Aerophone AE-10
Owner’s Manual
New digital wind instrument to expand the musical realm of saxophone players.
Saxophones are popular in all music scenes all over the world, from jazz, classical to rock and so on. And now, Roland is introducing a new digital wind instrument, developed with the latest technology, but designed based on the traditional acoustic saxophone. You can enjoy playing the sounds of different saxophones from soprano, alto, tenor and baritone, other wind instruments such as clarinet, flute and trumpet, strings instruments such as violin, and even powerful synth leads, offering the sax players the new musical expression and creativity.
Not only the volume but also the sound itself is dynamically affected by the force with which you blow into the mouthpiece and the strength with which you bite it, providing a natural and richly expressive sound.
It can be played using the same fingering as a saxophone, so if you’re a saxophone player, you’ll be able to start playing after you’ve read a few pages of this manual. It’s compact, and can also be used with headphones, so you can enjoy playing to your heart’s content even on your living room sofa, without being concerned about the time or place.
We hope that the Aerophone will spark your imagination and enrich your musical life.
Contents
Panel Descriptions. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
2 |
Connecting Your Equipment. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
3 |
Playing Saxophone Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
4 |
Holding the Aerophone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
4 |
Embouchure. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
4 |
Pressing the Performance Keys. . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
4 |
Using the Thumb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
4 |
Selecting a Saxophone Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
5 |
Short Cut. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
5 |
Instantly Recalling a User Tone. . . . . . . . . . . . . . . . . . . . . . . . |
5 |
Menu Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
6 |
Making Settings in the Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
6 |
Example: Changing the Master Tuning. . . . . . . . . . . . . . . . . |
6 |
Saving a Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
6 |
Menu List.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Adjusting the Volume.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Changing the Master Tuning . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Adjusting the Breath Sensitivity. . . . . . . . . . . . . . . . . . . . . . . |
7 |
Tone volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Changing the Key (Transpose). . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Octave Shift Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Reverb Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Chorus Setting.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Multi-Effect Setting.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
7 |
Specifying the Control of the Bite Sensor |
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(Reed Bite Strength). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
8 |
Pitch Change Sensitivity Setting . . . . . . . . . . . . . . . . . . . . . . |
8 |
Pitch Change Setting (Down). . . . . . . . . . . . . . . . . . . . . . . . . |
8 |
Pitch Change Setting (Up). . . . . . . . . . . . . . . . . . . . . . . . . . . . |
8 |
Thumb Controller Up/Down (Bend Up/Down) Setting . . . |
8 |
Bend Range Setting. . . . . . . . . . . . . . . . . . . . |
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8 |
Thumb Controller Left/Right Assignment Setting . . . . . . . |
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Thumb Controller Left/Right Range |
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(Minimum/Maximum Value) Settings. . . . . |
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Thumb Controller Toggle Settings. . . . . . . . |
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8 |
Octave Key Setting. . . . . . . . . . . . . . . . . . . . |
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8 |
Hold Setting. . . . . . . . . . . . . . . . . . . . . . . . . . . |
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8 |
Speaker Setting When Using Headphones. |
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8 |
Making the Power Automatically Turn Off After a Time |
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(Auto Off) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
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User tone shortcut setting.. . . . . . . . . . . . . . |
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9 |
Key display setting. . . . . . . . . . . . . . . . . . . . . |
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9 |
Switches the fingering mode.. . . . . . . . . . . . |
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Add/Edit/Delete Fingering . . . . . . . . . . . . . . |
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9 |
Breath Threshold Adjustment. . . . . . . . . . . . |
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10 |
Specifying the Basic State of the Bite Sensor |
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(Reed Bite Strength). . . . . . . . . . . . . . . . . . . . |
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Specifying Sensitivity of the Bite Sensor |
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10 |
(Reed Bite Strength). . . . . . . . . . . . . . . . . . . . |
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MIDI Transmit Channel Settings (MIDI Transmit Ch). . . . . . |
10 |
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Breath MIDI output setting 1/2.. . . . . . . . . . . |
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10 |
Bite MIDI output setting 1/2. . . . . . . . . . . . . . |
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10 |
Backing up user tones and system settings. . . . . . . . . . . . . |
10 |
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Restoring user tones and system settings . . |
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11 |
Returning to the Factory Settings (Factory Reset). . . . . . . |
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Clearing the user tones . . . . . . . . . . . . . . . . . . |
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11 |
Version Information. . . . . . . . . . . . . . . . . . . . . |
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11 |
Appendix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
13 |
Main Specifications. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
13 |
USING THE UNIT SAFELY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
13 |
IMPORTANT NOTES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
13 |
Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaflet “USING THE UNIT SAFELY” and the Owner’s Manual (p. 12)) After reading, keep the document(s) where it will be available for immediate reference.
