Teac X-48MKII Quick Start

X-48MK"
48 Track Digital Audio Workstation
OWNER'S MANUAL
D01152220A
2 TASCAM X-48MKII
IMPORTANT SAFETY PRECAUTIONS
For European Customers
8
WARNING
This is a Class A product. In a domestic environment, this product may cause radio interference in which case the
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER­SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
user may be required to take adequate measures.
CE Marking Information
a) Applicable electromagnetic environment: E4
b) Peak inrush current: 20 A
The lightning flash with arrowhead symbol, within equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to a lert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
WARNING: TO PREVENT FIRE OR SHOCK
HAZARD, DO NOT EXPOSE THIS
APPLIANCE TO RAIN OR MOISTURE.
For U.S.A.
TO THE USER
This equipment has been tested and found to comply with the limits for a Class A di git al device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide re a s o n a b l e prote ction aga ins t h armful in ter f erence when the eq u ipment is op era ted in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful inter f erence to radio communications. Operation of this equipment in a residential area is likely to cause harmful inter ference in which case the user will be required to correct the inter ference at his own expense.
CAUTION
Chang e s or mod i f ic atio n s to th is eq u i pme n t no t ex pr es sl y ap p ro ve d by T EA C CO R PO RAT ION fo r compliance could void the user's authority to operate this equipment.
Disposal of electrical and electronic equipment
(a) All electrical and electronic equipment should be
disposed of separately from the municipal waste stream via collection facilities designated by the government or local authorities.
(b) By disposing of electrical and electronic equipment
correctly, you will help save valuable resources and prevent any potential negative effects on human health and the environment.
(c) Improper disposal of waste electrical and electronic
equipment can have serious effects on the environment and human health because of the presence of hazardous substances in the equipment.
(d) The Waste Electrical and Electronic Equipment (WEEE)
symbol, which shows a wheeled bin that has been crossed out, indicates that electrical and electronic equipment must be collected and disposed of separately from household waste.
(e) Return and collection systems are available to end
users. For more detailed information about the disposal of old electrical and electronic equipment, please contact your city office, waste disposal service or the shop where you purchased the equipment.
This appliance has a serial number located on the rear panel. Please record the model number and serial number and retain them for your records.
Model number ______________________________
Serial number ______________________________
TASCAM X-48MKII 3
IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
4 Follow all instructions.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
7 Do not block any ventilation openings. Install in
accordance with the manufacturer’s instructions.
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including ampliers) that produce heat.
9 Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not t into your outlet, consult an electrician for replacement of the obsolete outlet.
10 Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11 Only use attachments/accessories specified by the
manufacturer.
Do not expose this apparatus to drips or splashes.
Do not place any objects filled with liquids, such as
vases, on the apparatus.
Do not install this apparatus in a confined space such
as a book case or similar unit.
The apparatus draws nominal non-operating power
from the AC outlet with its POWER or STANDBY/ON
switch not in the ON position.
The apparatus should be located close enough to the
AC outlet so that you can easily grasp the power cord
plug at any time.
The mains plug is used as the disconnect device, the
disconnect device shall remain readily operable.
Products with Class I construction are equipped with a
power supply cord that has a grounding plug. The cord
of such a product must be plugged into an AC outlet that has a protective grounding connection.
If the product uses batteries (including a battery pack
or installed batteries), they should not be exposed to
sunshine, fire or excessive heat.
CAUTION for products that use replaceable lithium
batteries: there is danger of explosion if a battery is
replaced with an incorrect type of battery. Replace only with the same or equivalent type.
Caution should be taken when using earphones or
headphones with the product because excessive sound
pressure (volume) from earphones or headphones can cause hearing loss.
12 Use only with the cart, stand, tripod, bracket, or table
specied by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.
13 Unplug this apparatus during lightning storms or when
unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
4 TASCAM X-48MKII
Safety Information
This product has been designed and manufactured according to FDA regulations "title 21, CFR, chapter 1, subchapter J, based on the Radiation Control for Health and Safety Act of 1968", and is classified as a class 1 laser product. There is no hazardous invisible laser radiation during operation because invisible laser radiation emitted inside of this product is completely confined in the protective housings.
The label required in this regulation is shown at 1.
CAUTION
DO NOT REMOVE THE PROTECTIVE HOUSING USING A
SCREWDRIVER.
USE OF CONTROLS OR ADJUSTMENTS OR
PERFORMANCE OF PROCEDURES OTHER THAN THOSE
SPECIFIED HEREIN MAY RESULT IN HAZARDOUS RADIATION EXPOSURE.
IF THIS PRODUCT DEVELOPS TROUBLE, CONTACT YOUR
NEAREST QUALIFIED SERVICE PERSONNEL, AND DO
NOT USE THE PRODUCT IN ITS DAMAGED STATE.
CLASS 1M INVISIBLE LASER RADIATION WHEN OPEN
AND INTERLOCKS DEFEATED. DO NOT VIEW DIRECTLY
WITH OPTICAL INSTRUMENTS.
Rack-mounting the Unit
8
Use the supplied rack-mounting kit to mount the unit in a standard 19-inch rack, as shown below.
Remove the feet of the unit before mounting.
Optical pickup
Type: OWY 8/35, OWY 8/36, OWY8/44, OWY8/45 Manufacturer: Pioneer CORP. Laser output (CD): Less than 1.3mW (Play) and 104.7mW (Record) on the objective lens (DVD): Less than 1.08mW (Play) and 102mW (Record) on the objective lens Wavelength: 777-787 nm (CD) 656-663 nm (DVD)
For China
Leave 2U of space above the unit for ventilation.
Allow at least 10 cm (4 in) at the rear of the unit for
ventilation.
TASCAM X-48MKII 5
Contents
1 – Introduction ..............................................7
Features .................................................................................. 7
Unpacking .............................................................................7
Manual Conventions ..........................................................8
Required Equipment ..........................................................8
Intellectual property rights ............................................. 8
Precautions for placement and use ..............................9
Connecting the power ......................................................9
Beware of condensation ...................................................9
Other precautions ............................................................... 9
Cleaning the unit .................................................................9
About optical discs ............................................................. 9
Handling of optical discs ........................................... 9
Supported optical media ........................................10
2 – Names and Functions of Parts ...............11
Front panel .......................................................................... 11
Rear panel ............................................................................ 12
3 – Setup ........................................................ 14
I/O Card Installation .........................................................14
Making Connections ........................................................14
TDIF ................................................................................. 14
S/PDIF .............................................................................14
AES/EBU .........................................................................14
AD AT ...............................................................................14
Digital Audio Clock .................................................... 14
Word Clock ...................................................................14
Analog Audio ...............................................................15
Synchronization and Control ........................................15
MIDI ................................................................................. 15
Time Code .....................................................................15
Footswitch ....................................................................15
Remote (Sony 9-Pin) ..................................................15
Video Reference (Tri Level Sync) ...........................15
Keyboard, Mouse & Monitor ..................................16
Network .........................................................................16
External Drives ............................................................16
Powering On / Standby ...................................................16
External Applications ......................................................16
MX-View .........................................................................16
TASCAM Mixer Companion ....................................16
Using the X-48MKII System Restore CD ....................17
4 – Configuration ..........................................18
Display Settings .................................................................18
Setting the date and time .............................................. 18
Navigating the LCD Interface........................................18
Sample Rates ......................................................................18
Digital Audio Clock ...........................................................19
I/O Settings ..........................................................................20
Analog I/O Operating Level...........................................20
Control Mode .....................................................................20
MIDI Device ID ....................................................................21
Sony 9-Pin ............................................................................21
Video Reference ................................................................21
Pull Up/Pull Down Sample Rates .................................21
Networking .........................................................................22
Checking Free Hard Drive Space .................................23
Drive Benchmarking Utility ...........................................23
Formatting a New Drive .................................................24
Factory Defaults ................................................................24
Store/Recall User Settings ..............................................24
Mixer Bypass ......................................................................25
Make a Default Project ....................................................25
5 – Recorder ..................................................26
Working With Projects ....................................................26
Creating a New Project ............................................26
Destructive versus Non-Destructive
Recording ......................................................................26
Opening a Project .....................................................26
Saving a Project ..........................................................27
Auto-Saving Projects ................................................27
Importing a Project ...................................................27
Exporting a Project ....................................................27
Copying a Project .......................................................28
Backing Up a Project to CD/DVD ..........................28
Deleting a Project ......................................................28
Load Last Project ........................................................29
Transport Operations ......................................................29
Local ................................................................................29
One-Button Record ..................................................29
TC Chase ........................................................................29
Rehearse .......................................................................30
Pre/Post Roll .................................................................30
Varispeed ......................................................................30
Recording as a timecode slave ..............................30
Recording and Playing Back ..........................................30
Input Monitoring ........................................................30
Record Enable ................................................ 31
Punch Crossfade Time ..............................................31
Undo/Redo ..................................................................31
Metering ........................................................................ 31
Using Markers ..............................................................32
Loop Playback .............................................................32
Loop Mode ...................................................................33
Auto Punch ...................................................................33
Loop Recording ..........................................................34
6 TASCAM X-48MKII
Contents
Audio pool ...................................................................34
Using the VGA Recorder Interface ..............................34
Meters.............................................................................34
Naming Tracks .............................................................34
Scrolling .........................................................................34
Timebar Format ..........................................................35
Clip Properties .............................................................35
Navigating the Timeline ..........................................35
Status Displays ............................................................35
Changing part colors on the track screen ........35
Synchronization .................................................................35
Requirements ..............................................................35
Sample Rate .................................................................36
Clock Source.................................................................36
BNC Clock In/BNC Clock Out ..................................37
BNC Word Clock Output Polarity ..........................37
Video Clock Frame-Edge Resolve .........................37
Frame Rate ....................................................................37
Control Mode ...............................................................38
Chase Freewheel ........................................................39
Chase Relock ................................................................39
Chase Relock Threshold ...........................................39
Timecode Offset .........................................................40
Chase Lock Deviation ...............................................40
Timecode Output Muting .......................................40
Advanced Recorder Operations ..................................40
Audio File Naming .....................................................40
Track Key Punch ..........................................................41
Recording time ..................................................................41
6 – Editing ......................................................42
Edit Tools ..............................................................................42
I-Beam Tool...................................................................42
Object Tool ...................................................................42
Smart Tool .....................................................................42
Magnify Tool ................................................................42
Selecting & Editing ...........................................................43
Selecting Clips .............................................................43
Selecting Time ............................................................43
In and Out Points ........................................................43
Clip Properties .............................................................43
Snap to Grid .................................................................43
Cut, Copy, Delete, Paste ...........................................43
Repeat Paste ................................................................43
Crop .................................................................................43
Insert Time ....................................................................44
Delete Time ..................................................................44
Split .................................................................................44
Play From Selection ...................................................44
History List ....................................................................44
Moving clip borders and adjusting
crossfades .....................................................................44
Fade-in, fade-out and crossfade curves.............45
Audio Processing...............................................................45
Pitch/Time Stretch .....................................................45
Consolidate ..................................................................45
7 – Mixer ........................................................46
Mixer Interface ...................................................................46
Mixer Introduction .....................................................46
Mixer Bypass ................................................................46
DSP View .......................................................................46
Mixer Tabs .....................................................................46
Automation ..................................................................47
Third-Party Plug Ins ...................................................47
Routing ..........................................................................47
Mixer Applications ............................................................47
Submixing .....................................................................47
Monitoring While Recording..................................47
Final Mix.........................................................................48
8 – Specifications ..........................................49
Media and formats ...........................................................49
Digital audio input/output ............................................49
Control input/output .......................................................49
General .................................................................................49
Options .................................................................................50
Dimensional drawings ....................................................50
9 – Appendix .................................................51
Functions controlled using a mouse and display ..51
Front panel function list ................................................54
Shortcuts ..............................................................................57
MIDI machine control (MMC) protocol .....................59
SONY P2 protocol ..............................................................59
TASCAM X-48MKII 7

1 – Introduction

Thank you very much for purchasing the TASCAM X-48MKII 48 Track Digital Audio Workstation.
Before connecting and using the unit, please take time to read this manual thoroughly to ensure you understand how to properly set up and connect the unit, as well as the operation of its many useful and convenient functions. After you have finished reading this manual, please keep it in a safe place for future reference.
You can also download the Owner's Manual from the TASCAM web site (http://tascam.com/).

Features

48-track hard disk recorder
Transport keys and meters on the front panel can be
used to control the multitrack recorder
1TB hard disk built-in
Recording to external hard disks using high-speed
eSATA connection
Built-in hard disk format: NTFS
Audio file format: Broadcast Wave Format (BWF)
Operation modes include standalone (unsynchronized),
timecode synchronization and Theater Play
Edit tracks using the graphical user interface (GUI),
including cut, copy, delete and undo/redo
Undo operations using the UNDO command (up to
1000 changes) and History List
Non-real-time time compression editing
Support for 44.1, 48, 88.2 and 96 kHz sampling
frequencies, including pull-up and pull-down
±6% pitch control playback
Support for LTC and MTC timecode synchronization
Support for video resolve synchronization to video
frame-edge for timecode synchronization
Fail Safe Recording refreshes file headers every 5
seconds
Digital mixer has 48 channels, 12 stereo subgroups, 6
aux sends and 1 stereo master
Digital mixer can be used for mixing down during
playback
Each channel and group includes dynamics
(compressor), 4-band EQ and 6 AUX sends
Volume automation on all 48 channels by writing
volume curves
Internal 32-bit floating-point processing
GUI can be controlled by connecting a display,
keyboard and mouse
6 TDIF digital input and output connectors support
a total of 48 inputs and outputs at 96 kHz sampling
frequency
2 option card slots for 24 channels of audio input and
output (analog, AES/EBU, ADAT)
1 coaxial stereo digital input and output (S/PDIF)
Clock source options: internal, WORD, S/PDIF, TDIF,
SLOT 1, SLOT 2
Support for WORD SYNC IN/OUT/THRU, with WORD
SYNC OUT supporting clocks at both high and normal
(base) sampling frequencies
VIDEO IN/THRU (video resolve, NTSC/PAL Black Burst
and up to 1080p Tri-level HDTV Sync)
TRS balanced LTC input and output
MIDI IN and MIDI OUT
Machine control using RS-422 9-pin connection
Audio data and EDL data import (OPEN TL) and export
(OPEN TL/AAF) supported
Built-in DVD drive for backup
Projects can be copied to external hard drives
connected to the eSATA connector and USB 2.0 jacks
Data can be transmitted to a host computer via
Ethernet (supports 1000BASE-TX)
Footswitch can trigger playback in Theater Play mode,
and can be set to PLAY/STOP, PUNCH IN/OUT when in
Internal mode
4U rackmount size
Theater mode playlist can be used to change playback
order
Continuous recording for 48 hours
Recording past 00:00 (24 hours)
USB 2.0 jacks can be used to connect USB devices,
including mice, keyboards, hard disks and flash
memory
Big Meter screen shows level meters for 48 tracks

Unpacking

The X-48MKII has been packed to ensure its safety during shipment. Inspect the unit for damage immediately upon unpacking and contact the shipper or retailer if damage is discovered or items appear to be missing. Please keep all boxes and packing material in case your X-48MKII needs to be shipped in the future. Inside the shipping carton, you will find the following:
X-48MKII Unit
Power Cord specific to the country where you
purchased it
A rack-mounting screw kit
Two white plastic spacers and screws for installation
of digital cards (IF-AE24/IF-AD24)
System Restore CD
Documentation CD
A warranty card
This Owner’s Manual
8 TASCAM X-48MKII
1 – Introduction

Manual Conventions

The following typefaces will be used in this Owner’s Manual as indicated.
The names of keys and controls are given in the
following typeface: ENTER.
Messages shown on the VGA monitor are given in the
following typeface: Settings.
Messages shown in the alphanumeric portion of the
LCD are given in the following typeface:
Midi D e vice ID.
The following icons will be used in this Owner’s Manual as indicated:
CAUTION
Instructions that should be followed to avoid injury, damage to the unit or other equipment, and loss of data.
TIP
This icon indicates a hint or tip on using the X-48MKII.
NOTE
This icon indicates explanation of actions in special situation and supplement.
This icon indicates instructions related to using the keyboard, mouse and monitor interface.
minimum resolution), a two-button PC mouse (PS/2 or USB) and a PC keyboard (PS/2 or USB).

Intellectual property rights

TASCAM is a trademark of TEAC Corporation, registered
in the U.S. and other countries.
Microsoft, Windows, Windows Embedded and Windows
Vista are either registered trademarks or trademarks
of Microsoft Corporation in the United States and/or other countries.
Apple, Macintosh, Mac OS and Mac OS X are trademarks
of Apple Inc., registered in the U.S. and other countries.
The SANEWAVE logo is a trademark of Tudor Products
Inc.
Other company names, product names and logos
in this document are the trademarks or registered
trademarks of their respective owners.
Any data, including, but not limited to information, described herein are intended only as illustrations of such data and/or information and not as the specifications for such data and/or information. TEAC Corporation disclaims any warranty that any use of such data and/or information shall be free from infringement of any third party’s intellectual property rights or other proprietary rights, and further, assumes no liability of whatsoever nature in the event of any such infringement, or arising from or connected with or related to the use of such data and/or information.
This icon indicates instructions related to using the front panel of the X-48MKII.

Required Equipment

While the X-48MKII is a comprehensive piece of professional audio gear, there are other things you may need to take full advantage of its capabilities:
A console with a minimum of 8 outputs (at least 24
is recommended) and enough inputs to handle your
expected track count.
An optional IF-AN24X analog I/O card if connecting the
X-48MKII to an analog console. The IF-AN24X provides
the X-48MKII with 24 analog inputs and 24 analog outputs.
An optional digital I/O card (IF-AD24(X) or IF-AE24(X))
if connecting your X-48MKII to a digital console so
equipped. These cards provide the X-48MKII with 24 digital inputs and 24 digital outputs per card.
Analog or digital cables appropriate to your console
and choice of I/O format.
In order to use the X-48MKII’s editing, DSP and mixing
capabilities, you will need a VGA monitor (1024 x 768
This product is designed to help you record and reproduce sound works to which you own the copyright, or where you have obtained permission from the copyright holder or the rightful licensor. Unless you own the copyright, or have obtained the appropriate permission from the copyright holder or the rightful licensor, your unauthorized recording, reproduction or distribution thereof may result in severe criminal penalties under copyright laws and international copyright treaties. If you are uncertain about your rights, contact your legal advisor. Under no circumstances will TEAC Corporation be responsible for the consequences of any illegal copying performed using the recorder.
TASCAM X-48MKII 9
1 – Introduction

Precautions for placement and use

The operating temperature should be between 5°C and
35°C (41°F and 95°F).
Do not install in the following types of places. Doing
so could degrade the sound quality and/or cause
malfunctions.
Places with significant vibrations or that are
otherwise unstable
Near windows or other places exposed to direct
sunlight
Near heaters or other extremely hot places
Extremely cold places
Places with bad ventilation or high humidity
Very dusty locations
Make sure that the unit is mounted in a level position
for correct operation.
Do not place any object on the unit for heat dissipation.
Avoid installing this unit on top of any heat-generating
electrical device such as a power amplifier.

