Roland GI-20 User Manual

4 (1)

Owner’s Manual

Thank you, and congratulations on your choice of the Roland GI-20 GK-MIDI Interface. Before using this unit, carefully read the sections entitled:

“USING THE UNIT SAFELY” (page 2–3) and “IMPORTANT NOTES” (page 4).

These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, owner’s manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Main Features

The GI-20 is a multifunction GK-MIDI interface.

It takes the signals from the individual strings of the guitar or bass equipped with a divided pickup, analyzes each string’s pitch and volume, and outputs the information as MIDI data. You can combine the GI-20 with a MIDI sound module and use the setup as a guitar synthesizer, or connect it to a computer and use it as an input tool for sequencers or similar applications.

Compatible with guitars and basses.

Features internal patch memory, allowing you to store a variety of different settings.

You can connect an expression pedal (the optional EV-5) or foot switch to (the optional FS-5U) adjust volume and pitch, hold notes, and control other aspects of performances.

The GI-20 comes equipped with a USB connector. Using a single cable, you can connect the unit to a computer to easily input data and play performances.

*USB, short for Universal Serial Bus, is a type of interface for connecting computers to a wide variety of peripheral devices.

The GI-20 also features a built-in chromatic tuner for fast, accurate tuning.

The unit supports the use of a variety of playing techniques, including finger picking and tapping. And it gives you the most natural expression, matching your playing technique.

Copyright © 2003 ROLAND CORPORATION

All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

Before using this unit, make sure to read the instructions below, and the Owner’s Manual.

..........................................................................................................

• Do not open (or modify in any way) the unit or its AC adaptor.

..........................................................................................................

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland

distributor, as listed on the “Information” page.

..........................................................................................................

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

Damp (e.g., baths, washrooms, on wet floors); or are

Humid; or are

Exposed to rain; or are

Dusty; or are

Subject to high levels of vibration.

..........................................................................................................

Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

..........................................................................................................

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor’s body. Other AC adaptors may

use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

..........................................................................................................

The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and

short circuits. Damaged cords are fire and shock hazards!

..........................................................................................................

Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

..........................................................................................................

Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

The AC adaptor or the power-supply cord has been damaged; or

If smoke or unusual odor occurs

Objects have fallen into, or liquid has been spilled onto the unit; or

The unit has been exposed to rain (or otherwise has become wet); or

The unit does not appear to operate normally or exhibits a marked change in performance.

..........................................................................................................

In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

..........................................................................................................

• Protect the unit from strong impact. (Do not drop it!)

..........................................................................................................

2

Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating

(watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

..........................................................................................................

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

..........................................................................................................

DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a

level that could cause permanent hearing loss. Damage to speakers or other system components may result.

..........................................................................................................

The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

..........................................................................................................

• Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet.

..........................................................................................................

Any accumulation of dust between the AC adaptor and the power outlet can result in poor insulation and lead to fire. Periodically wipe away such dust with a dry cloth. Also, disconnect the

power plug from the power outlet whenever the unit is to remain unused for an extended period of time.

..........................................................................................................

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

..........................................................................................................

Never climb on top of, nor place heavy objects on the unit.

..........................................................................................................

• Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit.

..........................................................................................................

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

..........................................................................................................

Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.

..........................................................................................................

Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

..........................................................................................................

Should you remove the rubber feet, make sure to put them in a safe place out of children’s reach, so

there is no chance of them being swallowed accidentally.

..........................................................................................................

For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: NEUTRAL

BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

3

IMPORTANT NOTES

291a

In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:

Power Supply

301

Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric

motor or variable lighting system).

302

The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a

cause for concern.

307

Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

351

Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of inter-

ference.

352a

This device may interfere with radio and television reception. Do not use this device in the vicinity of such

receivers.

352b

Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch

them off.

355b

When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.

Maintenance

401a

For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe

the unit thoroughly with a soft, dry cloth.

402

Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

553

Use a reasonable amount of care when using the unit’s buttons, sliders, or other controls; and when using its jacks

and connectors. Rough handling can lead to malfunctions.

554

• Never strike or apply strong pressure to the display.

556

When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s

internal elements.

558b

To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels (especially when it is late at

night).

559a

When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise,

you will need to use equivalent packaging materials.

561

Use only the specified expression pedal (EV-5; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Handling CD-ROMs

801

Avoid touching or scratching the shiny underside (encoded surface) of the disc. Damaged or dirty CD-ROM discs may not be read properly. Keep your discs clean using a commercially available CD cleaner.

204

*Microsoft and Windows are registered trademarks of Microsoft

Corporation.

206c

*Windows® 98 is known officially as: “Microsoft® Windows® 98

operating system.”

206e

*Screen shots in this documents are reprinted with permission

from Microsoft Corporation.

206f

*Windows® 2000 is known officially as: “Microsoft® Windows®

2000 operating system.”

206g

*Windows® Me is known officially as: “Microsoft® Windows®

Millennium Edition operating system.”

206h

*Windows® XP is known officially as: “Microsoft® Windows® XP

operating system.”

207

*Apple and Macintosh are registered trademark of Apple

Computer, Inc.

209

*MacOS is a trademark of Apple Computer, Inc.

220

*All product names mentioned in this document are trademarks or

registered trademarks of their respective owners.

231

*OMS is a registered trademark of Opcode Systems, Inc.