1
1
2
3
4
5
6
7
8
9
10
11
1 Mouthpiece
This is the Aerophone’s dedicated mouthpiece. &For details, refer to “Embouchure” (p. 4).
55 When you’re not playing, protect this with the included mouthpiece cap.
55 The mouthpiece sensitivity is automatically adjusted when the power turns on. For this reason, don’t bite or touch the mouthpiece while turning on the power switch.
Maintaining the mouthpiece
The maintenance needed for a conventional saxophone is not necessary. If the mouthpiece becomes soiled from playing, remove the mouthpiece, wash it with water, and use a soft cloth to dry off any water droplets.
NOTE
55 |
When removing or attaching the mouthpiece, take |
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care not to bend the bite bar. |
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Take care not to hurt your hand on the screw that’s |
Screw |
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inside the mouthpiece. |
Bite |
When attaching the mouthpiece, take care not to |
bar |
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pinch your finger between the movable part and |
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the body of the instrument. Applying commercially |
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available recorder cream makes attachment and |
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removal easier. |
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If the mouthpiece needs to be replaced due to age or |
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any other reason, you may purchase the separately |
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sold OP-AE10MP or OP-AE10MPH (Hard type). |
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As shown in the illustration, insert the mouthpiece all the way until the concave and convex portions align.
*If the mouthpiece is not inserted all the way, it will not be possible to raise or lower the pitch (to apply vibrato) by varying your bite strength on the reed.
11
A
B
C
D
E
2 |
Performance keys |
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These keys are used for performance. They allow performance using |
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the same fingering as a saxophone (p. 4). |
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&For details, refer to “Fingering Chart” at the end of this manual. |
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3 |
Octave keys |
+2 |
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Switch the octave. Operate them using the left-hand |
+1 |
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thumb. |
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* The octave keys can be assigned to +1 / ±2 / ±3 octaves |
-1 |
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(p. 8). |
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-2 |
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4 |
[POWER] switch |
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This turns the power on/off. |
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*The power to this unit will be turned off automatically after a predetermined amount of time has passed since it was last
used for playing music, or its buttons or controls were operated (Auto Off function).
If you do not want the power to be turned off automatically, disengage the Auto Off function (p. 9).
5 [TONE] (tone selection) button
Accesses the tone (sound) select screen.
You can use this button in conjunction with the performance keys to instantly recall user tones.
&“Instantly Recalling a User Tone” (p. 5)
2
Panel Descriptions
6 Display section
Displays the tone name and menu.
Tone name/ |
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[MENU] button |
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Menu item |
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[C] [A] buttons |
Tone number/ |
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Value |
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Selecting the tone
On the Aerophone, each of the various sounds that you can select is called a “tone.”
1.Hold down the [TONE] button 5 and then press the [C] [A] buttons to select the tone number.
You can select tones from Preset tones (P:001–) and User tones (U:001–). When you turn on the power, the last-selected tone is selected.
Edit the menu
Pressing the [MENU] button, you can make various settings.
1.Press the [MENU] button to display the menu screen.
2.Use the [C] [A] buttons to select the menu item, and then press the [MENU] button.
3.Use the [C] [A] buttons to change the value.
4.To return to the tone selection screen, press the [TONE] button.
&For details, refer to “Menu Settings” (p. 6).
7 Thumb hook
Place your right thumb here.
8 Thumb controller
Use your right thumb to operate this controller.
Bend up/ |
Bends the pitch up/down. |
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Down |
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Portamento Makes the pitch change smoothly.
Growl |
Applies a saxophone’s growl |
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technique. |
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Thumb hook
Bend up
Growl Portamento
Bend down
*With the factory settings, these are the functions when a saxophone tone is selected. The operation differs depending on the tone that you select.