Connecting the power

Insert the included power cord into the • AC IN connector completely.
Hold the power cord by the plug when connecting or
disconnecting it.

Beware of condensation

If the unit is moved from a cold to a warm place, or used immediately after a cold room has been heated or otherwise exposed to a sudden temperature change, condensation could occur. Should this happen, leave the unit for one or two hours before turning the unit on.

Other precautions

Do not change the BIOS settings of this unit• . Changing them could cause the unit to not start up or otherwise malfunction. Please be aware that repairing problems caused by changing BIOS settings will require payment.
When using the included System Restore CD to reinstall
the system, always disconnect all external hard disks
connected by eSATA or USB, including USB flash drives. Failure to do so will result in erasing all data on these external hard disks.
Before connecting or disconnecting anything to a
connector, turn OFF the power of this unit and the
devices being connected (particularly, with VGA and
similar connections). Failure to do so could cause this unit or connected equipment to be damaged.

Cleaning the unit

To clean the unit, wipe it gently with a soft dry cloth. Do not wipe with chemical cleaning cloths, benzene, paint thinner, ethyl alcohol or other chemical agents to clean the unit as they could damage the surface.
The inside of the unit should be cleaned about once every five years. If the unit is not cleaned for a long time and dust is allowed to accumulate inside it, this could cause fire or malfunction. In particular, it is more effective to clean the inside of the unit before seasons with high humidity. Please contact a retailer that sells the unit or a TASCAM service center for cleaning and information about the cleaning fee.

About optical discs

Handling of optical discs

Always place the discs in the tray with their label facing
upward. (Only single-sided discs can be used with this
unit.)
To remove a disc from its case, press down on the
center of the disc holder, then lift the disc out, holding
it carefully by the edges.
Do not touch the data side (the unlabeled side).
Fingerprints, oils and other substances can cause
errors.
To clean the data side of a disc, wipe gently with a soft
dry cloth from the center towards the outside edge.
Dirt on discs can cause errors, so clean them and always store them in a clean state.
Do not use any record spray, anti-static solutions,
benzene, paint thinner or other chemical agents to
clean discs as they could damage the delicate surface. It may cause discs to become unusable.
Always store discs in their cases to avoid dirt and dust
accumulating on their surfaces.
Do not place the unit where it is exposed to direct
sunlight, high temperatures or high humidity.
Remaining in such a place for a long time could result in warping and other damage.
Do not try to use 8 cm (single) discs, “business card”
discs and other nonstandard discs for recording. This
unit cannot record to such discs. Use standard 12 cm discs for recording.
When labeling discs, always use a soft oil-based felt-
tipped pen to write the information. Never use a ball-
point or hard-tipped pen, as this may cause damage to the recorded side.
10 TASCAM X-48MKII
1 – Introduction
Do not apply labels or other materials to discs. Do
not use discs that have had tape, stickers or other
materials applied to their surface. Do not use discs that have sticky residue from stickers, etc. Such discs could become stuck in the unit or cause it to malfunction.
Do not use commercially available lens cleaners
because the high-speed rotation of such discs could
break the lens protection mechanism.
Never use a commercially available disc stabilizer. Using
stabilizers with this unit will damage the mechanism
and cause it to malfunction.
Do not use cracked discs.
Only use circular compact discs. Avoid using non-
circular promotional, etc. discs.
If you are in any doubt as to the care and handling of
a disc, read the precautions supplied with the disc, or
contact the disc manufacturer directly.

Supported optical media

This unit supports the following types of media use.
DVD-R Reading/writing
DVD-RW Reading/writing/rewriting
DVD+R Reading/writing
DVD+RW Reading/writing
CD-R Reading/writing
CD-RW Reading/writing/rewriting
This unit does not support the following types of media use.
DVD+RW Rewriting
Dual layer media
CD-R and CD-RW discs sold for music
CD-RW disks that have been used as CD-DA
TASCAM X-48MKII 11

Front panel

2 – Names and Functions of Parts

1 Track record arming button
Puts that track into record ready unless “All Safe” is turned on. Record Ready status is reported by a flashing red light directly above that track’s record arming button.
2 Track meter
Displays signal level from –60 dBfs to –1 dBfs and overload.
3 Status Lights
These lights flash when the X-48MKII is accessing the hard drive, busy with a task, has MIDI input or encounters an error.
CAUTION
When the BUSY indicator is lit, do not try to save or conduct other important operations.
4 Sample Rate
These lights report the current sample rate. If the X-48MKII is set to 96 kHz, the 48k and 2X lights will be lit. If it isn’t set to one of these standard rates (i.e. 47952 Hz/48k pulldown), the NON STD light will turn on.
5 Timecode Rate indicator
Displays the current frame rate.
6 STANDBY/ON button/indicator
Turns the unit on and standby. A system prompt will confirm shutdown. Holding the button down for several seconds will shut the unit off without a confirmation.
7 System Lights
These indicators light when sample locked to an external source (SAMPLE LOCK), when in destructive
recording mode (DEST REC) and when using varispeed (VARISPEED).
8 Display
This shows a variety of information.
9 Optical drive
The internal DVD optical drive for backup, import and export of files.
0 Transport buttons
See the Recorder chapter if you’re unsure how to use these.
q Enter button
Confirms menu selections. The Exit button is directly below it to cancel a menu option.
w Change button
Use this button to change a menu item in the Project, Sync, etc. menus.
e CLEAR/HOME button
When in menu mode, press this to return to the Home Screen display. Use this button also to clear a set value.
r Menu buttons
These access menu groups like Project, Sync, Preferences, etc. You can also change the input status, unmount a disk and more.
t 5/b buttons
Use these to scroll through menus and change their settings.
12 TASCA M X-48MKII
2 – Names and Functions of Parts

Rear panel

y TDIF Inputs and Outputs
Each of these jacks transmits 8 channels of TDIF-format digital audio input and output at up to 96 kHz/24-bit.
NOTE
To get all 8 channels of audio input and output at 96 kHz, the equipment connected to the X-48MKII must have the latest TDIF capabilities, such as TASCAM’s DM-3200 and DM-4800 digital mixers.
u Option card slot 1
This slot adds an additional I/O format for channels 1-24. It’s compatible with interface cards such as the IF-AN24X analog, IF-AD24 ADAT optical and IF-AE24 AES/EBU cards (sold separately).
i Option card slot 2
Adds an additional I/O format for channels 25-48. Cards 1 and 2 do not need to be the same, you can mix and match Analog and AES for example.
o MIDI Input and Output
Used to generate and receive MIDI Timecode. Also used to receive MIDI Machine Control commands.
p Timecode Input and Output
Generates and receives SMPTE LTC timecode through balanced 1/4” jacks.
a Footswitch jack
Compatible with a momentary footswitch like the TASCAM RC-30P for punch in/punch out and so on.
NOTE
To operate correctly, a footswitch must be connected before the X-48MKII is powered on.
s Remote
Compatible with RS-422 / Sony 9-pin edit controllers for machine control
d Video clock in/thru
Use these BNC connectors to input black burst and tri­level sync signals and for thru output.
f Mouse/Keyboard
PS/2-compatible mouse and keyboard inputs. You can also use a USB mouse and keyboard.
g Option
Not used.
hOption
Not used.
j VGA output
Your monitor should be capable displaying a resolution of at least 1024x768 pixels at a refresh rate of at least 60 Hz. The maximum resolution of the X-48MKII’s display output is 2048x1536 pixels.
k Word Sync In/Out/Thru
Compatible with BNC word clock generators.
l USB
Four USB 2.0 jacks for connecting a keyboard, mouse, flash drive or hard drive.
; Ethernet
100/1000 (Gigabit compatible) ethernet jack. See the section on Networking for more information.
z S/PDIF
Stereo coaxial digital input and output.
xOption
Not used.
c eSATA
eS ATA connector for connecting external hard drives
TASCAM X-48MKII 13
v Cooling fan
Make sure that this fan is not blocked off in a rack to prevent overheating the system.
b AC-IN jack
Connect the included power cord here.
2 – Names and Functions of Parts
14 TASCAM X-48MKII
DigitalIn
DigitalOut
1
1425
13

3 – Setup

I/O Card Installation

I/O cards of different types may be installed in the X-48MKII simultaneously. For example, an X-48MKII may have one analog card and one digital card installed, with independent I/O routing. Each X-48MKII option card provides 24 channels of input and output.
CAUTION
To install an I/O card, please contact the retailer where you bought the unit or TASCAM support.

Making Connections

You may not use all the connections provided on the rear of the X-48MKII, but they are there if you need them. Just skip over the sections below that don’t apply to your setup. For further information on routing to and from these connectors, please refer to Section ‘I/O Settings’ (page 20).
CAUTION
Before connecting or disconnecting anything to a connector, turn OFF the power of this unit and the devices being connected (particularly, with VGA and similar connections). Failure to do so could cause this unit or connected equipment to be damaged.

TDIF

The X-48MKII comes standard with six DB25 connectors, each one capable of carrying eight channels of I/O at normal sample rates (44.1k, 48k) or double speed sample rates (88.2k, 96k).
NOTE
Eight channels of double speed sample rate I/O on a single TDIF connection is a new development for TASCAM recorders and mixers. Please ensure that the equipment you are connecting the X-48MKII to will support this by contacting the manufacturer of that equipment.
CAUTION
Use only cables that are specified by the manufacturer as “TDIF” cables. Using incorrect cables can damage your equipment.

S/PDIF

The X-48MKII comes standard with two RCA jacks for S/PDIF I/O at both normal and double speed sample rates.
CAUTION
To ensure clean data transmission, use only cables specified by the manufacturer as “S/PDIF” cables.

AES/EBU

When installed into an X-48MKII Slot, an AES/EBU digital I/O card (TASCAM IF-AE24X) will provide 24 channels of I/O at normal sample rates (44.1k, 48k) or double speed sample rates (88.2k, 96k).
The AES/EBU DB-25 pinout is pictured :
CAUTION
Use only DB25 cables specified by the manufacturer as “AES/EBU” cables. Many cables look the same on the outside.

ADAT

When installed into an X-48MKII slot, an ADAT digital I/O card will provide 24 channels of I/O at normal sample rates (44.1k, 48k).

Digital Audio Clock

Any time multiple digital audio devices are connected together, or multiple digital audio connections are used simultaneously on a single device, all the digital audio clock rates of the connected devices must be locked together. If this is not done, or if it is done incorrectly, clicks, distortion, or muted audio may result. The X-48MKII may act as the master clock to other devices in a system, or it can lock its clock to an external device.
This section will only deal with the physical connections to achieve clock lock. For system configuration, please refer to ‘Digital Audio Clock’ (page 19). Note that all digital audio clock related connections may be connected simultaneously, with the needed one selected in the user interface.
If the X-48MKII is digitally connected to only one other device, the clocks may be locked via that connection, requiring no other connection be made.

Word Clock

If the X-48MKII is digitally connected within a system of more than two digital devices, it is recommended to use Word Clock from one master source, distributed to all devices. The X-48MKII’s rear panel BNC Word Clock connectors have the following uses:
IN This connector receives word clock from
another device. When used, the X-48MKII should be congured to Lock to Word Clock.
OUT This connector transmits word clock to other
devices. When used, the X-48MKII should be congured to Internal Clock.
TASCAM X-48MKII 15
1
1425
13
3 – Setup
THRU This connector passes the Word Clock signal
present at the Word Clock IN through without adding any delay. This allows additional devices to be locked in a daisy-chain fashion in congu­rations where there is no way to directly distrib­ute clock from a single source.

Analog Audio

The IF-AN24X provides 24 channels of balanced analog inputs and 24 channels of balanced analog outputs. The X-48MKII can be configured to one of five possible operating reference levels by applying the appropriate software settings. Please refer to ‘Analog I/O Operating Level’ (page 20) for details.
The analog DB-25 pinout is pictured below:
CAUTION
Use only DB25 cables specified by the manufacturer as “Analog” cables. Many cables look the same on the outside.

Synchronization and Control

This section will deal with the physical connections needed in various synchronized applications. For details about the appropriate software settings, please refer to the ‘Synchronization’ section (page 35).

Time Code

There are two 1/4” TRS connectors on the rear of the X-48MKII, used for sending and receiving time code (LTC). These connectors are balanced to allow for long cable runs with minimal interference. Please refer to pages 37­40 for details on time code options.

Footswitch

A momentary footswitch may be connected to this 1/4” TS connector for hands free play, stop, and punch-in/out
operation.
NOTE
To operate correctly, a footswitch must be connected before the X-48MKII is powered on.

Remote (Sony 9-Pin)

This is also known as “P2” or “Sony P2” or “RS-422”. Various recording consoles and video controllers support this protocol for transport control and track record enable. This requires a specifically constructed cable. If in doubt, pre-made RS-422 cables are readily available.
Pin No. Controlling end Non-controlling end
1 GND GND 2 RX– TX– 3 TX+ RX+ 4 TX common RX common 5 Spare (NC) Spare (NC) 6 RX common TX common 7 RX+ TX+ 8 TX– RX– 9 GND GND

Video Reference (Tri Level Sync)

MIDI

There are two MIDI connectors on the rear of the X-48MKII. These are used for MIDI Machine Control (MMC) and MIDI Time Code (MTC).
IN This connector receives MTC, which the
X-48MKII can chase, or MMC, which the X-48MKII can respond to. The front panel MIDI LED will illuminate when valid MIDI signals are present at this connector.
OUT This connector outputs MTC any time the
transport is in motion. That MTC output follows the frame rate and output options set for LTC output. MIDI machine control (MMC) open loop and closed loop are supported.
IN When the X-48MKII is used in a lm/video post
production environment, it may be necessary to resolve a consistent sample range with the time code edge. A video reference (blackburst) signal applied to this connector makes this possible. Please refer to page 19 for details on conguring the use of signals present at this connector.
Tri Level Sync is the video reference signal used for High Definition Video. This connector automatically senses the type of signal present.
THRU The video reference signal present at the IN
connector is passed through out this
connector without additional processing delay. This allows for daisy-chaining another device, after the X-48MKII, which requires a video refer­ence signal.
16 TASCAM X-48MK II
3 – Setup

Keyboard, Mouse & Monitor

A standard PC keyboard and mouse (or trackball) may be connected to the P/S2 or USB ports on the rear of the X-48MKII. To take full advantage of these peripherals, it is recommended that a full keyboard with numerical keypad and a scrolling wheel mouse be used.
Your monitor should be capable displaying a resolution of at least 1024x768 pixels at a refresh rate of at least 60 Hz. The maximum resolution of the X-48MKII’s display output is 2048x1536 pixels.
NOTE
The extra controls present on some multimedia keyboards, such as media player transport controls, are not supported by the X-48MKII. Similarly, a mouse or trackball that depends on the installation of custom driver software is not supported by the X-48MKII.

Network

This unit has a 100/1000 (gigabit) port as a network connector (Ethernet).
You can use the unit’s software to configure it.
Network cable used for the port should be minimally CAT-
5. While network hubs and switches can be used with the
X-48MKII, such devices may reduce network throughput, particularly on a network with much traffic.
To use the preinstalled MX-View software to control a TASCAM MX-2424, you must set the IP address correctly. Otherwise, communication with the MX-2424 will fail.
For more details about software configurations to use the X-48MKII within a networked environment, please refer to ‘Networking’ (page 22).

External Drives

External hard drives may be connected to the eS ATA or USB 2.0 ports on the rear of the X-48MKII to be used as
record destination or copy destination drives.
USB Flash Drives, “Thumb Drives”, may be connected to an X-48MKII’s USB port. Such drives can be useful as source drives for copying material onto the X-48MKII’s drive, copy destination drives for moving material off an X-48MKII, or for software updating. It is not recommended to record directly to such a drive due to their slow write speeds.
External optical drives (DVD, CDR, CDR/W) are not supported.

Powering On / Standby

Now that things are connected, it’s time to plug in the X-48MKII and power it on.
Momentarily press the STANDBY/ON button on the front panel and the X-48MKII will boot up. The boot process takes about 1 1/4 minutes to complete. When ready, the X-48MKII will display its track screen on a connected VGA monitor and the currently loaded project with time code on the front panel LCD display.
To power off the X-48MKII, either select Shutdown from the File menu in the VGA UI or momentarily press the front panel STANDBY/ON button. In either case, you will be prompted to save the currently loaded project then confirm the shutdown.
NOTE
Disconnect all USB flash drives before starting the unit. Starting the unit with a USB flash drive connected could prevent the unit from functioning properly. If this should happen, follow these procedures.
1) When the Press F1 To Continue prompt appears, press the F1 key on the keyboard.
2) Disconnect the USB flash drive.
After disconnecting the USB flash drive the unit might restart 2–3 times to restore its ordinary state.

External Applications

CAUTION
While the X-48MKII is based on PC/Windows architecture, it is not configured for general PC use. The Windows Embedded operating system used on the X-48MKII does not include general use components. We strongly advise you not to install non-qualified software on the X-48MKII. Doing so could lead to undesirable results, including X-48MKII malfunction, requiring you to use the X-48MKII System Restore CD to restore it to its original factory configuration.

MX-View

Pre-installed on the X-48MKII is MX-View Version 1.40, for control of any existing MX-2424 machines you may have. For MX-View operational instructions, please refer to the MX-View Manual.
CAUTION
When recording to any external drive, it is strongly recommended to run the Drive Benchmarking utility to ensure the drive is fast enough for the desired number of record tracks. For example, while e SATA itself is fast enough for high track counts, the actual drive inside an external drive enclosure may be a low RPM drive, not capable of high track counts.

TASCAM Mixer Companion

Pre-installed on the X-48MKII is TASCAM Mixer Companion Version 1.50. This allows the X-48MKII to act as the host computer for TMC when connected via USB to a TASCAM DM-3200 or DM-4800 digital mixer.
TMC updates may be installed by running the TMC update installer by selecting Launch External Application from the X-48MKII’s File menu. The TMC update installer would have
TASCAM X-48MKII 17
to be on a piece of media that the X-48MKII has access to, such as a CD or USB flash drive.
CAUTION
Only Version 1.50 or higher (Windows version) is designed to operate on the X-48MKII. Earlier versions of TMC should not be installed on the X-48MKII.