232

*FreeMIDI is a trademark of Mark of the Unicorn, Inc.

4

Contents

USING THE UNIT SAFELY ...................

2

IMPORTANT NOTES ..........................

4

Panel Descriptions ............................

6

Front Panel....................................................................................

6

Rear Panel .....................................................................................

7

Signal Flow ...................................................................................

8

Preparations to Make Before Performing ...

9

Items to Have On Hand..............................................................

9

Installing the Divided Pickup on the Guitar or Bass...........

9

About MIDI..................................................................................

9

Connection Examples ...............................................................

10

Selecting the Guitar or Bass ....................................................

10

Chapter 1 Try Playing Some Sounds .....

11

Playing Sounds from a Sound Module.................................

11

Connections...........................................................................

11

Turning On the Power.........................................................

11

Adjusting the Input Sensitivity (SENSITIVITY)..............

11

Selecting Patches ..................................................................

12

Setting the MIDI Channel (MIDI CHANNEL) ................

14

Setting the Control Channel (CTL CH).............................

15

Performing on the Guitar....................................................

16

Connecting to a Computer.......................................................

17

Setting the MIDI Port...........................................................

17

Setting the MIDI Data Path (MIDI PLAYBACK) ............

17

Chapter 2

 

Creating Your Own Settings (Patches)...

18

Calling Up the Input Sensitivity Settings ............................

18

Setting the Feeling of the Performance (PLAY FEEL)........

18

Setting the Pedal and Switch Functions (ASSIGN) ...........

19

Shifting the Pitch of the Sound (TRANSPOSE) .................

23

Setting the Range in Which Pitches Are Changed

 

(BEND RANGE) ........................................................................

23

Switching Sounds on External Devices

 

(PRG CHANGE) ........................................................................

25

Muting Specific Strings (STRING MUTE) ..........................

26

Storing the Settings (WRITE) .................................................

26

Copying Patches ........................................................................

27

Chapter 3

 

Convenient Functions Featured by the GI-20....

28

Tuning (TUNER) .......................................................................

28

Preventing Transmission of Program Change Messages

 

(PC MASK) ...................................................................................

29

Saving the Patches and System Parameters

 

to an External Device (BULK DUMP) ...................................

29

Receiving Saved Data Using MIDI

 

(BULK LOAD (MIDI)) .........................................................

30

Receive Saved Data Through USB

 

(BULK LOAD (USB)) ...........................................................

31

Reducing the Size of a MIDI Pitch Bend Message

 

(BEND DATA THIN) ...............................................................

31

Reducing the Amount of Control Change Data Transmitted

 

(RECEIVE CONTROL CHANGE DATA THIN).........................

32

Limiting the Extent of the Bend Range

 

(BEND RANGE MAX)..............................................................

32

Selecting the Type of USB Driver..........................................

33

Chapter 4 Other Functions ..............

34

Reset to Default Factory Settings (Factory Reset) ...............

34

Installing the Rack Mount Adaptor.......................................

34

Attaching the Rubber Feet.......................................................

34

Chapter 5 Appendices ....................

35

Troubleshooting ........................................................................

35

Error Messages ...........................................................................

37

Roland Exclusive Messages.....................................................

38

MIDI Implementation..............................................................

40

MIDI Implementation Chart...................................................

43

Specifications .............................................................................

44

Installing & Setup the Driver...........

45

Installing & Setting Up the Driver (Windows) .......

46

Installing & Setting Up the Driver (Macintosh) .....

59

Troubleshooting ......................................................

65

Index .............................................

69

Conversions Used in This Manual

Words in square brackets [ ] indicate panel buttons or knobs. (Example)

[WRITE]: WRITE button

(p. **) indicates a reference page.

5

Panel Descriptions

Front Panel

fig.00-01

1

3

4

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2 5

1. GK IN connector

Connect to the divided pickup using the GK cable included with the GI-20.

*Any questions you have regarding connections to the various GK-compatible guitars available on the market should be directed to the relevant guitar manufacturer or dealer.

6

7

8

9

8. TUNER (STRING SEL) button

Press this when using the tuner function. Use this to select the strings when determining the parameter to set for each individual string.

9. POWER switch

This turns the GI-20’s power on and off.

2. LED display

This displays patch numbers, parameter values, and other information.

3. Tuner indicator

This indicates the tuning when the GI-20 is in Tuner mode.

When setting the sensitivity, this indicates the level.

4. WRITE button

Use this for writing patches (Write procedure; p. 26). This is also used as the button to execute Factory Reset (p. 34) and Bulk Dump (p. 29).

5. SELECT (EXIT) button

Use this button to undo the Write procedure (p. 26) and select functions and parameters.

6. PARAMETER knob

This is used to select the parameter to be set.

7. PATCH/VALUE buttons

Use this to switch patches and change parameter values.

6

Panel Descriptions

Rear Panel

10

 

11

 

12

13

14

15

 

 

 

 

 

 

16

17

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

10.Cord Hook

14.EXP PDL (expression pedal) jack

Anchor the AC adaptor power cord here to prevent the adaptor from being disconnected accidentally.

Connect an optional expression pedal (such as the EV-5) here.

*To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

11.AC Adaptor jack

The AC adaptor is connected here.

Never use any AC adaptor other than the one provided. Connecting any other adaptor may result in damage to the equipment.

