Yamaha MM 1402 User Manual

4 (1)
Yamaha MM 1402 User Manual

MIXER

MELANGEUR

MISCHPULTE

MEZCLA

Operation Manual

Manuel d’instructions

Bedienungsanleitung

Manual de Operación

 

 

 

 

 

 

 

 

MIC IN

 

 

 

 

 

 

 

 

 

 

 

 

 

LINE IN

 

 

 

 

 

SUB IN +4dB TAPE IN –10dBV REC OUT –10dBV

 

ST OUT +4dB

 

1

 

 

2

 

 

3

 

 

4

 

 

5

 

 

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

L

 

 

L

 

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

R

 

 

R

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX RETURN –10dB

AUX SEND +4dB

MONI OUT +4dB

 

 

 

 

 

 

 

 

LINE IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7L

 

 

9L

 

 

11L

 

 

13L

1L

 

 

2L

 

1

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONO

 

 

MONO

 

 

MONO

 

 

MONO

MONO

 

MONO

 

 

 

 

 

 

1

 

 

2

 

 

3

 

 

4

 

 

5

 

 

6

 

 

8R

 

 

10R

 

 

12R

 

 

14R

1R

 

 

2R

 

2

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+4dB

 

–20dB

+4dB

 

–20dB

+4dB

 

–20dB

+4dB

 

–20dB

 

 

 

 

 

 

 

 

–14

GAIN

–60

–14

GAIN

–60

–14

GAIN

–60

–14

GAIN

–60

–14

GAIN

–60

–14

GAIN

–60

–10dB

–10dB

–10dB

–10dB

 

 

 

 

 

 

 

 

+10

–36

+10

–36

+10

–36

+10

–36

+10

–36

+10

–36

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

 

 

 

 

 

 

 

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

–15

HIGH +15

 

 

 

 

 

 

 

PHANTOM

00 –20 –15 –10 –6 –3

0 +2

+4

+6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STEREO GRAPHIC EQUALIZER

 

PFL

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MID

MID

MID

MID

MID

MID

 

 

 

 

 

 

 

 

 

 

 

 

+12

 

 

 

 

 

 

+12

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

9

 

 

 

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

6

 

 

 

 

 

 

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

 

 

 

 

3

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

3

 

 

 

 

 

 

3

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

–15

 

+15

6

 

 

 

 

 

 

6

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

9

 

 

 

 

 

 

9

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–12

 

 

 

 

 

 

–12

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

100

400

1k

5k

10k

 

 

0 AUX 1

10

0 AUX 1

10

0 AUX 1

10

0 AUX 1

10

0 AUX 1

10

0 AUX 1

10

0 AUX 1 10

0 AUX 1 10

0 AUX 1 10

0 AUX 1 10

MIXER

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

AUX 2

10

0

AUX 2

10

0

AUX 2

10

0

AUX 2

10

0

AUX 2

10

0

AUX 2

10

 

 

 

 

 

 

 

 

 

 

 

 

0

10

 

0

10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX SEND 1

 

AUX SEND 2

 

 

 

L

PAN

R

L

PAN

R

L

PAN

R

L

PAN

R

L

PAN

R

L

PAN

R

L

 

R

L

 

R

L

 

R

L

 

R

0

10

 

0

10

 

0

10

 

 

 

 

 

 

 

 

 

 

 

 

BALANCE

BALANCE

BALANCE

BALANCE

AUX RETURN 1

 

AUX RETURN 2

 

 

TAPE IN

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

PEAK

 

 

 

 

 

 

 

 

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

PFL

 

 

 

 

 

 

 

TO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONI

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STEREO

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

R

 

 

 

1

 

 

2

 

 

3

 

 

4

 

 

5

 

 

6

 

 

7

 

8 9

 

10 11

 

12 13

 

14

 

 

 

 

 

 

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

 

0

10

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONITOR

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

 

 

 

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

0

 

 

 

 

 

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

5

 

 

 

 

 

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

10

 

 

 

0

10

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

15

 

 

 

PHONES

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

20

 

 

 

 

 

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

30

 

 

 

 

 

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

00

 

 

 

 

 

FCC INFORMATION (U.S.A.)

1.IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2.IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.

3.NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference

Utilize power outlets that are on different branch (circuit breaker of fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to coaxial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America. Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA 90620

*This applies only to products distributed by YAMAHA CORPORATION OF AMERICA

Dette apparat overholder det gaeldende EF-direktiv vedtrørende radiostøj.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG.

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/ EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

GREEN-AND-YELLOW : EARTH

BLUE

: NEUTRAL

BROWN

: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings idenlifying the terminals in your plug, proceed as follows:

The wire which is coloured GREEN and YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or coloured GREEN and YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

* This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.)

