Roland C-180 Manual

5 (1)

PORTABLE ORGAN

Owner's Manual

Thank you for purchasing a Roland C-180 Portable Organ. The C-180 is a new organ designed for religious congregations and all other occasions that call for high-quality organ or orchestral music in a portable instrument.

Two modes: Organ and Orchestra

The C-180 comes with the finest organ sounds Roland, and its organ division, Rodgers, have to offer. On top of that, it also features excellent instrument sounds for orchestral music.

In Organ mode, you can use the C-180 as “full works” instrument by switching on all ten Manual organ sounds simultaneously.

Bass and Manual parts

Though a single-keyboard instrument, the C-180 allows you to play monophonic bass parts (polyphonic in Orchestra mode) and polyphonic instrument sounds. The instrument sounds can be played via the entire keyboard, while the bass notes can be triggered via the left half of the keyboard. Whenever you play two-hand parts (and perhaps even chords with your left hand), the bass part will sound the lowest note of every chord you play.

Record your own performances

The C-180 makes it easy to record your own performances.

Before using this instrument, carefully read the section on page 2. It provides important information concerning the proper operation of the C-180.

To get the most out of the C-180 and to ensure many years of trouble-free service, we urge you to read through this Owner’s Manual thoroughly.

To avoid confusion, let’s agree to use the word “button” for all keys on the front panel, and only use “key” when referring to the C-180’s keyboard.

Copyright © 2000 ROLAND EUROPE. All rights reserved.

No part of this publication may be reproduced in any form without the written permission of Roland Europe s.p.a.

1

Roland C-180 Manual

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.

Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.

* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

• Before using this instrument, make sure to read the instructions below, and the Owner’s Manual.

• Do not open (or modify in any way) the instrument, and avoid damaging the supplied adapter.

Do not attempt to repair the instrument, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

• Never use or store the unit in places that are:

Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heatgenerating equipment); or are

Damp (e.g., baths, washrooms, on wet floors); or are

Humid; or are

Exposed to rain; or are

Dusty; or are

Subject to high levels of vibration.

Be sure to use only the adapter supplied with the

instrument. Also, make sure the line voltage at the installation matches the input voltage specified on the name plate.

Avoid damaging the adapter’s cord. Do not bend it excessively, step on it, place heavy objects on it, etc. A damaged cord can easily become a shock or fire hazard. Do not use the adapter when it shows clear signs of damage.

Thesymbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

This instrument may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks,

etc.) to penetrate the instrument.

Immediately turn the power off, remove the adapter from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when:

The the adapter has been damaged; or

Objects have fallen into, or liquid has been spilled onto the instrument; or

The instrument has been exposed to rain (or otherwise has become wet); or

The unit does not appear to operate normally or exhibits a marked change in performance.

In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

• Protect the unit from strong impact. Do not drop it!

2

Do not force instrument to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

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Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page.

The instrument and the adapter should be located so their position does not interfere with their proper ventilation.

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Always grasp only the plug or the body of the adapter when plugging into, or unplugging from, an outlet or

this instrument.

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• Whenever the unit is to remain unused for an extended period of time, disconnect the adapter.

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• Try to prevent cords and cables from becoming

entangled. Also, all cords and cables should be placed so they are out of the reach of children.

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Never climb on top of, nor place heavy objects on the unit.

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• Never handle the adapter with wet hands when plugging into, or unplugging from, an outlet or this unit.

• Before cleaning the unit, turn off the power and unplug the adapter from the outlet (see page 7).

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• Whenever you suspect the possibility of lightning in your area, disconnect the adapter from the outlet.

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H S I L G N E

3

Owner’s Manual

Contents

1. Panel descriptions . . . . . . . . . . . . . . . .

5

1.1 Front panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 1.2 Rear panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 1.3 Headphone connectors . . . . . . . . . . . . . . . . . . . . . . . .6

2. Getting started . . . . . . . . . . . . . . . .

. . .7

2.1

Connecting the adapter . . . . . . . . . . . . . . . . . . .

. . . .7

2.2

Turning the power on and off . . . . . . . . . . . . . .

. . . .7

2.3

Adjusting the volume . . . . . . . . . . . . . . . . . . . . .

. . . .7

2.4

Connecting headphones (sold separately) . . . . .

. . . .7

2.5

Listening to the demo songs . . . . . . . . . . . . . . .

. . . .8

 

Selecting a demo song . . . . . . . . . . . . . . . . . . .