12.GUITAR/BASS switch

Switch this according to the instrument you are using. Switch to GUITAR if you are using a guitar; if using a bass, switch this to BASS.

*Note that the GI-20 may not operate properly if this setting is not correct.

13.FOOT SW jack

Connect an optional foot switch (such as the BOSS FS5U) here.

15.GUITAR OUT jack

This outputs the sound from the guitar or bass’s normal pickup.

Connect this to a guitar amp or bass amp, or to an effects processor.

16.MIDI connector (IN/OUT)

This connector is used to connect an external MIDI device, allowing MIDI data to be transmitted and received.

17.USB connector

This connector is for connecting to a computer using a USB cable.

No USB cable is included with the GI-20. You will need to purchase a third-party USB cable separately.

7

Panel Descriptions

Signal Flow

Expression Pedal

Guitar / Bass

Foot Switch

 

8

Preparations to Make Before Performing

Although the GI-20 can be used with both guitars and basses, the descriptions here are based on the assumption you are using a guitar or six-string bass, and the numerals indicating the “strings” in the descriptions of settings and procedures correspond to the 1st through 6th strings of a guitar or regular six-string bass. If you are using a four-string or five-string bass, substitute the following numbers for those discussed in the manual.

1st String

---

2nd String

1st String (G)

3rd String

2nd String (D)

4th String

3rd String (A)

5th String

4th String (E)

6th String

5th String (B)

Items to Have On Hand

To use the GI-20, you need a guitar or bass equipped with a pickup capable of separately outputting the signals for each individual string (a divided pickup).

The GI-20 contains no internal sound generator, so you will need to use a separate MIDI sound module.

Determine which other gear you will need by referring to the connection examples (p. 10).

Installing the Divided Pickup on the Guitar or Bass

First, attach the divided pickup to your instrument. Install the GK-2A if you are using a guitar; if you are playing a bass, install the GK-2B. Refer to the GK-2A or GK-2B Owner’s Manual for instructions on installing the pickup.

Guitars That Cannot Be Used with the GK-2A/GK-2B

While the compact design of the GK-2A/GK-2B allows its installation on many different guitars, please note the following types of guitars on which it cannot be used:

12-string, pedal steel, and other specially strung guitars.

Nylon-strung, gut-strung, and similar guitars; bass guitars.

Guitars which, due to their physical design, lack the space for proper mounting of the GK-2A/GK-2B.

Several guitar manufacturers produce guitars that can be connected directly to the GR series with a GK cable, without the use of a GK-2A/GK-2B. For more information, please ask your dealer or these guitar manufacturers.

About MIDI

MIDI stands for “Musical Instrument Digital Interface,” a worldwide standard that enables electronic instruments and peripherals to share information about performances, sound switching, and other functions. MIDI is a standard that is shared by a wide range of instruments from different manufacturers. For instance, you could use a MIDI controller from company A to play a sound module from company B or send data to a sequencer from company C.

MIDI Messages Handled by the GI-20

What follows is a list of some of the different types of MIDI messages that the GI-20 can handle.

“Note On messages” provide information on what string was played, and its pitch and force.

“Note Off messages” provide information on when a string stops vibrating.

“Bend messages” provide information for changing the pitch smoothly, such as when bending, vibrato, or hammering.

“Bank Select messages” and “Program Change messages” transmit commands for switching patches.

“Control Change messages” provide information on changes in volume and effects.

“System Exclusive (SysEx) messages” provide information for exchanging patch data with external instruments.

9

Roland GI-20 User Manual

Preparations to Make Before Performing

Connection Examples

When the guitar or bass is set up, connect the various devices as shown in the connection examples given in the figure.

* The GI-20 connects to sound modules only via MIDI, not USB, even if the sound module is USB equipped.

When use GI-20 as a Guitar (Bass) Synthesizer

When use GI-20 as a tool to input data to sequencer softwere

Monitor Speakers

Monitor Speakers

 

(powered)

 

(powered)

 

 

MIDI Sound Module

 

MIDI Sound Module

 

 

 

MIDI IN

 

MIDI IN

 

AC Adaptor

MIDI Cable

AC Adaptor

MIDI Cable

 

(ACI or ACB)

 

(ACI or ACB)

 

 

 

MIDI OUT

 

MIDI OUT

Computer

 

 

 

 

USB Cable

 

 

 

 

* You will need to purchase a

 

 

 

 

third-party USB cable separately.

GK Cable

 

GK Cable

 

To prevent malfunction and/or

 

 

damage to speakers or other

 

 

 

 

 

 

 

 

devices, always turn down the

 

 

 

 

volume, and turn off the power

 

 

 

 

on all devices before making

 

 

 

 

any connections.

 

Guitar / Bass

 

Guitar / Bass

 

Selecting the Guitar or Bass

Set the GUITAR/BASS switch on the rear panel to match the instrument you are playing, in accordance with the range in which you are playing. Switch to GUITAR if you are using a guitar; if using a bass, switch this to BASS.

*Note that the GI-20 may not operate properly if this setting is not correct.

After the power is turned on, “Gt” (guitar) or “bG” (bass) flashes in the display for several seconds, allowing you to check the status of the GUITAR/BASS switch.

* This does not appear in the display when the GUITAR/BASS switch setting is changed at a later point.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GUITAR

BASS

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

*With the factory settings, all of the GI-20’s patch settings are optimized for guitar.

