OWNER’S MANUAL
Thank you, and congratulations on your choice of the Roland XV-5080.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS” (p. 2), “USING THE UNIT SAFELY” (p. 3), and “IMPORTANT NOTES” (p. 5). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s Manual and Quick Start should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.
Notation Used in This Owner’s Manual
To make operation procedures easy to understand, the following notation system is adopted:
Characters and numbers in square brackets [ ] indicate buttons on the front panel. For example, [PATCH] represents the PATCH button and [ENTER] the ENTER button.
An asterisk (*) at the beginning of a paragraph indicates a note or precaution. (p. **) refers to pages within the manual.
*The display screens printed in this owner’s manual are based on the factory settings. However, please be aware that in some cases they may differ from the actual factory settings.
*Microsoft and MS-DOS are registered trademarks of Microsoft Corporation.
*Microsoft, Windows, and Windows NT are registered trademarks of Microsoft Corporation.
*Windows® 3.1 is known officially as: “Microsoft® Windows® operating system Version 3.1.”
*Windows® 95 is known officially as: “Microsoft® Windows® 95 operating system.”
*Windows® 98 is known officially as: “Microsoft® Windows® 98 operating system.”
*MacOS is a trademark of Apple Computer, Inc.
*Zip is a trademark of Iomega Corporation.
*SmartMedia is a trademark of Toshiba Corporation.
*All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
Copyright © 2000 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1.Read these instructions.
2.Keep these instructions.
3.Heed all warnings.
4.Follow all instructions.
5.Do not use this apparatus near water.
6.Clean only with a damp cloth.
7.Do not block any of the ventilation openings. Install in accordance with the manufacturers instructions.
8.Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9.Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10.Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
11.Only use attachments/accessories specified by the manufacturer.
12.Never use with a cart, stand, tripod, bracket, or table except as specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13.Unplug this apparatus during lightning storms or when unused for long periods of time.
14.Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
For the U.K.
WARNING: THIS APPARATUS MUST BE EARTHED
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbolor coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
2
Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.
* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
•Before using this unit, make sure to read the instructions below, and the Owner’s Manual.
..........................................................................................................
• Do not open or perform any internal modifica-
tions on the unit. (The only exception would be where this manual provides specific instructions
which should be followed in order to put in place user-installable options; see QuickStart (p. 3, p. 34), Reference Manual (p. 181).)
..........................................................................................................
•Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as listed on the "Information" page.
..........................................................................................................
• Never use or store the unit in places that are:
• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are
•Damp (e.g., baths, washrooms, on wet floors); or are
•Humid; or are
•Exposed to rain; or are
•Dusty; or are
•Subject to high levels of vibration.
..........................................................................................................
•This unit should be used only with a rack or stand that is recommended by Roland.
..........................................................................................................
•When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for
placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.
..........................................................................................................
•The unit should be connected to a power supply only of the type described in the operating instructions, or as marked on the unit.
..........................................................................................................
•Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock
hazards!
..........................................................................................................
•This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an
audiologist.
..........................................................................................................
•Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
..........................................................................................................
•In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.
..........................................................................................................
• Protect the unit from strong impact. (Do not drop it!)
..........................................................................................................
3
•Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat up and eventually melt through.
..........................................................................................................
•Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the "Information" page.
..........................................................................................................
• Always turn the unit off and unplug the power
cord (QuickStart p. 8) before attempting installation of the circuit board (SRX series, SR-JV80
series ; QuickStart p. 3).
•The unit should be located so that its location or position does not interfere with its proper ventilation.
..........................................................................................................
• Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
•Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.
..........................................................................................................
•Never climb on top of, nor place heavy objects on the unit.
..........................................................................................................
• Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from, an outlet or this unit.
..........................................................................................................
• Before moving the unit, disconnect the power
plug from the outlet, and pull out all cords from external devices.
..........................................................................................................
• Before cleaning the unit, turn off the power and unplug the power cord from the outlet (QuickStart p. 12).
..........................................................................................................
• Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
..........................................................................................................
•Install only the specified circuit board(s) (SRX series, SR-JV80 series). Remove only the specified screws (Quick Start p. 4).
..........................................................................................................
•Should you remove the optical connector caps, make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally.
..........................................................................................................
4
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and observe the following:
Power Supply
•Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
•Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Placement
•This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
•Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
•To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.
Maintenance
•For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
•Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.
Repairs and Data
•Please be aware that all data contained in the unit’s memory may be lost when the unit is sent for repairs. Important data should always be backed up Memory Card, or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.
Memory Backup
•This unit contains a battery which powers the unit’s memory circuits while the main power is off. When this battery becomes weak, the message shown below will appear in the display. Once you see this message, have the battery replaced with a fresh one as soon as possible to avoid the loss of all data in memory. To have the battery replaced, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.
“Battery Low”
Additional Precautions
•Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit’s memory, a memory card.
•Unfortunately, it may be impossible to restore the contents of data that was stored in the unit’s memory, a memory card, or another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
•Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
•Never strike or apply strong pressure to the display.
•When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements.
•A small amount of heat will radiate from the unit during normal operation.
•To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
•When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
•The display screens printed in this owner’s manual are based on the factory settings. However, please be aware that in some cases they may differ from the actual factory settings.
Before Using Cards
Using DATA Cards
•Carefully insert the DATA card all the way in—until it is firmly in place.
•Insert memory cards with the gold contacts facing downwards.
•Never touch the terminals of the DATA card. Also, avoid getting the terminals dirty.
5
Contents |
|
USING THE UNIT SAFELY...................................................................... |
3 |
IMPORTANT NOTES ............................................................................... |
5 |
Features ................................................................................................. |
11 |
Panel Descriptions................................................................................ |
12 |
Front Panel................................................................................................................................................. |
12 |
Rear Panel .................................................................................................................................................. |
14 |
Chapter 1 Selecting and Playing a Sound .......................................... |
16 |
Auditioning Sounds on the XV-5080 (Phrase Preview)...................................................................... |
16 |
Setting the Way In Which Sounds Are Previewed................................................................... |
16 |
Playing a Patch on the XV-5080 from External MIDI Devices (MIDI Keyboard) ........................... |
17 |
Setting the XV-5080’s MIDI Reception Channels ..................................................................... |
17 |
Selecting a Mode (Patch, Performance, or Rhythm Set) ..................................................................... |
17 |
Selecting Sound Libraries........................................................................................................................ |
18 |
Selecting a Patch ....................................................................................................................................... |
19 |
Basic Procedure for Selecting a Patch......................................................................................... |
19 |
Selecting Patches by Category (Patch Finder) .......................................................................... |
19 |
Selecting Patches and Rhythm Sets from an External MIDI Device...................................... |
21 |
Setting a Patch’s Pitch in Octave Steps (Octave Shift) ........................................................................ |
23 |
Selecting How a Patch Will Play (Polyphonic/Monophonic) ........................................................... |
23 |
Chapter 2 Using the XV-5080 Effects .................................................. |
24 |
Turning Effects On/Off ........................................................................................................................... |
24 |
Patch Mode Settings................................................................................................................................. |
24 |
Routing Tones to Effects .............................................................................................................. |
25 |
Making Multi-Effects Settings ..................................................................................................... |
26 |
Making Chorus Settings............................................................................................................... |
26 |
Making Reverb Settings ............................................................................................................... |
28 |
Performance Mode Settings .................................................................................................................... |
30 |
Routing Part Outputs ................................................................................................................... |
31 |
Making Multi-Effects Settings ..................................................................................................... |
31 |
Making Chorus Settings............................................................................................................... |
32 |
Making Reverb Settings ............................................................................................................... |
34 |
Rhythm Set Mode Settings...................................................................................................................... |
36 |
Routing Tones to Effects .............................................................................................................. |
37 |
Making Multi-Effects Settings ..................................................................................................... |
37 |
Making Chorus Settings............................................................................................................... |
38 |
Making Reverb Settings ............................................................................................................... |
39 |
Settings in General MIDI Mode.............................................................................................................. |
41 |
Parameters for Each Multi-Effects ......................................................................................................... |
41 |
Copying Effect Settings ......................................................................................................................... |
106 |
Chapter 3 Selecting Output Jacks..................................................... |
107 |