Using the X-48MKII System Restore CD

In the event it becomes necessary to use the X-48MKII System Restore CD to restore your X-48MKII to its original factory configuration, following the steps below will ensure a smooth restore process:
1 Back up all audio data. This should already be done
as part of a regular workflow.
2 Check the TASCAM website (http://tascam.com/)
for the latest firmware and patch updates. If any are available, download them and use them to update the unit after using the System Restore CD to reinstall the system.
3 With the X-48MKII powered on, insert the System
Restore CD then restart the X-48MKII. The VGA UI doesn’t have to be displayed, all that is required is power to open the drive tray. If necessary, the X-48MKII can be forced to shut down by holding the front panel power button for a few seconds.
4 The X-48MKII will automatically boot from the
System Restore CD and run the X-48MKII Installer. Please follow the steps in the X-48MKII Installer screens.
3 – Setup
CAUTION
When using the included System Restore CD to reinstall the system, always disconnect all external hard disks connected by eSATA or USB, including USB flash drives. Failure to do so will result in the System Restore CD erasing all data on these external hard disks.
NOTE
When formatting you can select whether to format only the OS partition (Windows XP Embedded and the X-48 Application) and rewrite the software or to also format the data partition at the same time.
18 TASCAM X-48MK II

4 – Configuration

This section helps you with the software settings you’ll need to make in order for the X-48MKII to work smoothly in your application.

Display Settings

Your monitor should be capable displaying a resolution of at least 1024x768 pixels at a refresh rate of at least 60 Hz. The maximum resolution of the X-48MKII’s display output is 2048x1536 pixels. You change the display resolution from the Windows menu.
NOTE
Resolution depends on the resolution of the connected display.
Mouse/Keyboard Operation
1 Click the Windows menu and select Display Settings...
2 Move the slider to change the display resolution
(the minimum resolution is 1024 x 768) and press Apply.

Setting the date and time

Set the built-in clock for accurate timestamping.
Mouse/Keyboard Operation (only)
Select Set Date and Time from the File menu, and set
the date and time.
The seven menu keys are used to access the following functions:
PROJ Goes directly to the list of project manage-
ment functions such as New, Open,
Save, Save As, Delete and Copy.
DISK Goes directly to the list of hard drive
management functions such as a Free
Space display and disk formatting utility.
INP 1-24 Goes directly to input routing menus for
inputs 1 through 24. In most cases, these will be left at their default settings since much output routing can be done from a recording console. The choices presented in this menu allows the use of consoles with less than 48 outputs.
INP 25-48 Goes directly to input routing menus for
inputs 25 through 48. In most cases, these will be left at their default settings since much output routing can be done from a recording console. The choices presented in this menu allows the use of consoles with less than 48 outputs.
SYNC Goes directly to the list of synchronization
settings and functions such as time code frame rate, digital audio clock settings and time code chase options.
PREF Goes directly to a list of general operat-
ing preferences for the X-48MKII such as transport options, pre/post roll options, front panel UI options and external control options.
SYS Goes directly to a list of system settings
such as save/load of user congurations and network settings.

Navigating the LCD Interface

To access menus and settings from the X-48MKII front panel, use the six buttons directly below the LCD display.
Front Panel Operation
1 Press one of the seven menus on the bottom right
corner of the unit: PROJ, DISK, INP 1-24, INP 25-48, SYNC, PREF or SYS. See below for an explanation of each of these menus.
2 Press the 5/b buttons to scroll through menus.
3 When you find a setting you want to edit, press
CHNG (Change).
4 Press the 5/b buttons to choose a setting.
5 When you’re finished, press ENTER to save or EXIT
to cancel your edit.
6 At any time, you can press HOME to get out of the
menu system and back to the main screen.

Sample Rates

The X-48MKII supports the base sample rates of 44.1k, 48k,
88.2k and 96k. The sample rate for your project should
be set immediately after creating the project and before recording any audio. New projects will be created at the currently set sample rate by default. A project’s sample rate is stored as part of the project.
If a project’s sample rate is changed after recording audio into that project, a confirmation dialog will be presented. Proceeding with the sample rate change will cause the project to play back faster or slower than it was originally recorded.
You will notice many other sample rates in the list besides the four noted above. Those are “pull up” and “pull down” rates for use in film and video applications. This will be covered in ‘Synchronization’ (page 35).
TASCAM X-48MKII 19
4 – Configuration
To set the sample rate:
Mouse/Keyboard Operation
1 Click on the Windows menu and choose Settings...
2 Click on the Sync tab.
3 Click on the Rate pull-down menu under
Sample Clock.
4 You will see the currently selected sample rate
with a check mark. Select another sample rate by clicking on it.
Front Panel Operation
1 Press SYNC.
2 Use the 5/b buttons until you see Sample R a t e.
3 Press CHNG.
4 Use the 5/b buttons until you see your desired
sample rate.
5 Press ENTER/YES.
6 When Changing Sample Rate OK? appears,
press the ENTER/YES button.

Digital Audio Clock

When digitally connected, two or more pieces of audio equipment must be running at exactly the same digital audio clock rate and have their sample exactly lined up. If this is not done, audio artifacts like clicking and popping or completely muted audio will result.
The X-48MKII provides the ability to operate in many digital audio clock scenarios. Each available setting is shown below along with an example of why it may be used. These settings are made on the Sync tab of the Settings window.
Internal
When selected, the X-48MKII’s digital audio clock is running on its own at the selected sample rate. Choose this when the X-48MKII is connected to an analog mixer or when the X-48MKII is the clock master for other pieces of digital audio equipment.
Varispeed
The term “varispeed” refers to a recorder’s ability to run faster or slower than a base rate. This may be used to record off speed for later playback at normal speed for a special effect. It can also be used to slightly alter the pitch of a recording for tuning purposes. Varispeed is only available when the X-48MKII is set to Internal clock. When clocked externally, the X-48MKII must follow the rate of that external clock.
Word Clock
When selected, the X-48MKII’s digital audio clock will be locked to any word clock signal present at its BNC Word
Clock input. If this is selected, but no word clock signal is present, the sample rate indication in the GUI and the Sample Lock LED on the front panel will flash indicating no clock lock.
Word clock is commonly used when many pieces of digital audio gear are connected together in a system and clock is correctly distributed from a central clock generator or one of the connected devices.
Invert Word Out Polarity
Some manufacturers of digital audio equipment lock to the rising edge of a clock signal while others use the falling edge. This setting allows the X-48MKII to operate as a clock master with either type of equipment. This may not be documented by all manufacturers, so if your clock configuration appears correct but you are still hearing artifacts such as clicks, try changing the value of this setting.
Clock Rate Multipliers
Some older word clock generators only support base clock rates (44.1k, 48k). For scenarios where such a clock generator is used in a system running at higher clock rates, the X-48MKII provides the ability to lock to, and output, word clock rates that are exact multiples of its operating rate. For example, a system may be running at 96k, but the clock generator’s maximum output rate is 48k.
ADAT Card/AES Card (1, 2)
When selected, the X-48MKII’s digital audio clock will be locked to the digital audio signal present at the first group of eight inputs of a digital I/O card installed in the specified slot. This would typically be used when the X-48MKII is digitally connected via one of its slots to one other piece of equipment such a mixer or another recorder.
S/PDIF
When selected, the X-48MKII’s digital audio clock will be locked to the digital audio signal present at the rear panel S/PDIF input. This would typically be used when the X-48MKII is digitally connected to the S/PDIF output of a piece of equipment when transferring stereo audio into the X-48MKII. On the SETTINGS screen I/O tab, set S/ PDIF output mode to Professional (Professional Mode check box checked) or Consumer (Professional Mode check box unchecked).
TDIF Port 1
When selected, the X-48MKII’s digital audio clock will be locked to the digital audio signal present at the first TDIF port (1-8). This would typically be used when the X-48MKII is digitally connected via TDIF to one other piece of equipment such as a mixer or another recorder.
Resolve to Video In
When checked, the X-48MKII will align the frame edge of its timecode with the edge of the video reference signal. This is not used as a sample clock source. Check this box when the X-48MKII is synchronized via time
20 TASCAM X-4 8MKII
4 – Configuration
code to devices such as video recorders, cameras, or edit controllers and all devices are locked to the same video reference signal (a.k.a. black burst). For more information on synchronization and working with film or video, please see the “Video Clock Frame-Edge Resolve” section on page 37 in chapter 5.

I/O Settings

This section explains how to configure the optional I/O cards for the X-48MKII.
Mouse/Keyboard Operation
Choose Settings from the Windows menu and click on the I/O tab.
I/O Cards
At the top of the display, you will see a list of installed optional I/O cards (if any).
I/O Setup
Using the I/O Card Select menus, you can select Input and Output types in groups of eight from the selection pull down menus. (They are all set to TDIF by default.) The Input Routing pull down menus set track input sources in groups
of eight. They can be used to configure the recorder inputs for a console that has less than 48 routing outputs.
For example, a console with 24 TDIF outputs could be connected to the X-48MKII this way:
1 Connect console TDIF outs 1-24 to X-48MKII TDIF in
1-24.
2 Set Input Routing for channels 1-8 and 25-32 as Input
Grp 1 1-8.
3 Set Input Routing for channels 9-16 and 33-40 as Input
Grp 2 9-16.
4 Set Input Routing for channels 17-24 and 41-48 as
Input Grp 3 17-24.
This allows all 48 tracks to receive signal without physical re-patching. Console out 1 will feed track 1 and 25, console out 2 will feed tracks 2 and 26, etc. There is a track-by-track input selection pull down menu in the
TRACK screen which over-rides the selection made in the Settings window.
You can also select the I/O operating level from the pulldown menu at the bottom of the window. See the next section for more information.
S/PDIF
Use the Sample rate conversion on S/PDIF inputs checkbox to set whether or not the S/PDIF input sampling rate is converted or not.
Front Panel Operation
1 Press the INP 1-24 or INP 25-48 key.
2 Use the 5/b buttons to select a bank of 8 inputs
and outputs, i.e. “IO Card Select 1-8,” and press CHNG.
3 Select either T DIF 1- 8 or Slo t 1 (1- 8) and
press ENTER.
4 Press the EXIT button when you are finished
changing physical I/O types.
To send a different bank of inputs to tracks, for example send inputs 1-24 to 25-48 (see example above):
1 Press the INP 1-24 or INP 25-48 key.
2 Use the 5/b buttons to select routing for a bank
of tracks, such as “Input Routing 25-32,” and press CHNG.
3 Select a bank of inputs, i.e. Input Grp1 1-8,
and press ENTER.
4 Press the EXIT button when you are finished
changing input groups.
5 Press the CLEAR/HOME button to return to the
Home Screen.

Analog I/O Operating Level

You can set the analog operating level from the Settings menu. Choose Settings from the Windows menu, click the I/O tab and click the I/O Operating Level from the pull­down menu. The levels (in dBFS) that can be selected are 20dB, 18dB, 16dB, 14dB and 9dB.

Control Mode

This unit has the following four transport control modes, which can be set on the SETTINGS screen. From the
Windows menu, select Settings and click the Sync tab. In the Time Code section, use the Control Mode pull-down menu
to select the desired control mode.
Internal
Use this mode to run the unit following its own timecode.
SMPTE
When enabled and the front panel TC CHASE key is enabled, the X-48MKII chases the SMPTE timecode from its input jack.
MIDI (MTC)
In this mode with the front panel TC CHASE key enabled, the X-48MKII chases incoming MIDI timecode from it’s
MIDI input.
Theater Play
This is a special playback mode similar to Auto Cue on a CD Player. Please refer to page 38 for details on the use of this mode.
To configure the I/O cards from the front panel:
TASCAM X-48MKII 21
4 – Configuration

MIDI Device ID

When working with MIDI Machine Control, you can set a MIDI device ID so that other devices do not intercept commands for the X-48MKII (and vice-versa).
To set the MIDI device ID:
Mouse/Keyboard Operation
1 Click the Windows menu, select Settings and click the
System tab.
2 Click the MIDI Device ID pulldown.
3 Select a device ID from the list.
Front Panel Operation
1 Press the SYS button.
2 Press the 5/b buttons to select Midi D e vic e
ID and press CHNG.
3 Select an ID and press ENTER.
4 Press the CLEAR/HOME button to return to the
Home Screen.
Front Panel Operation
1 Press the PREF button.
2 Press the 5/b buttons to select P2 Track Arm,
P2 Punch Delay or P2 Chase Control
and press CHNG.

Video Reference

When working in video, use video black burst to align your audio playback and time code to exactly a frame edge.
To switch on video reference:
Mouse/Keyboard Operation
1 Click the Windows menu and choose Settings.
2 Select the Sync tab.
3 Check the box labeled Resolve to Video In.
Front Panel Operation

Sony 9-Pin

This section explains how to control the X-48MKII using Sony 9-pin, also called P2 or RS-422.
Track Arm
Setting it to Digital/Console allows you to arm tracks over 9-pin. Set this to Local if you don’t want to arm tracks this way.
Punch Delay
You can set the punch-in delay from off to 6 frames. This is used when it is necessary for the X-48MKII to emulate an older video deck to match what is expected by the controller.
Chase Control
Choose LTC (SMPTE) or MTC (MIDI) or disable it here.
To access these settings
Mouse/Keyboard Operation
1 Press the SYNC button.
2 Press the 5/b buttons to select Resolve to
Vide o In and press CHNG.
3 Use the 5/b buttons to select On and press
ENTER.
The Video Clock input supports Tri-Level Sync for High Definition Video. If the black burst input is Tri-Level, the X-48MKII automatically enables this feature. See Chapter 5, Recorder, for more on sample clock and video sync.

Pull Up/Pull Down Sample Rates

The X-48MKII supports pull-up and pull-down sample rates for use in film and video post-production. When you select the sample rate for the new session, be sure to consider the final delivery format and set your sample rate accordingly. See Chapter 5, Recorder for more on sample rates.
1 Click the Windows menu and select Settings.
2 Click the Prefs tab.
3 There are three settings under the Sony 9-pin
heading: Track Arm, Punch Delay and Chase Control.
22 TASC AM X-48MKI I
4 – Configuration

Networking

The X-48MKII can be connected to a computer using the fast Gigabit Ethernet connection. You need an Ethernet crossover cable to connect your computer to the X-48MKII, unless you know that your computer’s Ethernet connector is “auto-sensing” (such as most modern Apple computers). Once the ethernet cable is connected, you need to configure both the X-48MKII and your PC for networking.
To configure the X-48MKII for networking:
Mouse/Keyboard Operation
1 View the Settings window, System tab.
2 Press the Configure button.
3 Select Use the following IP address.
4 Set IP address to be 192.168.1.1. If this address is
already in use by your router, choose a different number for the last digit.
5 Set Subnet mask to be 255.255.255.0.
6 Leave the Default gateway blank.
7 Use the following DNS server addresses should be
selected already.
8 Preferred DNS server and Alternate DNS server should be
blank.
9 Press OK.
10 Begin sharing the X-48MKII’s hard drive by
selecting Drive Sharing... from the File menu.
To configure your Windows XP computer for networking to the X-48MKII:
NOTE
Before starting the following procedures, you must launch the Windows file manager from the X-48 Disk Management menu, and enable sharing of the relevant folder (right click the relevant folder, select the Properties menu item and open the Sharing tab to make this setting).
1 Select Start->Control Panel->Network Connections.
2 You should see a list of network connections, with
one called Local Area Connection.
3 Right-click on Local Area Connection and select
Properties.
4 Click on Internet Protocol (TCP/IP) so that it is
highlighted. (Its check box must remain checked.)
5 Press the Properties button.
6 Select Use the following IP address.
7 Set IP address to 192.168.1.2. (Note: This is different
from the X-48MKII’s IP address.) If this IP address is already in use on your network, pick a different number for the last digit.
8 Set Subnet mask to be 255.255.255.0.
9 Leave the Default gateway blank.
10 Use the following DNS server addresses should be already
selected.
11 Preferred DNS server and Alternate DNS server should be
blank. Press OK.
12 Close the Local Area Connection Properties window.
13 Select Start->My Network Places.
14 On the left side of the My Network Places window is a
list of Network Tasks.
15 Select View workgroup computers. If this left side
display is not visible, enable it by going to Tools >
Folder Options > General tab and click Show common tasks in folders. Alternatively, you could double click Entire Network then Microsoft Windows Network to see
the available workgroups. Inside the workgroup named Workgroup will be the X-48MKII. If your computer and X-48MKII workgroup names are different, navigate one level up to see all the workgroups present on the network and look inside WORKGROUP to find the X-48MKII.
Your X-48MKII will show up similar to this: “X48­uo0t97er5vk”. (It is possible that you may need to wait a
minute or so for the X-48MKII to show up in this list.)
NOTE
Note that the X-48MKII’s workgroup name is fixed as
WORKGROUP. Your PC’s network name may not be WORKGROUP. For example, Windows XP Home has a
default network name of MSHOME. To find the workgroup name of your computer go to Control Panels > System > Computer Name tab.
16 Double click on the icon that represents the
connected X-48MKII.
17 You should be prompted to enter a user name and
password.
18 The user name is “administrator” and the password is
admin”.
19 Now when you double click on the icon, you should
be able to see the X-48MKII’s internal hard drive. It is called “X48 Data Drive”.
20 Double-click on X48 Data Drive to see its contents.
21 Look in the XProjects directory for projects.
To configure your Mac OS X computer for networking to the X-48MKII:
1 Click on System Preferences... under the Apple menu
and choose Network.
2 (Optional:) You may want to make a new Location
under the Location pull-down menu.
3 Double-click on Built-In Ethernet.
4 Click the Configure IPv4 pull-down menu and choose
Manually.
5 Set IP Address to 192.168.1.2. (Note: This is different
from the X-48MKII’s IP address.) If this IP address is already in use on your network, pick a different number for the last digit.
TASCAM X-48MKII 23
4 – Configuration
6 Set Subnet Mask to be 255.255.255.0.
7 Leave Router, DNS Servers and Search Domains blank.
8 Click Apply Now and close the window.
9 Open a new Finder window and click the Network
globe on the left side of the window.
10 Your X-48MKII will show up similar to this: “X48-
uo0t97er5vk”. (It is possible that you may need to wait a minute or so for the X-48MKII to show up in this list.)
11 Double click on the icon that represents the
connected X-48MKII.
12 You should be prompted to enter a user name and
password. The user name is “administrator” and the password is “admin”.
13 The Finder will ask you which drive you want to
mount. There is only one choice, “X48 Data Drive”. Click OK.
14 Double-click on X48 Data Drive to see its contents.
15 Look in the XProjects directory for projects.
If you’re having trouble getting things to work, you should be able to “ping” the X-48MKII from the PC. Open an MS­DOS window (Windows) or the Terminal in Applications/ Utilities (Mac OS X) and type “ping 192.168.1.1”. Note that this example uses the IP address specified in the above steps. If the X-48MKII does not respond then something is not connected or configured correctly.
You can change this unit’s network name. This is the name shown on a computer connected to the unit by a network. To change this name, click Set X48 Name in the File menu shown on the display connected to the unit.