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B” LIMITS FOR RADIO NOISE EMISSIONS

FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.

*This applies only to products distributed by YAMAHA CANADA MUSIC LTD.

Litiumbatter!

Bör endast bytas av servicepersonal.

Explosionsfara vid felaktig hantering.

VAROITUS!

Lithiumparisto, Räjähdysvaara.

Pariston saa vaihtaa ainoastaan aian ammattimies.

ADVARSELl!

Lithiumbatter!

Eksplosionsfare. Udskiftning må kun foretages af en sagkyndig, –og som beskrevet i servicemanualen.

LTD.

English

MIXER

OPERATION MANUAL

Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/ EEG).

AYTH H Σ YΣ KEYH ANTAΠ OKPINETAI Σ TIΣ AΠ AITHΣ EIΣ TN OHΓ IN THΣ EYPΩΠ AIKHΣ OIKONOMIKHΣ KOINOTHTAΣ 82/499/E.O.K..

Este produto está de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC.

Dette apparat overholder det gaeldende EF-direktiv vedrørende radiostøj.

Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/ oder 87/308/EWG.

This product complies with the radio frequency interference requirements of the Council Directive 82/499/EEC and/or 87/308/ EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

IMPORTANT NOTICE FOR

THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT: The wires in this mains lead are coloured in accordance with the following code:

BLUE

: NEUTRAL

BROWN

: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of the three pin plug.

*This applies only to products distributed by YAMAHA KEMBLE MUSIC (U.K.) LTD.

Introduction

Thank you for purchasing the Yamaha MM1402 mixer. The MM1402 is a mixer that provides 6 MONO IN channels and 4 STEREO IN channels, for a total of 14 inputs. It is a console-type stereo mixer suitable for a wide variety of input sources.

Features

The six MONO IN channels feature two types of input jack; XLR type MIC IN jacks (continuously variable over –14 ~ –60 dB, balanced) and TRS phone LINE IN jacks (continuously variable over +10 ~ –36 db, balanced). The MIC IN jacks are also able to provide +48 V phantom power for condenser mics.

Each of the four STEREO IN channels features L/MONO and R phone jacks (switchable – 20/–10/+4 dB, unbalanced), two band equalization, and an AUX SEND (PRE) system, meeting the requirements of a wide variety of sources.

Two AUX return systems are provided for use as effect unit returns or stereo source inputs. TAPE IN and REC OUT jacks are also provided for recording/playback on a stereo recorder.

All of the 14 inputs provide a PFL (pre fader listen) switch, allowing you to monitor the signal or input level using headphones or MONITOR OUT.

A five-band master graphic equalizer is provided in the STEREO OUT stage, allowing equalization of the overall output for sound field compensation or feedback prevention.

Contents

 

Precautions ............................................................................

1

Control panel .........................................................................

2

Channel control section

 

(mono input section) ..................................................

2

(Stereo input section) .................................................

3

Master control section ......................................................

4

Panel ......................................................................................

6

Application Example .............................................................

7

Specifications ........................................................................

8

General Specifications .....................................................

8

Input Specifications .........................................................

9

Output Specifications .......................................................

9

Dimensions ......................................................................

9

Block and Level Diagrams ............................................

10

Precautions

1.Location

Keep the unit away from locations where it is likely to be exposed to high temperatures or humidity — such as near radiators, stoves, etc. Also avoid locations which are subject to excessive dust accumulation or vibration which could cause mechanical damage and locations subject to strong electromagnetic fields, such as close to broadcast equipment.

2.Ventilation

The unit has ventilation slots on the side and bottom panels. Do not block these vents.

3.Avoid Physical Shocks

Strong physical shocks to the unit can cause damage. Handle it with care.

4.Do Not Open the Case or Attempt Repairs or Modifications Yourself

This product contains no user-serviceable parts. Refer all maintenance to qualified Yamaha service personnel. Opening the case and/or tampering with the internal circuitry voids the warranty.

5.Always power off before making connections

Always turn the power OFF before connecting or disconnecting cables. This is important to prevent damage to the unit itself as well as other connected equipment.

6.Handle Cables Carefully

Always plug and unplug cables — including the AC power cord — by gripping the connector, not the cord.

7.Clean With a Soft Dry Cloth

Never use solvents such as benzine or thinner to clean the unit. Wipe clean with a soft, dry cloth.

8.Always Use the Correct Power Supply

Make sure that the power supply voltage specified on the rear panel matches your local AC mains supply. Also make sure that the AC mains supply can deliver more than enough current to handle all equipment used in your system.

