42-4029.fm Page 1 Wednesday, August 11, 1999 4:14 PM
Concertmateâ 575
OWNER’S MANUAL Portable Electronic Keyboard
Please read before using this equipment.
100 SOUNDS |
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100 RHYTHMS |
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KEYBOARD |
WIND |
STRING |
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BRASS |
PERCUSSION |
SYNTH-SOUND |
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SOUND EFFECT |
KEYBOARD SPLIT |
ROCK |
16 BEAT |
DISCO |
DISCO |
POPS |
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00 |
PIANO |
10 |
SAMBA WHISTLE |
20 |
WARM STRINGS |
30 |
ELEC BASS |
40 BRASS ENS |
50 |
VIBRAPHONE |
60 |
SYNTH-CELESTA |
70 |
GRASS HARMONICA |
80 |
AIRPLANE |
90 |
BASS/VIBRAPHONE |
00 |
ROCK 1 |
10 |
16 BEAT 1 |
20 |
70'S DISCO |
30 |
FUNK 1 |
40 |
POPS 1 |
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01 |
ELEC PIANO |
11 |
WHISTLE |
21 |
STRINGS |
31 |
WOOD BASS |
41 WARM BRASS |
51 |
MARIMBA |
61 |
SYNTH-CLAVI |
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71 |
FANTASY |
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81 |
AMBULANCE |
91 |
BASS/PIANO |
01 |
ROCK 2 |
11 |
16 BEAT 2 |
21 |
EURO-BEAT 1 |
31 |
FUNK 2 |
41 |
POPS 2 |
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02 |
FUNKY CLAVI |
12 |
QUENA |
22 |
VIOLIN |
32 |
SNARE BASS |
42 TRUMPET |
52 |
CHURCH BELLS |
62 |
SYNTH-ACCORDION |
72 |
WAW VOICE |
82 |
INSECT |
92 |
BASS/TRUMPET |
02 |
HARD ROCK 1 |
12 |
16 BEAT 3 |
22 |
EURO-BEAT 2 |
32 |
FUNK 3 |
42 |
POPS 3 |
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03 |
HARPSICHORD |
13 |
FLUTE |
23 |
VIOLIN-VIB |
33 |
MANDOLIN |
43 TUBA |
53 |
BELLS |
63 |
SYNTH-PIANO |
73 |
TWINKLE ECHO |
83 |
EMERGENCY ALARM |
93 |
BASS/SYNTH-LEAD |
03 |
HARD ROCK 2 |
13 |
16 BEAT 4 |
23 |
EURO-BEAT 3 |
33 |
FUNK 4 |
43 |
POPS 4 |
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04 |
ELEC ORGAN |
14 |
FLUTE-VIB |
24 |
CELLO |
34 |
BANJO |
44 BRASS HIT |
54 |
TOM |
64 |
SYNTH-BRASS |
74 |
METAL LEAD |
84 |
LASER BEAM |
94 |
BASS/ELEC ORGAN |
04 |
HARD ROCK 3 |
14 |
16 BEAT 5 |
24 |
EURO-BEAT 4 |
34 |
FUNK 5 |
44 |
POPS 5 |
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05 |
JAZZ ORGAN |
15 |
OCARINA |
25 |
ELEC GUITAR |
35 |
SITAR |
45 WIND ENS |
55 |
ROCK DRUM |
65 |
SYNTH-REED |
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75 |
PLUNK EXTEND |
85 |
COSMIC SOUND |
95 |
STRINGS/BRASS |
05 |
HEAVY METAL 1 |
15 |
16 BEAT 6 |
25 |
HIP-HOP 1 |
35 |
FUNK 6 |
45 |
30' POPS |
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06 |
PIPE ORGAN |
16 |
BAGPIPE |
26 |
JAZZ GUITAR |
36 |
UKULELE |
46 ENGLISH HORN |
56 |
SWING DRUM |
66 |
SYNTH-LEAD |
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76 |
COSMIC DANCE |
86 |
TELEPHONE |
96 |
CHORUS/BELLS |
06 |
HEAVY METAL 2 |
16 |
16 BEAT 7 |
26 |
HIP-HOP 2 |
36 |
FUNK 7 |
46 |
60' POPS 1 |
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07 |
CHURCH ORGAN |
17 |
HARMONICA |
27 |
MUTE GUITAR |
37 |
HARP |
47 OBOE |
57 |
TRIANGLE |
67 |
SYNTH-GUITAR |
77 |
CATHEDRAL |
87 |
CAR HORN |
97 |
BRASS/SYNTH-REED |
07 |
8 BEAT 1 |
17 |
16 BEAT 8 |
27 |
HIP-HOP 3 |
37 |
FUNK 8 |
47 |
60' POPS 2 |
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08 |
STREET ORGAN |
18 |
CHORUS |
28 |
METAL GUITAR |
38 |
TAISHOKOTO |
48 BASSOON |
58 |
SAMPLE PERCUSSION |
68 |
SYNTH-STRINGS |
78 |
POP LEAD |
88 |
COMPUTER SOUND |
98 |
PIANO/FLUTE |
08 |
8 BEAT 2 |
18 |