Patch Mode Settings............................................................................................................................... |
107 |
Signal (TONE) Flow.................................................................................................................... |
107 |
Parameters.................................................................................................................................... |
108 |
Example of Settings..................................................................................................................... |
110 |
Performance Mode Settings .................................................................................................................. |
111 |
Signal (PART) Flow .................................................................................................................... |
111 |
Parameters.................................................................................................................................... |
111 |
Example of Settings..................................................................................................................... |
113 |
Rhythm Set Mode Settings.................................................................................................................... |
114 |
Signal (RHYTHM TONE) Flow ................................................................................................ |
114 |
Parameters.................................................................................................................................... |
114 |
Settings in General MIDI Mode............................................................................................................ |
117 |
6
Signal (PART) Flow .................................................................................................................... |
117 |
Parameters.................................................................................................................................... |
117 |
Digital Connections Using R-BUS........................................................................................................ |
119 |
Settings for the Digital Interface ([SYSTEM/UTILITY] - [F2 (Output)]) ............................ |
119 |
Eight-Channel R-BUS Digital Connection............................................................................... |
120 |
Converting to the Various Digital Formats ........................................................................................ |
121 |
Digital Output to an ADAT ....................................................................................................... |
121 |
Digital Output to a TASCAM DA Series ................................................................................. |
122 |
Digital Output to an AES/EBU Device.................................................................................... |
123 |
Synchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK IN ........................... |
124 |
Chapter 4 Creating Patches ............................................................... |
125 |
Types of Patches and Their Composition ........................................................................................... |
125 |
Four-Tone Patch .......................................................................................................................... |
125 |
How a Tone Is Organized .......................................................................................................... |
125 |
Multi-partial Patch ...................................................................................................................... |
126 |
How a Partial Is Organized ....................................................................................................... |
126 |
Selecting the Tones That Will Sound (Tone On/Off)........................................................................ |
126 |
Settings Common to the Entire Patch.................................................................................................. |
127 |
Common (Patch Common) ........................................................................................................ |
127 |
Control (Patch Control) .............................................................................................................. |
129 |
Structure (Patch Structure) ........................................................................................................ |
131 |
K. Range (Patch Key Range) ...................................................................................................... |
132 |
V. Range (Patch Velocity Range) .............................................................................................. |
133 |
Creating Four-Tone Patches.................................................................................................................. |
134 |
Tips for Creating a Patch............................................................................................................ |
134 |
More Advanced Editing of Tones............................................................................................. |
134 |
Tips for Selecting a Waveform .................................................................................................. |
135 |
Modifying the Waveform and Pitch ([F2] (WG)) ................................................................... |
136 |
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... |
140 |
Changing the Volume and Stereo Location ([F4 (TVA)])...................................................... |
143 |
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])................................................................... |
145 |
Creating Multi-Partial Patches ............................................................................................................. |
148 |
Assigning Partials ....................................................................................................................... |
148 |
Editing Partials ............................................................................................................................ |
149 |
Editing Samples........................................................................................................................... |
150 |
Using the Filter to Modify the Brightness ([F3 (TVF)]).......................................................... |
152 |
Making the Volume Change ([F4 (TVA)]) ............................................................................... |
155 |
Applying Vibrato or Tremolo ([F5 (LFO&CTL)])................................................................... |
156 |
Making Effect Settings ........................................................................................................................... |
158 |
Saving Patches You Create.................................................................................................................... |
158 |
Copying the Settings of Another Patch (Patch Tone Copy) ............................................................. |
158 |
Chapter 5 Creating a Performance.................................................... |
159 |
How a Performance Is Organized........................................................................................................ |
159 |
Basic Ways to Use Performances ......................................................................................................... |
159 |
Choosing the Parts to Play .................................................................................................................... |
159 |
Establishing Settings for an Entire Performance (COMMON)........................................................ |
160 |
Settings for Each Part ............................................................................................................................. |
160 |
Comparing the Settings of Each Part as You Make Settings................................................. |
161 |
Setting the Keyboard Range ...................................................................................................... |
161 |
Selecting the Patch, and Setting the Volume, Pan, Pitch, and Polyphony.......................... |
162 |
Editing the Attack and Release of the Sound and Changing the Way the Sound is Played.. |
|
163 |
|
Establishing a Part’s MIDI Settings .......................................................................................... |
164 |
Confirming MIDI Information for Each MIDI Channel ........................................................ |
166 |
Making Effect Settings ........................................................................................................................... |
166 |
Saving Performances You Create......................................................................................................... |
166 |
Copying the Settings of Another Part (Performance Part Copy) .................................................... |
166 |
7
Editing a Patch or Rhythm Set in the Performance Mode................................................................ |
167 |
Palette Function........................................................................................................................... |
167 |
Chapter 6 Creating Rhythm Sets....................................................... |
168 |
How Percussion Instruments Are Organized .................................................................................... |
168 |
Using a MIDI Keyboard to Select a Percussion Instrument for Editing......................................... |
168 |
Settings Common to an Entire Rhythm Set ........................................................................................ |
169 |
Setting up Individual Rhythm Tones .................................................................................................. |
170 |
Tips for Selecting a Waveform .................................................................................................. |
170 |
Modifying the Waveform, Pan and Pitch ([F2 (Key WG)])................................................... |
171 |
Tune............................................................................................................................................... |
172 |
FXM ............................................................................................................................................... |
172 |
Using the Filter to Modify the Brightness ([F3 (Key TVF)]).................................................. |
175 |
Making the Volume Change ([F4 (Key TVA)]) ....................................................................... |
177 |
Other Settings ([F5 (Key Ctl)])................................................................................................... |
179 |
Making Effect Settings ........................................................................................................................... |
179 |
Saving the Rhythm Set You Create...................................................................................................... |
179 |
Copying Settings from Some Other Rhythm Tone............................................................................ |
180 |
Chapter 7 Loading a Variety of Data ................................................. |
181 |
Loading Sampler Libraries (CD-ROM) ............................................................................................... |
181 |
Installing the SIMM (Memory Module)................................................................................... |
181 |
Cautions When Installing SIMM .............................................................................................. |
181 |
Removing SIMMs........................................................................................................................ |
182 |
Installation de la carte d'extension Wave (French language for Canadian Safety Standard) .. 183 |
|
Connecting a CD-ROM Drive ................................................................................................... |
185 |
With Sampler Libraries .............................................................................................................. |
185 |
About Each Sampler Library Folder Type (Display) ............................................................. |
187 |
About the Display of Folder Categories in Sampler Libraries ............................................. |
188 |
Sample Load ................................................................................................................................ |
188 |
Auto Load..................................................................................................................................... |
189 |
Playing Back Loaded Sampler Libraries ............................................................................................. |
190 |
Loading Data Saved on a Zip Disk ...................................................................................................... |
190 |
Individually Loading Patches, Performances, or Rhythm Sets............................................ |
190 |
Loading Data Stored on Memory Cards ............................................................................................. |
191 |
Sample-Related Utilities ........................................................................................................................ |
191 |
Sending and Receiving Samples (Sample Dump) .................................................................. |
191 |
Emphasizing and Suppressing the High End of Loaded Samples (Emphasis) ................. |
192 |
Automatically Creating Multi-Partial Patches (Create Patch).............................................. |
193 |
Chapter 8 Saving Tones and Other Data You’ve Created ............... |
194 |
Saving Edits to the XV-5080’s Internal Memory (Write) .................................................................. |
194 |
When Changing the Settings for the Patch or Rhythm Set Assigned to |
|
a Part in a Performance .............................................................................................................. |
195 |
Saving All Data to Memory Card ([DISK] - [F2 (SAVE)]) ................................................................ |
195 |
Formatting a Memory Card....................................................................................................... |
196 |
Saving Data .................................................................................................................................. |
196 |
Organizing the Contents of Memory Cards............................................................................ |
197 |
Saving All Data to Zip Disk ([DISK] - [F2 (SAVE)]) .......................................................................... |
200 |
Formatting a Zip Disk/Hard Disk (Format) ........................................................................... |
200 |
Saving Data .................................................................................................................................. |
200 |
Organizing a Zip Disk ................................................................................................................ |
