- |
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|||||||
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|
clipping level |
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|||||||||
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ST OUT (L/R) |
|
|
75Ω |
|
600Ω |
Lines |
|
+4dB (1.23V) |
|
+20dB (7.75V) |
|
Phone jack |
|||||
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AUX SEND (1–2) |
|
|
75Ω |
|
600Ω |
Lines |
|
+4dB (1.23V) |
|
+20dB (7.75V) |
|
Phone jack |
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MONITOR OUT (L/R) |
|
75Ω |
|
600Ω |
Lines |
|
+4dB (1.23V) |
|
+20dB (7.75V) |
|
Phone jack |
||||||
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REC OUT (L/R) |
|
|
600Ω |
|
10Ω |
Lines |
|
–10dBV (316mV) |
|
+10dBV (3.16V) |
|
RCA pin jack |
|||||
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HEAD PHONE |
|
|
100Ω |
40Ω |
Phones |
|
|
3mW |
|
|
120mW |
|
Stereo phone jack |
||||
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0dB=0.775Vrms., 0dBV=1Vrms Outputs are unbalanced
318
397
W:430
3.9
357.4
H:104.9 |
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|
93.4 |
7.6 |
||
2 |
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. |
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43 |
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8 |
|
1 |
|
6 . |
|||
. . |
360 |
||
271 |
357 |
||
: |
|||
|
|
D |
Units: mm
78.5
Specifications and appearance subject to change without notice.
9
|
|
PHANTOM |
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OFF |
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(+48V) |
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STEREO |
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CTRL |
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AUX |
PFL |
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ON |
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||||
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(MIC IN) |
PHANTOM |
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L R 1 2 L R PFL |
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||||||
|
(PHANTOM) |
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PEAK |
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|||||
MIC IN |
|
HA |
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EQ |
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BA |
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1–6 |
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PAN |
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SUM |
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GEQ |
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INV |
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|||
LINE IN |
PAD |
GAIN |
LOW |
MID |
HIGH |
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AUX 2 |
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100 400 |
1k |
5k |
10k |
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1–6 |
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AUX 1 |
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(+V) |
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SUM |
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GEQ |
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INV |
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PFL |
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L / MONO |
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HA |
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EQ |
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BA |
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+4dB |
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–10dB |
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LOW |
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HIGH |
PEAK |
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LINE IN |
–20dB |
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BALANCE |
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7–14 |
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HA |
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EQ |
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BA |
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SUM |
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R |
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AUX 1 |
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SUM |
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(+V) |
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(ST L) |
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PFL |
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PFL |
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L |
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HA |
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BA |
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TAPE IN |
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TAPE IN |
TO MONI |
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(ST R) |
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–10dBV |
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R |
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HA |
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BA |
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L/MONO |
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HA |
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SUM |
INV |
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AUX RETURN |
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AUX RETURN 1,2 |
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1,2 |
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–10dB |
|
HA |
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SUM |
INV |
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R |
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L |
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SUB IN |
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+4dB |
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R |
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[dB] |
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+10 |
LINE IN 1–6[+10] |
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LINE IN 7–14[+4] |
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0 |
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ST |
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LINE IN 7–14[–10] |
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AUX |
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–10 |
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MIC IN[–14] |
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–20 |
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LINE IN 7–14[–20] |
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–30 |
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LINE IN 1–6[–36] |
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–40 |
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–50 |
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MIC IN[–60] |
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–60 |
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METER
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L |
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(MONI) |
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ST OUT |
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METER |
+4dB |
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R |
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(MONI) |
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PAD |
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L |
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REC OUT |
PAD |
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–10dBV |
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R |
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AUX SEND 1 |
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1 |
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AUX SEND |
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+4dB |
AUX SEND 2 |
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2 |
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L |
MONITOR |
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MONI OUT |
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+4dB |
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R |
PHONES |
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[dB] |
ST OUT |
+10 |
AUX SEND |
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AUX |
0 |
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ST |
–10 |
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–20 |
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–30 |
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–40 |
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–50 |
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–60 |
10
MELANGEUR
MANUEL D’INSTRUCTIONS