Checking Free Hard Drive Space

Prior to beginning a recording project, you’ll probably want to check your available hard drive space.
Mouse/Keyboard Operation
1 Click the Options menu Disk Usage Display item.
2 When Disk Usage is selected, the hard disk usage
(%) is shown to the left of the CPU meter on the connected display.
When Record Time Remaining is selected, the amount
of recording time possible for the set Rec Track number is shown.
3 Press the 5/b buttons to see the free space on
each of your drives.
4 Press HOME when you’re finished.

Drive Benchmarking Utility

The X-48MKII includes a utility that you can use to test any connected drive before using it. The recorder runs a series of write/read tests and then reports how many tracks it can record to that drive disk for each sample rate by converting the transmission capability into numbers of tracks.
NOTE
The number of usable tracks cannot exceed 48.
We recommend using this utility whenever you
connect a new hard disk drive (particularly when connecting eSATA/USB external drive enclosures with unknown disks inside) and when recording in cold temperatures. (In cold temperatures, reading and writing speeds might be reduced.)
To run the Drive Benchmarking Tool:
Mouse/Keyboard Operation (only)
1 Click the File menu and choose Drive Benchmarking...
2 Choose your hard drive from the pull-down menu.
3 Click OK to start the test. In about a minute, the
X-48MKII will report how many tracks you can record to this drive at 48 kHz and at 96 kHz.
Maintaining good hard disk performance
8
In order for this unit to write 48 tracks, which is a great amount of data, to a hard disk, the data transmission rate must be sufficient. To assure this, it is necessary to always keep hard disks in good condition. This is especially important when using external hard disk drives and when using 88.2 and 96 kHz “double” sampling rates.
In order to prevent errors caused by insufficient data transmission rates, please conduct the following maintenance operations regularly.
If 3 or more projects have already been created on a
single hard disk partition, erase all the projects and format that partition first before creating a new project on it.
Before starting a long recording, format the hard disk
and create a new project first.
CAUTION
Front Panel Operation
1 Press the DISK button
2 Use the 5/b buttons to select Free Space, and
press CHNG button.
At around 0° C and below, hard drive performance decreases and the number of recordable tracks can be affected. Before undertaking important recording, check the drive performance using the File menu Drive Benchmarking… item. We also recommend testing recording for 1–2 minutes.
24 TASCAM X-48 MKII
4 – Configuration
Recommended specifications for external
8
hard drives
We recommend using external hard drives that have rotation speeds of 7200 rpm or more and a cache of 8 MB or more. Hard drives with lower specifications might not be able to handle the transmission of 48 tracks. Moreover, we highly recommend that you use the File menu Drive Benchmarking… item to check external hard drives regularly.

Formatting a New Drive

A new hard drive needs to be formatted before recording on the X-48MKII. To do this:
Mouse/Keyboard Operation
1 Click the File menu and choose Disk Management...
2 The X-48MKII warns you that it will shut down after
running this application. Click Yes (or No) to save your project first.
3 The next prompt warns you that you can do some
serious damage by misusing the Disk Management tool, such as modifying the C: drive. Click OK when you’re ready to begin.
4 The Disk Management tool opens. Disk0 should be
the startup disk, partitioned into the C: drive (your operating system and program files), and the D: drive (the Data partition you can write to).
5 If you’ve connected an eSATA drive, you should see
it mounted as Disk1. To format this disk, right-click the bar on the right and select Format.
6 Give the disk a name and click OK twice.
7 When you’re finished, click the Close box in the top
right corner. The X-48MKII will shut down. Restart the recorder to begin using your drive.
Mouse/Keyboard Operation
1 Open the Windows menu and select Settings.
2 Click the System tab.
3 Click the System Settings Reset button. The recorder
will ask you if you want to restore the X-48MKII to factory settings, click OK.
Front Panel Operation
1 Press the SYS button.
2 Press the 5/b buttons until you select Settings
and press CHNG.
3 Select Recall Defaults using the 5/b buttons
and press CHNG.
4 The display will ask, Reset settings to
factory defaults? Press ENTER/YES.
5 Press the CLEAR/HOME button to return to the
Home Screen.

Store/Recall User Settings

You can store your own settings for later recall. You might do this if you do multiple types of sessions that require different configurations:
Mouse/Keyboard Operation
1 Open the Windows menu and select Settings.
2 Click the System tab.
3 Click the System Settings Store button. Type a name
for the settings and click Save.
4 To restore the system settings you’ve saved, click
the Recall button and find your backup.
Front Panel Operation
1 Press the DISK button.
2 Use the 5/b buttons to select Quick Format
and press CHNG.
3 Select a drive using the 5/b buttons and press
ENTER.
4 The display will ask you if you want to format the
drive. Press ENTER/YES.

Factory Defaults

This section tells you how to restore the X-48MKII to factory defaults.
Front Panel Operation
1 Press the SYS button.
2 Press the 5/b buttons until you select Settings
and press CHNG.
3 Select S t o r e ... using the 5/b buttons and press
CHNG.
4 Give your settings a name using the 5/b buttons
and the CHNG button to cursor forward, then press ENTER/YES.
5 To recall your settings, select R e c a l l ... from the
previous menu and locate your backup file.
TASCAM X-48MKII 25

Mixer Bypass

Bypassing the mixer section improves input to output delay and reduces CPU usage by keeping the mixer EQ, level, etc. settings disabled when using the X-48MKII strictly as a recorder. Mixer Bypass is switched on by default, so you will need to disable it before using the mixer section.
To access this setting:
Mouse/Keyboard Operation (only)
1 Open the Windows menu and select Settings.
2 Select the System tab.
3 Check or uncheck the Mixer Bypass checkbox.

Make a Default Project

4 – Configuration
You can define a default project which has all of the routing and sync presets you typically use.
To do this:
Mouse/Keyboard Operation (only)
1 Open the File menu and select Save Project As...
2 Double-click D:, XProjects and Startup in order.
3 Name your project “Startup”. Click OK to replace the
old file.
26 TASCAM X-48MKII

5 – Recorder

Working With Projects

Creating a New Project

Mouse/Keyboard Operation
1 Click on the File menu and select New Project... or
press Control-N on the keyboard.
2 The display will ask you if you wish to save changes
to the current project. Click on Yes or No.
3 The display prompts you for the following
information:
Name
Type a name for the project using the keyboard
Drive
Select which drive to record to
Mode
Either Non-Destructive or Destructive. See next section for explanation.
Sample Rate
The sample rate for the session. Most users will choose either 44.1k (CD-standard), 48k (DVD-standard), 88.2k (2x CD) or 96k (2x DVD). A number of other sample rates are provided for post production use. See “Sample Rates“ (page 18) for more information on when to use these sample rates.
Bit Depth
Choices of 16-bit, 24-bit, or 32-bit Floating Point are provided.

Destructive versus Non-Destructive Recording

The X-48MKII provides two methods for recording, Non­Destructive (the default) and Destructive.
When Non-Destructive recording is selected, new recordings are written to the hard drive as new WAVE files. With this method, you can return to an old take of a recording using Undo or by editing the previous take. The disadvantage to this method is that your hard drive is filled with Wave files. If you imported all of these files into a digital workstation, you may not be able to tell which was the final approved recording unless you had exported an AAF file as well.
Using Destructive recording is just like using a multitrack tape, and is often referred to as “tape mode.” If you look at the hard drive after recording this way, you will see one long WAVE file for every track that you recorded to. Film re-recording mixers use destructive recording to record their final mixes. As they punch in and out of their mix recorder all day, they only want one master file of the approved mix to encode into Dolby Digital or however it’s being processed for release. Destructive recording also has the advantage that it uses less hard drive space, since old takes aren’t kept. But just like the multitrack tape it emulates, when you record over something it’s gone forever. There’s no undo in destructive recording mode.
DEST REC is shown at the top center of the connected display, and appears lit when in destructive mode.
NOTE
This has the same meaning as the DEST REC (SYSTEM) indicator on the front panel.

Opening a Project

4 Click OK when complete.
Front Panel Operation
1 On the front panel of the X-48MKII, press the PROJ
button, press the 5/b arrows to select New and press CHNG.
2 Press the Yes or No button to save the current
project.
3 Choose a drive to record to with the 5/b buttons
and press ENTER.
4 Select the bit depth 16 Bit , 2 4 Bit or Flo a tin g
Point and press Enter.
5 Give the project a name using the 5/b buttons to
change letters, the CHNG button to select the next letter. Press Enter to create the project or EXIT to cancel.
Mouse/Keyboard Operation
1 Click on the File menu and select Open Project... or
press Control-O on the keyboard.
2 The display will ask you if you wish to save changes
to the current project. Click on Yes or No.
3 The Open Project window appears. At the top of
this window, click the Up button to navigate up a level on your hard drive, or all the way up to see all drives connected to the system.
4 Double-click on the folder containing your project.
You should see a project with the filename you chose ending in an “.ndr” extension. Double-click on this file to open the project.
TASCAM X-48MKII 27
5 – Recorder
Front Panel Operation
1 On the front panel of the X-48MKII, press the PROJ
button, press the 5/b arrows to select Open and press CHNG.
2 Press the Yes or No button to save the current
project.
3 Choose a folder.
4 Select the file/folder to open using the 5/b
buttons and press ENTER, or EXIT to cancel.

Saving a Project

Mouse/Keyboard Operation
• ClickontheFile menu and select Save Project... or press Control-S on the keyboard.
Front Panel Operation
• OnthefrontpaneloftheX-48MKII,pressthePROJ
button, press the 5/b arrows to select Save and press CHNG.
Saving Your Work
How often do you need to save? The X-48MKII writes data to the drive during recording. You should periodically save during recording, and whenever you change something in the mixer.
You may also want to switch on Auto Save, described below. During recording, however, audio clips are captured with Fail Safe recording, which updates the WAV file headers every 5 seconds.
For best results and peace of mind, save early and often.
Front Panel Operation
1 On the front panel of the X-48MKII, press the PREF
button.
2 Press the 5/b arrows until you select Auto
Save and press CHNG.
3 Press the 5/b buttons to select On and press
ENTER.
4 Press the PREF button again, press the Up button
once to select Auto Save Time and press CHNG.
5 Change the Auto-save interval time (10 minutes is
the default) and press ENTER.
NOTE
Turn the Auto Save function OFF when using the unit only for playback.

Importing a Project

The X-48MKII can import an Open TL project. This function can only be accessed from the mouse and keyboard. It is not possible to import a file using the LCD on the front panel.
Mouse/Keyboard Operation (only)
1 To open this project, select Import Project... from the
File menu.
2 The recorder will prompt you to save your project,
click either Yes or No.
3 Select a project to import using the window
interface. You can navigate up to select another drive. Click Open or Cancel to select a project.
A progress bar appears while importing.

Auto-Saving Projects

You may want to enable auto-save so that your recordings and mixes are saved in the event of a power outage.
Mouse/Keyboard Operation
1 Click on the Windows menu and select Settings, or
press Alt-F8 on the keyboard.
2 Select the Prefs tab.
3 Click the Auto-save Projects checkbox. You can specify
how often the machine saves, from every 1 to 120 minutes (10 minutes is the default).

Exporting a Project

The X-48MKII can export the recording project as either an AAF file (Advanced Authoring Format) or an Open TL file. AAF files are supported by most digital audio workstations, including Pro Tools, Logic and Nuendo. You may need additional software to import an AAF file, such as DigiTranslator for Pro Tools. Consult your workstations documentation or support website for more information. This function can only be accessed from the mouse and keyboard. It is not possible to import a file using the front panel LCD.
Mouse/Keyboard Operation (only)
1 To open this project, select Export Project... from the
File menu.
2 Using the Filter control at the bottom of the window,
select either AAF or Open TL as your output format.
28 TASCAM X-48MKII
5 – Recorder
3 You can navigate up to select another drive. Click
Save to export the project.
Exporting as an AAF file
8
When exporting as an AAF file, you can export as an embedded or non-embedded file. When you choose the File menu “Export Project...” item the export screen appears. On this screen, you can set whether to export an embedded AAF file or a non-embedded AAF file. The difference between embedded and non-embedded files is explained below.
Embedded AAF files contain all the information and
audio files for a project. In other words, the entire project can be stored in a single embedded AAF file (.aaf). The maximum size of a single AAF file, however, cannot exceed 2 GB. For this reason, if the total data of the project exceeds 2 GB (because it has many tracks and/or very long clips), you must export it as a non-embedded AAF. If you try to export a project that is larger than 2 GB as an embedded AAF, an error message will appear and exporting will be canceled.
Non-embedded AAF files only contain the project
information. When you export this way, a folder that contains all the audio files will also be created. As with embedded AAF files, the maximum size is 2 GB, but this limitation has no practical effect since non-embedded AAF files do not contain audio files.

Copying a Project

You can make a copy of a project with the X-48MKII, for instance as a backup to another drive. This copies the project and all of its wave recordings, unlike Save As... which only copies the project file.
Mouse/Keyboard Operation
1 Click on the File menu and select File Manager or
press Ctrl-F on the keyboard.
2 You should see the File Manager window with two
panes on the left and right. In the left hand pane, navigate to the project folder you want to copy (containing the .ndr file and Audio folder). Click on this folder so it’s highlighted.
3 Using the controls on the right side, navigate
to where you want to copy the project to, i.e. a removable eSATA hard drive.
4 When you’re ready to begin copying, press the
>> button under the word Copy between the two panes.
Front Panel Operation
2 Press the 5/b arrows until you select a source
project folder and press ENTER.
3 Press the 5/b arrows and select a project file (.ndr
file) and press ENTER.
4 Press the 5/b arrows and select a destination
drive and press ENTER.
5 Enter a destination project name by using 5/b
arrows and CHNG button, and press ENTER.
For details about how to copy projects in a connected network, see “Networking” on page 22.

Backing Up a Project to CD/DVD

Use the built-in DVD drive to make a backup.
Mouse/Keyboard Operation (only)
1 Click on the File menu and select File Manager or
press Control-F on the keyboard.
2 You should see the File Manager window with two
panes on the left and right. In the left hand pane, navigate to the project folder you want to back up (containing the .ndr file and Audio folder). Click on this folder so it is highlighted.
3 In the center pane, click the Backup button.
4 The Burn Options window should appear. It will tell
you how large the project folder you selected is, and will give you the option to burn the project to a 650MB CD , 700MB CD or 4.7GB DVD. You can also click a checkbox to verify the disk after it has been burned.
NOTE
Backups can only be made using the built-in DVD drive
or a different hard disk.
Only one project can be backed up at a time.

Deleting a Project

Mouse/Keyboard Operation
1 Click on the File menu and select File Manager or
press Control-F on the keyboard.
2 You should see the File Manager window with two
panes on the left and right. In the left hand pane, navigate to the project folder you want to delete (containing the .ndr file and Audio folder). Click on this folder so it’s highlighted.
3 In the center pane, click the Delete button.
4 In the Confirm Delete window that opens, click OK.
1 On the front panel of the X-48MKII, press the PROJ
button, press the 5/b arrows to select Copy and press CHNG.
TASCAM X-48MKII 29
5 – Recorder
Front Panel Operation
1 On the front panel of the X-48MKII, press the PROJ
button, press the 5/b arrows to select Delete and press CHNG.
2 Press the 5/b arrows to select a project folder
and press ENTER.
3 Press the 5/b arrows and select a project file
(.n d r file) and press ENTER.
4 A confirmation message appears. Press YES/NO to
execute/cancel the delete operation.

Load Last Project

The X-48MKII can default to loading the last project used at startup. This is useful for working on long-term projects, or when the X-48MKII is used as a playback device for live or theater use.
Mouse/Keyboard Operation
1 Click on the Windows menu and select Settings or
press Alt-F8 on the keyboard.
2 The Settings window will open. Click on the tab at
the bottom of this window titled Prefs.
3 At the top of the screen is a checkbox labeled Load
Last Project on startup. Check this box.
Front Panel Operation
1 On the front panel of the X-48MKII, press the PREF
button, press the 5/b arrows to select Load
Last Project and press CHNG.
2 Use the 5/b buttons to select On and press
ENTER.
RHSL Starts Rehearsal recording. This simulates
recording (changing input monitor modes as selected) without actually punching into record. It can also be used to set punch in/out points.
REC Starts recording when pressed at the same
time as PL AY. It can start recording on its own if
One Button Record is set to on, (see
next section).

One-Button Record

This function allows recording to begin when the record button is pressed by itself, instead of requiring both the record and play buttons to be pressed at the same time.
Mouse/Keyboard Operation
1 Click on the Windows menu and select Settings or
press Alt-F8 on the keyboard.
2 The Settings window will open. Click on the tab at
the bottom of this window titled Transport.
3 At the top of the screen is a checkbox labeled One
Button Record. Check this box.
Front Panel Operation
1 On the front panel of the X-48MKII, press the
PREF button, press the 5/b arrows to select One
Button Record and press CHANGE.
2 Use the 5/b buttons to select On and press Enter.

TC Chase

The TC Chase feature allows your X-48MKII to chase incoming timecode.

Transport Operations

Local

The X-48MKII has six transport buttons you should already be familiar with. These buttons are found on the front panel and on the VGA display:
REW Rewinds the transport. After rewinding for
three seconds, it rewinds at a faster rate. After another three seconds, faster still.
F FWD Puts the transport in Fast-Forward. It moves at
increasingly faster rates like the Rewind button.
STOP Stops playback, recording or loop playback. PL AY Starts playback, loop playback or loop
recording.
Mouse/Keyboard Operation
Click TC Chase at the top center of the connected
display.
Front Panel Operation
• OnthefrontpaneloftheX-48MKII,presstheTC
CHASE button. The unit will chase time code
according to the setting made in the Settings menu Time Code item.
NOTE
To set the timecode, click the Windows menu and select the Settings item (or press Alt-F8 on the keyboard) to open the SETTINGS screen. Click the Sync tab and select the timecode next to the Timecode item.
30 TASCAM X-48MKII
5 – Recorder

Rehearse

The Rehearse feature allows you to hear the effects of recording without actually recording to disk. This feature is useful for testing auto-punch in and out points or for rehearsing talent before recording.
Mouse/Keyboard Operation
• ClickontheREH button in the transport section in the top-right corner of the screen.
Front Panel Operation
• PresstheRHSLbutton.
This function, however, works only when “One-button rehearsal” has been set, as described below.
One-button rehearsal
8
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
item (or press Alt-F8 on the keyboard) to open the SETTINGS screen. Click the Transport tab.
2 Put a check into the One Button Rehearse checkbox at
the top of the screen.
Front Panel Operation
1 Press the PREF button.
2 Use the 5/b buttons to select One Button
Rehearse and push the CHNG button.
3 Use the 5/b buttons to select On and push the
ENTER/YES button.
Front Panel Operation
1 On the front panel of the X-48MKII, press the PREF
button. Use the 5/b buttons to select Use Pre/
Post-Roll and press CHNG.
2 Use the 5/b buttons to select On and press Enter.
3 Pre-roll and Post-roll times can also be changed in
the Preferences menu.