If you are using a bass, you can carry out a Factory Reset (p. 34), and change the settings so that they are suitable for the bass.

10

Chapter 1 Try Playing Some Sounds

Playing Sounds from a Sound Module

This section explains how to connect the GI-20 to an external

MIDI sound module and use it as a guitar synthesizer.

Connections

fig.01-01

Monitor Speakers

(powered)

MIDI Sound Module

 

MIDI IN

AC Adaptor

MIDI Cable

(ACI or ACB)

 

 

MIDI OUT

GK Cable

Guitar / Bass

Connect the GI-20 and the external MIDI sound module as shown in the connection example in the figure.

Turning On the Power

Once your connections have been completed, turn on power to your various devices in the order specified. By turning on the devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

1.MIDI Sound Module

2.GI-20

fig.01-02

*This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

3. Monitor Speakers

Turning Off the Power

1.Turn the volume down all the way on the MIDI sound module and monitor speakers or other device.

2.Turn off the power to the power amp or other device.

3.Turn off the power to the MIDI sound module and the GI-20.

Adjusting the Input Sensitivity (SENSITIVITY)

For best performance, it is important to adjust the input sensitivity for each individual string.

*You can store up to four sets of sensitivity settings (G1–G4), which means there is no need to readjust the settings from scratch each time you switch guitars and basses.

1. Turn the PARAMETER knob to “GUITAR SEL.”

fig.01-03

2. Press [PATCH/VALUE] to select the save destination for the sensitivity settings (G1–G4).

fig.01-04

When G1 is selected

3.Press [SELECT] to switch to the Sensitivity settings screen.

The left numeral indicates the string number, and the right numeral indicates the value of the sensitivity setting.

The level is indicated by the five indicators at the top of the display.

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Chapter 1 Try Playing Some Sounds

Level

String number

Sensitivity value

4.Play each string individually with the maximum force to be used during the actual performance, and as you play the string, adjust the sensitivity with [PATCH/ VALUE] until all five indicators light up momentarily.

Too low

All five indicators light up momentarily

5.When you have finished making the settings, turn the PARAMETER to return to “PLAY MODE.”

*Sensitivity is a system parameter. The settings are saved automatically when the memories (G1–G4) is changed or the PARAMETER knob is turned, even without the Write procedure being carried out. The settings in each of the memories (G1–G4) are applied to all patches. However, whichever of the sets G1–G4 to be used by each patch (Calling Up Input Sensitivity Settings” p. 18) is a patch parameter. Use the Write procedure to save these settings.

Selecting Patches

Switching the GI-20’s patches allows you to change the values of settings instantly and perform using a wide variety of sounds.

What is a Patch?

The various information used in performing with the GI-20 is stored in sets called “patches.” In each patch you can store the settings values for the parameters described below, and switching these patches allows you to reproduce their settings instantly.

 

 

 

 

 

 

 

Patch 50

 

 

 

 

• GUITAR SEL

• BEND RANGE

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Patch 03

• TRANSPOSE

 

 

 

 

• PLAY FEEL

 

 

 

 

 

 

 

 

 

 

 

 

 

• ASSIGN

• STRING MUTE

 

 

 

• GUITARPatchSEL

02• BEND RANGE

 

 

 

 

 

 

 

 

 

 

 

 

• PRG CHANGE

MONO/POLY

 

 

• GUITARPatchSEL

01• BEND RANGE

 

 

 

• PLAY FEEL

• TRANSPOSE

 

 

 

 

 

 

 

 

 

 

 

• ASSIGN

 

 

• STRING MUTE

 

 

• PLAY FEEL

 

• TRANSPOSE

 

• GUITAR SEL

• BEND RANGE

 

 

 

 

 

 

 

• PRG CHANGE

• MONO/POLY

 

 

• ASSIGN

 

• STRING MUTE

 

• PLAY FEEL

• TRANSPOSE

 

 

 

 

 

 

• PRG CHANGE

• MONO/POLY

 

• ASSIGN

• STRING MUTE

 

 

 

 

 

• PRG CHANGE

• MONO/POLY

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

System Parameters and Patch

Parameters

In contrast to the “patch parameters,” whose settings can be stored to each patch individually, parameters that are used by the GI-20 overall are called “system parameters.”

The following describes the different types of patch parameters and system parameters.

* Patch parameters are indicated in blue on the front panel.

System Parameters

SENSITIVITY (p. 11)

MIDI BASIC CH (p. 14)

MIDI CTL CH (p. 15)

PC MASK (p. 29)

MASTER TUNE (p. 28)

System parameters are stored in the GI-20 when you turn the PARAMETER knob after making changes to the settings.

*The MIDI BASIC CH and MIDI CTL CH parameters are also stored in the GI-20 when you press [SELECT] after making changes to the settings.

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Chapter 1 Try Playing Some Sounds

MIDI PLAYBACK (p. 17)

BEND DATA THIN (p. 31)

RECEIVE CONTROL CHANGE DATA THIN (p. 32)

BEND RANGE MAX (p. 32)

USB DRIVER TYPE (p. 33)

These parameters are saved to the GI-20 the moment you change the settings values.