1

Control panel

Channel control section (mono input section)

–14

+10

–15

–15

–15

0

0

L

1

–60 GAIN –36

HIGH +15

MID +15

LOW +15

AUX 1 10

AUX 2 10

R

PAN PEAK

PFL

10

5

0

5

10

15

20

30

00

1

2

3

4

5

6

7

1GAIN control

Use this knob to adjust the level of the input signal to the optimal level.

For the best balance of S/N ratio and dynamic range, adjust this knob so that the peak indicator 5 lights occasionally.

For mic inputs connected to the XLR connector, the range is –14dB – –60dB. For line inputs connected to the phone connector, the range is +10 – –36dB.

2HIGH, MID, LOW equalizer (3 band)

These knobs control high, mid and low equalization at the following frequen-

cies.

HIGH: 12kHz, maximum effect ± 15dB MID: 2.5kHz, maximum effect ± 15dB LOW: 80Hz, maximum effect ± 15dB

When the knob is in the center position, the response will be flat.

3AUX 1, 2 controls

These knobs control the level of the signal that is output to the AUX buses. Since AUX1 is placed before the channel fader, it will be unaffected by the position of the channel fader. Since AUX2 is placed after the channel fader, it will be affected by the channel fader level. By outputting a signal only from AUX SEND 1 or AUX SEND 2 and not from the ST OUT jacks, you can also use these as supplementary outputs.

4PAN control (panpot)

This knob assigns the signal of each channel to the STEREO L and R buses, determining the stereo location of the sound.

5PEAK indicator

This indicator detects the level of the signal at a point after the EQ (pre fader). It will light red at 3dB before clipping to warn that the signal is approaching clipping level.

6PFL switch (input channel)

This switch allows you to monitor the signal of the input channel at the pre fader level. You can use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that is having problems.

7Channel fader

This fader controls the output level of the input channel signal, adjusting the volume balance between channels. Faders of channels not in use should be pulled down.

 

PHANTOM

 

 

 

 

 

 

 

 

 

OFF

 

(+48V)

STEREO

 

PFL CTRL

 

 

 

 

AUX

 

 

ON

 

 

 

 

(MIC IN)

PHANTOM

 

 

L R 1 2 L R PFL

 

 

 

 

 

(PHANTOM)

 

 

 

PEAK

MIC IN

 

HA

 

EQ

 

BA

 

 

1–6

 

 

 

 

 

 

 

 

 

 

PAN

 

 

 

 

 

 

 

 

 

 

1–6

PAD

GAIN

LOW

MID

HIGH

AUX 2

 

 

LINE IN

 

 

 

 

 

 

 

 

 

 

 

 

AUX 1

 

 

 

 

 

 

 

 

(+V)

 

 

 

 

 

 

 

 

PFL

 

 

2

(Stereo input section)

+4dB

–20dB

8

 

–10dB

 

–15

HIGH +15

 

 

 

9

–15

LOW +15

 

 

 

0

0 AUX 1 10

 

 

 

A

L

R

 

BALANCE

B

 

PEAK

 

PFL

C

7

8

 

 

10

 

 

5

 

 

0

D

 

 

 

5

 

 

10

 

 

15

 

 

20

 

 

30

 

 

00

 

8GAIN select switch

Use this switch to adjust the sensitivity of the input as appropriate for the level of the input signal.

For the best balance of S/N ratio and dynamic range, adjust this switch so that the peak indicator B lights occasionally.

9HIGH, LOW equalizer (2 band)

These knobs control high mid and low equalization at the following frequen-

cies.

HIGH: 12kHz, maximum effect ± 15dB LOW: 80Hz, maximum effect ± 15dB

When the knob is in the center position, the response will be flat.

0AUX1 control

This knob controls the level of the signal that is output to the AUX bus. Since AUX1 is placed before the channel fader, it will be unaffected by the position of the channel fader. By outputting a signal only from AUX SEND 1 and not from the ST OUT jacks, you can also use this as a supplementary output.

ABalance control

This knob adjusts the left/right location of the stereo input signal.

BPEAK indicator

This indicator detects the level of the signal at a point after the EQ (pre fader). It will light red at 3dB before clipping to warn that the signal is approaching clipping level.

CPFL switch (input channel)

This switch allows you to monitor the signal of the input channel at the pre fader level. You can use headphones or MONI OUT to conveniently check the input signal of a specific channel, or trouble-shoot a channel that is having problems.

D Channel fader

This fader controls the output level of the input channel signal, adjusting the volume balance between channels. Faders of channels not in use should be pulled down.