Varispeed

Varispeed playback changes the playback speed of the recorder, re-sampling at the output to maintain the selected sample rate. It can be useful when an instrument cannot be tuned to match a recording or to speed up or slow down a song’s playback (while simultaneously changing the pitch).
Mouse/Keyboard Operation
1 Click on the Windows menu and select Settings or
press Alt-F8 on the keyboard.
2 Click the Sync tab.
3 Click on the checkbox labeled Varispeed. Use the
slider or click in the text box to specify the amount of varispeed.

Recording as a timecode slave

In order to assure recording when functioning as a timecode slave, if unlocked recording operations are disabled and recording cannot be conducted. This is the same as with TASCAM DTRS series and MX-2424 units. To start recording when functioning as a timecode slave, the unit must be locked (PLAY LED lit).

Pre/Post Roll

You can set the pre-roll and post-roll times for starting and ending points when looping. For details about looping, see “Loop Playback” on page 32.
Mouse/Keyboard Operation
1 Click on the Windows menu and select Settings or
press Alt-F8 on the keyboard.
2 The Settings window will open. Click on the tab at
the bottom of this window titled Transport.
3 Click the checkbox labeled Enable Pre/Post-Roll. You
can click on the fields for pre-roll and post-roll to specify how many seconds you require.

Recording and Playing Back

Input Monitoring

There are four options for input monitoring:
Normal input monitoring
Normal input monitoring puts any track that’s in record in input monitoring. Whether the transport is in play, record or stop, you will hear the input only and not what is recorded. This mode is typically used for tracking.
Auto Input mode
When the recorder is in Auto Input mode, you will hear the input when the transport is in stop or record. When the transport is in play, you will hear what was previously recorded. This mode is used for punch-in recording, so that the artist and engineer can hear what was previously
TASCAM X-48MKII 31
5 – Recorder
on the track before recording over a section of that performance.
ADR Monitoring Mode
ADR Monitoring Mode is similar to Auto Input, but puts the track in input only when the transport is in record. The track reverts to playback in stop or play to prevent feedback.
All Input mode
All Input mode enables input monitoring for all tracks, whether they are armed for recording or not. This mode is often used for live recording.
Input monitoring can be set the following ways.
Mouse/Keyboard Operation
• ForAutoInput,clickontheOptions menu, scroll over the Auto Input submenu and select On or ADR.
• ForAllInput,clickontheOptions menu and select All Input.
Front Panel Operation
• ToenableAutoInput,presstheAUTOINPUT
button on the front panel.
• ForAllInputmode,holdtheSHIFTbuttonwhile
pressing AUTO INPUT.
Putting Individual Tracks into Input
TIP
When auto input is off, you can set the input mode for individual tracks.
Front Panel Operation
• PresstheRecordEnablebuttonsonthefront
panel. The Record indicator will flash on tracks that are ready to record.

Punch Crossfade Time

To avoid an audio click when punching in and out of record, the X-48MKII automatically fades into and out of record. This crossfade time is very fast, but prevents an audio pop. The crossfade time can be set between 0ms (disabled) and 90ms in increments of 10ms.
Mouse/Keyboard Operation
• ClickontheWindows menu and select Settings. Select the Prefs tab and click the Punch Crossfades submenu. Select the desired crossfade time.
Front Panel Operation
• PressthePREFbuttonandusethe5/b buttons to select Punch Crossfade. Press the CHNG button, select the desired crossfade time using the
5/b buttons and press CHNG again.

Undo/Redo

Unlike tape machines, you can undo a recording pass and then put it back with redo. Undo/redo is only available from the mouse/keyboard interface.
You can put tracks into input mode on a channel-by­channel basis.
1 From the Mouse/Keyboard interface, click the I
button next to any track number.
2 From the front panel, hold the SHIFT button and
press any track arming button.

Record Enable

Mouse/Keyboard Operation
• ClickontheR button to the right of the track numbers on the left side of the screen in the Tracks view. The button will flash red to indicate it is ready for record.
Mouse/Keyboard Operation (only)
• ClicktheEdit menu and choose Undo or press Control-Z on the keyboard.
• Toredoanoperation,clicktheEdit menu and select Redo (or press Control-Y on the keyboard). You can
also use the History List to undo and redo. For details, see “History List” on page 44.

Metering

You can change various settings for the GUI meters shown at the top of the screen on a connected display.
TIP
If the GUI meters are not shown, click the meter button or press the keyboard “1” key to show them. (The numeric keypad “1” does not have this function.)
Meter button
32 TASCAM X-48MKII
5 – Recorder
Peak Hold
Turn Peak Hold on or off.
Pre-fader/Post-fader
Select whether the meters show the signals before (pre) or after (post) the faders. (This option is disabled when in mixer bypass mode.)
View Masters
Set the track level meter display area to show the GROUP and AUX Master level meters.
Clear Overloads
Select to clear overload indicators.
Mouse/Keyboard Operation
1 Click the Options menu and select the Meters item.
From this item, you can select Mode, Peak Hold, View Masters and Clear Overloads.
2 Select the Mode item and click Pre-Fader or Post-Fader
to select whether the meters show the signals before or after the faders.
3 Click the Peak Hold item, putting a check next to it,
to turn it on.
4 Click View Master, putting a check next to it, to
switch from showing level meters for the 48 tracks to showing them for GROUP and AUX masters.
NOTE
You can also directly click the meters on the screen to show the levels of the GROUP, AUX and stereo masters.
5 Click Clear Overloads to clear overload indicators.
NOTE
To set the length of time that overloads are shown, click the Windows menu and select the Settings item. Click the
Prefs tab and from the Clear Overloads pulldown, select 1 second, 5 seconds, 30 seconds or Hold (∞).
Front Panel Operation
• Pre-Fader/Post-Faderselection
Use the 5/b buttons to select Meter Mode and
press the CHNG button.
Use the 5/b buttons to select Pre-Fader or
Post-Fader and press the ENTER/YES button to
change the setting.
• Changingthescale(MeterViewRange)
Use the 5/b buttons to select Meter View
Range and press the CHNG button.
Use the 5/b buttons to select - to 0dB
(default), -24dB to 0dB or -12dB to 0dB and press the ENTER/YES button to change the setting.
TIP
A finer dB scale is useful, for example, when sending a test tone to a recorder for adjustment of an analog I/O card or a Dolby encoder.

Using Markers

Markers allow you to label sections of a recording for visual reference and to locate back to later.
Mouse/Keyboard Operation
• Tocreateamarker,clicktheEdit menu and select New Marker or press the Enter key on your keyboard’s number pad.
• Toaccessamemorylocation,opentheMarkers window from the Windows menu. From here you can select a memory location, rename it and locate to it.

Loop Playback

You can loop a section of the timeline for playback or recording. The loop plays back (with preroll and postroll settings, if assigned) until the stop button is pressed.
Depending on the loop playback mode settings, the number of times playback loops, for example, will differ.
1 Press the PREF button, and use the 5/b buttons
to select Meters and press the CHNG button.
2 Set the P e a k H old, Meter Mode and Meter
View Range items.
• PeakHoldsetting
Use the 5/b buttons to select P e a k H old.
Use the 5/b buttons to select On (default) or Off
and press the ENTER/YES button to change the setting.
Loop button
Mouse/Keyboard Operation
1 Click the loop button to enable loop playback
(button lights).
The beginning and stop points of the loop are shown with blue triangles on the timeline ruler. By default, both the start and stop points are set at 00:00:00:00.
2 Drag the loop start and stop points to the location
you want them.
In addition, you can also capture the current time
as the loop start or stop point by opening the I/O
TASCAM X-48MKII 33
5 – Recorder
Marker Properties screen (select from Windows menu) and selecting Loop. You can also enter them directly on this screen.
You can also capture loop points during loop
playback. Use the keyboard F key to set the start point and the T key to set the stop point.
NOTE
The loop interval is not shown on the screen when the loop function is off.
3 Press Play.
4 To disable the loop function, click the loop button
again.

Loop Mode

The X-48MKII has three Loop Modes:
Play Once and Cue
Play Once and Cue plays through the loop once, then locates to the beginning of the loop (or pre-roll point if enabled) and stops.
Play Once and Stop
Play Once and Stop plays through the loop once and then stops at the loop end (or post-roll point if enabled).
Play Repeatedly
Play Repeatedly plays through the loop, locates to the beginning of the loop (or preroll point if enabled) and plays again, repeating until the stop button is pressed.
By default, the Loop mode is set to Play Once and Cue. To change this behavior:
Mouse/Keyboard Operation
1 Click on the Windows menu and choose Settings.
2 Select the Transport tab.
3 The submenu titled Loop Mode has the three choices
explained above. You can also set the playback mode using the LOOP MODE item on the I/O MARKER Properties screen (select from the Windows menu).
Front Panel Operation
1 Press the PREF button. Press the 5/b buttons
until you select Loop Mode and press CHNG.
2 Select one of the three choices explained above
and press Enter.

Auto Punch

The Auto Punch function automatically drops into and out of record when switched on. This is used to automate a difficult punch in and out, such as one word in a lead vocal or an ADR (automated dialog replacement) line that will be attempted several times.
Mouse/Keyboard Operation
1 First, set the punch in and punch out points. At the
default setting, the starting and ending points of the last recording are automatically set as the in and out points, respectively. You can disable this automatic setting by opening the Transport tab of the SETTINGS screen (select the Settings item from the Windows menu), and remove the check mark next to the Update Punch Points item. )
You can also drag the punch in and out points in
the timeline ruler, they are the red triangles that fill the timeline ruler. You may want to zoom into a waveform and set the markers manually if you’re trying to replace or spot-erase some recorded audio.
In addition, you can also capture the current time
as the punch in or punch out point by opening the I/O Marker Properties screen (select from Windows menu) and selecting Punch. You can also enter them directly on this screen.
2 Hold the Shift button and click the Record button
on the onscreen transport to switch on Auto Punch mode. The Record light will flash.
3 Move the transport to a location before the punch-
in point and press Play. When the transport reaches the punch-in point it will punch into record. When it passes the punch-out point it will go into play again.
Front Panel Operation
1 First, set the punch in and out points. By default,
the recorder remembers the last timecode that you punched into and out of record and uses these for your punch in and out points. (To change this behavior, press the PREF button to open the Preferences menu and use the and buttons to select Update Punch Points and change that setting to Off.) You can use the Rehearse button to punch in and out of record without actually recording to set new punch in and out points.
2 To enter Auto Punch mode, hold the SHIFT
button and press RECORD. The Record light will flash.
3 Move the transport to a location before the punch-
in point and press PLAY. When the transport reaches the punch-in point it will punch into
34 TASCAM X-48MKII
5 – Recorder
record. When it passes the punch-out point it will go into play again.
NOTE
Press the SHIFT and REC buttons again to disable Auto Punch mode.

Loop Recording

You can also record while in loop mode. When you record in loop mode (and non-destructive recording is selected), a new audio file is written each time the recorder makes a pass. You might use this feature when trying multiple successive takes of a guitar solo, for example. To use the loop recording feature, turn on both Loop Playback and
Auto Punch and press Play. (See previous sections.)

Audio pool

Select the Windows menu Audio Pool... item on the connected display, or press Ctrl-P on the keyboard to open the audio pool screen.
The audio pool screen shows all the audio files referenced by the currently open project and allows the following operations.
Relink
If an audio file that is referenced by an audio clip cannot be found, click the name of that audio clip and click the “Relink” button. The currently missing audio file will be searched for and relinked automatically. A referenced audio file can be lost when it has been moved manually using the File Manager, for example, or the external drive that it is on is disconnected.
Rename
You can change the file name of an audio file. Doing this will not break links between audio files and audio clips.
Remove
You can remove references to audio files. Use this function on audio files that are no longer necessary, for example.
Remove Unused
This removes audio regions that are not used in the project from the audio pool. If you put a check next to the Delete unreferenced audio files item before clicking OK, those audio files will also be erased from the hard disk.

Using the VGA Recorder Interface

Meters

The X-48MKII displays meters on the top of the screen by default. To show or hide these meters, click the meter button in the middle of the display. For more about the on-screen meters, see page 31, Metering.
Meter button

Naming Tracks

Each of the tracks can be named for easy reference and for auto-naming recorded wave files.
To name a track:
Mouse/Keyboard Operation (only)
1 Click on the Tracks tab at the bottom of the screen
or press F1.
2 Double click on the track-name on the left side of
the screen, such as Track 1.
3 Type a new name and press Enter.

Scrolling

You can control the way that tracks scroll on the X-48MKII.
None
None means that playback will not change the view selected in the screen
Auto-Scroll
Auto-Scroll means that the center line will remain stationary and the waveform will move under that. The playback line needs to move to the center of the display first, but once it “catches up” it will remain there.
Page Flip
Page Flip tells the playback line to scroll across the screen, then advance to the next chunk of timeline and scroll across that. This is the same as the default view for Pro Tools.
To change the scrolling behavior:
1 Click the Options menu and select Scrolling.
2 Choose either None, Auto-Scroll or Page-flip.
You can also click the Auto Scroll button in the top left corner of the Tracks display:
Auto Scroll button
TASCAM X-48MKII 35

Timebar Format

The time ruler can be displayed in SMPTE time or in samples.
To change this behavior:
1 Click the Options menu and select Timebar Format.
2 Choose either SMPTE or Samples.
You can also show a large display of the timecode
position in a separate window. Click Time Display in the Windows menu to open the timecode position display in a separate window.

Clip Properties

To specify information about a clip, open the Clip Properties window:
1 Use the Smart tool to select a clip.
2 Under the Windows menu, select Clip Properties... or
press Control-2 from the keyboard.
• Youcancheckfilenamechanges,startpoint
and end point settings, audio clip movements (timecode contained in broadcast wave files or changes in playback position), track numbers and other metadata (Coding History).
• Youcanalsospecifyafadeinandfadeouttime
and shape from this window, mute or lock the clip position.
Another way to edit these values, without opening the Clip Properties window, is to click the Info button in the display. A new panel opens up below the transport with the same clip options.
5 – Recorder
Current sample rate
Auto input (AUTO IN), all recordings safe (REC SAFE),
Timecode Chase (TC CHASE) and destructive recording (DEST REC) status (indicators appear blue when enabled)
Hard disk usage and remaining recording time
CPU load
Project name

Changing part colors on the track screen

Click Color Setup in the Option menu to open the Color SETUP screen where you can change the color of clip
backgrounds, clip waveforms and other items, allowing you to customize their appearance.
These color changes are saved with the project.

Synchronization

Requirements

In order to reliably synchronize the X-48MKII to another device, two references are required:
Location reference
Usually, this is SMPTE (LTC) timecode input through the unit’s TIME CODE IN connector or MTC timecode input through the MIDI IN connector. This tells the X-48MKII where in the timeline to go.
Info button

Navigating the Timeline

There are several ways to change the playhead position:
• Dragthebottomscrollbarleftandright,thenclick
in the track display to jump to that position.
• UsetheFastForwardandRewindbuttons,either
on-screen or on the front panel.
• Double-clickthetimecodepositionreadoutand
type in a new location with the keyboard.
• Useanexternalmachinecontroldevice(seenext
section on Synchronization).

Status Displays

To the right of the menu displays, you should see a screen similar to the one above. This shows, from left to right:
Clock reference
A clock reference, typically word clock sent to the X-48MKII through a BNC cable. This tells the X-48MKII how fast to go once it gets to the right location.
The X-48MKII can run without an external word clock source, but it will eventually drift out of sync. (You can also use a digital audio signal such as AES/EBU as a clock source.) You will also hear clicks and pops in the digital audio if your entire studio is not resolved to a single master clock.
Note that video clock is available on the X-48MKII, but it cannot be used as the reference clock. Video clock is only updated 60 times per second, where word clock is updated 48,000 times or more per second. Long cable runs can also cause video clock to go out of phase, which may cause problems with digital consoles. Video clock on the X-48MKII is used to define the frame edge of the SMPTE input.
Word Clock
Word Clock sets the playback speed. Once the transport position has been determined by the SMPTE input, the unit follows the clock rate of the sample clock source when playing back. (Set the clock source with the Source item on the Sync tab of the SETTINGS screen (select the Settings item from the Windows menu).)
36 TASCAM X-4 8MKII
5 – Recorder
Video Clock
Video Clock gives a precise frame edge to the SMPTE timecode. Not available as a clock reference.
SMPTE Timecode
SMPTE Timecode is used as a location reference, defining where in the timeline to locate to.
MIDI Timecode
MIDI Timecode (MTC) is sometimes used as a location reference with MIDI sequencing software or computer­based DAW software
RS-422
In addition to receiving playback, record and other transport commands, track record arming can also be controlled
As these reference sources are all related, you can see the importance of making sure that all of your devices are resolved to the same clock reference. Another way to look at sync on the X-48MKII is to examine the order that things happen when the X-48MKII is online:
1. The X-48MKII either sees a transport command from the RS-422 signal or sees SMPTE timecode and goes into play.
2. The X-48MKII looks at either the SMPTE input or the RS-422 to determine where in the timeline to begin playback.
3. If enabled, the X-48MKII looks to the video clock input for a more exact timestamp for the incoming SMPTE.
4. Once the X-48MKII is locked to the right SMPTE frame, it starts playing at the rate dictated by its sample clock source.
5. If the input SMPTE drops out or is otherwise interrupted, playback (or recording) will stop while the timecode is interrupted depending on the Chase Freewheel setting. Moreover, if the input timecode and the unit’s timecode drifts beyond the Relock Threshold value, the input timecode will either be rechased or the drift will be ignored and playback will continue depending on the Chase Relock setting.
6. When SMPTE timecode stops or an RS-422 stop command is received, the transport stops.