Patch Parameters

GUITAR SEL (p. 18)

PLAY FEEL (p. 18)

ASSIGN (p. 19)

PRG CHANGE (p. 25)

BEND RANGE (p. 23)

TRANSPOSE (p. 23)

STRING MUTE (p. 26)

MONO/POLY (p. 14)

With patch parameters, the Write procedure (p. 26) is used to save the settings values to individual patches after changes are made to the settings.

How to Switch Patches

Switch patches by pressing [PATCH/VALUE] in “Play mode” (p. 16).

Each time you press [PATCH/VALUE ], the patch numbers are switched one at a time in ascending order, from 01 on up to 50.

Each time you press [PATCH/VALUE ], the patch numbers are switched one at a time in descending order, from 50 down to 01.

When Not Switching Patches

With the GI-20, patches can only be switched in Play mode. When switching patches, turn the PARAMETER knob to return to Play mode.

Each of the GI-20’s patches at the time the GI-20 is initially purchased is set for compatibility with GM sound modules.

Setting the sound module to GM mode when using a GM-compatible sound module allows you to enjoy a variety of sounds with the GI-20, just as at the time it was purchased.

GM (General MIDI) is a set of recommended standards covering the way sounds are played by MIDI sound module, the arrangement of internal sound lists, and other aspects involving production of sound with sound generators. GMcompatible MIDI sound generating devices are called GM sound modules, and these devices are capable of reproducing essentially the same musical performance, regardless of the manufacturer or type of device.

About the Display

The following information is displayed when the GI-20 is in Play mode.

Patch Number

Dot

Lights up when the settings are changed.

Flashes while data is being stored.

When the content displayed is three or more digits long, the displayed is scrolled as shown below.

(Ex.) 440.0 Hz

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Chapter 1 Try Playing Some Sounds

Setting the MIDI Channel

(MIDI CHANNEL)

Setting the Transmission Mode (MONO/POLY)

The GI-20 features two kinds of modes to transmit MIDI

messages.

 

MIDI Message

 

 

MIDI Message

1st

Basic Channel

 

 

 

1st

 

 

 

 

Basic Channel

+1

 

 

 

 

 

 

2nd

 

 

2nd

 

 

 

 

Basic Channel

+2

 

 

Basic

 

3rd

 

Sound

3rd

Sound

 

Channel

Basic Channel

+3

 

4th

 

Module

4th

 

 

 

Module

Basic Channel

+4

 

5th

 

 

5th

 

 

 

 

Basic Channel

+5

 

 

 

 

 

 

6th

 

 

6th

 

 

 

 

 

 

 

 

 

 

 

 

String

 

 

 

String

 

 

 

 

 

 

 

 

 

 

 

 

MONO

 

 

POLY

*With the factory settings, all patches are set to MONO MODE.

MONO (MONO MODE)

In this mode, each individual string uses a separate channel, thus totaling six channels.

Since each string uses a different MIDI channel, you can select different sounds for each string and continuously change the pitch data when using string bending and other special techniques with specific strings. However, this requires a multitimbral sound module.

POLY (POLY MODE)

In this mode, the information for all six strings is transmitted over a single channel.

Since the MIDI messages for all six strings are transmitted over a single channel, it simplifies the settings for the sound module and reduces the number of MIDI channels used. However, options are more limited, for example, the same sound must be selected for all of the strings.

* In POLY mode, the Pitch Bend/Glide and Vibrato set in Assign (p. 19) function as follows.

When chords are played, Pitch Bend and Glide change in semitone steps and Vibrato does not function. These function normally when you play notes individually.

1. Turn the PARAMETER knob to “MIDI CHANNEL.”

2.Press [SELECT] to select MONO/POLY.

When MONO/POLY is selected, only the leftmost indicator lights up.

Lit

3.Press [PATCH/VALUE] to select either MONO or POLY.

MONO

POLY

4.To save the setting, carry out the Write procedure (p. 26).

*If you do not want to save the setting, turn the PARAMETER knob to return to “PLAY MODE.”

5.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

Setting the MIDI Transmit Channel

(BASIC CH)

This sets the GI-20’s MIDI Transmit channel (here called the “basic channel”). Set the MIDI channels as shown below according to whether the GI-20 is in POLY or MONO MODE.

When in POLY MODE

The performance data for all of the strings is transmitted over the Basic channel.

When in MONO MODE

1st String: Transmitted over the Basic channel. 2nd String: Transmitted over the Basic channel + 1. 3rd String: Transmitted over the Basic channel + 2.

:

6th String: Transmitted over the Basic channel + 5.

*With the factory settings, all patches are set to MONO MODE, and the Basic channel is set to Channel 1.

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Chapter 1 Try Playing Some Sounds

1. Turn the PARAMETER knob to “MIDI CHANNEL.”

2.Press [SELECT] to select BASIC CHANNEL (BASIC CH).

When BASIC CHANNEL is selected, the two indicators at the left light up.

Lit

3.Press [PATCH/VALUE] to select the Basic channel number.

*Since the six channels used in MONO MODE are consecutive, selecting Channel 12–16 as the Basic channel results in the MIDI channel number for the sixth string to exceed the allowable range of 1–16. In this case, the display flashes, and the performance data is sent by Channel 11–16.

4.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

*The Basic channel is a system parameter. It is saved automatically when the PARAMETER knob is turned, even without the Write procedure being carried out, and the settings values are applied to all patches.