STEREO

AUX

PFL

CTRL

L R 1 2 L R

PFL

L/MONO

 

HA

EQ

 

BA

+4dB

 

 

 

 

 

–10dB

LOW

HIGH

PEAK

 

LINE IN

–20dB

BALANCE

 

 

 

 

 

 

 

7–14

 

 

 

 

 

R

 

HA

EQ

 

BA

 

 

 

 

 

 

 

 

 

 

AUX 1

 

 

 

 

 

(+V)

 

 

 

 

 

PFL

3

Master control section

EST L, R master control

These faders adjust the final level of all channels, and output the combined signal to the ST OUT jacks. The OUTPUT LEVEL L, R meters allow you to monitor the L and R outputs.

 

 

 

 

 

 

 

 

 

 

 

F AUX RETURN 1-2 controls

 

 

 

 

 

 

 

 

 

 

 

The knobs control the input levels from the effect units

 

 

 

 

 

 

 

 

 

 

 

etc. connected to AUX RETURN. Since the signals input

 

L

 

 

 

 

 

 

 

 

J

at AUX RETURN pass through this control and are then

 

 

 

 

 

 

 

PHANTOM

output from the ST OUT jacks, AUX RETURN can be

K

 

 

 

 

 

 

 

 

00 –20 –15 –10 –6

–3

0

+2

+4

+6

 

 

used not only to input the signals from effect units but also

 

 

 

 

 

 

 

 

 

 

 

 

R

 

 

 

 

 

 

 

PFL

I

as supplementary inputs.

 

STEREO GRAPHIC EQUALIZER

 

 

 

 

 

 

 

 

 

 

 

+12

 

 

 

 

 

 

+12

 

 

L/MONO

HA

 

9

 

 

 

 

 

 

9

 

 

 

 

6

 

 

 

 

 

 

6

 

 

AUX RETURN

AUX RETURN 1,2

 

3

 

 

 

 

 

 

3

 

H

1,2

 

0

 

 

 

 

 

 

0

 

 

 

 

 

 

 

 

 

 

–10dB

 

 

3

 

 

 

 

 

 

3

 

HA

 

6

 

 

 

 

 

 

6

 

 

R

 

 

9

 

 

 

 

 

 

9

 

 

 

 

 

–12

 

 

 

 

 

 

–12

 

 

 

 

 

100

400

1k

5k

10k

 

 

 

 

 

 

MIXER

 

 

 

 

 

 

 

 

 

G AUX SEND 1, 2 controls

 

 

 

 

 

 

 

 

 

 

 

These knobs adjust the level of the signals that are output

G

 

 

 

 

 

 

 

 

 

 

to AUX SEND 1 and 2.

 

 

 

 

 

 

 

 

 

 

 

 

 

0

10

0

 

 

10

 

 

 

 

H Graphic equalizer (5 band)

 

AUX SEND 1

AUX SEND 2

 

 

 

 

 

 

 

 

 

Since this equalizer is placed before ST OUT, it allows

 

 

 

 

 

 

 

 

 

 

L

F

 

 

 

 

 

 

 

 

 

you to make fine adjustments in equalization to the overall

 

 

 

 

 

 

 

 

 

 

 

0

10

0

 

 

10

 

0

10

 

output, for

sound field compensation or to prevent

 

AUX RETURN 1

AUX RETURN 2

 

TAPE IN

 

feedback.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TO

M

I PFL indicator

 

 

STEREO

 

 

 

 

 

MONI

 

L

 

 

R

 

 

 

 

This indicator will light when a PFL switch is turned ON.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

N

 

 

 

 

 

 

 

 

 

 

 

 

J PHANTOM indicator

 

 

 

 

 

 

 

 

 

 

 

 

 

10

 

 

 

 

 

0

10

 

This indicator will light when the PHANTOM switch is

 

 

 

 

 

 

 

 

MONITOR

 

ON.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

5

 

 

 

 

 

 

 

 

K OUTPUT LEVEL L, R meters

 

 

0

 

 

 

 

 

 

 

 

 

 

5

 

 

 

 

 

 

 

O

These meters indicate the output level to the ST OUT

 

 

10

 

 

 

 

 

0

10

 

jacks.

 

 

 

15

 

 

 

 

 

PHONES

 

 

 

 

 

20

 

 

 

 

 

 

 

 

L TAPE input control

 

 

30

 

 

 

 

 

 

 

 

 

 

00

 

 

 

 

 

 

 

 

This knob controls the input signal of the tape deck etc.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

P

that is connected to the TAPE IN jacks.