9 Battery case
The Aerophone can operate on batteries or on the included AC adaptor. If you are using batteries, insert six rechargeable Ni-MH batteries (AA, HR6), making sure that the batteries are oriented correctly.
*The battery life is approximately 7 hours for typical performance use. When the batteries run low,
the Battery icon ( ) blinks in the display.
Replace the battery as soon as possible.
*If you handle batteries improperly, you risk explosion and fluid leakage. Make sure that
you carefully observe all of the items related to batteries that are listed in “USING THE UNIT
SAFELY” and “IMPORTANT NOTES” (leaflet “USING THE UNIT SAFELY” and the Owner’s Manual (p. 12)).
*When turning the unit over, be careful so as to protect the buttons and knobs from damage. Also, handle the unit carefully; do not drop it.
10 Water drain
Drops of water will exit here. Wipe them off with a soft cloth.
11 Built-in speakers
You mainly adjust the volume by the force of your breath while playing, but you can also adjust the volume in the menu (p. 7).
A Strap ring
Attach a neck strap here.
B DC IN jack
Connect the included AC adaptor here.
Connecting your computer
C USB COMPUTER port
Use a commercially available USB 2.0 cable to connect this port to your computer. It can be used to transfer USB MIDI data.
Connecting your audio player
D INPUT jack
Connect your audio player. Sound from the connected device comes out of
the Aerophone’s built-in speaker and PHONES/OUTPUT jack.
This lets you play along with your favorite songs.
Use the controls of the connected device (audio player) to adjust the volume.
Connecting your monitor speakers or headphones
E PHONES/OUTPUT jack
Connect this jack to your monitor speakers |
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or headphones. |
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If you connect headphones or a cable to |
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this jack, sound is not output from the built- |
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in speakers, but you can change a menu |
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setting so that sound is output even in this |
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case (p. 8). |
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*After you’ve made connections to
devices such as speakers, be sure to turn on the power in the order of the Aerophone first, and then the connected system.
Powering-on in the incorrect order may cause malfunctions or damage. When turning the power off, power-off the connected system first, and then the Aerophone.
3
Attach the neck strap, put the strap around your neck, and hold the Aerophone as shown in the illustration.
Place your left thumb in the middle of the octave keys, and place your right thumb on the thumb hook.
NOTE
If you continue playing for an extended time, saliva from your mouth might drip down across the instrument and enter the interior from around the [POWER] switch or any keys.
When playing the instrument, wrap the included band around it as shown in the illustration.
Hold the mouthpiece lightly between your lips and teeth, and blow into it in the same way as a conventional saxophone.
55 The strength of your breath affects not only the volume but also the sound itself.
55 By using tonguing (using your tongue to control your breath) and legato you can control the sound more expressively.
55 The force with which you bite the reed will raise or lower the pitch (producing vibrato) just as a conventional saxophone.
Basic state
Pitch falls |
Pitch rises |
These are the performance keys. You can perform using the same fingering as on a saxophone.
&For details, refer to “Fingering Chart” at the end of this manual.
X |
Left index finger |
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1 |
C2 C1 |
P |
C4 |
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2 |
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C3 |
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3 |
Right index finger |
Tc |
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G# |
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B C# |
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Ta |
4 |
B |
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5
Tf
6
E
C
* Use the ball of the finger to press the side keys (C1–C4, Tc, Ta).
Playing harmonics (overtones)
By using special fingering and blowing techniques on a saxophone, you can produce harmonics (overtones) that sound notes in a range above the normal range.
55 On the Aerophone, you can easily produce harmonics simply by pressing the performance keys, without having to adjust your breath in a special way.
55 For the fingering, refer to the “Fingering Chart” at the end of this manual. 55 You can also edit the fingering to suit your preference (p. 9).