LATIN 16 BEAT 1 |
28 |
TECNO-POP 1 |
38 |
FUNK 9 |
48 |
60' POPS 3 |
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09 |
ACCORDION |
19 |
BRASS-STRINGS |
29 |
SLAP BASS |
39 |
SHAMISEN |
49 CLARINET |
59 |
MATSURI |
69 |
SYNTH-BASS |
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79 |
PEARL DROP |
89 |
MOTORCYCLE |
99 |
STRINGS/OBOE |
09 |
8 BEAT 3 |
19 |
LATIN 16 BEAT 2 |
29 |
TECNO-POP 2 |
39 |
FUNK 10 |
49 |
60' POPS 4 |
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TEMPO |
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SOUND/RHYTHM SELECT |
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SOUND |
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OLDTIME ROCK |
SWING |
LATIN |
VARIOUS |
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50 |
ROCK'N'ROLL 1 |
60 |
SWING 1 |
70 |
SAMBA 1 |
80 |
REGGAE 1 |
90 |
GALOP 1 |
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MODE |
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VOLUME |
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0 |
1 |
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2 |
3 |
4 |
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POLY/TEXTURE |
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51 |
ROCK'N'ROLL 2 |
61 |
SWING 2 |
71 |
SAMBA 2 |
81 |
REGGAE 2 |
91 |
GALOP 2 |
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52 |
ROCK'N'ROLL 3 |
62 |
SWING 3 |
72 |
BOSSA NOVA 1 |
82 |
SALSA 1 |
92 |
MARCH 1 |
POWER OFF |
FINGERED |
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MIN |
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MAX |
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53 |
MERSEY BEAT |
63 |
SWING 4 |
73 |
BOSSA NOVA 2 |
83 |
SALSA 2 |
93 |
MARCH 2 |
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54 |
SLOW ROCK 1 |
64 |
BIG BAND 1 |
74 |
TANGO |
84 |
SALSA 3 |
94 |
WALTZ 1 |
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55 |
SLOW ROCK 2 |
65 |
BIG BAND 2 |
75 |
BEGUINE |
85 |
FOLKLORE 1 |
95 |
WALTZ 2 |
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56 |
SLOW ROCK 3 |
66 |
BIG BAND 3 |
76 |
MAMBO |
86 |
FOLKLORE 2 |
96 |
CLASSICAL |
NORMAL |
CONCERT |
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57 |
DOO-WOP |
67 |
JAZZ WALTZ |
77 |
RUMBA |
87 |
COUNTRY |
97 |
ELEC CLASSICAL |
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58 |
RHYTHM & BLUES |
68 |
TAP-DANCE BEAT |
78 |
CHA-CHA-CHA |
88 |
ENKA |
98 |
STREET ORGAN |
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CHORD |
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FILL-IN |
START/ |
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5 |
6 |
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7 |
8 |
9 |
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RHYTHM |
DEMO |
59 |
BLUES |
69 |
BOOGIE-WOOGIE |
79 |
HABANERA |
89 |
POLKA |
99 |
KOTO |
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STOP |
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C |
C# |
D |
Eb |
E |
F |
F# |
G |
Ab A |
Bb |
B |
C |
C# |
D Eb |
E |
F |
£ |
CHORD |
Cat. No. 42-4029
42-4029.fm Page 2 Wednesday, August 11, 1999 4:14 PM
FEATURES
Your Optimus Concertmate 575 Portable Electronic Keyboard is a state-of- the-art musical instrument with many exciting features. You can set the keyboard to sound like 100 different musical instruments or sound effects. To accompany your music, the keyboard has 100 different preset rhythms, as well as two types of auto-accompani- ments.