. . . .8

3. Playing organ music (Organ mode)

. . .9

3.1

Setting registers in Organ mode . . . . . . . . . . . .

. . . .9

 

Registering the Manual section . . . . . . . . . . . .

. . . .9

 

Registering the Bass sound . . . . . . . . . . . . . . .

. . . .9

 

Selecting various organ timbres . . . . . . . . . . .

. . . .9

3.2

BASS functions . . . . . . . . . . . . . . . . . . . . . . . . . .

. . .10

 

Changing the split point . . . . . . . . . . . . . . . . .

. . .10

 

Playing only bass notes to the left of the split point 10

 

Playing the bass notes with an optional PK-5

. . .10

3.3

Additional functions . . . . . . . . . . . . . . . . . . . . . .

. . .11

 

Adding Reverb . . . . . . . . . . . . . . . . . . . . . . . . .

. . .11

 

Selecting different tunings . . . . . . . . . . . . . . .

. . .11

 

Using an expression pedal . . . . . . . . . . . . . . . .

. . .11

 

Transposing (same fingering, different notes)

. . .12

4. Playing other kinds of music

(Orchestra mode) . . . . . . . . . . . . . . . . .13

4.1

Selecting Manual sounds . . . . . . . . . . . . . . . . . . . .

.13

 

Layering two Manual sounds . . . . . . . . . . . . . . . .

13

 

Using a sustain pedal . . . . . . . . . . . . . . . . . . . . . . .

13

4.2

Adding Bass sounds . . . . . . . . . . . . . . . . . . . . . . . . .

14

4.3

Additional functions . . . . . . . . . . . . . . . . . . . . . . . . .

14

5. Convenient functions . . . . . . . . . . . . .15

5.1

Recording your performance . . . . . . . . . . . . . . . . .

.15

 

Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

15

 

Playing back a recorded song . . . . . . . . . . . . . . . .

15

5.2

Using the C-180’s memories . . . . . . . . . . . . . . . . . . .

15

Saving your settings as registrations . . . . . . . . . . .15 Loading the settings of a memory . . . . . . . . . . . .16

5.3 Using the audio outputs . . . . . . . . . . . . . . . . . . . . . .16 5.4 Inizializing your C-180 (Factory Setup) . . . . . . . . . . .16

6. Connecting the C-180 to MIDI devices 17

6.1

Making the connections . . . . . . . . . . . . . . . . . . . . .

.17

6.2

MIDI functions supported by the C-180 . . . . . . . . .

.18

7. Appendix . . . . . . . . . . . . . . . . . . . . . . .

19

7.1

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . .

.19

7.2

Suggested registrations . . . . . . . . . . . . . . . . . . . . .

.20

7.3

Demo song list . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.20

7.4

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

.21

4

C-180

1.Panel descriptions

1.1Front panel

A B C D

H S I L G N E

E F G H

AVOLUME slider

This slider allows you to increase or decrease the volume of all sound sections. For optimum sound quality, we recommend you set this slider to the 3/4 position.

BBASS slider

This slider controls the volume of the bass sounds (in Organ or Orchestra mode). (See page 7). It also allows you to set the Reverb level (see page 11) and the volume of the Layer sounds in Orchestra mode

(see page 13).

CBASS tilt tabs

These tabs allow you to switch on/off the corresponding Organ bass sound (SUB BASS or OCTAVE) or Orchestra bass tone (STR. BASS or E. BASS).

DMANUAL tilt tabs

In Organ mode (when the ORCHESTRA indicator does not light), these tabs allow you to switch on the corresponding organ register. You can activate all registers if you like.

In Orchestra mode (when the indicator of the same name lights), you can press one of these to select the orchestral sound whose name is printed below the tab you pressed. It is also possible to select two sounds simultaneously.

EDEMO button

Press this button to activate the C-180’s Demo mode. See page 8.

FTRANSPOSE button

Use this button to transpose the keyboard. This allows you to play in your favorite key, while the notes you play are sounded in another key. See page 12.

GREVERB button

I J K L M

HORCHESTRA button

Press this button if you want to use the C-180’s orchestral sounds rather than the organ sounds. See page 13.

ICANCEL, M1~M4 buttons

Your C-180 comes with four memories that can be accessed via the [M1]~[M4] buttons. There are four memories for either mode (Organ and Orchestra). Press the [CANCEL] button to override the settings of the currently selected memory.