201 |
Initializing a Sound ................................................................................................................................ |
202 |
For Patches or Performances ..................................................................................................... |
202 |
For Rhythm Sets .......................................................................................................................... |
202 |
Changing the Way MIDI Signals Arriving at MIDI IN 2 Are Handled .............................. |
203 |
Transmitting Data to an External MIDI Device (Data Transfer) ..................................................... |
203 |
Transmitting to an External MIDI Device ............................................................................... |
203 |
Destination ................................................................................................................................... |
204 |
8
Transmitting to User Memory................................................................................................... |
204 |
Protecting the Internal Memory (Protect)........................................................................................... |
205 |
Resetting All Settings to Default Factory Settings (Factory) ............................................................ |
206 |
Registering Favorite Patches in the FAVORITE LIST ....................................................................... |
207 |
Selecting Patches from the FAVORITE LIST...................................................................................... |
207 |
Chapter 9 Other Settings/Status Checks.......................................... |
208 |
Settings Common to the Entire XV-5080 ([SYSTEM/UTILITY] - [F1 (General)])......................... |
208 |
Making Overall Settings............................................................................................................. |
208 |
Setting the Tuning and Volume Settings ................................................................................. |
209 |
Setting the System Tempo ......................................................................................................... |
209 |
Making Scale Tune Settings ([SYSTEM/UTILITY] - [F1 (General)]) .............................................. |
209 |
Making the Equalizer Settings ([SYSTEM/UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)]) .................. |
211 |
Establishing the MIDI Settings ([SYSTEM/UTILITY] - [F3 (MIDI)]).............................................. |
211 |
Setting the MIDI Channel .......................................................................................................... |
212 |
Setting the MIDI Transmit/Receive Switch ............................................................................ |
212 |
Making the System Exclusive Settings..................................................................................... |
212 |
Specifying the Reception Status for Each Tone ...................................................................... |
212 |
MIDI IN connectors .................................................................................................................... |
213 |
Connecting Two or More XV-5080s to Increase Polyphony ................................................. |
214 |
Selecting Common Controllers ([SYSTEM/UTILITY] - [F4 (Control)]) ......................................... |
215 |
Confirming the Current Status ([SYSTEM/UTILITY] - [F6 (Info)])................................................ |
215 |
Chapter 10 Examples of Applications Using the XV-5080 .............. |
217 |
Controlling the XV-5080 in Real Time Using an External MIDI Device ........................................ |
217 |
Changing the Multi-Effects Settings From an External MIDI Device ................................. |
217 |
Modifying Tone Settings............................................................................................................ |
218 |
Applications for Patches........................................................................................................................ |
219 |
Syncing the LFO Cycle to System Tempo ............................................................................... |
219 |
Modifying Multi-Effects to Match the System’s Tempo........................................................ |
219 |
Making a Tone’s Delay Time Match the System Tempo....................................................... |
220 |
Using a Pedal Switch to Modify the Rotary Speed of the Rotary Effect ............................. |
220 |
Playing Phrase Loops at a System’s Tempo............................................................................ |
220 |
Changing the Part Settings from an External MIDI Device ............................................................. |
221 |
Applications for Matrix Control........................................................................................................... |
223 |
Controlling the TMT with the LFO and Changing the Tone’s Cycle Time Plays.............. |
223 |
Using the XV-5080 as a General MIDI Sound Module ..................................................................... |
224 |
Entering GM Mode ..................................................................................................................... |
224 |
Turning Effects On/Off.............................................................................................................. |
225 |
Modifying GM Mode Settings................................................................................................... |
225 |
Utility Functions in GM Mode .................................................................................................. |
228 |
Protecting the Internal Memory (PROTECT) ..................................................................................... |
229 |
Troubleshooting.................................................................................. |
232 |
No sound ................................................................................................................................................. |
232 |
Can’t select Performances ..................................................................................................................... |
232 |
Can’t select the Part for which to make settings ................................................................................ |
232 |
Pitch is wrong ......................................................................................................................................... |
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Effects do not apply................................................................................................................................ |
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MIDI messages are not received correctly .......................................................................................... |
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Memory Card cannot be used .............................................................................................................. |
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Song data does not playback correctly................................................................................................ |
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The SCSI device is not being recognized. ........................................................................................... |
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Error Messages ................................................................................... |
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About SCSI .......................................................................................... |
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Connecting a SCSI device...................................................................................................................... |
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9
SCSI Devices That Can Be Used................................................................................................ |
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What you need to know before making connections........................................................................ |
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Types of SCSI cables and SCSI connectors .............................................................................. |
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About SCSI Chains...................................................................................................................... |
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About Terminators...................................................................................................................... |
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About SCSI ID Numbers............................................................................................................ |
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Making Connections................................................................................................................... |
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Parameter List ..................................................................................... |
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Patch Parameters......................................................................................................................... |
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Performance Parameters ............................................................................................................ |
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Rhythm Set Parameters .............................................................................................................. |
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GM Mode Parameters................................................................................................................. |
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MFX Prameters ............................................................................................................................ |
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System Parameters ...................................................................................................................... |
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Waveform List ..................................................................................... |
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MIDI Implementation........................................................................... |
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Specifications...................................................................................... |
306 |
10
128-Voice Polyphony and 32-
Part Multitimbrality
The XV-5080 is a 32-part multitimbral sound generator that produces up to 128 simultaneous polyphonic voices. It provides ample polyphony, even with Patches containing multiple Tones.
Create Amazingly Expressive
Tones
With Patches containing four stereo Tones, as well as four-Tone instruments in Rhythm Sets—you can use up to a total of eight wave types—the XV-5080 takes you the next step beyond Roland’s previous generation of JV-Series modules, providing even more precise control and allowing you to create lusher, more expressive sounds.
Powerful Internal Effects,
Including COSM Effects
The internal effects have been completely rethought and improved. The reverb, the XV-5080’s most central effect, incorporates the high-quality SRV-3030 DSP, allowing the instrument itself to give great spatial definition with superior, clear sound.
In addition, the XV-5080 features Multi-effects (MFX) with 90 kinds of effects, including RSS and 3D Delay, Slicer, and Formant Filter. What’s more, the XV-5080 also features a variety of combinations of different effects, such as the Guitar Amp Simulator, made possible with COSM technology; Guitar Multi, which lets you get just the right guitar, bass, and keyboard sounds; Bass Multi, and Keyboard Multi, all of which let you create even more powerful sounds. Furthermore, you can use three different MFX systems when in Performance mode, and use each MFX on any Part you select.
On top of all this, each output is supplied with two-band EQ.
Sample Playback Function Lets
You Add Waves
By expanding with SIMM (72-pin, 64/32/16 MB) memory modules, you can add the sample playback function to the XV5080. With a CD-ROM drive connected to the SCSI connector, you can then load Roland’s S-700 Series and other CD-ROM libraries. You of course can perform using existing sampled tones just as they are, but you can also synthesize internal Patches into a single Wave. Additionally, since you can also save the wave data of loaded samples to SmartMedia cards, you can easily take pre-existing samples for use in your live performances, even with no CD-ROM drives or hard disks connected.
The XV-5080’s output systems not only include eight parallel analog outs that can also be used as four stereo pairs, but also S/ P DIF digital outputs (optical and coaxial) and R-BUS digital out as well. Using R-BUS lets you simply output eight analog outputs as eight-channel digital audio. And you can connect the XV-5080 to Roland’s VM-3100Pro or VM-7000 Series with just one cable.
Furthermore, the XV-5080 includes a Word Clock In as a standard feature.
The XV-5080 provides a mode compatible with General MIDI System Level 2, the standard format for desktop music (DTM) systems. The upwardly compatible General MIDI 2 standards pick up where the original General MIDI standard left off, offering enhanced expressive capabilities and even greater compatibility. You can play back commercially available General MIDI-compatible song data.
The XV-5080 accepts up to four of Roland’s new-format Wave Expansion Boards (SRX Series). In addition, you can add four previous-generation Wave Expansion Boards (SR-JV Series).
All of this provides you unprecedented power in creating sounds from a massive amount of waveform data.
Featuring the Patch Finder and
Phrase Preview Functions
The XV-5080 provides a Patch Finder function that allows you to quickly find Patches of a specified type or category.
Press the XV-5080’s [PHRASE PREVIEW] button to preview the selected Patch with a musically appropriate Phrase.
Registering a Patch in the
FAVORITE LIST
You can keep the Patches that you like to use all in one place by registering them on the Favorite List. The FAVORITE LIST gives you immediate access to your favorite Patches, whether they are in the XV-5080 itself, on Wave Expansion Boards, or on memory cards. You can register up to 64 Patches in this list.
11
fig.0-001
B
A C
A
VOLUME Knob (PHRASE PREVIEW)
This adjusts the volume from the A (MIX) OUTPUT jacks and PHONES jacks. The volume from the OUTPUT B, C and D jacks cannot be adjusted.