Your Concertmate 575’s features include:
Mini Keys — make the keyboard compact and versatile so you can play it anywhere.
Polyphonic Sound — lets you play and hear up to eight notes at the same time, so you can create or play almost any type of music.
Poly/Texture Key — lets you adjust the Concertmate 575's sound texture and polyphony (harmony).
Built-In Demonstration Tune — lets you hear a sample of what you and the Concertmate 575 can do.
100 Sounds — let you set your Concertmate 575 to sound like anything from a banjo to an insect when you press a key.
100 Auto-Rhythms — give you a steady beat for a wide range of music styles, from rhumba to slow rock.
Tempo Control — lets you speed up or slow down the tempo of any selected music pattern.
Fill-In Rhythm Key — lets you insert a short variation into any auto-rhythm.
Auto Accompaniment — lets you set the Concertmate 575 to automatically play a preset harmonic pattern to match the selected auto-rhythm.
Three Power Options—let you power the keyboard from internal batteries (not supplied), standard AC power (with an optional adapter), or your vehicle’s cigarette lighter socket (with an optional adapter) so you can make music almost anywhere.
©1997 Tandy Corporation. All Rights Reserved.
Concertmate and Optimus are registered trademarks used by Tandy Corporation. RadioShack is a trademark used by Tandy Corporation.
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To fully enjoy the features and functions of this electronic keyboard, please read this manual carefully and completely.
Note: This owner’s manual explains how to use this electronic keyboard. It does not teach music.
We recommend record your Concertmate 575’s serial number here. The number is on the bottom of the Concertmate 575.
Serial Number __________________
THE FCC WANTS YOU TO KNOW
This keyboard complies with the limits for a Class B digital device as specified in Part 15 of FCC Rules. These limits provide reasonable protection against radio and TV interference in a residential area. However, your keyboard might cause TV or radio interference even when it is operating properly. To eliminate interference, you can try one or both of the following corrective measures:
•Increase the distance between the keyboard and the radio or TV
•Use outlets on different electrical circuits for the keyboard and the radio or TV
Consult your local RadioShack store or an experienced radio/TV technician if the problem still exists.
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42-4029.fm Page 4 Wednesday, August 11, 1999 4:14 PM
CONTENTS |
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Connecting Power ............................................................................................... |
5 |
Using Batteries ................................................................................................ |
5 |
Using AC Power .............................................................................................. |
6 |
Using Vehicle Battery Power ........................................................................... |
7 |
A Look at Your Keyboard .................................................................................... |
8 |
Operation .............................................................................................................. |
9 |
Basic Operation ............................................................................................... |
9 |
Playing the Demonstration Tune ................................................................... |
10 |
Using the Preset Sounds ............................................................................... |
10 |
Selecting/Playing a Preset Sound ........................................................... |
11 |
Playing KEYBOARD SPLIT Sounds ....................................................... |
11 |
Using the Preset Auto-Rhythms .................................................................... |
12 |
Selecting/Playing an Auto-Rhythm ......................................................... |
12 |
Using FILL-IN .......................................................................................... |
13 |
Using Auto-Accompaniment .......................................................................... |
14 |
Easy Random Fingering ......................................................................... |
14 |
Standard Fingering ................................................................................. |
16 |
Adjusting the Polyphony/Texture ................................................................... |
18 |
Troubleshooting ................................................................................................. |
20 |
Care and Maintenance ....................................................................................... |
21 |
Standard Fingering Chord Chart ...................................................................... |
22 |
Specifications ..................................................................................................... |
24 |
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CONNECTING POWER
You can power your Concertmate 575 in any of these ways.
•Internal batteries (see “Using Batteries”)
•Standard AC power with an optional AC adapter (see “Using AC Power” on Page 6)
•A vehicle’s cigarette lighter socket with an optional DC adapter (see “Using Vehicle Battery Power” on Page 7)
Notes:
•Connecting an AC or DC adapter automatically disconnects internal batteries.