Sample Rate

A sample rate should be chosen when first creating a project, with consideration to what will be done with the final product. Your choices are:
44100 (CD standard)
48000 (DVD standard)
88200 (2x CD standard)
96000 (2x DVD standard)
42336 (44.1k conversion from film (24) to PAL (25))
44056 (44.1k pull-down)
44144 (44.1k pull-up)
45938 (44.1k conversion from PAL (25) to film (24))
46080 (48k conversion from film (24) to PAL (25))
47952 (48k pull-down)
48048 (48k pull-up)
50000 (48k conversion from PAL (25) to film (24))
84672 (2x 44.1k conversion from film (24) to PAL (25))
88112 (2x 44.1k pull-down)
88288 (2x 44.1k pull-up)
91875 (2x 44.1k conversion from PAL (25) to film (24))
92160 (2x 48k conversion from film (24) to PAL (25))
95904 (2x 48k pull-down)
96096 (2x 48k pull-up)
100000 (2x 48k conversion from PAL (25) to film (24))
If you change the sample rate after audio has been recorded, that audio will play back at a different pitch. To change the sample rate:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Click the Sync tab and set the sampling frequency
using the Rate item in the Sample Clock section.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Sample Rate and press CHNG.
2 Select a sample rate from the list using the 5/b
buttons and press Enter.
3 When Changing Sample Rate OK? appears,
press the ENTER/YES button.

Clock Source

One of the most important settings on the X-48MKII is the sample clock source, which governs playback speed and keeps audio pops from happening. There are five choices.
Internal
Internal is the default. This can be used if the X-48MKII is either used by itself, with an analog console or as the master clock for the studio.
Word Clock
Word Clock should be used when you have an external, dedicated master clock available. The word clock generator needs to be set to the same sample rate as the X-48MKII.
S/PDIF
S/PDIF clocks the X-48MKII from the digital audio signal coming into the S/PDIF Digital Input.
TASCAM X-48MKII 37
5 – Recorder
TDIF Port 1
TDIF Port 1 clocks the X-48MKII from the digital audio signal coming into the TDIF Digital Input channels 1-8.
If you have digital audio option cards installed (IF-AD24(X) / IF-AE24(X) ), those will show up as an available clock source as ‘ADAT Card’ / ‘AES/EBU Card’.
When in doubt, use Word Clock as the reference source. To change the clock source:
Mouse/Keyboard Operation
• ClicktheWindows menu and select the Settings window.
• ClicktheSync tab and click the Source item in the Sample Clock section.
Choose your desired master clock from the list.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Sample Clock Source and press CHNG.
2 Select a clock source from the list using the 5/b
buttons and press Enter.

BNC Clock In/BNC Clock Out

These parameters allow the word clock signal input or output to be multiplied or divided by 2, or used as-is. This allows, for example, a 48 kHz word clock generator to be used when recording at 96 kHz, or allows 48k and 96k devices to be used at the same time.
To change these settings:
Mouse/Keyboard Operation

BNC Word Clock Output Polarity

This setting allows the Word Clock signal outphase to be reversed. This may be necessary in large systems or with long cable runs.
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Click on the Sync tab and check the box labeled
Invert Word Out Polarity.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Word Out Polarity and press CHNG.
2 Use the 5/b buttons to select either Normal or
Inverted and press Enter.

Video Clock Frame-Edge Resolve

Video Clock in the X-48MKII can be used to define the frame edge of incoming and generated timecode for stability and repeatability. (But not as a sample clock source, see ”Requirements” on page 35.)
To enable video clock:
Mouse/Keyboard Operation
1 Click the Windows menu, select the Settings window
and click the Sync tab.
2 Check the box labeled Resolve to Video In in the Time
Code area.
1 Click the Windows menu and select the
Settings window.
2 Click the Sync tab and click the BNC In or BNC Out
item in the Sample Clock section. Choose a setting from the list.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select BNC Clock In or BNC Clock Out and press CHNG.
2 Use the 5/b buttons to select a setting and
press Enter.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Resolve to Video In and press CHNG.
2 Press the 5/b buttons to select On and press
Enter.

Frame Rate

The X-48MKII syncs to any frame rate of SMPTE timecode:
30-frame non-drop (30 NDF)• is occasionally used in music studios to sync console automation to a tape machine (2” reel-to-reel tape may be striped with this format)
30-frame drop (30 Drop)• is rarely used
29.97 non-drop (29.97 NDF)• is the standard for non-
broadcast post-production in the U.S.
38 TASC AM X-48MKI I
5 – Recorder
29.97 drop (29.97 Drop)• is the standard for broadcast television post production in the U.S.
25-frame non-drop (25 NDF)• is the standard in Europe
24-frame non-drop (24 NDF)• is sometimes used for
HDTV production or film location recording
24.975 non-drop (24.975 NDF)• is 25-frame pull- down, used to play 25-frame videos on American NTSC monitors
23.976 non-drop (23.976 NDF)• is “HD pull-down,” used to play down-converted HD videos on American NTSC monitors
To change the frame rate:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Click on the Sync tab and click the Frame Rate
submenu. Choose your desired frame rate from the list.
Front Panel Operation
• PresstheSYNCbutton.Pressthe5/b buttons to select Fram e Rate and press CHNG.
• Selectaframeratefromthelistusingthe5/b buttons and press Enter.

Control Mode

Four control modes are available:
Internal
Internal is the default setting, the X-48MKII controls its own transport and ignores the SMPTE timecode input.
SMPTE
SMPTE follows the SMPTE timecode input for location, from the TIME CODE input on the rear panel.
MIDI (MTC)
MIDI (MTC) looks to the MIDI input for timecode.
Theater Play
Theater Play plays a section of the timeline, stops, and waits for a Play command to play the next section.
Theater Play mode overview
8
Using the Theater Play mode, you can play back cues one after another. This function is useful for triggering the playback of musical cues and effects during theater and radio performances, for example.
To activate this mode, use a mouse and keyboard or the front panel of the unit to set the control mode to Theater Play.
In this mode, you can playback and locate to cues.
Each cue contains two items of time data: the start point and the stop point.
Cue number 1 starts at the time set for marker #0 and stops at the time set for marker #1. Cue number 2 starts at marker #2 and stops at marker #3. Cue number 3 uses markers #4 and #5, and so on.
Before enabling Theater Play mode, a cue must be set within the project.
The total number of markers in a project must be even (e.g. #00–#07). If the total number of markers in a project is odd, the transport will not locate to the final marker.
In this mode, press the PLAY button to start playback from the beginning of the first cue (marker #0). Playback will continue until the end of the cue (marker #1) and then the transport will locate to the beginning of the next cue (marker #2) and stop. When the unit is instructed to play again, it will play this cue.
If you connect a footswitch to the FOOT SWITCH jack on the rear panel of the unit, you can trigger playback by pressing the footswitch. In other words, the footswitch functions as the PLAY button in theater mode.
Theater Play mode operation
8
When the control mode is set to Theater Play, pressing
the FF or REW button will locate to the playback start
marker of the previous or next cue and standby.
During playback of a cue, press the STOP button to
stop playback at that point. Press the PLAY button
again to locate to the starting marker of that cue and start playback again.
Recording is not possible when the control mode is set
to Theater Play.
The second line of the front panel display shows the
current cue number and the marker numbers assigned
to that cue when the control mode is set to Theater Play.
During Theater Play, you can press the • REH button to enable rehearsal mode, allowing playback from the middle of a cue.
Click the Markers item in the Windows menu to open the MARKERS screen. On the MARKERS screen, you can locate to the cue you want, and play it back. In addition, you can click the Theatre Playlist in the Windows menu to open the THEATER PLAYLIST screen. On the THEATER PLAYLIST screen, you can reorder cues as you like.
Put a check next to Enable Theatre Playlist to play back cues in the THEATER PLAYLIST order.
To change the control mode:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
TASCAM X-48MKII 39
5 – Recorder
2 Click on the Sync tab and click the Control Mode
submenu. Choose the desired control mode from the list.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Control Mode and press CHNG.
2 Select a control mode from the list using the 5/b
buttons and press Enter.

Chase Freewheel

Use the Chase Freewheel item to set how much drift caused by input timecode dropouts and other gaps will be tolerated before the unit stops chasing timecode. Playback stops when drift exceeds this value.
When input timecode is next recognized, chase is restarted (when in recording mode, it stays unlocked).
Use the following procedures to set freewheel to 0, 5, 10, 20, 50, 100 frames or ∞ (Infinite).
When set to ∞ (Infinite), the unit will continue playback/ recording regardless of input timecode.
To change the setting:
Only if not recording
Only if not recording shifts the transport in play but not in record.
During recording, timecode drift is ignored and recording continues.
Never
During both recording and playback, timecode drift is ignored.
To change the re-lock setting:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Click on the Sync tab and click the Chase Relock
submenu. Choose a setting from the list.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Chase Relock and press CHNG.
2 Choose a setting from the list using the 5/b
buttons and press Enter.
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Click on the Sync tab and click the Chase Freewheel
submenu. Choose the desired setting from the list.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Chase Freewheel and press CHNG.
2 Select a value from the list using the 5/b buttons
and press Enter.

Chase Relock

If the SMPTE drifts outside of the Chase Relock Threshold window (see next section), this setting tells the X-48MKII what to do.
Always
Always tells the transport to shift to the correct timecode value, even if it’s in record.
If the threshold value is exceeded and rechase occurs, recording mode will be disabled.

Chase Relock Threshold

This parameter governs how far out of sync the X-48MKII can drift before the Chase Relock feature forces it back in sync. (Or not, see previous section.) The range is AUTO, 1/3 frame, 1 frame, 2 frames, 5 frames or 10 frames.
During recording, if the chase relock threshold setting is exceeded and rechase occurs, recording mode will be disabled.
This setting can only be changed from the GUI interface.
Mouse/Keyboard Operation (only)
1 Click the Windows menu and select the Settings
window.
2 Click on the Sync tab and click the Relock Threshold
submenu. Choose a setting from the list.
40 TASCAM X-48MKII
5 – Recorder

Timecode Offset

This offsets the transport from the incoming timecode. The offset can be either positive or negative.
To change the offset:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Click on the Sync tab and click in the Time Code Offset
field. Type a new offset with the keyboard.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Chase Offset and press CHNG.
2 Use the CHNG and HOME buttons to cursor through
the display. Use the 5/b buttons to change the offset. Press the Enter button to save your offset.

Chase Lock Deviation

Chase Lock Deviation displays the difference between incoming timecode and the X-48MKII’s transport. It can be useful if you think that the machine is drifting out of sync or for troubleshooting. There is no setting to change, it’s only a display of how far out of sync the machine is (ideally
0). To view this setting:
Mouse/Keyboard Operation

Timecode Output Muting

This setting is useful when the device receiving timecode cannot accept off-speed timecode, such as some console automation systems.
Play Only
Outputs timecode only when the transport is running at a normal play speed.
Mute FF/Rew
Mutes the timecode output when in FF or REW.
Mute Jog/Shuttle
Mutes the timecode when the transport is running at a non-play speed such as shuttle.
None
The timecode is never muted.
To change this setting:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Select the Timecode Output Muting submenu and
choose a setting.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons to
select Output Muting and press CHNG.
2 Select a setting and press Enter.
1 Click the Windows menu and select the Settings
window.
2 Select the Sync tab. Look at the Lock Deviation display
at the bottom of the screen.
Front Panel Operation
1 Press the SYNC button. Press the 5/b buttons
to select Chase Lock Deviation and press CHNG.
2 Watch the lock deviation. When you’re finished,
press the Exit or Home button.

Advanced Recorder Operations

Audio File Naming

The X-48MKII can auto-name new audio files either based on the project name or the track name. This setting can only be changed from the GUI. Since there are no track names visible when using the LCD, it defaults to naming audio files based on the project name.
To change this preference:
Mouse/Keyboard Operation (only)
1 Click the Windows menu and select the Settings item
and then the Prefs screen.
2 Select the Audio File Naming submenu and choose
your preferred naming convention.
TASCAM X-48MKII 41

Track Key Punch

The X-48MKII can be set to enter record mode without any tracks armed. Recording will then begin on any channel whose track-arming button is pressed.
In other words, even when all track record arming buttons are off, you can press the transport REC and P LAY buttons to start recording mode. Then, recording will start when you press a track record arming button.
To enable this function:
Mouse/Keyboard Operation
1 Click the Windows menu and select the Settings
window.
2 Select the Transport tab. Check the box labeled Track
Key Punch.
Front Panel Operation
5 – Recorder
1 Press the PREF button. Press the 5/b buttons to
select Track Key Punch and press CHNG.
2 Select either Off or On using the 5/b buttons
and press Enter.

Recording time

Sampling
frequencies
44.1 kHz
48 kHz
88.2 kHz
96 kHz
The above recording times are estimates. Actual times will vary depending on the effective data capacity of a drive, the
Quantization rates
16 bit 60 hr 33 min 121 hr 7 min 6 hr 33 min 13 hr 07 min 24 bit 40 hr 22 min 80 hr 44 min 4 hr 22 min 8 hr 44 min 32 bit floating 30 hr 16 min 60 hr 33 min 3 hr 16 min 6 hr 33 min 16 bit 55 hr 37 min 111 hr 16 min 6 hr 01 min 12 hr 03 min 24 bit 37 hr 05 min 74 hr 11 min 4 hr 01 min 8 hr 02 min 32 bit floating 27 hr 49 min 55 hr 38 min 3 hr 00 min 6 hr 01 min 16 bit 30 hr 16 min 60 hr 33 min 3 hr 16 min 6 hr 33 min 24 bit 20 hr 11 min 40 hr 22 min 2 hr 11 min 4 hr 22 min 32 bit floating 15 hr 08 min 30 hr 16 min 1 hr 38 min 3 hr 16 min 16 bit 27 hr 49 min 55 hr 37 min 3 hr 00 min 6 hr 01 min 24 bit 18 hr 32 min 37 hr 05 min 2 hr 00 min 4 hr 01 min 32 bit floating 13 hr 54 min 27 hr 48 min 1 hr 30 min 3 hr 00 min
number of projects and other factors.
The built-in hard disk data volume capacity is the built-in hard disk less the space taken by the system volume.
Built-in HDD data volume 960 GB Per 100 GB of external drive capacity
48 track 24 track 48 track 24 track
42 TASCAM X- 48MKII

6 – Editing

Edit Tools

I-Beam Tool

The I-beam tool is used to select a portion of a recorded clip or clips. When the I-beam tool is dragged through the middle of a clip, only that section will be edited. For example, if you wanted to erase a cough in the middle of a recorded voiceover, the I-beam would allow you to select just that cough and then hit delete on the keyboard. Double-clicking on a clip with the I-beam tool selects the entire clip.
NOTE
Editing is only possible using the keyboard and mouse. You cannot edit tracks from the front panel. So all of the instructions in this chapter refer to the mouse, keyboard and monitor interface. These instructions also assume that you have selected the Tracks view at the bottom of the screen or by pressing F1.
Mouse/Keyboard Operation (only)
1 Click on the I-Beam button in the top-left corner
of the screen (pictured above) or press F9 on your keyboard.
2 Click and drag a portion or a complete clip in the
timeline, or multiple clips across multiple tracks. Any editing functions you perform (i.e. cut, copy, paste, delete) will be applied only to the portion of the clip you selected and highlighted.

Object Tool

Press F8 to select the Object tool, or click the button pictured above in the top-left corner of the screen.
This tool does different things depending where the mouse is:
• Whenit’snothoveringoveraclip,itlookslikea
cursor (+) sign. You can click and drag over clips to select multiple objects. (It doesn’t select only portions of clips like the I-Beam).
• Whenyoumouseoverthebottomleftorbottom
right corner of a clip, you get a tool that looks like a horizontal line with arrowhead on either side. This tool allows you to change the beginning or ending point of a clip. Drag the end point inward to shorten a clip, or drag it back out to lengthen it (if there is any waveform there).
• Mouseoverthetopleftortoprightcorner,and
the tool changes to a horizontal line under a white arc. This is the fade tool, which allows you to add a fade-in or fade-out to a clip. If clips on multiple tracks are selected, the fade-in or -out is changed on all of those tracks.
• Movetothemiddleofaclip,andyourcursor
changes into the finger tool. Click and drag to move the clip (or multiple selected clips).

Smart Tool

Press F11 to select the Smart tool, or click the button pictured above in the top-left corner. Like the Object tool, this tool does different things depending where your mouse is:
• Whenit’snothoveringoveraclip,orifitisoverthe
bottom half of a clip, it acts like the I-Beam tool. Like the I-Beam tool, you can select a portion of a waveform. However, unlike the I-Beam tool, you can only select audio on a single track.
• Whenyoumouseoverthebottomleftorbottom
right corner of a clip, you get a tool that looks like a horizontal line with arrowhead on either side. This tool allows you to change the beginning or ending point of a clip. Drag the end point inward to shorten a clip, or drag it back out to lengthen it (if there is any waveform there).
• Mouseoverthetopleftortoprightcorner,and
the tool changes to a horizontal line under a white arc. This is the fade tool, which allows you to add a fade-in or fade-out to a clip. If clips on multiple tracks are selected, the fade-in or -out is changed on all of those tracks.
• Movetothetophalfofaclip,andyourcursor
changes into the finger tool. Click and drag to move the clip (or multiple selected clips).
• Double-clickonaclipwiththeFingertoolandyou
get the Clip Properties window. See page 35 for more on this window.

Magnify Tool

Press F12 to select the Magnify tool, or click the button pictured above in the top-left corner. The magnify tool allows you to select a section of the timeline to fill the screen. To use this tool, click and drag over the section you want to focus on, such as a pair of clips on tracks 1 and 2. When you release the mouse, those two clips will fill the VGA screen.
TASCAM X-48MKII 43
6 – Editing

Selecting & Editing

Selecting Clips

To select complete clips, use the Object tool. To select a portion of a clip or clips, use the I-beam or Smart tool. See the previous section for more information.

Selecting Time

To select a range of time across all tracks, mouse over the timeline above all of the tracks. No matter which tool you’ve been using, the cursor will change into an I-beam tool. Click and drag in the time ruler to select a time range across all tracks. Your selection is displayed with in/out point markers, described in the next section.

In and Out Points

Your selection range is displayed on-screen by the in and out point markers, which look like small blue flags in the timeline ruler.
To see exactly what has been selected, click the info button. The screen will show information about your selection start and end points as well as the length of the selection. For an exact time selection, such as 00:02:00:00, you can click in these fields and type in a new in point, out point or selection length.
In addition, you can open the I/O Marker Properties screen (select from the Windows menu) and select Selection to input in and out points directly.
Info button
• AnothersetofbuttonsintheClip Properties window
allow you to move the clip either to the timecode embedded in a Broadcast WAVE file (“Broadcast Time”) or to the current Play Position.
Click OK or Cancel to confirm or ignore the changes.