You can press the knob to listen to the XV-5080 without using any external devices. (Phrase Preview function; p. 16)
PHONES Jack
Headphones are plugged in here. (Quick Start; p. 11)
B
Display
The display presents a variety of information about the operation being performed.
C
[SYSTEM/UTILITY]
The screen displayed switches each time the button is pressed, rotating through the System mode, Utility mode, and original screens.
System Mode (the indicator is lit)
This allows you to make settings that affect the entire XV-5080.
Utility Mode (the indicator is blinking)
This allows you to perform operations such as saving, copying, initializing, transferring data, write-protecting data, and factory reset operations.
[F1]–[F6]
The functions of these buttons change depending on the selected
page.
D E F
G
H I J
The function name is shown in the display.
When “ ” appears next to the function name in the lower row of the screen, it means that there are one or more further pages. Press the corresponding [F1]-[F6] buttons to switch to such pages.
[EXIT]
Press this button when you wish to return to the basic display, or to cancel an operation before executing it.
Hold [EXIT] and press [] to hear the demo songs. (Quick Start; p. 14)
D
VALUE Dial (SOUND LIST)
Use this to modify the values of a setting. If you hold down [SHIFT] as you turn the VALUE dial, the parameter’s value will change by larger increments.
Press this dial in Patch/Rhythm Set mode to display a list showing the collection of your favorite sounds. (p. 207) Pressing the VALUE dial while “ ” appears in the upper right of the screen displays the list for the screen.
[PATCH FINDER]
You can select a Patch using the Patch Finder function. (p. 19)
[INC]/[DEC] (Increment/Decrement)
Use these to modify the values of a setting. If you keep on holding down one button while pressing the other, the value change accelerates. If you press one of these buttons while holding down [SHIFT], the value will change in bigger increments.
[] [] [] []
Use these buttons to move the cursor.
12
[PERFORM] (Performance)
Pressed to get into Performance mode. (p. 17)
Press this button while holding down [SHIFT] to switch to Part Play mode, enabling you to make changes to the settings for the Patch and Rhythm Set assigned to each Part. (p. 167)
[PATCH]
Pressed to get into Patch mode. (p. 17)
[RHYTHM] (Rhythm Set)
Selects Rhythm Set mode. (p. 17)
[GM]
Press this to enter General MIDI mode. (p. 17)
[USER]
Selects a sound from the USER library. (p. 18)
[CARD]
Selects a sound from an installed memory card, sold separately. (p. 18)
[PRESET]
Selects a sound from the PRESET library. (p. 18)
[EXP]
Selects a sound from a Wave Expansion Board (sold separately). (p. 18, Quick Start; p. 22)
G
PART SELECT [1/17]–[16/32]
Selects a Part whose settings you wish to change. (p. 160) Switches each Part on or off. (p. 159)
TONE SWITCH [1]–[4]
Switches each Tone on or off. (p. 126)
TONE SELECT [1]–[4]
Selects a Tone whose settings you wish to change. (p. 134)
[A]–[H]
Selects a sound from the Sound Library.
Panel Descriptions
H
[SHIFT]
This is used in combination with other buttons. Holding down this button changes the functions of other buttons.
[UNDO]
Use this to restore a modified parameter value to its original setting.
[DISK]
Selects Disk mode.
[EFFECTS ON/OFF]
Use this to turn the internal effects (Multi-effects, Chorus, Reverb) on or off. (p. 24)
I
MEMORY CARD Slot
A memory card (SmartMedia) can be inserted here. (p. 195)
J
[MIDI MESSAGE/RX] (MIDI Message
Indicator/Receive Switch)
MIDI MESSAGE: This will light when a MIDI message is received.
RX: This turns Parts on and off in Performance mode and GM mode. (p. 159)
[1-16/17-32]
This specifies whether the PART SELECT [1/17]–[16/32] buttons will select Parts 1–16 or Parts 17–32.
When this button is lit, Parts 17–32 can be selected.
POWER Switch
Turns the XV-5080’s power on and off. (Quick Start; p. 12)
13
Panel Descriptions
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AC IN (AC Inlet)
Connect the included power cable here. (Quick Start; p. 11)
MIDI Connectors (IN 1/2, OUT, THRU)
These connectors connect the XV-5080 with other MIDI devices, enabling the sending and receiving of MIDI messages. (Quick Start; p. 11)
IN 1, 2: Receive messages from other MIDI devices.
OUT: Transmits messages to a MIDI device.
THRU: MIDI messages received at MIDI IN 1 are retransmitted without change from this connector.
A (MIX) OUTPUT Jacks (L (MONO), R)
These jacks send audio signals in stereo (L/R) from the XV5080 to an amp or mixer. For mono output, use the L jack. (Quick Start; p. 11)
These jacks are used when the SYSTEM SETUP Mix/Parallel parameter is set to “MIX.” (p. 109, p. 112, p. 116, p. 118)
*The XV-5080, as shipped from the factory, routes the output of all PRESET Patches to these jacks.
B, C, D OUTPUT Jacks (L, R)
These jacks send audio signals in stereo (L/R) from the XV5080 to an amp or mixer. (Quick Start; p. 11)
1–8 INDIVIDUAL OUTPUT Jacks
These jacks output audio signals in mono to an amp or
mixer. (Quick Start; p. 11)
R-BUS (RMDB 2) Connector (OUTPUT A-
D/1-8)
8-out 24 bit digital audio connector. Use this for connecting to the device such as Roland VM-3100Pro and DIF-AT.
Only the R-BUS devices listed in the Owner’s Manual may be connected to the R-BUS (RMDB2) connector. Be careful not to connect any other devices (such as SCSI-type devices, RS- 232C-type devices, parallel-type devices, etc.) even though they have similar-looking connectors. Use only a specially designed R-BUS (RMDB2) cable to make connections.
RMDB II, RMDB 2, and R-BUS refer to the same Roland standard.
WORD CLOCK IN Connector (44.1/48 kHz)
This is a connector for input of the word clock used for synchronizing external digital devices (BNC type). (p. 124)
*The XV-5080’s digital out is not compatible with sampling frequencies (word clock) other than 44.1 or 48 kHz.
14
Panel Descriptions
S/P DIF OUT Connector
The XV-5080 features both optical and coaxial digital out connectors (conforming to S/P DIF).
S/P DIF: This is a digital interface format used for consumer digital audio devices.
* About the Optical Connector Protecting Cap
•If you remove the protecting cap, be sure to keep in a safe place to prevent loss.
•Always place the protecting cap on the optical connector when the connector is not in use.
•If you use the optical connector, be sure that the connector cover you removed is placed out of the reach of children.
Q
SCSI Connector
This is a DB-25 type SCSI connector for connecting SCSI devices such as a CD-ROM drive, a Zip disk drive or a hard disk drive.
Rotate the ID switch to set the SCSI ID numbers so that none of the devices have the same ID number. (p. 239)
* On the XV-5080, “8” and “9” of the ID switch are not used.
15
The Phrase Preview feature allows you to audition Patches on the XV-5080 even when it’s not connected to a MIDI keyboard or sequencer. You can preview a Patch using a Phrase that’s appropriate to the Patch’s type or category.
1.Press [PATCH], getting its indicator to light.
2.Turn the VALUE dial, or press [INC]/[DEC] to select the desired Patch.
3.Press and hold the VOLUME knob.
The phrase prepared for the Patch will play while the knob is pushed.
*When you preview a Rhythm Set, the XV-5080 plays a percussion Phrase. Phrase Preview also allows you to audition a Performance — when you preview a Performance, you hear a Phrase appropriate to the currently selected Part.
*A USER Patch or a Patch from an optional Wave Expansion Board (SRX/SR-JV80 series) may not preview in its normal
pitch range. If this occurs, press [ ] or [ ] (Octave Shift function; p. 23) to select the desired pitch range.
*If the pitch range of a Phrase is wider than the range of the Tones within a Patch (p. 132), or wider than the range of a Part within a Performance (p. 161), any notes in the Phrase that fall outside that range will not be heard.
Setting the Way In Which Sounds
Are Previewed
fig.01-000.e_70
You can preview a Patch in any of three ways: “PHRASE” (the Patch plays a Phrase), “CHORD” (the Patch plays a chord), or “SINGLE” (the Patch plays a series of notes).
1. Press [SYSTEM/UTILITY], getting the indicator to light. The System page will appear.
*If the indicator is blinking, you are in UTILITY mode. In this case, press [SYSTEM/UTILITY] once again to make its indicator light.
2.Press [F5 (Preview)].
3.Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set.