Setting the Control Channel (CTL CH)

You can connect a foot controller or other such device to the MIDI IN connector to switch patches and perform other operations. In this case, you will need to set the “control channel” for reception of MIDI messages.

The control channel is a dedicated channel used only for receiving MIDI messages transmitted over the channel set to the same number. MIDI messages transmitted over other channels are disregarded.

*However, when the control channel is set to “OMNI mode” (Omni), MIDI messages are received regardless of the channel.

*With the factory settings, the control channel is set to “OMNI.”

The GI-20’s MIDI IN/OUT cannot be used under the

following conditions.

When MIDI IN and OUT are connected directly

When the Soft Thru for the sequencer connected to MIDI IN/OUT is set to ON

In either case, the error message “E3” (p. 37) appears, and the GI-20 stops functioning normally.

The GI-20 can receive the following types of MIDI messages over the control channel.

Control Change

Control Change messages received over the control channel are transmitted over the basic channel (in MONO mode, all of the transmission channels for the strings).

Additionally, you can control the functions set in Assign (p. 19) by assigning Control Changes to the general (assignable) controllers 3–8.

General Purpose Controller 3 (CC #18):

Expression Pedal

General Purpose Controller 4 (CC #19):

Foot Switch 1

General Purpose Controller 5 (CC #80):

Foot Switch 2

General Purpose Controller 6 (CC #81):

GK Volume

General Purpose Controller 7 (CC #82):

S1 Switch

General Purpose Controller 8 (CC #83):

S2 Switch

*These Control Change messages are not transmitted externally to other devices.

*For data corresponding to the Foot Switches 1/2 and S1/S2 Switches, 00h–3Fh are output as 00h (OFF), and 40h–7fh are output as 7fh (ON).

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Chapter 1 Try Playing Some Sounds

Program Change

These messages switch the GI-20’s patches.

Program Changes 0–49 correspond to Patches 1–50 on the GI20.

* Program Changes 50–127 are disregarded.

 

 

Basic

 

 

Channel

 

Control

Sound

 

Module

MIDI

Channel

Patch

Foot Controller

 

 

 

1. Turn the PARAMETER knob to “MIDI CHANNEL.”

2.Press [SELECT] to select CONTROL CHANNEL (CTL CH).

When CONTROL CHANNEL is selected, the three indicators at the left light up.

Lit

3.Press [PATCH/VALUE] to select the Control channel number.

If you want to set the omni mode, select “oM.”

4.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

*The Control channel is a system parameter. It is saved automatically when the PARAMETER knob is turned, even without the Write procedure being carried out, and the settings values are applied to all patches.

Performing on the Guitar

When you have finished making the settings, try playing the

guitar or bass to play sounds from the MIDI sound module.

1.Turn the PARAMETER knob to “PLAY MODE.”

2.Play the guitar or bass.

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Chapter 1 Try Playing Some Sounds

Connecting to a Computer

This section explains how to connect the GI-20 to your computer with a USB cable and use it as a tool to input data to sequencers and other devices.

No USB cable is included with the GI-20. You will need to purchase a third-party USB cable separately.

Do not press [SELECT] or connect (or disconnect) any device or cable to (or from) the USB connector during performances or while operating sequencers or other devices with the computer. This may cause malfunctioning of the computer or MIDI sound module.

*First, follow the instructions in “Installing & Setup the Driver” (p. 45) to install the GI-20 driver on your computer.

Setting the MIDI Port

This setting determines which MIDI data from the GI-20 is used by the applications on your computer.

In the application’s MIDI device selection screen, select “Roland GI-20 MIDI IN” as the input device and “Roland GI20 MIDI OUT” as the output device.

*For instructions on selecting the input device, refer to the owner’s manual for the application you are using.

Roland GI-20 MIDI IN

This is the port used for inputting performance data to the GI-20 from your computer.

Input here is performance data from guitars and basses equipped with GK connectors.

Roland GI-20 MIDI OUT

This is the port used for outputting performance data to your computer from the GI-20.

When MIDI PLAYBACK is set to ON, the performance data the GI-20 receives from the computer is output as is from the GI-20’s MIDI OUT connector (refer to “Setting the MIDI Data Path (MIDI PLAYBACK)” p. 17).

Setting the MIDI Data Path

(MIDI PLAYBACK)

You can switch the MIDI messages that are output from MIDI OUT. Set MIDI PLAYBACK to “Off” when you want to output performance data input from the GK input directly from the MIDI OUT connector. When you want to output your computer’s MIDI performance data from the GI-20’s MIDI OUT connector, for example, if you want to play the computer’s MIDI data through an external MIDI sound module, set this to “On.”

1. Turn the PARAMETER knob to “PLAY MODE.”

2.Press [SELECT] to set MIDI PLAYBACK to “On” or “Off.”

[SELECT] is lit when this is set to “On”; when set to “Off,” [SELECT] is unlit.

*MIDI PLAYBACK cannot be set to “On” unless the computer and the GI-20 are connected with a USB cable.

Signal Paths That Can Be Selected With

MIDI PLAYBACK

When MIDI PLAYBACK is On: [SELECT] is lit

PC

USB MIDI

Sound

Module

When MIDI PLAYBACK is Off: [SELECT] is unlit

PC

USB MIDI

Sound

Module

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Chapter 2 Creating Your Own Settings (Patches)

Calling Up the Input

Sensitivity Settings

Select input sensitivity settings appropriate for the guitar or bass you are using.