E

 

 

 

 

 

 

 

 

 

 

M TAPE INPUT select switch

This switch selects the destination of the input signal of the tape deck etc. that is connected to the TAPE IN jacks. OFF: sent to the stereo bus

ON: sent to MONI OUT (L, R)

N MONITOR control

This knob adjusts the output level from the MONI OUT jacks.

O PHONES control

This knob adjusts the volume of the headphones connected to the headphone jack.

4

PPHONE jack

A set of stereo headphones can be connected to this jack. Normally, the headphones will monitor the same signal as the STEREO OUT jacks, but the following two signals can also be monitored.

1.When a 8 PFL switch is turned on, the signal of the input channel after the equalizer will be monitored.

2.When the M TAPE input select switch is turned on, the signal input to the TAPE IN jacks will be monitored.

L

TAPE IN –10dBV

R

L/MONO AUX RETURN

1,2

–10dB

R

L

SUB IN +4dB

R

 

STEREO

AUX

PFL

CTRL

 

 

 

 

 

L R 1 2 L R

PFL

 

 

 

 

 

 

 

 

 

 

 

 

METER

 

 

 

 

SUM

 

GEQ

 

INV

 

 

 

 

100

400

 

 

(MONI)

 

 

 

 

1k

5k

10k

 

 

 

 

 

 

 

 

METER

 

 

 

 

SUM

 

GEQ

 

INV

 

 

 

 

 

 

 

 

(MONI)

 

 

 

 

 

 

 

 

PAD

 

 

 

 

 

 

 

 

PAD

 

 

 

 

SUM

 

 

 

 

 

 

 

 

 

 

 

 

AUX SEND 1

 

 

 

 

SUM

 

 

 

 

 

 

 

 

 

 

 

 

AUX SEND 2

 

 

 

 

(ST L)

 

 

PFL

 

 

 

 

 

 

 

 

HA

BA

 

 

 

 

 

 

 

TAPE IN

TO MONI

 

 

(ST R)

 

 

MONITOR

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HA

BA

 

 

 

 

 

 

 

HA

 

 

 

 

 

 

 

 

 

 

 

 

SUM

INV

 

 

PHONES

 

AUX RETURN 1,2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HA

 

 

 

SUM

INV

 

 

 

 

 

 

 

 

 

 

L

ST OUT +4dB

R

L

REC OUT –10dBV

R

1

AUX SEND +4dB

2

L

MONI OUT +4dB

R

5

Panel

1

 

 

 

 

 

 

 

 

 

0

 

9 8

7

 

 

MIC IN

 

 

 

 

LINE IN

 

 

SUB IN +4dB

TAPE IN –10dBV REC OUT –10dBV

ST OUT +4dB

1

2

3

4

5

6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

L

L

 

L

L

 

 

 

 

 

 

 

 

 

 

R

R

 

R

R

 

 

 

 

 

 

 

 

 

 

AUX RETURN –10dB

AUX SEND +4dB

MONI OUT +4dB

 

 

LINE IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7L

9L

11L

13L

1L

 

2L

1

L

 

 

 

 

 

 

MONO

MONO

MONO

MONO

MONO

 

MONO

 

 

1

2

3

4

5

6

8R

10R

12R

14R

1R

 

2R

2

R

2

 

 

 

 

 

 

3

 

 

5

 

4

6

1MIC IN

These are XLR type connectors to which microphones can

be connected (1: GND, 2: hot, 3: cold). The nominal impedance is 50–600.

Turn the PHANTOM switch ON to apply +48V DC to Pin 2 and 3 of MIC IN connectors 1–6.

Phantom Power Warning

To prevent hazard or damage, connect only microphones and cables that conform to the IEC288-15A standard.

2LINE IN (1–6)

These are balanced phone connectors to which line-level

equipment can be connected (T: hot, R: cold, S: GND). The nominal impedance is 600.

3LINE IN (7L–14R)

These are unbalanced phone jacks to which line level devices can be connected. They are used as four sets of stereo inputs (7L, 8R)–(13L, 14R). If only the L jack is used, the input signal will be mono and the same signal will be input to the R jack as well.

8REC OUT (L, R)

These jacks output the signal from before the ST OUT (L, R) faders.

9TAPE IN (L, R)

These jacks are used as inputs for a sound source such as a tape recorder.

0SUB IN (L, R)

These are supplementary inputs. The signal input here is sent to the stereo bus.

4AUX SEND (1, 2)

These are unbalanced phone jacks.

The nominal output level and nominal impedance are +4dB/600.

5AUX RTN (1, 2)

These are unbalanced phone jacks.