4.Either by rotating the VALUE dial or by pressing [INC]/ [DEC], set the value.
5.Press [EXIT] to return to the previous page.
Preview Mode
PHRASE: The Phrase associated with the Patch’s type/ category is played.
CHORD: The notes specified by PREVIEW KEY will play together as a chord.
SINGLE: The notes specified by PREVIEW KEY will sound one after another.
Preview 1–4 Note Number
Specifies the four notes (C -1–G9) that will be heard during a preview when “SINGLE” or “CHORD” is selected for Preview Mode.
*If “PHRASE” is selected for Preview Mode, these settings will have no effect.
Preview 1–4 Velocity
Specifies the volume (0–127) of the four notes that will sound when “SINGLE” or “CHORD” is selected for Preview Mode.
*If “PHRASE” is selected for Preview Mode, these settings will have no effect.
16
Chapter 1 Selecting and Playing a Sound
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GM2 mode. |
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Receive Channel.” |
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Select the Performance you wish to use. |
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PART SELECT [1/17]–[16/32] button. |
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1.Chap
17
Chapter 1 Selecting and Playing a Sound
sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo. In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as “General MIDI 1” as a way of distinguishing it from General MIDI 2.
Patches, Rhythm Sets and Performances can be stored in the following memory locations within each library group.
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RHYTHM |
PERFORM |
USER |
1–128 |
1, 2, 3, 4 |
1–64 |
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CARD |
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PR-A |
1–128 |
1, 2 |
1–32 |
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PR-B |
1–128 |
1, 2 |
1–32 |
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PR-C |
1–128 |
1, 2 |
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PR-D |
1–128 |
1, 2 |
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PR-E |
1–128 |
1, 2 |
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PR-F |
1–128 |
1, 2 |
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PR-G |
1–128 |
1, 2 |
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PR-H |
1–256 |
1, 2, 3, 4 |
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XP-A |
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XP-H |
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*: Differs by type |
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On the XV-5080, tone data is stored in what are called
“SOUND LIBRARY.” The SOUND LIBRARY is divided into four “groups”: USER, CARD, PRESET, and EXP.
You can easily select the desired group simply by pressing the SOUND LIBRARY button (USER/CARD/PRESET/EXP) for each group.
USER
You can store your own Patches, Rhythm Sets and Performances in the SOUND LIBRARY’s USER group. Save the tones that you create to this library.
CARD
This library uses sounds from a commercially available memory card (SmartMedia) inserted into the MEMORY CARD slot.
You can directly select Tones contained on the card — even without loading the files into the USER memory — by assigning banks (CD-A through CD-H) to the files on the card.
PRESET
The PRESET library group contains the sounds that are permanently stored in the XV-5080’s memory. Performances are found only in PR-A and B. However, you can modify its sounds and save them as new sounds in the USER group.
EXP (Expansion)
Select this group to use the tones stored on wave expansion boards (SRX Series, SR-JV80 Series; sold separately) inserted in the EXP-A through -H slots. You cannot alter the contents of the EXP group, though you can modify its sounds and save them as new sounds in the USER group. The number of Patches and Rhythm Sets in the EXP group depends on the specific wave expansion boards installed. The EXP group contains no Performances. (Precautions When Installing Wave Expansion Board (Quick Start; p. 3))
*It is not possible to select an EXP Patch unless a wave expansion board is inserted into the corresponding slot.
*CARD sounds can be selected only if a SmartMedia card is inserted into the MEMORY CARD slot.
18
Chapter 1 Selecting and Playing a Sound
Selecting a Patch |
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following operation. |
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Basic Procedure for Selecting a |
3. Press the VALUE dial. |
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The Group List window will appear. |
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Patch |
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4. Rotate the VALUE dial to select a group. |
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Turn the VALUE dial or press [INC]/[DEC] to select the |
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5. Press [F6 (Select)] to call up the Category List window. |
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desired Patch. |
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VALUE Dial |
6. By rotating the VALUE dial, move the cursor to the |
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desired Patch, and then press [F6 (Select)]. |
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To move quickly through the available Patches: |
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sets of 10. |
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Turn the VALUE dial while pressing it or, if you prefer, turn |
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the VALUE dial while pressing [SHIFT]. |
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[INC]/[DEC] |
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To move quickly upward through the available Patches: |
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Hold down [INC] and press [DEC]. Alternatively, hold down |
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[SHIFT] and press [INC]. |
7. Pressing the [VOLUME] knob (PHRASE PREVIEW) |
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To move quickly downward through the available |
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Patches: |
8. Press the VALUE dial (SOUND LIST) to return to the |
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Hold down [DEC] and press [INC]. Alternatively, hold down |
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PATCH PLAY page. |
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[SHIFT] and press [DEC]. |
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When you hold down [INC] or [DEC], you may eventually |
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arrive at the beginning (001) of the selected bank (A–H). To |
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continue selecting Patches, release and then press the desired |
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[INC] or [DEC] button again. |
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Selecting Patches by Category |
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(Patch Finder) |
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The XV-5080’s “Patch Finder” allows you to quickly find any |
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Patch. |
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1. Press the [PATCH] button, lighting the indicator. |
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2. Press the [PATCH FINDER] button, lighting the |
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indicator. |
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The categories will appear in the PATCH PLAY page. |
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You can press [ ]/[ ] to select the desired category. At this point, you can select patches within the currently selected category, either by rotating the VALUE dial, or by using the [INC]/[DEC] button.
1.Chap
19
Chapter 1 Selecting and Playing a Sound
The following categories can be selected.
Category
Group |
Category |
Contents |
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NO ASSIGN |
No assign |
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Piano |
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PNO |
AC.PIANO |
Acoustic Piano |
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EP |
EL.PIANO |
Electric Piano |
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Keys&Organ |
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KEY |
KEYBOARDS |
Other Keyboards |
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(Clav, Harpsichord etc.) |
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BEL |
BELL |
Bell, Bell Pad |
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MLT |
MALLET |
Mallet |
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ORG |
ORGAN |
Electric and Church Organ |
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ACD |
ACCORDION |
Accordion |
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HRM |
HARMONICA |
Harmonica, Blues Harp |
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Guitar |
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AGT |
AC.GUITAR |
Acoustic Guitar |
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EGT |
EL.GUITAR |
Electric Guitar |
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DGT |
DIST.GUITAR |
Distortion Guitar |
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Bass |
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BS |
BASS |
Acoustic & Electric Bass |
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SBS |
SYNTH BASS |
Synth Bass |
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Orchestral |
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STR |
STRINGS |
Strings |
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ORC |
ORCHESTRA |
Orchestra Ensemble |
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HIT |
HIT&STAB |
Orchestra Hit, Hit |
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WND |
WIND |
Winds (Oboe, Clarinet etc.) |
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FLT |
FLUTE |
Flute, Piccolo |
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Brass |
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BRS |
AC.BRASS |
Acoustic Brass |
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SBR |
SYNTH BRASS |
Synth Brass |
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SAX |
SAX |
Sax |
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Synth |
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HLD |
HARD LEAD |
Hard Synth Lead |
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SLD |
SOFT LEAD |
Soft Synth Lead |
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TEK |
TECHNO SYNTH |
Techno Synth |
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PLS |
PULSATING |
Pulsating Synth |
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FX |
SYNTH FX |
Synth FX (Noise etc.) |
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SYN |
OTHER SYNTH |
Poly Synth |
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Pad |
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BPD |
BRIGHT PAD |
Bright Pad Synth |
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SPD |
SOFT PAD |
Soft Pad Synth |
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VOX |
VOX |
Vox, Choir |
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Ethnic |
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PLK |
PLUCKED |
Plucked (Harp etc.) |
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ETH |
ETHNIC |
Other Ethnic |
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FRT |
FRETTED |
Fretted Inst (Mandolin etc.) |
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Rhythm&SFX |
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PRC |
PERCUSSION |
Percussion |
SFX |
SOUND FX |
Sound FX |
BTS |
BEAT&GROOVE |
Beat and Groove |
DRM |
DRUMS |
Drum Set |
CMB |
COMBINATION |
Other Patches which use |
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Split and Layer |
Internal organization
When you select a sound, the sound data is loaded into a temporary part of memory known as the Temporary Area. The XV-5080 will produce sound according to the data in this temporary area.
The data in the temporary area will
•change whenever you select a different sound.
•be lost when the power is turned off.