1. Turn the PARAMETER knob to “GUITAR SEL.”

fig.02-01

2.Press [PATCH/VALUE] to select a setting from G1 to G4.

You can make the input sensitivity settings for each of

the sets G1–G4 (p. 11).

fig.02-02

When G1 is selected

3.If you want to save the settings, carry out the Write procedure (p. 26).

*If you do not want to save the settings, turn the PARAMETER knob to return to “PLAY MODE.”

4.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

Setting the Feeling of the

Performance (PLAY FEEL)

With guitars, in contrast to keyboards and similar instruments, the vibrating strings are touched directly, giving the player the ability to exert subtle control over the dynamics. To realize most faithfully this aspect of the guitar, you need to set a “performance response” for each patch that is appropriate both for the way the instrument is being played, as well as the sounds that are used.

These parameters are controlled by “PLAY FEEL.” For example, you can get more natural dynamic expression by changing PLAY FEEL according to whether you are playing the strings with your fingers or using a pick.

1. Turn the PARAMETER knob to “PLAY FEEL.”

fig.02-03

2.Press [PATCH/VALUE] to change the value.

3.If you want to save the settings, carry out the Write procedure (p. 26).

*If you do not want to save the settings, turn the PARAMETER knob to return to “PLAY MODE.”

4.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

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Chapter 2 Creating Your Own Settings (Patches)

The PLAY FEEL settings and their effects

nr: Normal

General picking, thus the standard setting for play.

Fi: Finger picking

The setting for when you want to perform with the feeling finger picking provides. Sensitivity is a little higher than Normal.

Hd: Hard picking

This setting is for those who pick rather hard, and the sensitivity is a little lower than Normal.

*When there is a problem with the guitar’s arrangement, and the only places GK-2A/GK-2B’s divided pickup can be installed are too close to the strings, you may be able to improve the behavior with the settings in each patch.

SF: Soft picking

For picking that is a little weaker. Sensitivity is a little higher than Normal.

tP:Tapping play

When making use of many kinds of picking techniques, such as tapping play (or “right-hand play”), pullingoff, or hammering-on, this setting provides very stable sound expression. The range of power that can be expressed is a bit narrow.

nd: No dynamics

With this setting, no matter how hard or softly you play, you get uniform volume and tone. Use this setting with tones like Synth Lead or Organ when you want to transmit a feeling without expression.

Setting the Pedal and Switch

Functions (ASSIGN)

You can assign various functions to an expression pedal (the optional EV-5) or foot switch (the optional FS-5U) connected to the GI-20, or to the GK-2A/GK-2B’s S1, S2, and GK VOL.

*When connecting a foot switch (the optional BOSS FS-5U) to the FOOT SW jack, you can use the optional PCS-31 connection cable to connect two foot switches. Only FOOT SWITCH 1 is operational when just one FS-5U is connected to the FOOT SW jack.

 

PCS-31

 

 

white

red

 

 

FOOT SW 1 FOOT SW 2

FOOT SW 1

Expression

Pedal

 

 

 

FOOT SW 1

 

Set the polarity switch

 

 

as shown below.

FOOT SW 2

*Use only the specified expression pedal (EV-5; optional). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Always make sure that the power to the GI-20 is turned off when connecting or disconnecting any foot switch or expression pedal. Connecting or disconnecting these devices while the GI-20’s power is on may cause malfunction in the GI-20 or MIDI sound module.

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Chapter 2 Creating Your Own Settings (Patches)

1. Turn the PARAMETER knob to “ASSIGN.”

2.Press [SELECT] to select the parameter whose settings you want to change.

The display indicators light up as shown below according to the parameter being set.

Lit

When the expression pedal is selected

Lit

When FOOT SWITCH 1 is selected

Lit

When FOOT SWITCH 2 is selected

Lit

When GK VOLUME is selected

Lit

When the S1/S2 switch is selected

3. Press [PATCH/VALUE] to change the value.

*For more on the settings values that can be selected, refer to the following section “Functions That Can Be Selected With Assign (ASSIGN).”

4.If you want to save the settings, carry out the Write procedure (p. 26).

*If you do not want to save the settings, turn the PARAMETER knob to return to “PLAY MODE.”

5.When you have finished making the settings, turn the PARAMETER knob to return to “PLAY MODE.”

Functions That Can Be Selected With

ASSIGN

The following describes the functions that can be assigned to

the controllers.

Controller

function

 

 

 

 

Expression Pedal

CC#1–31, 64–95, Pitch Bend 1–6,

 

Vibrato 1–4

 

 

Foot Switch 1/2

CC#1–31, 64–95, Patch Up, Patch Down,

 

Octave Up, Octave Down, GR Hold1–3,

 

Glide Up 1–8, Glide Down 1–8,

 

Vibrato 1–4

 

 

GK Volume

CC#1–31, 64–95

 

 

S1/S2 Switch

Patch Up/Down, Octave Up/Down

 

 

*When “POLY” is selected as the transmission mode, the Pitch Bend/Glide and Vibrato function as follows.

When BEND RANGE (p. 23) is set to anything other than Chromatic, Pitch Bend/Glide changes in semitone steps when chords are played, and Vibrato does not function. These function normally when you play notes individually.