•Always disconnect an adapter from the power source when you finish using the Concertmate 575.
USING BATTERIES
Your Concertmate 575 can use five AA batteries (not supplied) for power. For the best performance and longest life, we recommend alkaline batteries, such as RadioShack Cat. No. 23-552.
Caution: Only use fresh batteries of the required size and type.
Follow these steps to install batteries in the Concertmate 575.
1.Be sure MODE is set to POWER OFF.
MODE
POWER OFF |
FINGERED |
NORMAL |
CONCER |
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CHORD |
2.Press the tab on the battery compartment cover in the direction of arrow, then pull up to remove the cover.
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3.Put the batteries in the compartment as indicated by the polarity symbols (+ and –) marked beside it.
4.Replace the cover.
Notes:
•If you won’t be using the Concertmate 575 for a week or more, or if you plan to use it only with AC or vehicle battery power, remove the batteries.
•If the Concertmate 575 sounds weak or does not work properly, replace all five batteries. Do not mix old and new batteries.
Caution: Dispose of old batteries promptly and properly.
USING AC POWER
You can power your Concertmate 575 from a standard AC outlet using a 7.5- volt AC adapter (not supplied), such as RadioShack Cat. No. 273-1662.
Cautions:
•You must use an AC adapter that supplies at least 7.5 volts and delivers at least 300 milliamps. Its center tip must be set to negative, its voltage switch must be set to 7.5 volts, and its plug must cor-
6
rectly fit the Concertmate 575’s DC 7.5V jack. The recommended adapter meets these specifications. Using an adapter that does not meet these specifications, or using the recommended adapter at a different voltage setting, could damage the Concertmate 575 or the adapter.
•Always plug the AC adapter into the Concertmate 575 before you plug it into the AC outlet. Always unplug the AC adapter from the AC outlet before you unplug it from the Concertmate 575.
5
4
DC 7.5V
3
2
1.Be sure MODE is set to POWER OFF.
2.Plug the proper-sized barrel plug into the adapter’s cable so it reads
– (negative) TIP.
3.Set the adapter’s voltage switch to 7.5 volts.
4.Insert the adapter’s other barrel plug into DC 7.5V on the back of the Concertmate 575.
5.Plug the adapter into a standard AC outlet.
42-4029.fm Page 7 Wednesday, August 11, 1999 4:14 PM
USING VEHICLE
BATTERY POWER
You can power your Concertmate 575 from your vehicle’s cigarette lighter socket using a DC adapter (not supplied), such as RadioShack Cat. No. 270-1560.
Cautions:
•You must use a DC adapter that supplies at least 7.5 volts and delivers at least 300 milliamps. Its center tip must be set to negative, its voltage switch must be set to 7.5 volts, and its plug must correctly fit the Concertmate 575’s DC 7.5V jack. The recommended adapter meets these specifications. Using an adapter that does not meet these specifications, or using the recommended adapter at a different voltage setting, could damage the Concertmate 575 or the adapter.
•Always plug the DC adapter into the Concertmate 575 before you plug it into the cigarette lighter socket. Always unplug the DC adapter from the cigarette lighter socket before you unplug it from the Concertmate 575.
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DC 7.5V
5 2
3
1.Be sure MODE is set to POWER OFF.
2.Plug the proper-sized barrel plug into the adapter’s cable so it reads
– (negative) TIP.
3.Set the adapter’s voltage switch to 7.5 volts.
4.Insert the adapter’s other barrel plug into DC 7.5V on the back of the Concertmate 575.
5.Plug the other end of the adapter into the vehicle’s cigarette lighter socket.