The nominal output level and nominal impedance are – 10dB/600. They are used as two sets of stereo inputs

(1L, 1R)–(2L, 2R). If only the L jack is used, the input signal will be mono and the same signal will be input to the R jack as well.

6MONI OUT (L, R)

These are unbalanced phone jacks to which the power amp driving your monitor speakers can be connected. They output the same signal as the PHONE jack located on the control panel.

7ST OUT (L, R)

These are unbalanced phone jacks to which the power amp driving your main speakers can be connected.

AB

POWER

PHANTOM

ON

ON

 

OFF

OFF

APOWER switch

This switch turns the power on.

BPHANTOM switch

This switch turns the phantom power on/off for all channels.

Use this when you are using condenser microphones. When this switch is turned on, DC +48 V will be supplied to pins 2 and 3 of each input MIC IN 1–6.

If your microphones do not require phantom power, be sure to turn this switch off.

*Although it is safe to connect balanced dynamic microphones or line level devices when the PHANTOM switch is on, connecting unbalanced devices or devices whose transformer is center grounded will cause hum or malfunctions.

6

Application Example

Front of House

Main Speakers

Stage Monitors

Power Amp

Graphic EQ

Power Amp

Effects Processor

AUX SEND1

AUX SEND2

 

AUX RETURN L/R

STEREO OUT

 

 

 

 

 

 

 

 

Cassette Recorder

 

 

 

REC OUT L/R

 

 

 

CD Player

 

 

 

TAPE IN L/R

 

 

 

MIXER

 

 

 

Headphones

MIC IN

LINE IN

LINE IN

HEAD PHONES

 

L/R

L/R

 

Line Level Sources

Mics

Guitar Effect Processor

7

Specifications

General Specifications

Maximum output level

+20dB* (ST OUT L/R)

@600Ω , 0.5% THD at 1kHz

 

 

+20dB* (AUX SEND 1–2)

@600Ω , 0.5% THD at 1kHz

 

 

 

 

Total harmonic distortion

< 0.1% @+14dB* 20Hz–20kHz (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω )

 

 

 

Frequency response

20Hz–20kHz +1dB, –2dB @+4dB* (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω )

 

 

 

 

 

Hum and noise

–127dB*

Equivalent input noise (INPUT 1–6)

 

(Average, Rs=150Ω )

–95dB*

Residual output noise (ST OUT L/R @600Ω , AUX SEND 1–2 @600Ω )

(20Hz–20kHz)

 

 

 

 

 

 

 

 

–78dB*(ST OUT L/R)

 

 

 

Master fader:

nominal

 

 

 

 

 

 

 

 

 

 

 

All channel fader:

minimum

 

 

 

 

 

 

–63dB*(67dB S/N)(ST OUT L/R)

 

Master fader:

nominal

 

 

 

 

 

 

 

One channel fader:

nominal

 

 

 

 

 

 

 

–78dB*(AUX SEND 1–2)

 

 

Master level control:

nominal

 

 

 

 

 

 

 

All channel AUX level control: minimum

 

 

 

 

 

 

–63dB*(67dB S/N)(AUX SEND 1–2)

 

Master level control:

nominal

 

 

 

 

 

 

 

One channel fader:

 

 

 

 

 

 

 

 

One channel AUX control:

nominal

 

 

 

 

 

 

 

 

Maximum voltage gain

84dB

INPUT (1–6)

ST OUT

 

 

 

44dB

INPUT (7L–14R) →

ST OUT

 

 

 

76dB

INPUT (1–6)

AUX SEND1

 

 

86dB

INPUT (1–6)

AUX SEND2

 

 

62dB

INPUT (1–6)

REC OUT

 

 

 

70dB

INPUT (1–6)

MONITOR OUT (PFL SW ON)

 

 

30dB

AUX RETURN

ST OUT

 

 

 

10dB

SUB IN →

ST OUT

 

 

 

28dB

TAPE IN →

ST OUT

 

 

 

 

 

 

 

Crosstalk

–70dB

@ 1kHz adjacent input channels

 

 

–70dB

@ 1kHz adjacent output channels

 

 

 

 

 

 

 

 

 

Gain control (1–6)

46dB

variable range

 

 

 

 

 

 

 

 

 

 

 

 

INPUT (7L–14R) Input Level Selector

+4/–10/–20dB*

 

 

 

 

 

 

 

 

 

 

INPUT (1–6)

± 15dB maximum boost or cut

 

 

Channel equalization

 

 

HIGH 12kHz shelving

 

 

 

 

 

MID

2.5kHz peaking

 

 

 

 

 

LOW 80Hz shelving

 

 

 

 

 

 

 

INPUT (7L–14R)

± 15dB maximum boost or cut

 

 

Channel equalization

 

 

HIGH 12kHz shelving

 

 

 

 

 

LOW 80Hz shelving

 

 

 

 

 

 

 

ST OUT Graphic EQ

± 12dB at 100, 400, 1k, 5k, 10kHz

 

 

 

 

 

 

 

 

LED meters

0dB=+4dB* Output level

 

 

 

 

 

 

 

Channel PEAK indicators

Red LED on each channel lights when post-EQ signal reaches 3dB below clip level.