Octave keys |
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+2 |
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Switch the octave. Operate them using the left-hand |
+1 |
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thumb. |
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* The octave keys can be assigned to +1 / ±2 / ±3 |
-1 |
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octaves (p. 8). |
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-2 |
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Thumb controller |
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Use your right thumb to operate this |
Bend up |
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controller. |
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Bend up/ |
Bends the pitch up/down. |
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Down |
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Portamento |
Makes the pitch change |
Growl |
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smoothly. |
Portamento |
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Growl |
Applies a saxophone’s growl |
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technique. (*) |
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Bend down |
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*“Growl” is a performance technique in
which you produce a rough sound by vocalizing while blowing the sax. On the Aerophone, you can easily apply a growl technique simply by operating the thumb controller, without having to vocalize.
*With the factory settings, these are the functions when a saxophone tone is selected. The operation differs depending on the tone that you select.
4
Here’s how to select a typical saxophone tone.
SuperNATURAL icon |
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Tone name |
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[C] [A] buttons |
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Tone number |
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1.Hold down the [TONE] button and then press the [C] [A] buttons to select the tone number.
Use the [TONE] + [C] [A] buttons to select the following tone number.
# |
Tone Name |
Explanation |
Base |
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Key |
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P:001 |
Alto Sax Eb |
Alto saxophone |
E |
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P:002 |
Tenor Sax Bb |
Tenor saxophone |
B |
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Full range saxophone |
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P:012 |
Full Sax Eb |
Depending on the pitch range in which you |
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play, the sound automatically changes from |
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baritone through soprano saxophone sound. |
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P:013 |
Soprano Sax Bb |
Soprano saxophone |
B |
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P:014 |
Baritone Sax Eb |
Baritone saxophone |
E |
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*The base key is the pitch that sounds when you play the “C” fingering of the “Fingering Chart” at the end of this manual.
*The icon is shown if a SuperNATURAL tone is selected.
SuperNATURAL
These are proprietary Roland sounds created using
Behavior Modeling Technology, which enables natural and rich expression that was difficult to achieve on earlier sound generators.
Behavior Modeling Technology
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
Playing Various Tones
&For details, refer to the leaflet “Tone List.”
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Playing Saxophone Tones |
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Short Cut |
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Buttons |
Explanation |
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Hold down [C] and press [A] |
Decrease the value rapidly |
Hold down [A] and press [C] |
Increase the value rapidly |
[TONE] + Performance Key [E²] |
Decrement the tone number |
* Available only if the menu item “UserTone” |
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(p. 9) is ON |
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Increment the tone number |
[TONE] + Performance Key [C] |
* Available only if the menu item “UserTone” |
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(p. 9) is ON |
[TONE] button
Decrement the tone number
E
C
Increment the tone number
User tones (U:001–U:007) can be recalled instantly by holding down the [TONE] button and pressing one of the [1]–[7] performance keys. This is a convenient way to switch tones during a live performance.
* Available only if the menu item “UserTone” (p. 9) is ON
4
[TONE] button
5
6 1
2
7
3
5
Tone name/ |
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[MENU] button |
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Menu item |
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[C] [A] buttons |
Tone number/ |
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Value |
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Pressing the [MENU] button, you can various settings.
1.Press the [MENU] button to display the menu screen.
2.Use the [C] [A] buttons to select the menu item, and then press the [MENU] button.
3.Use the [C] [A] buttons to change the value.
4.To return to the tone selection screen, press the [TONE] button.
Here’s how to change the tuning of the Aerophone. The displayed value is the frequency of the A key. With the factory settings, the Aerophone’s tuning is set to A=440.0 Hz, but you can change this to some other tuning such as 442.0 Hz.
1.Press the [MENU] button.
2.Use the [C] [A] buttons to select “M.Tuning,” and then press the [MENU] button.
3.Use the [C] [A] buttons to change the tuning.
You can adjust the tuning in the range of 415.3 Hz–440.0 Hz (default)–466.2 Hz (in 0.1 Hz steps).
Items indicated by the 2 symbol in “Menu List” (p. 7) are “tone settings.” If you want to save the tone settings, save them as a user tone as described below.
System settings and tone settings
There are two types of settings: system settings and tone settings.
55 System settings are common to all tones. These settings are saved automatically when you change them.
55 Tone settings are for an individual tone. When you change a tone setting, it is not saved automatically; it is saved when you save the tone.
1.Long-press the [MENU] button.
The lower line shows the save-destination user tone number.
2.Use the [C] [A] buttons to change the
user tone number of the save destination.