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42-4029.fm Page 8 Wednesday, August 11, 1999 4:14 PM
A LOOK AT YOUR KEYBOARD
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10 |
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9 |
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12 |
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3 |
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100 SOUNDS |
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100 RHYTHMS |
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KEYBOARD |
WIND |
STRING |
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BRASS |
PERCUSSION |
SYNTH-SOUND |
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SOUND EFFECT |
KEYBOARD SPLIT |
ROCK |
16 BEAT |
DISCO |
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DISCO |
POPS |
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00 |
PIANO |
10 |
SAMBA WHISTLE |
20 |
WARM STRINGS |
30 |
ELEC |
BASS |
40 BRASS ENS |
50 |
VIBRAPHONE |
60 |
SYNTH-CELESTA |
70 |
GRASS HARMONICA |
80 |
AIRPLANE |
90 |
BASS/VIBRAPHONE |
00 |
ROCK 1 |
10 |
16 BEAT 1 |
20 |
70'S DISCO |
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30 |
FUNK 1 |
40 |
POPS 1 |
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01 |
ELEC PIANO |
11 |
WHISTLE |
21 |
STRINGS |
31 |
WOOD |
BASS |
41 WARM BRASS |
51 |
MARIMBA |
61 |
SYNTH-CLAVI |
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71 |
FANTASY |
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81 |
AMBULANCE |
91 |
BASS/PIANO |
01 |
ROCK 2 |
11 |
16 BEAT 2 |
21 |
EURO-BEAT 1 |
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31 |
FUNK 2 |
41 |
POPS 2 |
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02 |
FUNKY CLAVI |
12 |
QUENA |
22 |
VIOLIN |
32 |
SNARE BASS |
42 TRUMPET |
52 |
CHURCH BELLS |
62 |
SYNTH-ACCORDION |
72 |
WAW VOICE |
82 |
INSECT |
92 |
BASS/TRUMPET |
02 |
HARD ROCK 1 |
12 |
16 BEAT 3 |
22 |
EURO-BEAT 2 |
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32 |
FUNK 3 |
42 |
POPS 3 |
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03 |
HARPSICHORD |
13 |
FLUTE |
23 |
VIOLIN-VIB |
33 |
MANDOLIN |
43 TUBA |
53 |
BELLS |
63 |
SYNTH-PIANO |
73 |
TWINKLE ECHO |
83 |
EMERGENCY ALARM |
93 |
BASS/SYNTH-LEAD |
03 |
HARD ROCK 2 |
13 |
16 BEAT 4 |
23 |
EURO-BEAT 3 |
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33 |
FUNK 4 |
43 |
POPS 4 |
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04 |
ELEC ORGAN |
14 |
FLUTE-VIB |
24 |
CELLO |
34 |
BANJO |
44 BRASS HIT |
54 |
TOM |
64 |
SYNTH-BRASS |
74 |
METAL LEAD |
84 |
LASER BEAM |
94 |
BASS/ELEC ORGAN |
04 |
HARD ROCK 3 |
14 |
16 BEAT 5 |
24 |
EURO-BEAT 4 |
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34 |
FUNK 5 |
44 |
POPS 5 |
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05 |
JAZZ ORGAN |
15 |
OCARINA |
25 |
ELEC GUITAR |
35 |
SITAR |
45 WIND ENS |
55 |
ROCK DRUM |
65 |
SYNTH-REED |
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75 |
PLUNK EXTEND |
85 |
COSMIC SOUND |
95 |
STRINGS/BRASS |
05 |
HEAVY METAL 1 |
15 |
16 BEAT 6 |
25 |
HIP-HOP 1 |
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35 |
FUNK 6 |
45 |
30' POPS |
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06 |
PIPE ORGAN |
16 |
BAGPIPE |
26 |
JAZZ GUITAR |
36 |
UKULELE |
46 ENGLISH HORN |
56 |
SWING DRUM |
66 |
SYNTH-LEAD |
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76 |
COSMIC DANCE |
86 |
TELEPHONE |
96 |
CHORUS/BELLS |
06 |
HEAVY METAL 2 |
16 |
16 BEAT 7 |
26 |
HIP-HOP 2 |
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36 |
FUNK 7 |
46 |
60' POPS 1 |
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07 |
CHURCH ORGAN |
17 |
HARMONICA |
27 |
MUTE GUITAR |
37 |
HARP |
47 OBOE |
57 |
TRIANGLE |
67 |
SYNTH-GUITAR |
77 |
CATHEDRAL |
87 |
CAR HORN |
97 |
BRASS/SYNTH-REED |
07 |
8 BEAT 1 |
17 |
16 BEAT 8 |
27 |
HIP-HOP 3 |
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37 |
FUNK 8 |