Internal Memory
Rewritable memory |
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Non-rewritable memory |
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USER |
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PR-A, B, C, E |
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PR-D (General MIDI) |
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Select |
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Write |
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Select |
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Temporary Area |
Performance |
Patch |
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Rhythm Set |
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Select |
Write |
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Select |
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XP-A, B, C, D, E, F, G, H |
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DATA Card |
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Wave Expansion Board |
When you edit a Performance, Patch or Rhythm Set, your modifications affect only the data that was loaded into the temporary area. Since the data in the temporary area is temporary, you will need to use the Write operation if you wish to keep the modified data. (p. 194)
20
Chapter 1 Selecting and Playing a Sound
Selecting Patches and Rhythm |
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The Patches and Rhythm Sets in each library correspond to |
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Sets from an External MIDI |
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Bank Select numbers as follows. |
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Device |
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Patches |
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By receiving MIDI messages, the XV-5080 can switch Patches |
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Patch |
Patch |
Bank Select |
Program |
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(including the Patches for each Part of a Performance) or |
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Group |
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Number |
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Rhythm Sets. |
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MSB |
LSB |
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In Patch or Rhythm Set modes |
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USER |
001–128 |
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87 |
00 |
001–128 |
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PR-A |
001–128 |
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87 |
64 |
001–128 |
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1. Press [PATCH] — or [RHYTHM] if you wish to select a |
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PR-B |
001–128 |
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87 |
65 |
001–128 |
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Rhythm Set — to make the button’s indicator light. |
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PR-C |
001–128 |
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87 |
66 |
001–128 |
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2. Set the transmission channel of your external MIDI |
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PR-D |
001–128 |
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87 |
67 |
001–128 |
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device to match Patch Receive Channel (p. 212), the XV- |
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PR-E |
001–128 |
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87 |
68 |
001–128 |
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5080’s MIDI reception channel. |
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PR-F |
001–128 |
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87 |
69 |
001–128 |
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To learn about the MIDI settings of your external MIDI |
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PR-G |
001–128 |
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87 |
70 |
001–128 |
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device, see its owner’s manual. |
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3. Transmit the appropriate Bank Select MSB (Controller |
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CD-A |
001–128 |
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87 |
32 |
001–128 |
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#0) value to the XV-5080. |
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CD-H |
001–128 |
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87 |
39 |
001–128 |
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If the value is “87,” a Patch is selected. If the value is “86,” a |
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XP-A |
*1 |
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*1 |
*1 |
*1 |
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Rhythm Set is selected. |
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4. Transmit the appropriate Bank Select LSB (Controller |
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XP-H |
*1 |
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*1 |
*1 |
*1 |
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#32) value to the XV-5080. |
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5. Transmit the Program Change value corresponding to |
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* 1 Depends on the Wave Expansion Board installed. |
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Fixed Bank Select numbers are assigned to the Wave |
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the Patch or Rhythm Set. |
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Expansion Board itself. |
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The desired Patch or Rhythm Set will be selected on the XV- |
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Patch |
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Patch |
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Bank Select |
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5080. |
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Group |
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Number |
Number |
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* When the XV-5080 receives only Program Change messages |
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MSB |
LSB |
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without receiving Bank Select messages, it will switch to the |
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corresponding Patch or Rhythm Set from the currently |
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SR-JV80-01 |
001–128 |
89 |
00 |
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selected group or bank. |
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SR-JV80-01 129–256 |
89 |
01 |
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SR-JV80-02 001–128 |
89 |
02 |
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SR-JV80-02 |
129–256 |
89 |
03 |
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SR-JV80-65 001–128 |
91 |
00 |
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SR-JV80-65 |
129–256 |
91 |
01 |
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1.Chap
21
Chapter 1 Selecting and Playing a Sound
Rhythm Sets
Rhythm Set |
Rhythm Set |
Bank Select |
Program |
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Group |
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Number |
Number |
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MSB |
LSB |
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USER |
1, 2, 3, 4 |
86 |
00 |
1, 2, 3 , 4 |
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PR-A |
001, 002 |
86 |
64 |
001, 002 |
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PR-B |
001, 002 |
86 |
65 |
001, 002 |
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PR-C |
001, 002 |
86 |
66 |
001, 002 |
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PR-D |
001, 002 |
86 |
67 |
001, 002 |
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PR-E |
001, 002 |
86 |
68 |
001, 002 |
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PR-F |
001, 002 |
86 |
69 |
001, 002 |
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PR-G |
001, 002 |
86 |
70 |
001, 002 |
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CD-A |
1, 2, 3, 4 |
86 |
32 |
1, 2, 3, 4 |
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CD-H |
1, 2, 3, 4 |
86 |
39 |
1, 2, 3, 4 |
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XP-A |
*1 |
*1 |
*1 |
*1 |
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: |
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XP-H |
*1 |
*1 |
*1 |
*1 |
* 1 Depends on the Wave Expansion Board installed.
Fixed Bank Select numbers are assigned to the Wave
Expansion Board itself. |
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Rhythm Set |
Rhythm Set |
Bank Select |
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Number |
Number |
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MSB |
LSB |
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SR-JV80-01 |
001–128 |
88 |
00 |
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SR-JV80-01 |
129–256 |
88 |
01 |
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SR-JV80-02 |
001–128 |
88 |
02 |
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SR-JV80-02 |
129–256 |
88 |
03 |
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SR-JV80-65 |
001–128 |
90 |
00 |
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SR-JV80-65 |
129–256 |
90 |
01 |
In Performance mode
1.Press [PERFORM], getting its indicator to light.
2.Set the transmission channel of your external MIDI device to match the XV-5080’s Performance Control Channel (p. 212).
To learn about the MIDI settings of your external MIDI device, see its owner’s manual.
3.Transmit the appropriate Bank Select MSB (Controller #0) value to the XV-5080.
4.Transmit the appropriate Bank Select LSB (Controller #32) value to the XV-5080.
5. Transmit the Program Change value. The desired Performance will be selected.
*When the XV-5080 receives a Program Change message without Bank Select messages, the corresponding Performance in the currently selected group or bank will be chosen.
You can select any Performance Part’s Patch or Rhythm Set via MIDI. To learn how, refer to “Assigning a different Patch to Part (p. 162)” in the XV-5080 QUICK START.
The Performances in each group correspond to the Bank Select numbers as follows.
Performances
Performance |
Performance |
Bank Select |
Program |
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Number |
Number |
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MSB |
LSB |
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USER |
001–064 |
85 |
00 |
001–064 |
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PR-A |
001–032 |
85 |
64 |
001–032 |
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PR-B |
001–032 |
85 |
65 |
001–032 |
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CD-A |
001–064 |
85 |
32 |
001–064 |
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: |
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:: |
CD-H |
001–064 |
85 |
39 |
001–064 |
When Patch/Rhy Rx Ch and Perform Ctrl Ch are set to the same channel, both Bank Select and Program Change are sent, making it possible to switch among Patches, Rhythm Sets, and Performances.
Using MIDI to Switch between Patch, Performance and General MIDI 2 Modes
You can switch between Patch, Performance, and General MIDI 2 modes by transmitting the appropriate System Exclusive (Sys Ex) message to the XV-5080, as listed below. (Sys Ex messages are constructed using hexadecimal notation.)
To switch to Patch/Rhythm Set (Sys Ex.)
F0 41 10 00 10 12 00 00 00 00 01 7F F7
To switch to Performance
F0 41 10 00 10 12 00 00 00 00 00 00 F7
To switch to GM2 mode
F0 41 10 00 10 12 00 00 00 00 03 7F F7
The third byte of the MIDI message indicates the device ID number, and the factory setting is “10.” (This is “10” in hexadecimal notation; in decimal this would be 16.) (This device ID number will appear as 17 in the display of the XV5080. The transmitted messages will use a value of one less than this (16).) If you have modified the device ID number (p.
22
Chapter 1 Selecting and Playing a Sound
212), modify the third byte to the appropriate value when
transmitting the above exclusive message.
Setting a Patch’s Pitch in
Octave Steps (Octave Shift)
In Patch mode, you can easily change the pitch of an entire
Patch.
Each time you press [ ]/[ ], the pitch will change in oneoctave steps. You can adjust a Patch’s pitch by as much as +/ - 3 octaves.
Selecting How a Patch Will
Play (Polyphonic/
Monophonic)
You can set whether a Patch will play multiple notes at the same time (Polyphonic) — for example, when you play a chord or legato line — or whether only the last-played note will be heard (Monophonic).