Snap to Grid

Clips can snap to a grid for exact placement of imported or recorded audio in the timeline. To access this feature, click on the Options menu and select Snapping. This menu has three settings:
Enable Snapping
Turns the snap feature on or off.
Draw Snap Grid
Displays vertical grid lines in the timeline for visual reference.
Snap To
Snap To is another submenu that selects how fine the snap grid is drawn. The options are Hours, Minutes, Seconds, Frames or Subframes.

Cut, Copy, Delete, Paste

These commands do the expected edit functions to the selected audio. Keyboard shortcuts are Control-X for Cut, Cntl-C for Copy, Cntl-V for paste and Delete for Delete. The only one that requires further explanation is Delete, which does not actually delete the audio off the drive but just removes it from the Edit Decision List (EDL). You can always undo the operation or, if you have deleted a range of a clip, pull the new clip’s head or tail to fill the deleted space.

Clip Properties

There are three ways to call up this window:
• Withaclipselected,clicktheWindows menu and select Clip Properties.
• Withaclipselected,pressControl-2onthe
keyboard.
• Double-clickaclipusingtheFingertoolinthe
Smart Tool.
This window gives you several options for working with a clip:
• Youcannametheclip.
• Typeinexactstart,endandlengthtimes.
• Youcanalsospecifyanexactfade-inandfade-
out time and crossfade shapes, either linear, exponential or reverse exponential.
• Clipscanalsobemutedorlockedbyclickingthese
checkboxes. Locking a clip makes it impossible to edit until unlocked.

Repeat Paste

Repeat Paste (Control-Alt-V) pastes the audio in the clipboard multiple times. You might use this feature to create a loop that plays through a song or to fill a section of film dialog with room tone for ADR. When you select the repeat paste command, the system will prompt you to ask how many times it should repeat the audio loop.

Crop

Crop (Control-U) cuts the head and tail of a clip outside of the selected range. Select a range inside of a clip using the I-Beam tool, then use the Crop command to shorten its length to include only the selected range.
44 TASCAM X-48MKII
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
6 – Editing

Insert Time

This command (Cont rol-T) inserts silence into the selected time range and shifts all audio after that selection later. It’s the same as splitting the clip at the In point and moving all audio after that point back the same amount of time as the selection length.

Delete Time

This command deletes the time from the timeline represented by the selected time range and shifts all audio after that selection forward.

Split

The Split command (Control-E) slices a clip wherever the timeline is. If you have selected a range of a clip, it separates that selection into a new clip. This separation would allow one part of a clip to be treated or editing differently from the other part of the clip.

Play From Selection

This function (shortcut “P” on the keyboard) begins playback from the beginning of the selection range. It ignores the pre-roll setting, if any. You might use it to hear the effects of an edit in context of the program.
2 Select the object tool.
When you move the cursor near the border of Clip
1 and Clip 2, it becomes the fade tool, which can be used to adjust the fade-in or fade-out at the top of the clips. At the bottom of the clips, it becomes a double-headed arrow cursor, which can be used to adjust the border between Clip 1 and Clip 2.
3 First, move the double-headed arrow cursor a little
to the right of the border and click to make Clip 2 active, and then move the border to the left.
4 You can also edit the crossfade once the clips
overlap. Move the double-headed arrow cursor a little to the right of the border and click to make Clip 1 active.
5 Drag right to adjust the crossfade.

History List

The History List command (Control-H) opens a window that shows you every edit you’ve done in the project, up to a maximum of 200 edits. You can press the Undo and Redo buttons at the bottom of this window, or click on a command in the list and it will undo that edit and everything after it.
History is saved with a project, so undoing is possible even after closing and reloading a project.
You can also Clear the history list. Check Delete unreferenced audio file and press OK to delete all editing data, including unused, unnecessary audio files, from the undo history. After doing this, previous operations cannot be undone.

Moving clip borders and adjusting crossfades

As shown below, the following example of editing involves three clips—Clip 1, Clip 2 and Clip 3.
1 Clip 2 is a recorded WAVE file that has been edited
to remove unnecessary beginnings and endings and then copied and pasted into place. In this case, the beginning and end of Clip 2 can be extended, altering the borders with Clip 1 and 2.
6 You can also drag left to adjust the endpoint of Clip
1. This will not adjust the crossfade.
7 In step 4 above, move the double-headed arrow
cursor a little to the left of the border and click to make Clip 2 active.
8 Drag left to adjust the crossfade.
9 You can also drag right to adjust the start point of
Clip 2. This will not adjust the crossfade.
TASCAM X-48MKII 45
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
Clip 1
Clip 2
Clip 3
6 – Editing
10 When adjusting the crossfade is possible, the fades
of Clip 1 and Clip 2 will not be adjusted, so the fade tool will not appear even when the cursor is placed at the top of a clip.
In addition, if you adjust the start point of Clip 2 or
the end point of Clip 1 in step 6 or 9, the clips will no longer overlap, making it impossible to adjust the crossfade. If you have done this, undo the edit so that you can adjust the crossfade.
11 To readjust the clip border, fix the start point of the
clip on the right and the end point of the clip on the left first. For example, adjust the border position so that it is the same as in step 3.
12 To move the clip border further to the left, move
the double-headed arrow cursor little to the left of the border and click to make Clip 2 active.
13 If you drag to the left, the crossfade will be
adjusted as in step 8, so drag to the right first.

Fade-in, fade-out and crossfade curves

Select the Object tool.
Double-click on a clip to open the CLIP PROPERTIES dialogue or double-click on a crossfade to open the CROSSFADE PROPERTIES dialogue. In each dialogue you can alter fade curves.
Please refer to “Clip properties” on page 35 of this manual for further information.

Audio Processing

Pitch/Time Stretch

Selecting this item from the Process menu opens the Time Compression/Pitch Shift window. There are two options in
this window.
Time Compression allows the length of a clip to be changed without changing the pitch. Use a mouse and keyboard to set the length of a clip.
The start time for the clip remains the same while the end point changes to reflect the new length. The clip’s fade in or out remains non-destructive.
Pitch Shift allows the pitch of a clip to be changed without changing the length.
Click OK to process the clip.
14 Then, drag to the left to adjust the clip border.
15 To move the clip border set in step 11 to the right,
place the double-headed arrow cursor little to the right of the border and click to make Clip 1 active.
16 If you drag to the right, the crossfade will be
adjusted as in step 5, so drag to the left first.
17 Next, drag to the right to adjust the position of the
clip border.

Consolidate

Selecting this item from the Process menu merges all selected clips or time into one audio file. Any crossfades or fade ins/outs that were added to the clip are also written to the new clip. This command may be used before exporting all of the edits on a track as one long Broadcast WAVE file.
Audio clips that are merged using the consolidate function must be given a new name. When you execute the Consolidate item from the Process menu a naming screen opens.
46 TASCAM X-48MKII

7 – Mixer

Mixer Interface

Mixer Introduction

The X-48MKII includes a software digital mixer/router with the following features:
48 playback channels, each with 4-band parametric EQ
and compression
Level, pan, solo and mute controls
Input and output source selection per track/channel
6 aux sends, pre or post-fader
6 stereo aux returns
12 stereo subgroups
Dynamic automation engine supporting mouse-drawn
break-point style automation

Mixer Bypass

When you first use the X-48MKII, the mixer section is disabled to improve input to output delay and CPU usage. Before using any of the mixer functions you need switch off Mixer Bypass.
To do this:
1 Click the Windows menu and choose Settings
2 Select the System tab. Uncheck the box labeled Mixer
Bypass.

DSP View

Click the DSP button pictured above or press F6 on the keyboard to open the DSP panel. When you open this window, you should see five panes (you may need to click the reveal triangle or scroll down):
Track
The Track section includes the fader, meter and pan controls. There’s a record arming button, input monitor button, solo and mute buttons. The Mix button sends that track/channel to the Master output. You also get a field to name the track and another input and output menu for setting the source and destination for your track.
Aux Sends
Aux Sends shows the six aux sends and allows you to send the selected channel to them. The Pre button, when lit, makes these pre-fader sends. The On button turns the send on or off. The knob at the bottom shows the amount of that channel sent to the send.
Dynamics
Dynamics is a compressor for the selected track. Threshold changes the channel’s compressor threshold and is displayed in dBfs. Ratio is the amount of gain reduction that occurs after the audio crosses the threshold. Attack and Release control the amount of time until gain reduction is fully-functional, and Soft applies a soft knee for extreme ratio settings. On turns the effect on and off and Gain is a post-compressor makeup stage.
Equalizer
The Equalizer section houses a four-band full parametric EQ section. The On button at the top-right corner of this panel switches the EQ on, and the On button above each band switches that band on. (Note that you need to press two On buttons to hear EQ, the master ON button and one band’s ON button.) The Type pulldown menu gives you a choice of Low Shelf, High Shelf, Peaking, Low Pass and High Pass for each band. You can use the Gain, Frequency and Q knobs to change EQ, or grab the dots in the graphic display.
You can double-click number boxes for faders and pan
controls, as well as for AUX SEND, DYNAMICS, EQUALIZER
and other items on the DSP screen and directly input numerical values.
Hold the keyboard Control key while clicking on the
pan control of a track to set the pan value to the center
(C).
Hold the keyboard Control key while clicking on the
fader of a track to set the fader value to 0 dB.
Hold the keyboard Shift key while clicking on the pan
or fader of a track and then drag to copy that pan or
fader value to other tracks.
Hold the keyboard Alt key while clicking on a control or
fader to make precise adjustments.

Mixer Tabs

There are six tabs at the bottom of the VGA display: Click the tab or press the associated function key.
Tracks Track/waveform view (F1)
Ch. 1-24 First 24 channels of the mixer (F2)
Ch. 25-48 Second 24 channels of the mixer (F3)
Groups Subgroups and aux returns (F4)
Masters Master output (F5)
Big Meters Level meters for all 48 tracks are shown ll-
ing the screen. All of the mixer channels, groups and masters are located in one large window, so you can see channels 12-35 if necessary.
TASCAM X-48MKII 47
7 – Mixer

Automation

To display automation, click the button pictured above or press Alt-A. You can automate the level of a track using this, and also play back automation from imported projects. The edit tools change in this mode:
• UsetheCursortool(clickthe“+” button or press F8)
to write automation. Click and drag on a track to write new automation points. Automation can be enabled by track using WRITE switches.
• Ifyoumouseoveroneoftheautomationpoints
with the Cursor tool, your cursor turns into the Finger tool. Click and drag any automation point to change its level or time position. When writing automation data, the fader for each track is shown at the 0 dB line. The cursor position shows the fader volume.
• Inautomationmode,theSmarttoolbecomesan
Eraser so that you can delete automation entries.
• UsetheI-beamtooltoselectautomation.Youcan
cut, copy, paste or delete automation from the keyboard or Edit menu.
• PlaceachecknexttoPlayback Automation Bypass under Options to disable automation during playback.

Third-Party Plug Ins

Support will not be provided to use VST plug-ins from Waves, Antares, or other companies. Installing them could cause problems.
CAUTION
If problems should occur with the unit, reinstalling its software from the System Restore CD might be necessary.

Routing

Each recorder track goes directly to the mixer channel that has the same number as the track. Mixer channels can be routed to various destinations, like physical outputs or Groups. Click the bottom-most text display on a mixer channel to reveal a menu of output routing choices, or open the DSP View to see the same menu along with other parameters of that mixer channel. You can change the output to a group or pair of outputs for submixing use, see the next section for examples.

Mixer Applications

Submixing

One of the typical uses for the subgroups is to combine tracks when you do not have enough mixer inputs for your session. For example, 17 tracks of percussion can be combined into a stereo group then sent through a pair of outputs to come up on a pair of faders on your console.
To use this feature:
1 Make sure Mixer Bypass is disabled, see “Mixer
Bypass” on page 46.
2 Click on the tab at the bottom of the screen where
your tracks are, such as Ch. 1-24.
3 Find your track in the mixer view. You can change
the level, pan it left or right, add EQ, etc.
4 Click the Output field at the bottom of the channel
strip. This opens a menu of options. Mouse over the
Groups submenu and choose a stereo group from 1 to 12.
5 Select the Groups tab at the bottom of the screen.
Click on the output field at the bottom of the group channel. Select Stereo Outs and choose a pair of outputs for your Group.

Monitoring While Recording

Another useful feature of the mixing engine is to monitor tracks while recording. During a live event, the X-48MKII can serve as a 48-track recorder as well as your monitor mixer. Connect your mic preamps to the (optional) analog inputs and connect the S/PDIF output to a D/A converter or 2-track recorder, like the TASCAM DV-RA1000HD. You can then monitor through the D/A converter or recorder using headphones or monitors.
To set up the X-48MKII for record monitoring:
1 Make sure Mixer Bypass is disabled. (See “Mixer
Bypass” on page 46.)
2 Check your channel strips to make sure the MIX
button is on/green so that tracks are being routed to the stereo mix out.
3 Click on the Masters tab at the bottom of the screen.
4 Click the Output field on the Master channel on the
right side of this window. This opens a menu of options. Mouse over the Stereo Outputs submenu and choose SPDIF.
5 Connect the S/PDIF digital out to the S/PDIF digital
in on your D/A converter or recorder. Change the on-screen mixer channels to mix. Since the mixer is after the recorder, any changes made to the monitor mix will not affect the recording.
48 TASCAM X-48MKII
7 – Mixer

Final Mix

It is possible to complete your project entirely inside the X-48MKII. You can add EQ and compression and automate channel levels during mixdown. You will still need a master recorder to monitor and capture the final mix, like the TASCAM DV-RA1000HD.
To mix on the X-48MKII:
1 Click the Output field on the Master channel on the
right side of this window. This opens a menu of options. Mouse over the Stereo Outputs submenu and choose SPDIF.
2 Make sure that the Mix button is on/green for any
tracks/channels you want to go to the Master out.
3 Connect the S/PDIF digital out to the S/PDIF digital
in on your D/A converter or recorder. Change the on-screen mixer channels and DSP settings to mix your project.
TASCAM X-48MKII 49

8 – Specifications

Media and formats

Recording media
Hard disk
File system
NTFS
File format
BWF (Broadcast Wave Format)
Number of channels
48 channels (44.1/48/88.2/96 kHz)
Quantization rate
16 bit, 24 bit, 32-bit floating point
Sampling frequencies
42.336k (44.1k × 24/25), 44.056k (44.1k−), 44.1k, 44.144k
(44.1k+), 45.938k (44.1k × 25/24), 46.080k (48k × 24/25),
47.952k (48k−), 48k, 48.048k (48k+), 50k (48k × 25/24),
84.672k (88.2k × 24/25), 88.112k (88.2k−), 88.2k, 88.288k
(88.2k+), 91.875k (88.2k × 25/24), 92.160k (96k × 24/25),
95.904k (96k−), 96k, 96.096k (96k+), 100k (96k × 25/24) Hz
Note: + is 0.1% pull up, − is 0.1% pull down
Clock references
Internal, Word in, Digital slot 1/2, SPDIF IN, TDIF Port 1
Timecode frame
23.976NDF, 24NDF, 24.975NDF, 25NDF, 29.97DF, 29.97NDF,
30DF, 30NDF
TIME CODE IN, TIME CODE OUT connector
Connector: 6.3 mm (1/4”) TRS standard jack (Tip: HOT,
Ring: COLD, Sleeve: GND)
Format: Conforms to SMPTE standards
FOOT SW connector
Conector: 6.3 mm (1/4”) TS standard jack (Tip: HOT, Sleeve:
GND)
REMOTE connector
Connector: DE9 (Female, mm screws), Conforms to RS-
422, Sony 9-pin serial protocol (P2)
USB port (x4)
Connector: A type, 4 pin
Protocol: Conforms to USB 2.0 High speed (480 Mbps)
100/1000 connector
Connector: RJ45 LAN connector
100BASE-TX/1000BASE-TX Ethernet
VGA connector
Connector: DE15 (Female) VGA connector (inch screws)
MOUSE connector
Connector: Mini DIN connector (PS/2)
Keyboard connector
Connector: Mini DIN connector (PS/2)
eSATA connector
Connector: eSATA (External Serial ATA) 7 pin (Female)
Specifications: SATA2, 3 Gb/s

Digital audio input/output

TDIF connector (x6)
Conector: DB25 (Female) connector (mm screws)
Format: Conforms to TDIF-1 standards
Word length: 24 bit
S/PDIF IN/OUT connector
Connector: RCA connector
Format: IEC 60958-3 (S/PDIF)

Control input/output

WORD SYNC IN connector
Connector: BNC (Unbalance), TTL level, 75Ω termination
(auto on/off selection)
WORD SYNC TRU, WORD SYNC OUT connector
Connector: BNC (Unbalance), TTL level, 75Ω
MIDI IN, MIDI OUT connector
Connector: DIN 5 pin
Format: Standard MIDI format

General

Power
AC 100-240 V, 50-60 Hz
Power consumption
49 W
Dimensions (W x H x D)
483 x 184 x 439 mm/19.02 x 7.24 x 17.28 in.
Weight
13.7 kg/30.2 lb
Operating temperature
5 - 35°C/41 - 95°F
50 TASCAM X-48MKII
8 – Specifications
483 mm
425 mm
177 mm
184 mm
152.4 mm
465 mm
11 mm
3 mm
432 mm

Options

IF-AN24X
24-channel analog input and output card with 96 kHz­compatible connectors (D-sub 25-pin, inch screws)
IF-AE24X
24-channel AES/EBU input and output card with 96 kHz­compatible connectors (D-sub 25-pin, inch screws)

Dimensional drawings

IF-AD24
24-channel ADAT input and output card
Illustrations in this manual might differ from the actual product.
In order to improve the product, specifications and appearance could be changed without prior notice.
TASCAM X-48MKII 51