47 |
60' POPS 2 |
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08 |
STREET ORGAN |
18 |
CHORUS |
28 |
METAL GUITAR |
38 |
TAISHOKOTO |
48 BASSOON |
58 |
SAMPLE PERCUSSION |
68 |
SYNTH-STRINGS |
78 |
POP LEAD |
88 |
COMPUTER SOUND |
98 |
PIANO/FLUTE |
08 |
8 BEAT 2 |
18 |
LATIN 16 BEAT 1 |
28 |
TECNO-POP 1 |
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38 |
FUNK 9 |
48 |
60' POPS 3 |
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09 |
ACCORDION |
19 |
BRASS-STRINGS |
29 |
SLAP BASS |
39 |
SHAMISEN |
49 CLARINET |
59 |
MATSURI |
69 |
SYNTH-BASS |
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79 |
PEARL DROP |
89 |
MOTORCYCLE |
99 |
STRINGS/OBOE |
09 |
8 BEAT 3 |
19 |
LATIN 16 BEAT 2 |
29 |
TECNO-POP 2 |
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39 |
FUNK 10 |
49 |
60' POPS 4 |
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TEMPO |
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SOUND/RHYTHM SELECT |
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SOUND |
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OLDTIME ROCK |
SWING |
LATIN |
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VARIOUS |
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50 |
ROCK'N'ROLL 1 |
60 |
SWING 1 |
70 |
SAMBA 1 |
80 |
REGGAE 1 |
90 |
GALOP 1 |
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MODE |
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VOLUME |
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0 |
1 |
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2 |
3 |
4 |
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POLY/TEXTURE |
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51 |
ROCK'N'ROLL 2 |
61 |
SWING 2 |
71 |
SAMBA 2 |
81 |
REGGAE 2 |
91 |
GALOP 2 |
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52 |
ROCK'N'ROLL 3 |
62 |
SWING 3 |
72 |
BOSSA NOVA 1 |
82 |
SALSA 1 |
92 |
MARCH 1 |
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POWER OFF |
FINGERED |
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MIN |
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MAX |
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53 |
MERSEY BEAT |
63 |
SWING 4 |
73 |
BOSSA NOVA 2 |
83 |
SALSA 2 |
93 |
MARCH 2 |
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54 |
SLOW ROCK 1 |
64 |
BIG BAND 1 |
74 |
TANGO |
84 |
SALSA 3 |
94 |
WALTZ 1 |
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55 |
SLOW ROCK 2 |
65 |
BIG BAND 2 |
75 |
BEGUINE |
85 |
FOLKLORE 1 |
95 |
WALTZ 2 |
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56 |
SLOW ROCK 3 |
66 |
BIG BAND 3 |
76 |
MAMBO |
86 |
FOLKLORE 2 |
96 |
CLASSICAL |
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NORMAL |
CONCERT |
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57 |
DOO-WOP |
67 |
JAZZ WALTZ |
77 |
RUMBA |
87 |
COUNTRY |
97 |
ELEC CLASSICAL |
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58 |
RHYTHM & BLUES |
68 |
TAP-DANCE BEAT |
78 |
CHA-CHA-CHA |
88 |
ENKA |
98 |
STREET ORGAN |
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CHORD |
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FILL-IN |
START/ |
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5 |
6 |
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7 |
8 |
9 |
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RHYTHM |
DEMO |
59 |
BLUES |
69 |
BOOGIE-WOOGIE |
79 |
HABANERA |
89 |
POLKA |
99 |
KOTO |
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STOP |
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C |
C# |
D |
Eb |
E |
F |
F# |
G |
Ab A |
Bb |
B |
C |
C# |
D Eb |
E |
F |
£ |
CHORD |
11
1. |
Speaker |
7. |
START/STOP Button |
2. |
100 SOUNDS List |
8. |
TEMPO Buttons |
3. |
100 RHYTHMS List |
9. |
SOUND/RHYTHM SELECT Keypad |
4. |
MODE Selector |
10. SOUND POLY/TEXTURE Button |
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5. |
VOLUME Control |
11. |
RHYTHM Button |
6. |
FILL-IN Button |
12. DEMO Button |
8