1.Select the Patch you wish to use. (p. 19)
2.Press [F1 (Common)].
3.Press [F2 (Control)].
4.Press [ ]/[ ]/[ ]/[ ] to move the cursor to
“Mono/Poly.”
5.Turn the VALUE dial, or press [INC]/[DEC] to select the desired value.
6.After making the setting, press [EXIT].
1.Chap
23
The XV-5080 contains four independent effects units.
Multi-effects
The Multi-effects offers 90 different effects. In addition to effects consisting of only one effect, such as distortion and delay, the 90 types also include a number of compound effects, which are formed by combining a number of effects. Furthermore, the multi-effects effect types also include chorus and reverb, although the chorus and reverb described below can be applied as separate effects systems. The XV5080 features three Multi-effects systems in Performance mode, with each multi-effect independently controllable.
Chorus
Chorus adds depth and spaciousness to the sound.
Reverb
Reverb adds ambience — such as the sound of a concert hall or auditorium—to sounds.
Equalizer
An equalizer lets you boost or cut specified frequency ranges of a sound to adjust the tone.
* Equalizer is set in System mode (p. 211).
You can turn any of the XV-5080’s effect units—Multi-effects, Chorus, Reverb, and EQ—on or off using a single procedure.
1. Press the [EFFECTS ON/OFF] button. The EFFECTS On/Off window will appear.
fig.02-001.e_70
2.ress the [F2]–[F5] button corresponding to the effect to switch that effect on or off.
The display of the setting will be turned on and off.
3.Press the [EFFECTS ON/OFF] button, getting its indicator light to go out.
You might, for example, want to turn effects off when creating a new Patch so that you can hear what it sounds like without effects. You may also want to turn off the XV-5080’s effects when you wish to use external effect devices instead of the built-in effects.
You can make separate Multi-effects, chorus, and reverb settings to each Four-Tone Patch and Multi-Partial Patch, with the same effects applied to each Tone or Partial. You can control the amount of effect to be applied to each Tone or Partial by adjusting its send level with respect to the Multieffects, Chorus and Reverb.
fig.02-002.e
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4 TONE Patch |
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TONE |
Multi-Effects |
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Chorus |
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Reverb |
fig.02-003.e |
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Multi-Partial Patch |
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A0 |
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C8 |
Partial |
Multi-Effects |
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Chorus |
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Reverb |
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88 Partials |
Preliminarily, the settings for effects involves determining Tone Output Assign for Four-Tone Patches, and Split Key Output Assign for Multi-Partial Patches.
In keeping with the intended usage, choose from the following setting values for Tone Output Assign.
MFX: Selected when the Multi-effects, chorus, and reverb are used.
A-D: Selected when outputting in stereo without use of the Multi-effects. Chorus and reverb can be used.
1-8: Selected when outputting in mono without Multieffects. Chorus and reverb can be used. When this setting is used, chorus and reverb sounds are output in stereo according to the Chorus Output Assign and Reverb Output Assign settings.
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The screen appears as shown below, according to the settings values.
• For MFX
• For A–D
• For 1–8
The following shows the basic setting procedure.
1.Select the Patch you wish to work with.
2.Press [F6 (Effects)].
The Patch Effect page appears.
3. Press [F1 (General)].
The General page will appear.
4.Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set.
5.Turn the VALUE dial, or press [INC]/[DEC] to select the desired value.
*If you make a mistake when setting a parameter’s value, or you don’t like the change you have made, just press [UNDO] to restore the value the parameter originally had.
6.Repeat Steps 3 to 5 to set the Effect.
7.Press [EXIT] to return to the PATCH Play page.
A “*” symbol will appear at the left of the Patch name, indicating that its settings have been modified.
Chapter 2 Using the XV-5080 Effects
2.Chap
*If you turn off the power or select another Patch while the “*” symbol is displayed, your new Patch settings will be lost. If you wish to keep them, perform the Write operation. (p. 194)
*With Multi-Partial Patches, pressing [F6 (MIDISel)] allows you to select the Partial to be edited from the MIDI keyboard.
*When [MFX], [CHO], or [REV] are turned off, effects processors that are turned off will be indicated by a dashed outline in the General page.
*When the General page is accessed, you can press [F6 (Palette)] to view the settings for all four Tones together in a single screen. This allows you to compare the settings of each
Tone as you make settings. When you press [F6 (→ Tone 1)], the General page will reappear. [F6] will display the Tone number to which you will return.
Split Key Edit Mode
When editing Multi-Partial Patches, this sets the key ranges to which settings are applied.
Settings Values
1KEY: Settings are made for each key individually.
PTL: Settings are applied to all keys to which corresponding Partials are assigned.
ALL: Settings are applied to all keys to which all Partials are
assigned.
This sets the output destination and level for the currently selected Tone and Partial, as well as its send level with respect to the Chorus and Reverb.
On the Effects General page, set the following parameters.
Output Assign
MFX: The Tone is sent into the Multi-effects. Its output destination is determined by the Multi-effects output settings.
A–D: The Tone is sent to one of the four output-jack stereo pairs, OUTPUTS A–D.
1–8: The Tone is sent to the INDIVIDUAL output jacks 1–8.
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Chapter 2 Using the XV-5080 Effects
Dry Send Level
Range: 0–127
This sets the level of the signal sent to the output destination set with Output Assign.
Chorus Send Level 0–127
Sets how much of the Tone is sent to the Chorus.
Reverb Send Level 0–127
Sets how much of the Tone is sent to the Reverb.
This page allows you to establish various settings for the Multi-effects processor, including its parameters and outputjack assignment.
On the Effects General page, set the following parameters.
MFX Type (Multi-effects Type)
Use this parameter to select from among the 90 available Multi-effects. For a description of these effects, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
MFX Dry Send Level 0–127
Determines the level of the Multi-effects processor’s output
to the OUTPUT jacks.
MFX Chorus Send Level 0–127
Determines the level of the post-Multi-effects processor
signal sent to Chorus.
MFX Reverb Send Level 0–127
Determines the level of the post-Multi-effects processor
signal sent to Reverb.
MFX Output Assign A–D
Specifies the OUTPUT jacks to which the signal, after it has passed through the Multi-effects, is to be routed.
Pressing [F2 (MFX Prm)] in the Effects General page calls up the MFX Param page, in which you can make the following settings.
MFX A–D Parameter
These parameters allow you to customize the selected MultiEffect. For a description of the parameters, check out
“Parameters for Each Multi-Effect (MFX TYPE)” (p. 41).
Pressing [F3 (MFX Ctl)] in the Effects General page calls up the MFX Control page, in which you can make the following settings.
MFX Control 1–4 Source
Select the Control Source to be used for changing the Multieffects parameters, and set the Sens and parameters to be changed by that Control Source.
OFF: No controller is used.
CC01–95: Controller numbers 1–95 (except for 32)
PITCH BEND: Pitch Bend
AFTERTOUCH: Aftertouch
SYS-CTRL 1–4: System control 1–4
MFX Control Destination 1–4
Selects the Multi-effects parameter to be controlled using the MFX Control 1–4 source. The parameters that can be selected depend on which type of Multi-effects is set to MFX Type.
MFX Control 1–4 Sens -63– +63
If you wish to modify the selected parameter in a positive (+) direction—i.e., a higher value, toward the right, or faster, etc.—from its current setting, select a positive (+) value. If you wish to modify the selected parameter in a negative (-) direction—i.e., a lower value, toward the left, or slower, etc.—from its current setting, select a negative (-) value. Higher numbers produce a greater amount of change.
The XV-5080’s Chorus effect unit can also be used as a stereo delay unit.
These settings allow you to select chorus or delay, the characteristics of the selected effect type, and the Chorus output routing.
On the Effects General page, set the following parameters.
Chorus Type
0 (Off): Neither Chorus or Delay is used.
1 (Chrus): Chorus is used.
2 (Delay): Delay is used.
Chorus Output Select
This parameter allows you to send the Chorus output directly to the currently selected OUTPUT jacks, to the Reverb, or to both.
MAIN: The Chorus output is sent only to the OUTPUT jacks.
OUTPUT
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REV: The Chorus output is sent only to the Reverb.
Chorus Input |
Reverb |
|
Chorus |
OUTPUT |
M+R: The Chorus output is sent to the OUTPUT jacks and to the Reverb.
Chorus Input |
OUTPUT |
Chorus |
|
Reverb Input |
OUTPUT |
Reverb |
Chorus Level 0–127
Determines the Chorus output level.