When patches are switched, no signal is transmitted to restore the Control Change value transmitted with the previous patch. Therefore, if the same assign settings are used for both of the patches prior to and following the switch, the status of the controllers is carried over. However, if the assign settings are different for the patch you are switching to, you cannot restore the value for the Control Change transmitted with the earlier patch, so you will need to be aware of the following.

(Example)

The volume of a patch with CC 7 (Volume) assigned to the expression pedal is lowered to the minimum level. After this, if you switch to a patch with a different assign setting, since CC 7 (Volume) is not controlled in that patch, no sound is output, even when you press the expression pedal.

1–31, 64–95 (MIDI Control Change CC#1–31, CC#64–95)

(Ex.) CC 1

Pu: Patch Up

Transmits Control Change messages (#1–#31, #64–#95) from MIDI OUT. For more on the functions controlled with Control Change messages, refer to the “MIDI Implementation” (p. 40) and owner’s manual for the sound module you are using.

The patch number increases each time the switch is pressed.

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Chapter 2 Creating Your Own Settings (Patches)

Pd: Patch Down

The patch number decreases each time the switch is pressed.

Pt: Patch Up/Down

The S1 switch is used for the Patch Down function and the S2 switch for the Patch Up function.

ou: Octave Up

All notes are raised an octave each time the switch is pressed. The pitches can be raised up to a maximum of two octaves.

*The pitches of notes currently being played are not altered.

od: Octave Down

All notes are lowered an octave each time the switch is pressed. The pitches can be lowered by a maximum of three octaves.

*The pitches of notes currently being played are not altered.

oC: Octave Up/Down

The S1 switch is used for the Octave Down function and the S2 switch for the Octave Up function.

*If notes transposed using the Octave Up/Down function are in registers that are unplayable with MIDI messages, the MIDI messages in the expressable range above or below that octave are transmitted.

H1: GR Hold 1

The sound being played are held while the foot switch is pressed.

By holding down the pedal, you can have the synth sound play without stopping, even as you change the position (the point at which the stringed is pressed against the guitar neck) or play discontinuous notes.

However, you cannot play two different sounds from the same string simultaneously.

H2: GR Hold 2

The sound being played is held the moment you press the foot switch, and continues to be held while you hold the pedal down.

The synth sound is not played during the hold, allowing you to hold chords played with the synth sound while you play the melody using the normal guitar sound.

H3: GR Hold 3

The sound being played is held the moment you press the foot switch, and continues to be held while you hold the pedal down.

Since you can still play the strings that aren’t being held, it means you can hold chords played with the fifth and sixth strings using the synth sound, while you play the melody with the first through fourth strings, also using the synth sound.

*If the hold function is assigned to two foot switches, and both switches are pressed, the hold function for the foot switch pressed first takes priority, and the hold function for the foot switch pressed afterwards does not have any effect.

u1: Glide Up 1/d1: Glide Down 1

When the foot switch is pressed, the pitch changes continuously up (down) to a semi tone. Release the pedal to return to the original pitch.

u2: Glide Up 2/d2: Glide Down 2

When the foot switch is pressed, the pitch changes continuously up (down) to a whole tone. Release the pedal to return to the original pitch.

u3: Glide Up 3/d3: Glide Down 3

When the foot switch is pressed, the pitch changes continuously up (down) to a perfect fourth. Release the pedal to return to the original pitch.

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Chapter 2 Creating Your Own Settings (Patches)

u4: Glide Up 4/d4: Glide Down 4

When the foot switch is pressed, the pitch changes continuously up (down) to a perfect fifth. Release the pedal to return to the original pitch.

u5–u8: Glide Up 5–8/d5–d8: Glide Down 5–8

When the foot switch is pressed, the pitch changes continuously up (down) to one octave. Release the pedal to return to the original pitch.

The higher the numeral set, the less time it takes for the change in pitch to be completed.

V1–V4: Vibrato 1–4

Pressing the pedal applies vibrato (an effect that changes the pitch cyclically). The effect deepens as the value is increased

* When using the expression pedal for

this effect, the depth of the vibrato

changes with the pedal angle.

b1: Pitch Bend 1

When the pedal is pressed, the pitch changes up to a perfect fourth (max.).

b2: Pitch Bend 2

When the pedal is pressed, the pitch changes up to a perfect fifth (max.).

b2: Pitch Bend 3

When the pedal is pressed, the pitch changes up to one octave (max.).

b4: Pitch Bend 4

When the pedal is pressed, the pitch changes down to a semi tone (max.).

b5: Pitch Bend 5

When the pedal is pressed, the pitch changes down to a whole tone (max.).

b6: Pitch Bend 6

When the pedal is pressed, the pitch changes down to one octave (max.).

*When “POLY” (p. 14) is selected as the transmission mode, the changes in pitch with Glide and Pitch Bend occur in semitone steps whenever two or more notes are played together, and Vibrato does not function.

*MIDI Pitch Bend messages are used for Glide and Pitch Bend. If the change in pitch exceeds the BEND RANGE (p. 23) set for Glide or Pitch Bend, the Glide or Pitch Bend is cut off and retriggered.

When using Glide or Pitch Bend, have the bend range set to 24 or Chromatic (C1–C3).

However, if BEND RANGE MAX (p. 32) is set to 12, Glide and Pitch Bend are retriggered if the pitch rises or falls an octave or more.

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