 

 

 

 

 

 

 

 

Phantom power

+48V, DC

 

 

 

 

 

 

 

 

 

 

 

Power requirements

US & Canadian Models:

AC 120V, 60Hz

 

 

General Model:

 

AC 230V, 50Hz

 

 

 

 

 

 

 

Power consumption

US & Canadian Models:

40W

 

 

 

General Model:

 

40W

 

 

 

 

 

 

 

 

Dimensions (W × H × D)

430 × 104.9 × 360.1 mm

 

 

 

 

 

 

 

 

 

 

 

 

 

Weight

6.5kg

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

* 0dB=0.775Vrms.

8

Input Specifications

 

Gain

Input

 

Nominal

 

 

 

 

Input level

 

 

 

 

Input

 

 

 

 

 

 

 

 

 

 

Connector type

Trim

impedance

 

impedance

 

Sensitivity

 

Nominal level

Maximum non-

 

 

 

 

clipping level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAX

2.5kΩ

 

50–600Ω

 

 

–80dB

 

–60dB

 

–40dB

XLR-3-31 type

MIC IN

 

 

 

 

microphone

 

(77.5µ V)

 

(775µ V)

 

(7.75mV)

Balanced

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1=GND

(1–6)

MIN

 

 

 

 

 

 

–34dB

 

–14dB

 

+6dB

 

 

 

 

 

 

 

 

2=hot

 

 

 

 

 

 

 

 

 

(15.5mV)

 

(0.155V)

 

(1.55V)

 

 

 

 

 

 

 

 

 

 

 

3=cold

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MAX

47kΩ

 

600Ω

line

 

–56dB

 

–36dB

 

–16dB

Phone jack

LINE IN

 

 

 

 

 

 

 

 

(1.23mV)

 

(12.3mV)

 

(0.123V)

Balanced

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

T=hot

(1–6)

MIN

 

 

 

 

 

 

–10dB

 

+10dB

 

+30dB

 

 

 

 

 

 

 

 

R=cold

 

 

 

 

 

 

 

 

 

(0.245V)

 

(2.45V)

 

(24.5V)

 

 

 

 

 

 

 

 

 

 

 

S=GND

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–20

10kΩ

 

600Ω

line

 

–40dB

 

–20dB

 

0dB

Phone jack

 

 

 

 

 

 

 

 

 

(7.75mV)

 

(77.5mV)

 

(0.775V)

Unbalanced

INPUT

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–10

 

 

 

 

 

 

–30dB

 

–10dB

 

+10dB

 

 

 

 

 

 

 

 

 

 

 

(7L–14R)

 

 

 

 

 

 

 

 

(24.5mV)

 

(0.245V)

 

(2.45V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+4

 

 

 

 

 

 

 

–16dB

 

+4dB

 

+24dB

 

 

 

 

 

 

 

 

 

 

(0.123V)

 

(1.23V)

 

(12.3V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX RETURN

10kΩ

 

600Ω

line

 

–26dB

 

–10dB

 

+20dB

Phone jack

(1L–2R)

 

 

 

 

 

 

(38.8V)

 

(0.245V)

 

(7.75V)

Unbalanced

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SUB IN

10kΩ

 

600Ω

line

 

–6dB

 

+4dB

 

+24dB

Phone jack

(L/R)

 

 

 

 

 

 

(0.388V)

 

(1.23V)

 

(12.3V)

Unbalanced

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TAPE IN

10kΩ

 

600Ω

line

 

–26dBV

 

–10dBV

 

+18dBV

RCA pin jack

(L/R)

 

 

 

 

 

 

(50.1mV)

 

(316mV)

 

(7.75V)

Unbalanced

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0dB=0.775Vrms., 0dBV=1Vrms

 

 

 

 

 

 

 

 

 

 

 

 

 

Output Specifications

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Output

 

Nominal

 

 

 

Output level

 

 

Connector type

Output

 

 

impedance

 

impedance

 

Nominal level

 

Maximum non-

 

 

 

 

 

 

 

clipping level

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

ST OUT (L/R)

 

 

75Ω

 

600Ω

Lines

 

+4dB (1.23V)