Functions controlled using a mouse and display

Function list Operation/Confirmation
Create new project
Open existing project
Save current project
Save current project with a different name
Convert project to non-destructive mode
Import OpenTL project
Export project as OpenTL or AAF
Import audio file
Open file manager screen
Open disk management screen
Open benchmark screen for hard disk being used
Launch shared drive mode when connected to a network
Set the built-in clock
Set the name of the X-48MKII
Open the Launch External Application screen
Launch MX View for MX-2424 units
Launch TASCAM mixer companion
Shutdown the unit
Undo editing or recording, etc.
Redo the last undone operation
Copy the audio clip or selection
Cut the designated audio clip range (and keep it in the copy buffer)
Delete that audio clip or designated range
Paste the data in the copy buffer
Paste multiple times (number can be set)
Trim around a designated range in an audio clip and discard the rest
Divide an audio clip
Insert a period of silence at the selected interval, shifting the existing audio data to after it.
Delete the selected interval, shifting the audio after it forward
Add a marker
Playback the designated range from its starting point
Open the History List screen
Activate the I-Beam Tool for editing
VGA display, MENU Front panel operation (press
File q New Project… PROJ q 5/b q (New) q
File q Open Project… PROJ q 5/b q (Open) q
File q Save Project PROJ q 5/b q (Save) q
File q Save Project As… PROJ q 5/b q (Save As...)
File q Convert To Non-Destructive
File q Import Project… File q Export Project… File q Import Audio File… PROJ q 5/b q (Open) q
File q File Manager… File q Disk Management… File q Drive Benchmarking…
File q Drive Sharing…
File q Set Date and Time
File q Set X48 name...
File q Launch External Application…
File q Launch MX View… File q Launch Mixer Companion… File q Shutdown… STANDBY/ON q Edit q Undo Edit q Redo Edit q Copy Edit q Cut
Edit q Delete
Edit q Paste Edit q Repeat Paste
Edit q Crop
Edit q Split Edit q Insert Time
Edit q Delete Time
Edit q New Marker Edit q Play From Selection
Edit q History List Edit q I-Beam and VGA icon
these buttons to open the
menu item)
CHNG
CHNG
CHNG
q CHNG
CHNG

9 – Appendix

Keyboard shortcut
Ctrl + N
Ctrl + O
Ctrl + S
Ctrl + Shift + S
Ctrl + Shift + I
Ctrl + Shift + E
Shift + Alt + I
Ctrl + F
Ctrl + Z
Ctrl + Y
Ctrl + C
Ctrl + X
Delete (Backspace)
Ctrl + V
Ctrl + Alt + V
Ctrl + U
Ctrl + E
Ctrl + T
Num + Return
P
Ctrl + H
F9
52 TASCAM X-48MKII
9 – Appendix
Function list Operation/Confirmation
Activate the Object Tool for editing
Activate the Smart Tool for editing
Activate the Magnify Tool for editing
Select all audio clips on a track
Select all audio clips
Open the Pitch/Time Stretch screen
Open the Consolidate (for audio clips) screen
Set mixer meter display to pre-fader
Set mixer meter display to post-fader
Turn peak hold ON/OFF
Change track meter display to GROUPS and AUXES
Clear overloads
Select Solo Mix
Select Solo Exclusive
Unsolo the selected track
Select disk usage display
Select remaining recording time display
Enable snapping
Show the snap grid
Set the snapping unit to hours
Set the snapping unit to minutes
Set the snapping unit to seconds
Set the snapping unit to frames
Set the snapping unit to subframes
Disable scrolling
Enable automatic scrolling
Set to scroll by page
Set the timebar unit to SMPTE
Set the timebar unit to samples
Open the Color Setup screen
Enable looping
Enable one button recording
VGA display, MENU Front panel operation (press
Edit q Object and VGA icon Edit q Smart and VGA icon Edit q Magnfty and VGA icon Edit q Select All On Track
Edit q Select All
Process q Pitch/Time Stretch
Process q Consolidate
Options q Meters q Mode q Pre-Fader
Options q Meters q Mode q Post-Fader
Options q Meters q Peak Hold
Options q Meters q View Masters
Options q Meters q Clear Overloads
Options q Solo q Solo Mix
Options q Solo q Solo Exclusive
Options q Solo q Clear Solos
Options q Disk Usage Display q Disk Usage
Options q Disk Usage Display q Record Time Remaining
Options q Snapping q Enable Snapping
Options q Snapping q Draw Snap Grid
Options q Snapping q Snap To
q Hours
Options q Snapping q Snap To
q Minutes
Options q Snapping q Snap To
q Seconds
Options q Snapping q Snap To
q Frames
Options q Snapping q Snap To
q Subframes
Options q Scrolling q None
Options q Scrolling q Auto-Scroll
Options q Scrolling q Page-Flip
Options q Timebar Format q SMPTE
Options q Timebar Format q Samples
Options q Color Setup Options q Transport q Enable
Looping Options q Transport q One
Button Record
these buttons to open the
menu item)
F8
F11
F12
Ctrl + A
Ctrl + 6
Alt + F12
Keyboard shortcut
(on the selected track)
TASCAM X-48MKII 53
Function list Operation/Confirmation
Disable Auto Input
Enable Auto Input
Enable Auto Input ADR Monitoring Mode
Enable All Input
Enable All Safe
Enable automation writing
Set to ignore automation data during playback
Check the X-48MKII software version
Open settings screen
Open Display Settings screen
Display information about the selected audio clip
Open Audio Pool screen
Open Markers screen
Open I/O Marker Properties screen
Open Time Display screen
Open theatre playlist screen
Enable/disable Meter bridge display
Enable/disable Track Overview display
Enable/disable clip property display
Enable/disable DSP screen display
Show Tracks screen
Show track 1-24 mixer screen
Show track 25-48 mixer screen
Show Groups mixer screen
Show stereo and AUX channel mixer screen
Show large 48-track meter screen
Close all windows
VGA display, MENU Front panel operation (press
Options q Auto Input q Off Options q Auto Input q On Options q Auto Input q ADR
Options q All Input Options q All Safe Options q Automation Write
Options q Automation Bypass
Windows q About
Windows q Settings Windows q Display Settings…
Windows q Clip Properties…
Windows q Audio Pool… Windows q Markers Windows q I/O Marker Properties Windows q Time Display Windows q Theatre Playlist Windows q Panels q Meterbridge
Windows q Panels q Track Overview
Windows q Panels q Information
Windows q Panels q Channel DSP View
Windows q Tracks or Tracks tab Windows q Ch.1-24 or Ch.1-24 tab Windows q Ch.25-48 or Ch.25-48
tab Windows q Groups or Groups tab Windows q Masters or Masters tab
Windows q Big Meters (or the screen tab on the connected display)
Windows q Clear All Windows
9 – Appendix
these buttons to open the
menu item)
AUTO/ALL INPUT Alt + F9
SHIFT + AUTO/ALL INPUT Alt + F9
AUTO/ALL INPUT Alt + F10
ALL SAFE/REC Alt + F11
Alt + F8
Ctrl + 2
Ctrl + P
Ctrl + 3
Ctrl + 4
Ctrl + 5
F6
F1
F2
F3
F4
F5
F7
Ctrl + W
Keyboard shortcut
54 TASCAM X-48MKII
9 – Appendix

Front panel function list

Front panel Description
Track meter 1-48 Show each track’s signal level (−60 dBFS - 1 dBFS) and overload status
REC LED 1-48 Show each track’s record arming status
REC key 1-48 Use to arm each track for recording.
ERROR indicator Blinks when a system error occurs
STATUS indicator
SAMPLE RATE indicator Shows the currently selected sampling frequency
TIME CODE indicator Shows the currently selected frame rate
SYSTEM indicator
STANDBY/ON switch
Built-in DVD drive Use DVD discs to backup and restore projects and import and export files
Transport button Operate the recorder transport
Display Use to view information and settings
ENTER/YES button
EXIT/NO button
CHNG button Change setting items
CLEAR/HOME button Use to clear a setting or return to the LCD home position
5/b button
TC CHASE button Turn the timecode synchronization function ON/OFF
ALL SAFE/REC button
AUTO/ALL INPUT button
SHIFT button
PROJ button
DISK button
INP 1-24 button Open the input settings menu for tracks 1-24
INP 25-48 button Open the input settings menu for tracks 25-48
EXT MNT/UNMNT button Mount and unmount USB external storage devices
SYNC button
PREF button Open a menu where you can set various preferences
SYS button
BUSY indicator Blinks when the system is busy
MIDI indicator Lights when a MIDI command is input
DISK indicator Lights when the built-in hard disk is being accessed
SAMPLE LOCK indicator
DEST REC indicator Lights when in destructive (“tape”) mode
VARISPEED indicator Lights when varispeed is enabled
When syncing to an external clock source, lights when the unit is locked and blinks when not locked
Turn unit (power) on and puts it into standby; press and hold for several seconds to force the unit into standby
Use to confirm and execute items and move down levels in the settings menu Use to cancel operations and settings and move up levels in the settings menu
Moves the cursor. When SHIFT is active, sets punch-in and punch-out points
When SHIFT is not active, use to prevent/allow recording on all tracks. When SHIFT is active, use to put all tracks into recording standby or take them out of standby. When SHIFT is not active, use to turn Auto Input mode ON/OFF. When SHIFT is active, use to set input monitoring of all tracks. Turn SHIFT ON/OFF. To use the shift function of buttons that have one,
When the SHIFT button is lit, press the button with the shift function
While pressing and holding the SHIFT button, press the button with the
shift function
Open the PROJ menu where you can create, open, save, erase and copy projects Open the DISK menu where you can check the open space on the built-in hard disk and format it
Open the synchronization settings menu where you can set sampling frequency, clock source and other audio synchronization and timecode synchronization settings
Open the system settings screen where you can save and recall system settings, as well as make MIDI and network settings
TASCAM X-48MKII 55
DISK
INP 1-24
INP 25-48
SYNC
9 – Appendix
Main unit settings menu Description
Free Space View open space on each hard disk
Quick Format Format external hard disks
IO Card Select 1-8 Select track 1-8 inputs
Input Routing 1-8 Set track 1-8 input routings
IO Card Select 9-16 Select track 9-16 inputs
Input Routing 9-16 Set track 9-16 input routings
IO Card Select 17-24 Select track 17-24 inputs
Input Routing 17-24 Set track 17-24 input routings
IO Card Select 25-32 Select track 25-32 inputs
Input Routing 25-32 Set track 25-32 input routings
IO Card Select 33-40 Select track 33-40 inputs
Input Routing 33-40 Set track 33-40 input routings
IO Card Select 41-48 Select track 41-48 inputs
Input Routing 41-48 Set track 41-48 input routings
Sample Rate Set the sampling frequency
Sample Clock Source Set the audio clock source
BNC Clock In Set the word clock input frequency
BNC Clock Out Set the word clock output frequency
Word Out Polarity Set the word clock output polarity
Frame Rate Set the timecode frame type
Control Mode Set the timecode synchronization mode
Output Muting Set the timecode output muting method
Chase Freewheel Set the freewheel time when functioning as a timecode slave
Chase Relock Set the relock when functioning as a timecode slave
Chase Relock Thresh Set the relock threshold value when functioning as a timecode slave
Chase Offset Set the time code offset when functioning as a timecode slave
Resolve to Video In Set to synchronize timecode output with VIDEO IN signal frame-edges
Chase Lock Deviation Display time difference between timecode input and internal timecode
56 TASCAM X-48MKII
9 – Appendix
Main unit settings menu Description
Auto Chase Turn Auto Chase mode ON/OFF
One Button Record Enable recording with just the record button
One Button Rehearse Enable activating rehearsal mode with just the rehearsal button
Update Punch Points
Track Key Punch Set whether REC keys 1-48 can be used to punch-in and punch-out
Use Pre/Post-Roll Turn pre-roll and post-roll ON/OFF
Pre-Roll Set the pre-roll time
Post-Roll Set the post-roll time
TimeCode Display Set the time axis display unit
Mixer Bypass Turn mixer bypass mode ON/OFF
Loop Mode Select the loop playback method
AES 2X Mode
S/PDIF Input SRC Turn the S/PDIF input sampling rate converter ON/OFF
S/PDIF Pro Mode Set the S/PDIF input professional mode
PREF
SYS
Auto Input Select the auto input mode
Punch Crossfade Set the crossfade time when punch recording
EDL Crossfade Shape Set the EDL crossfade shape type
Overload LED Time Set how long the (overload) indicator lights
Audio File Naming Set how names are given automatically to audio clips
Auto Save Turn the EDL automatic saving function ON/OFF
Auto Save Time
P2 Track Arm Set whether or not tracks can be armed over the Sony 9-pin connection
P2 Punch Delay
P2 Chase Control
Meters Make various meter display settings
Looping Turn loop playback ON/OFF
Scrolling Set track screen scrolling
Load Last Project
Settings View and save system settings
Midi Device ID Set the MIDI device ID
Network Make various address settings for the LAN network
About Show the software version
Set whether or not punch-in and punch-out point settings are automatically updated when starting and stopping recording
Set the AES/EBU card transmission mode when using 2x sampling frequencies.
Set the time interval between when saving when using EDL automatic saving
Set the amount of delay until execution after receiving a punch-in command over the Sony 9-pin connection Set the target chase source (LTC or MMC) when commanded to chase from the Sony 9-pin port.
Set whether or not to load the project that was in use the last time the unit was shut down
TASCAM X-48MKII 57

Shortcuts

Category Function Keyboard shortcut
Move to beginning/end of edit contents Home / End
Naming Channels
Dialog Boxes
Editing
F-Keys
Move single letters at a time Left/Right Arrow keys
Select entire word Double-click on word
Move down/up rows Tab/Shift + Tab
New Project Ctrl + N
Open Project Ctrl + O
Save Project Ctrl + S
Open Settings Window Alt + F8
Save As… Ctrl + Shift + S
File Manager Ctrl + F
Export Project Ctrl + Shift + E
Import Project Ctrl + Shift + I
Open Import Audio window Alt + Shift + I
Open Audio Pool Ctrl + P Nudge selection or region right/left by Nudge
value Select entire track in Edit window Ctrl + A
Repeat Paste Ctrl + Alt + V
Redo Ctrl + Y
Crop Ctrl + U
Insert Time Ctrl +T
Split Ctrl + E
Cycle through Edit Tools ESC or simultaneously press both mouse keys
Select entire region in Edit window Double-click with I-Beam
Cut Ctrl + X
Copy Ctrl + C
Paste Ctrl + V
Undo Ctrl + Z
Display History List Ctrl + H
Delete (do not place in clipboard) Delete (Backspace)
Go to Song Start Home
Extend selection to Song Start Shift + Home
Go to end of session End
Extend selection to end of session Shift + End
Toggle Automation view Alt + A
New Marker Enter on numeric keypad
Play From Beginning of Selection P
Select I-Beam Tool F9
Select Object Tool F8
Select Smart Tool F11
Select Magnify Tool F12
Show Track Screen F1
Show Mixer CH 1-24 F2
Show Mixer CH 25-48 F3
Show Groups Mixer F4
Show Master Mixer F5
+/– on numeric keypad only
9 – Appendix
58 TASCAM X-4 8MKII
9 – Appendix
Category Function Keyboard shortcut
Show Big Meter F7
Toggle DSP CH display F6
F-Keys
Global
Recording and Playback
Timecode Data Entry
Clear entered numeric value and stay in time entry Retype value
Zoom
Toggle Auto Input (On/Off ) Alt + F9
Toggle All Input Alt + F10
Toggle All Safe Alt + F11
Toggle One Button Record Alt + F12
Fine adjust mode Ctrl + click on control
Increase or decrease track height Start + Up Arrow key/Start + Down Arrow key
Color Setup Ctrl + 6
Audio Pool… Ctrl + P
Markers Ctrl + 3
I/O Marker Properties Ctrl + 4
Time Display Ctrl + 5
Theatre Playlist Ctrl + 7
Clear All Windows Ctrl + W
Play/Stop 0 on numeric keypad
Rewind 1 on numeric keypad
F Fwd 2 on numeric keypad
Record 3 on numeric keypad
Stop recording spacebar
Start/stop playback spacebar
Solo-safe track Ctrl + click on track solo enable button
Punch In/Out of Record Ctrl + spacebar or F12
Stop recording & do undo Ctrl + . (period on a QWERTY keyboard)
Toggle TC Chase (Online) Ctrl + J or Alt + spacebar
Loop toggle Alt + L
Toggle Pre/Post Roll Ctrl + K
Create a marker Enter on the numeric keypad
Move sub-unit selection to the right . (period on a QWERTY keyboard)
Move sub-unit selection to the left/right Left/Right Arrow keys
Increment/decrement the current sub-unit Up/Down Arrow keys
Apply entered numeric value Enter
Clear entered numeric value & exit time entry ESC
Horizontal zoom in/out Ctrl + @ / [
Vertical zoom in/out Ctrl + Alt + @ / [
TASCAM X-48MKII 59
9 – Appendix
MIDI machine control (MMC) protocol
List of supported MMC commands
STOP
PLAY
DEFERRED PLAY
FAST FORWARD
REWIND
RECORD STROBE
RECORD EXIT
CHASE
MMC RESET
WRITE
MASKED WRITE
READ
UPDATE
LOCATE
SEARCH
SHUTTLE
STEP
List of information fields that respond to WRITE,
*
MASKED WRITE, READ and UPDATE commands
SELECTED TIME CODE
SIGNATURE
UPDATE RATE
MOTION CONTROL TALLY
VELOCITY TALLY
RECORD MODE
RECORD STATUS
TRACK RECORD STATUS
TRACK RECORD READY
GLOBAL MONITOR
RECORD MONITOR

SONY P2 protocol

stop
play
sync, play
record
fast forward
rewind
cue, data
jog, forward
jog, reverse
shuttle, forward
shuttle, reverse
varispeed, forward
varispeed, reverse
select, ee, on
full, ee, on
full, ee, off
edit, on
edit, off
edit, preset
edit, field, select
current, time, sense
timer, mode, sense
NOTE
See the MIDI Machine Control 1.0 specifications for details about how to use these commands.
X-48MK"
TEAC CORPORATION
Phone: +81-42-356-9143 1-47 Ochiai, Tama-shi, Tokyo 206-8530, Japan
TEAC AMERICA, INC. http://tascam.com/
Phone: +1-323-726-0303 7733 Telegraph Road, Montebello, California 90640 USA
TEAC CANADA LTD. http://tascam.com/
Phone: +1905-890-8008 Facsimile: +1905-890-9888 5939 Wallace Street, Mississauga, Ontario L4Z 1Z8, Canada
TEAC MEXICO, S.A. de C.V. http://www.teacmexico.net/
Phone: +52-55-5010-6000 Río Churubusco 364, Colonia Del Carmen, Delegación Coyoacán, CP 04100, México DF, México
TEAC UK LIMITED http://www.tascam.co.uk/
Phone: +44-8451-302511 Suites 19 & 20, Building 6, Croxley Green Business Park, Hatters Lane, Watford, Hertfordshire, WD18 8TE, UK
TEAC EUROPE GmbH http://tascam.de/
Phone: +49-611-71580 Bahnstrasse 12, 65205 Wiesbaden-Erbenheim, Germany
http://tascam.jp/
Printed in Taiwan
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