JSET button

Hold down this button while pressing an [M1]~[M4] button to save the current panel settings to the corresponding memory.

KREC button

Your C-180 also contains a digital recording function. Press this button to select the record standby mode. (Next, press [PLAY] to start recording.)

Note: There are four song memories. See page 15.

LPLAY button

The function of this button depends on the REC indicator: if it flashes, pressing [PLAY] will start the recording of a new song. If the REC indicator is off, [PLAY] allows you to listen to a previously recorded song.

MORGAN BRILLIANCE button

In Organ mode, this button allows you to make the organ sound(s) brighter. In Orchestra mode, it is used to select a second bank of orchestral sounds (see page 13).

Press this button to switch the digital Reverb effect on (indicator lights) or off. See page 11.

5

Owner’s Manual

1.2 Rear panel

A B C D E F

APOWER button

Press this button once to switch the C-180. Press it again to switch the C-180 off.

BDC IN connector

This where you need to connect the supplied ACJ adapter. If it is damaged or out of order, be sure to replace it with the same ACJ model. Do not use other adapters as these may damage your C-180 beyond repair.

CCord hook

Allows you to anchor the adapter’s power cord. See page 7.

DSUSTAIN connector

This is where you can connect an optional DP-2, DP- 6, or BOSS FS-5U footswitch that allows you to hold the notes you are playing on the keyboard.

EEXPRESSION PEDAL connector

Connect an optional Roland EV-5, or FV-300L pedal to this jack so as to be able to control the C-180’s output level.

1.3 Headphone connectors

The C-180 features two headphone jacks. This allows two people to listen through headphones simultaneously, making it very useful for lessons. Additionally, this allows you to play without having to worry about bothering others around you, even at night.

For optimum sound quality, be sure to use optional Roland RH-25 or RH-50 headphones.

G H

FPITCH control

Allows you to tune the C-180 to acoustic instruments. Turn it towards the “ ” symbol to tune the C-180 flat-

ter (lower), and towards “#” to tune it higher.

GOUTPUT STEREO R, L/MONO connectors

The C-180 boasts an excellent internal stereo amplifier and speaker system that do away with the need for external amplification. Yet there may be times, when you prefer the C-180’s sound to be distributed via the public address system of the hall or church where you are performing – or you may want to record the C-180’s sound without background noises.

HMIDI OUT/IN connectors

Use these connectors for transmitting (OUT) and receiving (IN) MIDI messages to/from other instruments.

6

C-180

2.Getting started

2.1Connecting the adapter

Note: To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power of all devices before making any connections.

1.Connect the supplied ACJ adapter to the DC IN jack on the rear panel of the C-180.

2.Connect the other end to an AC outlet.

Turning off the power

1.Set the [VOLUME] slider to the minimum position.

2.Press the [POWER] switch to turn off the power.

2.3Adjusting the volume

The C-180 features two volume sliders. The [VOLUME] slider is used to change the global volume, while the [BASS] slider allows you to set the level of the bass sounds with respect to the organ or orchestral sounds.

H S I L G N E

2.2 Turning the power on and off

Your C-180 is fitted with an amplifier and speakers so that you do not need additional devices.

1. Turn the volume all the way down.

VOLUME BASS

2. Press the [POWER] switch on the rear panel to turn on the power.

Press at least one tab, because all sounds will be off immediately after switching on the C-180. Adjust the volume to your liking.

Note: Your C-180 is equipped with a protection circuit. A brief interval after power up is required before it will operate normally.

Global volume (all

Volume of the

sections)

bass tone

2.4 Connecting headphones (sold separately)

The C-180 features two headphone jacks. This allows two people to listen through headphones simultaneously, making it very useful for lessons. Additionally, this allows you to play without having to worry about bothering others around you, even at night.

1.Turn the volume all the way down.

2.Plug a pair of headphones (Roland RH-25, RH-50) into a PHONES jack on the lower-left panel of the C-180.

3.Adjust the volume.

By connecting headphones to the C-180, you switch off its speakers, which is ideal for playing or practising without disturbing others.

Note: Be sure to use stereo headphones.

Precautions to take when using headphones

To avoid damaging or severing the headphone cord, be sure to handle the headphones by holding the phones themselves, and grasping the plug rather than the cord when pulling the headphone plug.

Connecting the headphones when the volume of connected equipment is turned up may result in damage to the headphones. Connect the headphones only after turning the volume down completely.

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