 

+20dB (7.75V)

 

Phone jack

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX SEND (1–2)

 

 

75Ω

 

600Ω

Lines

 

+4dB (1.23V)

 

+20dB (7.75V)

 

Phone jack

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MONITOR OUT (L/R)

 

75Ω

 

600Ω

Lines

 

+4dB (1.23V)

 

+20dB (7.75V)

 

Phone jack

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REC OUT (L/R)

 

 

600Ω

 

10Ω

Lines

 

–10dBV (316mV)

 

+10dBV (3.16V)

 

RCA pin jack

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HEAD PHONE

 

 

100Ω

40Ω

Phones

 

 

3mW

 

 

120mW

 

Stereo phone jack

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0dB=0.775Vrms., 0dBV=1Vrms Outputs are unbalanced

Dimensions

318

397

W:430

3.9

357.4

H:104.9

 

 

93.4

7.6

2

 

 

.

 

 

43

 

 

8

 

1

6 .

. .

360

271

357

:

 

 

D

Units: mm

78.5

Specifications and appearance subject to change without notice.

9

Block and Level Diagrams

 

 

PHANTOM

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

OFF

 

(+48V)

 

STEREO

 

 

CTRL

 

 

 

 

 

 

 

 

 

 

AUX

PFL

 

 

 

 

 

 

 

ON

 

 

 

 

 

 

 

 

 

 

(MIC IN)

PHANTOM

 

 

 

L R 1 2 L R PFL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(PHANTOM)

 

 

 

 

PEAK

 

 

 

 

MIC IN

 

HA

 

EQ

 

 

BA

 

 

 

 

 

 

 

 

1–6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

PAN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SUM

 

GEQ

 

INV

 

 

 

 

 

 

 

 

 

 

 

 

 

LINE IN

PAD

GAIN

LOW

MID

HIGH

 

AUX 2

 

 

 

100 400

1k

5k

10k

 

 

 

 

 

 

1–6

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

(+V)

 

 

SUM

 

GEQ

 

INV

 

 

 

 

 

 

 

 

PFL

 

 

 

 

L / MONO

 

HA

 

EQ

 

 

BA

 

 

 

 

 

 

 

+4dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–10dB

 

LOW

 

HIGH

PEAK

 

 

 

 

 

 

 

 

LINE IN

–20dB

 

 

BALANCE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

7–14

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

HA

 

EQ

 

 

BA

 

 

SUM

 

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SUM

 

 

 

 

 

 

 

 

 

 

 

 

(+V)

 

 

 

(ST L)

 

 

PFL

 

 

 

 

 

 

 

 

PFL

 

 

 

 

 

 

 

L

 

HA

 

 

 

 

BA

 

 

 

 

 

 

 

 

TAPE IN

 

 

 

 

 

TAPE IN

TO MONI

 

 

 

(ST R)

 

 

 

 

–10dBV

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

 

HA

 

 

 

 

BA

 

 

 

 

 

 

 

 

L/MONO

 

HA

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SUM

INV

 

 

 

 

AUX RETURN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

AUX RETURN 1,2

 

 

 

 

 

 

 

 

1,2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–10dB

 

HA

 

 

 

 

 

 

 

SUM

INV

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

L

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

SUB IN

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+4dB

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

R

 

 

 

 

 

 

 

 

 

 

 

 

 

 

[dB]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

+10

LINE IN 1–6[+10]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LINE IN 7–14[+4]

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

 

 

 

 

ST

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LINE IN 7–14[–10]

 

 

 

 

 

AUX

 

 

 

 

 

 

 

–10

 

 

 

 

 

 

 

 

 

 

 

 

 

MIC IN[–14]

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

–20

 

LINE IN 7–14[–20]

 

 

–30

 

LINE IN 1–6[–36]

 

 

 

–40

 

 

 

 

–50

 

MIC IN[–60]

 

–60

 

 

 

METER

 

 

L

 

(MONI)

 

 

 

ST OUT

 

METER

+4dB

 

 

 

 

R

 

(MONI)

 

PAD

 

L

 

 

 

 

REC OUT

PAD

 

–10dBV

 

R

 

 

AUX SEND 1

 

1

 

 

 

 

AUX SEND

 

 

+4dB

AUX SEND 2

 

2

 

 

 

 

L

MONITOR

 

MONI OUT

 

 

+4dB

 

 

R

PHONES

 

 

 

[dB]

ST OUT

+10

AUX SEND

 

AUX

0

 

ST

–10

 

 

–20

 

–30

 

–40

 

–50

 

–60

10

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MELANGEUR

MANUEL D’INSTRUCTIONS

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