3. Press the [MENU] button.
4. Rename the tone (16 characters).
Move the cursor
Change the character
Delete
Insert
5.Press the [MENU] button.
A confirmation message appears.
6.To execute the write, press the [A] (Y) button.
If you decide to cancel the write, press the [C] (N) button.
*Never turn off the power while data is being saved.
6
Menu Settings
2: Tone Setting S: System Setting
Menu |
Value |
Default |
Explanation |
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Volume |
0–10 |
8 |
M.Tuning 415.3–466.2 (Hz) 440.0
Breath |
L3, L2, L1, M, H1, |
M |
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H2, H3 |
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Tone Vol |
0–10 |
10 |
Depends Transpos -5–+6 on the
tone
Depends Octave -3–+3 on the
tone
Depends Reverb 0–10 on the
tone
Depends Chorus 0–10 on the
tone
MFX1 |
Depends on the |
Depends |
on the |
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MFX2 |
tone |
tone |
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Adjusting the Volume |
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S |
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You generally adjust the volume by the strength of your breath when performing, but you can also set the volume in the |
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menu. This changes the volume of the speaker and the PHONES/OUTPUT jack. |
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Changing the Master Tuning |
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Changes the tuning of the Aerophone. |
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S |
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The displayed value is the frequency of the A key. With the factory settings, the Aerophone’s tuning is set to A=440.0 Hz, but |
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you can change this to some other tuning such as 442.0 Hz. |
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L3 L2 |
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Adjusting the Breath Sensitivity |
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Specifies how the sound responds to the force of your breath. |
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L3, L2, L1 |
Fortissimo (ff) can be produced even by blowing relatively softly. |
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H1 |
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This setting is the closest to the response of an actual wind instrument. |
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H2 |
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H1, H2, H3 |
Fortissimo (ff) is produced only when you blow quite strongly. |
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Breath force |
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Tone volume |
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Specifies the volume of each tone. |
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Changing the Key (Transpose) |
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Transposes the pitch range of the tone in semitone steps. |
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-5 -4 -3 -2 -1 0 +1 +2 +3 +4 +5 +6
2
If this is set to “0,” the “C” fingering in the “Fingering Chart” at the end of this manual produces the pitch C.
The alto saxophone whose base key is “E ” is set to a transpose setting of “+3,” and the soprano saxophone whose base key is “B ” is set to “-2.”
Octave Shift Setting |
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2 |
Shifts the pitch range of the tone in one-octave steps. |
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The octave shift value is set appropriately for each tone so that it will have the appropriate pitch range. For example, this is set |
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to “0” for the soprano saxophone, “-1” for the alto saxophone, and “-2” for the baritone saxophone. |
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Reverb Setting |
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Adjusts the depth of reverb (the reverberation that is characteristic of a performance in a concert hall). |
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Higher values produce deeper reverberation; lower values produce shallower reverberation. |
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Chorus Setting |
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2 |
Adjusts the depth of the chorus effect. |
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Chorus is an effect that creates a beautiful spaciousness and depth by adding a slightly modulated sound. |
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Multi-Effect Setting |
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Specifies the depth of the effect that’s assigned to each tone. |
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* The effect type is set for each tone; it cannot be selected on the Aerophone. |
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&For details on the effect signal flow, refer to “Effect Flow” at the end of this manual. |
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Multi-Effect List |
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MFX TYPE |
Display |
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MFX TYPE |
Display |
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EQUALIZER |
EQ |
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OVERDRIVE |
OD |
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LOW BOOST |
LOW |
DISTORTION |
DS |
2 |
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ENHANCER |
EH |
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COMPRESSOR |
CMP |
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AUTO WAH |
WAH |
LIMITER |
LM |
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HUMANIZER |
HMN |
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GATE |
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PHASER |
PH |
DELAY |
DLY |
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RING MUDULATOR |
RNG |
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LONG DELAY |
LDL |
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TREMOLO |
TRM |
3TAP PAN DELAY |
3DL |
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AUTO PAN |
PAN |
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TELEPHONE |
TEL |
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ROTARY |
RTR |
PITCH SHIFTER |
PS |
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FLANGER |
FL |
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GATED REVERB |
GRV |
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SPACE-D |
SPC |
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7