Chorus Output Assign A–D
Selects the pair of OUTPUT jacks to which the Chorus unit’s stereo output is routed when Chorus Output Select is set to
“MAIN” or “M+R.”
Pressing [F4 (Chorus)] in the General page calls up the Chorus page, in which you can make the following settings.
• For Type: 1 (CHORUS)
Rate (Chorus Rate) 0.05–10.00 Hz
Adjusts the modulation speed of the chorus effect.
Depth (Chorus Depth) 0–127
Adjusts the modulation depth of the chorus effect.
Feedback (Chorus Feedback) 0–127
Specifies the amount of the chorus effect’s output to be returned - fed back - to its input. Higher settings will create a more complex Chorus effect.
Phase 0–180 degree
Adjusts the spatial spread of the sound.
Pre Delay (Chorus Pre Delay) 0.0–100 ms
Adjusts the delay time from the direct sound until when the chorus sound is heard.
Higher settings will make the sound more spacious.
Type (Filter Type)
Selects the type of filter.
OFF: No filter is used.
LPF: Frequencies higher than the selected cutoff frequency value are eliminated.
Chapter 2 Using the XV-5080 Effects
HPF: Frequencies lower than the selected cutoff frequency value are eliminated.
Cutoff freq (Cutoff Frequency) *1
Sets the cutoff frequency when a specific frequency band is cut off by a filter.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz
• For Type: 2 (DELAY)
Center (Delay Center) 200–1000 ms, Note
Sets the delay time for the delay located at the center of the stereo field.
Left (Delay Left) 200–1000 ms, Note
Sets the delay time for the delay located at the left side of the stereo field.
Right (Delay Right) 200–1000 ms, Note
Sets the delay time for the delay located at the right side of the stereo field.
HF Damp *1
This allows you to reduce, or “damp,” the high-frequency content of the repeated feedback delays—frequencies above the selected value will be damped. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Feedback -98– +98%
Adjusts the amount of delay feedback, controlling the number of times the delay repeats. With negative (-) values, the phase of the repeated delays is inverted.
Center (Delay Center Level) 0–127
Sets the volume level of the delay located at the center of the stereo field.
Left (Delay Left Level) 0–127
Sets the volume level of the delay located at the left side of the stereo field.
Right (Delay Right Level) 0–127
Sets the volume level of the delay located at the right side of the stereo field.
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Chapter 2 Using the XV-5080 Effects
These settings allow you to select the desired type of Reverb, its characteristics, and the pair of OUTPUT jacks to which the Reverb unit’s stereo output is routed.
On the Effects General page, set the following parameters.
Reverb Type
Selects the type of Reverb.
0 (Off): Reverb is not used.
1 (Revrb): Normal Reverb
2 (Room): This reverb simulates typical room acoustic reflections.
3 (Hall): This reverb simulates typical concert hall acoustic reflections.
4 (Plate): This reverb simulates a reverb plate, a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. You can also achieve unusual metallic-sounding reverbs using SRV PLATE.
Reverb Level 0–127
Specifies the output level of the Reverb.
Reverb Output Assign A–D
Selects the OUTPUT jacks to which the Reverb unit’s stereo output is routed.
Pressing [F5 (Reverb)] in the General page calls up the Reverb page, in which you can make the following settings.
• For Type: 1 (REVERB)
Type (Reverb/Delay Type)
Selects a type of reverb or delay.
ROOM1: This is a short reverb with high density.
ROOM2: This is a short reverb with low density.
STAGE1: This is a reverb with greater late reverberation.
STAGE2: This is a reverb with strong early reflections.
HALL1: This is a very clear-sounding reverb.
HALL2: This is a rich reverb.
DELAY: This is a conventional delay effect.
PAN-DELAY: This is a delay effect with echoes that pan left
and right.
Time (Reverb/Delay Time) 0–127
When the Type setting is ROOM1–HALL2, this adjusts the length of reverberation. When the Type setting is DELAY or PAN-DELAY, this adjusts the delay time.
Higher settings produce a more spacious ambience.
HF Damp (Reverb/Delay HF Damp) *1
Specifies the frequency above which the high-frequency content of the reverb sound will be cut, or “damped.” Lower values cause a greater range of high frequencies to be cut, producing a softer reverb sound. If you do not want to cut the high frequencies of the feedback, set this parameter to BYPASS.
*1 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Feedback (Delay Feedback)
When the Type setting is DELAY or PAN-DELAY, this adjust the amount of delay feedback, controlling the number of delay repeats.
Higher settings will produce more delay repeats.
• For Type: 2 (SRV ROOM)/3 (SRV
HALL)/4 (SRV PLATE)
Pre Delay (Pre Delay Time) 0.0–100 ms
Adjusts the time delay from when the direct sound begins until the reverb sound is heard.
Time (Reverb Time) 0–127
Adjusts the time length of reverberation.
Size 1–8
Adjusts the size of the simulated room or hall. The size becomes bigger as the value increases.
High Cut (High Cut Frequency) *1
Sets the frequency above which the high-frequency content of the reverb will be reduced. If you do not want to damp the high frequencies, set this parameter to BYPASS.
Density (Reverb Density) 0–127
Adjusts the density of reverb. Higher values result in greater density.
Diffusion (Reverb Diffusion) 0–127
Adjusts the change in the density of the reverb over time. The higher the value, the more the density increases with time. (The effect of this setting is most pronounced with long reverb times.)
LF Damp Freq (LF Damp Frequency) *2
Specifies the frequency below which the low-frequency
content of the reverb sound will be reduced, or “damped.”
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LF Damp Gain -36–0 dB
Adjusts the amount of damping applied to the frequency range selected with LF Damp. With a setting of “0,” there will be no reduction of the reverb’s low-frequency content.
HF Damp Freq (LF Damp Frequency) *3
Specifies the frequency above which the high-frequency content of the reverb sound will be reduced, or “damped.”
HF Damp Gain -36–0 dB
Adjusts the amount of damping applied to the frequency range selected with HF Damp. With a setting of “0,” there will be no reduction of the reverb’s high-frequency content.
*1 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500 Hz, BYPASS
*2 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz
*3 4000, 5000, 6400, 8000, 10000, 12500 Hz
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Chapter 2 Using the XV-5080 Effects
Three different Multi-effects can be used in a Performance.
Select which of these three Multi-effects to use with Part Output MFX Select. With this parameter, the same Multieffects are applied to all selected Parts. You can adjust the amount of effect to be applied to the Parts by adjusting their Send Levels to each of the effect units. (Fig. 1)
The Send Level setting for each Tone can also influence effect intensity (Fig. 2).
Furthermore, you can take the Multi-effects you have applied to a Patch in a Part and apply them to the entire Performance, or just part of the Performance.
Fig.1 – When Output Assign is set to “MFX” in the Performance mode (the output settings for Tone are ignored)
Performance |
|
Part 1 |
|
Patch |
|
Part32 |
|
TONE |
Multi-Effects |
|
Chorus |
|
Reverb |
Fig.2 – When Output Assign is set to “PATCH” in the Performance mode (the output settings for Tone are valid)
Performance |
|
Part 1 |
|
Patch |
|
Part32 |
|
TONE |
Multi-Effects |
|
Chorus |
|
Reverb |
The primary role of the effect settings is to determine the Part Output Assign.
You can select from the following Part Output Assign settings values to suit your purposes.
MFX: Selected when Multi-effects, chorus, and reverb are
used.
A-D: Selected when outputting in stereo without use of the Multi-effects. Chorus and reverb can be used.
1-8: Selected when outputting in mono without Multieffects. Chorus and reverb can be used. When this setting is
used, chorus and reverb sounds are output in stereo according to the Chorus Output Assign and Reverb Output Assign settings.
PAT: The Part’s output destination is determined by the settings of the Patch or Rhythm Set assigned to the Part.
The screen appears as shown below, according to the settings values.
• For MFX
• For A–D
• For 1–8
The following shows the basic setting procedure.
1.Select the Performance you wish to use.
2.Press [F5 (Effects)].
The Perform Effect page will appear.
3. Press [F1 (General)].
The General page will appear.
4.Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set.
5.Turn the VALUE dial, or press [INC]/[DEC] to select the desired value.
*If you make a mistake when setting a parameter’s value, or you don’t like the change you have made, just press [UNDO] to restore the value the parameter originally had.
6.Repeat Steps 3 to 5 to set the Effect.
7.Press [EXIT] to return to the PERFORM Play page.
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